Quotes about emotion
page 17

“In those days, a man at least as boring as I, Pierre Reverdy, was writing: 'The image is a pure creation of the mind. It cannot be born from a comparison but from a juxtaposition of two more or less distant realities. The more the relationship between the two juxtaposed realities is distant and true, the stronger the image will be – the greater its emotional power and poetic reality..' (in the 'Nord-Sud', March 1918). These words, however sibylline for the uninitiated, were extremely revealing, and I pondered them for a long time.”

André Breton (1896–1966) French writer

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

Reality, Distant, Time

“I alternate my aims; at one time, I concentrate on poetry, on a more expressionist kind of sculpture; at other times on form – I mean on a kind of sculpture that concerns itself with formal relations rather than emotions or ideas. I suppose that this principle of alternating my aims leads to a kind of oscillation in the evolution of my own particular style as a sculptor, but I feel that it prevents me from repeating myself.”

Ossip Zadkine (1890–1967) French sculptor

c. 1960
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 154

Feeling, Idea, Time

“Even the most, 'emotive' view of music has to 'be' emotive 'about something distinct', which necessarily involves having a 'theory' about it, for better or worse, in awareness or unawareness, and that a 'musical' something distinct can be cognitively understood as an "emotional experience" only insofar as it is first cognitively understood as a human-communicative manifestation, as an "instance of thought.”

Benjamin Boretz (1934) American composer

from Meta-Variations: studies in the foundations of musical thought Red Hook, N.Y. : Open Space, 1995.

Music, Communication

“The third nightfall was less impressive than the second, which mirrored a rule Tris had already identified; new emotions devalued, going from intense through familiar to reach a kind of ghost state where one no longer really noticed them at all.”

Jon Courtenay Grimwood (1953) British writer

Source: Stamping Butterflies (2004), Chapter 37 (p. 237)

“So much of acting is technical. Actually, I don’t want people to think that acting is technical, that you don’t need to have a rich fountain of emotional life and all those kinds of things, and know how to focus and concentrate and have good imagination and all of the other things that really make up an actor. One of the things they teach you, for example, in acting class is respond to your instinct, to your moment-to-moment instincts. If they just did that, they’d never get the shot, you know? Because you’d be walking all over… You’d be doing it differently every time. And the camera guys and the light guys, they need to know what you’re going to do. That’s what I mean by, if you just followed your instinct, or follow your impulses, which is what they say to you in acting class, you have to do that but you have to do it in a very confined window.”

Tobin Bell (1942) American actor

Interview: Tobin Bell Discusses His Career and His New Horror Film Dark House https://editorial.rottentomatoes.com/article/interview-tobin-bell-discusses-his-career-and-his-new-horror-film-dark-house/ (March 14, 2014)

Life, People, Guy, Imagination

“It is now the scientific consensus that our risk-avoidance mechanism is not mediated by the cognitive modules of our brain, but rather by the emotional ones. This may have made us fit for the Pleistocene era. Our risk machinery is designed to run away from tigers; it is not designed for the information-laden modern world.”

Nassim Nicholas Taleb (1960) Lebanese-American essayist, scholar, statistician, former trader and risk analyst

Quoted in the introduction to "A Talk with Nassim Nicholas Taleb," Edge (April 2004) http://www.edge.org/3rd_culture/taleb04/taleb_index.html

World

“You feel chilled because you have no character. You’re a depressing assemblage of pop culture influences and cancelled emotions, driven by the sputtering engine of only the most banal form of capitalism. You spend your life feeling as if you’re perpetually on the brink of being obsolete — whether it’s labour market obsolescence or cultural unhipness. And it’s all catching up with you. You live and die by the development cycle. You’re glamorized drosophila flies, with the company regulating your life cycles at whim. If it isn’t a budget-driven eighteen-month game production schedule, it’s a five-year hardware obsolescence schedule. Every five years you have to throw away everything you know and learn a whole new set of hardware and software specs, relegating what was once critical to our lives to the cosmic slag heap.”

Douglas Coupland book JPod

JPod (2006)

Life, Feeling, Game, Learning

“We have here the problem of bigness. Its lesson should by now have been burned into our memory by Brandeis. The Curse of Bigness' shows how size can become a menace – both industrial and social. It can be an industrial menace because it creates gross inequalities against existing or putative competitors. It can be a social menace – because of its control of prices. Control of prices in the steel industry is powerful leverage on our economy. For the price of steel determines the price of hundreds of other articles. Our price level determines in large measure whether we have prosperity or depression – an economy of abundance or scarcity. Size in steel should therefore be jealously watched. In final analysis, size in steel is the measure of the power of a handful of men over our economy. That power can be utilized with lightning speed. It can be benign or it can be dangerous. The philosophy of the Sherman Act is that it should not exist. For all power tends to develop into a government in itself. Power that controls the economy should be in the hands of elected representatives of the people, not in the hands of an industrial oligarchy. Industrial power should be decentralized. It should be scattered into many hands so that the fortunes of the people will not be dependent on the whim or caprice, the political prejudices, the emotional stability of a few self-appointed men. The fact that they are not vicious men but respectable and social minded is irrelevant. That is the philosophy and the command of the Sherman Act. It is founded on a theory of hostility to the concentration in private hands of power so great that only a government of the people should have it.”

William O. Douglas (1898–1980) Associate Justice of the Supreme Court of the United States

Dissenting, United States v. Columbia Steel Co., 334 U.S. 495 (1948)
Judicial opinions

Men, Hostility, People, Problem

“I think that everybody tries to produce what Marshall McLuhan called a ‘counter environment.’ That is, you set yourself in opposition to the kind of mass tendencies which the media set up. That’s what’s so important about the humanities in the university…There’s something of a personal dialogue between one human being and another. And the fact that this dialogue is being carried out in the teeth of all the mass emotion techniques of the electronic media is a very important side of the humanities.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Canadian Energy: Dialogues on Creativity: Northrop Frye." Descant 12, no. 32-3 (1981).
"Quotes", Interviews with Northrop Frye (2008)

Thinking, Personality

“We are creatures, not only of the mind, but of feelings and emotions as well. Indeed, feelings and emotions are more fundamental to our being than pure logic and reasoning.”

Varadaraja V. Raman (1932) American physicist

page 166
Truth and Tension in Science and Religion

Feeling

“And what fastens attention, in the intercourse of life, like any passage betraying affection between two parties? Perhaps we never saw them before, and never shall meet them again. But we see them exchange a glance, or betray a deep emotion, and we are no longer strangers. We understand them, and take the warmest interest in the development of the romance. All mankind love a lover.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Love
1840s, Essays: First Series (1841)

Love, Life, Lovers, Understanding

“Real tragedy is never resolved. It goes on hopelessly forever. Conventional tragedy is too easy. The hero dies and we feel a purging of the emotions. A real tragedy takes place in a corner, in an untidy spot, to quote W. H. Auden.”

Chinua Achebe book No Longer at Ease

Source: No Longer at Ease (1960), Chapter 5 (pp. 43–44)

Feeling, Quotes

“It is commonly thought that everything that is can be put into words. But there is a wide range of emotional response that we make that cannot be put into words. We are so used to making these emotional responses that we are not consciously aware of them till they are represented in art work.”

Agnes Martin (1912–2004) American artist

In 'Beauty Is the Mystery of Life', 1989; a lecture by Agnes Martin, Carnegie Museum of Art, Pittsburgh, 1989. Printed in Agnes Martin, eds. Morris and Bell, pp. 158–59
1980 - 2000

Art

“In the most advanced areas of this civilization, the social controls have been introjected to the point where even individual protest is affected at its roots. The intellectual and emotional refusal “to go along” appears neurotic and impotent. This is the socio-psychological aspect of the political event that marks the contemporary period: the passing of the historical forces which, at the preceding stage of industrial society, seemed to represent the possibility of new forms of existence. But the term “introjection” perhaps no longer describes the way in which the individual by himself reproduces and perpetuates the external controls exercised by his society. Introjection suggests a variety of relatively spontaneous processes by which a Self (Ego) transposes the “outer” into the “inner.” Thus introjection implies the existence of an inner dimension distinguished from and even antagonistic to the external exigencies—an individual consciousness and an individual unconscious apart from public opinion and behavior. The idea of “inner freedom” here has its reality: it designates the private space in which man may become and remain “himself.” Today this private space has been invaded and whittled down by technological reality. Mass production and mass distribution claim the entire individual, and industrial psychology has long since ceased to be confined to the factory. The manifold processes of introjection seem to be ossified in almost mechanical reactions. The result is, not adjustment but mimesis: an immediate identification of the individual with his society and, through it, with the society as a whole. This immediate, automatic identification (which may have been characteristic of primitive forms of association) reappears in high industrial civilization; its new “immediacy,” however, is the product of a sophisticated, scientific management and organization. In this process, the “inner” dimension of the mind in which opposition to the status quo can take root is whittled down. The loss of this dimension, in which the power of negative thinking—the critical power of Reason—is at home, is the ideological counterpart to the very material process in which advanced industrial society silences and reconciles the opposition. The impact of progress turns Reason into submission to the facts of life, and to the dynamic capability of producing more and bigger facts of the same sort of life. The efficiency of the system blunts the individuals' recognition that it contains no facts which do not communicate the repressive power of the whole. If the individuals find themselves in the things which shape their life, they do so, not by giving, but by accepting the law of things—not the law of physics but the law of their society.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 9-11

Life, Law, Way, Behavior

“You've got to sell your heart, your strongest reactions, not the little minor things that only touch you lightly, the little experiences that you might tell at dinner. This is especially true when you begin to write, when you have not yet developed the tricks of interesting people on paper, when you have none of the technique which it takes time to learn. When, in short, you have only your emotions to sell.”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

Letter to Frances Turnbull (9 November 1938), in A Life in Letters (1994), p. 368
Quoted, Letters

People, Learning, Time, Heart

“Our true motivation isn't sustained only by titles and material results of a campaign. Our actual reward is not to have "that" car, or to reach "that" specific post. In reality, we seek emotional satisfaction: to feel pleasure and happiness!”

Marcos Pontes (1963) Brazilian astronaut

Artigo: Sucesso - Webpage Astronauta Marcos Pontes http://marcospontes.com.br/MANUTENCAO/ARTIGOS/ARTIGOS_2014/20140313_sucesso.html

Happiness, Pleasure, Cars, Feeling

“Pedophiles are almost certainly "born that way". Again, we go to evolutionary conditioning. Seek the youngest, strongest, most healthy, for breeding purposes. A sure (or as sure as it gets) way to guarantee the survival of your genes. Pedophilia also brings along a big heaping helping of learned responses, however. In a society like ours, where "normal" sex is considered by many to be filthy and disgusting, "abnormal" sex is of course even moreso. "Abnormal" in this case meaning anything—even simple physical attraction—that is not "age-appropriate", heterosexual, and strictly for procreation. Preferably missionary position. Thus, any confused individual who finds himself attracted to young girls is likely to find himself attracted to increasingly younger girls, as part of his pattern of self-loathing. So much emotional torment—in victims and victimizers—would surely be set aside if our society was sexually liberated enough to even be able to say "Sure, it's okay to be attracted to eleven year olds. Just don't do anything about it!"”

John Byrne (1950) American author and artist of comic books

2010
http://www.byrnerobotics.com/forum/forum_posts.asp?TID=35811&TPN=4
Pedophilia

Age, Sex, Way, Girl

“…controls on behavior shift from the intermediate levels of human experience (social, emotional and religious) to the lower (military and political) or to the upper (ideological). They become the externalized controls of a mature society: weapons, bureaucracies, material rewards, or ideology.”

Carroll Quigley (1910–1977) American historian

Oscar Iden Lecture Series, Lecture 3: "The State of Individuals" (1976)

Behavior

“Will we solve the crises of next hundred years? asked Krulwich. “Yes, if we are honest and smart,” said Wilson. “The real problem of humanity is the following: we have paleolithic emotions; medieval institutions; and god-like technology. And it is terrifically dangerous, and it is now approaching a point of crisis overall.” Until we understand ourselves, concluded the Pulitzer-prize winning author of On Human Nature, “until we answer those huge questions of philosophy that the philosophers abandoned a couple of generations ago—Where do we come from? Who are we? Where are we going?—rationally,” we’re on very thin ground.”

Edward O. Wilson (1929) American biologist

Quoted in Harvard Magazine http://harvardmagazine.com/breaking-news/james-watson-edward-o-wilson-intellectual-entente from a public discussion between Wilson and James Watson moderated by NPR correspondent Robert Krulwich, September 9, 2009.

God, Understanding, Question, Nature

“Some people seem to operate on an auto-pilot and when they become emotional they immediately react. What triggers you to react in a potentially negative way at work?”

Nigel Cumberland (1967) British author and leadership coach

Page 205 <br class="br">Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, Managing Teams in a Week (2013) https://books.google.ae/books?idqZjO9_ov74EC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIIDAB#vonepage&qnigel%20cumberland&ffalse, Secrets of Success at Work – 50 techniques to excel (2014) https://books.google.ae/books?id4S7vAgAAQBAJ&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIJjAC#vonepage&qnigel%20cumberland&ffalse

People, Way

“We no longer have political movements. While thousands of us may come together for a rally or march, we are bound together on such occasions by a single shared interest. Any effort to convert such interests into collective goals is usually undermined by the fragmented individualism of our concerns. Laudable goals—fighting climate change, opposing war, advocating public healthcare or penalizing bankers—are united by nothing more than the expression of emotion. In our political as in our economic lives, we have become consumers: choosing from a broad gamut of competing objectives, we find it hard to imagine ways or reasons to combine these into a coherent whole. We must do better than this.”

Tony Judt (1948–2010) British historian

Ill Fares the Land (2010), Ch. 3 : The Unbearable Lightness of Politics

War, Way, Imagination, Effort

“The thought came and went, more wish than thought. Maria wasn’t good at considering her own emotions. Most of the time the girl found it hard to believe that what she felt might matter.”

Jon Courtenay Grimwood (1953) British writer

Source: Stamping Butterflies (2004), Chapter 50 (p. 308)

Girl, Time

“[S]o far as music ever had a "meaning" beyond the immediate and exquisite value of the sound-pattern itself, its "meaning" must be simply an emotional attitude. It could never speak directly about the objective world, or "the nature of existence"; but it might create a complex emotional attitude which might be appropriate to some feature of the objective world, or to the universe as a whole.”

Olaf Stapledon book Sirius

Source: Sirius (1944), Chapter IX Sirius and Religion.

World, Music, Nature, Universe

“It is not facts, but rumors that cause emotions among the people. What is believed creates everything.”

Joseph Joubert (1754–1824) French moralist and essayist

People

“To distort our faces with joy, or wail and weep with sorrow, or collapse in agony, or wallow in sentimentality – wasn’t an inviolable human trait but something we can lose simply by leading dull and dreary lives. ‘A rich emotional life,’ she’d written, ‘is a privilege reserved only for the daring few’.”

Ryū Murakami book Audition

Source: Audition (1997), Chapter

Life, Joy

“When had a slave religion proved anything but an aid to the conqueror? Slaves needed a wailing wall; they went into their temples, prayed to their gods to deliver them from oppression, and came out to work in the fields and factories, relaxed and made harmless by the emotional catharsis of prayer.”

Robert A. Heinlein book Sixth Column

Source: Sixth Column (1949; originally serialized in 1941), Chapter 9 (p. 108)

God, Religion

“I never expected that one could fall so completely in love with a nation and a people. I already knew that very soon I would thrill at everything American, love everything American, perhaps blindly, but fervently and forever. I still remember how thrilled I was at the sight of the flag. After all these years, every time I see the Stars and Stripes in the breeze, I get the same emotional feeling. Aesthetically speaking, it is perfect. One of the outstanding "designs" of all times. It may be that a nation gets the flag it deserves.”

Raymond Loewy (1893–1986) industrial designer

Source: Never Leave Well Enough Alone (1951), Chapter 1

Love, People, Feeling, Star

“Standing before this building, I learn something about fear. I learn that it is not the idle fantasies of someone who maybe wants something important to happen to him, even if the important thing is horrible. It is not the disgust of seeing a dead stranger, and not the breathlessness of hearing a shotgun pumped outside of Becca Arrington's house. This cannot be addressed by breathing exercises. This fear bears no analogy to any fear I knew before. This is the basest of all possible emotions, the feeling that was with us before we existed, before this building existed, before the earth existed. This is the fear that made fish crawl out onto dry land and evolve lungs, the fear that teaches us to run, the fear that makes us bury our dead.”

John Green book Paper Towns

Quentin "Q" Jacobsen, pp. 140-141
Paper Towns (2008)

Fear, Feeling, Exercises, Fish

“It is generally assumed that men are damaged in their capacity for closeness and intimacy. If intimacy is defined as a loving closeness with another person, then it is usually true that the early conditioning of men to be performers and competitors in the impersonal competitive world limits their intimacy capacity. Women are assumed to have a greater capacity for intimacy than men because they express caring emotions and allow themselves to be dependent and close in relationships more easily. Yet, a closer look will provide a different perspective.

True intimacy is love and closeness based on knowledge of the inner reality and inner experience of the other. However, in romantic relationships, closeness ends or is put into crisis when men describe honestly their inner experiences to women. Women assail the relationship behavior of men and men acknowledge what they are told. Rarely is the opposite true. Men accept the reality of women more than women accept the reality of men.

The fact that a woman's priority is placed on personal needs bears no relationship to a genuine capacity for intimacy. To be loved and known, and to be fully comfortable expressing one's personal self, are two major components of intimacy. There are few men who have received that from a woman. The opposite holds true. A woman's love for a man is contingent on his participating in her romantic fantasy of what he and the relationship should be. Few men risk challenging or undermining that fantasy. Instead, they play by the rules of romance even when it feels uncomfortable, knowing that being loved by her is fragile and easily broken once he reveals his resistances and unromantic feelings.”

Herb Goldberg (1937–2019) American psychologist

Why Women Are Also Incapable of Intimacy, pp. 120–121
What Men Still Don't Know About Women, Relationships, and Love (2007)

Love, Women, Men, World

“I think I am easy to make fun of. I try not to pay too much attention. You can't let critics dictate what you do… The thing that fascinates me, is the emotion in music, the way it can make me cry or laugh or be angry. I'm not trying to be hip or cool, and I'm not scared to put everything I have into songs. Passion is the greatest thing that music can evoke. We live in a society where I think people often find it hard to express themselves, but sometimes a song can do that for you. It might not be groundbreaking, but there is something about the simplicity of presenting songs where it's all about the lyric and the melody. People don't need to get through a whole lot of production to get to the root of the song. It's just music doing what music does best… A lot of things in the mainstream are repetitive and soulless and have been churned out without any real conviction. It is really unfair to call Coldplay insufferable, when they obviously care about what they do. James [Blunt] too. Too much of the music industry is controlled by lawyers and businessmen, making music like it's a product on the factory line. That's what I call insufferable.”

Katie Melua (1984) British singer-songwriter

[Neil McCormick, Who is right? Critics or the public?, http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/09/29/bmneil29.xml, The Telegraph, 2005-09-29]

People, Music, Way, Thinking

“Atheism should always be encouraged (i. e. rationalistic not emotional atheism) for the sake of the Faith.”

T.S. Eliot (1888–1965) 20th century English author

Letter to Richard Aldington (24 February, 1927). The Letters of T.S. Eliot: 1926-1927 p. 424

Faith

“Ignorance or disregard of our evolutionary heritage, and of the fundamental biological, emotional, cognitive, and social similarities on which much in everyday human life and thought depend, can lead to speculative philosophies and empirical programs that misconstrue the natural scope and limits of our species-specific abilities and competencies. The intellectual and moral consequences of this misconstrual have varying significance, both for ourselves and for others, for example, in the ways relativism informs currently popular notions of "separate but equal" cultural worlds whose peoples are in some sense incommensurably different from ourselves and from one another. Relativism aspires directly to mutual tolerance of irreducible differences. Naturalism-the evolutionary-based biological and cognitive understanding of our common nature and humanity-aims first to render cultural diversity comprehensible. If anything, evolution teaches us that from one or a few forms wondrously many kinds will arise.”

Scott Atran (1952) Anthropologist

Introduction: an evolutionary riddle, p. 17
In Gods We Trust: The Evolutionary Landscape of Religion (2002)

Life, People, World, Way

“I don't own emotion, I rent!”

Jonathan Larson (1960–1996) American composer and playwright

Rent (1996)

“Delivering advice assumes that our cognitive apparatus rather than our emotional machinery exerts some meaningful control over our actions.”

Nassim Nicholas Taleb book Fooled by Randomness

Fooled by Randomness (2001)

“Human nature is accused of much more selfishness than it really has; a thousand kindly emotions break in upon and redeem our daily and interested life.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Heath's book of Beauty, 1833 (1832)

Life, Nature, Selfishness

“Aretha Franklin was tough. She turned out to be good, but she was, you know, she was -- she's a very -- she's a very wonderful, but in some ways, shy woman. You don't think about that when you see how she emotes and performs.”

Ed Bradley (1941–2006) News correspondent

[Larry King, Interview with Ed Bradley, http://transcripts.cnn.com/TRANSCRIPTS/0402/08/lkl.00.html, February 8, 2004, Larry King Live, CNN]

Way, Thinking

“I'm not going to be hardened by these people, to these things, I'm not going to let them destroy my feelings or my emotions.”

Pete Doherty (1979) English musician, writer, actor, poet and artist

Who The Fuck is Pete Doherty (2005)
People

People, Feeling

“The pure emotion, from a very early age, of seeing a film and feeling it take you over like a high… At first it was all the things I loved as a kid -- James Bond films and Spaghetti Westerns and things like that (which I still love). Then I started discovering the masters and finding out which films spoke to me and when they did -- the total immersion, the experience of being taking to another world for a couple of hours, opening your mind to new things and ideas on such an emotional level. How could you not fall in love with that?”

Olly Blackburn Film director and screenwriter

[indieWire, SnagFilms, Park City ‘08 Interview - “Donkey Punch” director Olly Blackburn, 7 January 2008, http://www.indiewire.com/article/park_city_08_interview_donkey_punch_director_olly_blackburn, 23 February 2012]

Love, Age, World, Feeling

“The common purpose of pornography is to enhance sexual pleasure or sexual fantasy. It is meant to be free of things like guilt, insecurity, anger or responsibility. It can also be detached from the struggles of intimacy. I chose to use imagery common in pornography but placed these images in the emotional context which included intense guilt, anger, regret, anguish, and confusion. In this context, it is difficult for the images to enhance sexual pleasure or sexual fantasy. Instead, the graphic images work better to enhance the discomfort of intimacy.”

Vincent Gallo (1961) American film director, writer, model, actor and musician

Another Man Essay

Pleasure, Anger

“It is ugly ducklings, grown either into swans or into remarkably big, remarkably ugly ducks, who are responsible for most works of art; and yet how few of these give a truthful account of what it was like to be an ugly duckling!—it is almost as if the grown, successful swan had repressed most of the memories of the duckling’s miserable, embarrassing, magical beginnings. (The memories are deeply humiliating in two ways: they remind the adult that he was once more ignorant and gullible and emotional than he is; and they remind him that he once was, potentially, far more than he is.)”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“An Unread Book”, p. 19
The Third Book of Criticism (1969)

Truth, Art, Way, Memory

“The defects of rationalistic, critical philosophy are much more important than they appear at first sight. By failing to take into account political faculties and the art of eloquence, this philosophy disregards two of the most important branches of human activity. … Vico formulates this idea clearly in De studiorum ratione: “But this order of studies brings with it the disadvantage for young people, that in the future they will neither show intelligence in civil life, not be able to enliven a speech with characteristic colors and warm it with the fire of emotions.””

Ernesto Grassi (1902–1991) Italian philosopher

Source: Rhetoric as Philosophy (1980), p. 40

Life, People, Art, Color

“According to the traditional interpretation Plato’s attitude against rhetoric is a rejection of the doxa, or opinion, and of the impact of images, upon which the art of rhetoric relies; at the same time his attitude is considered as a defense of the theoretical, rational speech, that is, of episteme. The fundamental argument of Plato’s critique of rhetoric usually is exemplified by the thesis, maintained, among other things, in the Gorgias, that only he who "knows" [epistatai] can speak correctly; for what would be the use of the "beautiful," of the rhetorical speech, if it merely sprang from opinions [doxa], hence from not knowing? … Plato’s … rejection of rhetoric, when understood in this manner, assumes that Plato rejects every emotive element in the realm of knowledge. But in several of his dialogues Plato connects the philosophical process, for example, with eros, which would lead to the conclusion that he attributes a decisive role to the emotive, seen even in philosophy as the absolute science.”

Ernesto Grassi (1902–1991) Italian philosopher

Source: Rhetoric as Philosophy (1980), p. 28

Beauty, Art, Knowledge, Decision

“Through violence, you may 'solve' one problem, but you sow the seeds for another.
…
One has to try to develop one's inner feelings, which can be done simply by training one's mind. This is a priceless human asset and one you don't have to pay income tax on!
…
First one must change. I first watch myself, check myself, then expect changes from others.
…
Love and compassion are necessities, not luxuries. Without them, humanity cannot survive.
…
I myself feel, and also tell other Buddhists that the question of Nirvana will come later.
There is not much hurry.
If in day to day life you lead a good life, honesty, with love,
with compassion, with less selfishness,
then automatically it will lead to Nirvana.
…
The universe that we inhabit and our shared perception of it are the results of a common karma. Likewise, the places that we will experience in future rebirths will be the outcome of the karma that we share with the other beings living there. The actions of each of us, human or nonhuman, have contributed to the world in which we live. We all have a common responsibility for our world and are connected with everything in it.
…
If the love within your mind is lost and you see other beings as enemies, then no matter how much knowledge or education or material comfort you have, only suffering and confusion will ensue.
…
It is under the greatest adversity that there exists the greatest potential for doing good, both for oneself and others.
…
Whenever Buddhism has taken root in a new land, there has been a certain variation in the style in which it is observed. The Buddha himself taught differently according to the place, the occasion and the situation of those who were listening to him.
…
Samsara - our conditioned existence in the perpetual cycle of habitual tendencies and nirvana - genuine freedom from such an existence- are nothing but different manifestations of a basic continuum. So this continuity of consciousness us always present. This is the meaning of tantra.
…
According to Buddhist practice, there are three stages or steps. The initial stage is to reduce attachment towards life.
The second stage is the elimination of desire and attachment to this samsara. Then in the third stage, self-cherishing is eliminated.
…
The creatures that inhabit this earth-be they human beings or animals-are here to contribute, each in its own particular way, to the beauty and prosperity of the world.
…
To develop genuine devotion, you must know the meaning of teachings. The main emphasis in Buddhism is to transform the mind, and this transformation depends upon meditation. in order to meditate correctly, you must have knowledge.
…
Anything that contradicts experience and logic should be abandoned.
…
The ultimate authority must always rest with the individual's own reason and critical analysis.
…
From one point of view we can say that we have human bodies and are practicing the Buddha's teachings and are thus much better than insects. But we can also say that insects are innocent and free from guile, where as we often lie and misrepresent ourselves in devious ways in order to achieve our ends or better ourselves. From this perspective, we are much worse than insects.
…
When the days become longer and there is more sunshine, the grass becomes fresh and, consequently, we feel very happy. On the other hand, in autumn, one leaf falls down and another leaf falls down. The beautiful plants become as if dead and we do not feel very happy. Why? I think it is because deep down our human nature likes construction, and does not like destruction. Naturally, every action which is destructive is against human nature. Constructiveness is the human way. Therefore, I think that in terms of basic human feeling, violence is not good. Non-violence is the only way.
…
We humans have existed in our present form for about a hundred thousand years. I believe that if during this time the human mind had been primarily controlled by anger and hatred, our overall population would have decreased. But today, despite all our wars, we find that the human population is greater than ever. This clearly indicates to me that love and compassion predominate in the world. And this is why unpleasant events are "news"; compassionate activities are so much a part of daily life that they are taken for granted and, therefore, largely ignored.
…
The fundamental philosophical principle of Buddhism is that all our suffering comes about as a result of an undisciplined mind, and this untamed mind itself comes about because of ignorance and negative emotions. For the Buddhist practitioner then, regardless of whether he or she follows the approach of the Fundamental Vehicle, Mahayana or Vajrayana, negative emotions are always the true enemy, a factor that has to be overcome and eliminated. And it is only by applying methods for training the mind that these negative emotions can be dispelled and eliminated. This is why in Buddhist writings and teachings we find such an extensive explanation of the mind and its different processes and functions. Since these negative emotions are states of mind, the method or technique for overcoming them must be developed from within. There is no alternative. They cannot be removed by some external technique, like a surgical operation."”

Tenzin Gyatso (1935) spiritual leader of Tibet

Dzogchen: The Heart Essence of the Great Perfection, Snow Lion Publications, Ithaca, 2004

Love, Life, War, Happiness

“I was terrorized by the emotional requirements of being an actor. Acting is like letting your pants down; you're exposed.”

Paul Newman (1925–2008) American actor and film director

Quoted in John Skow, "Verdict on a Superstar," http://aolsvc.timeforkids.kol.aol.com/time/magazine/article/0,9171,923114-1,00.html Time (1982-12-06)

“What do you think of Spinoza? For me he is the ideal example of the cosmic man. He worked as an obscure diamond cutter, disdaining fame and a place at the table of the great. He tells us the importance of understanding our emotions and suggests what causes them. Man will never be free until he is able to direct his emotions to think clearly. Only then can he control his environment and preserve his energy for creative work.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Source: Attributed in posthumous publications, Einstein and the Poet (1983), p. 26

Understanding, Thinking

“This does not mean that scientists can't be religious. We can encompass irrational beliefs without regret and without obligation—I can, actually, look at my kids in a different way than I would an experimental subject under my microscope. I also do not pretend that I view my children rationally and objectively, untainted by emotion or history, and I'm not ashamed of that at all. So, a scientist should have no problem demanding one standard of logic and evidence in the lab, and dropping that demand when they go to church on Sunday.”

PZ Myers (1957) American scientist and associate professor of biology

An essay talking about religious scientists: * http://scienceblogs.com/pharyngula/2006/06/what_should_a_scientist_think.php
What should a scientist think about religion?
Pharyngula
2006-06-29

Children, Way, History, Problem

“Sentiment is intellectualized emotion, — emotion precipitated, as it were, in pretty crystals by the fancy.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

Literary Essays, vol. II (1870–1890), Rousseau and the Sentimentalists

“The creative artist has an essential role in modern society. By expressing his individual ideas and emotions he adds to the sum of human awareness.”

Lloyd Goodrich (1897–1987) American art historian

'The Artist in American Society' - Colorado Magazine Vol. 15 No 2 Autumn 1966

Idea

“Memory strength is also a function of how much we care about the experience. …If I'm playing an instrument I like, and whose sound pleases me in and of itself… caring leads to attention, and together they lead to measurable neurochemical changes. Dopamine, the neurotransmitter associated with emotional regulation, alertness, and mood, is released, and the dopaminergic system aids in encoding the memory trace.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Mood, Memory, Change

“I often hear people call climbing a selfish, egocentric pursuit. I consider this idea a lot. On the surface, as a sport or activity, this may be true. But for most soul climbers, climbing has never been merely about athletics. Climbing has shown me how to look beyond myself and my own desires. It has taught me how to be a part of a community, rather than living in a narrow world of my own making. I have learned, painfully, how to accept help from others. I have learned that my powerful emotions can be my greatest strength, as well as my greatest weakness. Physically and intellectually, climbing has tugged me into the larger world, beyond my own culture and comfort zone. Above all, climbing has shown me the existence of forces beyond the seen world. It has taught me to ponder the meaning of reality. It has shown me that I am small.”

Steph Davis (1973) American rock climber

High Infatuation: A Climber's Guide to Love and Gravity (2007)

People, World, Soul, Communication

“When the full magnetic rapport of Karezza has been realized, in which the two souls and bodies seem as one, supported and floating on some divine stream in Paradise, all sense of restraint and difficulty gone, and succeeded by a heavenly ease, power, exaltation, pure and perfect bliss, diffused throughout the entire being, it is then that the eyes and faces shine as though transfigured, every tone becomes music, every emotion poetry.”

John William Lloyd (1857–1940) American anarchist, sexologist, utopian theorist and author (1857-1940)

The Karezza Method : Or Magnetation, the Art of Connubial Love (1931) Ch. 17 : Karezza the Beautifier http://www.reuniting.info/karezza_method_lloyd/karezza_the_beautiful

Music, Soul, Support, Sense

“There are many people who have undergone great suffering who seem to possess knowledge of the deepest recesses of human emotion unavailable to the rest of us. They may want to impart it, but we often cannot hear. Strangely enough, farm animals strike me in the same way.”

Jeffrey Moussaieff Masson (1941) American writer and activist

Preface, p. ix
The Pig Who Sang to the Moon (2003)

People, Way, Knowledge, Suffering

“Many dogs, cats and horses are loved and cherished, and are even mourned when they die. But pigs, chickens, calves and other animals grown in factory farms are treated in the most brutal and exploitative way, devoid of all affection. They are units in a production line; their only purpose is to produce the maximum amount of food at the minimum cost. Factory farms epitomize the mechanistic spirit. … To justify this treatment, the less-favoured animals have to be regarded as inferior, unworthy of any sentimental attachment. A terrible conflict arises if the exploited animals are considered to have any value in themselves. One way to avoid this conflict is to keep the privileged and the exploited animals in separate categories in our minds. … But if emotions spill over from pets to other animals, there is trouble. People become vegetarians, or even animal rights activists.”

Rupert Sheldrake (1942) English biochemist, author and parapsychological researcher

Seven Experiments That Could Change the World (London: Fourth Estate, 1994), p. 24.

Love, People, Food, Dogs

“A clear horizon — nothing to worry about on your plate, only things that are creative and not destructive and that's withing yourself. Within me I can't bear quarreling, I can't bear feelings between people. I think hatred is wasted energy and it's all non-productive. I'm very sensitive. A sharp word, said by a person who has a temper, if they're close to me, hurts me for days. I know we're only human, we do go in for these various emotions, call them negative emotions but when all these are removed and you can look forward, and the road is clear ahead, and now you're going to create something. I think that's as happy as I would ever want to be.”

Alfred Hitchcock (1899–1980) British filmmaker

Hitchcock's Definition of Happiness https://www.youtube.com/watch?v=14dOICbwSIs (YouTube video), excerpt from CBC's interview 'A Talk with Alfred Hitchcock' (1964). Quoted in "Hitchcock's Secret to Happiness" http://www.theatlantic.com/health/archive/2012/03/hitchcocks-secret-to-happiness/254769/ by Maria Popova, The Atlantic (20 March 2012).

Happiness, People, Feeling, Thinking

“You don't go into the National Gallery of any famous capital city and cry, sob, laugh, fall about on the floor, become very angry -- it's a completely different reaction. It's a reaction which is to do with a much more composed sense of regarding an image; it's a reaction with a thought process as opposed to an immediate emotional reaction.”

Peter Greenaway (1942) British film director

From an interview in Art and Design, no. 49
Interviews

Sense, Cry

“Since I have talked with many self-styled * atheists, I have come to believe that the true species does not exist, and that atheism, so-called, is either an emotional deviation in the same category as neurotic illness and with a similar causation, or else the denial of the existence of a mythical figure who certainly does not exist.”

Leslie Weatherhead (1893–1976) English theologian

Preface, p. 15, sentence 4.
The Christian Agnostic (1965)

“More and more of us have, over the last 10 years or so, become deeply involved in one or more of the movements mentioned above. At the same time, though, the radical political movements of the 1969's seem to have collapsed. Could there be a connection? I believe that the radical political movements declined as soon as they began to promote a doctrine of us-against-them, of "we have all the answers", of separation rather than healing. As soon as they began to promote a dogmatic Marxism that overstressed our need for things and tried to make us feel guilty about our deeper needs, which are emotional, psychological and spiritual”

Mark Satin (1946) American political theorist, author, and newsletter publisher

and which are what got us into the radical political movements in the first place
Pages 5–6.
New Age Politics: Healing Self and Society (1978)

Feeling, Time

“The hangover theory, then, turns out to be intellectually incoherent; nobody has managed to explain why bad investments in the past require the unemployment of good workers in the present. Yet the theory has powerful emotional appeal. Usually that appeal is strongest for conservatives, who can't stand the thought that positive action by governments (let alone—horrors!—printing money) can ever be a good idea. Some libertarians extol the Austrian theory, not because they have really thought that theory through, but because they feel the need for some prestigious alternative to the perceived statist implications of Keynesianism. And some people probably are attracted to Austrianism because they imagine that it devalues the intellectual pretensions of economics professors. But moderates and liberals are not immune to the theory's seductive charms—especially when it gives them a chance to lecture others on their failings.”

Paul Krugman (1953) American economist

"The Hangover Theory", Slate (Dec. 4, 1998)

Money, People, Feeling, Imagination

“Words are the currency of love and friendship, of making and marketing, of peace and war. Nations are bound and loosed by them. Three or four simple words can move waves of emotion through the hearts of multitudes like great tides of the sea: "Lest we forget."”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

"Patriotism is not enough."
Speech at his inauguration as Lord Rector of The University of Edinburgh (6 November 1925), quoted in On England, and Other Addresses (1926), p. 78.
1925

Love, Friendship, War, Peace

“I don't dwell in the past; I don't wallow in old events and emotions. I don't waste time on regret. No use going over and over the details of what already happened.”

Yanni (1954) Greek pianist, keyboardist, composer, and music producer

Yanni in Words. Miramax Books. Co-author David Rensin

Time, Past

“The collective name for the ripe fruits of religion in a character is Saintliness. The saintly character is the character for which spiritual emotions are the habitual centre of the personal energy; and there is a certain composite photograph of universal saintliness, the same in all religions, of which the features can easily be traced.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Lectures XI, XII, and XIII, "Saintliness"
1900s, The Varieties of Religious Experience (1902)

Religion, Universe, Personality

“Jazz today can be spiritual, cerebral, motivating or moving. It can evoke tension, relaxation, laughter, tears. Surely jazz is truly the music of the era, combining stature, dignity and emotion with the highest musical ideals.”

John Dankworth (1927–2010) British musician

Jazz in Revolution (1998), concluding words.

Music, Motivation, Tear, Laughter

“Life is not a thing of knowing only — nay, mere knowledge has properly no place at all save as it becomes the handmaiden of feeling and emotion.”

Learned Hand (1872–1961) American legal scholar, Court of Appeals judge

"Class-Day Oration" (1893).
Extra-judicial writings

Life, Feeling, Knowledge

“The Seventies theory explosion [i. e., Literary theory, deconstruction, etc. ] was a panic reaction by headlocked pedants unable to cope with the emotional and sensory flux of the Sixties. It was a desperate search for new authority, new dogma.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 218

“Dad was just an emotional wreck. He was drinking a lot of the time; he was smoking a lot of pot. And because he takes certain medications, the drinking were making him… you know, he wasn't even present, really.”

Jack Osbourne (1985) Son of Ozzy and Sharon Osbourne

MTV.com Jack Talks About His Addiction and Recovery

Drink, Time

“I found, once I passed the age of forty, that I have a good sense of humor. It’s only through that I can keep stuﬀ oﬀ and go through my life. If you sit and try to take on everything that is going on out there, you’re going to end up with problems. That’s where I feel music. And music becomes the way in which I express feelings. And, because it allows me to have contact with my emotions, it’s a constant catharsis, not just playing and writing. By doing that, you alleviate something inside of you. And who knows where that comes from?”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Meet Clare Fischer" http://cdassassin.wordpress.com/2010/10/28/1999-interview-at-allaboutjazz-com/

Life, Age, Music, Way

“Sometimes captured from the great arboreal freedom of their jungle homes, monkeys are closely confined in cages only three or four feet square. … They can never sit or lie down on a flat, soft or yielding surface. Little wonder that by the time they are needed for the knife or the needle they are so crazed or inert that they are no longer representative examples of animal life. Psychologists who study the behaviour of thousands of such creatures annually, rarely make allowances for the fact that their pathetic subjects have been so deprived that they have become more like monsters than animals. Many people who have experienced close affectionate relationships with individuals of other species testify to the considerable potential for emotional and intellectual development that animals have. When properly cared for a pet dog or cat can develop great subtleties of behaviour that the laboratory animal never shows. Those who have been fortunate enough to closely observe unfrightened animals living in the wild are often struck by the complexity and richness of the life they lead. These positive pleasures the laboratory animal never knows; for him the same four white walls and the smell of disinfectant.”

Richard D. Ryder (1940) British psychologist

Experiments on Animals (1971)

Life, People, Pleasure, Lie

“Well, when music "moves" someone, it doesn't necessarily have to be in a positive direction. Some people certainly get moved by darker music, and there are all sorts of emotions which music can create that are interesting -- aggression, foreboding, anger, fear. Not everyone wants to feel happy all the time :)”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

Happiness, People, Fear, Music

“The brain may take advice, but not the heart, and love, having no geography, knows no boundaries: weight and sink it deep, no matter, it will rise and find the surface: and why not? any love is natural and beautiful that lies within a person's nature; only hypocrites would hold a man responsible for what he loves, emotional illiterates and those of righteous envy, who, in their agitated concern, mistake so frequently the arrow pointing to heaven for the one that leads to hell.”

Truman Capote book Other Voices, Other Rooms

Other Voices, Other Rooms (1948)

Love, Beauty, Hell, Nature

“He too had played with anarchy; though not with socialism, which, to young men who nourished artistic emotions under the dome of the Pantheon, seemed hopelessly bourgeois, and lowest middle-class.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Men

“What are the rewards of the tiny, ingrown, biological family opposing its closed circle of affection to a forbidding world of the strong ties between parent and children, ties which an active personal relation from birth until death?… Perhaps these are too heavy prices to pay for a specialization of emotions which might be bought about the other ways, notable through coeducation. And with such a question in our minds its interesting to note that a larger family community, in which there are several adult men and women, seems to ensure the child against the development of the crippling attitudes which have been labelled Oedipus complexes, the Electra complexes, and so on.”

Margaret Mead (1901–1978) American anthropologist

Source: 1920s, Coming of Age in Samoa (1928), p. 147; Partly cited in: E. Michael Jones (1993) Degenerate Moderns: Modernity As Rationalized Sexual Misbehavior. p. 24-25

Death, Women, Men, Children

“Magister Adler was deeply moved by something higher, but now when he wants to express his thoughts in words, wants to communicate, he confuses the subjective with the objective, his altered subjective state with an external event, the dawning of a light upon him with the coming into existence of something new outside him, the falling of the veil from his eyes with his having had a revelation. Subjectively his emotion is carried to the extreme; he wants to select the most powerful expression to describe it and by means of a mental deception grasps the objective qualification: having had a revelation.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

The Book of Adler, by Søren Kierkegaard, Hong 1998 p. 117
1840s, The Book on Adler (1846-1847)

Communication, Light

“A person who is transformed by the instructions of a teacher, devotes himself to study, and abides by ritual and rightness may become a noble person, while one who follows his nature and emotions, is content to give free play to his passions, and abandons ritual and rightness is a lesser person.”

Xun Zi (-313–-238 BC) Ancient Chinese philosopher

Sources of Chinese Tradition (1999), vol. 1, p. 180
Human nature is evil

Nature, Study, Teachers, Passion

“I could see clearly that this problem could only be solved on the individual and personal level; political revolt is irrelevant. Both Camus and Sartre had been neatly hog-tied by their earlier radicalism. Camus came to see that rebellion is a political roundabout that revolves back to the same old tyranny; too ashamed to admit that he had outgrown his leftism, he found himself in an intellectual cul-de-sac. Sartre accused Camus of being a reactionary; but he paid for his own refusal to reexamine his political convictions by congealing into a grotesque attitude of permanent indignation, shaking his fist at some abstract Authority. Where politics is concerned, he seemed determined to be guided by his emotions.”

Colin Wilson (1931–2013) author

Source: Access to Inner Worlds (1990), p. 101

Problem, Personality

“Pity is an emotion equally unpleasant to the bestower as to the recipient.”

Bolesław Prus book The Doll

The Doll

“A skyscraper is at the same time a triumph of the machine and a tremendous emotional experience, almost breath-taking. Not merely its height but its mass and proportions are the result of an emotion, as well as of calculation.”

George Gershwin (1898–1937) American composer and pianist

Page 387
The Composer in the Machine Age (1933)

Time

“Budgeting is a math exercise, number crunching. Planning is a logical, linear process. Strategizing requires a great deal of information about customers and competitors, along with conceptual skills. Visioning uses a very different part of the brain than budgeting. As the name implies, it involves trying to see possible futures. It inevitably has both a creative and emotional component (e. g., “How do we feel about the options?”). When you use “orthodox planning” to create a vision, frustration and failure are inevitable.”

John P. Kotter (1947) author of The heart of Change

Step 3, p. 68
The Heart of Change, (2002)

Feeling, Exercises, Failure, Future

“A woman is 25% mind, 75% emotion.”

Layal Abboud (1982) Lebanese pop singer

June 23, 2016; Interview by Radio Strike https://www.elfann.com/news/show/1154314/ليال-عبود-زوجي-خانني-وخفت-عنوان-أكبر-هيدا-الصدر <br class="br">2016

“I am simply painting concrete representation of abstract emotions such as innocent love, ordinary happiness. I do want an emotional response. And I paint about emotions, not about lines. The truth is that it's not the lines that express the emotion. It's the scale of the composition. You know, if you go into a room that has perfect scale, you feel it... If the painting has perfect scale, it moves you. And you have different scale to show different emotions. It's the space between the lines that counts.”

Agnes Martin (1912–2004) American artist

after 2000, Agnes Martin: Between the Lines', 2002

Love, Happiness, Truth, Feeling

“Thought from which no emotion springs is sterile. The knowledge that has no bearing on the conduct of life is vain.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 243

Life, Spring, Knowledge

“Poetry is not a branch of analytical philosophy. It is a primal, holistic kind of human communication. A poet needs innocence as much as knowledge, emotion as much as intelligence, vulnerability as much as rigor. A poet can become too smart for his or her own good and forget the childlike pleasures of sound and story, sense, and sensuality that poetry should provide. The challenge for a writer is to master the medium of poetry without losing that inner innocence.”

Dana Gioia (1950) American writer

"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
Interviews

Pleasure, Intelligence, Communication, Knowledge

“Our choices from diet to outlook to emotional state directly alter our neural and gene activity at every moment.”

Rudolph E. Tanzi (1958) neurologist

Twitter quote - Dr. Rudy Tanzi (@RudyTanzi), https://twitter.com/RudyTanzi/status/601019940255232001

“Sentimentality, like pornography, is fragmented emotion; a natural consequence of a high visual gradient in any culture.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1960s, Through the Vanishing Point (1968)

Nature

“Before 1940 there was relatively little abstract art in America. Most of it was relatively geometric versions of Cubism, or of Mondrian and De Stijl, or of Arp reliefs, and the like. So that when our painting [of the artists of the New York School: Abstract Expressionism first appeared, the critics at once realized that to describe it as 'abstract' would be misleading... In America, the word (I suppose taken from Germany) for something highly emotional is 'expressionist', and some critic, either in the New Yorker or the New York Times then called it Abstract Expressionism, meaning that this was a very emotional art, but an abstract one.”

Robert Motherwell (1915–1991) American artist

first published in 'Metro', 1962; as cited in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 80
1960s, Interview with David Sylvester', (1960)

School, Art, Appearance, Time

“I trust you will bear in mind the deeply-held fears and insecurities Fijian have as an ethnic community. This is a subject I dwell on repeatedly because, while I do not share them, I am sufficiently Fijian to appreciate the depths of these emotions.”

Joni Madraiwiwi (1957–2016) Fijian politician

Speech to the Lautoka Rotary Club (Centenary Dinner), 12 March 2005 http://www.fiji.gov.fj/publish/printer_4326.shtml.

Fear, Communication

“Let us summarize these three points more concisely:
(a) The rejection of art as a mere emotional, individualistic, and romantic affair.
(b) 'Objective' work, undertaken with the silent hope that the end product will nevertheless eventually be regarded as a work of art.
(c) Consciously goal-directed work in architecture, which will have a concise artistic effect on the basis of well-preparated objective-scientific criteria.
Such an architecture will actively raise the general standard of living. This represents the dialectic of our development process, which purports to arrive at the affirmative by negation — a process similar to melting down old iron and forging it into new steel.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

Quotes from: 'Ideological Superstructure'
1926 - 1941, Rußland: Die Rekonstruktion der Architektur in der Sowjetunion' (1929)

Hope, Art

“When the wind carries a cry which is meaningful to human ears, it is simpler to believe the wind shares with us some part of the emotion of Being than that the mysteries of a hurricane's rising murmur reduce to no more than the random collision of insensate molecules.”

Norman Mailer book Advertisements for Myself

"Advertisement for Myself on the Way Out"
Advertisements for Myself (1959)

Parting, Cry

“The shadow of the church falls o'er the ground,
Hallowing its place of rest; and here the dead
Slumber, where all religious impulses,
And sad and holy feelings, angel like,
Make the spot sacred with themselves, and wake
Those sorrowful emotions in the heart
Which purify it, like a temple meet
For an unearthly presence. Life, vain Life,
The bitter and the worthless, wherefore here
Do thy remembrances intrude?”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Vow of the Peacock (1835)

Life, Sadness, Angels, Feeling

“Prose will be used for the more objective branches of writing- novels, plays, essays.. Cadence will be used for personal, emotional, lyrical utterances in which the phrasing goes with a stronger beat and the words live together with an intense flame.”

F. S. Flint (1885–1960) English Imagist poet

Otherworld Cadences (1920)

Personality

“I had a concussion nine years ago, and that changed things. I had always been sensitive musically, but now, since the concussion, I ﬁnd the emotion is there immediately. There is no build. I hear several chord changes — it could be three or four chord changes from a string orchestra — and, man, I’m just gushing tears. I don’t take it as a weakness. Sometimes it might get slightly embarrassing to observers. On the other hand, I’m not putting it on. I’m in no way trying to exaggerate feeling. My feelings are exactly the opposite. Sometimes I wish I wouldn’t be quite as sensitive because then I wouldn’t have to go through this thing when I write.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Meet Clare Fischer" http://cdassassin.wordpress.com/2010/10/28/1999-interview-at-allaboutjazz-com/

Music, Way, Feeling, Tear

“The range of emotions parents can arouse in their children – affection, rebellion, indifference, fear, adulation, their disturbing combinations – suggest a repertory of subjective universals, cutting in each individual case at random across cultures. What children know – as opposed to feel – about their parents, on the other hand, is likely to be a function of objective constraints that vary more systematically: tradition, place, life-span.”

Perry Anderson (1938) British historian

Debts 2. "An Anglo-Irishman In China: J.C. O’G. Anderson" (1998;2005)
Ref: en.wikiquote.org - Perry Anderson / Quotes / Spectrum: From Right to Left in the World of Ideas (2005), Debts 2. "An Anglo-Irishman In China, J.C. O’G. Anderson" (1998;2005)
Spectrum: From Right to Left in the World of Ideas (2005)

Life, Children, Fear, Feeling

“Religion claims to help us understand things about the universe, but, unlike science has no way to test or verify its claims. Both science and religion compete to understand reality, but only science has the method to verify its findings, while religion merely buttresses emotional and epistemic commitments made in advance, commitments impervious to evidence.”

Jerry Coyne (1949) American biologist

" Jeffrey Tayler continues making Salon friendlier to anti-theism https://whyevolutionistrue.wordpress.com/2015/04/13/jeffrey-tayler-continues-making-salon-friendlier-to-anti-theism/" April 13, 2015

Religion, Way, Understanding, Reality

“Human nature is evil; its goodness derives from conscious activity. Now it is human nature to be born with a fondness for profit. Indulging this leads to contention and strife, and the sense of modesty and yielding with which one was born disappears. One is born with feelings of envy and hate, and, by indulging these, one is led into banditry and theft, so that the sense of loyalty and good faith with which he was born disappears. One is born with the desires of the ears and eyes and with a fondness for beautiful sights and sounds, and, by indulging these, one is led to licentiousness and chaos, so that the sense of ritual, rightness, refinement, and principle with which one was born is lost. Hence, following human nature and indulging human emotions will inevitably lead to contention and strife, causing one to rebel against one’s proper duty, reduce principle to chaos, and revert to violence. Therefore one must be transformed by the example of a teacher and guided by the way of ritual and rightness before one will attain modesty and yielding, accord with refinement and ritual, and return to order.”

Xun Zi (-313–-238 BC) Ancient Chinese philosopher

Sources of Chinese Tradition (1999), vol. 1, pp. 179-180
Human nature is evil

Hate, Faith, Beauty, Way

“The Founders wrote in the Declaration of Independence that some truths are self-evident, and one of these is the fact that all men are created equal. Yet everyone knows that no two human beings are exactly alike in any respect. They are different when they are born. They plainly exhibit different natural skills. They acquire different tastes. They develop along different lines. They vary in physical strength, mental capacity, emotional stability, inherited social status, in their opportunities for self-fulfillment, and in scores of other ways. Then how can they be equal? The answer is, they can't, except in three ways. They can only be treated as equals in the sight of God, in the sight of the law, and in the protection of their rights. In these three ways all men are created equal. It is the task of society, as it is with God, to accept people in all their vast array of individual differences, but treat them as equals when it comes to their role as human beings. As members of society, all persons should have their equality guaranteed in two areas.”

W. Cleon Skousen (1913–2006) ex FBI agent, conservative United States author and faith-based political theorist

The 5,000 Year Leap (1981)

Men, God, People, Truth

“The harmony of the lines and folds of modern dress works upon our sensitiveness with the same emotional and symbolical power as did the nude upon the sensitiveness of the old masters.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 154.
1914 - 1916

“I could issue manifestos summoning seraphim to revolt against the Haavenly State we're in, or trumpets to summon American mankind to rebellion against the Authority which has frozen all skulls in the cold war, That is, I could, make sense, invoke politics and try organize a union of opinion about what to do to Cuba, China, Russia, Bolivia, New Jersey, etc. However since in America the folks are convinced their heaven is all right, those manifestos make no dent except in giving authority & courage to the small band of hipsters who are disaffected like gentle socialists. Meanwhile the masses the proletariat the people are smug and the source of the great Wrong. So the means then is to communicate to the grand majority- and say I or anybody did write a balanced documented account not only of the lives of America but the basic theoretical split from the human body as Reich has done- But the people are so entrenched in their present livelihood that all the facts in the world-such as that China will be 1/4 of world pop makes no impression at all as a national political fact that intelligent people can take counsel on and deal with humorously & with magnificence. So that my task as a politician is to dynamite the emotional rockbed of inertia and spiritual deadness that hangs over the cities and makes everybody unconsciously afraid of the cops- To enter the Soul on a personal level and shake the emotion with the Image of some giant reality-of any kind however irrelevant to transient political issue- to touch & wake the soul again- That soul which is asleep or hidden in armor or unable to manifest itself as free life of God on earth- To remind by chord of deep groan of the Unknown to most Soul- then further politics will take place when people seize power over their universe and end the long dependence on an external authority or rhetorical set sociable emotions-so fixed they don't admit basic personal life changes-like not being afraid of jails and penury, while wandering thru gardens in high civilization.”

Allen Ginsberg (1926–1997) American poet

Gordon Ball (1977), Journals: Early Fifties Early Sixties, Grove Press NY
Journals: Early Fifties Early Sixties

Life, God, War, People

“The only thing that it has helped with when I do acting is that dance brings about a discipline. But the skills are totally different. You use your body to express to convey what you would like to communicate. Acting it is conveying a story through dialogue, the emotions are what is needed to come through.”

Femi Taylor British writer

TW talks to the beautiful and super talented Femi Taylor, Oola from Return of the Jedi http://www.thetimewarriors.co.uk/blog/?p=21797 (October 28, 2013)

Communication, Help, Dance

“Becoming aware of the intense suffering of billions of animals, and of our own participation in that suffering, can bring up painful emotions: sorrow and grief for the animals; anger at the injustice and deception of the system; despair at the enormity of the problem; fear that trusted authorities and institutions are, in fact, untrustworthy; and guilt for having contributed to the problem. Bearing witness means choosing to suffer. Indeed, empathy is literally “feeling with.” Choosing to suffer is particularly difficult in a culture that is addicted to comfort—a culture that teaches that pain should be avoided whenever possible and that ignorance is bliss. We can reduce our resistance to witnessing by valuing authenticity over personal pleasure, and integration over ignorance.”

Melanie Joy book Why We Love Dogs, Eat Pigs, and Wear Cows

Source: Why We Love Dogs, Eat Pigs, and Wear Cows (2010), pp. 142-143

Pain, Pleasure, Fear, Feeling

“Language is a purely human and non-instinctive method of communicating ideas, emotions and desires by means of a system of voluntarily produced symbols.”

Edward Sapir (1884–1939) American linguist and anthropologist

As cited in: Geza Revesz, The Origins and Prehistory of Language, London 1956. footnote pp. 126-127; As cited in: Adam Schaff (1962). Introduction to semantics, p. 313-314
Language (1921)

Communication, Idea

“Of all things to be learned, in school or out, languaging, as I prefer to call the process, is least like a mechanical skill. It is, in fact, the most intimate, integrated, emotion-laden learning we do. At no point can we separate what we know and what we are from how our linguistic powers develop…”

Neil Postman (1931–2003) American writer and academic

Language Education in a Knowledge Context (1980)

School, Learning

Quotes about emotion page 17

Quotes about emotion
page 17