“Now let acknowledge the fact that to explain the meaning of painting is difficult. And when the form and the content are really new, there is not even a vocabulary with which to attempt to explain the new work. This is a problem for critics and a difficult problem. I think it is about time for the critics to face this problem, as well as the fact that there are a few new forms and ideas in modern painting, that these have validity, that they are here to stay and will be developed whether opposed or not… They should investigate the serious ideas underlying the painting which they malign.”

—  Adolph Gottlieb

Gottlieb's quote on the attacks of critics on abstract art, 1948
Quote from Gottlieb's Lecture, given at 'Forum: the Artist Speaks', museum of Modern Art, New York, May 5, 1948.
1940s

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Now let acknowledge the fact that to explain the meaning of painting is difficult. And when the form and the content ar…" by Adolph Gottlieb?
Adolph Gottlieb photo
Adolph Gottlieb27
American artist 1903–1974

Related quotes

Willem de Kooning photo

“Certain artists and critics attacked me for painting the 'Women' [series of paintings, De kooning started in 1950], but I felt that this was their problem, not mine. I don’t really feel like a non-objective painter at all... It's really absurd to make an image, like a human image. With paint, today, when you think about it, since we have this problem of doing it or not doing it. But then all of a sudden it was even more absurd not to do it. So I fear I have to follow my desires.”

Willem de Kooning (1904–1997) Dutch painter

interview conducted by David Sylvester for the BBC, 1962; as quoted in Abstract Expressionism: Creators and Critics, edited by Clifford Ross, Abrahams Publishers, New York 1990, p. 45.
1960's

“A painter should never speak because words are not the means at his command. Words cannot express visually dimension at a glance they can only establish their own relationship in time.
However, it is possible for a painter, at certain moments of his development to formulate some of the problems he is facing in the growth of his work. A painting cannot be explained. Words can only stimulate the act of looking.
A visual problem is never put a priori as a mathematical problem but is born in the process of painting and evolves in a state of unawareness of the painter.”

Fritz Glarner (1899–1972) Swiss artist

Source: George L. K. Morris, Willem De Kooning, Alexander Calder, Fritz Glarner, Robert Motherwell, Stuart Davis. " What Abstract Art Means to Me http://www.jstor.org/stable/4058250," in: The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, (Spring, 1951), pp. 2-15

“Tony Cairo [English abstract sculptor] and I tried to collaborate at several points and it hasn't been successful. As a matter of fact, recently Tony has made sculpture that I have painted. He has to make the sculpture before I can paint it. That means that the form is taking precedence – that the material takes precedence as a form, rather than color establishing the form. It's not going to well but I'm working on it. There's something about color that is so abstract that it is difficult for it to function in conjunction with solid form... Color has properties of weight, density, transparency, and so forth. And when it also has to be compatible with things that have an actual density, a given form, it's very difficult.”

Kenneth Noland (1924–2010) American artist

Source: Color, Format and Abstract Art' (1977), pp. 99 – 105

“A pattern of basic assumptions--invented, discovered, or developed by a given group as it learns to cope with its problems of external adaptation and internal integration--that has worked well enough to be considered valid and, therefore, to be taught to new members as the correct way to perceive, think, and feel in relation to those problems.”

Edgar H. Schein (1928) Psychologist

Variant: [ Organizational culture is] a pattern of shared basic assumptions that the group learned as it solved its problems of external adaptation and internal integration, that has worked well enough to be considered valid and, therefore, to be taught to new members as the correct way to perceive, think, and fell in relation to those problems.
Source: Organizational Culture and Leadership, 1985, p. 6

Ellsworth Kelly photo

“I usually let them [his drawings] lies around for a long time. I have to get to really like it. And then when I do the painting I have to get to like that too. Sometimes I stay with the sketch, sometimes I follow the original idea exactly if the idea is solved. But most of the time there have to be adjustments during the painting. Through the painting of it I find the color and I work the form and play with it and it adjusts itself.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

In an interview by Henry Geldzahler, 'Art International 1.', February 1964, p. 48
1950 - 1968

Marshall McLuhan photo

“If a work of art is to explore new environments, it is not to be regarded as a blueprint but rather as a form of action-painting.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

To Wilfred Watson, October 6 1965. Letters of Marshall McLuhan (1987), p. 325
1960s

“The crux of the retrieval problem is that selecting documents to read grows ever more difficult, and new techniques are continually needed.”

Brian Campbell Vickery (1918–2009) British information theorist

B.C. Vickery (1970) Techniques of information retrieval. p. 5.

“[The engineer] must identify the significant and critical problems, but in his education, problems have been predetermined and assigned. He must develop the judgment to know what solutions to problems are possible, but in school the problems encountered are known to have answers. He should be excited by new and unsolved challenges, but for 20 years he has lived in an educational system where he knows he is repeating the work of last year's students.”

Jay Wright Forrester (1918–2016) American operations researcher

Source: Engineering Education and Engineering Practice in the Year 2000 (1967), p. 134-135 as cited in: Ben. F. Barton (1981) The nature and treatment of professional engineering problems: The technical writing teacher's responsibility. p. 19

Stafford Cripps photo

“The problem of dealing with the armed forces of the Crown is the most difficult one we will have to face when we do get into power. The Labour Party will have to face the fact that it is a class Party…It has to be prepared to take steps more forceful than even the steps taken at the time of the Ulster Rebellion.”

Stafford Cripps (1889–1952) British politician

The Manchester Guardian (28 May 1934), quoted in Hugh Dalton, The Fateful Years. Memoirs 1931-1945 (London: Frederick Muller Ltd, 1957), p. 150.

Related topics