“In the street the rain was little more than a fine mist which softened the outlines of the houses and even lent a touch of poetry to a neighbourhood unlikely to evoke tender emotions. He raised his eyes to a roofline bristling with television aerials, lowered them again to windows still blank before the evening lights were lit.”

Making Things Better (2002)

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Anita Brookner9

British novelist and art historian. 1928–2016

Patricia Reilly Giff (1935) American children's writer

Source: Water Street (2006), Chapters 11-20, p. 72

“Even though he was here, she couldn't quite process it. She squeered her eyes shut before opening them again.
Yep, still there. Amazing.”

Nicholas Sparks book The Last Song

Source: The Last Song

“He walked down the side street to a wide thoroughfare of shop-windows and offices. This, he assumed, was one of the main arteries of London, a city he did not know very well. There were sodium street-lights, lights in windows. Occasional cars sped by. There was even an airline bus crammed with yawning passengers. Edwin saw himself reflected in a window full of tape-recorders.”

Anthony Burgess (1917–1993) English writer

Fiction, The Doctor is Sick (1960)

“Power dements even more than it corrupts, lowering the guard of foresight and raising the haste of action.”

Will Durant book The Story of Civilization

As quoted in Midnight by Dean Koontz
The Story of Civilization (1935–1975), XI - The Age of Napoleon (1975)

“Even Gandhi, with all his charisma, did not "melt the hearts" of his oppressors, as he had hoped. After softening, hearts harden again.”

Theodore Zeldin (1933) English academic

An Intimate History of Humanity (1994)
Context: Even Gandhi, with all his charisma, did not "melt the hearts" of his oppressors, as he had hoped. After softening, hearts harden again. Asoka too was wrong to think that he was changing the course of history, and that his righteousness would last "as long as the sun and the moon."

“No human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice.”

Shirley Jackson book The Haunting of Hill House

Source: The Haunting of Hill House (1959), Ch. 2

“As with the tender juvenile, who sets light to his frock, so with the sweet senior, who sets his fortunes on fire. Even in his maturer time, in his state of cinderhood, he still craves to be further consumed.”

Samuel Laman Blanchard (1804–1845) British author and journalist

"That a Burnt Child often Dreads the Fire".
Sketches from Life (1846)