Quotes about eye
page 32

Poul Anderson photo
Clive Staples Lewis photo
Viktor Schauberger photo
Georg Büchner photo
Augustus De Morgan photo

“In order to see the difference which exists between… studies,—for instance, history and geometry, it will be useful to ask how we come by knowledge in each. Suppose, for example, we feel certain of a fact related in history… if we apply the notions of evidence which every-day experience justifies us in entertaining, we feel that the improbability of the contrary compels us to take refuge in the belief of the fact; and, if we allow that there is still a possibility of its falsehood, it is because this supposition does not involve absolute absurdity, but only extreme improbability.
In mathematics the case is wholly different… and the difference consists in this—that, instead of showing the contrary of the proposition asserted to be only improbable, it proves it at once to be absurd and impossible. This is done by showing that the contrary of the proposition which is asserted is in direct contradiction to some extremely evident fact, of the truth of which our eyes and hands convince us. In geometry, of the principles alluded to, those which are most commonly used are—
I. If a magnitude is divided into parts, the whole is greater than either of those parts.
II. Two straight lines cannot inclose a space.
III. Through one point only one straight line can be drawn, which never meets another straight line, or which is parallel to it.
It is on such principles as these that the whole of geometry is founded, and the demonstration of every proposition consists in proving the contrary of it to be inconsistent with one of these.”

Augustus De Morgan (1806–1871) British mathematician, philosopher and university teacher (1806-1871)

Source: On the Study and Difficulties of Mathematics (1831), Ch. I.

Ralph Waldo Emerson photo

“But genius looks forward: the eyes of men are set in his forehead, not in his hindhead: man hopes: genius creates.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1830s, The American Scholar http://www.emersoncentral.com/amscholar.htm (1837)

Pete Doherty photo
Hillary Clinton photo

“None of us can close our eyes to the fact that we do face enemies who use their distorted version of Islam to justify slaughtering innocent people.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Presidential campaign (April 12, 2015 – 2016), Speech about the Orlando Shooting (June 13, 2016)

George Frisbie Hoar photo
Conor Oberst photo

“As they take eye for an eye until no one can see,
we must stumble blindly forward, repeating history.”

Conor Oberst (1980) American musician

Let's Not Shit Ourselves
Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)

Barbara Roberts photo
Thomas Carlyle photo

“When your mother has grown old
and with her so have you,
When that which once came easy
has at last become a burden,
When her loving, true eyes
no longer see life as once they did
When her weary feet
no longer want to wear her as she stands,
then reach an arm to her shoulder,
escort her gently, with happiness and passion
The hour will come, when you, crying,
must take her on her final walk.
And if she asks you, then give her an answer
And if she asks you again, listen!
And if she asks you again, take in her words
not impetuously, but gently and in peace!
And if she cannot quite understand you,
explain all to her gladly
For the hour will come, the bitter hour
when her mouth will ask for nothing more.”

Source: The poem was originally titled "Habe Geduld". It was first published in Blüthen des Herzens around 1906. https://www.bartfmdroog.com/droog/dd/bluthen_des_herzens_scans.html#front

Adolf Hitler used this poem with the title "Deine Mutter" in the handwritten manuscript he signed and dated in 1923. For this reason, this poem is sometimes misattributed to him. Adolf Hitler, "Denk' es!" (Be Reminded!) 1923, first published in Sonntag-Morgenpost (14 May 1933).

Ernest Hemingway photo

“The faces that were young once were old as mine but everyone remembered how we were. The eyes had not changed and nobody was fat. No mouths were bitter no matter what the eyes had seen. Bitter lines around the mouth are the first sign of defeat. Nobody was defeated.”

Ernest Hemingway (1899–1961) American author and journalist

It is July 1959 and Hemingway is in Marceliano's bar in Pamplona, where he has not been since before the Spanish Civil War. In the following paragraph Hemingway mentions for contrast an unpleasant American journalist in his early twenties whose 'handsome young face already showed the traced lines of bitterness around the upper lips.'
Source: The Dangerous Summer (1985), Ch. 9

Letitia Elizabeth Landon photo

“I've thought upon thy brow when Night
Threw o'er my pallet her summer moonlight,
And I have looked on the midnight sky
To catch the depth and light of thy eye;
I painted from these and from memory,
For I could not paint when I looked on thee.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

28th April 1824) Raphael Showing his Mistress her Portrait By Mr. Brockedon. (British Gallery.
The London Literary Gazette, 1824

Richard Rodríguez photo

“Something funny I have noticed—perhaps you have noticed it, too. You know what futurists and online-ists and cut-out-the-middle-man-ists and Davos-ists and deconstructionists of every stripe want for themselves? They want exactly what they tell you you no longer need, you pathetic, overweight, disembodied Kindle reader. They want white linen tablecloths on trestle tables in the middle of vineyards on soft blowy afternoons. (You can click your bottle of wine online. Cheaper.) They want to go shopping on Saturday afternoons on the Avenue Victor Hugo; they want the pages of their New York Times all kind of greasy from croissant crumbs and butter at a café table in Aspen; they want to see their names in hard copy in the “New Establishment” issue of Vanity Fair; they want a nineteenth-century bookshop; they want to see the plays in London; they want to float down the Nile in a felucca; they want five-star bricks and mortar and Do Not Disturb signs and views of the park. And in order to reserve these things for themselves they will plug up your eyes and your ears and your mouth, and if they can figure out a way to pump episodes of The Simpsons through the darkening corridors of your brain as you expire (ADD TO SHOPPING CART), they will do it.”

Richard Rodríguez (1944) American journalist and essayist

Darling: A Spiritual Autobiography (2013)
Variant: Something funny I have noticed—perhaps you have noticed it, too. You know what futurists and online-ists and cut-out-the-middle-man-ists and Davos-ists and deconstructionists of every stripe want for themselves? They want exactly what they tell you you no longer need, you pathetic, overweight, disembodied Kindle reader. They want white linen tablecloths on trestle tables in the middle of vineyards on soft blowy afternoons. (You can click your bottle of wine online. Cheaper.) They want to go shopping on Saturday afternoons on the Avenue Victor Hugo; they want the pages of their New York Times all kind of greasy from croissant crumbs and butter at a café table in Aspen; they want to see their names in hard copy in the “New Establishment” issue of Vanity Fair; they want a nineteenth-century bookshop; they want to see the plays in London; they want to float down the Nile in a felucca; they want five-star bricks and mortar and Do Not Disturb signs and views of the park. And in order to reserve these things for themselves they will plug up your eyes and your ears and your mouth, and if they can figure out a way to pump episodes of The Simpsons through the darkening corridors of your brain as you expire (ADD TO SHOPPING CART), they will do it.

George Eliot photo
Ludwig Feuerbach photo
Joyce Carol Oates photo
Francesco Guicciardini photo

“Ambassadors are the eye and ear of states.”

Francesco Guicciardini (1483–1540) Italian writer, historian and politician

Gli ambasciadori sono l'occhio e l'orecchio degli stati.
Storia d' Italia (1537-1540)

William Ellery Channing photo
G. I. Gurdjieff photo
John Betjeman photo

“He sipped at a weak hock and seltzer
As he gazed at the London skies
Through the Nottingham lace of the curtains
Or was it his bees-winged eyes?”

John Betjeman (1906–1984) English poet, writer and broadcaster

"The Arrest of Oscar Wilde at the Cadogan Hotel" line 1, from Continual Dew.
Poetry

Carole Morin photo
Hillary Clinton photo

“The Orlando terrorist may be dead, but the virus that poisoned his mind remains very much alive. And we must attack it with clear eyes, steady hands, unwavering determination and pride in our country and our values.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Presidential campaign (April 12, 2015 – 2016), Speech about the Orlando Shooting (June 13, 2016)

Bernard Cornwell photo

“Remember, Mr Sharpe, an officer's eyes are more valuable than his sword!”

Bernard Cornwell (1944) British writer

General Arthur Wellesley, p. 61
Sharpe (Novel Series), Sharpe's Eagle (1981)

Letitia Elizabeth Landon photo
W.E.B. Du Bois photo
Antoni Lange photo

“I was at god's order
To looking for you in every woman's eye.”

Antoni Lange (1862–1929) Polish writer and philosopher

Vita Nova

Frederic Dan Huntington photo
John Burroughs photo
Naomi Wolf photo

“In essence, your eyes don't show you what you see they show you what you believe.”

Source: Life, the Truth, and Being Free (2010), p. 38

“oh nothin, i was just buying some ear medication for my sick uncle… *LOWERS SHADES TO LOOK YOU DEAD IN THE EYE* who's a Model by the way”

Dril Twitter user

[ Link to tweet https://twitter.com/dril/status/197502223226384387]
Tweets by year, 2012

Alexander Maclaren photo
Alison Lohman photo
Edouard Manet photo
Vilém Flusser photo
Michele Bachmann photo

“I tell you this story because I think in our day and time, there is no analogy to that horrific action [the Holocaust]. But only to say, we are seeing eclipsed in front of our eyes a similar death and a similar taking away. It is this disenfranchisement that I think we have to answer to.”

Michele Bachmann (1956) American politician

Bachmann uses Holocaust to illustrate tax issue
MSNBC
2011-04-30
http://www.msnbc.msn.com/id/42836858/ns/politics-capitol_hill/
2001-05-01
comparing the next generation paying high taxes to the Holocaust
2010s

Harlan Ellison photo
John Bradford photo
Tom Petty photo
Isaac Watts photo

“When I can read my title clear
To mansions in the skies,
I'll bid farewell to every fear,
And wipe my weeping eyes.”

Isaac Watts (1674–1748) English hymnwriter, theologian and logician

Hymn 65 Hymns and Spiritual Songs, Book II.
Attributed from postum publications, Hymns and Spiritual Songs (1773)

P.G. Wodehouse photo
Dylan Thomas photo
Joseph Joubert photo
Vyasa photo
Robert Herrick photo
George Crabbe photo
Uma Thurman photo

“Tall, sandy blonde, with sort of blue eyes, skinny in places, fat in others. An average gal.”

Uma Thurman (1970) American actress and model

Interview with Laura Yorke. Reader's Digest. July 2006

Neil Peart photo
William James photo
Amir Taheri photo

“Some poets still write about the hair and eyes and body of a beloved and depict scenes of joy when lovers meet to drink and dance and be merry. But that is not the kind of poetry that the Islamic movement, grown on the concept of jihad and martyrdom, wants.”

Amir Taheri (1942) Iranian journalist

When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).

William Wordsworth photo
Tristan Tzara photo
Neal D. Barnard photo
Thomas Dunn English photo

“Your eyes were filled with love, Kate Vane;
Ah, would that we were young again!”

Thomas Dunn English (1819–1902) American state and federal politician

Kate Vane, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Dylan Thomas photo
Nikos Kazantzakis photo
David Bowie photo

“We passed upon the stair, we spoke of was and when
Although I wasn't there, he said I was his friend
Which came as some surprise I spoke into his eyes
I thought you died alone, a long long time ago.”

David Bowie (1947–2016) British musician, actor, record producer and arranger

The Man Who Sold the World
Song lyrics, The Man Who Sold the World (1970)

Conrad Aiken photo
W. Somerset Maugham photo
Charlotte Brontë photo

“The theatre was full — crammed to its roof: royal and noble were there; palace and hotel had emptied their inmates into those tiers so thronged and so hushed. Deeply did I feel myself privileged in having a place before that stage; I longed to see a being of whose powers I had heard reports which made me conceive peculiar anticipations. I wondered if she would justify her renown: with strange curiosity, with feelings severe and austere, yet of riveted interest, I waited. She was a study of such nature as had not encountered my eyes yet: a great and new planet she was: but in what shape? I waited her rising.She rose at nine that December night: above the horizon I saw her come. She could shine yet with pale grandeur and steady might; but that star verged already on its judgment-day. Seen near, it was a chaos — hollow, half-consumed: an orb perished or perishing — half lava, half glow.I had heard this woman termed "plain," and I expected bony harshness and grimness — something large, angular, sallow. What I saw was the shadow of a royal Vashti: a queen, fair as the day once, turned pale now like twilight, and wasted like wax in flame.For awhile — a long while — I thought it was only a woman, though an unique woman, who moved in might and grace before this multitude. By-and-by I recognized my mistake. Behold! I found upon her something neither of woman nor of man: in each of her eyes sat a devil. These evil forces bore her through the tragedy, kept up her feeble strength — for she was but a frail creature; and as the action rose and the stir deepened, how wildly they shook her with their passions of the pit! They wrote HELL on her straight, haughty brow. They tuned her voice to the note of torment. They writhed her regal face to a demoniac mask. Hate and Murder and Madness incarnate she stood.It was a marvellous sight: a mighty revelation.It was a spectacle low, horrible, immoral.Swordsmen thrust through, and dying in their blood on the arena sand; bulls goring horses disembowelled, made a meeker vision for the public — a milder condiment for a people's palate — than Vashti torn by seven devils: devils which cried sore and rent the tenement they haunted, but still refused to be exorcised.Suffering had struck that stage empress; and she stood before her audience neither yielding to, nor enduring, nor in finite measure, resenting it: she stood locked in struggle, rigid in resistance. She stood, not dressed, but draped in pale antique folds, long and regular like sculpture. A background and entourage and flooring of deepest crimson threw her out, white like alabaster — like silver: rather, be it said, like Death.”

Source: Villette (1853), Ch. XXIII: Vashi

Ted Nugent photo
Alberto Manguel photo
James Cromwell photo

“Making the movie Babe opened my eyes to the intelligence and the inquisitive personalities of pigs. These highly social animals possess an amazing capacity for love, joy and sorrow that makes them remarkably similar to our beloved canine and feline friends.”

James Cromwell (1940) American actor and producer

Said in a press statement for SaveBabe campaign, as quoted in "James Cromwell: King Lear, Babe and the Black Panthers" http://www.nouse.co.uk/2007/10/26/james-cromwell-king-lear-babe-and-the-black-panthers/ in Nouse (26 October 2007)

George William Curtis photo

“Mayor Macbeth, of Charleston, told General Howard that he did not believe that a bureau at Washington could manage the social relations of the people from the Potomac to the Rio Grande. But the answer to Mayor Macbeth is that he and his companions have managed those relations at a cost to the country of four years of civil war, three thousand millions of dollars, and hundreds of thousands of lives. The Freedmen's Bureau will hardly be as expensive as that. And while such a bureau merely defends the rights of a certain class under the laws, the aid societies give them that education which in the present state of local feeling would be inevitably withheld. The mighty arch of Sherman, wasting and taming the land, is followed by the noiseless steps of the band of unnamed heroes and heroines who are teaching the people. The soldier drew the furrow, the teacher drops the seed. There is many and many a devoted woman, hidden at this moment in the lowliest cabins of the South, whose name poets will not sing nor historians record, but whose patient toil the eye that marks the sparrow's fall beholds and approves. Not more noble, not more essential, was the work of the bravest and most famous of the heroes who fell in the wild storm of battle, than that of many a woman to us unknown, faithful through privation and exposure and disease, and perishing at the lonely outpost of duty in the act of helping the nation keep its word.”

George William Curtis (1824–1892) American writer

1860s, The Good Fight (1865)

Shaw Neilson photo

“The young girl stood beside me. I
Saw not what her young eyes could see:
—A light, she said, not of the sky
Lives somewhere in the Orange Tree.”

Shaw Neilson (1872–1942) Early twentieth century Australian poet

Ballad and Lyrical Poems (1923), "The Orange Tree"

Camille Paglia photo

“The Fairie Queene makes cinema out of the west's primary principle: to see is to know; to know is to control. The Spenserian eye cuts, wounds, rapes.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 173

Michael Savage photo

“I intend to make this day forward the first day of the rest of my life. We can change our lives. You say, 'Well, what's wrong with your life, Michael?' Well, it's not that there's anything wrong with my life, but it's not what I want it to be. I don't feel that I'm inspiring people in the way I want to inspire them. You see, you can inspire through hate; you can inspire through love, hope, humor – the positives. I look at the history of the world, and I look at the world today, and I realize that if we don't inspire each other through positive attributes – love, hope and humor – we're gonna descend into the barbarism of the Left and the barbarism of ISIS. You like me to be hard, you like me to be tough, you like me to give you the breaking news, you like me to be cynical, you like me to analytical, you like me to give you stuff that you don't hear anywhere else – I get that. But there's a limit to that. There's a lot of area beyond all that.I think of Christmas. Christianity is the religion of peace. Christianity is the true religion of peace. 'Turn the other cheek.' 'Do unto others as you would have them do unto you.' These are messages that come from Christianity. What can you do in an age of deceit and lies and terror? You can go to church again. However un-needing you think you really are, you know in your heart that there's something missing in you. You know that you crave something greater. Because the human being is not a dog. We are unique creatures. And we need something different than the bear, the dog, the snake and the eagle. What is that thing that we need? It's that 'thing' called God.The media has promulgated the idea, and promoted the idea, that we only need food and fornication. And so when people are empty that's what they seek. And when they are really empty, what happens? They become drug addicts. They start with marijuana, they end up with heroin, crack, you name it. As God has been driven out of America, drugs have entered America. What does an empty soul look to do? An empty soul looks to fill itself. Just as an empty vessel needs to be filled with a liquid to be complete, an empty human being needs to fill itself to be complete. And how does it fill itself? I know, again, many of you will laugh because you're cynical; it's through those things I'm talking about – inspiration. Do you think a musician can play one day without inspiration from somewhere? The greatest artists in the history of the world were not drug-addicts. They were usually God-addicts. Look at the greatest art in history, you'll find most of them were super religious people, who literally saw God in their living room, and they took the power of God and that was transmitted through the paintbrush, or through that piece of marble. How could a man like Rodin take a piece of inert stone, and inside that stone see the essence of the human form, and sculpt from that block of inert stone, a marble, the portrait of a human being that looks so real – a hundred years later I go and look at them in the museum, and literally inside that carved eye I can see the person; how is that possible? How? It's a different show than I've ever done in my 21 years, because each day to me – I must tell you – I see as my last day, my last day on Earth.”

Michael Savage (1942) U.S. radio talk show host, Commentator, and Author

The Savage Nation (1995- ), 2015

Ian Fleming photo
Learned Hand photo
Marcus Terentius Varro photo

“There are bred certain minute creatures which cannot be seen by the eyes, which float in the air and enter the body through the mouth and nose and there cause serious diseases.”
Crescunt animalia quaedam minuta, quae non possunt oculi consequi, et per aera intus in corpus per os ac nares perveniunt atque efficiunt difficilis morbos.

Marcus Terentius Varro (-116–-27 BC) ancient latin scholar

Marcus Porcius Cato on Agriculture : Marcus Terentius Varro on Agriculture. W.D. Hooper & H.B. Ash. (translation). Harvard University Press, 1993. Bk. 1, ch. 12
De Re Rustica

Berthe Morisot photo

“.. scumbled froth.... capable of indicating a mouth, eyes, a nose with a single stroke of the brush, the rest of the face modeled by the perfect accuracy of these indications.”

Berthe Morisot (1841–1895) painter from France

Quote of her notebooks about rendering, 1885-86; as cited in Berthe Morisot, ed. Delafond and Genet-Bondeville, 1997, p. 46
1881 - 1895

Henry Adams photo

“I am a visual man. I watch, watch, watch. I understand things through my eyes.”

Henri Cartier-Bresson (1908–2004) French photographer

"An island of pleasure gond adrift" in LIFE magazine (15 March 1963), p. 42

E.M. Forster photo
Harry Emerson Fosdick photo
Letitia Elizabeth Landon photo

“Oh, who—reposed on some fond breast,
Love's own delicious place of rest—
Reading faith in the watching eyes,
Feeling the heart beat with its sighs,
Could know regrets, or doubts, or cares,
That we had bound our fate with theirs!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Sisters from The London Literary Gazette: 13th March 1824 Metrical Tales - Tale III.
The Vow of the Peacock (1835)

Robert M. Pirsig photo
Jack Kerouac photo
Dwight D. Eisenhower photo

“In June of 1776, Richard Henry Lee, rising before the Continental Congress to move his resolution for American independence, declared: “The eyes of Europe are fixed upon us; she demands of us a living example of freedom.””

Dwight D. Eisenhower (1890–1969) American general and politician, 34th president of the United States (in office from 1953 to 1961)

1950s, Address at the Philadelphia Convention Hall (1956)

Paolo Bacigalupi photo
Paul Cézanne photo
Isaac Rosenberg photo
András Petőcz photo
Henry Knox photo

“The eyes of all America are upon us, as we play our part in posterity will bless or curse us.”

Henry Knox (1750–1806) Continental Army and US Army general, US Secretary of War

Knox on the Declaration of Independence. Reported in David McCullough, 1776 (2005), p. 83.

Tanith Lee photo
Edward Coote Pinkney photo

“Look out upon the stars, my love,
And shame them with thine eyes.”

Edward Coote Pinkney (1802–1828) American poet, lawyer, sailor, professor, and editor

A Serenade, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Leo Tolstoy photo
Ludovico Ariosto photo

“The youth, who pants to gain the amorous prize,
Forgets that Heaven with all-discerning eyes
Surveys the secret heart; and when desire
Has, in possession, quenched its short-lived fire,
The devious winds aside each promise bear,
And scatter all his solemn vows in air!”

L'amante, per aver quel che desia,
Senza guardar che Dio tutto ode e vede,
Aviluppa promesse e giuramenti,
Che tutti spargon poi per l'aria i venti.
Canto X, stanza 5 (tr. John Hoole)
Orlando Furioso (1532)

Jerry Coyne photo
Molière photo

“I saw him, I say, saw him with my own eyes.”

Je l'ai vu, dis-je, de mes propres yeux vu.
Act V, sc. iii
Tartuffe (1664)

Knut Hamsun photo