Quotes about form
page 57

Theo Jansen photo

“Kinetic art was created by artists who pushed the boundaries of traditional, static art forms to introduce visual experiences that would engage the audience and profoundly change the course of modern art.”

Theo Jansen (1948) artist

Theo Jansen, quoted in: " 2015 International Kinetic Art Exhibit & Symposium - Boynton Beach, FL, USA http://intlkineticartevent.org/?page_id=107," 2015

William Ewart Gladstone photo
Colin Wilson photo
William Jennings Bryan photo

“Julio, in those libraries of death
study the bodies of those bones—an assured evil;
and learn from those characters
that they form the abecedary of death!”

Hernando Domínguez Camargo (1606–1659) Colombian poet

En tantas de la muerte liberias,
Los cuerpos de esos huesos mal seguro
Estudia Julio, y en su letra advierte,
que son abecedarios de la muerte!
San Ignacio de Loyola (1666), Poema heroyco ('Heroic Poem of Saint Ignatius of Loyola'), Book IV, Canto 6.
Quoted in Chambers Dictionary of Quotations (1997), p. 335

George Fitzhugh photo
Chris Hedges photo
Claude Lévi-Strauss photo
Charles Darwin photo

“There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”

Source: On the Origin of Species (1859), chapter XIV: "Recapitulation and Conclusion", page 490 http://darwin-online.org.uk/content/frameset?pageseq=508&itemID=F373&viewtype=image
Close of the first edition (1859). Only use of the term "evolve" or "evolution" in the first edition.
In the second http://darwin-online.org.uk/content/frameset?pageseq=508&itemID=F376&viewtype=image (1860) through sixth (1872) editions, Darwin added the phrase "by the Creator" to read:

Henry Calvert Simons photo
John Muir photo
Gustav Stresemann photo

“The conquest of Riga is of the greatest importance not only from the military, but also form the political point of view… Our military situation was never more glorious than it is at present. Meanwhile, there is also the U-boat war, which is taking its course. The destruction of enemy tonnage that was expected of it on the basis of official predictions, has not only been achieved, but partly exceeded by more than half…Time is working for us. Britain to-day is fighting the war with a watch in her hand, and it is in this that I see the fundamentally decisive effect of the U-boat weapon for us and the approach of peace…If we are to achieve anything through compromise and understanding, then the Government must not be forced to make any statements renouncing something from the outset. For this reason the tactics by which it has been and is still being tried to make the Government declare its disinterestedness in Belgium, are wrong. Even those who share the attitude of Herr Scheidemann ought to fight for the last stone in Belgium, in order to exploit to the utmost that which possession has made into a dead pledge…However, the fact that we are going to have peace—and, we hope, soon—will in my conviction be due, apart from our military achievements, to the effects of unrestricted U-boat warfare, of which I have repeatedly said before the Main Committee that while I reject the formula that it will force Britain to her knees, I believe as firmly in the formula that it will force Britain to the conference table.”

Gustav Stresemann (1878–1929) German politician, statesman, and Nobel Peace Prize laureate

Speech in the Reichstag (October 1917), quoted in W. M. Knight-Patterson, Germany. From Defeat to Conquest 1913-1933 (London: George Allen and Unwin, 1945), p. 121
1910s

R. Venkataraman photo
Edgar Rice Burroughs photo
H.L. Mencken photo
Frank Wilczek photo
Ossip Zadkine photo
Charles Lyell photo

“Of Dr. Hooker, whom I have often cited in this chapter, Mr. Darwin has spoken in the Introduction to his 'Origin of Species, as one 'who had, for fifteen years, aided him in every possible way, by his large stores of knowledge, and his excellent judgement.' This distinguished botanist published his 'Introductory Essay to the Flora of Australia' in 1859, the year after the memoir on 'Natural Selection' was communicated to the Linnaean Society, and a few months before the appearance of the' Origin of Species.'… no one was better qualified by observation and reflection to give an authoritative opinion on the question, whether the present vegetation of the globe is or is not in accordance with the theory which Mr. Darwin has proposed. We cannot but feel, therefore, deeply interested when we find him making the following declaration: 'The mutual relations of the plants of each great botanical province, and, in fact, of the world generally, is just such as would have resulted if variation had gone on operating throughout indefinite periods, in the same manner as we see it act in a limited number of centuries, so as gradually to give rise in the course of time, to the most widely divergent forms…. The element of mutability pervades the whole Vegetable Kingdom; no class, nor order, nor genus of more than a few species claims absolute exemption from it, whilst the grand total of unstable forms, generally assumed to be species, probably exceeds that of the stable.”

Charles Lyell (1797–1875) British lawyer and geologist

Source: The Geological Evidences of the Antiquity of Man (1863), Ch.21, p. 417-418

El Lissitsky photo

“For us [the young artists in Vitebsk, before 1920] Suprematism did not signify the recognition of an absolute form which was part of an already completed universal system, on the contrary; here stood revealed for the first time in all its purity the clear sign and plan for a definite new world never before experienced - a world which issues forth from our inner being and which is only now in the first stages of its formation, for this reason the square [ Malevich's Black and Red Square ] of suprematism became a beacon.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

Quote from Lissitzky's essay of 1920, 'Suprematism in World Reconstruction'; as quoted by Sophie Lissitzky-Küppers, in El Lissitzky: Life, Letters, Texts, trans. Helene Aldwinckle and Mary Whittall (Greenwich, Conn.: New York Graphic Society, 1968), p. 327
1915 - 1925

Frances Kellor photo
Ela Bhatt photo
Sinclair Lewis photo
Michel Seuphor photo
Rush Limbaugh photo
Umberto Boccioni photo
Vladimir Tatlin photo

“The engineers made hard forms. Evil. With angles. They are easily broken. The world is round and soft..”

Vladimir Tatlin (1885–1953) Russian artist

quote, c. 1930; cited by Christina Lodder https://utopiadystopiawwi.wordpress.com/constructivism/vladimir-tatlin/letalin/, in Russian Constructivism; Yale University Press, Connecticut, 1983, p. 214
The 'Letatlin' Tatlin constructed in organic round and oval forms
Quotes, 1926 - 1954

Josip Broz Tito photo

“No country of people's democracy has so many nationalities as this country has. Only in Czechoslovakia do there exist two kindred nationalities, while in some of the other countries there are only minorities. Consequently in these countries of people's democracy there has been no need to settle such serious problems as we have had to settle here. With them the road to socialism is less complicated than is the case here. With them the basic factor is the class issue, with us it is both the nationalities and the class issue. The reason why we were able to settle the nationalities question so thoroughly is to be found in the fact that it had begun to be settled in a revolutionary way in the course of the Liberation War, in which all the nationalities in the country participated, in which every national group made its contribution to the general effort of liberation from the occupier according to its capabilities. Neither the Macedonians nor any other national group which until then had been oppressed obtained their national liberation by decree. They fought for their national liberation with rifle in hand. The role of the Communist Party lay in the first place in the fact that it led that struggle, which was a guarantee that after the war the national question would be settled decisively in the way the communists had conceived long before the war and during the war. The role of the Communist Party in this respect today, in the phase of building socialism, lies in making the positive national factors a stimulus to, not a brake on, the development of socialism in our country. The role of the Communist Party today lies in the necessity for keeping a sharp lookout to see that national chauvinism does not appear and develop among any of the nationalities. The Communist Party must always endeavour, and does endeavour, to ensure that all the negative phenomena of nationalism disappear and that people are educated in the spirit of internationalism. What are the phenomena of nationalism? Here are some of them: 1) National egoism, from which many other negative traits of nationalism are derived, as for example — a desire for foreign conquest, a desire to oppress other nations, a desire to impose economic exploitation upon other nations, and so on; 2) national-chauvinism which is also a source of many other negative traits of nationalism, as for example national hatred, the disparagement of other nations, the disparagement of their history, culture, and scientific activities and scientific achievements, and so on, the glorification of developments in their own history that were negative and which from our Marxist point of view are considered negative. And what are these negative things? Wars of conquest are negative, the subjugation and oppression of other nations is negative, economic exploitation is negative, colonial enslavement is negative, and so on. All these things are accounted negative by Marxism and condemned. All these phenomena of the past can, it is true, be explained, but from our point of view they can never be justified. In a socialist society such phenomena must and will disappear. In the old Yugoslavia national oppression by the great-Serb capitalist clique meant strengthening the economic exploitation of the oppressed peoples. This is the inevitable fate of all who suffer from national oppression. In the new, socialist Yugoslavia the existing equality of rights for all nationalities has made it impossible for one national group to impose economic exploitation upon another. That is because hegemony of one national group over another no longer exists in this country. Any such hegemony must inevitably bring with it, to some degree or other, in one form or another, economic exploitation; and that would be contrary to the principles upon which socialism rests. Only economic, political, cultural, and universal equality of rights can make it possible for us to grow in strength in these tremendous endeavours of our community.”

Josip Broz Tito (1892–1980) Yugoslav revolutionary and statesman

Concerning the National Question and Social Patriotism http://www.marxists.org/archive/tito/1948/11/26.htm Speech held at the Slovene Academy of Arts and Sciences, November 26, 1948, Ljubljana
Speeches

Colin Wilson photo
Bruno Schulz photo
William Gibson photo
Melanie Joy photo
F. Scott Fitzgerald photo
Marcus Aurelius photo
John Stuart Mill photo
Andreas Schelfhout photo

“.. [both of us (Schelfhout ànd J. C. Schotel)] make each a painting that together will form one view, as it were [view of Scheveningen by Schotel / view of The Hague by Schelfhout].... [but] our paintings together will therefore not become one integrated thing, but only pendants... I have taken my drawing from the steps of the Pavilion [in Scheveningen], viewed over the dunes to [the city] The Hague. In the foreground, which is very bare and empty in reality, I have placed some trees.”

Andreas Schelfhout (1787–1870) Dutch painter, etcher and lithographer

translation from original Dutch: Fons Heijnsbroek
(original Dutch, citaat van Schelfhout, uit zijn brief:) ..[dat wij beiden, (Schelfhout èn J.C. Schotel )] elk een schilderij te maaken het welk bijde als het ware één gezigt zoude uitmaken [uitzicht van Scheveningen door Schotel, èn uitzicht op het centrum van Den Haag door Schelfhout].. ..[maar] onze schilderijen zullen dus te zamen geen geheel uitmaken, maar slechts pandanten zijn.. .Ik heb de teekening genomen van het bordes of trap van het pavilloen [in Scheveningen] over de duinen naar Den Haag gezien. Op de voorgrond, die in de natuur zeer kaal en ledig is heb ik eenige bomen geplaatst..
In a letter to J.C. Schotel, 18 Nov. 1828; in: collective Stadsarchief van ErfgoedCentrum DIEP, Dordtrecht, No. 48-d
Schelfhout was referring to the assignment from the Dutch King Willem I for two paintings: one view over the old center of The Hague & one view over the beach of Scheveningen.

Bouck White photo
Otto Weininger photo
Sania Mirza photo
Jane Roberts photo
Theodore Roszak photo

“A conceptual level view of an object design describes the key abstractions. While someone might think of key abstractions as being nothing more or nothing less than high-level descriptions of "candidate classes", I prefer to consider a conceptual design from a slightly different angle--I'm thinking about design at a slightly different level.
An object-oriented application is a set of interacting objects. Each object is an implementation of one or more roles. A role supports a set of related (cohesive) responsibilities. A responsibility is an obligation to perform a task or know certain information. And objects don't work in isolation, they collaborate with others in a community to perform the overall responsibilities of the application. So a conceptual view, at least to start, is a distillation of the key object roles and their responsibilities (stated at a fairly high level). More than likely (unless you form classification hierarchies and use inheritance and composition techniques) many candidates you initially model will map directly to a single class in some inheritance hierarchy. But I like to open up possibilities by think first of roles and responsibilities, and then as a second step towards a specification-level view, mapping these candidates to classes and interfaces.”

Rebecca Wirfs-Brock (1953) American software engineer

Rebecca Wirfs-Brock (2003) in " An Interview with Rebecca Wirfs-Brock Author of Object Design http://www.objectsbydesign.com/books/RebeccaWirfs-Brock.html" 2003-2005 Objects by Design, Inc: Answer to the question Can you clarify what you consider to be the essential elements of a "conceptual view".

Willem de Sitter photo

“To help us to understand three-dimensional spaces, two-dimensional analogies may be very useful… A two-dimensional space of zero curvature is a plane, say a sheet of paper. The two-dimensional space of positive curvature is a convex surface, such as the shell of an egg. It is bent away from the plane towards the same side in all directions. The curvature of the egg, however, is not constant: it is strongest at the small end. The surface of constant positive curvature is the sphere… The two-dimensional space of negative curvature is a surface that is convex in some directions and concave in others, such as the surface of a saddle or the middle part of an hour glass. Of these two-dimensional surfaces we can form a mental picture because we can view them from outside… But… a being… unable to leave the surface… could only decide of which kind his surface was by studying the properties of geometrical figures drawn on it. …On the sheet of paper the sum of the three angles of a triangle is equal to two right angles, on the egg, or the sphere, it is larger, on the saddle it is smaller. …The spaces of zero and negative curvature are infinite, that of positive curvature is finite. …the inhabitant of the two-dimensional surface could determine its curvature if he were able to study very large triangles or very long straight lines. If the curvature were so minute that the sum of the angles of the largest triangle that he could measure would… differ… by an amount too small to be appreciable… then he would be unable to determine the curvature, unless he had some means of communicating with somebody living in the third dimension…. our case with reference to three-dimensional space is exactly similar. …we must study very large triangles and rays of light coming from very great distances. Thus the decision must necessarily depend on astronomical observations.”

Willem de Sitter (1872–1934) Dutch cosmologist

Kosmos (1932)

August Macke photo
Robert P. George photo
Dinah Craik photo
Gerhard Richter photo

“I believe I am looking for rightness. My work has so much to do with reality that I wanted to have a corresponding rightness. That excludes painting in imitation. In nature everything is always right: the structure is right, the proportions are good, the colours fit the forms. If you imitate that in painting, it becomes false.”

Gerhard Richter (1932) German visual artist, born 1932

Interview with Anna Tilroe, 1987; as cited on collected quotes on the website of Gerhard Richter: on 'Abstract paintings' https://www.gerhard-richter.com/en/quotes/subjects-2/abstract-paintings-7
1980's

Ferdinand de Saussure photo

“By practice and conviction formed,
With ancient stubbornness ingrained,
Although her body clung and swarmed,
My own identity remained.”

Yvor Winters (1900–1968) American poet and literary critic

"Sir Gawaine and the Green Knight"
The Collected Poems of Yvor Winters (1960)

William John Macquorn Rankine photo
Gerald James Whitrow photo
James Madison photo
Meher Baba photo
Bruno Schulz photo
Ernesto Grassi photo

“If philosophy aims at being a theoretical mode of thought and speech, can it have a rhetorical character and be expressed in rhetorical forms? The answer seems obvious. Theoretical thinking, as a rational process, excludes every rhetorical element because pathetic influences—the influences of feeling—disturb the clarity of rational thought. …
To prove means to show something to be something, on the basis of something. To have something through which something is shown and explained definitively is the foundation of our knowledge. Apodictic, demonstrative speech is the kind of speech which establishes the definition of a phenomenon by tracing it back to ultimate principles, or archai. It is clear that the first archai of any proof and hence of knowledge cannot be proved themselves because they cannot be the object of apodictic, demonstrative, logical speech; otherwise they would not be the first assertions. Their nonderivable, primary character is evident from the fact that we neither can speak nor comport ourselves without them, for both speech and human activity simply presuppose them. But if the original assertions are not demonstrable, what is the character of the speech in which we express them? Obviously this type of speech cannot have a rational-theoretical character….
Basic premises cannot have an apodictic, demonstrative character and structure but are thoroughly indicative….
Arche … cannot have a rational but only a rhetorical character. Thus the term "rhetoric" assumes a fundamentally new significance; "rhetoric" is not, nor can it be the art, the technique of an exterior persuasion; it is rather the speech which is the basis of the rational thought.”

Ernesto Grassi (1902–1991) Italian philosopher

Source: Rhetoric as Philosophy (1980), pp. 18-19

Kazimir Malevich photo

“When, in the year 1913, in my desperate attempt to free art from the ballast of objectivity, I took refuge in the square form and exhibited a picture which consisted of nothing more than a black square on a white field. The critics and, along with them, the public sighed, 'Everything which we loved was lost. We are in a desert... Before us is nothing but a black square on a white background!”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

But the desert is filled with the spirit of non-objective feeling.. ..which penetrates everything.
In 'The Non-Objective World: The Manifesto of Suprematism', 1926; trans. Howard Dearstyne [Dover, 2003, ISBN 0-486-42974-1], 'part II: Suprematism', p. 68
1921 - 1930

Boris Sidis photo
Aristide Maillol photo
Michelle Obama photo

“Sometimes it makes your hips move. Sometimes it makes you rock your head. Sometimes it helps you just kick back and relax and soak it in. But no matter what form it comes in, you know this music always comes straight from the heart. You know you’re listening to someone who’s found her own unique voice, and isn’t afraid to show it to the world. And these women are perfect examples of just that.”

Michelle Obama (1964) lawyer, writer, wife of Barack Obama and former First Lady of the United States

Statements at "I'm every woman: The History of Women in Soul" event (06 March 2014) http://abcnews.go.com/blogs/politics/2014/03/michelle-obama-hangs-out-with-soul-sisters-melissa-etheridge-and-pattie-labelle/
2010s

Robert Musil photo

“Questions and answers click into each other like cogs of a machine. Each person has nothing but quite definite tasks. The various professions are concentrated at definite places. One eats while in motion. Amusements are concentrated in other parts of the city. And elsewhere again are the towers to which one returns and finds wife, family, gramophone, and soul. Tension and relaxation, activity and love are meticulously kept separate in time and are weighed out according to formulae arrived at in extensive laboratory work. If during any of these activities one runs up against a difficulty, one simply drops the whole thing; for one will find another thing or perhaps, later on, a better way, or someone else will find the way that one has missed. It does not matter in the least, but nothing wastes so much communal energy as the presumption that one is called upon not to let go of a definite personal aim. In a community with energies constantly flowing through it, every road leads to a good goal, if one does not spend too much time hesitating and thinking it over. The targets are set up at a short distance, but life is short too, and in this way one gets a maximum of achievement out of it. And man needs no more for his happiness; for what one achieves is what moulds the spirit, whereas what one wants, without fulfillment, only warps it. So far as happiness is concerned it matters very little what one wants; the main thing is that one should get it. Besides, zoology makes it clear that a sum of reduced individuals may very well form a totality of genius.”

The Man Without Qualities (1930–1942)

John Lancaster Spalding photo

“It is a large part of learning to know what one wants, and where it may be found in its most authentic form.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 202

Revilo P. Oliver photo

“In the first four centuries A. D. the world was full of Gnostics peddling special revelations, and, of course, Christ was only one of the Saviors: others were Baruch, Gamaliel, Tat (= the Egyptian god Toth), Seth (Egyptian god), Balaam, Ezechiel, Adam (whose books had just been discovered), Moses, Enoch, Marsanes, Nicotheus, Phosilampes, Mithra, Zoroaster, Zervan, et al., et al. In the early centuries of our era, the Near East was a Bedlam filled with the insane ravings of fakirs peddling their Saviors and their forged Gospels, and at this distance it is impossible to tell the difference between madmen, hallucinés who got visions of god from eating the sacred mushroom, Amanita muscaria, and shysters fleecing the yokels with mystic gabble. One cannot read much of the gibberish without feeling queasy and dizzy, but for a quick survey of the stuff that our holy men want to sweep under the rug, see Jean Doresse, Les livres secrets des Gnostiques d'Égypte, Paris, 1959, which surveys the books found at Chenoboskion a few years before. The one significant thing is that the peddlers of all forms of Gnosticism (including Christian cults before the Third Century) were almost all Jews. If you will look in your Scientific American for January 1973, pp. 80-87, you will note that the author has to admit that "it becomes increasingly evident that much of Gnosticism is probably of Jewish origin." He is naturally cautious, wary of offending God's Peculiar People. Although I admit that one cannot identify the race of some of the more prominent Salvation-hucksters, I think it significant that those whom one can identify racially always turn out to be Jews, and I would delete "much of" and "probably" in the author's statement.”

Revilo P. Oliver (1908–1994) American philologist

The Jewish Strategy, Chapter 12 "Christianity"
1990s, The Jewish Strategy (2001)

Bill Viola photo

“When I started in video I was one of two or three dozen video artists in 1970. And now, to paraphrase Andy Warhol, everyone's a video artist. Video, through your cellphone and camcorder, has become a form of speech, and speech is not James Joyce. It's great, and to be celebrated, but it has to find its own level.”

Bill Viola (1951) American video and installation artist

Bill Viola, in: Leo Benedictus. " Tomorrow's world http://www.theguardian.com/artanddesign/2006/jul/12/art1," in; The Guardian, Wednesday 12 July 2006.

Erving Goffman photo
Oscar Niemeyer photo

“My work is not about "form follows function," but "form follows beauty" or, even better, "form follows feminine."”

Oscar Niemeyer (1907–2012) Brazilian architect

Source: Quoted in Tracy Metz, "'Form Follows Feminine': Niemeyer, 90, Is Still Going Strong," Architectural Record (December 1997), p. 35.

N. Gregory Mankiw photo
Pope Benedict XVI photo
Anton Chekhov photo
Milton Friedman photo

“Corruption is government intrusion into market efficiencies in the form of regulations.”

Milton Friedman (1912–2006) American economist, statistician, and writer

Frequently misattributed to Milton Friedman based on a monologue from the 2005 movie Syriana
Misattributed

Helena Petrovna Blavatsky photo

“The Buddhists maintain that there is no Creator but an infinitude of creative powers, which collectively form the one eternal substance, the essence of which is inscrutable — hence not a subject for speculation for any true philosopher. Socrates invariably refused to argue upon the mystery of universal being, yet no one would ever have thought of charging him with atheism, except those who were bent upon his destruction. Upon inaugurating an active period, says the Secret Doctrine, an expansion of this Divine essence, from within outwardly, occurs in obedience to eternal and immutable law, and the phenomenal or visible universe is the ultimate result of the long chain of cosmical forces thus progressively set in motion. In like manner, when the passive condition is resumed, a contraction of the Divine essence takes place, and the previous work of creation is gradually and progressively undone. The visible universe becomes disintegrated, its material dispersed; and "darkness," solitary and alone, broods once more over the face of the "deep." To use a metaphor which will convey the idea still more clearly, an outbreathing of the "unknown essence" produces the world; and an inhalation causes it to disappear. This process has been going on from all eternity, and our present universe is but one of an infinite series which had no beginning and will have no end.”

Source: Isis Unveiled (1877), Volume II, Chapter VI

John Crowley photo
Edward Witten photo
George Long photo
Howard Thurman photo
Vandana Shiva photo

“The gradual spread of sterility in seeding plants would result in a global catastrophe that could eventually wipe out higher life forms, including humans, from the planet.”

Vandana Shiva (1952) Indian philosopher

On the terminator gene, from the book " Stolen Harvest: The Hijacking of the Global Food Supply https://books.google.co.in/books?id=yVn_OlBeDqoC&lpg=PA83&ots=mMupgiFh0t&dq=the%20terminator%20may%20spread%20to%20surrounding%20food%20crops%20or%20the%20natural%20environment%20is%20a%20serious%20one.%20The%20gradual%20spread%20of%20sterility%20in%20seeding%20plants%20would%20result%20in%20a%20global%20catastrophe%20that%20could%20eventually%20wipe%20out%20higher%20life%20forms%2C%20including%20humans%2C%20from%20the%20planet%E2%80%9D.&pg=PA83#v=onepage&q&f=false" (2001), p.83

J. F. C. Fuller photo

“In 1919 I was the sole person who saw war in the form it would be; yet saw it only as an acorn and not as an oak.”

J. F. C. Fuller (1878–1966) British Army general

Quoted in Men Against Fire. S.L.A. Marshall (1947), p. 27.

Ralph Ellison photo
Julian of Norwich photo
Alan Bennett photo

“To play Trivial Pursuit with a life like mine could be said to be a form of homeopathy.”

Alan Bennett (1934) English actor, author

Diary entry for June 7, 1985, p. 143.
Writing Home (1994)

Jeremy Rifkin photo
Cory Doctorow photo

“One form of math denial is the belief in the ability to make computers that prevent copyright infringement. Computers only ever work by making copies: restricting copying on the internet is like restricting wetness in water.”

Cory Doctorow (1971) Canadian-British blogger, journalist, and science fiction author

The FBI wants a backdoor only it can use – but wanting it doesn't make it possible http://theguardian.com/technology/2016/feb/24/the-fbi-wants-a-backdoor-only-it-can-use-but-wanting-it-doesnt-make-it-possible in The Guardian (24 February 2016)

Thomas Jefferson photo

“Dissent is the highest form of patriotism.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Various; earliest source The Use of Force in International Affairs http://www.worldcat.org/oclc/21414360 (Philadelphia: Friends Peace Committee, 1961), 6, and popularized by various users in the 1960s:
If what your country is doing seems to you practically and morally wrong, is dissent the highest form of patriotism?
Dissent is the highest form of patriotism http://wiki.monticello.org/mediawiki/index.php/Dissent_is_the_highest_form_of_patriotism_(Quotation), Thomas Jefferson Encyclopedia
Other form by historian Howard Zinn Dissent In Pursuit Of Equality, Life, Liberty And Happiness: An Interview With Historian Howard Zinn http://www.tompaine.com/Archive/scontent/5908.html by Sharon Basco, TomPaine.com http://TomPaine.com, July 03 2002 (The quote can be found in the first sentence of Mr. Zinn's first answer; nowhere in that article does Howard Zinn attribute that quote to Jefferson.):
While some people think that dissent is unpatriotic, I would argue that dissent is the highest form of patriotism.
Law professor Jim Lindgren of The Volokh Conspiracy has traced the possible origin of this saying back as far as the 11 November 1984 obituary of pacifist activist Dorothy Hewitt Hutchinson in the Philadelphia Inquirer, quoting a 1965 interview. The direct quote there is: "Dissent from public policy can be the highest form of patriotism," she said in an interview in 1965. "I don't think democracy can survive without it, even though you may be crucified by it at times." According to the professor's research http://volokh.com/posts/1146554363.shtml, the misattribution was popularized in the 1990's by ACLU president Nadine Strossen. Bill Mullins of the American Dialect Society did further research http://listserv.linguistlist.org/cgi-bin/wa?A2=ind0605A&L=ADS-L&P=R1297&I=-3.
Misattributed

Theodor Mommsen photo

“The man, whose head and heart had in a desperate emergency and amidst a despairing people paved the way for their deliverance, was no more, when it became possible to carry out his design. Whether his successor Hasdrubal forbore to make the attack because the proper moment seemed to him to have not yet come, or whether, more a statesman than a general, he believed himself unequal to the conduct of the enterprise, we are unable to determine. When, at the beginning of [221 B. C], he fell by the hand of an assassin, the Carthaginian officers of the Spanish army summoned to fill his place Hannibal, the eldest son of Hamilcar. He was still a young man--born in [247 B. C], and now, therefore, in his twenty-ninth year [221 B. C]; but his had already been a life of manifold experience. His first recollections pictured to him his father fighting in a distant land and conquering on Ercte; he had keenly shared that unconquered father's feelings on the Peace of Catulus (also see Treaty of Lutatius), on the bitter return home, and throughout the horrors of the Libyan war. While yet a boy, he had followed his father to the camp; and he soon distinguished himself. His light and firmly-knit frame made him an excellent runner and fencer, and a fearless rider at full speed; the privation of sleep did not affect him, and he knew like a soldier how to enjoy or to dispense with food. Although his youth had been spent in the camp, he possessed such culture as belonged to the Phoenicians of rank in his day; in Greek, apparently after he had become a general, he made such progress under the guidance of his confidant Sosilus of Sparta as to be able to compose state papers in that language. As he grew up, he entered the army of his father, to perform his first feats of arms under the paternal eye and to see him fall in battle by his side. Thereafter he had commanded the cavalry under his sister's husband, Hasdrubal, and distinguished himself by brilliant personal bravery as well as by his talents as a leader. The voice of his comrades now summoned him--the tried, although youthful general--to the chief command, and he could now execute the designs for which his father and his brother-in-law had lived and died. He took up the inheritance, and he was worthy of it. His contemporaries tried to cast stains of various sorts on his character; the Romans charged him with cruelty, the Carthaginians with covetousness; and it is true that he hated as only Oriental natures know how to hate, and that a general who never fell short of money and stores can hardly have been other than covetous. But though anger and envy and meanness have written his history, they have not been able to mar the pure and noble image which it presents. Laying aside wretched inventions which furnish their own refutation, and some things which his lieutenants, particularly Hannibal Monomachus and Mago the Sammite, were guilty of doing in his name, nothing occurs in the accounts regarding him which may not be justified under the circumstances, and according to the international law, of the times; and all agree in this, that he combined in rare perfection discretion and enthusiasm, caution and energy. He was peculiarly marked by that inventive craftiness, which forms one of the leading traits of the Phoenician character; he was fond of taking singular and unexpected routes; ambushes and stratagems of all sorts were familiar to him; and he studied the character of his antagonists with unprecedented care. By an unrivaled system of espionage--he had regular spies even in Rome--he kept himself informed of the projects of the enemy; he himself was frequently seen wearing disguises and false hair, in order to procure information on some point or other. Every page of the history of this period attests his genius in strategy; and his gifts as a statesman were, after the peace with Rome, no less conspicuously displayed in his reform of the Carthaginian constitution, and in the unparalleled influence which as a foreign exile he exercised in the cabinets of the eastern powers. The power which he wielded over men is shown by his incomparable control over an army of various nations and many tongues--an army which never in the worst times mutinied against him. He was a great man; wherever he went, he riveted the eyes of all.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

The History of Rome, Volume 2 Translated by W.P. Dickson
On Hannibal the man and soldier
The History of Rome - Volume 2

Charles Darwin photo
Russell Kirk photo
Charles A. Beard photo

“I present, for what it is worth, and may prove to be worth, the following bill of axioms or aphorisms on public administration, as fitting this important occasion.
# The continuous and fairly efficient discharge of certain functions by government, central and local, is a necessary condition for the existence of any great society.
# As a society becomes more complicated, as its division of labor ramifies more widely, as its commerce extends, as technology takes the place of handicrafts and local self-sufficiency, the functions of government increase in number and in their vital relationships to the fortunes of society and individuals.
# Any government in such a complicated society, consequently any such society itself, is strong in proportion to its capacity to administer the functions that are brought into being.
# Legislation respecting these functions, difficult as it is, is relatively easy as compared with the enforcement of legislation, that is, the effective discharge of these functions in their most minute ramifications and for the public welfare.
# When a form of government, such as ours, provides for legal changes, by the process of discussion and open decision, to fit social changes, then effective and wise administration becomes the central prerequisite for the perdurance of government and society — to use a metaphor, becomes a foundation of government as a going concern.
# Unless the members of an administrative system are drawn from various classes and regions, unless careers are open in it to talents, unless the way is prepared by an appropriate scheme of general education, unless public officials are subjected to internal and external criticism of a constructive nature, then the public personnel will become a bureaucracy dangerous to society and to popular government.
# Unless, as David Lilienthal has recently pointed out in an address on the Tennessee Valley Authority, an administrative system is so constructed and operated as to keep alive local and individual responsibilities, it is likely to destroy the basic well-springs of activity, hope, and enthusiasm necessary to popular government and to the following of a democratic civilization.”

Charles A. Beard (1874–1948) American historian

Administration, A Foundation of Government (1940)