Quotes about fire
page 19

J. R. D. Tata photo
Maimónides photo
Robert Burns photo

“Gie me ae spark o' Nature's fire,
That's a' the learning I desire.”

Robert Burns (1759–1796) Scottish poet and lyricist

First Epistle to J. Lapraik, st. 13 (1786)

James Weldon Johnson photo

“O black and unknown bards of long ago,
How came your lips to touch the sacred fire?
How, in your darkness, did you come to know
The power and beauty of the minstrels' lyre?”

James Weldon Johnson (1871–1938) writer and activist

O Black and Unknown Bards, st. 1.
Fifty Years and Other Poems (1917)

Cormac McCarthy photo
Alan Sugar photo
W. H. Auden photo
John Wilmot, 2nd Earl of Rochester photo
Prince Philip, Duke of Edinburgh photo

“People usually say that after a fire it is water damage that is the worst. We are still trying to dry out Windsor Castle.”

Prince Philip, Duke of Edinburgh (1921) member of the British Royal Family, consort to Queen Elizabeth II

Said on a visit to Lockerbie in 1993 to a man who lived in a road where eleven people had been killed by wreckage from the Pan Am jumbo jet, as quoted in "Prince Philip's gaffes" http://news.bbc.co.uk/1/hi/uk/416992.stm, BBC News (10 August 1999)
1990s

William Wordsworth photo
Ferdinand Foch photo

“There is but one means to extenuate the effects of enemy fire: it is to develop a more violent fire oneself.”

Ferdinand Foch (1851–1929) French soldier and military theorist

Source: Precepts and Judgments (1919), p. 110

Johannes Grenzfurthner photo
Hermann Hesse photo
Ben Carson photo

“That learning process has been likened to the challenge of having someone open a fire hydrant and expect you to swallow it all.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: Take The Risk (2008), p. 94

“[Pelsaert laments] “the utter subjection and poverty of the common people-poverty so great and miserable that the life of the people can be depicted or accurately described only as the home of stark want and the dwelling place of bitter woe.” He continues: “There are three classes of people who are indeed nominally free, but whose status differs very little from voluntary slavery-workmen, peons or servants and shopkeepers. For the workmen there are two scourges, the first of which is low wages. Goldsmiths, painters (of cloth or chintz), embroiderers, carpet makers, cotton or silk weavers, black-smiths, copper-smiths, tailors, masons, builders, stone-cutters, a hundred crafts in all-any of these working from morning to night can earn only 5 or 6 tackas (tankahs), that is 4 or 5 strivers in wages. The second (scourge) is (the oppression of) the Governor, the nobles, the Diwan, the Kotwal, the Bakshi, and other royal officers. If any of these wants a workman, the man is not asked if he is willing to come, but is seized in the house or in the street, well beaten if he should dare to raise any objection, and in the evening paid half his wages, or nothing at all. From these facts the nature of their food can be easily inferred… For their monotonous daily food they have nothing but a little khichri… in the day time, they munch a little parched pulse or other grain, which they say suffices for their lean stomachs… Their houses are built of mud with thatched roofs. Furniture there is little or none, except some earthenware pots to hold water and for cooking… Their bedclothes are scanty, merely a sheet or perhaps two… this is sufficient in the hot weather, but the bitter cold nights are miserable indeed, and they try to keep warm over little cowdung fires… the smoke from these fires all over the city is so great that the eyes run, and the throat seems to be choked.””

Francisco Pelsaert (1591–1630) Dutch merchant, commander of the ship Batavia

Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 7
Jahangir’s India

Robert Penn Warren photo
Joseph Stella photo
Karl Schmidt-Rottluff photo

“The atelier was under the roof. Inhabiting this space was forbidden due to fire code restrictions, but staying and working there was allowed. We therefore had to avoid the impression that these were our living quarters. The most necessary furniture had to disappear into the attic during the day. And so the place was decorated purely with curtains. A curtain hung in front of the entrance door, a second one in front of the oven heating.... an adjoining room was hidden by a curtain with abstractedly patterned batik.”

Karl Schmidt-Rottluff (1884–1976) German artist

In addition to defying societal standards, die Brücke artists defied housing laws: the ateliers in Dresden that they worked and lived in were forbidden to be used as homes
Source: Brücke und Berlin: 100 Jahre Expressionismus, Anita Beloubek-Hammer, ed.; Berlin: Nicolaische Verlagsbuchhandlung, Berlin 2005, p. 312 (https://www.researchgate.net/publication/272168564 translation, Claire Louise Albiez]

Ilana Mercer photo
Warren Farrell photo
Frederick Douglass photo
Robert G. Ingersoll photo
Courtney Love photo

“Love hangs herself with the bedsheets in her cell
Threw myself on fires for you
Ten good reasons to stay alive
Ten good reasons that I can't find”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

"Reasons to be Beautiful"
Song lyrics, Celebrity Skin (1998)

Jimmy Hoffa photo
John Hoole photo
Joseph Arch photo
Brandon Boyd photo
Roger Ebert photo
Giorgio de Chirico photo

“Painting is the magic art, the fire set alight on the windows of the rich dwelling, as on those of the humble hovel, from the last rays of the setting sun, it is the long mark, the humid mark, the fluent and still mark that the dying wave etches on the hot sand, it is the darting of the immortal lizard on the rock burnt by the midday heat, it is the rainbow of conciliation, on sad May afternoons, after the storm has passed, down there, making a dark backdrop to the almond trees in flower, to the gardens with their washed colours, to the ploughmen's huts, smiling and tranquil, it is the livid cloud chased by the vehement blowing of Aeolus enraged, it is the nebulous disk of the fleeting moon behind the ripped-open funereal curtain of a disturbed sky in the deep of night, it is the blood of the bull stabbed in the arena, of the warrior fallen in the heat of battle, of Adonis' immaculate thigh wounded by the obstinate boar's curved tusk, it is the sail swollen with the winds of distant seas, it is the centuries-old tree browned in the autumn..”

Giorgio de Chirico (1888–1978) Italian artist

Quote from the first lines in De Cirico's essay 'Painting', 1938; from http://www.fondazionedechirico.org/wp-content/uploads/211_Painting_1938_Metaphysical_Art.pdf 'Painting', 1938 - G. de Chirico, presentation to the catalogue of his solo exhibition Mostra personale del pittore Giorgio de Chirico, Galleria Rotta, Genoa, May 1938], p. 211
1920s and later

Bono photo
Koenraad Elst photo

“Distortive or even totally false reporting on communally sensitive issues is a well-entrenched feature of Indian journalism. There is no self-corrective mechanism in place to remedy this endemic culture of disinformation. No reporter or columnist or editor ever gets fired or formally reprimanded or even just criticized by his peers for smearing Hindus. This way, a partisan economy with the truth has become a habit hard to relinquish. And foreign correspondents used to trusting their Indian secularist sources have likewise developed a habit of swallowing and relaying highly distorted news stories. Usually, the creation of a false impression of the Indian communal situation is achieved without outright lies, relying rather on the silent treatment for inconvenient facts and a screaming overemphasis on convenient ones. (…) So, moral of the story: feel free to write lies about the Hindus. Even if you are found out, most of the public will never hear of it, and you will not be made to bear any consequences.(…) These days, noisy secularists lie in waiting for communal riots and elatedly jump at them when and where they erupt. They exploit the anti-Hindu propaganda value of riots to the hilt, making up fictional stories as they go along to compensate for any defects in the true account. John Dayal is welcomed to Congressional committees in Washington DC as a crown witness to canards such as how Hindus are raping Catholic nuns in Jhabua, an allegation long refuted in a report by the Congress state government of Madhya Pradesh and more recently in the court verdict on the matter. Arundhati Roy goes lyrical about the torture of a Muslim politician's two daughters by Hindus during the Gujarat riots of 2002, even when the man had only one daughter, who came forward to clarify that she happened to be in the US at the time of the “facts.””

Koenraad Elst (1959) orientalist, writer

Harsh Mander has already been condemned by the Press Council of India for spreading false rumours about alleged Hindu atrocities in his famous column Hindustan Hamara. Teesta Setalwad has reportedly pressured eyewitnesses to give the desired incriminating testimony against Hindus in the Gujarat riots.
K. Elst: Religious Cleansing of Hindus, 2004, Agni conference in The Hague, in The Problem with Secularism (2007)
2000s, The Problem with Secularism (2007)

Muhammad of Ghor photo

“Such was the man who was sent on an embassy to Ajmir, in order that the Rai (Pithaura) of that country might see the right way without the intervention of the sword, and that he might incline from the track of opposition into the path of propriety, leaving his airy follies for the institutes of the knowledge of Allah, and acknowledging the expediency of uttering the words of martyrdom and repeating the precepts of the law, and might abstain from infidelity and darkness, which entails the loss of this world and that to come, and might place in his ear the ring of slavery to the sublime Court (may Allah exalt it!) which is the centre of justice and mercy, and the pivot of the Sultans of the worldand by these means and modes might cleanse the fords of good life from the sins of impurity'…'The army of Islam was completely victorious, and 'an hundred thousand grovelling Hindus swiftly departed to the fire of hell'… After this great victory, the army of Islam marched forward to Ajmir, where it arrived at a fortunate moment and under an auspicious bird, and obtained so much booty and wealth, that you might have said that the secret depositories of the seas and hills had been revealed….'While the Sultan remained at Ajmir, he destroyed the pillars and foundations of the idol temples, and built in their stead mosques and colleges, and the precepts of Islam, and the customs of the law were divulged and established”

Muhammad of Ghor (1160–1206) Ghurid Sultan

About the conquest of Ajmer (Rajasthan) Hasan Nizami: Taju’l-Ma’sir, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 213-216. Also quoted (in part) in Jain, Meenakshi (2011). The India they saw: Foreign accounts.

Black Kettle photo

“The Cheyennes do not fight at all this side of the Arkansas, but north some young warriors were fired upon and then the fight began.”

Black Kettle (1803–1868) Leader of the Southern Cheyenne

Source: Bury My Heart at Wounded Knee (1970), p. 94

Scott Moir photo

“I don’t think revenge is enough to fuel the fire it takes to go to an Olympic Games and be successful.”

Scott Moir (1987) Canadian figure skater

Interview with Kristina Rutherford for Sportsnet.ca (January 2018)

Roger Ebert photo

“Some of the acting is better than the film deserves. Make that all of the acting. Actually, the film stock itself is better than the film deserves. You know when sometimes a film catches fire inside a projector? If it happened with this one, I suspect the audience might cheer.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/revolver-2007 of Revolver (7 December 2007)
Reviews, Half-star reviews

S.L.A. Marshall photo
Tom Clancy photo
Elton John photo
James Fitzjames Stephen photo
Jack Benny photo

“Clyde: Then the animals lit fires to keep us away.”

Jack Benny (1894–1974) comedian, vaudeville performer, and radio, television, and film actor

The Jack Benny Program (Radio: 1932-1955), The Jack Benny Program (Television: 1950-1965)

Stephen R. Donaldson photo
Camille Paglia photo
George Herbert photo

“906. Silkes and satins put out the fire in the chimney.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

Jacula Prudentum (1651)

Joseph Strutt photo
Jean-François Millet photo
Sarah McLachlan photo
W. Edwards Deming photo
William Prescott photo

“Don't fire until you see the whites of their eyes.”

William Prescott (1726–1795) Continental army soldier

These are instructions often attributed to Prescott at the Battle of Bunker Hill, but though little doubt exists that he declared them, many reports indicate they originated with Major General Israel Putnam, and even earlier instances of similar instructions have been attributed to others.
Don't fire until I tell you; don't fire until you see the whites of their eyes.
Prescott, as quoted in The New England Magazine Vo. XI (September 1894 - February 1895), p. 367
Powder is scarce and must not be wasted. Do not fire until you see the whites of their eyes. Then aim low. Aim at their waistbands, aim at the handsome coats; pick off the officers.
Instructions of Israel Putnam as quoted in "Revolutionary Heroes — No. I" in National Magazine (February 1858). p. 104. In An Essay on the Life of the Honourable Major General Israel Putnam (1818) by David Humphreys, it is indicated that these instructions were first given by Putnam and then reiterated by veteran officers Prescott, Pomeroy, John Stark, and others.
Men, you are all marksmen — don't one of you fire until you see the whites of their eyes.
Philip Johnson of Newburyport is quoted as having distinctly heard Putnam say this in the History of the Siege of Boston (1873) by Richard Frothingham, p. 140. This work also indicates such instructions were repeated by many of the officers.
By push of bayonets — no firing till you see the whites of their eyes!
Attributed to Frederick the Great in the Battle of Prague (6 May 1757), in A Popular History of the United States (1879) by William Cullen Bryant and Sydney Howard Gay, Vol. III, p. 403
Silent until you see the whites of their eyes.
Attributed to a Prince Charles against the Austrian army at Jägendorf (22 May 1745) in A Popular History of the United States (1879) by William Cullen Bryant and Sydney Howard Gay, Vol. III, p. 403
Dinna fire till ye see the whites o' their e'en!
Attributed to Lieutenant-Colonel Sir Andrew Agnew of Lochnaw, as instructions to the Royal Scots Fusiliers at the Battle of Dettingen (27 June 1743), in The Agnews of Lochnaw : A History of the Hereditary Sheriffs of Galloway (1864) by Andrew Agnew, Ch. 33 : The twelfth Hereditary Sheriff, p. 543
Misattributed

Michael Shea photo
Jefferson Davis photo
Mike Tyson photo
George Eliot photo
S.L.A. Marshall photo

“Undue emphasis on conservation is as great a danger to fire power as is an excess expenditure of ammunition.”

S.L.A. Marshall (1900–1977) United States Army general and Military historian

Fire as the Cure. p. 81.
Men Against Fire: The Problem of Battle Command (1947)

Emily Brontë photo
Hovhannes Bagramyan photo
George William Curtis photo

“There are too many ironies in the fire!”

John Leonard (1939–2008) American critic, writer, and commentator

This Pen For Hire (Doubleday, 1973, ISBN 0-385-03923-9), p. 6
Not Enough Blood, Not Enough Gore, The New York Times, 7 July 1970 http://www.nytimes.com/books/98/03/01/home/vidal-sisters.html

Vladimir Lenin photo

“Use both bribery and threats to exterminate every Cossack to a man if they set fire to the oil in Guriev.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

As quoted in Richard Pipes, The Unknown Lenin: From the Secret Archive (1996), p. 69.
Attributions

William Blake photo

“In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?”

William Blake (1757–1827) English Romantic poet and artist

St. 2
1790s, The Tyger (1794)

Charles Lyell photo
Aurangzeb photo
Dan Abnett photo
Bryan Adams photo

“Oh this heart's on fire.
Right from the start it's been burnin' for you.
Oh this heart's on fire.
One thing honey - this heart's true.”

Bryan Adams (1959) Canadian singer-songwriter

Hearts on Fire, Written by Bryan Adams and Jim Vallance
Song lyrics, Into the Fire (1987)

Nick Cave photo
Ernst Ludwig Kirchner photo

“There was such a wonderful setting of the moon this morning, the yellow moon against little pink clouds, and the mountains a pure deep blue [viewed from his Swiss farmhouse], quite glorious, I would so have liked to paint. But it was cold, even my window was frozen, although I had kept the fire in all night.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

In a letter from Frauenkirch, Jan. 1919; as quoted in Expressionism, de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 48
Some time later Kirchner would made a colored wood-cut: 'Moonlit Winter Night' https://upload.wikimedia.org/wikipedia/commons/2/25/Kirchner_-_Wintermondnacht.jpg
1916 - 1919

David Foster Wallace photo
Edward Thomson photo
James Joyce photo

“Boor, bond of thy herd,
Tonight stretch full by the fire!”

Tilly, p. 9
Pomes Penyeach (1927)

Vitruvius photo

“Therefore it was the discovery of fire that originally gave rise to the coming together of men, to the deliberate assembly, and to social intercourse.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter I, Sec. 2

Thomas Aquinas photo
Michel Seuphor photo
Ernest Flagg photo
Stephen King photo

“He was waiting to choke you on a marble, to smother you with a dry-cleaning bag, to sizzle you into eternity with a fast and lethal boogie of electricity- Available At Your Nearest Switch plate Or Vacant Light Socket Right Now. There was death in a quarter bag of peanuts, an aspirated piece of steak, the next pack of cigarettes. He was around all the time, he monitored all the checkpoints between the mortal and the eternal. Dirty needles, poison beetles, downed live wires, forest fires. Whirling roller skates that shot nerdy little kids into busy intersections. When you got into the bathtub to take a shower, Oz got right in there too- Shower With A Friend. When you got on an airplane, Oz took your boarding pass. He was in the water you drank, the food you ate. Who's out there? you howled in the dark when you were all frightened and all alone, and it was his answer that came back: Don't be afraid, it's just me. Hi, howaya? You got cancer of the bowel, what a bummer, so solly, Cholly! Septicemia! Leukemia! Atherosclerosis! Coronary thrombosis! Encephalitis! Osteomyelitis! Hey-ho, let's go! Junkie in a doorway with a knife. Phone call in the middle of the night. Blood cooking in battery acid on some exit ramp in North Carolina. Big handfuls of pills, munch em up. That peculiar cast of the fingernails following asphyxiation- in its final grim struggle to survive the brain takes all oxygen that is left, even that in those living cells under the nails. Hi, folks, my name's Oz the Gweat and Tewwible, but you can call me Oz if you want- hell, we're old friends by now. Just stopped by to whop you with a little congestive heart failure or a cranial blood clot or something; can't stay, got to see a woman about a breech birth, then I've got a little smoke-inhalation job to do in Omaha.”

Pet Sematary (1983)

Thomas Carlyle photo
Denis Papin photo
Christopher Hitchens photo

“We are introduced to Iraq, "a sovereign nation"…In this peaceable kingdom, according to Moore's flabbergasting choice of film shots, children are flying little kites, shoppers are smiling in the sunshine, and the gentle rhythms of life are undisturbed. Then—wham! From the night sky come the terror weapons of American imperialism. Watching the clips Moore uses, and recalling them well, I can recognize various Saddam palaces and military and police centers getting the treatment. But these sites are not identified as such. In fact, I don't think Al Jazeera would, on a bad day, have transmitted anything so utterly propagandistic. You would also be led to think that the term "civilian casualty" had not even been in the Iraqi vocabulary until March 2003…the "insurgent" side is presented in this film as justifiably outraged, whereas the 30-year record of Baathist war crimes and repression and aggression is not mentioned once.That this—his pro-American moment—was the worst Moore could possibly say of Saddam's depravity is further suggested by some astonishing falsifications. Moore asserts that Iraq under Saddam had never attacked or killed or even threatened (his words) any American. I never quite know whether Moore is as ignorant as he looks, or even if that would be humanly possible…Baghdad was the safe house for the man whose "operation" murdered Leon Klinghoffer…In 1991, a large number of Western hostages were taken by the hideous Iraqi invasion of Kuwait and held in terrible conditions for a long time. After that same invasion was repelled—Saddam having killed quite a few Americans and Egyptians and Syrians and Brits in the meantime and having threatened to kill many more—the Iraqi secret police were caught trying to murder former President Bush during his visit to Kuwait. Never mind whether his son should take that personally…Iraqi forces fired, every day, for 10 years, on the aircraft that patrolled the no-fly zones and staved off further genocide in the north and south of the country…And it was after, and not before, the 9/11 attacks that Abu Mussab al-Zarqawi moved from Afghanistan to Baghdad and began to plan his now very open and lethal design for a holy and ethnic civil war.”

Christopher Hitchens (1949–2011) British American author and journalist

2004-06-21
Unfairenheit 9/11
Slate
1091-2339
http://www.slate.com/articles/news_and_politics/fighting_words/2004/06/unfairenheit_911.html: On Michael Moore
2000s, 2004

Maddox photo

“If you got caught screwing around on the job, you'd probably get fired, and so would I. Why should he get away with it?”

Maddox (1978) American internet writer

on Bill Clinton
Grow a pair and impeach that horny bastard http://maddox.xmission.com/clinton.html
The Best Page in the Universe

Emily Brontë photo
Robert Silverberg photo
William Cowper photo
Andrew Tobias photo

“The first American insurance company was the Friendly Society for the Mutual Insurance of Houses Against Fire, founded in Charles Town in South Carolina, in 1735.”

Andrew Tobias (1947) American journalist

Source: The Invisible Bankers, Everything The Insurance Industry Never Wanted You To Know (1982), Chapter 5, Not Invented Here, p. 87.

George Galloway photo
Isaac Rosenberg photo
Anna Sui photo
José Martí photo
Vince Lombardi photo

“If you aren't fired with enthusiasm, you will be fired with enthusiasm.”

Vince Lombardi (1913–1970) American football player, coach, and executive

Reported in Lee Green, Sportswit (1984), p. 169.

Warren Farrell photo
Amy Poehler photo
Robert A. Heinlein photo
Kathleen Raine photo
Robert E. Howard photo