Quotes about exhibit (463 quotes) | Quotes of famous people

“In the second half of the 18th century, first residences-museums were created in Poland. Old palaces were changed to adapt them for exhibitions purposes, or new buildings were erected with separate museum annexes. First such museums in Poland was established in 1802 by Stanisław Kostka Potocki at Wilanów. The museums at Nieborów, Nieśwież, Puławy, Rogalin, Gołuchów and Kórnik followed. At first these museums were established as a response to fashion, later national and patriotic issues became prevailing reasons.”

Marek Żukow-Karczewski (1961) Polish historian, journalist and opinion journalist

Residences-museums: Heritage of the european culture in Poland, "Aura" 7, 1991-07, p. 14-16. http://yadda.icm.edu.pl/yadda/element/bwmeta1.element.agro-81720189-fe01-4686-befa-5b1649bfb0d9?q=1248075a-cd0e-4666-81f5-dc2af54d3ff7$4&qt=IN_PAGE

Fashion , Change

“Tattoos are interesting, but at the same time they are also a mask – you are exhibiting your past life on your body.”

Keanu Reeves (1964) Canadian actor, director, producer and musician

Past , Life , Time , Tattoo

“Call on Me…
Call on Me..
Call on Me.

I am the Lover you dreamt about in your Angel filled Dreams.

I have sat awaiting your love for an eternity.

Please do not shun Me for I shall die.

My entire existance is the pure essence of You, My dear.

How you have entrapped Me like a Siren.

If I had known what I know now..

If only I had known what I know now.

I do not wish to exhibit My Undying Love for You, My dear.

However it is completely Transparent.

Awaken

and see me.

I am your Destiny.”

Stephie Pahlavi Zan

Lovers , Dreams , Angels , Love

“People in general are scared to death of the war and all the exhibition have been a failure, because the rich - don't want to buy anything”

Frida Kahlo (1907–1954) Mexican painter

Death , War , People , Failure

“I first saw the light on the 5th of August, 1860, I was born in Lee Street, Wharf Street, Leicester. The deformity which I am now exhibiting was caused by my mother being frightened by an Elephant; my mother was going along the street when a procession of Animals were passing by, there was a terrible crush of people to see them, and unfortunately she was pushed under the Elephant's feet, which frightened her very much; this occurring during a time of pregnancy was the cause of my deformity.”

Joseph Merrick (1862–1890) English man with severe deformities

Autobiographical sideshow pamphlet

People , Light , Time , Animals

“In consequence of my ill luck my life was again made a misery to me, so that I again ran away and went hawking on my own account, but my deformity had grown to such an extent, so that I could not move about the town without having a crowd of people gather around me. I then went into the infirmary at Leicester, where I remained for two or three years, when I had to undergo an operation on my face, having three or four ounces of flesh cut away; so thought I, I'll get my living by being exhibited about the country. Knowing Mr. Sam Torr, Gladstone Vaults, Wharf Street, Leicester, went in for Novelties, I wrote to him, he came to see me, and soon arranged matters, recommending me to Mr. Ellis, Bee-hive Inn, Nottingham, from whom I received the greatest kindness and attention. In making my first appearance before the public, who have treated me well — in fact I may say I am as comfortable now as I was uncomfortable before. I must now bid my kind readers adieu.”

Joseph Merrick (1862–1890) English man with severe deformities

Autobiographical sideshow pamphlet

Life , People , Appearance , Bee

“A decline in courage may be the most striking feature that an outside observer notices in the West today. The Western world has lost its civic courage, both as a whole and separately, in each country, in each government, in each political party, and, of course, in the United Nations. Such a decline in courage is particularly noticeable among the ruling and intellectual elites, causing an impression of a loss of courage by the entire society. There are many courageous individuals, but they have no determining influence on public life.
Political and intellectual functionaries exhibit this depression, passivity, and perplexity in their actions and in their statements, and even more so in their self-serving rationales as to how realistic, reasonable, and intellectually and even morally justified it is to base state policies on weakness and cowardice. And the decline in courage, at times attaining what could be termed a lack of manhood, is ironically emphasized by occasional outbursts and inflexibility on the part of those same functionaries when dealing with weak governments and with countries that lack support, or with doomed currents which clearly cannot offer resistance. But they get tongue-tied and paralyzed when they deal with powerful governments and threatening forces, with aggressors and international terrorists.
Should one point out that from ancient times decline in courage has been considered the beginning of the end?”

Aleksandr Solzhenitsyn (1918–2008) Russian writer

Variant translation: A loss of courage may be the most striking feature which an outside observer notices in the West in our days...
Harvard University address (1978)

Life , World , Courage , Support

“Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns.”

Vladimir Nabokov book Lolita

Source: Lolita

Envy

“I'm very sorry to inconvenience you [ the art dealers G. and J. Berheim-Jeune ], but I find it impossible to supply you with any more Venice pictures. It was useless trying to persuade my self otherwise, the work that's left is too poor for exhibition. Don't insist... I've enough good sense in me to know whether what I'm doing is good or bad, and it' utterly bad, and I can't believe that people of taste, if they have any knowledge at all, could see any value in it. Things have been dragging on like this for far too long..”

Claude Monet (1840–1926) French impressionist painter

Quote in Monet's letter to his art-dealers [[wBernheim-Jeune|G. and J. Berheim-Jeune], Venice, 1912; as cited in: K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 72
1900 - 1920

People , Art , Knowledge , Sense

“It is to be observed throughout Mr. Burke's book that he never speaks of plots against the Revolution; and it is from those plots that all the mischiefs have arisen. It suits his purpose to exhibit the consequences without their causes. It is one of the arts of the drama to do so. If the crimes of men were exhibited with their sufferings, stage effect would sometimes be lost, and the audience would be inclined to approve where it was intended they should commiserate.”

Thomas Paine book Rights of Man

Part 1.3 Rights of Man
1790s, Rights of Man, Part I (1791)

Men , Books , Art , Suffering

“I thank you most sincerely for your polite notice of me, in the elegant Lines you enclosed; and however undeserving I may be of such encomium and panegyrick, the style and manner exhibit a striking proof of your great poetical Talents. In honour of which, and as a tribute justly due to you, I would have published the Poem, had I not been apprehensive, that, while I only meant to give the World this new instance of your genius, I might have incurred the imputation of Vanity. This and nothing else, determined me not to give it place in the public Prints.”

George Washington (1732–1799) first President of the United States

1770s, Letter to Phyllis Wheatley (1776)

World , Sincerity

“There is another form of temptation, more complex in its peril. … It originates in an appetite for knowledge. … From this malady of curiosity are all those strange sights exhibited in the theatre. Hence do we proceed to search out the secret powers of nature (which is beside our end), which to know profits not, and wherein men desire nothing but to know.”

Aurelius Augustinus book Confessions

X, 35
Confessions (c. 397)

Men , Secret , Search , Nature

“As all our knowledge of the material world is derived from the information of our senses, natural philosophers have, in modern times, wisely abandoned to metaphysicians, all speculations concerning the nature of that substance of which it is composed; concerning the possibility or impossibility of its being created; concerning the efficient causes of the changes which take place in it; and even concerning the reality of its existence, independent of that of percipient beings: and have confined themselves to the humbler province of observing the phenomena it exhibits, and of ascertaining their general laws.”

Dugald Stewart (1753–1828) Scottish philosopher and mathematician

Source: Elements of the Philosophy of the Human Mind, 1792, p. 12

World , Law , Nature , Knowledge

“By way of news, I can tell you that Couture, that bad-tempered fellow, has completely given up painting. It's no great pity; in this exhibition, he had some really bad paintings.”

Claude Monet (1840–1926) French impressionist painter

in a letter to Eugène Boudin, February 10, 1860: As cited in: Angelika Taschen (1999) Monet, p. 24
1850 - 1870

Way , Painting

“How deeply the perverse Jewish spirit has penetrated German cultural life is shown in the frightening and horrifying forms of the Exhibition Of Degenerate Art in München ….. This has nothing at all to do with the suppression of artistic freedom and modem progress. On the contrary, the botched art works which were exhibited there and their creators are of yesterday and before yesterday. They are the senile representatives, no longer to be taken seriously, of a period that we have intellectually and politically overcome and whose monstrous, degenerate creations still haunt the field of the plastic arts in our time.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Von der Großmacht zur Weltmacht on the seizure of thousands of works of German art. (26 November 1937)
1930s

Life , Art , Freedom , Time

“At that time (last spring) [U. S., 1928] I did not consider this medium to be of any signal importance in the world of art; merely a very amusing stunt cleverly executed.... however, wishing to return to Paris, I felt it would be quite justifiable to have an exhibition here, where "clever stunts" are highly appreciated, so I came over 3 months ago and set to work, carving wood and twisting wire. These new studies in wire, however, did not remain the simple modest little things I had done in New York. They are still simple, more simple than before; and therein lie the great possibilities which I have only recently come to feel for the wire medium.”

Alexander Calder (1898–1976) American artist

1920s, Statement on Wire Sculpture' (1929)

Lie , World , Art , Feeling

“The distinguished gentleman who introduced the bill from the committee very appropriately said that it requires us to enter upon unexplored territory. That territory, Mister Speaker, is the neutral ground of all political philosophy, — the neutral ground for which rival theories have been struggling in all ages. There are two ideas so utterly antagonistic that when, in any nation, either has gained absolute and complete possession of that neutral ground, the ruin of that nation has invariably followed. The one is that despotism which swallows and absorbs all power in a single central government; the other is that extreme doctrine of local sovereignty which makes nationality impossible, and resolves a general government into anarchy and chaos. It makes but little difference as to the final result which of these ideas drives the other from the field; in either case, ruin follows. The result exhibited by the one was seen in the United Netherlands, which Madison, in the Federalist, describes as characterized by "imbecility in the government; discord among the provinces; foreign influence and indignities.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

1870s, Speech in the House of Representatives (1871)

Age , Idea

“Really superior artists judge without being prejudiced by school, nationality or period. If the artists of north and south exhibit different tendencies, it is good that they are different!”

Giuseppe Verdi (1813–1901) Italian composer

Gli artisti veramente superiori giudicano senza pregiudizi di scuole, di nazionalità, di tempo. Se gli artisti del Nord e del Sud hanno tendenze diverse, è bene siano diverse.
Letter to Hans von Bülow, April 14, 1892, cited from Franco Abbiati Giuseppe Verdi (Milano: Ricordi, 1959) vol. 4, p. 440; translation from Charles Osborne (ed. and trans.) Letters of Giuseppe Verdi (London: Victor Gollancz, 1971) p. 249.

School

“Did you know that I went to London to see Whistler and that I spent about twelve days, very impressed by London and also by Whistler, who is a great artist; moreover, he could not have been more charming to me, and has invited me to exhibit at his show.”

Claude Monet (1840–1926) French impressionist painter

Quote in a letter to art-critic Theodore Duret (13 August 1887, L. 794); as cited in: Katharine Jordan Lochnan, ‎Luce Abélès, ‎James McNeill Whistler (2004), Turner, Whistler, Monet, p. 179
1870 - 1890

“A man's thinking goes on within his consciousness in a seclusion in comparison with which any physical seclusion is an exhibition to public view.”

Ludwig Wittgenstein book Philosophical Investigations

Pt II, p. 189
Philosophical Investigations (1953)

Thinking

“To repeat the error by exhibiting, through the construction of nuclear reactors, the same disrespect for human life is the worst possible betrayal of the memory of Hiroshima’s victims.”

Kenzaburō Ōe (1935) Japanese author

“History Repeats,” The New Yorker, March 28, 2011

Life , Error , Memory , Betrayal

“And thus one man makes a vortex all round and steadies the earth by the heaven; another gives the air as support for the earth, which is sort of a broad trough. Any power which in disposing them as they are disposes them for the best never enters into their minds, not do they imagine that there is any superhuman strength in that; they rather expect to find another Atlas of the world who is stronger and more everlasting and more containing than the good is, and are clearly of the opinion that the obligatory and containing power of the good is as nothing; and yet this is the principle which I would fain learn if anyone would teach me. But as I have failed either to discover myself or to learn of anyone else, the nature of the best, I will exhibit to you, if you like, what I have found to be the second best mode of inquiring into the cause.”

Socrates (-470–-399 BC) classical Greek Athenian philosopher

Plato, Phaedo

World , Imagination , Support , Nature

“!-- Having no colour, no odour and no shape, the mind is not something that can be grasped by the senses. However, based on the principle that the mind and body are actually one, we can know the state of this ungraspable mind by testing the body, which is available to our senses. --> Ki tests are not founded on the idea of testing for strength or weakness. The most important factor in ki testing is to accurately inform the person of the state of his or her mind. Thus, the person performing ki tests must truly understand and exhibit oneness of mind and body from the outset and then perform the tests correctly.”

Koichi Tohei (1920–2011) Japanese aikidoka

22 : The treasure of ki testing
Ki Sayings (2003)

Idea , Understanding , Sense , Personality

“"It would be a crime to exhibit the fine side of war, even if there were one!" murmured one of the somber soldiers.
The first man continued. "They'll say those things to us by way of paying us with glory, and to pay themselves, too, for what they haven't done. But military glory — it isn't even true for us common soldiers. It's for some, but outside those elect the soldier's glory is a lie, like every other fine-looking thing in war. In reality, the soldier's sacrifice is obscurely concealed. The multitudes that make up the waves of attack have no reward. They run to hurl themselves into a frightful inglorious nothing. You cannot even heap up their names, their poor little names of nobodies."”

Henri Barbusse book Under Fire

Under Fire (1916), Ch. 24 - The Dawn

War , Lie , Way , Reality

“The origin of this research was an attempt to extend Cassel’s system of equations of price determination in one market to that of several trading countries. Although the point of departure is totally different, the results of that attempt (presented in chapter III) exhibit important similarities to Heckscher’s treatment in ‘‘The Effect of Foreign Trade on the Distribution of Income,’’ published one year earlier in Ekonomisk Tidskrift, 1920. There is no doubt that the author was unconsciously inﬂuenced by Heckscher’s paper both at this and at later stages of the work. The inﬂuence of this pathbreaking paper, both conscious and unconscious, has surely been particularly decisive in the development of the material in chapters I–III.”

Bertil Ohlin (1899–1979) Swedish economist and politician

Ohlin (1924), quoted (and translated) in: Eli Filip Heckscher, ‎Bertil Gotthard Ohlin, ‎Henry Flam Heckscher-Ohlin trade theory, (1991), p. 76.
1920s

Departure , Decision , Country

“I should have sent you news of myself long ago, for I know how much pleasure one derives from a letter during one's first days in the regiment. One needs it to be reminded that one is something more than a registered number and that in the past one's existence was different from that of beast. Anyway that is how I felt about the army. I was unable to connect my present existence with my former life as a civilian.... Here [in Paris in his studio in La Rue Pigalle] I am leading a studious and quite exemplary life... I am working on an important picture which is progressing well and which will be exhibited, I hope, at the [Salon des] 'Indépendants. In addition I am planning to do a screen which will also be shown at the exhibition. Otherwise nothing is happening. I may go with Vuillard to see a music publisher, but I do not expect any success as yet in that direction. I have abandoned chromolithography (ouf!) for the moment, but I shall take it up again whenever I feel impelled to interrupt my oil painting, in order to vary my pleasure's.”

Pierre Bonnard (1867–1947) French painter and printmaker

in his letter to Lugné-Poë, End of 1890; as quoted in Pierre Bonnard, by John Rewald; MoMA - distribution, Simon & Schuster, New York, 1918, p. 17 - note 11
Lugné-Poe was just called then in the French army; Bonnard had left the army already, c. one year ago

Life , Pleasure , Hope , Music

“If you are a Christian, no earthly city is yours. Of our City ‘the Builder and Maker is God.’ Though we may gain possession of the whole world, we are withal but strangers and sojourners in it all. We are enrolled in heaven: our citizenship is there! Let us not, after the manner of little children, despise things that are great, and admire those which are little! Not our city’s greatness, but virtue of soul is our ornament and defence. If you suppose dignity to belong to a city, think how many persons must partake in this dignity, who are whoremongers, effeminate, depraved and full of ten thousand evil things, and at last despise such honour! But that City above is not of this kind; for it is impossible that he can be a partaker of it, who has not exhibited every virtue.”

John Chrysostom (349–407) important Early Church Father

Homilies on the Statues http://www.ccel.org/ccel/schaff/npnf109/Page_456.html, Homily XVII

God , Children , World , Soul

“My dear Hoschedé, I do not know if in Paris it is the same weather as here, it is probable and so you will be able to understand my discouragement. I am heartbroken, and I absolutely must share with you all my disillusionment; for nearly two months, I have given myself a lot of trouble without result. You do not believe it perhaps, but it is so: I have not lost an hour and would have reproached myself to have taken even a day to come see our exhibition, just out of the fear of losing a single good painting session, an hour of sun. I alone can know my anxieties and the trouble that I give myself to finish canvases that don't even satisfy me and please so few people. In a word, I am absolutely discouraged, not seeing, not hoping in any future... I feel all too well the void that is being made around me and the impossibility of facing up to my part of our expenses if we were to continue living together... I see everything in black, in pain... Please believe all the sorrow that I have in causing you trouble.”

Claude Monet (1840–1926) French impressionist painter

In a letter to Ernest Hoschedé, May 15, 1879 (W, letter, 158); as cited in: Mary M. Gedo (2013) Psychoanalytic Perspectives on Art. p. 123
1870 - 1890

Pain , People , Fear , Hope

“There at the moment in Honfleur... Boudin and Jongkind are here; we get on marvelously. There's lots to be learned and nature begins to grow beautiful... I shall tell you I'm sending a flower picture to the exhibition at Rouen; there are very beautiful flowers at present.”

Claude Monet (1840–1926) French impressionist painter

in a letter to Frédéric Bazille; as cited in: Edward B. Henning, Cleveland Museum of Art. Creativity in art and science, 1860-1960. (1987), p. 95
1850 - 1870

Beauty , Flowers , Nature , Learning

“I think a label like "avant-garde" defeats itself. You learn to have avant-garde exhibitions. The very fact that avant-garde can have an exhibition defeats the purpose of avant-garde, because it's already formalised and ritualised.”

John Lennon (1940–1980) English singer and songwriter

Source: The Beatles Anthology (2000), p. 301

Thinking , Learning

“You will, by the dignity of your Conduct, afford occasion for Posterity to say, when speaking of the glorious example you have exhibited to Mankind, had this day been wanting, the World had never seen the last stage of perfection to which human nature is capable of attaining.”

George Washington (1732–1799) first President of the United States

1780s, The Newburgh Address (1783)

World , Nature , Perfection

“The zoo animal in a cage exhibits all these abnormalities that we know so well from our human companions. Clearly, then, the city is not a concrete jungle, it is a human zoo.”

Desmond Morris book The Human Zoo

Desmond Morris (2009), The Human Zoo, p. vii

Animals

“No body wishes more than I do to see such proofs as you exhibit, that nature has given to our black brethren, talents equal to those of the other colors of men”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to Benjamin Banneker (30 August 1791) http://memory.loc.gov/cgi-bin/query/r?ammem/mtj:@field(DOCID+@lit(tj060149))
1790s
Context: No body wishes more than I do to see such proofs as you exhibit, that nature has given to our black brethren, talents equal to those of the other colors of men, and that the appearance of a want of them is owing merely to the degraded condition of their existence, both in Africa & America.

Men , Color , Nature

“Aluminium, however, will not stop at downing copper. Before many years have passed it will be engaged in a fierce struggle with iron, and in the latter it will find an adversary not easy to conquer. The issue of the contest will largely depend on whether iron shall be indispensable in electric machinery. This the future alone can decide. The magnetism as exhibited in iron is an isolated phenomenon in nature. What it is that makes this metal behave so radically different from all other materials in this respect has not yet been ascertained, though many theories have been suggested. As regards magnetism, the molecules of the various bodies behave like hollow beams partly filled with a heavy fluid and balanced in the middle in the manner of a see-saw. Evidently some disturbing influence exists in nature which causes each molecule, like such a beam, to tilt either one or the other way. If the molecules are tilted one way, the body is magnetic; if they are tilted the other way, the body is non-magnetic; but both positions are stable, as they would be in the case of the hollow beam, owing to the rush of the fluid to the lower end. Now, the wonderful thing is that the molecules of all known bodies went one way, while those of iron went the other way. This metal, it would seem, has an origin entirely different from that of the rest of the globe. It is highly improbable that we shall discover some other and cheaper material which will equal or surpass iron in magnetic qualities.”

Nikola Tesla (1856–1943) Serbian American inventor

The Problem of Increasing Human Energy (1900)

Dependency , Future , Nature , Way

“It would be a crime to exhibit the fine side of war, even if there were one!”

Henri Barbusse book Under Fire

murmured one of the somber soldiers.
The first man continued. "They'll say those things to us by way of paying us with glory, and to pay themselves, too, for what they haven't done. But military glory — it isn't even true for us common soldiers. It's for some, but outside those elect the soldier's glory is a lie, like every other fine-looking thing in war. In reality, the soldier's sacrifice is obscurely concealed. The multitudes that make up the waves of attack have no reward. They run to hurl themselves into a frightful inglorious nothing. You cannot even heap up their names, their poor little names of nobodies."
Under Fire (1916), Ch. 24 - The Dawn

War

“The greatest and noblest conceptions have no image wrought plainly for human vision, which he who wishes to satisfy the mind of the inquirer can apply to some one of his senses and by mere exhibition satisfy the mind. We must therefore endeavor by practice to acquire the power of giving and understanding a rational definition of each one of them; for immaterial things, which are the noblest and greatest, can be exhibited by reason only, and it is for their sake that all we are saying is said. But it is always easier to practice in small matters than in greater ones.”

Plato book Statesman

285e-286b
Statesman

Understanding , Sense

“Literature as a whole is not an aggregate of exhibits with red and blue ribbons attached to them, like a cat-show, but the range of articulate human imagination as it extends from the height of imaginative heaven to the depth of imaginative hell.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Source: The Educated Imagination

Imagination , Cats , Literature , Hell

“Our problems started in Dallas, when the fire-breathing sheep destroyed the King Tut exhibit.”

Rick Riordan book The Serpent's Shadow

Source: The Serpent's Shadow

Problem

“When I write, I disturb. When I show a film, I disturb. When I exhibit my painting, I disturb, and I disturb if I don't. I have a knack for disturbing.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Painting

“And exactly how old are you MacRieve?"
"Twelve hundreds, give or take."
"Great Hekate, you're a relic. Don't you have a museum exhibit to be in somewhere?”

Kresley Cole American writer

Source: Dark Needs at Night's Edge

“Nobody expects you to exhibit godlike strength, excepting maybe yourself.”

Juliet Marillier book Son of the Shadows

Source: Son of the Shadows

“That will do extremely well, child. You have delighted us long enough. Let the other young ladies have time to exhibit.”

Jane Austen book Pride and Prejudice

Source: Pride and Prejudice

Time

“Besides love and sympathy, animals exhibit other qualities connected with the social instincts which in us would be called moral.”

Charles Darwin book The Descent of Man, and Selection in Relation to Sex

volume I, chapter III: "Comparison of the Mental Powers of Man and the Lower Animals — continued", pages 100-101 http://darwin-online.org.uk/content/frameset?pageseq=113&itemID=F937.1&viewtype=image
The Descent of Man (1871)
Context: As man advances in civilisation, and small tribes are united into larger communities, the simplest reason would tell each individual that he ought to extend his social instincts and sympathies to all the members of the same nation, though personally unknown to him. This point being once reached, there is only an artificial barrier to prevent his sympathies extending to the men of all nations and races. If, indeed, such men are separated from him by great differences in appearance or habits, experience unfortunately shews us how long it is before we look at them as our fellow-creatures. Sympathy beyond the confines of man, that is humanity to the lower animals, seems to be one of the latest moral acquisitions. It is apparently unfelt by savages, except towards their pets. How little the old Romans knew of it is shewn by their abhorrent gladiatorial exhibitions. The very idea of humanity, as far as I could observe, was new to most of the Gauchos of the Pampas. This virtue, one of the noblest with which man is endowed, seems to arise incidentally from our sympathies becoming more tender and more widely diffused, until they are extended to all sentient beings. As soon as this virtue is honoured and practised by some few men, it spreads through instruction and example to the young, and eventually through public opinion.

Love , Animals

“A dying culture invariably exhibits personal rudeness. Bad manners. Lack of consideration for others in minor matters. A loss of politeness, of gentle manners, is more significant than is a riot.”

Robert A. Heinlein book Friday

Source: Friday

Loss , Personality

“Patriotism in the female s*x is the most disinterested of all virtues. Excluded from honors and from offices, we cannot attach ourselves to the State or Government from having held a place of eminence. Even in the freest countries our property is subject to the control and disposal of our partners, to whom the laws have given a sovereign authority. Deprived of a voice in legislation, obliged to submit to those laws which are imposed upon us, is it not sufficient to make us indifferent to the public welfare? Yet all history and every age exhibit instances of patriotic virtue in the female sex; which considering our situation equals the most heroic of yours.”

Abigail Adams (1744–1818) 2nd First Lady of the United States (1797–1801)

Letter to John Adams (17 June 1782)

Age , Law , Sex , History

“The editors of the Blaue Reiter will now be the starting point for new exhibitions... We will try to become the center of the new movement. The association may assume there the role of the new”

Franz Marc (1880–1916) German painter

Scholle
Quote from a letter to his brother (4 Dec. 1911); as cited in 'Lankheit, Almanac 14'; as quoted in 'Leaders', in Movement, Manifesto, Melee: The Modernist Group, 1910-1914, Milton A. Cohen, Lexington Books, Sep 14, 2004, p. 67
1911 - 1914

“So here's my demonstration
A peep show
Tonight my body's an exhibition baby
Though it's on display don't be scared to
Touch It, It said so
So come and get it babe”

Janet Jackson (1966) singer from the United States

Feedback
Discipline (2008)

Baby

“Great praise must also be given to the Society of Arts for beginning the movement and carrying it on to the present time; and although the sphere of its action must necessarily be infinitely smaller than that of the Government Schools, yet we should always remember that the initiative of our great English exhibitions of industry came from the Society, and that it is to those exhibitions that we owe the stirring among the dry bones of industrial art which is now taking place.”

William Burges (1827–1881) English architect

Source: Art applied to industry: a series of lectures, 1865, p. 1 : Preface

School , Art , Time

“Evolution is a process that never stops. Baboons who fail to exhibit moral behavior do not survive; they wind up as meat for leopards.”

Robert A. Heinlein (1907–1988) American science fiction author

The Pragmatics of Patriotism (1973)

Behavior

“I knew van Gogh less intimately. I spoke to him for the first time in 1887 in a popular eatery near 'La Fourche', Avenue de Clichy, [Paris], (closed). A huge windowed room was decorated with his canvases. He exhibited at the 'Independants', [Paris] in 1888, 1889, 1890..”

Georges Seurat (1859–1891) French painter

Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890

Time

“Consider some of the qualities of typical modernistic poetry: very interesting language, a great emphasis on connotation, "texture"; extreme intensity, forced emotion — violence; a good deal of obscurity; emphasis on sensation, perceptual nuances; emphasis on details, on the part rather than on the whole; experimental or novel qualities of some sort; a tendency toward external formlessness and internal disorganization — these are justified, generally, as the disorganization required to express a disorganized age, or, alternatively, as newly discovered and more complex types of organization; an extremely personal style — refine your singularities; lack of restraint — all tendencies are forced to their limits; there is a good deal of emphasis on the unconscious, dream structure, the thoroughly subjective; the poet's attitudes are usually anti-scientific, anti-common-sense, anti-public — he is, essentially, removed; poetry is primarily lyric, intensive — the few long poems are aggregations of lyric details; poems usually have, not a logical, but the more or less associational style of dramatic monologue; and so on and so on. This complex of qualities is essentially romantic; and the poetry that exhibits it represents the culminating point of romanticism.”

Randall Jarrell book Five Young American Poets

"A Note on Poetry," preface to The Rage for the Lost Penny: Five Young American Poets (New Directions, 1940) [p. 49]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Age , Dreams , Sense , Parting

“I do not believe that the meaning of the Constitution was forever “fixed” at the Philadelphia Convention. Nor do I find the wisdom, foresight, and sense of justice exhibited by the Framers particularly profound. To the contrary, the government they devised was defective from the start, requiring several amendments, a civil war, and momentous social transformation to attain the system of constitutional government, and its respect for the individual freedoms and human rights, we hold as fundamental today. When contemporary Americans cite “The Constitution,” they invoke a concept that is vastly different from what the Framers barely began to construct two centuries ago.”

Thurgood Marshall (1908–1993) Associate Justice of the United States Supreme Court

ThurgoodMarshall.com, Speeches. Constitutional Speech http://www.thurgoodmarshall.com/speeches/constitutional_speech.htm (May 6, 1987)

Wisdom , War , Justice , Sense

“It seems reasonable to suppose that conflict does exhibit many general patterns, that the patterns of conflict in industrial relations, international relations, interpersonal relations, and even animal life are not wholly different from one another, and that it is, therefore, worth looking for the common element. On the other hand, we should be surprised if there were no differences; the pattern of conflict in international relations, for instance, is not the same as in industrial or interpersonal relations. Just as it is important to perceive the similarities in different situations, so it is important to perceive the differences. These differences cannot be perceived, however, without a general theory to serve as a standard of comparison.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1960s, Conflict and defense: A general theory, 1962, p. 2, partly cited in: Dennis Sandole (1998) A Comprehensive Mapping Of Conflict And Conflict. Resolution: A Three Pillar Approach http://www.gmu.edu/programs/icar/pcs/sandole.htm

Life , Animals

“With this new tendency [of Orphism] the Cubists dubbed Impressionism of forms according to Appolinaire, is entering a final and glorious phase:.. Orphism, pure painting, simultaneity. And there you have it, as many obvious plagiarisms of what has formed, from its earliest appearances, the essence of Futurist painting and sculpture…. But we insist on sorting things out. Orphism [initiated by former Cubist artist Robert Delaunay as an colorful alternative for strict Cubism ], let us say it right away, is just an elegant masquerade of the basic principles of Futurist painting. This new trend simply illustrates the profit that our French colleagues managed to driver from our first Futurist exhibition in Paris.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Boccioni's critical art quote to Orphism and simultaneity pictures Orphism, as alternative concept for Cubism as a soft version of Futurist painting; in 'Les futurists plagues en France', Boccioni, in 'Lacerba', Florence 1, no. 7, 1 April 1913
1913

Color , Appearance , Painting

“Thus it was that Sherman, after his interview with the President on board the River Queen, became impressed with the latter's desire to terminate hostilities without further bloodshed, and that the most liberal terms should be conceded to his opponents. Why it was that such a howl was sent up at the North when General Sherman entered into an agreement with General Johnston I don't know, especially as that agreement was to be submitted to the Government for confirmation. There are points in those terms of capitulation which, it seems to me, should only have been decided upon by the Government itself, which, it will be perceived, is what General Sherman intended in the agreement drawn up between him and General Johnston. He had been so impressed with the President's views of concluding a peace that he desired only to carry out after his death what he supposed to be his policy, and which, if living, he felt certain Mr. Lincoln would have approved. At least he would have considered it, and would not have 'rejected it with the disdain' exhibited by the new President, Andrew Johnson, through his Secretary of War, Edwin M. Stanton.”

David Dixon Porter (1813–1891) United States Navy admiral

Source: 1880s, Incidents and Anecdotes of the Civil War (1885), p. 317

Death , Hostility , War , Peace

“If I were the type of artist that didn't care whether or not my works communicated with viewers then I wouldn't bother exhibiting them, I might as well stock them in a warehouse. But I do exhibit and I do care because I want to communicate back to the viewer what I've viewed. My paintings are inspired by my homeland's traditional spaces. My colors are the colors of monasteries and mosques, the color of ruins of Sassanid and Seljuq era, colors of Bazaars of Isfahan and Shiraz, and colors of northern-Iran's ceramics. I have sensed all these colors, forms and everything within my painting's frame from the viewer's own world.”

Guity Novin (1944) artist

Source: Negin (1971), p. 57

World , Color , Communication , Sense

“In other words, aggressiveness and selfishness are associated with superior performance by scientists. But my experiences and observations of eminent economists do not support these assertions. In Paul’s case, not only does he know how to maintain a balance between scholarship, family, and play, but he exhibits a high degree of humanity and kindness. The term mentsch aptly describes him.”

Michael Szenberg (1934) American economist

9.Paul Samuelson Lives a Balanced Life.
Ten Ways to Know Paul A. Samuelson (2006)

Family , Support , Selfishness

“There are many reasons why the religion of Islam impoverishes western society, but the main one, in my opinion, is that it degrades and debases women, except, of course, for left-wing women, who happily degrade and debase themselves defending Islam, like turkeys defending Christmas. A woman in Islam needs to be covered from head to toe because men are not expected to exhibit any kind of basic self-control. I get a lot of correspondence from angry Muslim males and I've lost count of the number of times I've been told that western women are asking to be raped because of the way they dress. No other religion teaches people to think like this. Recently here in Britain, we've had a rash of Muslim gangs pimping and raping young girls in northern England. I do mean Muslim gangs, and not Asians, as the media keep reporting. There are no Sikhs or Hindus involved in this, and to call them Asians to avoid naming the real problem is a slander on Hindus and Sikhs. These men do it because they regard non-Muslim women as subhuman trash. And this poison is coming directly from their religion, a religion whose values are dictated and imposed by some of the most narrow-minded, psychotic human beings on this planet. And, coming as I do from an Irish Catholic background, believe me, that's saying something.”

Pat Condell (1949) Stand-up comedian, writer, and Internet personality

"Name the poison" (22 June 2011) http://youtube.com/watch?v=sEsWO4xep44
2011

Women , Men , People , Religion

“In the history of education, the most striking phenomenon is that schools of learning, which at one epoch are alive with a ferment of genius, in a succeeding generation exhibit merely pedantry and routine.”

Ted Sizer (1932–2009) American education reformer

Source: Horace's Compromise: The Dilemma of the American High School (1984), p. 95.

Education , School , History , Learning

“This bubbling and whirling of forms and lights, composed of sounds, noises, and smells has been partly achieved by me in my 'Anarchical funeral' [the painting Carra painted ca 1910-1911, ed. ].... by Umberto Boccioni in his 'States of Minds' and 'Forces of a Street' [both paintings Boccioni painted in 1911], by Russolo in 'Rebellion' (1911) and Severini in 'Pan-Pan [the first version, Severini painted in 1909-1911], paintings which were violently discussed at our first Paris exhibition in 1912.”

Carlo Carrà (1881–1966) Italian painter

Quote in La Pittura dei suoni, rumori, odori Carrà, 11 Aug 1913, as quoted in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 142
1910's

Light , Painting

“But some degree of intelligence appears, as we shall see in the next chapter, to be exhibited in this work,—a result which has surprised me more than anything else in regard to worms.”

Charles Darwin book The Formation of Vegetable Mould through the Action of Worms

Source: The Formation of Vegetable Mould through the Action of Worms (1881), Chapter 1: Habits of Worms, p. 35. http://darwin-online.org.uk/content/frameset?pageseq=50&itemID=F1357&viewtype=image

Intelligence , Appearance

“I thought of the long ages of the past, during which the successive generations of this little creature had run their course — year by year being born, and living and dying amid these dark and gloomy woods, with no intelligent eye to gaze upon their loveliness; to all appearance such a wanton waste of beauty. Such ideas excite a feeling of melancholy. It seems sad that on the one hand such exquisite creatures should live out their lives and exhibit their charms only in these wild inhospitable regions, doomed for ages yet to come to hopeless barbarism; while, on the other hand, should civilized man ever reach these distant lands, and bring moral, intellectual, and physical light into the recesses of these virgin forests, we may be sure that he will so disturb the nicely-balanced relations of organic and inorganic nature as to cause the disappearance, and finally the extinction, of these very beings whose wonderful structure and beauty he alone is fitted to appreciate and enjoy. This consideration must surely tell us that all living things were not made for man. Many of them have no relation to him. The cycle of their existence has gone on independently of his, and is disturbed or broken by every advance in man’s intellectual development; and their happiness and enjoyments, their loves and hates, their struggles for existence, their vigorous life and early death, would seem to be immediately related to their own well-being and perpetuation alone, limited only by the equal well-being and perpetuation of the numberless other organisms with which each is more or less intimately connected.”

Alfred Russel Wallace book The Malay Archipelago

The Malay Archipelago (1869)

Love , Life , Death , Hate

“.. I would like to ask your advice as a friend, namely whether you believe I should submit my painting 'Ouden en Jongen' [Old and Young ones'] to Brussels [exhibition] or not. I thought it was a nice painting, but now I read in the Handelsblad that it is so bad. What is truth about that. Please do me the favor to sent me some words sans facon [straight forward], what is your opinion about this.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Jozef Israëls' brief, in het Nederlands): .Ik wou echter als vriend van u nl:Johannes Bosboom een raad hebben dit namelijk of gij oordeelt dat ik mijne schilderij 'Ouden en Jongen' naar Brussel [tentoonstelling] zal zenden of niet. Ik dacht dat het een aardig schilderij was, maar nu las ik in het Handelsblad dat het zo slecht is. Wat is daarvan aan. Doe mij svp het genoegen mij hierop een woordje sans facon [zonder omwegen] te dienen, hoe gij het voor u zelf vindt.
Quote from his letter to J. Bosboom, from Bloemendaal, 27 June 1866 (HGA, input no. OV2, schildersbrieven (painter-letters)
Quotes of Jozef Israels, 1840 - 1870

Truth , Reading , Painting

“Our study [China Diet and Health Study] suggests that the closer one approaches a total plant food diet, the greater the health benefit. … It turns out that animal protein, when consumed, exhibits a variety of undesirable health effects. Whether it is the immune system, various enzyme systems, the uptake of carcinogens into the cells, or hormonal activities, animal protein generally only causes mischief. High fat intake still can be a problem, and we ought not to be consuming such high-fat diets. But I suggest that animal protein is more problematic in this whole diet/disease relationship than is total fat.”

T. Colin Campbell (1934) American biochemist

Interview, 1994; as quoted in Souls Like Ourselves by Andrea Wiebers and David Wiebers (Rochester, MN: Sojourn Press, 2000), p. 51.

Health , Disease , Food , Problem

“I was taken to see the World Exhibition in Moscow [in 1880]. I found it all very boring. But when I came to a section devoted to art – there were only paintings, and this was the first time of my life [Jawlensky was 16 years old] I had seen paintings – I was so deeply affected that it was a case of Saul becoming Paul. It was the turning point of my life. Even since then art has been my ideal, my holy of holiest, that for which my entire soul and my entire self yearn.”

Alexej von Jawlensky (1864–1941) Russian painter

from: 'Lebenserinnerungen', 1938
Source: 1936 - 1941, Life Memories' (1938), p. 20

Life , World , Art , Soul

“The moon was still high. The sky’s transformations—the metamorphoses of its multitudinous vaults in ever more masterfully described configurations—were unending. Like a silver astrolabe, the sky had opened up that night its bewitching internal mechanism, exhibiting in endless cycles the gilded mathematics of its cogs and wheels.”

Bruno Schulz (1892–1942) Polish novelist and painter

“The Cinnamon Shops” http://www.schulzian.net/translation/shops/shops.htm
His father, The heavens

Mathematics , Night

“I too was filled with a sort of shyness and fear, as I was called to leave 'the world of will and idea' in which I had lived and created, and in whose reality I had believed. But the happy liberating touch of non-objectivity drew me out into the 'desert' where only feeling is real.... and so feeling became the content of my life. It was no 'empty square' I had exhibited but the feeling of non-objectivity. I perceived that the 'thing' and the 'idea' were taken to be equivalents of feeling, and understood the lie of the world of will and idea. Is the milk bottle the symbol of milk? Suprematism is the rediscovery of that pure art which in the course of time, and by an accretion of 'things', had been lost to sight.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

As quoted in Artists on Art; from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 453
1921 - 1930

Life , Lie , World , Fear

“Evidently Proclus does not advocate here simply a superstition, but science; for notwithstanding that it is occult, and unknown to our scholars, who deny its possibilities, magic is still a science. It is firmly and solely based on the mysterious affinities existing between organic and inorganic bodies, the visible productions of the four kingdoms, and the invisible powers of the universe. That which science calls gravitation, the ancients and the mediaeval hermetists called magnetism, attraction, affinity. It is the universal law, which is understood by Plato and explained in Timaeus as the attraction of lesser bodies to larger ones, and of similar bodies to similar, the latter exhibiting a magnetic power rather than following the law of gravitation. The anti-Aristotelean formula that gravity causes all bodies to descend with equal rapidity, without reference to their weight, the difference being caused by some other unknown agency, would seem to point a great deal more forcibly to magnetism than to gravitation, the former attracting rather in virtue of the substance than of the weight. A thorough familiarity with the occult faculties of everything existing in nature, visible as well as invisible; their mutual relations, attractions, and repulsions; the cause of these, traced to the spiritual principle which pervades and animates all things; the ability to furnish the best conditions for this principle to manifest itself, in other words a profound and exhaustive knowledge of natural law — this was and is the basis of magic.”

Helena Petrovna Blavatsky book Isis Unveiled

Source: Isis Unveiled (1877), Volume I, Chapter VII

Law , Nature , Knowledge , Universe

“Bracquemond tells me that he looked attentively at my works at our exhibition. Far from objecting to them, as I expected, he said they were compactly drawn, and modeled, but he is shocked by the dots; he enjoined me to stick to divisionism but not to use the dot. - I said nothing to him of our experiments. He told me that of all the impressionist painters he liked my work best; this was not the first time he had said this; to each one his own taste. He does completely accept my view that the old disorderly method of execution has become impossible.”

Camille Pissarro (1830–1903) French painter

Quote of Camille Pissarro, in a letter, Eragny, 23 January 1887, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 97
1880's

Time

“At the Galerie Colette Allendy I exhibited some twenty monochrome surfaces, all in different colours: greens, reds, yellows, purples, blues, oranges.... and so found myself at the start of my career in this style... I was trying to show colour, but I realized at the private view that the public were prisoners of a preconceived point of view and that, confronted with all these surfaces of different colours, they responded far more to the inter-relationship of the different propositions, they reconstituted the elements of a decorative polychromy.”

Yves Klein (1928–1962) French artist

In 1956; p. 30
before 1960, "Yves Klein, 1928 – 1962, Selected Writings"

“If we are to oppose evildoers, especially if we are to make use of non-violent methods of restraining wrongdoers, we must not only refrain from animosity, but we must reveal our devotion to mankind by exhibiting a willingness to endure suffering, rather than submit to the exploitation of our fellows or to retaliate with weapons of violence.”

Kirby Page (1890–1957) American clergyman

The Personality of Jesus (1932)

Suffering

“I cannot get over the strange conflict between my estimation of their ideas [the artists of Italian Futurism ] most of which I find brilliant and fruitful, and my view of the [their] pictures [he saw on the Walden exhibition in Berlin, Spring 2012], which strike me as, without a doubt, utterly mediocre.”

Franz Marc (1880–1916) German painter

In a letter to Wassily Kandinsky, 1912; as quoted in Movement, Manifesto, Melee: The Modernist Group, 1910-1914, Milton A. Cohen, Lexington Books, Sep 14, 2004, p. 309 (note 23)
[in a letter, several months later to August Macke Franz Marc writes about the Futurist paintings he saw in Munich: '[Their] effect is magnificent, far, far more impressive then in Cologne' (where Marc had helped Macke with hanging the Futurist exposition)].
1911 - 1914

Spring , Idea , Future

“Because suffering is the exhibition of the presence in our existence of that which is not under our control, or of the intrusion into our self-legislating existence of an activity operating under another law than ours, it cannot be brought adequately within the spheres of teleological and deontological ethics, the ethics of man-the-maker, or man-the-citizen.”

H. Richard Niebuhr (1894–1962) American theologian

Source: The Responsible Self: An Essay in Christian Moral Philosophy (1963), p. 61

Law , Suffering

“I fly to Luxembourg on Berlusconi's usual twin engine, who accompanies us, glad to exhibit himself and exhibit his status in an international ceremony. The gold medal (but is it really gold?) is given to me by Gaston Thorn, head of the Luxembourg government. Berlusconi fills his notebook with addresses: of all the V. I. P.'s that he has met. He's a true climber that takes advantage of everything and throws nothing away.”

Indro Montanelli (1909–2001) Italian journalist

Luxembourg, 23 may, from accounts with myself. [citation needed]
2000s - 2010s

Flying

“The world is changing dramatically and architecture, and especially cities, need to move with these changes. What can we do to help as architects? Architecture as a way of thinking — as the title of our first exhibition in 1989 suggested — is more relevant than ever.”

Jacques Herzog (1950) Swiss architect

places.designobserver.com http://places.designobserver.com/feature/an-interview-with-jacques-herzog/32118/.

World , Way , Thinking , Change

“.. No academy could have given me all I discovered by getting my teeth into the exhibitions, the shop windows, and the museums of Paris. Beginning with the market – where, for lack of money, I bought only a piece of a long cucumber – the workman in his blue overall, the most ardent followers of Cubism, everything showed a definite feeling for proportion, clarity, an accurate sense of form, of a more painterly kind of painting, even in the canvases of second-rate artists.”

Marc Chagall (1887–1985) French artist and painter

Quote in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 29
1920's, My life (1922)

Money , Feeling , Sense , Painting

“My works are dear to me, each in its own way, I shall have to answer for them on the Day off Judgement. God alone knows whether I shall ever see them again. Quite apart from the money which I was going to receive for their sale there (exhibition in Gallery Der Sturm, Berlin June-July, 1914) and it is no small sum..”

Marc Chagall (1887–1985) French artist and painter

In a letter to A. N. Benois, 1914, on his return to Russia; as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 147
1910's

Money , God , Way

“The works of art, by being publicly exhibited and offered for sale, are becoming articles of trade, following as such the unreasoning laws of markets and fashion; and public and even private patronage is swayed by their tyrannical influence.”

Albert, Prince Consort (1819–1861) husband of Queen Victoria

"Albert, Prince" The Oxford Dictionary of Quotations. Ed. Elizabeth Knowles. Oxford University Press, 2004. Oxford Reference Online. Oxford University Press. Accessed on 20 November 2008 http://www.oxfordreference.com/views/ENTRY.html?subview=Main&entry=t115.e51

Law , Art , Fashion

“There is one hit of mine which will not stay in the official records, but which I believe to be the longest clout ever made off a major league pitcher. At least some of the veteran sport writers told me they never saw such a wallop. The Yanks were playing an exhibition game with the Brooklyn Nationals at Jacksonville, Fla., in April, 1920. Al Mamaux was pitching for Brooklyn. In the first inning, the first ball he sent me was a nice, fast one, a little lower than my waist, straight across the heart of the plate. It was the kind I murder, and I swung to kill it. The last time we saw the ball it was swinging its way over the 10-foot outfield fence of Southside Park and going like a shot. The ball cleared the fence by at least 75 feet. Let's say the total distance traveled was 500 feet: the fence was 423 feet from the plate. If such a hit had been made at the Polo Grounds, I guess the ball would have come pretty close to the top of the screen in the centerfield bleachers.”

Babe Ruth (1895–1948) American baseball player

In "Wherein Babe Tells of Some Longish Swats" http://archives.chicagotribune.com/1920/08/15/page/18/article/wherein-babe-tells-of-some-longish-swats by Ruth (as told to Pegler), in The Chicago Tribune (August 15, 1920); reprinted as "The Longest Hit in Baseball" https://books.google.com/books?id=SAAlxi-0EZYC&pg=PA39&dq=%22There+is+one+hit+of+mine%22&hl=en&sa=X&ved=0ahUKEwjngMzRjbnQAhXDYyYKHe-JCCMQ6AEIFDAA#v=onepage&q=%22There%20is%20one%20hit%20of%20mine%22&f=false2 in Playing the Game: My Early Years in Baseball, p. 39

Way , Travel , Game , Sport

“If the system exhibits a structure which can be represented by a mathematical equivalent, called a mathematical model, and if the objective can be also so quantified, then some computational method may be evolved for choosing the best schedule of actions among alternatives. Such use of mathematical models is termed mathematical programming.”

George Dantzig (1914–2005) American mathematician

Source: Linear programming and extensions (1963), p. 2

Mathematics

“I take advantage of a painting that I now have at the Paris' exhibition. 3 orphan girls who are sewing in an interior room. I have sold [it] there for a nice price and have heard some interesting reviews published about it. (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls (1824–1911) Dutch painter

version in original Dutch (citaat van Jozef Israëls' brief, in het Nederlands): Ik heb nogal plaizier van eene schilderij die ik thans op de parijsche tentst. Heb. 3 weesmeisjes die in een binnekamer zitten te naaijen. Ik heb [het] daar voor een mooije prijs verkocht en hier en daar interessante kritieken over hooren uitbrengen.
In a letter to A.C. Vosmaer, June 1866; ARA - Tweede afdeling, Archief Vosmaer, input no. 249
Quotes of Jozef Israels, 1840 - 1870

Girl , Painting

“My mother wore these in a relaxed, family context. It was a more informal side which of course had no reason to be seen or shown in other exhibitions.”

Caroline, Princess of Hanover (1957) Princess of Monaco

Family

“There is no general reason to expect evolution to be progressive – even in the weak, value-neutral sense. There will be times when increased size of some organ is favoured and other times when decreased size is favoured. Most of the time, average-sized individuals will be favoured in the population and both extremes will be penalised. During these times the population exhibits evolutionary stasis (i. e., no change) with respect to the factor being measured. If we had a complete fossil record and looked for trends in some particular dimension, such as leg length, we would expect to see periods of no change alternating with fitful continuations or reversals in direction – like a weathervane in changeable, gusty weather.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

The Evolutionary Future of Man (1993)

Sense , Change , Time , Weather

“The attempt made to establish a separate and independent Confederation has failed; but the consciousness of having done your duty faithfully, and to the end, will, in some measure, repay for the hardships you have undergone. In bidding you farewell, rest assured that you carry with you my best wishes for your future welfare and happiness. Without, in any way, referring to the merits of the Cause in which we have been engaged, your courage and determination, as exhibited on many hard-fought fields, has elicited the respect and admiration of friend and foe. And I now cheerfully and gratefully acknowledge my indebtedness to the officers and men of my command whose zeal, fidelity and unflinching bravery have been the great source of my past success in arms.”

Nathan Bedford Forrest (1821–1877) Confederate Army general

1860s, Farewell address (1865)

Men , Way , Courage , Success

“The history of most fossil species includes two features particularly inconsistent with gradualism: 1. Stasis. Most species exhibit no directional change during their tenure on earth. They appear in the fossil record looking much the same as when they disappear; morphological change is usually limited and directionless. 2. Sudden appearance. In any local area, a species does not arise gradually by the steady transformation of its ancestors; it appears all at once and “fully formed.””

Stephen Jay Gould book The Panda's Thumb

"The Episodic Nature of Evolutionary Change", p. 182
The Panda's Thumb (1980)

History , Appearance , Change

“In the last few decades, a terribly pernicious rumor has been circulated by the press. It claims, exhibiting a level of stupidity heretofore considered impossible, that a human being could crawl through the arteries of a blue whale. Of course, nothing could be farther from the truth. I do not know why this deleterious rumor has been systematically repeated, but its very existence is an ugly cancer upon the face of science.”

Jacques-Yves Cousteau (1910–1997) French naval officer, explorer, conservationist, filmmaker, innovator, scientist, photographer, author and …

Octopus and Squid: The Soft Intelligence (1973)

Truth , Stupidity , Science

“The two motor driven "mobiles" which I am exhibiting [August, 1933] are from among the more successful of my earliest attempts at plastic objects in motion. The orbits are all circular arcs or circles. The supports have been painted to disappear against a white background to leave nothing but the moving elements..”

Alexander Calder (1898–1976) American artist

1930s - 1950s, Statement from Modern Painting and Sculpture', (1933)

Support , Success , Painting

“This project [an Impressionist exhibition in Paris] is very much up in the air. Degas' perversity makes it almost impossible of realization; there are clashes of vanity in this little group [of impressionists] that make any understanding difficult. It seems to me that I am the only one without any pettiness of character. This makes up for my inferiority as a painter.... the truth is that our value [of woman] lies in feeling, in intuition, in our vision that is subtler than that of men, and we can accomplish a great deal provided that affectation, pedantry and sentimentalism do not come to spoil everything.”

Berthe Morisot (1841–1895) painter from France

Quote of Berthe Morisot, 1885; as cited in Impressionist quartet, ed. Jeffrey Meyers; publishers, Harcourt, 2005, p. 94
Edgar Degas was the organizing force of most Impressionist exhibitions; this one never took place
1881 - 1895

Men , Truth , Feeling , Understanding

“I repainted the only unsold picture that was [exhibited] in Rotterdam last year. It seems to me that it looks quite pleasing and good now... I want you to ask him [the client] seven hundred guilders.... for six hundred as lowest price I would be willing to sell it and if you think - knowing him - it would be better to ask that price at once, so do it.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik heb het eenige nog niet verkochte schilderij dat voorl. jaar te Rotterdam was, overgeschilderd.. .Mij dunkt, dat het er nog al aangenaam en goed uitziet.. .Ik wilde dat gij hem zevenhonderd guldens voor vroeg.. ..voor zeshonderd zou ik het uiterlijk kunnen laten en meent gij, hem kennende, het beter zou zijn dadelijk die prijs te vragen zoo doe het dan.
Quote from a letter of W. Roelofs, Brussel 20 June, 1860, to art-collector/dealer P. verloren van Themaat in Utrecht, from: an extract of the Dutch Archive RKD, The Hague https://rkd.nl/explore/excerpts/289
this letter is one of many illustrations that Roelofs repainted his paintings rather frequently, as improvement or on demand of the client
1860's

Thinking

“All the pictures [in the exhibition, 1910] include a plus-factor, which robs the public [in Munich] of her pleasure but which is in every case the principal merit of the work; the completely spiritualized, de-materialized awardness of perception, which our fathers, the artists of the nineteenth century, never even tried to achieve in their 'pictures'. This bold undertaking, to take the 'matiere', which Impressionism sank its teeth into, and spiritualize it, is a necessary reaction, which began with Gauguin in Pont-Aven, and has already fostered innumerable experiments… The way the Munich public condemns the exhibition is almost amusing.”

Franz Marc (1880–1916) German painter

Franz Marc's note on the reception of the second exhibition of the 'Neue KünstlerVereinigung' in Munich, September 1910; as cited by , in Expressionism; Praeger Publishers, New York, 1973, p. 125
1905 - 1910

Pleasure , Way

“I reduced painting to its logical conclusion and exhibited three canvases: red, blue and yellow. I affirmed: it's all over. Basic colors. Every plane is a plane and there is to be no representation.”

Alexander Rodchenko (1891–1956) Russian artist and photographer

Quote in: 'The Death of Painting'; from the MoMA-website: Interactives: texts https://www.moma.org/interactives/exhibitions/1998/rodchenko/texts/death_of_painting.html
Rodchenko is looking back: in 1921 he executed what were arguably some of the first true monochromes (artworks of one color; source, Wikipedia:Rodchenko)

Color , Painting

“My deranged mother has written another book. This one is called The Bough and is even worse that the others. I refer not to its quality—it exhibits the usual “coruscating wit” and “penetrating social observation”—but to the extent to which it utilizes, as a kind of mulch pile, the lives of her children.”

Donald Barthelme (1931–1989) American writer, editor, and professor

“The Author”, opening; p. 45.
The Teachings of Don. B: Satires, Parodies, Fables, Illustrated Stories, and Plays of Donald Barthelme (1992)

Children , Books

“Nature does not conquer the world to God. It never has. It never will. In America, with its vast abounding wealth, its grand expanse of prairie, its reach of river, and its exuberant productiveness, there is danger that our riches will draw us away from God, and fasten us to earth; that they will make us not only rich, but mean; not only wealthy, but wicked. The grand corrective is the cross of Christ, seen in the sanctuary where the life and light of God are exhibited, and where the reverberation of the echoes from the great white throne are heard.”

Richard Salter Storrs (1821–1900) American Congregational clergyman

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 522.

Life , God , World , Nature

“Whilst the distinction of ‘society’ and ‘individual’ has colloquial (and political) meaning, those inclined to the analysis of complex systems are more likely to ask which groups or societies are real individuals, exhibiting functional or behavioral integrity, as self-reproducing wholes. In pursuing this line of investigation, it is far more relevant to discriminate between types of groups than between groups and individuals, or even wholes and parts. It is especially helpful to distinguish feature groups from unit groups.”

Nick Land (1962) British philosopher

"Kinds of Killing" https://web.archive.org/web/20121111032625/http://www.thatsmags.com/shanghai/article/1008/kinds-of-killing (2011) (original emphasis)

Behavior , Help , Parting

“In training a child to activity of thought, above all things we must beware of what I will call "inert ideas"—that is to say, ideas that are merely received into the mind without being utilised, or tested, or thrown into fresh combinations.
In the history of education, the most striking phenomenon is that schools of learning, which at one epoch are alive with a ferment of genius, in a succeeding generation exhibit merely pedantry and routine. The reason is, that they are overladen with inert ideas. Education with inert ideas is not only useless: it is, above all things, harmful—Corruptio optimi, pessima”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

the corruption of the best is the worst
1920s, The Aims of Education (1929)

Education , School , History , Idea

“He has had so many people lining up to have their faces painted at previous exhibitions, that other exhibitors, hoping to benefit, have requested being located next to his stand.”

Pricasso (1949) Australian painter

[Barbara Cole, Putting fun back into sex, Daily News, South Africa, 8 February 2008, 5, Independent Online]
About

People , Hope , Painting

“You [Dutch Zero-artist, Henk Peeters] take the North of Europe, I'll take the South. Switzerland will be our neutral zone where we shall have our common exhibition. (Manzoni's reaction when Henk Peeters accused him of plagiary]”

Piero Manzoni (1933–1963) Italian artist

Source: De Tweede Helft', Ad de Visser, 1998, p. 161

“I shall in future be obliged to resign myself to exhibiting them (her paintings) merely at the Grand Salon, Paris, of which I happen to be an Associate and the Salon de Tuileries known all over the world as the representative exhibition of Modern Art, and to which I have been invited to participate in the past, a distinction I may add that few can boast of.”

Amrita Sher-Gil (1913–1941) Hungarian Indian artist

Statement made when her painting was rejected by the Simla Fine Arts Society in 1935.
Sikh Heritage,Amrita Shergil

World , Art , Past , Future

“There are in the Exhibition some beautiful examples of such lace amongst the productions of other countries as well as of our own. They are made by the united labour of many women. The cost of a piece of lace will consist of:
# The remuneration to the artist who designs the pattern.
# The cost of the raw material.
# The cost of the labour of a large number of women working on it for many months.
Let us compare this with the cost of a piece of statuary, which is undoubtedly of a much higher class of art; it will consist of:
# The remuneration to the artist who makes the model.
# The cost of the raw material.
# The cost of labour, by assistants in cutting the block to the pattern of the model.
# Finishing the statue by the artist himself.
In lace making the skill of the artist is required only for the production of the first example. Every succeeding copy is made by mere labour: each copy may be considered as an individual, and will cost the same amount of time.
In sculpture the three first processes are quite analogous to those in lace-making. But the fourth process requires the taste and judgment of the artist. It is this which causes it to retain its rank amongst the fine arts, whilst lacemaking must still be classed amongst the industrial.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

Source: The Exposition of 1851: Views Of The Industry, The Science, and the Government Of England, 1851, p. 49-50

Women , Beauty , Art , Time

“A truly successful life is one filled with friends so it helps if people like being around you. If you suspect they don’t, have a think about how strongly you exhibit ‘likeable’ qualities such as listening well, being trustworthy, kind, generous, compassionate, fun, positive and unselfish. The good news is that you can learn such qualities even if they don’t come naturally to you.”

Nigel Cumberland (1967) British author and leadership coach

Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, 100 Things Successful People Do: Little Exercises for Successful Living (2016) https://books.google.ae/books?idnu0lCwAAQBAJ&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIMjAE

Life , People , Nature , Thinking