Quotes about dew

A collection of quotes on the topic of dew, morning, likeness, love.

Quotes about dew

Percy Bysshe Shelley photo
Walter Scott photo

“The rose is fairest when 't is budding new,
And hope is brightest when it dawns from fears.
The rose is sweetest wash'd with morning dew,
And love is loveliest when embalm'd in tears.”

Walter Scott (1771–1832) Scottish historical novelist, playwright, and poet

Canto IV, stanza 1.
The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)

Robert Browning photo
Rabindranath Tagore photo
Margaret Atwood photo
Rabindranath Tagore photo

“Let your life lightly dance on the edges of Time like dew on the tip of a leaf.”

Rabindranath Tagore (1861–1941) Bengali polymath

45
The Gardener http://www.spiritualbee.com/love-poems-by-tagore/ (1915)

Robert Browning photo

“What Youth deemed crystal,
Age finds out was dew.”

Robert Browning (1812–1889) English poet and playwright of the Victorian Era

"Jochanan Hakkadosh" (1883).
Source: Jocoseria

Elizabeth Cady Stanton photo
Rabindranath Tagore photo
Robert Herrick photo
Thomas Buchanan Read photo
Thomas Campbell photo
Nathaniel Hawthorne photo
W.B. Yeats photo

“And God stands winding His lonely horn,
And time and the world are ever in flight;
And love is less kind than the grey twilight,
And hope is less dear than the dew of the morn.”

W.B. Yeats (1865–1939) Irish poet and playwright

Into The Twilight http://poetry.poetryx.com/poems/1519/, st. 4
The Wind Among the Reeds (1899)

Kenzaburō Ōe photo
Georg Trakl photo
W.B. Yeats photo
Samuel Taylor Coleridge photo

“Could I revive within me
Her symphony and song,
To such a deep delight 'twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.”

Kubla Khan (1797 or 1798)
Context: A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight 'twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.

Lucy Parsons photo

“Who, pray, are benefiting by all this waste and confusion? The dew, a mere small percentage of the population of the world. All the remainder submit, because they think "it always has been so and it must always be so."”

Lucy Parsons (1853–1942) American communist anarchist labor organizer

The work of those who have a conception of a true society of the future, must devote all their efforts towards disabusing the people's minds of the ancient false hoods. It can be done. Many other hoary lies have passed away, so will this one, too.

"Property Rights vs. Human Rights" (Nov. 1905)

Maya Angelou photo

“What is the scent of water?"
"Renewal. The goodness of God coming down like dew.”

Elizabeth Goudge (1900–1984) English fiction writer

Source: The Scent of Water

Kabir photo
John Keats photo

“Stop and consider! life is but a day;
A fragile dew-drop on its perilous way
From a tree’s summit.”

John Keats (1795–1821) English Romantic poet

" Sleep and Poetry http://www.bartleby.com/126/31.html", st. 5
Poems (1817)
Source: The Complete Poems

John Keats photo
Rudyard Kipling photo
Pablo Neruda photo
John Steinbeck photo
Margaret Mitchell photo
Aung San Suu Kyi photo
Percy Bysshe Shelley photo

“Rise like Lions after slumber
In unvanquishable number —
Shake your chains to earth like dew
Which in sleep had fallen on you —
Ye are many — they are few.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

St. 91
(1819)
Source: The Masque of Anarchy: Written on Occasion of the Massacre at Manchester

George Gordon Byron photo
Emily Dickinson photo

“As he drank, little brown drops of coffee clung to his mustache like dew. Men will live like billy goats if they are let alone.”

Source: True Grit (1968), Chapter 5, p. 78 : thoughts of 'Mattie Ross'

Sylvia Plath photo
Alexandre Dumas photo
Dogen photo
George William Russell photo

“Now dews precipitate the night,
And setting stars to rest invite.”

John Conington (1825–1869) British classical scholar

Source: Translations, The Aeneid of Virgil (1866), Book II, p. 39

Theo van Doesburg photo

“Only a radical cleaning of social and artistic life as, in the domain of art, is already done by Dada, which is anti-sentimental and healthy to the core, since it is anti-art. Only unscrupulously striking down any systematically bred amateurism in any field, can prepare civilization for the 'New Vision's happiness which is greatly and purely alive in a dew people.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's article: 'Is a Universal Plastic Notion Possible Today?', as cited in 'Bouwkundig weekblad' [a Dutch architectural magazine], XLI 39, 1920, pp. 230–231
this quote of Theo van Doesburg is one of his earliest Dada expressions
1920 – 1926

John Constable photo
William Ernest Henley photo

“All quiet along the Potomac to-night,
No sound save the rush of the river,
While soft falls the dew on the face of the dead—
The picket ’s off duty forever.”

Ethel Lynn Beers (1827–1879) American writer

"All Quiet Along the Potomac Tonight" (first published in Harper's Weekly on November 30, 1861 under the title The Picket Guard).

Roger Bacon photo

“I use the example of the rainbow and of the phenomena connected with it, of which sort are the circle around the sun and the stars, likewise the rod lying at the side of the sun or of a star which appears to the eye in a straight line… called the rod by Seneca, and the circle is called the corona, which often has the colors of the rainbow. But neither Aristotle nor Avicenna, in their Natural Histories, has given us knowledge of things of this sort, nor has Seneca, who composed a special book on them. But Experimental Science makes certain of them. [The experimenter] considers rowers and he finds the same colors in the falling drops dripping from the raised oars when the solar rays penetrate drops of this sort. It is the same with waters falling from the wheels of a mill; and when a man sees the drops of dew in summer of a morning lying on the grass in the meadow or the field, he will see the colors. And in the same way when it rains, if he stands in a shady place and if the rays beyond it pass through dripping moisture, then the colors will appear in the shadow nearby; and very frequently of a night colors appear around the wax candle. Moreover, if a man in summer, when he rises from sleep and while his eyes are yet only partly opened, looks suddenly toward an aperture through which a ray of the sun enters, he will see colors. And if, while seated beyond the sun, he extend his hat before his eyes, he will see colors; and in the same way if he closes his eye, the same thing happens under the shade of the eyebrow; and again, the same phenomenon occurs through a glass vessel filled with water, placed in the rays of the sun. Or similarly if any one holding water in his mouth sprinkles it vigorously into the rays and stands to the side of the rays; and if rays in the proper position pass through an oil lamp hanging in the air, so that the light falls on the surface of the oil, colors will be produced. And so in an infinite number of ways, as well natural as artificial, colors of this sort appear, as the careful experimenter is able to discover.”

6th part Experimental Science, Ch.2 Tr. Richard McKeon, Selections from Medieval Philosophers Vol.2 Roger Bacon to William of Ockham
Opus Majus, c. 1267

Aaro Hellaakoski photo

“When the early morning sun
first pierced the grayness in the sky,
a pickerel rose from his watery home
to climb a pine tree, singing.
And high in the branches, he looked upon
the morning's glowing beauty -
the wind-blown ripples on the lake,
dew-freshened flowers and fields below.”

Aaro Hellaakoski (1893–1952) Finnish writer, poet, geographer and teacher

Aaro Hellaakoski. "The song of the pike hauen laulu." Aina Swan Cutler (trans.) in: Aili Jarvenpa, ‎Michael G. Karni (1989), Sampo, the magic mill: a collection of Finnish-American writing.

Fenton Johnson photo
Walter Scott photo

“A foot more light, a step more true,
Ne'er from the heath-flower dash'd the dew.”

Walter Scott (1771–1832) Scottish historical novelist, playwright, and poet

Canto I, stanza 18.
The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)

Ebenezer Howard photo

“All, then, are agreed on the pressing nature of this problem, all are bent on its solution, and though it would doubtless be quite Utopian to expect a similar agreement as to the value of any remedy that may be proposed, it is at least of immense importance that, on a subject thus universally regarded as of supreme importance, we have such a consensus of opinion at the outset. This will be the more remarkable and the more hopeful sign when it is shown, as I believe will be conclusively shown in this work, that the answer to this, one of the most pressing questions of the day, makes of comparatively easy solution many other problems which have hitherto taxed the ingenuity of the greatest thinkers and reformers of our time. Yes, the key to the problem how to restore the people to the land — that beautiful land of ours, with its canopy of sky, the air that blows upon it, the sun that warms it, the rain and dew that moisten it — the very embodiment of Divine love for man — is indeed a Master-Key, for it is the key to a portal through which, even when scarce ajar, will be seen to pour a flood of light on the problems of intemperance, of excessive toil, of restless anxiety, of grinding poverty — the true limits of Governmental interference, ay, and even the relations of man to the Supreme Power.”

Ebenezer Howard (1850–1928) British writer, founder of the garden city movement

Introduction.
Garden Cities of To-morrow (1898)

Letitia Elizabeth Landon photo
Letitia Elizabeth Landon photo
William Julius Mickle photo
Walter Scott photo

“No pale gradations quench his ray,
No twilight dews his wrath allay.”

Canto VI, stanza 21.
Rokeby (1813)

Paul Cézanne photo
Nat Turner photo
Varadaraja V. Raman photo
Tsangyang Gyatso, 6th Dalai Lama photo
Philip Stanhope, 4th Earl of Chesterfield photo

“Cheerful with wisdom, with innocence gay,
And calm with your joys gently glide thro' the day.
The dews of the evening most carefully shun —
Those tears of the sky for the loss of the sun.”

Philip Stanhope, 4th Earl of Chesterfield (1694–1773) British statesman and man of letters

"Advice to a Lady in Autumn", published in A Collection of Poems in Six Volumes. By Several Hands. Vol. I. (1763), printed by J. Hughs, for R. and J. Dodsley

John Dryden photo
Jean Ingelow photo

“To bear, to nurse, to rear,
To watch and then to lose,
To see my bright ones disappear,
Drawn up like morning dews.”

Jean Ingelow (1820–1897) British writer

"Songs of Seven. Seven times Six", reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Edward Young photo

“Early, bright, transient, chaste as morning dew,
She sparkled, was exhal'd and went to heaven.”

Source: Night-Thoughts (1742–1745), Night V, Line 600.

Han-shan photo
John Constable photo
Mahmud of Ghazni photo

“The battle raged with great fury: victory was long doubtful, till two Indian princes, Brahman Dew and Dabishleem, with other reinforcements, joined their countrymen during the action, and inspired them with fresh courage. Mahmood at this moment perceiving his troops to waver, leaped from his horse, and, prostrating himself before God implored his assistance' At the same time he cheered his troops with such energy, that, ashamed to abandon their king, with whom they had so often fought and bled, they, with one accord, gave a loud shout and rushed forwards. In this charge the Moslems broke through the enemy's line, and laid 5,000 Hindus dead at their feet' On approaching the temple, he saw a superb edifice built of hewn stone. Its lofty roof was supported by fifty-six pillars curiously carved and set with precious stones. In the centre of the hall was Somnat, a stone idol five yards in height, two of which were sunk in the ground. The King, approaching the image, raised his mace and struck off its nose. He ordered two pieces of the idol to be broken off and sent to Ghizny, that one might be thrown at the threshold of the public mosque, and the other at the court door of his own palace. These identical fragments are to this day (now 600 years ago) to be seen at Ghizny. Two more fragments were reserved to be sent to Mecca and Medina. It is a well authenticated fact, that when Mahmood was thus employed in destroying this idol, a crowd of Brahmins petitioned his attendants and offered a quantity of gold if the King would desist from further mutilation. His officers endeavoured to persuade him to accept of the money; for they said that breaking one idol would not do away with idolatry altogether; that, therefore, it could serve no purpose to destroy the image entirely; but that such a sum of money given in charity among true believers would be a meritorious act. The King acknowledged that there might be reason in what they said, but replied, that if he should consent to such a measure, his name would be handed down to posterity as 'Mahmood the idol-seller', whereas he was desirous of being known as 'Mahmood the destroyer': he therefore directed the troops to proceed in their work'…'The Caliph of Bagdad, being informed of the expedition of the King of Ghizny, wrote him a congratulatory letter, in which he styled him 'The Guardian of the State, and of the Faith'; to his son, the Prince Ameer Musaood, he gave the title of 'The Lustre of Empire, and the Ornament of Religion'; and to his second son, the Ameer Yoosoof, the appellation of 'The Strength of the Arm of Fortune, and Establisher of Empires.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

He at the same time assured Mahmood, that to whomsoever he should bequeath the throne at his death, he himself would confirm and support the same.'
Tarikh-i-Firishta, translated into English by John Briggs under the title History of the Rise of the Mahomedan Power in India, 4 Volumes, New Delhi Reprint, 1981. p. 38-49 (Alternative translation: "but the champion of Islam replied with disdain that he did not want his name to go down to posterity as Mahmud the idol-seller (but farosh) instead of Mahmud the breaker-of-idols (but shikan)." in Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 3)
Sack of Somnath (1025 CE)

Mike Oldfield photo

“We're looking
For the strangers
With sunlight in their eyes
Who lived on Earth
When Man was new
When Time was
Just a coloured dew
That grew inside their mind…”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Children of the Sun (1969)

Robert Frost photo

“She is as in a field a silken tent
At midday when the sunny summer breeze
Has dried the dew and all its ropes relent,
So that in guys it gently sways at ease.”

Robert Frost (1874–1963) American poet

" The Silken Tent http://www.poemhunter.com/poem/the-silken-tent/" (1942)
1940s

Elizabeth Bishop photo
Samuel Rutherford photo
John Armstrong photo

“A woman's love is like the morning dew. It's just as likely to settle on a horse turd as a rose.”

Larry McMurtry (1936) American novelist, essayist, bookseller and screenwriter

Leaving Cheyenne (1963).

John Dryden photo
Francis Miles Finch photo
Torquato Tasso photo

“About the hill lay other islands small,
Where other rocks, crags, cliffs, and mountains stood,
The Isles Fortunate these elder time did call,
To which high Heaven they reigned so kind and good,
And of his blessings rich so liberal,
That without tillage earth gives corn for food,
And grapes that swell with sweet and precious wine
There without pruning yields the fertile vine.The olive fat there ever buds and flowers,
The honey-drops from hollow oaks distil,
The falling brook her silver streams downpours
With gentle murmur from their native hill,
The western blast tempereth with dews and showers
The sunny rays, lest heat the blossoms kill,
The fields Elysian, as fond heathen sain,
Were there, where souls of men in bliss remain.”

Torquato Tasso (1544–1595) Italian poet

Ecco altre isole insieme, altre pendíci
Scoprian alfin men erte ed elevate.
Ed eran queste l'isole felici;
Così le nominò la prisca etate,
A cui tanto stimava i Cieli amici,
Che credea volontarie, e non arate
Quì partorir le terre, e in più graditi
Frutti, non culte, germogliar le viti.<p>Quì non fallaci mai fiorir gli olivi,
E 'l mel dicea stillar dall'elci cave:
E scender giù da lor montagne i rivi
Con acque dolci, e mormorio soave:
E zefiri e rugiade i raggj estivi
Temprarvi sì, che nullo ardor v'è grave:
E quì gli Elisj campi, e le famose
Stanze delle beate anime pose.
Canto XV, stanzas 35–36 (tr. Fairfax)
Gerusalemme Liberata (1581)

Mahmud of Ghazni photo

“About this time the King learned that the inhabitants of two hilly tracts, denominated Kuriat and Nardein, continued the worship of idols and had not embraced the faith of Islam' Mahmood resolved to carry the war against these infidels, and accordingly marched towards their country' The Ghiznevide general, Ameer Ally, the son of Arslan Jazib, was now sent with a division of the army to reduce Nardein, which he accomplished, pillaging the country, and carrying away many of the people captives. In Nardein was a temple, which Ameer Ally destroyed, bringing from thence a stone on which were curious inscriptions, and which according to the Hindoos, must have been 40,000 years old…'The celebrated temple of Somnat, situated in the province of Guzerat, near the island of Dew, was in those times said to abound in riches, and was greatly frequented by devotees from all parts of Hindoostan' Mahmood marched from Ghizny in the month of Shaban AH 415 (AD Sept. 1024), with his army, accompanied by 30,000 of the youths of Toorkistan and the neighbouring countries, who followed him without pay, for the purpose of attacking this temple'…'Some historians affirm that the idol was brought from Mecca, where it stood before the time of the Prophet, but the Brahmins deny it, and say that it stood near the harbour of Dew since the time of Krishn, who was concealed in that place about 4000 years ago' Mahmood, taking the same precautions as before, by rapid marches reached Somnat without opposition. Here he saw a fortification on a narrow peninsula, washed on three sides by the sea, on the battlements of which appeared a vast host of people in arms' In the morning the Mahomedan troops advancing to the walls, began the assault…”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Tarikh-i-Firishta, translated into English by John Briggs under the title History of the Rise of the Mahomedan Power in India, 4 Volumes, New Delhi Reprint, 1981. p. 38-49
Quotes from Muslim medieval histories

Lope De Vega photo

“Lord, what am I, that, with unceasing care,
Thou didst seek after me, — that Thou didst wait,
Wet with unhealthy dews, before my gate,
And pass the gloomy nights of winter there?”

Lope De Vega (1562–1635) Spanish playwright and poet

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 89.

Sarah Morgan Bryan Piatt photo
James Thomson (poet) photo

“The meek-ey'd Morn appears, mother of dews.”

Source: The Seasons (1726-1730), Summer (1727), l. 47.

Statius photo

“The sounds of early night die down. Mingled with the darkness of his kinsman Death and dripping with Stygian dew, Sleep enfolds the doomed city, pouring heavy ease from his unforgiving horn, and separates the men.”
Primae decrescunt murmura noctis, cum consanguinei mixtus caligine Leti rore madens Stygio morituram amplectitur urbem Somnus et implacido fundit grauia otia cornu secernitque viros.

Source: Thebaid, Book V, Line 196

William Ernest Henley photo

“Some starlit garden grey with dew,
Some chamber flushed with wine and fire,
What matters where, so I and you
Are worthy our desire?”

William Ernest Henley (1849–1903) English poet, critic and editor

Source: Poems (1898), Rhymes And Rhythms, XII

Robert Herrick photo

“Get up, sweet Slug-a-bed, and see
The dew bespangling herb and tree.”

"Corinna's Going A-Maying".
Hesperides (1648)

Thomas Gray photo

“Brushing with hasty steps the dews away,
To meet the sun upon the upland lawn.”

Thomas Gray (1716–1771) English poet, historian

St. 25
Elegy Written in a Country Churchyard http://www.thomasgray.org/cgi-bin/display.cgi?text=elcc (written 1750, publ. 1751)

Tom Robbins photo

“In these days he promoted a bramin, by name Seeva Dew Bhut, to the office of prime minister, who embracing the Mahomedan faith, became such a persecutor of Hindoos that he induced Sikundur to issue orders proscribing the residence of any other than Mahomedans in Kashmeer; and he required that no man should wear the mark on his forehead, or any woman be permitted to burn with her husband's corpse. Lastly, he insisted on all golden and silver images being broken and melted down, and the metal coined into money. Many of the bramins, rather than abandon their religion or their country, poisoned themselves; some emigrated from their native homes, while a few escaped the evil of banishment by becoming Mahomedans. After the emigration of the bramins, Sikundur ordered all the temples in Kashmeer to be thrown down; among which was one dedicated to Maha Dew, in the district of Punjhuzara, which they were unable to destroy, in consequence of its foundation being below the surface of the neighbouring water. But the temple dedicated to Jug Dew was levelled with the ground; and on digging into its foundation the earth emitted volumes of fire and smoke which the infidels declared to be the emblem of the wrath of the Deity; but Sikundur, who witnessed the phenomenon, did not desist till the building was entirely razed to the ground, and its foundations dug up….”

Tarikh-i-Firishta, translated by John Briggs under the title History of the Rise of the Mahomedan Power in India, first published in 1829, New Delhi Reprint 1981, Vol. III p.268-69

Han-shan photo
Wallace Stevens photo

“The thinking of art seems final when
The thinking of god is smoky dew.”

Wallace Stevens (1879–1955) American poet

The Man With the Blue Guitar (1937)

John Fletcher photo