Quotes about decoration (211 quotes) | Quotes of famous people

“Art is not made to decorate rooms. It is an offensive weapon in the defense against the enemy.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

La peinture n'est pas faite pour décorer des appartements. C'est un instrument de guerre offensive et défensive contre l'ennemi.
La pintura no se ha inventado para adornar las habitaciones. La pintura es un arma ofensiva, en la defensa contra el enemigo.
Les lettres françaises (1943-03-24).
Quotes, 1940's

Art

“The moon is red, sensing the future, it has dressed up for its gala, or the Devil has decorated it.”

José Baroja book Un hijo de perra y otros cuentos

Future , Sense

“What do you think an artist is?… he is a political being, constantly aware of the heart breaking, passionate, or delightful things that happen in the world, shaping himself completely in their image. Painting is not done to decorate apartments. It is an instrument of war.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

War , World , Thinking , Passion

“What do you think an artist is? An imbecile who only has eyes, if he is a painter, or ears if he is a musician, or a lyre in every chamber of his heart if he is a poet, or even, if he is a boxer, just his muscles? Far from it: at the same time he is also a political being, constantly aware of the heartbreaking, passionate, or delightful things that happen in the world, shaping himself completely in their image. How could it be possible to feel no interest in other people, and with a cool indifference to detach yourself from the very life which they bring to you so abundantly? No, painting is not done to decorate apartments. It is an instrument of war.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Life , War , People , World

“There is a saying in the Islands. Beware the women of the warrior class, for all they touch is both decorative and deadly.-Yuki”

Tamora Pierce Squire

Source: Squire

Women

“Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer

Source: Real Frank Zappa Book

Music , Time

“With what is he concerned? Drawing was at its lowest ebb; it had to be restored. Looking at these nudes, I exclaim, 'Drawing has come back again!'
As a man and painter he sets an example. 'Degas' is one of those rare masters who could have had anything he wanted, yet he scorned decorations, honors, fortune, without bitterness, without jealousy.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Quote of Paul Gauguin, in Avant et après (1903)
1890s - 1910s

Jealousy , Drawing

“My dear boy, no woman is a genius. Women are a decorative sex. They never have anything to say, but they say it charmingly. Women represent the triumph of matter over mind, just as men represent the triumph of mind over morals.”

Oscar Wilde book The Picture of Dorian Gray

Source: The Picture of Dorian Gray

Women , Men , Sex , Boy

“I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room—but eventually, you learn to live with it.”

Jodi Picoult (1966) Author

Source: Leaving Time

Thinking , Learning

“I have a high pain threshold. In fact, it's more of a large and tastfully decorated foyer than a threshold. But I do get easily bored”

Cassandra Clare book City of Bones

Source: City of Bones

Pain

“… a metaphor… is like lying but more decorative.”

Terry Pratchett book Guards! Guards!

Source: Guards! Guards!

Lying

“Then I feel, Harry, that I have given away my whole soul to someone who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer's day.”

Oscar Wilde book The Picture of Dorian Gray

Source: The Picture of Dorian Gray

Feeling , Soul , Flowers , Summer

“Orders and decorations are necessary in order to dazzle the people.”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

Source: Political Aphorisms, Moral and Philosophical Thoughts (1848), p. 248

People

“After he had gone over the mansion, his entertainer asked him what he thought of the splendours it contained; and he in reply did full justice to the riches of its owner and the skill of its decorators, but he added, "Lions would have fared better, had lions been the artists."”

John Henry Newman (1801–1890) English cleric and cardinal

Lecture I, Section 1.
Lectures on the Present Position of Catholics in England (1851)

Justice

“I was born undisciplined. Never, even as a child, could I be made to obey a set rule. What little I know I learned at home. School was always like a prison to me, I could never bring myself to stay there, even four hours a day, when the sun was shining and the sea was so tempting, and it was such fun scrambling over cliffs and paddling in the shallows. Such, to the great despair of my parents, was the unruly but healthy life I lived until I was fourteen or fifteen. In the meantime I somehow picked up the rudiments of reading, writing and arithmetic, with a smattering of spelling. And there my schooling ended. It never worried me very much because I always had plenty of amusements on the side. I doodled in the margins of my books, I decorated our blue copy paper with ultra-fantastic drawings, and I drew the faces and profiles of my schoolmasters as outrageously as I could, distorting them out of all recognition.”

Claude Monet (1840–1926) French impressionist painter

in Denis Rouart (1972) Claude Monet, p. 21 : About his youth
after Monet's death

Life , Books , School , Home

“At the ceremony of signing the decoration I met Field-Marshal Montgomery for the first time. During the war I had closely followed the actions of British troops under his command. In 1940 the British Expeditionary Corps had sustained a disastrous setback at Dunkirk. Later, British troops under Montgomery's command had smashed the German corps under General Rommel at El Alamein. During the Normandy landing Montgomery had ably commanded the Allied forces and their advance to the banks of the Seine. Montgomery was above medium height, very agile, soldierly, trim and created an impression of a lively and intelligent man. He began to talk about the operations at El Alamein and at Stalingrad. In his view the two operations were of equal significance. I did not want to belittle the merits of the British troops, but still I had to explain to him that the El Alamein operation was carried out on an army scale, while at Stalingrad the operation engaged a group of fronts and it had a vast strategic importance- it resulted in the rout of a maor enemy force in the area of the Volga and Don rivers and later, in the North Caucasus. It was an operation that actually marked a radical turning-point in the war and ensured the retreat of the German forces from our country.”

Georgy Zhukov (1896–1974) Marshal of the Soviet Union

p. 661

War , Intelligence , Time , Country

“The thirteenth century knew more about religion and decoration than the twentieth century will ever learn.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Religion , Learning

“Literary translation is not merely an act of picking words from one language and keeping it by dipping in the vessel of another language. Those words need to be rinsed, washed, carved and decorated as much as possible.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

<span class="plainlinks"> Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/</span>
From Prose

“At a very early stage I realised that it's a real problem to perform electronic music on stage because electronic instruments are not particularly convincing on a visual point of view: somebody behind his computer, it's not particularly visual. So I was inspired by the opera. And what was the opera in the 19th century? It was the idea for a musician to join and to work, to collaborate with a stage director, with carpenters, painters, people doing decors, graphic artists to have a visual prolongation, a visual correspondence to their work. That's what I tried to do with the tools of my generation: electronics and video and lights and all that.”

Jean-Michel Jarre (1948) French composer, performer and music producer

interviewed on the Danish Monitor radio programme 2005-11-30

People , Music , Idea , Problem

“I am probably the least sensuous of all living beings; being almost exclusively visual and quasi-abstract in imagination, and tending to view and enjoy all things as a passive, detached, and sometimes remote spectator. Those arts which appeal most to the ideational imagination—the sense of drama, pageantry, historic flux, collective organisation, or escape from the natural limitations of time, space, and natural law—are undoubtedly those which appeal chiefly to me. Even my strong love of architectural and decorative beauty is probably largely dependent upon the historical bearings of the forms and motifs in which I delight. I am not wholly insensible to abstract form, but seem to relish the associative element in art more instantly and acutely than the lyrical or mathematical element... I don't really revel in anything unless it reminds me of something else either real or visionary—unless it opens up visual avenues of linked pseudo-recollections leading to sensations of ego-expansion and liberation... usually bringing in the element of time, somehow based on the past, and harbouring hints of an elusive, intangible kind of adventurous expectancy.”

H.P. Lovecraft (1890–1937) American author

Letter to Virgil Finlay (25 September 1936), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, p. 310
Non-Fiction, Letters

Love , Law , Beauty , Art

“I never cared about whatever tragic event happened in China. It's faraway decoration, even if in blood and plague.”

Fernando Pessoa book The Book of Disquiet

Ibid., p. 164
The Book of Disquiet
Original: Nunca me pesou o que de trágico se passasse na China. É decoração longínqua, ainda que a sangue e peste.

“I don't see anything you need protecting from here," said the boy. "Except some bad decor and a possible mold problem. But you can usually clear that up with bleach.”

Cassandra Clare The Mortal Instruments

Jace to Freaky Pete, pg. 36
The Mortal Instruments, City of Ashes (2008)

Boy , Problem

“Women are a decorative sex. They never have anything to say, but they say it charmingly.”

Oscar Wilde (1854–1900) Irish writer and poet

Women , Sex

“This last summer, when I was on my way back to Vienna from the Appetite-Cure in the mountains, I fell over a cliff in the twilight, and broke some arms and legs and one thing or another, and by good luck was found by some peasants who had lost an ass, and they carried me to the nearest habitation, which was one of those large, low, thatch-roofed farm-houses, with apartments in the garret for the family, and a cunning little porch under the deep gable decorated with boxes of bright colored flowers and cats; on the ground floor a large and light sitting-room, separated from the milch-cattle apartment by a partition; and in the front yard rose stately and fine the wealth and pride of the house, the manure-pile. That sentence is Germanic, and shows that I am acquiring that sort of mastery of the art and spirit of the language which enables a man to travel all day in one sentence without changing cars.”

Mark Twain Christian Science

Book I, Ch. 1 http://www.gutenberg.org/files/3187/3187-h/3187-h.htm#link2H_4_0002
Christian Science (1907)

Family , Housing , Light , Mountain

“Think, Travel, Celebrate, Charm, Decorate, Dress, Live - colorfully”

Kate Spade (1962–2018) American fashion designer

Source: Becoming Myself: Reflections on Growing Up Female

Travel , Thinking

“Katniss: I guess all those hours decorating cakes paid off.
Peeta: Yes, frosting. The final defence of the dying. (252)”

Suzanne Collins (1962) American television writer and novelist

“Isabelle was holding an umbrella. It was clear plastic, decorated with decals of colorful flowers. It was one of the girliest things Simon had ever seen, and he didn’t blame Alec for ducking out from under it and taking his chances with the rain.”

Cassandra Clare The City of Lost Souls

Source: City of Lost Souls

Color , Flowers , Chance

“Don’t lie. You know you like to view but not to buy. I have found that I am not a space where people want to live, at least not without decorating first. And that is the stubbornness in me: I do not want to be someone’s little home.”

Jeanette Winterson book Gut Symmetries

Source: Gut Symmetries

People , Lie , Home

“The decorator of Las Colimas must have been a great admirer of both early Aztec and late Taco Bell architectural styles.”

Ilona Andrews American husband-and-wife novelist duo

Source: Magic Bites

“Wit and puns aren't just decor in the mind; they're essential signs that the mind knows it's on, recognizes its own software, can spot the bugs in its own program.”

Adam Gopnik (1956) American journalist

“Prose is architecture, not interior decoration, and the Baroque is over.”

Ernest Hemingway book Death in the Afternoon

Source: Death in the Afternoon (1932), Ch. 16

“I would be most content if my children grew up to be the kind of people who think decorating consists mostly of building enough bookshelves.”

Anna Quindlen (1952) journalist, Novelist

Funny , Children , People , Thinking

“His face and arms are so artfully disguised as to be invisible. I kneel beside him. “I guess all those hours decorating cakes paid off.” Peeta smiles. “Yes, frosting. The final defense of the dying.”

Suzanne Collins The Hunger Games

Source: The Hunger Games

Smile

“Pictures deface walls more often than they decorate them.”

William Wordsworth (1770–1850) English Romantic poet

This is only a slightly misquoted version of "Pictures deface walls oftener than they decorate them", written by Frank Lloyd Wright in the magazine Architectural Record in March 1908.
Misattributed

“I ask you, what good is a big picture window and the lavish appointments and a priceless decor in a home if there is no mother there?”

Spencer W. Kimball (1895–1985) President of The Church of Jesus Christ of Latter-day Saints

Source: The Miracle of Forgiveness

Home

“So plant your own gardens and decorate your own soul, instead of waiting for someone to bring you flowers.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Soul , Flowers , Waiting

“This twilight, Lothaire was holding court.
He sat upon his gilded throne, decorated
with gold-dipped skulls. His design. If he’d had a queen, her throne would have been similar. Of course, her skulls would be daintier.”

Kresley Cole American writer

Source: Lothaire

“She wanted out of that decorating scheme.”

Jeffrey Eugenides book The Virgin Suicides

Source: The Virgin Suicides

“I feel in colour, strong tones that I hue down for the comfort of the pastelly inclined. Beige and magnolia and a hint of pink are what the well-decorated heart is wearing; who wants my blood red and vein-blue?”

Jeanette Winterson book Gut Symmetries

Source: Gut Symmetries

Feeling , Strong , Heart

“As the art historian Emily Braun has documented, Klimt read Darwin and became fascinated with the structure of the cell… Thus, the small iconographic images on Adelle's dress are not simply decorative… they are symbols of male and female cells: rectangular sperm and ovoid eggs. …designed to match the sitter's seductive face and her full-blown reproductive capacities.”

Eric R. Kandel (1929) American neuropsychiatrist

The Age of Insight (2012)

Art , Reading

“In this assembly, every political school has its teachers — every creed has its adherents — and I may safely say, that this banquet is the tribute of United Ireland to the representative of American benevolence. Being such, I am at once reminded of the dinner which took place after the battle of Saratoga, at which Gates and Burgoyne — the rival soldiers — sat together. Strange scene! Ireland, the beaten and the bankrupt, entertains America, the victorious and the prosperous! Stranger still! The flag of the Victor decorates this hail — decorates our harbour — not, indeed, in triumph, but in sympathy — not to commemorate the defeat, but to predict the resurrection, of a fallen people! One thing is certain — we are sincere upon this occasion. There is truth in this compliment. For the first time in her career, Ireland has reason to be grateful to a foreign power. Foreign power, sir! Why should I designate that country a "foreign power," which has proved itself our sister country? England, they sometimes say, is our sister country. We deny the relationship — we discard it. We claim America as our sister, and claiming her as such, we have assembled here this night. Should a stranger, viewing this brilliant scene inquire of me, why it is that, amid the desolation of this day — whilst famine is in the land — whilst the hearse-plumes darken the summer scenery of the island, whilst death sows his harvest, and the earth teems not with the seeds of life, but with the seeds of corruption — should he inquire of me, why it is, that, amid this desolation, we hold high festival, hang out our banners, and thus carouse — I should reply, "Sir, the citizens of Dublin have met to pay a compliment to a plain citizen of America, which they would not pay — 'no, not for all the gold in Venice'”

Thomas Francis Meagher (1823–1867) Irish nationalist & American politician

to the minister of England."
Ireland and America (1846)

Life , Death , People , Truth

“The basic story line (in my new work) is about art leaving the realm of the artist, when the artist loses control of the work. It’s defined basically by two ends. One would be Louis XIV — that if you put art in the hands of an aristocracy or monarch, art will become reflective of ego and decorative — and on the other end of the scale would be Bob Hope — that if you give art to the masses, art will become reflective of mass ego and also decorative.”

Jeff Koons (1955) American artist

Constance Lewellen interview, 1986

Hope , Art

“I knew van Gogh less intimately. I spoke to him for the first time in 1887 in a popular eatery near 'La Fourche', Avenue de Clichy, [Paris], (closed). A huge windowed room was decorated with his canvases. He exhibited at the 'Independants', [Paris] in 1888, 1889, 1890..”

Georges Seurat (1859–1891) French painter

Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890

Time

“So, music does not attempt to imitate Nature's sounds, but it does interpet and embody emotions awakened by Nature through a convention of its own, in a way to be aesthetically pleasing. In some such way, we, taking our hint from Nature, construct decoratively pleasing harmonies and symphonies of color expression of our sentiments.”

Jean Metzinger (1883–1956) French painter

Quote of Metzinger in 'The Wild Men of Paris', by Gelett Burgess https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf, in 'The Architectural Record, Vol XXVII, May 1910, p. 414

Music , Color , Way , Nature

“What makes The Joker tick I wonder?” Fredric said. “I mean what are his real motivations?”
“Consider him at any level of conduct,” Bruce said slowly, “in the home, on the street, in interpersonal relations, in jail—always there is an extraordinary contradiction. He is dirty and compulsively neat, aloof and desperately gregarious, enthusiastic and sullen, generous and stingy, a snappy dresser and a scarecrow, a gentleman and a boor, given to extremes of happiness and despair, singularly well able to apply himself and capable of frittering away a lifetime in trivial pursuits, decorous and unseemly, kind and cruel, tolerant yet open to the most outrageous varieties of bigotry, a great friend and an implacable enemy, a lover and abominator of women, sweet-spoken and foul-mouthed, a rake and a puritan, swelling with hubris and haunted by inferiority, outcast and social climber, felon and philanthropist, barbarian and patron of the arts, enamored of novelty and solidly conservative, philosopher and fool, Republican and Democrat, large of soul and unbearably petty, distant and brimming with friendly impulses, an inveterate liar and astonishingly strict with petty cash, adventurous and timid, imaginative and stolid, malignly destructive and a planter of trees on Arbor Day—I tell you frankly, the man is a mess.”
“That’s extremely well said Bruce,” Fredric stated. “I think you’ve given a very thoughtful analysis.”

Donald Barthelme (1931–1989) American writer, editor, and professor

“I was paraphrasing what Mark Schorer said about Sinclair Lewis,” Bruce replied.
“The Joker’s Greatest Triumph”.
Come Back, Dr. Caligari (1964)

Women , Fools , Art , Home

“Decoration. Very rapidly executed, at one go, spontaneously [reflection of making a mural on the site for the terrace plaza hotel in Cincinnati]. What takes a long time in my case is the work of silent reflection; it is impossible for me to predict the duration of this preparatory period. You have to keep in mind that it is by no means a matter of just doing a large picture, and though it will not be possible to paint a true mural by attacking the wall directly, in fresco, to do so will require persistence while maintaining, as much as possible, the spirit of the great tradition of mural painting. I shall have to go to Cincinnati in advance as soon as I can, to view the architecture and its environs, because otherwise I would only create an easel painting in large format.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

In a letter to Pierre Matisse, 26 January 1946; as quoted in Calder Miro, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 70
1940 - 1960

Time , Painting

“This is the archetypal suburban-conservative nightmare — anonymous hordes of leftist boat-rockers viciously assaulting the champion of the decent people, who is just a really nice guy given to tending his lawn and minding his own business. Being "nice" is a central part of the Brooks yuppie's guilt-proofing self-image rationale; so long as you're the kind of guy who lets people merge on highways, stands politely in line at Starbucks, doesn't put garish Christmas decorations on his lawn and pays his taxes, you're not really doing anything wrong. It gets a little tiring after a while, hearing people who vote for wars tell you how nice they are.”

Matt Taibbi (1970) author and journalist

"David Brooks and the DLC: Best Friends Forever?", AlterNet (3 August 2006)

War , People , Guy , Business

“We should never forget Ratu Sukuna's warning about the dangers of chiefs simply becoming decorations. He said if that happened they were finished.”

Josefa Iloilo (1920–2011) President of Fiji

Opening address to the Great Council of Chiefs meeting, 27 July 2005 (excerpts)

Forgetting

“I think that for me any picture that works even if it is in the guise of pure color application, if it works, involved drawing. That is falt space on a flat surface. And for me, and I always say this, whether it's a Titian or a [Kenneth] Noland, the ones that come off work in that depth and the color perhaps it is divine and the thing that makes it work, but it is line color. If it doesn't work then it's decorative or dead or just applied colors on a surface. That's what wallpaper is. And that's the difference between the striped wallpaper and a great Noland.”

Helen Frankenthaler (1928–2011) American artist

quote about drawing in a picture
1960s, Interview with Barbara Rose', Archives - American Art, 1968

Color , Thinking , Drawing , Dead

“The Gaza sniper deserves a decoration, and the photographer a demerit.”

Avigdor Lieberman (1958) Israeli politician

In response over a video of a shooting by IDF soldiers on prostestors during the 2018 Gaza border protests. (April 10 2018) https://theintercept.com/2018/04/10/gaza-protests-palestine-israel-sniper-video/

“One area which shows how unknowingly predictable we are, is the way we decorate our houses. We all feel we make unique and distinct choices, yet we all conform to a cultural standard.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Trick of the Mind (2004–2006)

Way , Feeling , Housing

“Glory is not a conceit. It is not a decoration for valor. Glory belongs to the act of being constant to something greater than yourself, to a cause, to your principles, to the people on whom you rely and who rely on you in return.”

John McCain book Faith of My Fathers

As quoted in "Faith of My Fathers" http://www.issues2002.org/Senate/John_McCain_Principles_&_Values.htm (9 November 1999).
1990s

People

“It may be noted that some of the Christian correspondents objected to Ram Swarup’s article being published in The Times of India. The plea sounds strange, to say the least. The Christians in this country own and control a large-sized press which includes several daily newspapers and many periodicals. The language which is used in this media vis-a-vis Hinduism is not always decorous; quite often, it is intemperate. Besides, the Christians get ample space in the press which is supposed to be owned and controlled by the Hindus. It is only once in a while that an article critical, of Christian dogmas and/or missions, gets through. That, too, when the editor concerned finds that the facts cited and the conclusions drawn deserve the attention of his countrymen. The Christians who object to such articles being published at all have to think calmly and coolly whether their attitude reflects tolerance or otherwise. They have been telling us for many years now that they want and are prepared for a dialogue. We hope that the word “dialogue” in their current dictionary does not mean a monologue, as it did in past.”

Sita Ram Goel (1921–2003) Indian activist

History of Hindu-Christian Encounters (1996)

Hope , Thinking , Time , Past

“With… small-town life… there are hundreds of thousands… who are not content. The more intelligent young people… flee to the cities… and… stay there, seldom returning even for holidays. The reason, Carol insisted… is an unimaginatively standardized background, a sluggishness of speech and manners, a rigid ruling of the spirit by the desire to appear respectable. It is contentment… the contentment of the quiet dead, who are scornful of the living for their restless walking. It is the prohibition of happiness. It is the slavery self-sought and self-defended. It is dullness made God. A savorless people, gulping tasteless food and sitting afterward, coatless and thoughtless, in rocking-chairs prickly with inane decorations, listening to mechanical music, saying mechanical things about the excellence of Ford automobiles, and viewing themselves as the greatest race in the world.”

Sinclair Lewis book Main Street

Main Street (1920)

Life , God , People , World

“You can't possibly care about debt relief and the Simpsons. If you listen to Ligeti and James Macmillan then why would you want to know who won the United game last night or which Cabernet Sauvignon to drink with your meal tonight? Get back into your box.
Something else missing from the Times of 1968 was anything to do with the home or emotional life. There is nothing about marriage, divorce, children, schools, au pairs, depression, drinking, health, drugs, teenagers, affairs, fashion, sex, successful relationships, failing relationships, interior decor, cancer, infertility, faith, grandparents - or any of the other things that make up the texture of our non-working lives.”

Alan Rusbridger (1953) British newspaper editor

Rusbridger (2000) " Versions of seriousness http://www.theguardian.com/dumb/story/0,7369,391891,00.html", The Guardian. 4 November 2000: Cited in: Raymond Boyle (2006) Sports Journalism: Context and Issues. p. 11
According to Boyle 2006 Rusbridger argued that "changes in the broadsheet press simply reflects wider cultural shift in taste and the breaking down of areas of supposedly high and low culture."
2000s

Life , Marriage , Children , Health

“I helped my father who was a house painter and decorative painter. He made stage sets, he made glass paintings, he made everything. I was in the workshop and watched him. So as a child so-called art was not my view. That was, in my opinion, my father's job. But I liked to watch him; he comes, as my mother also, from a very craftsman's background. My father's parents were carpenters. They were also builders partly. They were painters. And several of them were very, active in the theater and all such nonsense, you know. On my mother's side there was much more heavy craft. They were blacksmiths. They made a specialty horse shoes and nails for them... So, as a child, my main fun was to watch others working. I loved to walk to the neighboring carpenter's place and up to the neighboring shoemaker in my home town.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Love , Art , Shoe , Home

“His wastefulness showed most of all in the architectural projects. He built a palace, stretching from the Palatine to the Esquiline, which he called…"The Golden House". The following details will give some notion of its size and magnificence. The entrance-hall was large enough to contain a huge statue of himself, 120 feet high…Parts of the house were overlaid with gold and studded with precious stones and mother-of pearl. All the dining-rooms had ceilings of fretted ivory, the panels of which could slide back and let a rain of flowers, or of perfume from hidden sprinklers, shower upon his guests. The main dining-room was circular, and its roof revolved, day and night, in time with the sky. Sea water, or sulphur water, was always on tap in the baths. When the palace had been decorated throughout in this lavish style, Nero dedicated it, and condescended to remark: "Good, now I can at last begin to live like a human being!"”
Non in alia re tamen damnosior quam in aedificando domum a Palatio Esquilias usque fecit, quam…Auream nominavit. De cuius spatio atque cultu suffecerit haec rettulisse. Vestibulum eius fuit, in quo colossus CXX pedum staret ipsius effigie…In ceteris partibus cuncta auro lita, distincta gemmis unionumque conchis erant; cenationes laqueatae tabulis eburneis versatilibus, ut flores, fistulatis, ut unguenta desuper spargerentur; praecipua cenationum rotunda, quae perpetuo diebus ac noctibus vice mundi circumageretur; balineae marinis et albulis fluentes aquis. Eius modi domum cum absolutam dedicaret, hactenus comprobavit, ut se diceret quasi hominem tandem habitare coepisse.

Sueton book The Twelve Caesars

Source: The Twelve Caesars, Nero, Ch. 31

Flowers , Water , Time , Parting

“At the Galerie Colette Allendy I exhibited some twenty monochrome surfaces, all in different colours: greens, reds, yellows, purples, blues, oranges.... and so found myself at the start of my career in this style... I was trying to show colour, but I realized at the private view that the public were prisoners of a preconceived point of view and that, confronted with all these surfaces of different colours, they responded far more to the inter-relationship of the different propositions, they reconstituted the elements of a decorative polychromy.”

Yves Klein (1928–1962) French artist

In 1956; p. 30
before 1960, "Yves Klein, 1928 – 1962, Selected Writings"

“In the evening I study a fair.... if you could see the pomp and luxury of the merry-go-round and the stands and booths. Everything is decorated in Baroque-style, all gold and silver; there are mirrors, fabrics, and electric lightning. By night the whole thing is fantastic and rowdy. First of all I shall make a small picture and some drawings for illustrations.”

Giacomo Balla (1871–1958) Italian artist

quote c. 1900, in: Giacomo Balla (1871 – 1951), ed. Fagiolo dell'Arco, exh. catalogue, Galleria Nationale d'Arte Moderna, Rome, 1971
Balla studied a fair for his later painting ' Luna park in Paris https://www.wikiart.org/en/giacomo-balla/luna-park-par-s-1900,' he painted in 1900

Study , Drawing , Night

“He now attacked the fort of Bhim, where was a temple of the Hindus. He was victorious, and obtained much wealth, including about a hundred idols of gold and silver. One of the golden images, which weighed a million mishkals, the Sultan appropriated to the decoration of the Mosque of Ghazni, so that the ornaments of the doors were of gold instead of iron.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Nagarkot Kangra (Himachal Pradesh) . Hamdu’llah bin ‘Abu Bakr bin Hamd bin Nasr Mustaufi : Tarikh-i-Guzida, in Elliot and Dowson, Vol. III : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. p. 65
Quotes from The History of India as told by its own Historians

Victory , Wealth

“Art is not merely a decorative enhancement of our lives but a sign of our desire to live in the world fully and honestly.”

Jan Zwicky (1955) Canadian philosopher

Governor Generals Award for Poetry, Nov. 1999.
Other

World , Art

“Outwardly Eisenhower impressed me favourably. On June 5 Eisenhower, Montgomery and de Lattre de Tassigny arrived in Berlin to sign the declaration on the defeat of Germany and the assumption of supreme authority in Germany by Governments of the USSR, the US, Britain and France. Before the formal meeting, Eisenhower came to my headquarters to confer upon me a high American military award: I was made Chief Commander of the Legion of Merit. On receiving the award, I immediately called Stalin and told him about it. Stalin said: "We should decorate Eisenhower and Montgomery with Orders of Victory and de Lattre de Tassigny with the Order of Suvorov, First Class." "May I tell them about it?"”

Georgy Zhukov (1896–1974) Marshal of the Soviet Union

I asked. Stalin said I could.
p. 660

Victory

“To succeed in brilliant businesses, to achieve great success, that is what the ambition and efforts of the majority of men aim at (or direct at or have their eyes on, "c'est ce à quoi visent l'ambition et les efforts de la majorité des hommes" Fr.) but after all (or at the end of the day), what do they get for it ("Qu'est-ce qu'ils en retirent", Fr.) Softer cushions, better meat (Here there seems to be a mistake in the book of Hélène Claparède-Spir, for it is written "une meilleure chère", what one may translate by 'a better dear'… whether its homonymous, chair, is 'meat'), more outward thoughtfuls ("prévenance extérieures", Fr.), maybe decorations (or medals)… that is all. And to think that there are found serious men who consume (or waste, "consument", Fr.) their whole existence in the pursuit and the expectation of these trivialities.”

African Spir (1837–1890) Russian philosopher

Source: Words of a Sage : Selected thoughts of African Spir (1937), p. 49.

Men , Books , Business , Thinking

“.. the modern artist can conclude that impulsive and speculative production has come to an end. THE ERA OF DECORATIVE TASTE HAS VANISHED, the artist of today has finished completely with the past. Scientific and technical developments oblige him to draw conclusions.... to revise his means, to establish laws creating a system, that is to say, to master his elementary means of expression in a conscious manner.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's article: 'Towards elementary plastic expression', in 'Material zur elementaren Gestaltung', G-1, July 1923; as quoted in 'Theo van Doesburg', Joost Baljeu, Studio Vista, London 1974, p. 141
1920 – 1926

Law , Past , Drawing

“Whether we are writing prose or verse we must never use language in a merely decorative way, every qualifying word, every adjective and adverb must be carefully inspected & weighed before it is used and ask before its use, is it really necessary.”

Vernon Scannell (1922–2007) British boxer and poet

A Proper Gentleman, 1977

Way

“Yet truth will sometimes lend her noblest fires,
And decorate the verse herself inspires:
This fact, in virtue's name, let Crabbe attest,—
Though Nature's sternest painter, yet the best.”

George Gordon Byron English Bards and Scotch Reviewers

Source: English Bards and Scotch Reviewers (1809), Line 839.

Truth , Nature

“The true greatness of a Nation cannot be in triumphs of the intellect alone. Literature and art may widen the sphere of its influence; they may adorn it; but they are in their nature but accessaries. The true grandeur of humanity is in moral elevation, enlightened and decorated by the intellect of man. The truest tokens of this grandeur in a State are the diffusion of the greatest happiness among the greatest number, and that passionless God-like Justice, which controls the relations of the State to other States, and to all the people, who are committed to its charge.”

Charles Sumner (1811–1874) American abolitionist and politician

"True Grandeur of Nations," oration before the authorities of the City of Boston (July 4, 1845)

God , People , Justice , Art

“I wanted a decorative pot to keep my hose in.”

Gina Barberi

Radio From Hell (June 22, 2006)

“Furthermore, we are instructed, when we do come across instances of temple destruction, as in the case of Aurangzeb, we have to be circumspect in inferring what has happened and why…. the early monuments – like the Quwwat-ul-Islam mosque in Delhi – had to be built in ‘great haste’, we are instructed…Proclamation of political power, alone! And what about the religion which insists that religious faith is all, that the political cannot be separated from the religious? And the name: the Quwwat-ul-Islam mosque, the Might of Islam mosque? Of course, that must be taken to be mere genuflection! And notice: ‘available materials were assembled and incorporated’, they ‘clearly came from Hindu sources’ – may be the materials were just lying about; may be the temples had crumbled on their own earlier; may be the Hindus voluntarily broke their temples and donated the materials? No? After all, there is no proof they didn’t! And so, the word ‘plundered’ is repeatedly put within quotation marks!
In fact, there is more. The use of such materials – from Hindu temples – for constructing Islamic mosques is part of ‘a process of architectural definition and accommodation by local workmen essential to the further development of a South Asian architecture for Islamic use’. The primary responsibility thus becomes that of those ‘local workmen’ and their ‘accommodation’. Hence, features in the Qutb complex come to ‘demonstrate a creative response by architects and carvers to a new programme’. A mosque that has clearly used materials, including pillars, from Hindu temples, in which undeniably ‘in the fabric of the central dome, a lintel carved with Hindu deities has been turned around so that its images face into the rubble wall’ comes ‘not to fix the rule’. ‘Rather, it stands in contrast to the rapid exploration of collaborative and creative possibilities – architectural, decorative, and synthetic – found in less fortified contexts.’ Conclusions to the contrary have been ‘misevaluations’. We are making the error of ‘seeing salvaged pieces’ – what a good word that, ‘salvaged ’: the pieces were not obtained by breaking down temples; they were lying as rubble and would inevitably have disintegrated with the passage of time; instead they were ‘salvaged ’, and given the honour of becoming part of new, pious buildings – ‘seeing salvaged pieces where healthy collaborative creativity was producing new forms’.”

Arun Shourie (1941) Indian journalist and politician

Eminent Historians: Their Technology, Their Line, Their Fraud

Faith , Religion , Error , Lying

“Our duty, Richard, is to be decorative and stay alive long enough to be promoted. But no one expects us to be useful! Good God! A junior officer being useful? That'll be the day.”

Bernard Cornwell (1944) British writer

Ensign Roderick Venables, p. 20
Sharpe (Novel Series), Sharpe's Fortress (1999)

God

“The Greeks were the classicists of antiquity, and they are still today the preeminent classicists. What marked all they did, the classic stamp, is a direct simplicity in expressing the significance of actual life. It was there the Greek artists and poets found what they wanted. The unfamiliar and the extraordinary were on the whole repellent to them, and they detested every form of exaggeration. Their desire was to express truthfully what lay at hand, which they saw as beautiful and full of meaning. But that was not the Roman way. When not directly under Greek guidance, the Roman did not perceive beauty in every-day matters, or indeed care to do so. Beauty was unimportant to him. Life in his eyes was a very serious and a very arduous business, and he had no time for what he would have thought of as a mere decoration of it.”

Edith Hamilton (1867–1963) American teacher and writer

Source: The Roman Way (1932), Ch. 10

Life , Beauty , Way , Business

“Be aware of the high notes, of the blissful faces and their soft messages, and listen for the silent message of a highly decorated gift.”

Dejan Stojanovic (1959) poet, writer, and businessman

Emissaries http://www.poemhunter.com/poem/emissaries/
From the poems written in English

“Perhaps the enemies of liberty are such only because they judge it by its loud voice. If they knew its charms, the dignity that accompanies it, how much a free man feels like a king, the perpetual inner light that is produced by decorous self-awareness and realization, perhaps there would be no greater friends of freedom than those who are its worst enemies.”

José Martí (1853–1895) Poet, writer, Cuban nationalist leader

Martí : Thoughts/Pensamientos (1994)

Feeling , Freedom , Light

“I gave myself up to you, gracious goddess
And I believe it will decorate your temples
like a precious jewel.”

Antoni Lange (1862–1929) Polish writer and philosopher

Vita Nova

“Reginald, in his way, was a pioneer.
None of the rest of his family had anything approaching Titian hair or a sense of humour, and they used primroses as a table decoration.
It follows that they never understood Reginald, who came down late to breakfast, and nibbled toast, and said disrespectful things about the universe. The family ate porridge, and believed in everything, even the weather forecast.”

Saki (1870–1916) British writer

"Reginald's Choir Treat"
Reginald (1904)

Family , Way , Sense , Universe

“.. I will endeavour to make clear to men of good will what the word 'material' means with regard to painting and that, without the material substance of paint, a painting is not a work of art but merely a decorative object, or rather, if it deals with an invented painting, the value of the image resides in its spiritual content.
In order to be a work of art, a painting must be very well painted and the good quality of the paint depends completely on the material substance of the paint with which it is executed. This matter, which constitutes the substance of painting, is composed of two elements which are equally important and absolutely inseparable: physical substance and metaphysical substance. These two elements complete each other reciprocally and when they are of a superior quality, create a masterpiece by way of their absolute harmony.”

Giorgio de Chirico (1888–1978) Italian artist

Quote from De Cirico's text 'A DISCOURSE ON THE MATERIAL SUBSTANCE OF PAINT', 1942 http://www.fondazionedechirico.org/wp-content/uploads/541-547Metafisica5_6.pdf, p. 542
1920s and later

Men , Art , Way , Painting

“He had come out of the war twice-decorated and with a thoughtful respect for the horrors of combat. He had seen terrible things, participated in terrible things…but that was the nature of war, and it was not something you could enter into halfway. War was a state of mind, war was all or nothing.”

Robert Charles Wilson book Memory Wire

Source: Memory Wire (1987), Chapter 15 (p. 134)

War , Nature

“But it's not just the ratty part of town. The upper class in San Francisco is that way. The Bohemian Grove, which I attend from time to time — it is the most faggy goddamned thing you could ever imagine, with that San Francisco crowd. I can't shake hands with anybody from San Francisco. Decorators. They got to do something. But we don't have to glorify it. You know one of the reasons fashions have made women look so terrible is because the goddamned designers hate women. Designers taking it out on the women. Now they're trying to get some more sexy things coming on again.”

Richard Nixon (1913–1994) 37th President of the United States of America

Tapes from 1971 as presented in "All the Philosopher King's Men" by James Warren in Harper's Magazine (February 2000)</small>
1970s, Tape transcripts (1971)

Women , Hate , Way , Imagination

““The practice of employing images as ornaments and memorials to decorate the temple of the Lord is in a most especial manner approved by the Word of God himself. Moses was commanded to place two cherubim upon the ark, and to set up a brazen figure of the fiery serpent, that those of the murmuring Israelites who had been bitten might recover from the poison of their wounds by looking on the image. In the description of Solomon's temple, we read of that prince, not only that he made in the oracle two cherubim of olive tree, of ten 83 Vide supra, p. 17. 101 cubits in height, but that ‘all the walls of the temple round about he carved with divers figures and carvings.’ “In the first book of Paralipomenon (Chronicles) we observe that when David imposed his injunction upon Solomon to realise his intention of building a house to the Lord, he delivered to him a description of the porch and temple, and concluded by thus assuring him: ‘All these things came to me written by the hand of the Lord, that I may understand the works of the pattern.’ “The isolated fact that images were not only directed by the Almighty God to be placed in the Mosaic tabernacle, and in the more sumptuous temple of Jerusalem, but that [132] he himself exhibited the pattern of them, will be alone sufficient to authorise the practice of the Catholic Church in regard to a similar observance.”—(Hierurgia, p. 371.) All this may be briefly answered. There was no representation of the Jewish patriarchs or saints either in the tabernacle or in the temple of Solomon, as is the case with the Christian saints in the Roman Catholic and Græco-Russian Churches; and the brazen serpent, to which the author alludes, was broken into pieces by order of King Hezekiah as soon as the Israelites began to worship it.”

John Calvin (1509–1564) French Protestant reformer

Source: A Treatise of Relics (1543), pp. 100-101

God , Books , Understanding , Tree

“My brother [the sculptor artist Raymond Duchamp-Villon had a kitchen in his little house in Puteaux, and he had the idea of decorating it with pictures by his buddies. He asked Gleizes, Metzinger, La Fresnaye, and I think Leger [all Cubist painters, then] to do some little paintings of the same size, like a sort of frieze. He asked me too, and I painted a coffee grinder which I made to explode.”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote from: Entretiens avec Marcel Duchamp, 1965; as cited in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 198
Duchamp's quote is referring to his painting 'Moulin a café', 1911 - many times reproduced from the lithography, made for the 1947 re-edition of Gleizes and Metzingers book 'Du Cubisme'
1951 - 1968

Coffee , Idea , Thinking , Painting

“As I wanted to suggest a luxuriant and untamed type of nature, a tropical sun that sets aglow everything around it, I was obliged to give my figures a suitable setting.It is indeed the outdoor life — yet intimate at the same time, in the thickets and the shady streams, these women whispering in an immense palace decorated by nature itself, with all the riches that Tahiti has to offer. This is the reason behind all these fabulous colors, this subdued and silent glow."But none of this exists!""Oh yes it does, as an equivalent of the grandeur, the depth, the mystery of Tahiti, when you have to express it on a canvas measuring only one square meter."Very subtle, very knowing in her naïveté is the Tahitian Eve. The riddle hiding in the depth of her childlike eyes is still incommunicable to me.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1890s - 1910s, The Writings of a Savage (1996), p. 137: Diverse Choses, his notebook (1896 - 1898)

Life , Women , Color , Nature

“Color doesn't work unless it works in space. Color alone is just decoration - you might as well be making a shower curtain.”

Helen Frankenthaler (1928–2011) American artist

1970s - 1980s, interview with Deborah Salomon in 'New York Times', 1989

Color

“It is of infinite importance to the public that the acts of magistrates should not only be substantially good, but also that they should be decorous.”

Lloyd Kenyon, 1st Baron Kenyon (1732–1802) British Baron

The King v. Sainsbury (1791), 4 T. R. 456.

“It is the property of every Hero, in every time, in every place and situation, that he come back to reality; that he stand upon things, and not shows of things. According as he loves, and venerates, articulately or with deep speechless thought, the awful realities of things, so will the hollow shows of things, however regular, decorous, accredited by Koreishes or Conclaves, be intolerable and detestable to him.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Priest

Love , Reality , Time

“The subject reports itself, it is never looked for. Afterwards a small drawing will follow for the color-planes which are determined immediately. These colors will be printed by large logs and updated and enlivened with the hand-roller. For pressing I use an old hand-press with lever (from c. 1800)... Sometimes it is necessary to press heavily, other times only very light. Sometimes one half of the block is rolled in [with ink] bold, the other half only skimpy. By first printing sometimes the first layer of paint on a piece of paper, a gentle tint appears which is then printed on the original. Another time I print the first print of the paper back on the original... As soon as the color-planes have been applied, the first state is reached, so to say..
.. Of course all kinds of side-steps can be made, while working. In case of enlivening the picture - both in terms of color or decoration - the main goal I always keep in mind.”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Het onderwerp meldt zichzelf en wordt nooit gezocht, daarna volgt een kleine tekening voor de kleurvlakken die meteen vaststaan. Deze kleuren worden met groote houtblokken gedrukt en met de handrol bijgewerkt en verlevendigt. Als pers gebruik ik een oude handpers met hefboom (c. 1800).. .Soms is het noodig zwaar te drukken, soms heel licht; soms wordt de ene helft van het blok vet ingerold [met inkt], de andere helft schraal, ook wordt door eerst op een stuk papier de eerste laag verf af te drukken een lichte tint gekregen die dan op het origineel afgedrukt wordt, een andere keer druk ik de eerste druk van het papier weer op het origineel af.. Zijn de kleurvlakken aangebracht, dan is als het ware de eerste staat bereikt..
.Het spreekt vanzelf dat onder het werk verschillende zijsprongetjes gemaakt kunnen worden. Ter verlevendiging, zowel wat kleur als wat versiering aangaat: het hoofddoel staat steeds voor oogen.
Quote from Werkman's letter (6.) to August Henkels, 24 Jan. 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 134
1940's

Color , Light , Appearance , Time

“I used to think I could understand everything and express everything. Or almost everything. I remember when I was writing my book about the war in Afghanistan, Zinky Boys, I went to Afghanistan and they showed me some of the foreign weapons that had been captured from the Afghan fighters. I was amazed at how perfect their forms were, how perfectly a human thought had been expressed. There was an officer standing next to me and he said, "If someone were to step on this Italian mine that you say is so pretty it looks like a Christmas decoration, there would be nothing left of them but a bucket of meat. You'd have to scrape them off the ground with a spoon." When I sat down to write this, it was the first time I thought, "Is this something I should say?" I had been raised on great Russian literature, I thought you could go very very far, and so I wrote about that meat. But the Zone—it's a separate world, a world within the rest of the world—and it's more powerful than anything literature has to say.”

Svetlana Alexievich book Voices from Chernobyl

Source: Voices from Chernobyl (2005), pp. 239–240

War , Books , World , Boy

“But this logic has also worked to exclude the decorative — the decorative insofar as it functions solely as decoration. It's as though aesthetic value, quality, could be preserved only by concentrating on "absolute" or "autonomous" art: thus on visual art — including even architecture — that held and moved and stirred the beholder as sheer decoration could not. Decoration is asked to be "merely" pleasing, "merely" embellishing, and the "functional" logic of Modernism leaves no room, apparently, for such "mereness."”

Robert Morgan (1943) American art historian

This is part of the pity of Modernism, one of the sacrifices it enjoins...
Clement Greenberg, Robert C. Morgan in: Clement Greenberg, Late Writings in Detached Observations http://books.google.co.in/books?id=8wFNAAAAYAAJ, University of Minnesota Press, 30 January 2007, p. 70

Art , Parting

“Think of late paintings where Christ is the central figure... Remember the large mosaics of Rome. Reconcile the employment of large-scale decorative means and the direct emotions of nature.”

Maurice Denis (1870–1943) French painter

Quote, March 1895, from Denis' Journal; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [23]
1890 - 1920

Nature , Thinking , Christ , Painting

“Just as a horse must have endurance and no defects, so it is with weapons. Horses should walk strongly, and swords and companion swords should cut strongly. Spears and halberds must stand up to heavy use: bows and guns must be sturdy. Weapons should be hardy rather than decorative.”

Miyamoto Musashi (1584–1645) Japanese martial artist, writer, artist

Go Rin No Sho (1645), The Ground Book

Horse

“The meaning of the word “feminist” has not really changed since it first appeared in a book review in the Athenaeum of April 27, 1895, describing a woman who “has in her the capacity of fighting her way back to independence.” It is the basic proposition that, as Nora put it in Ibsen's A Doll's House a century ago, “Before everything else I'm a human being.” It is the simply worded sign hoisted by a little girl in the 1970 Women's Strike for Equality: I AM NOT A BARBIE DOLL. Feminism asks the world to recognize at long last that women aren't decorative ornaments, worthy vessels, members of a “special-interest group”. They are half (in fact, now more than half) of the national population, and just as deserving of rights and opportunities, just as capable of participating in the world's events, as the other half. Feminism's agenda is basic It asks that women not be forced to “choose” between public justice and private happiness. It asks that women be free to define themselves — instead of having their identity defined for them, time and again, by their culture and their men.”

Susan Faludi book Backlash: The Undeclared War Against American Women

Backlash (1992)

Women , Men , Books , World

“Nothing is more perishable than worn-out apparel, yet, thanks to documentary evidence, to the custom of burying people of high rank in their robes, and to the practice of wrapping up relics of saints in pieces of precious stuffs, we are enabled to form a veiy good idea of what these stuffs were like and where they came from. In the first instance they appear to have come from Byzantium, and from the East generally; but the manufacture afterwards extended to Sicily, and received great impetus at the Norman conquest of that island; Roger I. even transplanting Greek workmen from the towns sacked by his army, and settling them in Sicily. Of course many of the workers would be Mohammedans, and the old patterns, perhaps with the addition of sundry animals, would still continue in use; hence the frequency of Arabic inscriptions in the borders, the Cufic character being one of the most ornamental ever used. In the Hotel de Clu^ny at Paris are preserved the remains of the vestments of a bishop of Bayonne, found when his sepulchre was opened in 1853, the date of the entombment being the twelfth century. Some of these remains are cloth of gold, but the most remarkable is a very deep border ornamented with blue Cufic letters on a gold ground; the letters are fimbriated with white, and from them issue delicate red scrolls, which end in Arabic sort of flowers: this tissue probably is pure Eastern work. On the contrary, the coronation robes of the German emperors, although of an Eastern pattern, bear inscriptions which tell us very clearly where they were manufactured: thus the Cufic characters on the cope inform us that it was made in the city of Palermo in the year 1133, while the tunic has the date of 1181, but then the inscription is in the Latin language. The practice of putting Cufic inscriptions on precious stuffs was not confined to the Eastern and Sicilian manufactures; in process of time other Italian cities took up the art, and, either because it was the fashion, or because they wished to pass off" their own work as Sicilian or Eastern manufacture, imitations of Arabic characters are continually met with, both on the few examples that have come down to us of the stuffs themselves, or on painted statues or sculptured effigies. These are the inscriptions which used to be the despair of antiquaries, who vainly searched out their meaning until it was discovered that they had no meaning at all, and that they were mere ornaments. Sometimes the inscriptions appear to be imitations of the Greek, and sometimes even of the Hebrew. The celebrated ciborium of Limoges work in the Louvre, known as the work of Magister G. Alpais, bears an ornament around its rim which a French antiquary has discovered to be nothing more than the upper part of a Cufic word repeated and made into a decoration.”

William Burges (1827–1881) English architect

Quote was introduced with the phrase:
In the lecture on the weaver's art, we are reminded of the superiority of Indian muslins and Chinese and Persian carpets, and the gorgeous costumes of the middle ages are contrasted with our own dark ungraceful garments. The Cufic inscriptions that have so perplexed antiquaries, were introduced with the rich Eastern stuffs so much sought after by the wealthy class, and though, as Mr. Burges observes
Source: Art applied to industry: a series of lectures, 1865, p. 85; Cited in: " Belles Lettres http://books.google.com/books?id=0EegAAAAMAAJ&pg=PA143" in: The Westminster Review, Vol. 84-85. Baldwin, Cradock, and Joy, 1865. p. 143

People , Art , Search , Flowers

“Matt Morgan: Have you been thinking about your religion/new order?Russell Brand: Yes I have actually Matt, and I've got a few more theories for it to make it absolutely watertight. We'll all be living on a nice island, vegetarians doing yoga and that. We'll get rid of ideas such as the nuclear family and like in African tribes the word 'mother' will mean all female members of the tribe and the word 'father' will mean all male members. There will be a lot of [wolf whistles] … and also we're not going to have no more currency, stuff like that, no brain-bending or mind-washing and we'll all be free to explore ourselves although there will be an age of consent and it'll be the same as usual so as people don't go 'Oh no…'.Matt Morgan: Pretty watertight, isn't it?Russell Brand: Pretty watertight so far Matt, I'd like to see a political theorist drive a bus through that. If so where did he get his licence? As we're in charge of issuing bus licences and they're not issued to possible dissenters, who are immediately killed on traitor's cove; one of the nicest parts of our island, decorated with all lovely corpses.”

Russell Brand (1975) British comedian, actor, and author

Radio 2 Show - 13th January 2007
Radio 2 Show (2007–2008)

Love , People , Age , Family

“My estimate of American character has improved, contrary to my expectations, by this visit…I find myself in love with their intelligence, their sincerity, and the decorous self-respect that actuates all classes. The very genius of activity seems to have found its fit abode in the souls of this restless and energetic race. They have not, ‘tis true, the force of Englishmen in personal weight or strength, but they have compensated for this deficiency by quickening the momentum of their enterprises. All is in favour of celerity of action and the saving of time. Speed, speed, speed, is the motto that is stamped in the form of their ships and steamboats, in the breed of their horses, and the light construction of their wagons and carts: and in the ten thousand contrivances that are met with here, whether for the abridging of the labour of months or minutes, whether a high-pressure engine or a patent boot-jack. All is done in pursuit of one common object, the economy of time.”

Richard Cobden (1804–1865) English manufacturer and Radical and Liberal statesman

Letter to F. Cobden (5 July 1835) during his visit to the United States, quoted in John Morley, The Life of Richard Cobden (London: T. Fisher Unwin, 1905), pp. 39-40.
1830s

Love , Soul , Intelligence , Light

“It is the greatest injustice done to Mondrian that people who are plastically blind see only decorative design instead of the plastic perfection which characterizes his work. The whole De Stijl group from which Mondrian's art was derived must be considered a protest against such blindness.”

Hans Hofmann (1880–1966) American artist

'Search for the Real in the Visual Arts', p. 47
Search for the Real and Other Essays (1948)

People , Art , Perfection