Quotes about first
page 83

Margaret Atwood photo
Chaim Soutine photo
Ossip Zadkine photo

“In October 1945 I returned from America, where I had stayed during the war. I arrived in Le Havre, full of ruins, a carcass of a city. It took one night to reach Paris on a train with no windows. That night I got the idea for the monument. I sketched it on paper and forgot about it, until I visited Rotterdam for the first time in 1947. I saw a city without a heart. I saw a crater in the body of a city. And I remembered that night, the sketches. I made a small terracotta model and sent it to an exhibition of French art in Germany.”

Ossip Zadkine (1890–1967) French sculptor

Quote of Zadkine from interview in 'Het Vrije Volk', (Dutch newspaper), 4 July 1950; as cited in 'Unveiling of the Dutch City https://www.wederopbouwrotterdam.nl/en/tijdlijn/unveiling-of-the-destroyed-city/
Ossip Zadkine explained in 1950 the genesis of his large bronze sculpture 'Destroyed City', commissioned by the city Rotterdam
1940 - 1960

William H. Macy photo

“To see your own visage up there, it's terrifying. I have to see a film twice, the first time just to get over the shock: the fact that my face seems to be dripping off my skull into my chest.”

William H. Macy (1950) American actor, screenwriter, teacher and director in theater, film and television

Interview in The Guardian (2011)

David Cameron photo

“When a broad and significant change occurs in the organization, the first question many people ask is “What's in it for me?” or “What's going to happen to me? This is an indication of the anxiety that occurs when people are faced with the uncertainty associated with organizational change.”

David A. Nadler (1948–2015) American organizational theorist

David A Nadler (2010), "Techniques for the management of change," Robert Golembiewski (ed.) Handbook of Organizational Consultation, p. 1067; Quoted in: Diane Dormant, ‎Joe Lee (2011). The Chocolate Model of Change.

Anthony Burgess photo
Isidore Isou photo
Winston S. Churchill photo
Francis Escudero photo
Jorge Majfud photo
Pierce Brown photo

“First-rate science fiction was, and remains, more interesting than second-rate art.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Ibid.
Essays and reviews, From the Land of Shadows (1982)

Alan Dzagoev photo

“I was so glad to get my first boots that for a few days I didn't take them off. I wore them to school, to visit people, and simply to walk on the street.”

Alan Dzagoev (1990) Russian association football player

2008, http://www.sports.ru/football/5845060.html

Gino Severini photo

“.. it was Seurat who first and most successfully established a balance between subject, composition and technique.... the modern world that Seurat wished to paint... I understood his importance as soon as I arrived in Paris [1906]... I chose Seurat as my master for once and for all.”

Gino Severini (1883–1966) Italian painter

Source: The Life of a Painter - autobiography', 1946, p. 35; as quoted in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 12

Neil deGrasse Tyson photo
Albert Speer photo
John Dewey photo
Phil Brown (footballer) photo

“It was a fantastic result and credit has to go to the players. The application they have shown since I got the job has been first class. They've just asked for four or five days off this week, but I've said I want them back in on Tuesday.”

Phil Brown (footballer) (1959) English association football player and manager

30-Apr-2007, Hull City OWS
When the players ask for a holiday, that shows their hard-working attitude!

“Washington was the right man at the right time – sometimes he was the first man, but sometimes he simply knew when to ride the crest of a wave or the leading edge of a trend.”

Alan Axelrod (1952) American historian

Alan Axelrod in an interview with Frank R. Shaw, Aug 23, 2007 http://www.electricscotland.com/familytree/frank/axelrod.htm.

Robert Graves photo
Lyndon B. Johnson photo

“Dead labour is far harder to control than the live stuff was, which is why the enlightenment project of interring gothic superstition was the royal road to the first truly vampiric civilization, in which death alone comes to rule.”

Nick Land (1962) British philosopher

Source: The Thirst for Annihilation: Georges Bataille and Virulent Nihilism (1992), Chapter 7: "Fanged noumenon (passion of the cyclone)", p. 79

Pierre-Simon Laplace photo
Steve Jobs photo
Lee Kuan Yew photo
Joel Mokyr photo
Kurien Kunnumpuram photo
Richard Feynman photo
Dan Mathews photo
Murray Leinster photo

“He’d caused the First Native War on Mars, by taking advantage of the fact that at that time human law had not defined the killing of Martians as murder.”

Murray Leinster (1896–1975) Novelist, short story writer

The Aliens, p. 92 (originally published in The Magazine of Fantasy & Science Fiction, April 1957).
Short fiction, Anthropological Note (1957)

Camille Paglia photo
Ralph Steadman photo
Louise Bourgeois photo

“I became aware of Louise Bourgeois in my first or second year at Brighton Art College. One of my teachers, Stuart Morgan, curated a small retrospective of her work at the Serpentine, and both he and another teacher, Edward Allington, saw something in her, and me, and thought I should be aware of her. I thought the work was wonderful. It was her very early pieces, The Blind Leading the Blind, the wooden pieces and some of the later bronze works. Biographically, I don't really think she has influenced me, but I think there are similarities in our work. We have both used the home as a kind of kick-off point, as the space that starts the thoughts of a body of work. I eventually got to meet Louise in New York, soon after I made House. She asked to see me because she had seen a picture of House in the New York Times while she was ironing it one morning, so she said. She was wonderful and slightly kind of nutty; very interested and eccentric. She drew the whole time; it was very much a salon with me there as her audience, watching her. I remember her remarking that I was shorter than she was. I don't know if this was true but she was commenting on the physicality of making such big work and us being relatively small women. When you meet her you don't know what's true, because she makes things up. She has spun her web and drawn people in, and eaten a few people along the way.”

Louise Bourgeois (1911–2010) American and French sculptor

Rachel Whiteread, " Kisses for Spiderwoman http://www.theguardian.com/artanddesign/2007/oct/14/art2," The Guardian, 14 Oct. 2007:

Charlton Heston photo
Aristide Maillol photo
Percy Bysshe Shelley photo
Alexander Hamilton photo
Henry Charles Beeching photo

“First come I; my name is Jowett.
There's no knowledge but I know it.
I am master of this college:
What I don't know isn't knowledge.”

Henry Charles Beeching (1859–1919) English clergyman, author and poet

The Masque of Balliol http://rpo.library.utoronto.ca/poem/2735.html (1880)

Joe Trohman photo

“When this book was first conceived (more than 25 years ago) few mathematicians outside the Soviet Union recognized probability as a legitimate branch of mathematics.”

William Feller (1906–1970) Croatian-American mathematician

Preface to the Third Edition, p. vii.
An Introduction To Probability Theory And Its Applications (Third Edition)

Alexander Hamilton photo
John Buchan photo

“He who would valiant be against all disaster;
Let him in constancy
Follow the Master.
There's no discouragement
Shall make him once relent;
His first avowed intent
To be a pilgrim.”

John Buchan (1875–1940) British politician

This has appeared on the internet attributed to Buchan, but is actually John Bunyan, as quoted in The Westminster Collection of Christian Quotations (2001) by Martin H. Manser
Misattributed

Maimónides photo
Charlton Heston photo
Jef Raskin photo
Tzvetan Todorov photo

“Nothing is more commonplace than the reading experience, and yet nothing is more unknown. Reading is such a matter of course that at first glance it seems there is nothing to say about it.”

Tzvetan Todorov (1939–2017) Bulgarian historian, philosopher, structuralist literary critic, sociologist and essayist

Reading as Construction (1980)

Richard Steele photo
Amit Chaudhuri photo
Martin Amis photo
Sarada Devi photo
Gabrielle Giffords photo
James Jeans photo
Jim Morrison photo
David Allen photo

“Organizing without first capturing & clarifying what needs organizing is simply rearranging your angst.”

David Allen (1945) American productivity consultant and author

31 January 2012 https://twitter.com/gtdguy/status/164480736064311296
Official Twitter profile (@gtdguy) https://twitter.com/gtdguy

John S. Bell photo
John Napier photo
Clay Shirky photo
John Martin photo
Cormac McCarthy photo
Dorothy Parker photo

“It takes me six months to do a story. I think it out and then write it sentence by sentence—no first draft. I can’t write five words but that I change seven.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Interview, The Paris Review (Summer 1956)

Eddie Vedder photo

“One of the first people I met outside of the group [Pearl Jam] was this next human and I had no idea how he would affect my life and my views on music and my views on friendship and what a big impact he would have. These guys [the other members of Pearl Jam] know him much longer than me and his impact is profound. I'd like to introduce with great pleasure my old neighbor, Chris Cornell.”

Eddie Vedder (1964) musician, songwriter, member of Pearl Jam

Eddie Vedder introducing Cornell during a Pearl Jam concert on September 4, 2011
Source: https://www.youtube.com/watch?v=GbG9CNCettk, PEARL JAM Chris Cornell *Hunger Strike* PJ20 night 2 @ Alpine Valley Temple of the Dog 9/4/2011, YouTube, 5 September 2011

Donald J. Trump photo

“Actually, throughout my life, my two greatest assets have been mental stability and being, like, really smart… I went from VERY successful businessman, to top T. V. Star to President of the United States (on my first try). I think that would qualify as not smart, but genius…. and a very stable genius at that!”

Donald J. Trump (1946) 45th President of the United States of America

Tweets published https://twitter.com/realDonaldTrump/status/949618475877765120 by @realDonaldTrump https://twitter.com/realDonaldTrump/status/949619270631256064 (6 January 2018)
2010s, 2018, January

Horace Bushnell photo

“We shall never recover the true apostolic energy, and be endued with power from on high, as the first disciples were, 'till we recover the lost faith.”

Horace Bushnell (1802–1876) American theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 237.

Abbie Hoffman photo
Merrick Garland photo

“For myself the balance came from always driving my children to school. So that every day we had that first half-hour, 45 minutes of nothing but uninterrupted time. Sometimes it was just a bunch of sarcasm. Sometimes it was just listening to the radio. But sometimes it was real explanation of what the kids were thinking what they were worried about.”

Merrick Garland (1952) American judge

[Merrick Garland, https://www.youtube.com/watch?v=7U1a8pYMJDM, March 18, 2016, Life Lessons Learned, DC Circuit Court Judge Panel, JRCLS International Law Conference, February 15, 2013, Georgetown University Law Center]; also excerpted quote in:
[March 18, 2016, The Quotable Merrick Garland: A Collection of Writings and Remarks, http://www.nationallawjournal.com/home/id=1202752327128/The-Quotable-Merrick-Garland-A-Collection-of-Writings-and-Remarks, Zoe Tillman, The National Law Journal, March 16, 2016, 0162-7325]
DC Circuit Court Judge Panel, JRCLS International Law Conference (2013)

Fred Brooks photo
Newton Lee photo
Gustav Friedrich Waagen photo

“First delight, then instruct (original German: ).”

Gustav Friedrich Waagen (1794–1868) German art historian

From an 1828 proposal "On the Purpose of the Berlin Gallery" (
This quotation is occasionally attributed to Wilhelm von Humboldt, which appears to be erroneous; von Humboldt had quoted Schinkel and Waagen in a report.

“On the receipt of this letter, Hijaj obtained the consent of Wuleed, the son of Abdool Mullik, to invade India, for the purpose of propagating the faith and at the same time deputed a chief of the name of Budmeen, with three hundred cavalry, to join Haroon in Mikran, who was directed to reinforce the party with one thousand good soldiers more to attack Deebul. Budmeen failed in his expedition, and lost his life in the first action. Hijaj, not deterred by this defeat, resolved to follow up the enterprise by another. In consequence, in the year AH 93 (AD 711) he deputed his cousin and son-in-law, Imad-ood-Deen Mahomed Kasim, the son of Akil Shukhfy, then only seventeen years of age, with six thousand soldiers, chiefly Assyrians, with the necessary implements for taking forts, to attack Deebul…“On reaching this place, he made preparations to besiege it, but the approach was covered by a fortified temple, surrounded by strong wall, built of hewn stone and mortar, one hundred and twenty feet in height. After some time a bramin, belonging to the temple, being taken, and brought before Kasim, stated, that four thousand Rajpoots defended the place, in which were from two to three thousand bramins, with shorn heads, and that all his efforts would be vain; for the standard of the temple was sacred; and while it remained entire no profane foot dared to step beyond the threshold of the holy edifice. Mahomed Kasim having caused the catapults to be directed against the magic flag-staff, succeeded, on the third discharge, in striking the standard, and broke it down… Mahomed Kasim levelled the temple and its walls with the ground and circumcised the brahmins. The infidels highly resented this treatment, by invectives against him and the true faith. On which Mahomed Kasim caused every brahmin, from the age of seventeen and upwards, to be put to death; the young women and children of both sexes were retained in bondage and the old women being released, were permitted to go whithersoever they chose.”

Firishta (1560–1620) Indian historian

Muhammad bin Qãsim (AD 712-715)Debal (Sindh)
Tãrîkh-i-Firishta

Henry John Stephen Smith photo
Dylan Moran photo
Erich Fromm photo
Amit Chaudhuri photo
James Jeans photo
Mahatma Gandhi photo

“First they ignore you, then they laugh at you, then they fight you, then you win.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Describing the stages of a winning strategy of nonviolent activism. There is no record of Gandhi saying this. A close variant of the quotation first appears in a 1918 US trade union address by Nicholas Klein:
:* And, my friends, in this story you have a history of this entire movement. First they ignore you. Then they ridicule you. And then they attack you and want to burn you. And then they build monuments to you. And that, is what is going to happen to the Amalgamated Clothing Workers of America.
::* Proceedings of the Third Biennial Convention of the Amalgamated Clothing Workers of America (1918), p. 53 http://books.google.com/books?id=QrcpAAAAYAAJ&pg=PA53&dq=%22First+they+ignore+you%22
In Freedom's Battle (1922), Gandhi wrote this:
:* Unfortunately for His Excellency the movement is likely to grow with ridicule as it is certain to flourish on repression. No vital movement can be killed except by the impatience, ignorance or laziness of its authors. A movement cannot be 'insane' that is conducted by men of action as I claim the members of the Non-co-operation Committee are. … Ridicule is like repression. Both give place to respect when they fail to produce the intended effect. … It will be admitted that non-co-operation has passed the stage [of] ridicule. Whether it will now be met by repression or respect remains to be seen. … But the testing time has now arrived. In a civilized country when ridicule fails to kill a movement it begins to command respect.
::* Source: The Project Gutenberg EBook of Freedom's Battle, 2nd edition, by Mahatma Gandhi, 1922 http://www.gutenberg.net/1/0/3/6/10366/10366-h/10366-h.htm
Misattributed

Mr. T photo
Patri Friedman photo
Guy De Maupassant photo
Piet Mondrian photo

“the Cubists in Paris made me see that there was also a possibility of suppressing the natural aspect of form. I continued my research by abstracting the form and purifying the colour more and more. While working, I arrived at suppressing the closed effect of abstract form, expressing myself exclusively by means of the straight line in rectangular opposition; thus by rectangular planes of colour with white, grey and black. At that time, I encountered artists with approximately the same spirit, First Van der Leck, who, though still figurative, painted in compact planes of pure colour. My more or less cubist technique - in consequence still more or less picturesque - underwent the influence of his exact technique. Shortly afterwards I had the pleasure of making the acquaintance of Van Doesburg. Full of vitality and zeal for the already international movement that was called 'abstract', and most sincerely appreciative of my work, he came to ask me to collaborate in a review he intended to publish, and which he [Theo van Doesburg] was to call 'De Stijl.”

Piet Mondrian (1872–1944) Peintre Néerlandais

I was happy with an opportunity to publish my ideas on art, which I was engaged in writing down: I saw the possibility of contacts with similar efforts.
Quote of Mondrian c 1931, in 'De Stijl' (last number), p. 48; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, pp. 44-45
published in the memorial number of 'De Stijl', after the death of Theo Van Doesburg in 1931
1930's

George Berkeley photo

“That we have first rais'd a Dust, and then complain, we cannot see.”

A Treatise Concerning the Principles of Human Knowledge (1710)

Georges Clemenceau photo

“Patriotism is when love of your own people comes first; nationalism, when hate for people other than your own comes first.”

Georges Clemenceau (1841–1929) French politician

Actually said by Charles de Gaulle, on leaving his presidency, Life, May 9, 1969.
Misattributed

Kent Hovind photo
Ingmar Bergman photo

“Winter Light — suppose we discuss that now?… The film is closely connected with a particular piece of music: Stravinski's A Psalm Symphony. I heard it on the radio one morning during Easter, and it struck me I'd like to make a film about a solitary church on the plains of Uppland. Someone goes into the church, locks himself in, goes up to the altar, and says: 'God, I'm staying here until in one way or another You've proved to me You exist. This is going to be the end either of You or of me!' Originally the film was to have been about the days and nights lived through by this solitary person in the locked church, getting hungrier and hungrier, thirstier and thirstier, more and more expectant, more and more filled with his own experiences, his visions, his dreams, mixing up dream and reality, while he's involved in this strange, shadowy wrestling match with God.
We were staying out on Toro, in the Stockholm archipelago. It was the first summer I'd had the sea all around me. I wandered about on the shore and went indoors and wrote, and went out again. The drama turned into something else; into something altogether tangible, something perfectly real, elementary and self-evident.
The film is based on something I'd actually experienced. Something a clergyman up in Dalarna told me: the story of the suicide, the fisherman Persson. One day the clergyman had tried to talk to him; the next, Persson had hanged himself. For the clergyman it was a personal catastrophe.”

Ingmar Bergman (1918–2007) Swedish filmmaker

Jonas Sima interview <!-- pages 173-174 -->
Bergman on Bergman (1970)

Alexander Mackenzie photo
Zeev Sternhell photo
Linus Torvalds photo
Herman Kahn photo

“Equally important to not appearing "trigger-happy" is not to appear prone to either accidents or miscalculations. Who wants to live in the 1960's and 1970's in the same world with a hostile strategic force that might inadvertently start a war? Most people are not even willing to live with a friendly strategic force that may not be reliably controlled. The worst way for a country to start a war is to do it accidentally, without any preparations. That might initiate an all- out "slugging match" in which only the most alert portion of the forces gets off in the early phase. Both sides are thus likely to be clobbered," both because the initial blow was not large enough to be decisive and because the war plans are likely to be inappropriate. To repeat: On all these questions of accident, miscalculation, unauthorized behavior, trigger-happy postures, and excessive destructiveness, we must satisfy ourselves and our allies, the neutrals, and, strangely important, our potential enemies. Since it is almost inevitable that the future will see more discussion of these questions, i will be important for us not only to have made satisfactory preparations, but also to have prepared a satisfactory story. Unless every-body concerned, both laymen and experts, develops a satisfactory image of strategic forces as contributing more to security than insecurity it is most improbable that the required budgets, alliances, and intellectual efforts will have the necessary support. To the extent that people worry about our strategic forces as themselves exacerbating or creating security problems, or confuse symptoms with the disease, we may anticipate a growing rejection of military preparedness as an essential element in the solution to our security problem and a turning to other approaches not as a complement and supplement but as an alternative. In particular, we are likely to suffer from the same movement toward "responsible" budgets pacifism, and unilateral and universal disarmament that swept through England in the 1920's and 1930's. The effect then was that England prematurely disarmed herself to such an extent that she first almost lost her voice in world affairs, and later her independence in a war that was caused as much by English weakness as by anything else.”

Herman Kahn (1922–1983) American futurist

The Magnum Opus; On Thermonuclear War

John Wallis photo