Quotes about fine
page 7

Camille Pissarro photo
Thom Yorke photo
Edward Herbert, 1st Baron Herbert of Cherbury photo
Clement Attlee photo
Camille Pissarro photo
John Muir photo

“One shining morning, at the head of the Pacheco Pass, a landscape was displayed that after all my wanderings still appears as the most divinely beautiful and sublime I have ever beheld. There at my feet lay the great central plain of California, level as a lake thirty or forty miles wide, four hundred long, one rich furred bed of golden Compositae. And along the eastern shore of this lake of gold rose the mighty Sierra, miles in height, in massive, tranquil grandeur, so gloriously colored and so radiant that it seemed not clothed with light, but wholly composed of it, like the wall of some celestial city. Along the top, and extending a good way down, was a rich pearl-gray belt of snow; then a belt of blue and dark purple, marking the extension of the forests; and stretching along the base of the range a broad belt of rose-purple, where lay the miners' gold and the open foothill gardens — all the colors smoothly blending, making a wall of light clear as crystal and ineffably fine, yet firm as adamant. Then it seemed to me the Sierra should be called, not the Nevada or Snowy Range, but the Range of Light. And after ten years in the midst of it, rejoicing and wondering, seeing the glorious floods of light that fill it, — the sunbursts of morning among the mountain-peaks, the broad noonday radiance on the crystal rocks, the flush of the alpenglow, and the thousand dashing waterfalls with their marvelous abundance of irised spray, — it still seems to me a range of light.”

John Muir (1838–1914) Scottish-born American naturalist and author

" The Treasures of the Yosemite http://books.google.com/books?id=ZzWgAAAAMAAJ&pg=PA483", The Century Magazine, volume XL, number 4 (August 1890) pages 483-500 (at page 483)
1890s

Karl Kraus photo

“A fine world in which man reproaches woman with fulfilling his heart's desire!”

Karl Kraus (1874–1936) Czech playwright and publicist

Half-Truths and One-And-A-Half Truths (1976)

Edgar Rice Burroughs photo
Ralph Waldo Emerson photo

“Fine manners need the support of fine manners in others, and this is a gift interred only by the self.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1860s, The Conduct of Life (1860), Behavior

George Bird Evans photo

“The icing on the cake is where I had to take second fiddle to Yaxeni Oriquen Garcia 2005 Ms Olympia that was a big stab in the back at the time we were instructed to reduce 20% in the muscularity round.. I normally compete at 160-162 that year being the embassador of the sport I must lead by example, which I did. I competed at 155lbs still same conditioning, shape etc…. Lord behold second fiddle to Yaxeni.. It looked as if Yaxeni had did the opposite of what the current ruling stated and she was being rewarded.. Come on we have two different body types! I have a small tapered waist line, fine detail flowing through out my body, nice harmony and she's displaying nothing but BIG. When someone refers to Yaxeni body they say she's a big girl.. She has great confidence about herself on stage, which is an EXCELLENT tool and having that can always gain you a few points, but to flat out win is RIDICULOUS and not possible… Anyhow, Yaxeni was more surprised then I when hearing her name announced victoriously. And believe it or not annoucing the winner that year was Lenda Murray, so she was probably soaking up every second of me losing as a mild way of payback. I was always told when going after the champ you have to completely knock the champ "OUT."”

Iris Kyle (1974) American bodybuilder

Anything close should not cause you a win.
2012-02-05
An Exclusive Interview With the Ms. Olympia Champion Iris Kyle
RX Muscle
Internet
http://www.rxmuscle.com/rx-girl-articles/female-bodybuilding/4986-an-exclusive-interview-with-the-ms-olympia-champion-iris-kyle.html
Sourced quotes, 2012

Dorothy Parker photo

“Sinbad is produced in accordance with the fine old Shubert precept that nothing succeeds like undress. p. 6”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 1: 1918

Mitt Romney photo
Terry McAuliffe photo

“A wet summer and a fine winter should be the farmer's prayer.”

John Conington (1825–1869) British classical scholar

Georgics, Book I, p. 39
Translations, The Poems of Virgil Translated Into English Prose (1872)

Bertolt Brecht photo

“You may proclaim, good sirs, your fine philosophy
But till you feed us, right and wrong can wait!”

Macheath in "Second Threepenny-Finale"; Act 2, scene 3, p. 67
Variant translations:
However much you twist, whatever lies you tell
Food is the first thing, morals follow on.
Used by the Pet Shop Boys, in "What Keeps Mankind Alive?", Can You Forgive Her (1993 EP)
Food first, then morality.
The Threepenny Opera (1928)

Jozef Israëls photo
Mihira Bhoja I photo

“The king of Gurjars maintain numerous faces and no other Indian prince has so fine a cavalry. He has great riches and his camels and horses are numerous. There is no country in India more safe from robbers”

Mihira Bhoja I (836–885) Ruler of the Gurjara Pratihara dynasty

Words by Salaiman an arab invader who visited India during the emperor's reign.[History of Ancient India: Earliest Times to 1000 A. D., http://books.google.co.in/books?id=cWmsQQ2smXIC&pg=PA207&dq]
About

Marvin Gaye photo
Thierry Henry photo
Letitia Elizabeth Landon photo

“It was a beautiful embodied thought,
A dream of the fine painter, one of those
That pass by moonlight o'er the soul, and flit
'Mid the dim shades of twilight, when the eye
Grows tearful with its ecstasy.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(1st June 1822) Poetic Sketches. Second Series - Sketch the Fifth. Mr. Martin’s Picture of Clytie
8th June 1822) The Deserter see The Improvisatrice (1824
The London Literary Gazette, 1821-1822

Philo photo
Daniel Berrigan photo

“I think of the good, decent, peace-loving people I have known by the thousands, and I wonder. How many of them are so afflicted with the wasting disease of normalcy that, even as they declare for the peace, their hands reach out with an instinctive spasm… in the direction of their comforts, their home, their security, their income, their future, their plans—that five-year plan of studies, that ten-year plan of professional status, that twenty-year plan of family growth and unity, that fifty-year plan of decent life and honorable natural demise. “Of course, let us have the peace,” we cry, “but at the same time let us have normalcy, let us lose nothing, let our lives stand intact, let us know neither prison nor ill repute nor disruption of ties.” And because we must encompass this and protect that, and because at all costs—at all costs—our hopes must march on schedule, and because it is unheard of that in the name of peace a sword should fall, disjoining that fine and cunning web that our lives have woven, because it is unheard of that good men should suffer injustice or families be sundered or good repute be lost—because of this we cry peace and cry peace, and there is no peace. There is no peace because there are no peacemakers. There are no makers of peace because the making of peace is at least as costly as the making of war—at least as exigent, at least as disruptive, at least as liable to bring disgrace and prison and death in its wake.”

Daniel Berrigan (1921–2016) American Catholic priest, peace activist, and poet

No Bars to Manhood (1971), p. 49.

Jerry Seinfeld photo
Donald J. Trump photo

“Science Fiction Gods; Do they take much of an interest in us? I doubt it. How much entertainment does an ant's nest provide you with?
'Adepticus Sir, that bunch of Ornithoids on Artoc 4 that you asked me to observe, well they've just trashed their planet.'
'Oh that is a pity Initiatus Jones. What was it this time, ecological screw up or nuclear winter?'
'Worse than that sir, i looks lke they were mucking around with vacuum energy without having first invented the Mobius sphere.'
'Ah yes, the old classic mistake, we loose a few like that.'
'Could we not have tipped them off about it Sir?'
'I'm afraid not Jones, stupidity must remain its own reward, it's regrettable but there you are. Did you salvage anything?'
'They composed some fairly good poetry a couple of centuries ago, and some rather fine cloud sculptures fairly recently, I've logged some records in the archives.'
'Splendid Jones, I'll peruse them this evening. What about those Apes on Sol 3, how are they getting on?'
'Quit a bit of warfare as usual Sir, mostly based on chemical explosives these days, but with the occasional use of plutonium. Many of them have developed a belief in a big bang theory, and they reckon that they have the maths to prove it.'
'Really? Smith in anthropology will probably find that hilarious, I'm sure she would appreciate the data. It was one of her old Stomping grounds you know?'
'No I didnt know that Sir'
'It was a long time ago Jones, and a bit of a fiasco actually, she gave them a piece of her mind about some of their barbaric behavior which then abruptly became worse. Ever since then they have been obsessed with the number plate on her craft, it read 'JHVH'. The department gave her a desk job after that.”

Peter J. Carroll (1953) British occultist

Source: The Apophenion (2008), p. 107-108

Orson Scott Card photo
Winston S. Churchill photo
Jerry Coyne photo
Charles Darwin photo
David Fleming photo
Edward Albee photo
George Herbert photo

“A servant with this clause
Makes drudgery divine:
Who sweeps a room, as for thy laws,
Makes that and th' action fine.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

Source: The Temple (1633), The Elixir, Lines 17-20

P.G. Wodehouse photo
George Eliot photo
Richard K. Morgan photo
Richard Henry Dana Jr. photo

“We must exercise faith. We don’t pretend we’re fine. We don’t deny it. But we trust in Him.”

John Townsend (1952) Canadian clinical psychologist and author

Where Is God (2009, Thomas Nelson publishers)

Marcus Aurelius photo
Charlotte Brontë photo
Winston S. Churchill photo
Jean Froissart photo

“If we all spring from a single father and mother, Adam and Eve, how can they claim or prove that they are lords more than us, except by making us produce and grow the wealth which they spend? They are clad in velvet and camlet lined with squirrel and ermine, while we go dressed in coarse cloth. They have the wines, the spices and the good bread: we have the rye, the husks and the straw, and we drink water. They have shelter and ease in their fine manors, and we have hardship and toil, the wind and the rain in the fields. And from us must come, from our labour, the things which keep them in luxury”

Jean Froissart (1337–1405) French writer

Et, se venons tout d'un père et d'une mere, Adam et Eve, en quoi poent il dire ne monstrer que il sont mieux signeur que nous, fors parce que il nous font gaaignier et labourer ce que il despendent? Il sont vestu de velours et de camocas fourés de vair et de gris, et nous sommes vesti de povres draps. Il ont les vins, les espisses et les bons pains, et nous avons le soille, le retrait et le paille, et buvons l'aige. Ils ont le sejour et les biaux manoirs, et nous avons le paine et le travail, et le pleue et le vent as camps, et faut que de nous viengne et de nostre labeur ce dont il tiennent les estas.
Book 2, p. 212.
Froissart is again quoting John Ball.
Chroniques (1369–1400)

Dominic Purcell photo
Vincent Van Gogh photo
Victor Hugo photo

“Homer is one of the men of genius who solve that fine problem of art — the finest of all, perhaps — truly to depict humanity by the enlargement of man: that is, to generate the real in the ideal.”

Homère est un des génies qui résolvent ce beau problème de l’art, le plus beau de tous peut-être, la peinture vraie de l’humanité obtenue par le grandissement de l’homme, c’est-à-dire la génération du réel dans l’idéal.
Part I, Book II, Chapter II, Section I
William Shakespeare (1864)

Mary Kay Andrews photo
James Salter photo
David Mitchell photo

“Courage is the highest quality for a soldier, but technology is a fine substitute.”

David Mitchell (1969) English novelist

Part 6
number9dream (2001)

Floyd Dell photo
Ralph Klein photo

“[Edmonton is a] fine city with too many socialists and mosquitoes. At least you can spray the mosquitoes.”

Ralph Klein (1942–2013) Canadian politician

Source: Welcome to Ralph's World: 10 of Ralph Klein's most colourful quotes http://www.ctvnews.ca/politics/welcome-to-ralph-s-world-10-of-ralph-klein-s-most-colourful-quotes-1.1216791

John Ruskin photo

“Fine art is that in which the hand, the head, and the heart of man go together.”

John Ruskin (1819–1900) English writer and art critic

The Two Paths, Lecture II: The Unity of Art, section 54 (1859).

Chuck Jones photo
Margaret Mead photo
Keshub Chunder Sen photo
John Adams photo
Christopher Titus photo
Jim Baggott photo
Ben Stein photo
Logan Pearsall Smith photo
Julián Hernández photo

“"If wine is fine, everything is fine, and if it's bad, never mind, as long as it is wine."”

"Si el vino está bien, todo está bien, y si está mal, da lo mismo, con tal de que sea vino..."
taken by Rock de Lux magazine.

Joseph Arch photo
Patrick Rothfuss photo
Benito Juárez photo
Venkatraman Ramakrishnan photo
Frank W. Abagnale photo

“I stole every nickel, dime and dollar and blew it on fine threads, luxurious lodgings, fantastic foxes and other sensual goodies. I partied in every capital in Europe and bask on all the worlds most famous beaches.”

Frank W. Abagnale (1948) American security consultant, former confidence trickster, check forger, impostor, and escape artist

Variant: I stole every nickel, dime and dollar and blew it on fine threads, luxurious lodgings, fantastic foxes and other sensual goodies. I partied in every capital in Europe and bask on all the worlds most famous beaches.
Source: Catch Me if You Can: The True Story of a Real Fake, 2002, Ch.1 Pg.4(a), Ch.1 Pg. 11(b),Back cover(c), Ch.6 Pg.116(d)

Nicholas of Cusa photo
Richard Holbrooke photo

“Our meeting with Admiral Leighton Smith, on the other hand, did not go well. He had been in charge of the NATO air strikes in August and September [1995], and this gave him enormous credibility, especially with the Bosnian Serbs. Smith was also the beneficiary of a skillful public relations effort that cast him as the savior of Bosnia. In a long profile, Newsweek had called him "a complex warrior and civilizer, a latter-day George C. Marshall." This was quite a journalistic stretch, given the fact that Smith considered the civilian aspects of the task beneath him and not his job - quite the opposite of what General Marshall stood for.
After a distinguished thirty-three-year Navy career, including almost three hundred combat missions in Vietnam, Smith was well qualified for his original post as commander of NATO's southern forces and Commander in Chief of all U. S. naval forces in Europe. But he was the wrong man for his additional assignment as IFOR commander, which was the result of two bureaucratic compromises, one with the French, the other with the American military. General Joulwan rightly wanted the sixty thousand IFOR soldiers to have as their commanding officer an Army general trained in the use of ground forces. But Paris insisted that if Joulwan named a separate Bosnia commander, it would have to be a Frenchman. This was politically impossible for the United States; thus, the Franh objections left only one way to preserve an American chain of command - to give the job to Admiral Smith, who joked that he was now known as "General" Smith. (…)
On the military goals of Dayton, he was fine; his plans for separating the forces along the line we had drawn in Dayton and protecting his forces were first-rate. But he was hostile to any suggestions that IFOR help implement any nonmilitary portion of the agreement. This, he said repeatedly, was not his job.
Based on Shalikashvili's statement at White House meetings, Christopher and I had assumed that the IFOR commander would use his authority to do substancially more than he was obligated to do. The meeting with Smith shattered that hope. Smith and his British deputy, General Michael Walker, made clear that they intended to take a minimalist approach to all aspects of implementation other than force protection. Smith signaled this in his first extensive public statement to the Bosnian people, during a live call-in program on Pale Television - an odd choice for his first local media appearance. During the program, he answered a question in a manner that dangerously narrowed his own authority. He later told Newsweek about it with a curious pride: "One of the questions I was asked was, "Admiral, is it true that IFOR is going to arrest Serbs in the Serb suburbs of Sarajevo?" I said, "Absolutely not, I don't have the authority to arrest anybody"."”

Richard Holbrooke (1941–2010) American diplomat

This was an inaccurate way to describe IFOR's mandate. It was true IFOR was not supposed to make routine arrests of ordinary citizens. But IFOR had the authority to arrest indicted war criminals, and could also detain anyone who posed a threat to its forces. Knowing what the question meant, Smith had sent an unfortunate signal of reassurance to Karadzic - over his own network.
Source: 1990s, To End a War (1998), p.327-329

Newton Lee photo

“Satire in media such as The Interview and Charlie Hebdo walk a fine line between freedom of speech and dangerous incitement.”

Newton Lee American computer scientist

Counterterrorism and Cybersecurity: Total Information Awareness (2nd Edition), 2015

“I remember one clear example of the problem of communicating what is to be learned. You may have heard of or gone through a similar experience with a student or your child. Years ago, the child of a friend whom I was visiting arrived home from his day at school, all excited about something he had learned. He was in the first grade and his teacher had started the class on reading lessons. The child, Gary, announced that he had learned a new word. "That's great, Gary," his mother said. "What is it?" He thought for a moment, then said, "I'll write it down for you." On a little chalkboard the child carefully printed, HOUSE. "That's fine, Gary," his mother said. "What does it say?" He looked at the word, then at his mother and said matter-of-factly, "I don't know."The child apparently had learned what the word looked like — he had learned the visual shape of the word perfectly. The teacher, however, was teaching another aspect of reading — what words mean, what words stand for or symbolize. As often happens, what the teacher had taught and what Gary had learned were strangely incongruent.As it turned out, my friend's son always learned visual material best and fastest, a mode of learning consistently preferred by a number of students. Unfortunately, the school world is mainly a verbal, symbolic world, and learners like Gary must adjust, that is, put aside their best way of learning and learn the way the school decrees. My friend's child, fortunately, was able to make this change, but how many other students are lost along the way?”

Betty Edwards (1926) American artist

Source: The New Drawing on the Right Side of the Brain (1979), p.237

Tom Lehrer photo
George Herbert photo

“475. Fine words dresse ill deedes.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

Jacula Prudentum (1651)

Samuel T. Cohen photo
Joel Chandler Harris photo

“Hungry rooster don't cackle w'en he fine a wum.”

Joel Chandler Harris (1848–1908) Journalist, children's writer

Plantation Proverbs.

Logan Pearsall Smith photo

“The disconcerting fact may first be pointed out that if you write badly about good writing, however profound may be your convictions or emphatic your expression of them, your style has a tiresome trick (as a wit once pointed out) of whispering: ‘Don’t listen!’ in your readers’ ears. And it is possible also to suggest that the promulgation of new-fangled aesthetic dogmas in unwieldy sentences may be accounted for—not perhaps unspitefully—by a certain deficiency in aesthetic sensibility; as being due to a lack of that delicate, unreasoned, prompt delight in all the varied and subtle manifestations in which beauty may enchant us.
Or, if the controversy is to be carried further; and if, to place it on a more modern basis, we adopt the materialistic method of interpreting aesthetic phenomena now in fashion, may we not find reason to believe that the antagonism between journalist critics and the fine writers they disapprove of is due in its ultimate analysis to what we may designate as economic causes? Are not the authors who earn their livings by their pens, and those who, by what some regard as a social injustice, have been more or less freed from this necessity—are not these two classes of authors in a sort of natural opposition to each other? He who writes at his leisure, with the desire to master his difficult art, can hardly help envying the profits of money-making authors.”

Logan Pearsall Smith (1865–1946) British American-born writer

criticizing the Cambridge School of criticism, e.g. John Middleton Murry and Herbert Read, “Fine Writing,” pp. 306-307
Reperusals and Recollections (1936)

Francis Crick photo
David Harvey photo

“If, for example, a conspiratorially minded elite is so powerful, has at its fingertips such multiple and delicate instruments with which to fine-tune accumulation, then how can the periodic headlong slides into crisis be explained?”

David Harvey (1935) British anthropologist

Source: The Limits To Capital (2006 VERSO Edition), Chapter 10, Finance Capital And Its Contradictions, p. 316

Richard Dawkins photo

“It was a fine thing to be a newspaperman and I very much wanted to be a good one.”

Roger Kahn (1927–2020) American baseball writer

Source: The Boys Of Summer, Chapter 2, Ceremonies of Innocence, p. 175

Otto Pfleiderer photo
Herbert Marcuse photo
Aldous Huxley photo
Abu'l-Fazl ibn Mubarak photo
Murray Leinster photo
Anthony Burgess photo
John McCain photo
Frances Burney photo
Kameron Hurley photo
Uthradom Thirunal Marthanda Varma photo

“When we have guests, my wife and I serve them sometimes. In fact, a mediaperson from Germany who probably expected me to dress in fine clothes, once mistook me for my secretary.”

Uthradom Thirunal Marthanda Varma (1922–2013) Maharaja of Travancore

Entertaining his guests at the modest Pattom palace, in "Royal vignettes: Travancore - Simplicity graces this House (30 March 2003)"

Mikha'il Na'ima photo
Paul Klee photo

“Van Gogh is congenial to me, 'Vincent' in his letters. Perhaps nature does have something. There is no need, after all, to speak of the smell of earth; it has too peculiar a savor. The words we use to speak about it, I mean, have too peculair a savor. Too bad that the early Van Gogh was so fine a human being, but not so good as a painter, and that the later, wonderful artist is such a marked man. A mean should be found between these four points pf comparison: then, yes!”

Paul Klee (1879–1940) German Swiss painter

Quote (1908), # 808, in The Diaries of Paul Klee; University of California Press, 1964; as quoted by Francesco Mazzaferro, in 'The Diaries of Paul Klee - Part Three' : Klee as a Secessionist and a Neo-Impressionist Artist http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev.html
1903 - 1910

Bhimsen Joshi photo

“Had I not been a classical singer, I would have loved to spend my entire life in a garage fine-tuning a Fiat or a Maruti.”

Bhimsen Joshi (1922–2011) Indian vocalist

His often repeated lines. Relentless riyaz- Bhimsen Joshis recipe for success, 29 November 2013, Deccan Herald http://archive.deccanherald.com/content/Nov52008/national2008110598978.asp?section=thirdcolumnupdatenews,

Elfriede Jelinek photo
John Buchan photo
Ernst Ludwig Kirchner photo

“Life is unfixed when one lives in Berlin, where one has to fight for a living. It is painfully base here. I see that a fine, free culture cannot be created under these circumstances and wish to leave as soon as I have overcome this big slump.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

End of 1911; as quoted in Ernst Ludwig Kirchner: ein Künstlerleben in Selbstzeugnissen, Andreas Gabelmann (transl. Claire Louise Albiez); Hatje Cantz Verlag, Ostfildern, Germany 2010, p. 45
remark, shortly after their move to Berlin - the bustle, tempo, and anonymity of city-life soon got tough to Kirchner and the other Brücke members
1905 - 1915

Miguel de Unamuno photo