Quotes about draw (1700 quotes, page 10)

“Freedom is a tenable objective only for responsible individuals. We do not believe in freedom for madmen or children. The necessity of drawing a line between responsible individuals and others is inescapable, yet it means that there is an essential ambiguity in our ultimate objective of freedom. Paternalism is inescapable for those whom we designate as not responsible.”

Milton Friedman (1912–2006) American economist, statistician, and writer

Source: (1962), Ch. 2 The Role of Government in a Free Society, p. 33

Children , Freedom , Drawing

“Soon after completing the 'La Combe' series [circa 1950] I had a dream in which I was assisted by many children on a scaffold, painting a huge mural made up of square panels fitted together. Each panel was being painted by a child very quickly in long black strokes with huge brushes. The work was done in seconds. Upon waking I immediately made a reminder sketch of the mural. Later I made a drawing of many ink strokes, which I cut up into twenty squares and placed at random in a four-by-five grid..”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

as quoted in "Ellsworth Kelly", John Coplands; Harry N. Abrams, New York, 1971
1969 - 1980

Children , Dreams , Drawing , Painting

“Where do you draw the line between a humble man who knows his own weaknesses but tries to act out virtues he hasn’t quite mastered yet, and a proud man who pretends to have those virtues without the slightest intention of acquiring them?”

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, Alvin Journeyman (1995), Chapter 2.

Drawing

“To draw and paint is an elementary thing, it has to be done. But it can be a mental process, intellectual process, thought process. *It is a question of temperament of each artist, there are abstract painters, figurative painters, painters who work in silence or who don’t want to work at all, but they continue with ideas in their mind and in their soul. It’s very fascinating; it’s a vast area without rules or regulations.”

S. H. Raza (1922–2016) Indian artist

Culture:S.H. Raza Comes in Full Circle

Soul , Idea , Question , Silence

“Let me end with… man's ageless fantasy, to fly to the moon…. Plutarch and Lucian, Ariosto and Ben Jonson wrote about it, before the days of Jules Verne and H. G. Wells and science fiction. The seventeenth century was heady with… fables about voyages to the moon. Kepler wrote one full of deep scientific ideas… wrote… The Discovery of a New World. They did not draw a line between science and fancy… they all tried to guess where… earth's gravity would stop. Only Kepler understood that gravity has no boundary, and put a law to it—… the wrong law.
All this was a few years before Isaac Newton was born, and it was all in his head that day in 1666, when he… came to conceive… that the moon is like a ball… thrown so hard that it falls exactly as fast as the horizon… he went on to calculate how long… the distant moon would take to round the earth… [T]he imagination that day chimed with nature, and made a harmony.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

"The Reach of Imagination" (1967)

World , Law , Imagination , Idea

“Sir, he [Bolingbroke] was a scoundrel and a coward: a scoundrel for charging a blunderbuss against religion and morality; a coward, because he had not resolution to fire it off himself, but left half a crown to a beggarly Scotchman to draw the trigger at his death.”

Samuel Johnson (1709–1784) English writer

1754
Bartlett's Familiar Quotations, 10th ed. (1919), Life of Johnson (Boswell)

Death , Religion , Drawing

“.. drawing, always all my learning had to do with drawing. And I never really thought about color at all. When I first started thinking about color it was sort of out of perversity. In other words, say around 1950 and '51, it occurred to me that something ugly or muddy could be a color as well as something clear and bright and a nameable, beautiful, known color.”

Helen Frankenthaler (1928–2011) American artist

quote about her years 1950-51 - reacting on the general view that her painting art was mainly focused on color and not on drawing / line
1960s, Interview with Barbara Rose', Archives - American Art, 1968

Beauty , Color , Thinking , Learning

““Tell me! What do you think of life? What do you think of ambition? What do you think of science, of learning, of love, of fame, of glory, of aspiration?”
“I think… that those are all very different things.”
“You are wrong. They are all one thing—a cunt.”
“Sir?”
“A cunt! Consider: The cunt is a nasty, ugly, filthy thing. Yet we desire it so greatly as to be willing to suffer any indignity to attain it. For the sake of it we labor and preen and whisper sugary words. We go to the theatre with flowers in our arms, climb over back walls by moonlight, write sonnets, jump out of windows with our trousers in our hands, give dangerous men their choice of weapons. We build love-nests for it sake, and cities, and civilizations. It is our all, our only, our ideal. It has created us and made us great. Such is life, such is ambition, such is science, learning, love, fame, glory, and aspiration. The Eternal Cunt,” he said significantly, “draws us onward.””

Michael Swanwick book Jack Faust

Source: Jack Faust (1997), Chapter 16, “The Wild Hunt” (p. 276)

Love , Life , Men , Flowers

“Unfortunately… the philosophy of Aristotle laid it down as a principle, that the celestial motions were regulated by laws proper to themselves, and bearing no affinity to those which prevail on earth. By thus drawing a broad and impassable line of separation between celestial and terrestrial mechanics, it placed the former altogether out of the pale of experimental research, while it at the same time impeded the progress of the latter by the assumption of principles respecting natural and unnatural motions, hastily adopted from the most superficial and cursory and remark, undeserving even the name of observation. Astronomy therefore continued for ages a science of mere record, in which theory had no part, except in so far as it attempted to conciliate the inequalities of the celestial motions with that assumed law of uniform circular revolution which was alone considered consistent with the perfection of the heavenly mechanism.”

John Herschel (1792–1871) English mathematician, astronomer, chemist and photographer

Source: A Preliminary Discourse on the Study of Natural Philosophy (1831), Ch.3 Of Cosmical Phenomena

Age , Law , Nature , Science

“Once again the tide of Carmelite spitrituality is drawing me, like a current, and, yet again, I sense its dangerous challenge to my own appointed way. Utter nakedness, utter rejection, utter renunciation - how tempting is this stream of spirituality, with the tremendous nimbus of its glorious and venerable past!”

Ida Friederike Görres (1901–1971) Austrian writer and noble

Broken Lights p. 25 Diaries 1951.

Way , Sense , Past , Drawing

“And suns grow meek, and the meek suns grow brief,
And the year smiles as it draws near its death.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

October. A Sonnet http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page115 (1866)

New Year , Death , Smile , Sun

“I don't know if you have ever seen a tiger of the jungle drawing a deep breath preparatory to doing a swan dive and landing with both the feet on the backbone of one of the minor fauna. Probably not, nor, as a matter of fact, have I.”

P.G. Wodehouse book Jeeves and the Feudal Spirit

Jeeves and the Feudal Spirit (1954)

Drawing

“At the age of five years to enter a spinning-cotton or other factory, and from that time forth to sit there daily, first ten, then twelve, and ultimately fourteen hours, performing the same mechanical labour, is to purchase dearly the satisfaction of drawing breath. But this is the fate of millions, and that of millions more is analogous to it.”

Arthur Schopenhauer book The World as Will and Representation

Vol II: "On the Vanity and Suffering of Life", as translated by R. B. Haldane, and J. Kemp in The World as Will and Idea (1886), p. 389
The World as Will and Representation (1819; 1844; 1859)

Fate , Age , Time , Drawing

“.. I served Beauty by drawing her enemies.”

Paul Klee (1879–1940) German Swiss painter

Quote of Paul Klee, from 'Diaries I', 1901; as quoted in 'Klee & Kandinsky', 2015 exhibition text, Lenbachhaus und Kunstbau Munich, 2015-2016 https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.html
on his caricatures and his satirical drawings Klee made then
1895 - 1902

Beauty , Drawing

“We shall also concern ourselves with the institutional order built up from transactions, but our focus will be less narrowly economic than the one adopted by Williamson. Like him, we shall argue that institutional structures aim partly at achieving transactional efficiencies and that where such efficiencies are effectively achieved they act somewhat like a magnetic field – a mathematician would call them ‘attractors’ – drawing the uncommitted transaction into a given institutional orbit. Yet in contrast to Williamson’s, our concept of transactions is underpinned by an explicit rather than an implicit theory of information production and exchange which yields a different way of classifying them as well as a distinctive approach to their governance. We find ourselves in consequence in the realm of political economy rather than of economics tout court.”

Max Boisot (1943–2011) British academic and educator

Source: Information Space, 1995, p. 235

Way , Drawing

“No man e'er felt the halter draw,
With good opinion of the law.”

John Trumbull (poet) (1750–1831) American poet

Canto iii, line 489.
McFingal (1775-1782)

Law , Drawing

“There is nobody who is not surprised of the small price of pins; but we shall be even more surprised, when we know how many different operations, most of them very delicate, are mandatory to make a good pin. We are going to go through these operations in a few words to stimulate the curiosity to know their detail; this enumeration will supply as many articles which will make the division of this work… The first operation is to have brass go through the drawing plate to calibrate it.”

Henri-Louis Duhamel du Monceau (1700–1782) French naval engineer, botanist and agronomist

Henri-Louis Duhamel du Monceau (1776) l’"Art de l’Épinglier" (The Art of the Pin-Maker). Introduction

Drawing

“I speak to you for the first time as Prime Minister, in a solemn hour of the life of our country, of our Empire, of our Allies, and, above all, of the cause of Freedom. … I am sure I speak for all when I say we are ready to face it; to endure it; and to retaliate against it—to any extent that the unwritten laws of war permit. There will be many men and women in this Island who when the ordeal comes upon them, as come it will, will feel comfort, and even a pride, that they are sharing the perils of our lads at the Front—soldiers, sailors and airmen, God bless them—and are drawing away from them a part at least of the onslaught they have to bear. Is not this the appointed time for all to make the utmost exertions in their power?”

Winston S. Churchill book The Second World War

Broadcast (19 May 1940), quoted in Martin Gilbert, Finest Hour: Winston S. Churchill, 1939–1941 (London: Heinemann, 1983), p. 363
The Second World War (1939–1945)

Life , Women , Men , God

“What is going on here is a deliberate revision by Current not only of Lincoln but of himself in order to serve the saint in the 1980s as opposed to the saint at earlier times when black were still colored, having only just stopped being Negroes. In colored and Negro days the saint might have wanted them out of the country, as he did. But in the age of Martin Luther King even the most covertly racist of school boards must agree that a saint like Abraham Lincoln could never have wanted a single black person to leave freedom’s land much less bravery’s home. So all the hagiographers are redoing their plaster images and anyone who draws attention to the discrepancy between their own past crudities and their current falsities is a very bad person indeed, and not a scholar, and probably a communist as well.”

Gore Vidal (1925–2012) American writer

"Lincoln and the Priests of Academe"
1990s, United States - Essays 1952-1992 (1992)

Age , School , Color , Home

“But now in this Valley of Humiliation poor Christian was hard put to it, for he had gone but a little way before he espied a foul Fiend coming over the field to meet him; his name is Apollyon. Then did Christian begin to be afraid, and to cast in his mind whether to go back, or to stand his ground. But he considered again, that he had no Armor for his back, and therefore thought that to turn the back to him might give him greater advantage with ease to pierce him with his Darts; therefore he resolved to venture, and stand his ground. For thought he, had I no more in mine eye than the saving of my life, 'twould be the best way to stand.
So he went on, and Apollyon met him. Now the Monster was hideous to behold, he was cloathed with scales like a Fish (and they are his pride) he had Wings like a Dragon, feet like a Bear, and out of his belly came Fire and Smoke, and his mouth was as the mouth of a Lion. When he was come up to Christian, he beheld him with a disdainful countenance, and thus began to question with him.
Apollyon: Whence come you, and whither are you bound?
Christian: I am come from the City of Destruction, which is the place of all evil, and am going to the City of Zion.
Apollyon: By this I perceive thou art one of my Subjects, for all that Country is mine; and I am the Prince and God of it. How is it then that thou hast run away from thy King? Were it not that I hope thou mayest do me more service, I would strike thee now at one blow to the ground.
Christian: I was born indeed in your Dominions, but your service was hard, and your wages such as a man could not live on, for the wages of Sin is death; therefore when I was come to years, I did as other considerate persons do, look out if perhaps I might mend my self.
Apollyon: There is no Prince that will thus lightly lose his Subjects, neither will I as yet lose thee. But since thou complainest of thy service and wages be content to go back; what our Country will afford, I do here promise to give thee.
Christian: But I have let myself to another, even to the King of Princes, and how can I with fairness go back with thee?
Apollyon: Thou hast done in this, according to the Proverb, Changed a bad for a worse: but it is ordinary for those that have professed themselves his Servants, after a while to give him the slip, and return again to me: do thou so to, and all shall be well.
Christian: I have given him my faith, and sworn my Allegiance to him; how then can I go back from this, and not be hanged as a Traitor?
Apollyon: Thou didst the same to me, and yet I am willing to pass by all, if now thou wilt yet turn again, and go back.
Christian: What I promised thee was in my nonage; and besides, I count that the Prince under whose Banner now I stand, is able to absolve me; yea, and to pardon also what I did as to my compliance with thee: and besides, (O thou destroying Apollyon) to speak truth, I like his Service, his Wages, his Servants, his Government, his Company, and Country better than thine: and, therefore, leave off to perswade me further, I am his Servant, and I will follow him.
Apollyon: Consider again when thou art in cool blood, what thou art like to meet with in the way that thou goest. Thou knowest that for the most part, his Servants come to an ill end, because they are transgressors against me, and my ways. How many of them have been put to shameful deaths! and besides, thou countest his service better than mine, whereas he never came yet from the place where he is, to deliver any that served him out of our hands; but as for me, how many times, as all the World very well knows, have I delivered, either by power or fraud, those that have faithfully served me, from him and his, though taken by them, and so I will deliver thee.
Christian: His forbearing at present to deliver them, is on purpose to try their love, whether they will cleave to him to the end: and as for the ill end thou sayest they come to, that is most glorious in their account. For for present deliverance, they do not much expect it; for they stay for their Glory, and then they shall have it, when their Prince comes in his, and the Glory of the Angels.
Apollyon: Thou hast already been unfaithful in thy service to him, and how doest thou think to receive wages of him?
Christian: Wherein, O Apollyon, have I been unfaithful to him?
Apollyon: Thou didst faint at first setting out, when thou wast almost choked in the Gulf of Dispond; thou didst attempt wrong ways to be rid of thy burden, whereas thou shouldest have stayed till thy Prince had taken it off: thou didst sinfully sleep and lose thy choice thing: thou wast also almost perswaded to go back, at the sight of the Lions; and when thou talkest of thy Journey, and of what thou hast heard, and seen, thou art inwardly desirous of vain-glory in all that thou sayest or doest.
Christian:All this is true, and much more, which thou hast left out; but the Prince whom I serve and honour, is merciful, and ready to forgive: but besides, these infirmities possessed me in thy Country, for there I suckt them in, and I have groaned under them, been sorry for them, and have obtained pardon of my Prince.
Apollyon: Then Apollyon broke out into a grievous rage, saying, I am an enemy to this Prince: I hate his Person, his Laws, and People: I am come out on purpose to withstand thee.
Christian: Apollyon beware what you do, for I am in the King's Highway, the way of Holiness, therefore take heed to your self.
Apollyon: Then Apollyon straddled quite over the whole breadth of the way, and said, I am void of fear in this matter, prepare thy self to die, for I swear by my Infernal Den, that thou shalt go no further, here will I spill thy soul; and with that, he threw a flaming Dart at his breast, but Christian had a Shield in his hand, with which he caught it, and so prevented the danger of that. Then did Christian draw, for he saw 'twas time to bestir him; and Apollyon as fast made at him, throwing Darts as thick as Hail; by the which, notwithstanding all that Christian could do to avoid it, Apollyon wounded him in his head, his hand and foot; this made Christian give a little back: Apollyon therefore followed his work amain, and Christian again took courage, and resisted as manfully as he could. This sore combat lasted for above half a day, even till Christian was almost quite spent. For you must know that Christian by reason of his wounds, must needs grow weaker and weaker.
Then Apollyon espying his opportunity, began to gather up close to Christian, and wrestling with him, gave him a dreadful fall; and with that, Christian's Sword flew out of his hand. Then said Apollyon, I am sure of thee now, and with that, he had almost prest him to death, so that Christian began to despair of life. But as God would have it, while Apollyon was fetching of his last blow, thereby to make a full end of this good Man, Christian nimbly reached out his hand for his Sword, and caught it, saying, Rejoice not against me, O mine Enemy! when I fall, I shall arise; and with that, gave him a deadly thrust, which made him give back, as one that had received his mortal wound: Christian perceiving that, made at him again, saying, Nay, in all these things we are more than Conquerors, through him that loved us. And with that, Apollyon spread forth his Dragon's wings, and sped him away, that Christian saw him no more….”

John Bunyan The Pilgrim's Progress

Source: The Pilgrim's Progress (1678), Part I, Ch. IX : Apollyon

Love , Life , Death , God

“It does seem quite ironic to me that the very people who have made no attempt to think for themselves, are always the most vocal in demanding respect for their "ideas". But some Muslims go further than this and claim that they're being victimized in British society. But I don't really believe that's true. I do think a lot of people are getting fed up of hearing about Muslims all the time, and wish that Muslims would just shut up and get on with their lives, instead of constantly belly-aching about nothing, but that's not the same as being victimized. But because we live in a liberal democracy and therefore have certain double standards to maintain, any criticism of Islam or of Muslims always draws the immediate accusation of Islamophobia, a dishonest word which seeks to portray legitimate comment as some kind of hate crime.”

Pat Condell (1949) Stand-up comedian, writer, and Internet personality

"The trouble with Islam" (16 March 2007) http://www.youtube.com/watch?v=HhN6CG1zCRc
2007

Hate , People , Democracy , Idea

“A nebulous matter, diffused in such exuberance throughout the regions of space, must surely draw our attention to the purpose for which it probably may exist; and it must be the business of a critical inquirer to attend to all the appearances under which it will be exposed to his view…”

William Herschel (1738–1822) German-born British astronomer, technical expert, and composer

p, 125
Astronomical Observations relating to the Construction of the Heavens... (1811)

Business , Appearance , Drawing

“I do graphics commercially for a living, but when I get affected by things, when something happens in the world, I usually communicate online with my drawings.”

Jean Jullien (1983) french graphic designer, illustrator, video artist and photographer

Slate interview (2015)

World , Communication , Drawing

“I have tried to draw the human effigy (and all the other subjects dealt with in my paintings) in an immediate and effective way without any reference to the aesthetic.”

Jean Dubuffet book Prospectus et tous écrits suivants

Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 430

Way , Drawing , Painting

“Suso has even left a diagrammatic picture of the relations subsisting between Godhead, triune God and creatures. In this very curious and interesting drawing a chain of manifestation connects the mysterious symbol of the Divine Ground with the three Persons of the Trinity, and the Trinity in turn is connected in a descending scale with angels and human beings. These last, as the drawing vividly shows, may make one of two choices. They can either live the life of the outer man, the life of the separative selfhood; in which case they are lost (for, in the words of the Theologia Germanica, “nothing burns in hell but the self”). Or else they can identify themselves with the inner man, in which case it becomes possible for them, as Suso shows, to ascend again, through unitive knowledge, to the Trinity and even, beyond the Trinity, to the ultimate Unity of the Divine Ground.”

Aldous Huxley (1894–1963) English writer

Introduction to the Bhagavad-Gita (1944)

Life , God , Angels , Hell

“"Llorio, you are a woman of surpassing beauty, though you would seem to lack that provocative warmth which draws man to woman, and adds dimension to the character."
The Murthe responded curtly: "The quality you describe is a kind of lewd obsequiousness which, happily, has now become obsolete. As for the 'surpassing beauty,' it is an apotheotic quality generated by the surging music of the female soul, which you, in your crassness, perceive only as a set of pleasing contours."”

Jack Vance Dying Earth

"The Murthe", chapter 3
Dying Earth (1950-1984), Rhialto the Marvellous (1984)

Beauty , Music , Soul , Drawing

“After viewing a few paintings and a drawing that I had brought in the day before yesterday, Mr. v. d. Kellen [Dutch art-dealer] assured me that there was absolutely no chance of placing anything of mine here, unless it was bought under pressure of a pleasant future, and I think he is right because he showed me various paintings, and specifically those that were closest to my understanding of art were the most difficult to place... I was astounded and furious about such far-reaching stupidity and the pedantry of the man [another art dealer, Herman Deichmann]. All the paintings present were beneath criticism, they were just the usual German Academic-stuff.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

The Hague, 1882
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) De heer v.d. Kellen heeft mij na het zien van eenige schilderijtjes en een tekening, die ik eergisteren mee gebracht had, de verzekering gegeven dat er niet de minste kans bestaat hier iets van mij te plaatsen, tenzij dat het gekocht wordt door pressie een prettig vooruitzicht en ik geloof dat hij gelijk heeft want hij liet mij verschillende schilderijen zien en juist degenen die naar mijn begrippen de kunst 't meest nabij kwamen waren 't moeilijkst te plaatsen.. .Ben verbaasd en woedend geweest over de verregaande stupiditeit en pedanterie van dien heer (kunsthandelaar, Herman Deichmann). Alle schilderijen daar aanwezig waren beneden kritiek, waren enfin 't gewone duitsche Academietuig. (Den Haag, 1882)
Quote from Breitner's letter to A.P. van Stolk, undated c. Sept. 1882, (location: The RKD in The Hague); as quoted by Helewise Berger in Van Gogh and Breitner in The Hague, her master-essay in Dutch - Modern Art Faculty of Philosophy University, Utrecht, Febr. 2008]], (translation from the original Dutch, Anne Porcelijn) p. 69.
Following the advice of his maecenas Mr.van Stolk, Breitner had shown his work to two Dutch art-dealers; In this quote he later gives his report and his opinion.
before 1890

Stupidity , Art , Understanding , Thinking

“Given Steve Jobs, for instance, is critical to Apple's success is there anything short of eating live babies on national TV that he should be fired for? Where would you draw that line or should he be held to the same rules and laws that the rest of us are held to?”

Rob Enderle (1954) American financial analyst

Mark Hurd falls, could Larry Ellison and Steve Jobs be next? http://tgdaily.com/opinion/51025-mark-hurd-falls-could-larry-ellison-and-steve-jobs-be-next in TG Daily (10 August 2010)

Law , Success , Baby , Drawing

“In consequence of this arrangement I began to construct the forty-foot telescope about the latter end of 1785. The woodwork of the stand and machines for giving the required motions to the instrument were immediately put in hand. In the whole of the apparatus none but common workmen were employed, for I made drawings of every part of it, by which it was easy to execute the work, as I constantly inspected and directed every person's labor; though sometimes there were not less than forty different workmen employed at the same time. While the stand of the telescope was preparing, I also began the construction of the great mirror, of which I inspected the casting, grinding, and polishing, and the work was in this manner carried on with no other interruption than that occasioned by the removal of all the apparatus and materials from where I then lived, to my present situation at Slough.”

William Herschel (1738–1822) German-born British astronomer, technical expert, and composer

Source: Sir William Herschel: His Life and Works (1880), Ch.4 "Life and Works"

Time , Parting , Drawing , Personality

“There can be no doubt that the existence of public tortures and executions were connected with something quite other than this internal organization. Rusche and Kirchheimer are right to see it as the effect of a system of production in which labour power, and therefore the human body, has neither the utility nor the commercial value that are conferred on them in an economy of an industrial type. Moreover, this ‘contempt’ for the body is certainly related to a general attitude to death; and, in such an attitude, one can detect not only the values proper to Christianity, but a demographical, in a sense biological, situation: the ravages of disease and hunger, the periodic massacres of the epidemics, the formidable child mortality rate, the precariousness of the bio-economic balances – all this made death familiar and gave rise to rituals intended to integrate it, to make it acceptable and to give a meaning to its permanent aggression. But in analysing why the public executions survived for so long, one must also refer to the historical conjuncture; it must not be forgotten that the ordinance of 1670 that regulated criminal justice almost up to the Revolution had even increased in certain respects the rigour of the old edicts; Pussort, who, among the commissioners entrusted with the task of drawing up the documents, represented the intentions of the king, was responsible for this, despite the views of such magistrates as Lamoignon; the number of uprisings at the very height of the classical age, the rumbling close at hand of civil war, the king’s desire to assert his power at the expense of the parlements go a long way to explain the survival of so severe a penal system.”

Michel Foucault book Discipline and Punish

Source: Discipline and Punish (1977), pp. 51

Death , Hunger , War , Age

“I tried to be natural, in other words the exact opposite of what drawing teachers call 'faithful to nature'. I made my first experiments with free form.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Looking, Arp, Jean; as quoted by Soby, James Thrall. Arp: The Museum of Modern Art. Doubleday, New York, 1958, Print. p. 12
1960s

Faith , Nature , Teachers , Drawing

“First contact with occult, magical and enchanting forces. One of his best friends, a very intelligent and affectionate pink cockatoo, died in the night of 5 January. It was a terrible shock for Max when he found the dead bird in the morning, at the same moment as his father told him of the birth of his sister, Loni. The boy's consternation was so great that he fainted. In his imagination, he linked the two events and made the baby responsible for extinguishing the bird's life. A series of psychological crises and depressions followed. A dangerous amalgamation of birds and human beings became firmly established in his mind and later found expression in his paintings and drawings.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote in 'Tissue of Truth, Tissue of Lies', Max Ernst; as cited in 'Room 7, Max Ernst', the exhibition text of FONDATION BEYELER 2 - MAX ERNST, 2013, texts: Raphaël Bouvier & Ioana Jimborean; ed. Valentina Locatelli; transl. Karen Williams
Max Ernst is referring to a childhood experience in 1906, when Max Ernst was c. 15 years old
posthumous

Life , Imagination , Intelligence , Boy

“The Wall Street banker thinks it shameful to raise a department clerk’s salary from $1500 to $1800 a year, but every man who draws a salary himself says: “That’s all right. I wish it was me.” And he feels very much like votin’ the Tammany ticket on election day, just out of sympathy.”

George Washington Plunkitt (1842–1924) New York State Senator

Plunkitt of Tammany Hall, Chapter 1, Honest Graft and Dishonest Graft

Feeling , Thinking , Drawing

“I have had no formal training in painting: I gave up Art A level because I was sick of drawing peppers.”

Derren Brown (1971) British illusionist

Books, Portraits (2009)

Art , Drawing , Painting , Training

“Beginning a book is unpleasant. I’m entirely uncertain about the character and the predicament, and a character in his predicament is what I have to begin with. Worse than not knowing your subject is not knowing how to treat it, because that’s finally everything. I type out beginnings and they’re awful, more of an unconscious parody of my previous book than the breakaway from it that I want. I need something driving down the center of a book, a magnet to draw everything to it—that’s what I look for during the first months of writing something new. I often have to write a hundred pages or more before there’s a paragraph that’s alive. Okay, I say to myself, that’s your beginning, start there; that’s the first paragraph of the book. I’ll go over the first six months of work and underline in red a paragraph, a sentence, sometimes no more than a phrase, that has some life in it, and then I’ll type all these out on one page. Usually it doesn’t come to more than one page, but if I’m lucky, that’s the start of page one. I look for the liveliness to set the tone. After the awful beginning come the months of freewheeling play, and after the play come the crises, turning against your material and hating the book.”

Philip Roth (1933–2018) American novelist

Paris Review Interview (1986)

Life , Hate , Books , Drawing

“By drawing our senses of perception inward, we are able to experience the control, silence, and quietness of the mind. This ability to still and gently silence the mind is essential, not only for meditation and the inward journey but also so that the intuitive intelligence can function usefully and in a worthwhile manner in the external world.”

B.K.S. Iyengar (1918–2014) Indian yoga teacher and scholar

Source: Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom, p. 12-13

World , Intelligence , Sense , Silence

“The legislative department is everywhere extending the sphere of its activity and drawing all power into its impetuous vortex.”

James Madison (1751–1836) 4th president of the United States (1809 to 1817)

Federalist No. 48 (1 February 1788) http://en.wikisource.org/wiki/The_Federalist_Papers/No._48
1780s, Federalist Papers (1787–1788)

Drawing

“People sometimes ask what prior legal experience has been most useful for me as a judge. And I say, “I certainly draw on all of them,” but I also say that my five-and-a-half years at the White House and especially my three years as staff secretary for President George W. Bush were the most interesting and informative for me.”

Brett Kavanaugh (1965) Associate Justice of the Supreme Court of the United States

One Government, Three Branches, Five Controversies: Separation of Powers Under Presidents Bush and Obama, Brett M., Kavanaugh, Marquette Lawyer, Fall 2016 https://law.marquette.edu/assets/marquette-lawyers/pdf/marquette-lawyer/2016-fall/2016-fall-p08.pdf,

People , Drawing , Housing

“At the present time administration is more an art than a science; in fact there are those who assert dogmatically that it can never be anything else. They draw no hope from the fact that metallurgy, for example, was completely an art several centuries before it became primarily a science and commenced its great forward strides after generations of intermittent advance and decline.”

Lyndall Urwick (1891–1983) British management consultant

Source: 1930s, "Science, Value and Public Administration", 1937, p. 189

Hope , Art , Science , Time

“About 1883 a kind of break occurred in my work. I had wrung Impressionism dry, and had come to the conclusion that I knew neither how to paint nor how to draw. In a word, I was at an impasse”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

Benicka (1980) commented:
The frescoes of Raphael and the Pompeian murals that he saw there definitely confirmed what Renoir had begun to feel about his own art; that it was becoming too amorphous in character and was weak in design.
undated quotes
Source: ‎'‎'Renoir‎'‎', by A. Vollard, Paris, 1920, p. 135; as quoted in: Corinne Benicka (1980) Great modern masters. p. 130;

Drawing , Painting

“That is why, perhaps, all of us derive Pissarro. He had the good luck to be born in the West Indies, where he learned how to draw without a teacher. He told me all about it. In 1865 he was already cutting out black, bitumen, raw sienna and the ocher's. That's a fact. Never paint with anything but the three primary colours and their derivatives, he used to say me. Yes, he was the first Impressionist.”

Paul Cézanne (1839–1906) French painter

Camille Pissarro was Cézanne's 'teacher' in impressionistic landscape painting; they frequently painted together in open air.
Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 164, in: 'What he told me – I. The motif'

Learning , Teachers , Drawing , Painting

“Three in the morning. I realize this second, then this one, then the next: I draw up the balance sheet for each minute. And why all this? Because I was born. It is a special type of sleeplessness that produces the indictment of birth.”

Emil M. Cioran book The Trouble With Being Born

The Trouble With Being Born (1973)

Birth , Drawing

“There is…a very obvious and almost facile connection between the war in Vietnam and the struggle I and others have been waging in America. A few years ago there was a shining moment in that struggle. It seemed that there was a real promise of hope for the poor, both black and white, through the Poverty Program. There were experiments, hopes, and new beginnings. Then came the build-up in Vietnam. And I watched the program broken as if it was some idle political plaything of a society gone mad on war. And I knew that America would never invest the necessary funds or energies in rehabilitation of its poor so long as adventures like Vietnam continued to draw men and skills and money, like some demonic, destructive suction tube. And you may not know it, my friends, but it is estimated that we spend $500,000 to kill each enemy soldier, while we spend only fifty-three dollars for each person classified as poor, and much of that fifty-three dollars goes for salaries to people that are not poor. So I was increasingly compelled to see the war as an enemy of the poor, and attack it as such.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, Why I Am Opposed to the War in Vietnam (1967)

Men , Money , War , People

“I see not a step before me as I tread on another year;
But I ’ve left the Past in God’s keeping,—the Future
His mercy shall clear;
And what looks dark in the distance may brighten as I draw near.”

Mary Gardiner Brainard (1837–1905) American poet

Not knowing, published in The Congregationalist, March 1869, and set to music as a hymn by Philip Paul Bliss in the 1870s. Thomas Corts, Glimpses of Christian History Presents More Stories: Blessed Bliss http://chi.gospelcom.net/lives_events/more/bliss.shtml, 2007.

God , Past , Future , Drawing

“Faith does not first ask what the bread is made of, but eats it. It does not analyze the components of the living stream, but with joy draws water from the " wells of salvation."”

John Ross Macduff (1818–1895) Scottish religious writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 230.

Faith , Water , Joy , Drawing

“The windy springs and the blazing summers, one after another, had enriched and mellowed that flat tableland; all the human effort that had gone into it was coming back in long, sweeping lines of fertility. The changes seemed beautiful and harmonious to me; it was like watching the growth of a great man or of a great idea. I recognized every tree and sandbank and rugged draw. I found that I remembered the conformation of the land as one remembers the modelling of human faces.”

Willa Cather book My Ántonia

Book IV, Ch. 3
My Antonia (1918)

Beauty , Spring , Idea , Effort

“When I came to the United States [in 1898], I filled my sketchbook with drawings, very much as any educated girl of my generation might have kept a diary... My American sketches were private notations of visual experiences which I wanted to fix on paper as a personal 'memento.”

Gabriele Münter (1877–1962) German painter

Source: Interview by Edouard Roditi (1958), p. 114

Education , Girl , Drawing , Personality

“On one level, then, Cadbury can be seen as a classic example of Victorian industrial paternalism, albeit carried to greater lengths than in most other companies of the day. On another level, however, the Cadbury system resulted in a very strong, highly flexible organisation which, thanks to the strong levels of employee commitment and participation, could draw on a large bank of experience and intelligence to solve problems and undertake what amounted to continuous improvement. The employee participation system in particular meant that Cadbury was constantly upgrading its processes and products. Herbert Casson regarded Cadbury in the 1920s as one of the best-run companies in Britain, if not the world, and summed up the key to its success very succinctly: ‘At Cadbury, everybody thinks.”

Morgen Witzel (1960) Canadian historian, business theorist

Source: Fifty key figures in management, 2004, p. 39; Quote on the Cadbury company at the time Edward Cadbury was managing director.

World , Intelligence , Problem , Thinking

“This year we must continue to improve the quality of American life. Let us fulfill and improve the great health and education programs of last year, extending special opportunities to those who risk their lives in our armed forces. I urge the House of Representatives to complete action on three programs already passed by the Senate—the Teacher Corps, rent assistance, and home rule for the District of Columbia. In some of our urban areas we must help rebuild entire sections and neighborhoods containing, in some cases, as many as 100,000 people. Working together, private enterprise and government must press forward with the task of providing homes and shops, parks and hospitals, and all the other necessary parts of a flourishing community where our people can come to live the good life. I will offer other proposals to stimulate and to reward planning for the growth of entire metropolitan areas. Of all the reckless devastations of our national heritage, none is really more shameful than the continued poisoning of our rivers and our air. We must undertake a cooperative effort to end pollution in several river basins, making additional funds available to help draw the plans and construct the plants that are necessary to make the waters of our entire river systems clean, and make them a source of pleasure and beauty for all of our people. To attack and to overcome growing crime and lawlessness, I think we must have a stepped-up program to help modernize and strengthen our local police forces. Our people have a right to feel secure in their homes and on their streets—and that right just must be secured. Nor can we fail to arrest the destruction of life and property on our highways.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, State of the Union Address (1966)

Life , People , Health , Pleasure

“Frank sincerity is a quality much extolled among men and pleasing to every one, while simulation, on the contrary, is detested and condemned. Yet for a man's self, simulation is of the two by far the more useful; sincerity tending rather to the interest of others. But since it cannot be denied that it is not a fine thing to deceive, I would commend him whose conduct is as a rule open and straightforward, and who uses simulation only in matters of the gravest importance and such as very seldom occur; for in this way he will gain a name for honesty and sincerity, and with it the advantages attaching to these qualities. At the same time, when, in any extreme emergency, he resorts to simulation, he will draw all the greater advantage from it, because from his reputation for plain dealing his artifice will blind men more.”

Francesco Guicciardini (1483–1540) Italian writer, historian and politician

Number 104.
Counsels and Reflections (1857)

Men , Way , Time , Drawing

“We take as given the idea of distinction and the idea of indication, and that we cannot make an indication without drawing a distinction. We take, therefore, the form of distinction for the form.”

G. Spencer-Brown (1923–2016) British mathematician

Source: Laws of Form, (1969), p. 1, cited in Niklas Luhmann, Risk: A Sociological Theory, Walter de Gruyter, 1993 p. 223.

Idea , Drawing

“It makes no sense to expect or claim to 'make the invisible visible', or the unknown known, or the unthinkable thinkable. We can draw conclusions about the invisible; we can postulate its existence with relative certainty. But all we can represent is an analogy, which stands for the invisible but is not it.”

Gerhard Richter (1932) German visual artist, born 1932

undated quotes, The Daily Practice of Painting, Writings (1962-1993)

Sense , Drawing

“That crystal river keeps its pools of blue water free from all stain above its shallow bed, and slowly draws along its fair stream of greenish hue. One would scarce believe it was moving; so softly along its shady banks, while the birds sing sweet in rivalry, it leads along in a shining flood its waters that tempt to sleep.”
Caeruleas Ticinus aquas et stagna uadoso perspicuus seruat turbari nescia fundo ac nitidum uiridi lente trahit amne liquorem. uix credas labi: ripis tam mitis opacis argutos inter uolucrum certamine cantus somniferam ducit lucenti gurgite lympham.

Silius Italicus Punica

Book IV, lines 82–87
Punica

Bird , Sleep , Water , Singing

“All art should have a certain mystery and should make demands on the spectator. Giving a sculpture or a drawing too explicit a title takes away part of that mystery so that the spectator moves on to the next object, making no effort to ponder the meaning of what he has just seen. Everyone thinks that he or she looks but they don't really, you know.”

Henry Moore (1898–1986) English artist

Elizabeth Day, "The Moore Legacy," http://www.guardian.co.uk/artanddesign/2008/jul/27/1 The Observer (2008-07-27),
Henry Moore is quoted here by Mary Moore, the artist's niece
1970 and later

Art , Thinking , Effort , Parting

“You put me in mind of a case I ran into in the American West. A respected citizen shot a professional gunthrower in the back. When asked why he didn’t give the other chap a chance to draw, the survivor said, ‘Well, he’s dead and I’m alive and that’s how I wanted it to be.’ Jamie, if you use sportsmanship on a known scamp, you put yourself at a terrible disadvantage.”

Robert A. Heinlein book Red Planet

Source: Red Planet (1949), Chapter 10, “We’re Boxed In!”, p. 148

Chance , Drawing , Dead

“Arakawa: The manga artist that I look up to the most is Suiho Tagawa, the author of Norakuro. He is the root of my style as an artist. I also love Rumiko Takahashi and Kinnikuman or Ultimate Muscle by Yudetamago. As far as composition and how to draw, I learned that when I was apprenticed to Hiroyuki Eto, the author of Mahoujin Guru Guru for Shonen GanGan.”

Hiromu Arakawa (1973) award winning Japanese manga artist

Interview with mobuta.com (2004)

Love , Learning , Drawing

“Reification, the essential tendency of capitalism, can never be wholly realized. If it were, if the system were actually able to change individuals into things moved only by economic “forces,” it would collapse not in the long run, but immediately. The struggle of people against reification is, just as much as the tendency towards reification, the condition for the functioning of capitalism. Capitalism can function only by continually drawing upon the genuinely human activity of those subject to it, while at the same time trying to level and dehumanize them as much as possible.”

Cornelius Castoriadis (1922–1997) Greek-French philosopher

Source: The Imaginary Institution of Society (1975), p. 16.

People , Change , Time , Drawing

“Empirical School; A second approach to management I refer to as the "empirical" school. In this, I include those scholars who identify management as a study of experience, sometimes with intent to draw generalizations but usually merely as a means of teaching experience and transferring it to the practitioner or student. Typical of this school are those who see management or "policy" as the study and analysis of cases and those with such approaches as Ernest Dale's "comparative approach."”

Harold Koontz (1909–1984)

Source: "The Management Theory Jungle," 1961, p. 177

School , Study , Drawing

“Of course I should be very happy to sell a drawing but I am happier still when a real artist like Weissenbruch says about an unsalable??? study or drawing: "That is true to nature, I could work from that myself."”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

quote in his letter to brother Theo, from The Hague, The Netherlands in Febr. 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 20 (letter 177)
1880s, 1882

Nature , Study , Drawing , Happiness

“Our difficulty comes, of course, in deciding where ethical coercion ends and unethical violence begins. The only person who is able to escape from this dilemma is the complete anarchist who repudiates every form of restraint and compassion—and such a man has no solution to offer for the imminently menacing problems of the hour. All other persons are obliged to draw the line somewhere, and orderly progress depends upon intellectual keenness and ethical sensitiveness with which the situation is confronted.”

Kirby Page (1890–1957) American clergyman

The Personality of Jesus (1932)

Problem , Drawing , Dependency , Personality

“…the Indian tradition of non-violence and purity of motive and means, the tradition of ethical and religious approach to all political questions and noted that these had found a perfect embodiment in Mahatma Gandhi…One could draw up a whole declaration of human rights in terms of ahimsa. If individuals and nations are animated by such a belief in a beneficent Supreme Power; in truth and in human brotherhood, we can look forward to a future free from anxiety and fear and full of hope and promise of happiness.”

Jayachamarajendra Wadiyar (1919–1974) Indian writer

In another of his speeches on Indian tradition quoted in "Jayachamaraja Wodeyar – A Princely scholar".

Truth , Fear , Hope , Motivation

“Let us draw upon Content for the deficiencies of fortune.”

Oliver Goldsmith book The Vicar of Wakefield

Source: The Vicar of Wakefield (1766), Ch. 3.

Drawing

“At lucky moments this emanation could overwhelm the spectator in such a way, that because of all sorts of associations in his thinking, he could finally be taken to those areas which also had moved me so deeply and made me think I should draw the attention of others to it.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

quote from 1988
1981 - 1990
Source: Tàpies, Werke auf Papier 1943 – 2003, Achim Sommer, Kunsthalle Emden, Altana 2004, p. 26

Way , Quotes , Thinking , Drawing

“Spherical space is not very easy to imagine. We have to think of the properties of the surface of a sphere—the two-dimensional case—and try to conceive something similar applied to three-dimensional space. Stationing ourselves at a point let us draw a series of spheres of successively greater radii. The surface of a sphere of radius r should be proportional to r2; but in spherical space the areas of the more distant spheres begin to fall below the proper proportion. There is not so much room out there as we expected to find. Ultimately we reach a sphere of biggest possible area, and beyond it the areas begin to decrease. The last sphere of all shrinks to a point—our antipodes. Is there nothing beyond this? Is there a kind of boundary there? There is nothing beyond and yet there is no boundary. On the earth's surface there is nothing beyond our own antipodes but there is no boundary there.”

Arthur Stanley Eddington (1882–1944) British astrophysicist

p, 125
Space, Time and Gravitation (1920)

Imagination , Thinking , Distant , Success

“For me, the Bild-Dichtung[image-poem] is the ideal form, because the drawing process is constantly being interrupted or contrasted by the writing. And since I always have something to say when I am writing, the effort has a balancing effect. Drawing and writing are wonderful complements.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 258 (2002)

Effort , Drawing

“I'd like you [Theo] to spend some time here, you'd feel it — after some time your vision changes, you see with a more Japanese eye, you feel colour differently. I'm also convinced that it's precisely through a long stay here that I'll bring out my personality. The Japanese [like a. o. Hokusai, admired by Vincent] draws quickly, very quickly, like a flash of lightning, because his nerves are finer, his feeling simpler. I've been here [Arles] only a few months but — tell me, in Paris would I have drawn in an hour the drawing of the boats?... Now this [sketch] was done without measuring, letting the pen go. So I tell myself that gradually the expenses will be balanced by work.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In a letter to brother Theo, from Arles, c. 5 June 1888, in 'Van Gogh's Letters', letter 620 http://vangoghletters.org/vg/letters/let620/letter.html, Van Goghmuseum
The Japanese artists with their colored woodblock-prints meant a great inspirations for several Paris' artists - they were extremely important for Vincent, these years
1880s, 1888

Feeling , Change , Time , Drawing

“Every time we witness an injustice and do not act, we train our character to be passive in its presence and thereby eventually lose all ability to defend ourselves and those we love. In a modern economy it is impossible to seal oneself off from injustice. If we have brains or courage, then we are blessed and called on not to frit these qualities away, standing agape at the ideas of others, winning pissing contests, improving the efficiencies of the neocorporate state, or immersing ourselves in obscuranta, but rather to prove the vigor of our talents against the strongest opponents of love we can find. If we can only live once, then let it be a daring adventure that draws on all our powers. Let it be with similar types whos hearts and heads we may be proud of. Let our grandchildren delight to find the start of our stories in their ears but the endings all around in their wandering eyes. The whole universe or the structure that perceives it is a worthy opponent, but try as I may I can not escape the sound of suffering. Perhaps as an old man I will take great comfort in pottering around in a lab and gently talking to students in the summer evening and will accept suffering with insouciance. But not now; men in their prime, if they have convictions are tasked to act on them.”

Julian Assange (1971) Australian editor, activist, publisher and journalist

[Witnessing, 2007-01-03, 2012-08-16, http://web.archive.org/web/20071020051936/http://iq.org/#Witnessing]

Love , Men , Idea , Courage

“We are like figures which some great demonstrator draws upon the blackboard of Time. A problem is to be solved, without doubt; what the problem is, we, the figures, cannot know and do not need to know; all we know is that sooner or later we shall be sponged off the board and other figures take our places, and the demonstration go on.”

John Burroughs (1837–1921) American naturalist and essayist

Preface
The Light of Day (1900)

Problem , Time , Drawing

“The ones [compliments] I value most came from Edgar Degas who said he was happy to see my work becoming more and more pure. The etcher Bracquemond, a pupil of Ingres, said - possibly he meant what he said - that my work shows increasing strength. I will calmly tread the path I have taken, and try to do my best. At bottom, I have only a vague sense of its rightness or wrongness. I am much disturbed by my unpolished and rough execution. I should like to develop a smoother technique which, while retaining the old fierceness, would be rid of those jarring notes which make it difficult to see my canvases clearly except when the light falls in front. There lies the difficulty - not to speak of drawing.”

Camille Pissarro (1830–1903) French painter

Quote of Camille Pissarro, Paris, 4 May 1883, in a letter to his son Lucien; from Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, pp. 29-30
his comment after having seen his own painting-show at Durand-Ruel 's gallery in Paris, May 1883
1880's

Sense , Light , Drawing , Happiness

“It's often said that with enough effort and determination you can do whatever you put your mind to. But saying those words and living them are different things, and my father has lived them. It's one of his defining qualities and I've seen it in action all of my life. Whatever he does, he gives his all and does it well. His desire for excellence is contagious. He possesses a unique gift for bringing that trait out in others, starting with those closest to him. He's always helped me be the best version of myself by encouragement and by example. He motivates me to work my hardest and to always stay true to who I am and what I believe. That's what he does: he draws out the talent and drive in people so that they can achieve their full potential. That's a great quality to have in a father and better yet in the president of the United States.”

Tiffany Trump (1993) American Internet personality and daughter of Donald Trump and Marla Maples

Speech at the 2016 Republican National Convention (July 19, 2016)

Life , People , Motivation , Effort

“As a schoolboy drawing-lessons became my favorite, and that pleasure was not ignited a little when, by the time of my twelfth year, the cityscape-painter B. J. van Hove became our neighbor. Since then I began to long for the moment that I would be allowed to change the school bench for a place in his studio. That desire was already satisfied in the autumn of [18]31.”

Johannes Bosboom (1817–1891) Dutch painter

origineel citaat van Johannes Bosboom, in Nederlands: Als schoolknaap was de teekenles mij de liefste geworden en die lust werd niet weinig aangewakkerd, toen, omstreeks mijn twaalfde jaar, de stadsgezichtschilder B. J. van Hove onze buurman werd. Sinds dien tijd begon ik sterk te verlangen naar het oogenblik, waarop ik de schoolbank tegen een plaatsje in zijn atelier zou mogen verwisselen. Dat verlangen werd reeds bevredigd in het najaar van [18]31.
Source: 1880's, Een en ander betrekkelijk mijn loopbaan als schilder, p. 7

Pleasure , School , Autumn , Change

“Thou wilt draw nigh!
Father — it is no dream that Thou art near —
No dream that, in my sin and misery,
I may look up to Thee,—
May hide beneath the shadow of Thy wings,
From all the restlessness of outward things,
And from my own heart's self-accusing fears —
For Thou art nigh.”

Hetty Bowman (1838–1872)

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 432.

Fear , Dreams , Art , Heart

“I have received your critical essay [of C. L. Ragghianti who visited Morandi's studio frequently and watched him painting] for the catalogue of the Mattioli collection. I must confess that I am not a little disturbed by what you say. I shall say no more. My own desire is to continue to live with a little peace, which is the only thing that still allows me to work. I am sure I am worth much less than what you say. Not out of modesty, believe me. I only wish it were as you say. If you could, please avoid the comparison with Picasso. Furthermore I must point out an error of fact where you say on p. 4 that 'for those who might not know, Morandi draws, tries out plans of his compositions, etc.., etc..' – and you have had the occasion to see the plans of objects on my table. This only serves to immediately recover my position when I reassemble a composition. Nothing more. Another thing…. [tracing the shape of his feet on the floor]…. it's to mark a reference for re-establishing the point of view. Think about this, then. I am grateful for your concern, but believe me when I say it leaves me ill at ease.”

Giorgio Morandi (1890–1964) Italian painter

from his letter of 6 April 1953; as quoted in Morandi 1894 – 1964, ed: M. C. Bandera & R. Miracco, Museo d'Arte Moderna di Bologna, 2008; p. 44
1945 - 1964

Peace , Error , Thinking , Drawing

“True religion does not draw men out of the world but enables them to live better in it and excites their endeavors to mend it.”

William Penn book No Cross, No Crown

No Cross, No Crown (1682)

Men , World , Religion , Drawing

“I hope to compensate this year [in 1866 Roelofs was seriously ill] the damage of so little studies [watercolors and drawings] once and for all because most of the old ones I already used [for his oil-paintings]. (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik hoop dit jaar [in 1866 is Roelofs ernstig ziek geweest] de schade van weinig studies [tekeningen en aquarellen] eens voor goed in te halen want de ouden raken zoowat op [gebruikt voor zijn olie-schilderijen].
In a letter to P. Verloren van Themaat, 10 May 1867; as cited in Willem Roelofs 1822-1897 De Adem der natuur, ed. Marjan van Heteren & Robert-Jan te Rijdt; Thoth, Bussum, 2006, p. 13 - ISBN13 * 978 90 6868 432 2
1860's

Hope , Study , Drawing , Painting

“When I draw horizontals
you see this big plane and you have certain feelings like
you're expanding over the plane
Anything can be painted without representation”

Agnes Martin (1912–2004) American artist

1970's, The Untroubled Mind', 1971

Feeling , Drawing , Painting

“What actually happened was that Rolling Stone paid me fifteen hundred dollars for the use of all the drawings - about twenty four of them - and then offered to buy the originals from me, which my agent urged 'was a good move!'. He sold the whole damn treasure trove to Jann Wenner for the princely sum of sixty dollars per drawing. I rue the day I let him convince me.”

Ralph Steadman book The Joke's Over

Fear And Loathing, p. 76
The Joke's Over (2006)

Drawing

“The mad road, lonely, leading around the bend into the openings of space towards the horizon Wasatch snows promised us in the vision of the West, spine heights at the world's end, coast of blue Pacific starry night — nobone halfbanana moons sloping in the tangled night sky, the torments of great formations in mist, the huddled invisible insect in the car racing onwards, illuminate. — The raw cut, the drag, the butte, the star, the draw, the sunflower in the grass — orangebutted west lands of Arcadia, forlorn sands of the isolate earth, dewy exposures to infinity in black space, home of the rattlesnake and the gopher the level of the world, low and flat: the charging restless mute unvoiced road keening in a seizure of tarpaulin power into the route.”

Jack Kerouac book Visions of Cody

Visions of Cody (1960)

World , Cars , Home , Star

“He wanted to draw out the moment before the moment—because as good as kissing feels, nothing feels as good as the anticipation of it.”

John Green book An Abundance of Katherines

Colin Singleton, p. 79
An Abundance of Katherines (2006)

Feeling , Kiss , Drawing

“Unfortunately, buildings are not like drawings. You can't just erase them.”

Richard Roth, Jr. American architect

Source: As quoted in Meredith L. Clausen, "The Pan Am Building and the Shattering of the Modernist Dream" http://books.google.co.uk/books?id=E6qRuyzOogIC&pg=PA275&lpg=PA275&dq=%22Unfortunately,+buildings+are+not+like+drawings.+You+can%27t+just+erase+them.%22&source=bl&ots=wkwiw7U92A&sig=4fGIk_ufWMT3wv_c6l6k8uaYMv0&hl=en&sa=X&ei=HYlHVNHNJ4Lb7Aa86oHwCA&ved=0CCcQ6AEwAQ#v=onepage&q=%22Unfortunately%2C%20buildings%20are%20not%20like%20drawings.%20You%20can%27t%20just%20erase%20them.%22&f=false, p.275

Drawing

“Do you expect teachers to draw on the blackboard, how to wear a condom? This would be surely embarrassing to our teachers. The curriculum must be changed to suit Indian conditions.”

Prakash Javadekar (1951) Indian politician

On a new sex education course, as quoted in " Sex education runs into trouble http://news.bbc.co.uk/2/hi/south_asia/6949714.stm", BBC News (22 August 2007)

Teachers , Change , Drawing

“An artist is a deception.... an artist is only an artist at certain times, by an effort of will.... the study of nature is a cliché; isn't Manet the living proof? For although he prided himself on slavishly copying nature, he was the most inadequate painter in the world, not making a single brushstroke without reference to the old masters; for instance, he refrained from drawing fingernails because Frans Hals did not draw them.”

Edgar Degas (1834–1917) French artist

Quote of Degas, in his talk with the visiting Mallarmé, 1880's; as cited in Berthe Morisot, the first lady of Impressionism, by Margaret Sehnan; Sutton Publishing (ISBN 0 7509 2339 3), 1996, p. 234
1876 - 1895

World , Nature , Effort , Study

“Shortly after 9/11 a French spokesman for the activist group ATTAC quoted the adage: "He who sows the wind shall reap the whirlwind." French prime minister Lionel Jospin seemed to be pointing in this direction when he asked, "What lesson are the Americans going to draw from what has happened?" The lesson, Jospin indicated, should be for the U. S. to moderate her unilateralism. For Cardinal Karl Lehmann, president of the German Bishops' Conference, the lesson to be drawn from terrorism was that "the West must not seek to dominate the rest of the world."”

Jean-François Revel (1924–2006) French writer and philosopher

2000s, Europe's Anti-American Obsession (2003)

World , Quotes , Drawing

“Look, as long as we can enrich uranium and master the fuel cycle, we don’t need anything else. Our neighbors will be able to draw the proper conclusions.”

Akbar Hashemi Rafsanjani (1934–2017) Iranian politician, Shi'a cleric and Writer

Said to George Perkovich http://irancoverage.com/2007/12/12/the-nie-spin-in-washington-and-tehran/ (2005)
2005

Drawing

“How could one argue with a man who was always drawing lines and circles to explain the position; who, one day, drew a diagram [here Michael illustrated with pen and paper] saying 'take a point A, draw a straight line to point B, now three-fourths of the way up the line take a point C. The straight line AB is the road to the Republic; C is where we have got to along the road, we canot move any further along the straight road to our goal B; take a point out there, D [off the line AB]. Now if we bend the line a bit from C to D then we can bend it a little further, to another point E and if we can bend it to CE that will get us around Cathal Brugha which is what we want!”

Michael Collins (Irish leader) (1890–1922) Irish revolutionary leader

How could you talk to a man like that?
Referring to Eamon de Valera in conversation with Michael Hayes, at the debates over the Anglo-Irish Treaty in 1921
Michael Hayes Papers, P53/299, UCDA
Quoted in Doherty, Gabriel and Keogh, Dermot (2006). Michael Collins and the Making of the Irish State. Mercier Press, p. 153.

Way , Drawing

“The little boy went first day of school
He got some crayons and started to draw
He put colors all over the paper
For colors was what he saw
And the teacher said.. "What you doin' young man?"
"I'm paintin' flowers" he said
She said… "It's not the time for art young man
And anyway flowers are green and red
There's a time for everything young man
And a way it should be done
You've got to show concern for everyone else
For you're not the only one."”

Harry Chapin (1942–1981) American musician

Flowers are Red
Song lyrics, Living Room Suite (1978)

School , Art , Color , Way

“Christian love draws no distinction between one enemy and another, except that the more bitter our enemy’s hatred, the greater his need of love. Be his enmity political or religious, he has nothing to expect from a follower of Jesus but unqualified love. In such love there is no inner discord between private person and official capacity. In both we are disciples of Christ, or we are not Christians at all.”

Dietrich Bonhoeffer (1906–1945) German Lutheran pastor, theologian, dissident anti-Nazi

Source: Discipleship (1937), The Enemy, the "Extraordinary", p. 148.

Love , Christ , Drawing , Personality

“Imagination draws on memory. Memory and imagination combined can stage a Servants' Ball or even write a book, if that's what they want to do.”

Thornton Wilder book Theophilus North

Theophilus North (1973)

Books , Imagination , Memory , Drawing

“The Mathematics which effectually exercises, not vainly deludes or vexatiously torments studious Minds with obscure Subtilties, perplexed Difficulties, or contentious Disquisitions; which overcomes without Opposition, triumphs without Pomp, compels without Force, and rules absolutely without Loss of Liberty; which does not privately overreach a weak Faith, but openly assaults an armed Reason, obtains a total Victory, and puts on inevitable Chains; whose Words are so many Oracles, and Works as many Miracles; which blabs out nothing rashly, nor designs anything from the Purpose, but plainly demonstrates and readily performs all Things within its Verge; which obtrudes no false Shadow of Science, but the very Science itself, the Mind firmly adheres to it, as soon as possessed of it, and can never after desert it of its own Accord, or be deprived of it by any Force of others: Lastly the Mathematics, which depend upon Principles clear to the Mind, and agreeable to Experience; which draws certain Conclusions, instructs by profitable Rules, unfolds pleasant Questions; and produces wonderful Effects; which is the fruitful Parent of, I had almost said all, Arts, the 47 unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to human Affairs.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

"Ration before the University of Cambridge on being elected Lucasian Professor of Mathematics," (1660), reported in: Mathematical Lectures, (1734), p. 28

Faith , Art , Exercises , Mathematics

“My daughter looks at these pictures every day. She happily tells me, 'Mom, you’re becoming an anime heroine in Japan,' which of course is very exciting for her. As for myself, though, I'm too busy to really pay much attention to the drawings.”

Natalia Poklonskaya (1980) Prosecutor of the Republic of Crimea

Of the numerous cartoons of her appearing in Japanese newspapers.
As quoted in GMA News, 28 March 2014 http://www.gmanetwork.com/news/story/354509/scitech/socialmedia/comely-crimean-prosecutor-becomes-japanese-cartoon-sensation

Moms , Business , Animals , Drawing

“Today's draw is another little brick in the wall.”

Phil Brown (footballer) (1959) English association football player and manager

15-Sep-2007, BBC Radio Humberside
An interesting metaphor, erm...

Drawing

“Ralph Wood argues quite persuasively that the Christian vision of the world is fundamentally comic. Drawing on the insights of Karl Löwith, Wood observes that because Christians do not, as the ancients did, regard the universe as eternal or divine but as created, comedy is made possible by the acknowledgment of the sheer contingency of all that is.”

Stanley Hauerwas (1940) American theologian

Source: The Work of Theology (2015), p. 217 http://books.google.com/books?id=lY1yCgAAQBAJ&pg=PT217

World , Universe , Drawing

“Creative children do not paint. They mess around. If they have to draw, creative children always end up being the ridiculous kind of child, who produces childern′s drawings Creative children wipe spinach round their gobs, that′s all. Any thing more that these crappy daubnings is the result of education-and before long we′re on a level with Paul Klee.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 51 (Ibid., p. 45.)

Children , Education , Drawing , Painting

“…the stereographic projection of the spherical surface. From the north pole P we draw radial lines to project every point of the surface of the sphere upon the horizontal plane [below, perpendicular to a line joining it to P and the sphere's center]. In general this transformation is unique and continuous, although the metrical relations are distorted; for the point P, however, it shows a singularity. Point P is mapped upon the infinite; i. e., no finitely located point of the plane corresponds to it. It can be shown that every transformation possesses a singularity in at least one point. The surface of the sphere is therefore called topologically different from the plane. Only a "sphere without a north pole" [point] would be topologically equivalent to a plane. …such a sphere has a point-shaped hole without a boundary and is no longer a closed surface.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

Drawing

“Aside from the equation it draws between making money and being good, the modern ideal of a successful life posits a further linkage between making money and being happy. This latter association rests on … assumptions. First, it is presumed that identifying what will make us happy is not an inordinately difficult task. Just as our bodies typically know what they need in order to be healthy… so, too, the theory goes, can our minds to be relied upon to understand what we should aim for so as to flourish as whole human beings. … Second, it is taken for granted that the enormous range of … consumer goods available to modern civilization is not merely a gaudy, enervating show responsible for stoking desires bearing little relevance to our welfare, but is, rather, a helpful array of potentialities and products, capable of satisfying some of our most important needs.”

Alain de Botton book Status Anxiety

Source: Status Anxiety (2004), Chapter 5 (pt.6 27:39).

Life , Money , Understanding , Success

“I have no idea why some of my books draw awards and others don't, except that the ones I spent the least time worrying about other people's response to — that I wrote for myself — seem to do the best of all.”

Lois McMaster Bujold (1949) Science Fiction and fantasy author from the USA

"'A Conversation With Lois McMaster Bujold", p. 54
The Vorkosigan Companion (2008)

People , Books , Idea , Time

“My drawings for the art exhibition don't get finished and time is running out. 15 or 16 Dec. I believe. Of course they show soldiers once again and of course the people say that it looks like Neuville, although that man doesn't see any color.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Mijn teekeningen voor de kunstbeschouwing willen maar niet klaar komen en de tijd dringt. De 15 of 16 Dec. geloof ik. 't Zijn natuurlijk weer soldaten en natuurlijk zeggen de lui weer dat 't op Neuville lijkt. hoewel die man geen spat kleur ziet.
quote of Breitner in a letter to his Maecenas A.P. van Stolk, 8 Dec. 1881; original text in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/594
before 1890

People , Art , Color , Time

“To me, Pollock is the height of American painting. It's very lyrical. Gorky, who is very passionate, can copy a drawing or take a drawing and copy it exactly as a painting, and Miro can too, it's amazing. Miro can do a drawing to paint and that's another training in a sense. So there's a certain mannerism that comes in both of them [three], and probably everything becomes obvious in time. But I don't have that. The line is illustrated or the colour. I'm sure it has great feeling when they're doing it, but it's more towards defining something. It has a certain clarity because it's a complex thing. I'm a painter and my whole balance is not having to think about things. So all I think about is painting. It's the instinct for the placement where all that happens. I don't have to think about it. So I don't think of composition; I don’t think of colour here and there. Sometimes I alter something after. So all I could think is the rush... I cannot make a picture unless everything is working. It's like a state.”

Cy Twombly (1928–2011) American painter

Source: 2000 - 2011, Cy Twombly, 2000', by David Sylvester (June 2000), p. 179

Feeling , Thinking , Sense , Passion

“There is considerable danger that psychoanalysis, as well as other forms of psychotherapy and adjustment psychology, will become new representations of the fragmentation of man, that they will exemplify the loss of the individual's vitality and significance, rather than the reverse, that the new techniques will assist in standardizing and giving cultural sanction to man's alienation from himself rather than solving it, that they will become expressions of the new mechanization of man, now calculated and controlled with greater psychological precision and on a vaster scale of unconscious and depth dimensions — that psychoanalysis and psychotherapy in general will become part of the neurosis of our day rather than part of the cure. This would indeed be a supreme irony of history. It is not alarmism nor the showing of unseemly fervor to point out these tendencies, some of which are already upon us. It is simply to look directly at our historical situation and to draw unflinchingly the implications.”

Rollo May (1909–1994) US psychiatrist

Source: Existence (1958), p. 35; also published in The Discovery of Being: Writings in Existential Psychology (1983), Part II : The Cultural Background, Ch. 5 : Kierkegaard, Nietzsche, and Freud, p. 86

History , Loss , Parting , Drawing

“I do not often follow its path from a previously conceived drawing. If I have a strong feeling about its start, I do not need to know its end; the battle for solution is the most important. If the end of the work seems too complete and final, posing no question, I am apt to work back from the end, that in its finality it poses a question and not a solution.
Sometimes when I start a sculpture I begin with only a realized part; the rest is travel to be unfolded, much in the order of a dream.”

David Smith (1906–1965) American visual artist (1906-1965)

1950s, Tradition and Identity' (1959)

Dreams , Travel , Feeling , Question

Quotes about draw page 10

Quotes about draw
page 10