“One knows that later Giacometti broke this domination surrealist influence of Breton, and he became completely interested again in the figure, he became figurative – he did nothing in the end but portraits of his brother and so on, and all very.... not realistic, but interested in life, in nature, and not so much in the dream or in the fantasy.”

— Henry Moore

Quote in 'Henry Moore in Spain' / 'Henry Moore interview', c. 1981, HMF Library; as cited in Henry Moore writings and Conversations, ed. Alan Wilkinson, University of California Press, California 2002, p. 152
1970 and later

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "One knows that later Giacometti broke this domination surrealist influence of Breton, and he became completely interest…" by Henry Moore?

Henry Moore photo

Henry Moore44

English artist 1898–1986

Related quotes

“When the Surrealist exhibition [in London, 1936] was held Barbara [Hepworth] was by then married to [the sculptor] w:Ben Nicholson, they were strongly against it [against Surrealism ], though I felt, and feel, that there needn't be the sort of division in art that sprang up then. And Ben had also been much influenced by Mondrian. He was devoted to abstract art and she became much more interested in the abstract form. But for me, the essence of sculpture has always been the human figure. Still, of course, one kept in touch and one met and one's paths crossed.”

Henry Moore (1898–1986) English artist

1970 and later
Source: 'The Sunday Times', 25 May 1975; as quoted in Henry Moore writings and Conversations, ed. Alan Wilkinson, University of California Press, California 2002, p. 121

“The chief pleasure of his life in these days was to go down the road and look through the window in the wall in the hope of seeing the beautiful Island. … the sight of the Island and the sounds became very rare … and the yearning for the sight … became so terrible that John thought he would die if he did not have them again soon. … it came into his head that he might perhaps get the old feeling-for what, he thought, had the Island ever given him but a feeling?–by imagining. He shut his eyes and set his teeth again and made a picture of the Island in his mind.”

Clive Staples Lewis book The Pilgrim's Regress

Pilgrim’s Regress 12–13
The Pilgrim's Regress (1933)

“I think he's a very good technician. And he has something in Psycho, he had some moments. Psycho is one of his most interesting pictures because he had to make the picture very fast, with very primitive means. He had little money, and this picture tells very much about him. Not very good things. He is completely infantile, and I would like to know more — no, I don't want to know — about his behaviour with, or, rather, against women. But this picture is very interesting.”

Ingmar Bergman (1918–2007) Swedish filmmaker

On Alfred Hitchcock in an interview with John Simon (1971).

“He loved her because it was his nature to do so, but there were times when he could not endure her love for him. There were times when it became nothing but pure idiot mystery…”

Flannery O’Connor (1925–1964) American novelist, short story writer

Source: Everything That Rises Must Converge: Stories

“The only way a woman can ever reform a man is by boring him so completely that he loses all possible interest in life.”

Oscar Wilde (1854–1900) Irish writer and poet

“At the time, I was interested in reconciliation after fights, and I wanted to know how bonobos did it compared to chimpanzees. Very soon I discovered that they were much more sexual in everything they did, and that interested me — not so much for the sex part, even though that became a very hot topic, the peacemaking-through-sex thing — but much more how they have such a peaceful society, because they are much less violent than chimpanzees.”

Frans de Waal (1948) Dutch primatologist and ethologist

The Bonobo in All of Us (2007)

“In a frenzy, kicking his legs and moving his arms in a swimmer's breaststroke, he managed to fight toward the rod. The closer he got to it, the stronger the web of force became. He did not give up. If he did, he would be back where he had been and without enough strength to begin fighting again. It was not his nature to give up until all his strength had been expended.”

Philip José Farmer (1918–2009) American science fiction writer

Source: The Riverworld series, To Your Scattered Bodies Go (1971), Chapter 1 (p. 4)

“About Archimedes one remembers that he did strange things: he ran around naked shouting Heureka!, plunged crowns into water, drew geometric figures as he was about to be killed, and so on. … One ends up forgetting he was a scientist of whom we still have many writings.”

Lucio Russo (1944) Italian historian and scientist

1.1, "The Erasure of the Scientific Revolution", p. 6
The Forgotten Revolution: How Science Was Born in 300 BC and Why It Had to Be Reborn (2004)

“He saw things in a way that others did not, so that a city I had lived in all my life seemed a different place, so that a woman became beautiful with the light on her face.”

Tracy Chevalier (1962) American writer

Source: Girl With A Pearl Earring

“Your average game show host on TV, for instance, doesn't believe himself to be banal. He actually thinks that he's quite interesting. And if you look at the viewing figures, so do an enormous number of people in this country.”

Clive Barker (1952) author, film director and visual artist

American Heroes #174

Related topics