
The Other World (1657)
The Other World (1657)
"A Song Of Pure Happiness I" (清平调之一)
“As far as white Aurora's dews are sprinkled through the air.”
Book VII, line 374, p. 104
The Iliads of Homer, Prince of Poets (1611)
“Her berth was of the wombe of morning dew,
And her conception of the joyous Prime.”
Canto 6, stanza 3
The Faerie Queene (1589–1596), Book III
The Country Justice, Part i, reported in Bartlett's Familiar Quotations, 10th ed. (1919). This allusion to the dead soldier and his widow on the field of battle was made the subject of a print by Bunbury, under which were engraved the pathos-laden lines of Langhorne. Sir Walter Scott mentioned that the only time he saw Burns this picture was in the room. Burns shed tears over it; and Scott, then a lad of fifteen, was the only person present who could tell him where the lines were to be found. In Lockhart, Life of Scott, vol. i. chap. iv.
The Nuts of Knowledge (1903)
Roland's Tower
The Improvisatrice (1824)
Japan, the Beautiful and Myself (1969)
Source: Ode to Evening (1747) http://www.netpoets.com/classic/poems/017002.htm, line 21.
“Gracious as sunshine, sweet as dew
Shut in a lily's golden core.”
Agnes, reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 458.
“The wizard silence of the hours of dew.”
The White Throat Bartlet's Quotations 1919 http://www.bartleby.com/100/pages/page814.html
“He was exhaled; his great Creator drew
His spirit, as the sun the morning dew.”
On the Death of a Very Young Gentlemen (1700).
Sultãn Sikandar Lodî (AD 1489-1517) Mandrail (Madhya Pradesh)
Tãrîkh-i-Firishta
All versions.
The Battle Hymn of the Republic (1861)
“Let Ariel learn
a blessing for Caliban
and Caliban drink dew from the lotus
open upon the waters.”
Conversation in Moscow, The Freeing of the Dust
By Still Waters (1906)
Reconsecrated (15 May 1850), l. 1-4.
Ballads for the Times (1851)
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 595.
When Twilight Dews.
Bartlett's Familiar Quotations, 10th ed. (1919)
XXII, p. 24
Kenneth Rexroth's translations, One Hundred More Poems from the Japanese (1976)
"The Flower", a translation of his first Kannada poem "Poovu".
/ Poet, nature lover and humanist (2004)
Sir Henry Englefield, The Waltz, Dancing. in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 156-158.
“Her heart was warmed and melted like the dew on roses under the morning sun.”
Source: Argonautica (3rd century BC), Book III. Jason and Medea, Lines 1019–1021
Sultãn Sikandar Butshikan of Kashmir (AD 1389-1413)Kashmir
Tãrîkh-i-Firishta
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 30.
Dictionary of Burning Words of Brilliant Writers (1895)
“What gentle ghost, besprent with April dew,
Hails me so solemnly to yonder yew?”
Elegy on the Lady Jane Pawlet, reported in Bartlett's Familiar Quotations, 10th ed. (1919); comparable to "What beckoning ghost along the moonlight shade / Invites my steps, and points to yonder glade?", Alexander Pope, in To the Memory of an Unfortunate Lady.
The Sensitive Plant http://www.kalliope.org/digt.pl?longdid=shelley2003060601 (1820), Pt. I, st. 1
(1836-2) (Vol.47) Songs-IV.
The Monthly Magazine
Song Roses of Picardy http://www.firstworldwar.com/audio/rosesofpicardy.htm
The Beetle.
Bartlett's Familiar Quotations, 10th ed. (1919)
“I'm talkin about Mountain Dews, baby!”
(2006). "I'm Talking About Mountain Dews Baby" http://www.youtube.com/watch?v=0-1D_MJzsNU Shaun White on CNN News
When asked if he was drinking alcohol on an airplane in an interview.
Facebook post (2014) https://www.facebook.com/james.nicoll.927/posts/10152710405547985
2010s
Canto III, stanza 16 (Coronach, stanza 3).
The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)
Wynken, Blynken, and Nod http://www.amherst.edu/~rjyanco94/literature/eugenefield/poems/poemsofchildhood/wynkenblynkenandnod.html, st. 1
Love Songs of Childhood (1894)
Source: The Thread That Binds the Bones (1993), Chapter 21 (p. 297)
“While Memory watches o'er the sad review
Of joys that faded like the morning dew.”
Part II, line 45
Pleasures of Hope (1799)
version in original Dutch / citaat van Paul Gabriël, in Nederlands: Een vroege morgen kan er oppervlakkig grijs uitzien, maar ze is het niet.. ..de dauw is veel gekleurder dan men wel zou geloven, dikwijls zo sterk dat het palet te kort schiet.
Quote of Paul Gabriël, in a letter to a befriended art-critic; as cited in 'Dauw heeft meer kleur dan men denkt', by Truus Ruiter https://www.volkskrant.nl/cultuur-media/dauw-heeft-meer-kleur-dan-men-denkt~b14d3e3c/; newspaper 'de Volkskrant', 27 July 1998
Gabriël avoided to use frequently grey in his work, because he loved natural colors
undated quotes
“Delicious tears! the heart's own dew.”
The Guerilla Chief
The Improvisatrice (1824)
Coolidge tribute to fellow poet Jean Ingelow from Preface to Poems by Jean Ingelow, Volume II, Roberts Bros 1896 kindle ebook ASIN B0082C1UAI .
"The Lees of Happiness"
Quoted, Tales of the Jazz Age (1922)
(14th February 1829) Lines on Newton’s Picture of the Disconsolate
The London Literary Gazette, 1829
“On the tongue of such an one they shed a honeyed dew, and from his lips drop gentle words.”
Source: The Theogony (c. 700 BC), line 82.
Book III
The Poems of Ossian, Fingal, an ancient Epic Poem
page 438
Last lines of the documentary film series " The National Parks: America's Best Idea http://www.pbs.org/nationalparks/" by Ken Burns.
John of the Mountains, 1938
Os Brâmanes, p. 474
Os Brâmanes (1866)
Spring, p. 61
Anthology of Georgian Poetry (1948)
"The Funeral Procession", as quoted in Understanding Vietnam by Neil Jamieson (University of California Press, 1995), p. 164
Book I, lines 417–430 (pp. 23–24)
The Lusiad; Or, The Discovery of India: an Epic Poem (1776)
Mary of Argyle, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
The Sheep Child (l. 31–35).
The Whole Motion; Collected Poems, 1945-1992 (1992)
Stanza 1, quoted in Walter Scott's Kenilworth (1821), Ch. 6. Compare: "Jove, thou regent of the skies", Alexander Pope, The Odyssey, book ii, line 42; "Now Cynthia, named fair regent of the night", John Gay, Trivia, book iii; "And hail their queen, fair regent of the night", Erasmus Darwin, The Botanic Garden, part i, canto ii, line 90.
Cumnor Hall (1784)
“With equal sweetness the commissioned hours
Shed light and dew upon both weeds and flowers.”
Life Without and Life Within (1859), The Thankful and the Thankless
Context: With equal sweetness the commissioned hours
Shed light and dew upon both weeds and flowers.
The weeds unthankful raise their vile heads high,
Flaunting back insult to the gracious sky;
While the dear flowers, wht fond humility,
Uplift the eyelids of a starry eye
In speechless homage, and, from grateful hearts,
Perfume that homage all around imparts.
“The world globes itself in a drop of dew.”
1840s, Essays: First Series (1841), Compensation
Context: The universe is represented in every one of its particles. Every thing in nature contains all the powers of nature. Every thing is made of one hidden stuff; as the naturalist sees one type under every metamorphosis, and regards a horse as a running man, a fish as a swimming man, a bird as a flying man, a tree as a rooted man. Each new form repeats not only the main character of the type, but part for part all the details, all the aims, furtherances, hindrances, energies, and whole system of every other. Every occupation, trade, art, transaction, is a compend of the world, and a correlative of every other. Each one is an entire emblem of human life; of its good and ill, its trials, its enemies, its course and its end. And each one must somehow accommodate the whole man, and recite all his destiny.
The world globes itself in a drop of dew.
Though "the Bard" is often reference to William Shakespeare, Fuller here probably uses the term in a generic sense, and in tribute to the poet-philosopher she considered in some ways her mentor, Ralph Waldo Emerson, who may have made such a statement, which she elsewhere quotes as "I have witnessed many a shipwreck, yet still beat noble hearts".
Woman in the Nineteenth Century (1845)
Context: I stand in the sunny noon of life. Objects no longer glitter in the dews of morning, neither are yet softened by the shadows of evening. Every spot is seen, every chasm revealed. Climbing the dusty hill, some fair effigies that once stood for symbols of human destiny have been broken; those I still have with me show defects in this broad light. Yet enough is left, even by experience, to point distinctly to the glories of that destiny; faint, but not to be mistaken streaks of the future day. I can say with the bard,
"Though many have suffered shipwreck, still beat noble hearts."
Always the soul says to us all, Cherish your best hopes as a faith, and abide by them in action. Such shall be the effectual fervent means to their fulfilment.
“Dawn talks to Day
Over dew-gleaming flowers”
Love is Enough (1872), Song VII: Dawn Talks to Day
Context: Dawn talks to Day
Over dew-gleaming flowers,
Night flies away
Till the resting of hours:
Fresh are thy feet
And with dreams thine eyes glistening,
Thy still lips are sweet
Though the world is a-listening.
O Love, set a word in my mouth for our meeting,
Cast thine arms round about me to stay my heart's beating!
O fresh day, O fair day, O long day made ours!
Life Without Principle (1863)
Context: Read not the Times. Read the Eternities. Conventionalities are at length as bad as impurities. Even the facts of science may dust the mind by their dryness, unless they are in a sense effaced each morning, or rather rendered fertile by the dews of fresh and living truth. Knowledge does not come to us by details, but in flashes of light from heaven. Yes, every thought that passes through the mind helps to wear and tear it, and to deepen the ruts, which, as in the streets of Pompeii, evince how much it has been used. How many things there are concerning which we might well deliberate, whether we had better know them, — had better let their peddling-carts be driven, even at the slowest trot or walk, over that bridge of glorious span by which we trust to pass at last from the farthest brink of time to the nearest shore of eternity! Have we no culture, no refinement, — but skill only to live coarsely and serve the Devil? — to acquire a little worldly wealth, or fame, or liberty, and make a false show with it, as if we were all husk and shell, with no tender and living kernel to us? Shall our institutions be like those chestnut-burs which contain abortive nuts, perfect only to prick the fingers?
"The Brooklyn Divines." Brooklyn Union (Brooklyn, NY), 1883.
Context: They will find new readings for old texts. They will re-punctuate and re-parse the Old Testament. They will find that “flat” meant “a little rounding;” that “six days” meant “six long times;” that the word “flood” should have been translated “dampness,” “dew,” or “threatened rain...”
Substance, Shadow, and Spirit, "Substance speaks to Shadow" (translation by A. Waley)
In A Hundred and Seventy Chinese Poems (1919), 'Poems By Tao Ch'ien', p. 106
Context: Heaven and Earth exist for ever:
Mountains and rivers never change.
But herbs and trees in perpetual rotation
Are renovated and withered by the dews and frosts:
And Man the wise, Man the divine—
Shall he alone escape this law?
Fortuitously appearing for a moment in the World
He suddenly departs, never to return.
How can he know that the friends he has left
Are missing him and thinking of him?
Only the things that he used remain;
They look upon them and their tears flow.
Me no magical arts can save,
Though you may hope for a wizard's aid.
I beg you listen to this advice—
When you can get wine, be sure to drink it.
“Truly, human life is as ephemeral as dew and as brief as lightning.”
In a Grove (1922), quoted in A Study Guide for Ryunosuke Akutagawa's "In a Grove" https://books.google.it/books?id=EAPQDAAAQBAJ&pg=PT13 (Gale, 2017).
translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: Een vroege morgen kan er oppervlakkig grijs uitzien, maar ze is het niet.. ..de dauw is veel gekleurder dan men wel zou geloven, dikwijls zo sterk dat het palet te kort schiet.
Quote of Paul Gabriël, in a letter to a befriended art-critic; as cited in 'Dauw heeft meer kleur dan men denkt', by Truus Ruiter https://www.volkskrant.nl/cultuur-media/dauw-heeft-meer-kleur-dan-men-denkt~b14d3e3c/; newspaper 'de Volkskrant', 27 July 1998
Gabriël avoided to use frequently grey in his work, because he loved natural colors
undated quotes
1941, Weird Tales, Vol. 36, p. 105
Haunted Hour