Quotes about decoration (211 quotes, page 2)

“Decorative and edifying. That is what I want art to be before anything else.”

Maurice Denis (1870–1943) French painter

as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [41]
Nouvelles théories sur l'art moderne..., 1922

Art

“The Oriental heritage, due to the long sojourn of the Moors in Spain, had a profound influence on the taste of the people. From these Oriental invaders the Spaniards derived the great surfaces of blank wall with occasional spots of luxuriant ornament that characterize nearly all their work. From them also comes the love of bright color shown in the use of polychrome tiles and rich fabrics and in the painting and gilding of sculpture and ornamental motives. While the large constructive forms, particularly vaults and domes, are frankly and simply expressed, the ornament as in the work of the Orient, is rather an incrustation, a mere surface decoration, than a pretense at logical construction.”

Clarence Stein (1882–1975) American architect

A Triumph of Spanish Colonial Style (1916)

Love , People , Color , Motivation

“But who can fathom the subtleties of the human heart? Certainly not those who expect from it only decorous sentiments and normal emotions.”

W. Somerset Maugham book The Moon and Sixpence

Source: The Moon and Sixpence (1919), Ch. 43, p. 154

Heart

“It is necessary to separate aesthetics from art because aesthetics deals with opinions on perception of the world in general. In the past one of the two prongs of art’s function was its value as decoration. So any branch of philosophy that dealt with “beauty” and thus, taste, was inevitably duty bound to discuss art as well. Out of this “habit” grew the notion that there was a conceptual connection between art and aesthetics, which is not true. This idea never drastically conflicted with artistic considerations before recent times, not only because the morphological characteristics of art perpetuated the continuity of this error, but as well, because the apparent other “functions” of art (depiction of religious themes, portraiture of aristocrats, detailing of architecture, etc.) used art to cover up art.”

Joseph Kosuth (1945) American conceptual artist

Art after Philosophy, 1969

World , Beauty , Art , Error

“Christians well know that the much-decorated statue of the Church, as it now stands, is not of pure chiseled marble, but of clay, cemented together by blood and tears and hardened in the fires of hatred and persecution.”

Virchand Gandhi (1864–1901) Jain scholar who represented Jainism at the first World Parliament of Religions in 1893

Christian Missions: A Triangular Debate, Before the Nineteenth Century Club of New York (1895)

Tear

“To Leonardo a landscape, like a human being, was part of a vast machine, to be understood part by part and, if possible, in the whole. Rocks were not simply decorative silhouettes. They were part of the earth's bones, with an anatomy of their own, caused by some remote seismic upheaval. Clouds were not random curls of the brush, drawn by some celestial artist, but were the congregation of tiny drops formed from the evaporation of the sea, and soon would pour back their rain into the rivers.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: Leonardo da Vinci (1939), Ch. Six: 1497-1503

Parting , Sea

Muhammad al-Taqi (811–835) ninth of the Twelve Imams of Twelver Shi'ism

al-Shahid al-Tustari, Ihqaqul-Haq, vol.12, p. 434
General

God , Fear , Smile , Knowledge

“These buildings are just right for the excesses of post-modernism -- decorative, frivolous -- serving to obviously excite and attract -- every feature using the architectural vocabulary freely without too much regard for serious function -- open glass atriums and shining metals and expensive and artificial marbles, zany letterings and excess neon.”

Peter Greenaway (1942) British film director

8 1/2 Women

“She well knew the great architectural secret of decorating her constructions, and never descended to construct a decoration.”

Anthony Trollope book Barchester Towers

Source: Barchester Towers (1857), Ch. 9

Secret

“Well folks, it's October and you know what that means: only a few more weeks 'til Hallowe'en when my family traditionally puts up our Christmas decorations. People come from far and wide to visit our haunted manger. We make their kids stick their hands in a spoooky bowl of Frankincense!! It's actually just spaghetti.”

Stephen Colbert (1964) American political satirist, writer, comedian, television host, and actor

On The Colbert Report (28 September 2006). Video available at Colbert Nation http://www.colbertnation.com/the-colbert-report-videos/76103/september-28-2006/the-blitzkrieg-on-grinchitude

People , Family , Christmas

“The King feels so strongly that, no matter the crime committed by anyone on whom the VC has been conferred, the decoration should not be forfeited. Even were a VC to be sentenced to be hanged for murder, he should be allowed to wear his VC on the scaffold.”

George V of the United Kingdom (1865–1936) King of the United Kingdom and the British Dominions, and Emperor of India

Lord Stamfordham, private secretary to George V, on 26 July 1920. The original Royal Warrant involved an expulsion clause that allowed for a recipient's name to be erased from the official register in certain wholly discreditable circumstances and his pension cancelled. Eight were forfeited between 1861 and 1908. George V strongly opposed the concept of revoking a Victoria Cross, and directed Lord Stamfordham to express this view forcefully in a letter.
About

Feeling

“I was trying to show colour, but I realized at the private view that the public were prisoners of a preconceived point of view and that, confronted with all these surfaces of different colours, they responded far more to the inter-relationship of the different propositions, they reconstituted the elements of a decorative polychromy.”

Yves Klein (1928–1962) French artist

In 1956; p. 30
before 1960, "Yves Klein, 1928 – 1962, Selected Writings"

“Looking carefully, one discovers at last that this gorgeous combination of all the hues of Paradise contains or hides a Last Judgment [....]

To the Virgin and her suppliants, as to us, who though outcasts in other churches can still hope in hers, the Last Judgment was not a symbol of God's justice or man's corruption but of her own infinite mercy. The Trinity judged, through Christ;— Christ loved and pardoned, through her. She wielded the last and highest power on earth and in hell. In the glow and beauty of her nature, the light of her Son's infinite love shone as the sunlight through the glass, turning the Last Judgement itself into the highest proof of her divine and supreme authority. The rudest ruffian of the middle-ages, when he looked at this Last Judgment, laughed, for what was the Last Judgment to her! An ornament, a play-thing, a pleasure! a jewelled decoration which she wore on her breast! Her chief joy was to pardon; her eternal instinct was to love; her deepest passion was pity! On her imperial heart the flames of hell showed only the opaline colors of heaven. Christ the Trinity might judge as much as he pleased, but Christ the Mother would rescue; and her servants could look boldly into the flames.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Love , God , Pleasure , Age

“A cat is the ideal literary companion. A wife, I am sure, cannot compare except to her disadvantage. A dog is out of the question. It may do at a butcher's – it would be out of place in a bookseller's. A cat for a bookseller is a different creature temperamentally from the same animal at a fishmonger's or a baker's. In these shops the cat is a useful animal – I suppose it is employed to eat fish entrails or to keep down rats and mice – but in my shop its function is that of a familiar. It is at once decorative – contemplative – philosophical, and it begets in me great calm and contentment.”

William Darling (politician) (1885–1962) Scottish politician

Source: The Bankrupt Bookseller (1947), p. 48

Dogs , Cats , Question , Fish

“What amazement, followed by what a revelation! In place of windows opening on nature, like the impressionists, these were surfaces which were solidly decorative, powerfully colorful, bordered with brutal strokes, partitioned.”

Maurice Denis (1870–1943) French painter

Quote of Denis, 1909: from Bouillon 2006, pp. 17-18; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [9]
In 1889, Denis was captivated by an exposition of works of Paul Gauguin and his friends at the Cafe Volponi, on the edge of the Paris Universal Exposition, that year
1890 - 1920

Color , Nature

“Expression for me does not reside in passions glowing in a human face or manifested by violent movement. The entire arrangement of my picture is expressive; the place occupied by my figures, the empty space around them, the proportions, everything has its share. Composition is the art of arranging in a decorative manner the diverse elements at the painter's command to express his feelings. In a picture every part will be visible and will play its appointed role, whether it be principal or secondary. Everything that is not useful in the picture is, it follows, harmful. A work of art must be harmonious in its entirety: any superfluous detail would replace some other essential detail in the mind of the spectator.”

Henri Matisse (1869–1954) French artist

1905 - 1910, Notes of a Painter' (1908)

Art , Feeling , Passion , Parting

“Assad appears to have decided to purge his government of anyone remotely suspected of sympathizing with the pro-democracy uprising — with his first priority being to reassert control of the armed forces. To hammer that home, he’s appearing on state TV in military uniforms in his role as commander-in-chief — his chest often covered with Syria’s highest military decorations for bravery, although he’s never done military service.”

Amir Taheri (1942) Iranian journalist

"The lonely dictator" http://nypost.com/2011/08/12/the-lonely-dictator/, New York Post (August 12, 2011).
New York Post

Democracy , Home , Appearance

“The intrinsic decorative urge should not be eradicated. It is one of humankind's deep-rooted, primordial urges. Primitive people decorated their implements and cult objects with a desire to beautify and enhance.... it is a sense emanating from the urge for perfection and creative accomplishment.”

Sophie Taeuber-Arp (1889–1943) Swiss artist

Quote of 1927, on The Artstory: 'Sophie Taeuber-Arp http://www.theartstory.org/artist-taeuber-arp-sophie.htm, Swiss Multi-media, applied arts, performance artist, and textile designer'

People , Sense , Perfection

“If until now colour and form were used as inner agents, it was mainly done subconsciously. The subordination of composition to geometrical form is no new idea (cf. the art of the Persians). Construction on a purely spiritual basis is a slow business, and at first seemingly blind and unmethodical. The artist must train not only his eye but also his soul, so that it can weigh colours in its own scale and thus become a determinant in artistic creation. If we begin at once to break the bonds that bind us to nature and to devote ourselves purely to combination of pure colour and independent form, we shall produce works that are mere geometric decoration, resembling something like a necktie or a carpet. Beauty of form and colour is no sufficient aim by itself, despite the assertions of pure aesthetes or even of naturalists obsessed with the idea of "beauty". It is because our painting is still at an elementary stage that we are so little able to be moved by wholly autonomous colour and form composition. The nerve vibrations are there (as we feel when confronted by applied art), but they get no farther than the nerves because the corresponding vibrations of the spirit which they call forth are weak. When we remember however, that spiritual experience is quickening, that positive science, the firmest basis of human thought is tottering, that dissolution of matter is imminent, we have reason to hope that the hour of pure composition is not far away. The first stage has arrived.”

Wassily Kandinsky (1866–1944) Russian painter

Quote from Concerning the Spiritual in Art, Wassily Kandinsky, Munich, 1912; as cited in Kandinsky, Frank Whitford, Paul Hamlyn Ltd, London 1967, p. 15
1910 - 1915

Beauty , Hope , Art , Feeling

“For every thing there is an embellishment (or a decoration), and the embellishment of the Qur’an is a good voice.”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Biharul Anwar, Volume 92, Page 190
Shi'ite Hadith

““.. I felt angry when I learnt that a great artist like Mani Madhava Chakyar was awarded a mere Padma Shri. A man of his artistic genius and erudition deserved to be decorated with the highest state honour (Bharat Ratna)”
- RKG (Editor, The Illustrated Weekly, Columnist for Times of India), 2000”

Mani Madhava Chakyar (1899–1990) Indian actor

Awards
Source: RKG, India : A Nation in Turmoil, Vedam Books, New Delhi (2000), ISBN 81-7476-268-X, p. 256 http://books.google.com/books?id=pKkBbf7doAUC&pg=RA1-PA256&ots=46YGGQqKUK&dq=Mani+Madhava+Chakyar&sig=BtI2LnPjtmf8b9sIMMlC4ihk40Y#PRA1-PA256,M1

Time

“I couldn't portray a women in all her natural loveliness.... I haven't the skill. No one has. I must, therefore, create a new sort of beauty, the beauty that appears to me in terms of volume of line, of mass, of weight, and through that beauty interpret my subjective impression. Nature is mere a pretext for decorative composition, plus sentiment. It suggests emotion, and I translate that emotion into art. I want to express the absolute, not merely the factitious woman.”

Georges Braque (1882–1963) French painter and sculptor

Quote of Braque, late 1908; as cited in The wild men of Paris, Gelett Burgess, https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf in 'The Architectural Record', p. 405, May 1910; as cited in Braque, by Edwin Mullins, Thames and Hudson, London 1968, p. 34
1908 - 1920

Women , Beauty , Art , Nature

“Most fiction writers uses dreams decoratively without relating them to daily life, but the contemporary writer is becoming more expert at detecting the influence of one upon the other.”

Anaïs Nin book The Novel of the Future

The Novel of the Future (1969)

Life , Dreams

“In some great boarding schools for the fair sex, it is customary, upon the introduction of a novice, for the scholars to receive her with much pretended solemnity, and decorate a throne in which she is to be installed, in order to hear a set speech, addressed to her by one of the young ladies in the name of the rest. The throne is wide enough for three persons to sit conveniently, and is made with two stools, having a tub nearly filled with water between them, and the whole is covered by a counterpane or blanket, ornamented with ribands and other trifling fineries, and drawn very tightly over the two stools, upon each of which a lady is seated to keep the blanket from giving way when the new scholar takes her place; and these are called her maids of honour. The speech consists of high-flown compliments calculated to flatter the vanity of the stranger; and as soon as it is concluded, the maids of honour rising suddenly together, the counterpane of course gives way, and poor miss is unexpectedly immerged in the water.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 396
The Sports and Pastimes of the People of England (1801), Initiation

School , Sex , Way , Water

“The life-boat may have a tasteful bend and beautiful decoration, but these are not the qualities for which I prize it; it was my salvation from the howling sea! So the interest which a regenerate soul takes in the Bible, is founded on a personal application to the heart of the saving truth which it contains.”

James Waddel Alexander (1804–1859) American Presbyterian minister and theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 30.

Life , Truth , Beauty , Soul

“Gertrude Stein, in her work, has always been possessed by the intellectual passion for exactitude in the description of the inner and outer reality. She has reproduced simplification by this concentration, and as a result the destruction of associational emotion in poetry and prose. She knows that beauty, music, decoration, the result of emotion should never be the cause, even events should never be the cause of emotion nor should they be the material of poetry or prose. Nor should emotion itself be the cause of poetry and prose. They should consist of an exact reproduction of either an outer or inner reality.”

Gertrude Stein book The Autobiography of Alice B. Toklas

Source: The Autobiography of Alice B. Toklas (1933), p. 259

Beauty , Music , Reality , Passion

“When Morris Louis showed in 1958, everybody [like in 'Art News', by Tom Hess ] dismissed his work as thin, merely decorative. They still do. Louis is the really interesting case... In every sense his instincts were Abstract Expressionist, and he was terribly involved with all of that, but he felt he had to move, too.”

Frank Stella (1936) American artist

Frank Stella in: The New York school – the painters & sculptors of the fifties, Irving Sandler, Harper & Row, Publishers, 1978, p. 319 note 68
quote of Stella, 1960's, concerning the position of stain painting
Quotes, 1960 - 1970

Art , Sense

“It is now sixteen or seventeen years since I saw the Queen of France, then the Dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she just began to move in—glittering like the morning star, full of life, and splendor, and joy. Oh! what a Revolution! And what a heart must I have to contemplate without emotion that elevation and that fall! Little did I dream when she added titles of veneration to those of enthusiastic, distant, respectful love, that she should ever be obliged to carry the sharp antidote against disgrace concealed in that bosom; little did I dream that I should have lived to see such disasters fallen upon her in a nation of gallant men, in a nation of men of honor, and of cavaliers. I thought ten thousand swords must have leaped from their scabbards to avenge even a look that threatened her with insult. But the age of chivalry is gone. That of sophisters, economists, and calculators has succeeded; and the glory of Europe is extinguished for ever.”

Edmund Burke book Reflections on the Revolution in France

Volume iii, p. 331
Reflections on the Revolution in France (1790)

Love , Life , Men , Age

“This pursuit of security in the past, this attempt to find a haven in a fixed dogma and an organizational hierarchy as substitutes for creative thought and praxis is bitter evidence of how little many revolutionaries are capable of 'revolutionizing themselves and things,' much less of revolutionizing society as a whole. The deep-rooted conservatism of the People's Labor Party 'revolutionaries' is almost painfully evident; the authoritarian leader and hierarchy replace the patriarch and the school bureaucracy; the discipline of the Movement replaces the discipline of bourgeois society; the authoritarian code of political obedience replaces the state; the credo of 'proletarian morality' replaces the mores of puritanism and the work ethic. The old substance of exploitative society reappears in new forms, draped in a red flag, decorated by portraits of Mao (or Castro or Che) and adorned with the little 'Red Book' and other sacred litanies.”

Murray Bookchin (1921–2006) American libertarian socialist author, orator, and philosopher

"Listen, Marxist!" (May 1969); also available in Post Scarcity Anarchism (1971).
Listen, Marxist!

People , Books , School , Past

“It were to be wished that no youth of genius were suffered ever to look into Statius, Lucan, Claudian, or Seneca the tragedian; authors who, by their forced conceits, by their violent metaphors, by their swelling epithets, by their want of just decorum, have a strong tendency to dazzle and to mislead inexperienced minds, and tastes unformed, from the true relish of possibility, propriety, simplicity, and nature. […] If I might venture to pronounce so rigorous a sentence, I would say, that the Romans can boast of but eight poets who are unexceptionably excellent,—namely, Terence, Lucretius, Catullus, Virgil, Horace, Tibullus, Propertius, Phaedrus. These only can be called legitimate models of just thinking and writing. Succeeding authors, as it happens in all countries, resolving to be original and new, and to avoid the imputation of copying, become distorted and unnatural. By endeavouring to open an unbeaten path, they deserted simplicity and truth; weary of common and obvious beauties, they must needs hunt for remote and artificial decorations…”

Joseph Warton (1722–1800) English literary critic

An Essay on the Genius and Writings of Pope, Vol. II (1782), pp. 21–24

Truth , Youth , Beauty , Nature

“The aim of art is to create space - space that is not compromised by decoration or illustration, space within which the subjects of painting can live.”

Frank Stella (1936) American artist

Quoted in: Alan D. Bryce (2007) Art Smart: Art Smart: The Intelligent Guide to Investing in the Canadian Art Market. p. 55
Quotes, 1971 - 2000

Art , Painting

“Cooking is like decorating — it never bores me.”

Robert Denning (1927–2005) American interior designer

"Denning's Pot-au-Feu – A decorator indulges his passion for cuisine bourgeoise", by Suzanne Hart, House & Garden, March 1992

Cooking

“If you must commit suicide – and there is no knowing to what people may be brought – always contrive to do it as decorously as possible; the decencies, whether of life or of death, should never be lost sight of.”

George Borrow book Lavengro

Source: Lavengro (1851), Ch. 23

Life , Death , People , Suicide

“The chimney-sweepers of London have also singled out the first of May for their festival; at which time they parade the streets in companies, disguised in various manners. Their dresses are usually decorated with gilt paper, and other mock fineries; they have their shovels and brushes in their hands, which they rattle one upon the other; and to this rough music they jump about in imitation of dancing.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 358
The Sports and Pastimes of the People of England (1801), Chimney sweeps

Music , Time , Dance

“Anyway, you know full well I never wear boutonnieres. The decoration has fallen into disrepute. The only remaining devotees of the practice are roués and saxophone players.”

S. S. Van Dine book The Benson Murder Case

Source: The Benson Murder Case (1926), Ch. 2

“I set to work. I pointed a mural for the main wall: Introduction to the New National Theatre. The other interior walls, the ceiling and the friezes depicted the forerunners of the contemporary actor – a popular musician, a wedding jester, a good woman dancing, a copyist of the Torah, the first poet dreamer, and finally a modern couple flying over the stage. The friezes were decorated with dishes and food, beigels and fruits spread out on well-laid tables. I looked forward to meeting the actors who passed me: 'Let us agree. Let's join forces and throw out all this old rubbish. Let's work a miracle!”

Marc Chagall (1887–1985) French artist and painter

c. 1921
Quote from 'Chagall in the Yiddish Theater', Avram Kampf, as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 101
1920's

Food , Wedding , Dance , Flying

“Splendid Things
Chinese brocade. A sword with a decorated scabbard. The grain of the wood in a Buddhist statue. Long flowering branches of beautifully coloured wistaria entwined about a pine tree.”

Sei Shonagon (966–1025) Japanese author and a court lady

Source: The Pillow Book of Sei Shōnagon (1002), p. 109

Flowers , Tree

“I have long recognized the theory and aesthetic of such comprehensive display: show everything and incite wonder by sheer variety. But I had never realized how powerfully the decor of a cabinet museum can promote this goal until I saw the Dublin [Natural History Museum] fixtures redone right. […] The exuberance is all of one piece—organic and architectural. I write this essay to offer my warmest congratulations to the Dublin Museum for choosing preservation—a decision not only scientifically right, but also ethically sound and decidedly courageous. The avant-garde is not an exclusive locus of courage; a principled stand within a reconstituted rear unit may call down just as much ridicule and demand equal fortitude. Crowds do not always rush off in admirable or defendable directions.”

Stephen Jay Gould book Dinosaur in a Haystack

"Cabinet Museums: Alive, Alive, O!", p. 244
Dinosaur in a Haystack (1995)

History , Courage , Nature , Decision

“…one straggles gracelessly through a wilderness of common sense. It is an experience for which the reader of modern criticism is unprepared: in that jungle through which one wanders, with its misshapen and extravagant and cannibalistic growths, bent double with fruit and tentacles, disquieting with their rank eccentric life, one comes surprisingly on something so palely healthy: a decorous plant, without thorns or flowers, rootless in the thin sand of the drawing room.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

of Modern Poetry: A Personal Essay by Louis MacNiece, “From That Island”, pp. 31–32
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Life , Flowers , Sense , Drawing

“Well! according to the sketch your picture [which Whistler sent him in a letter] seems well-composed, the lines of sky, sea, the position of the figures all that seems very, very well done[, ] on opening the letter it struck me immediately, an impression of decorative ornamentation which makes a good picture appeal to the eye as well - upside down and any other way up. Arrangement, layout, composition. etc - mysterious words harmonious laws - in no way conventional - needs of the Artist glory of the Raphael's Michelangelo's etc etc - for me a repetition a hesitation, a matter of feeling - which should also be a law, a mathematical thing, like form, like light, colour[. ] I find similarities with the colour method which works by opposing colours to arrive at a harmony that is to say to make a canvas a complete whole, to put into a small space an image with all the forces all the principles of nature - [instead of showing a part of it]..”

Henri Fantin-Latour (1836–1904) painter from France

quote from a letter of Fantin-Latour, Paris 7-14 October 1862 to James Whistler; from The Correspondence of James McNeill Whistler - Repository: Glasgow University Library http://www.whistler.arts.gla.ac.uk/correspondence/people/display/?cid=1075&nameid=Manet_E&sr=0&surname=&firstname=&rs=1 - System Number: 01075; Call Number: MS Whistler F 6.

Law , Way , Feeling , Mathematics

“Literature, outside of the masters, has given us but one idea of the mistress, the subtle, calculating siren who delights to prey on the souls of men. The journalism and the moral pamphleteering of the time seem to foster it with almost partisan zeal. It would seem that a censorship of life had been established by divinity, and the care of its execution given into the hands of the utterly conservative. Yet there is that other form of liaison which has nothing to do with conscious calculation. In the vast majority of cases it is without design or guile. The average woman, controlled by her affections and deeply in love, is no more capable than a child of anything save sacrificial thought—the desire to give; and so long as this state endures, she can only do this. She may change—Hell hath no fury, etc.—but the sacrificial, yielding, solicitous attitude is more often the outstanding characteristic of the mistress; and it is this very attitude in contradistinction to the grasping legality of established matrimony that has caused so many wounds in the defenses of the latter. The temperament of man, either male or female, cannot help falling down before and worshiping this nonseeking, sacrificial note. It approaches vast distinction in life. It appears to be related to that last word in art, that largeness of spirit which is the first characteristic of the great picture, the great building, the great sculpture, the great decoration—namely, a giving, freely and without stint, of itself, of beauty.”

Theodore Dreiser book The Financier

Source: The Financier (1912), Ch. XXIII

Love , Life , Men , Beauty

“In Castleford, where I was born, there are what are called sand holes. They are caves where the sand has been excavated and they run into the side of certain hillsides, quite a long distance, and you can get lost in them. Now these had a fascination for me, and as boys we would take a reel of cotton many yards long and go into the caves. But one wouldn't go further than the cotton because it was dark. You wouldn't know your way back. In those days there weren't flash lamps, so one only had a match or something, and the matches were these brimstone matches. And the caves always had this fascination for me, these holes did. Digging into something always had this fascination for me. So I think it's not so much Archipenko, because the Archipenko hole is a decorative one. I mean he makes a hole in a breast instead of a fullness, but the hole acts the same.”

Henry Moore (1898–1986) English artist

1970 and later
Source: The Donald Caroll interviews, Talmy Franklin, London 1973, p. 378

Way , Boy , Thinking

“Relations between the United States and the Third Reich opened in 1939 on a distinctly sour and strident note. It began when Harold L. Ickes, the Secretary of the Interior, speaking to a Zionist Society dinner in Cleveland at the end of 1938, declared Hitler had taken Germany back to "a period when man was unlettered, benighted, and brutal." The November pogrom demonstrated Hitler counted "the day lost when he can commit no crime against humanity." Ickes attacked Ford and Lindbergh for accepting decorations from the "same hand" that was "robbing and torturing thousands of fellow human beiongs."”

Harold L. Ickes (1874–1952) American politician

Zionist Society Dinner Speech, Cleveland, OH (Dec. 1938) as quoted by Michael Zalampas, Adolf Hitler and the Third Reich in American Magazines, 1923-1939 (1989) p.171

“Expression, to my way of thinking, does not consist of the passion mirrored upon a human face or betrayed by a violent gesture. The whole arrangement of my picture is expressive. The place occupied by figures or objects, the empty spaces around them, the proportions – everything plays a part. Composition is the art of arranging in a decorative manner the various elements at the painter’s disposal for the expression of his feelings”

Henri Matisse (1869–1954) French artist

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 410

Art , Way , Feeling , Thinking

“Pictures deface walls oftener than they decorate them.”

Frank Lloyd Wright (1867–1959) American architect (1867-1959)

"In the Cause of Architecture", in The Architectural Record (March 1908)

“But to get back to the point: did you ever imagine that your dad, who lives so far away from the bustle and intrigue of the world, working on his prints day after day like a hermit, would some day be drawn into the sickening scene of vain officialdom, despite himself?... But what on earth can I do about it? Luckily I can swear by God and all his angels that I never moved a finger to get the decoration or licked the boots of any bigwigs.”

M. C. Escher (1898–1972) Dutch graphic artist

Quote from Escher's letter to his son, 30 April 1955; as cited in 'Gaining Popularity', in Biography of M.C. Escher http://im-possible.info/english/articles/escher/escher.html - condensed mostly from the biography written by Bruno Ernst M.C. Escher - His Life and Complete Graphic Work, © 1981
27 April 1955 Escher was decorated (in the name of the Dutch Queen) in the 'Knighthood of the Order of Oranje Nassau'
1950's

God , World , Angels , Imagination

“Returning home on leave following my second year at West Point, I called on a great-uncle who had joined the Confederate Army at the age of sixteen and had fought in a number of major Civil War battles, including Gettysburg, and had been with Robert E. Lee at Appamatox. My Uncle White was the younger brother of my grandfather. He hated Yankees and Republicans, not necessarily in that order, and talked derisively about both. When I visited, he was seated in a wheel chair, in grudging acquiescence to the infirmities of age. Tobacco juice decorated his shirt and stains around a spittoon on the floor testified to the inaccuracy of his aim. Flies buzzed through screenless windows. "What are you doing with yourself, son?" Uncle White asked. I answered the old veteran with trepidation. "I'm going to that same school that Grant and Sherman went to, the Military Academy at West Point, New York."”

William Westmoreland book A Soldier Reports

Uncle White was silent for what seemed like a long time. "That's all right, son," he said at last. "Robert E. Lee and Stonewall Jackson went there too."
Source: A Soldier Reports (1976), p. 12.

Hate , War , Age , School

“Prayer is not a pious decoration of life but the breath of human existence.”

Henri Nouwen (1932–1996) Dutch priest and writer

The Wounded Healer (1972)

Life

“All these people come to see the White House and they see practically nothing that dates back before 1948. Every boy who comes here should see things that develop his sense of history. For the girls, the house should look beautiful and lived-in. They should see what a fire in the fireplace and pretty flowers can do for a house; the White House rooms should give them a sense of all that. Everything in the White House must have a reason for being there. It would be sacrilege merely to "redecorate" it -- a word I hate. It must be restored -- and that has nothing to do with decoration. That is a question of scholarship.”

Jacqueline Kennedy Onassis (1929–1994) public figure, First Lady to 35th U.S. President John F. Kennedy

Interview with Hugh Sidey, according to Kennedy Library https://www.jfklibrary.org/JFK/JFK-in-History/Jacqueline-Kennedy-in-the-White-House.aspx (1 September 1961)

Hate , People , Beauty , History

“Even the richest, the most superb. They continue to offer themselves. Indeed, their life is no more than a perpetual whoredom, more or less decorative, more or less seedy, more or less affected, sumptuous, pretentious.”

Louis-ferdinand Céline (1894–1961) French writer

299
L'Ecole des cadavres (1938)

Life

“I want a revamped feminism. Putting the vamp back means the lady must be a tramp. My generation of Sixties rebels wanted to smash the bourgeois codes that had become the authoritarian totems of the Fifties. The 'nice' girl with her soft, sanitized speech and decorous manners had to go. Thirty years later, we're still stuck with her — in the official spokesmen and the anointed heiresses of the feminist establishment… Equal opportunity feminism, which I espouse, demands the removal of all barriers to woman's advance in the political and professional world — but not at the price of special protections for women which are infantilizing and anti-democratic.”

Camille Paglia (1947) American writer

Source: Vamps and Tramps (1994), p. ix

Women , World , Girl

“This happened in 1912. Cubism was in full force. I made paintings that seemed like prisms compared to the Cubism my fellow artists were producing. I was the heretic of Cubism. I had great arguments with my comrades who banned color from their palette, depriving it of all elemental mobility. I was accused of returning to Impressionism, of making decorative paintings, etc... I felt I had almost reached my goal.”

Robert Delaunay (1885–1941) French painter

6
Quote from Delaunay's 'First Notebook, 1939', as cited in The New Art of Color: The Writings of Robert and Sonia Delaunay, Viking Press, 1978; as quoted on Wikipedia / Delaunay
1915 - 1941

Color , Painting

“Too often in a modern building the work of art is an afterthought – a piece of decoration added to fill a space that is felt to be too empty. Ideally the work of art should be a focus round which the harmony of the whole building revolves – inseparable from the design, structurally coherent and aesthetically essential... He [the sculptor] will want to consider both external proportions and internal space volumes in relation to the size and style of sculpture that might be required – not merely the decorative function of sculpture... I am thinking of the didactic and symbolic functions of sculpture in Gothic architecture, inseparable from the architectural conception itself…”

Henry Moore (1898–1986) English artist

Quote of Moore, as cited by Unesco, International Conference of artists, Venice 1952; typescript, in HMF Library
1940 - 1955

Art , Thinking

“The atelier was under the roof. Inhabiting this space was forbidden due to fire code restrictions, but staying and working there was allowed. We therefore had to avoid the impression that these were our living quarters. The most necessary furniture had to disappear into the attic during the day. And so the place was decorated purely with curtains. A curtain hung in front of the entrance door, a second one in front of the oven heating.... an adjoining room was hidden by a curtain with abstractedly patterned batik.”

Karl Schmidt-Rottluff (1884–1976) German artist

In addition to defying societal standards, die Brücke artists defied housing laws: the ateliers in Dresden that they worked and lived in were forbidden to be used as homes
Source: Brücke und Berlin: 100 Jahre Expressionismus, Anita Beloubek-Hammer, ed.; Berlin: Nicolaische Verlagsbuchhandlung, Berlin 2005, p. 312 (https://www.researchgate.net/publication/272168564 translation, Claire Louise Albiez]

“I am interested in detail. I enjoy decoration. By accumulating this mass of detail you throw light on things in a longer sense: in the long run it all adds up. It creates a texture — how shall I put it — a background, a period, which makes everything you write that much more convincing. Of course, all artists are terrible egoists. Unconsciously you are largely writing about yourself. I could never write anything factual; I only have confidence in myself when I am another character. All the characters in my books are myself, but they are a kind of disguise.”

Patrick White (1912–1990) English-born Australian writer

In The Making (1970)

Books , Confidence , Sense , Light

“Political equality is not merely a folly – it is a chimera. It is idle to discuss whether it ought to exist; for, as a matter of fact, it never does. Whatever may be the written text of a Constitution, the multitude always will have leaders among them, and those leaders not selected by themselves. They may set up the pretence of political equality, if they will, and delude themselves with a belief of its existence. But the only consequences will be, that they will have bad leaders instead of good. Every community has natural leaders, to whom, if they are not misled by the insane passion for equality, they will instinctively defer. Always wealth, in some countries by birth, in all intellectual power and culture, mark out the men whom, in a healthy state of feeling, a community looks to undertake its government. They have the leisure for the task, and can give it the close attention and the preparatory study which it needs. Fortune enables them to do it for the most part gratuitously, so that the struggles of ambition are not defiled by the taint of sordid greed. They occupy a position of sufficient prominence among their neighbours to feel that their course is closely watched, and they belong to a class brought up apart from temptations to the meaner kinds of crime, and therefore it is no praise to them if, in such matters, their moral code stands high. But even if they be at bottom no better than others who have passed though greater vicissitudes of fortune, they have at least this inestimable advantage – that, when higher motives fail, their virtue has all the support which human respect can give. They are the aristocracy of a country in the original and best sense of the word. Whether a few of them are decorated by honorary titles or enjoy hereditary privileges, is a matter of secondary moment. The important point is, that the rulers of the country should be taken from among them, and that with them should be the political preponderance to which they have every right that superior fitness can confer. Unlimited power would be as ill-bestowed upon them as upon any other set of men. They must be checked by constitutional forms and watched by an active public opinion, lest their rightful pre-eminence should degenerate into the domination of a class. But woe to the community that deposes them altogether!”

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury (1830–1903) British politician

Quarterly Review, 112, 1862, pp. 547-548
1860s

Men , Feeling , Communication , Motivation

“Our society, it turns out, can use modern art. A restaurant, today, will order a mural by Míro in as easy and matter-of-fact a spirit as, twenty-five years ago, it would have ordered one by Maxfield Parrish. The president of a paint factory goes home, sits down by his fireplace—it looks like a chromium aquarium set into the wall by a wall-safe company that has branched out into interior decorating, but there is a log burning in it, he calls it a firelace, let’s call it a fireplace too—the president sits down, folds his hands on his stomach, and stares at two paintings by Jackson Pollock that he has hung on the wall opposite him. He feels at home with them; in fact, as he looks at them he not only feels at home, he feels as if he were back at the paint factory. And his children—if he has any—his children cry for Calder. He uses thoroughly advanced, wholly non-representational artists to design murals, posters, institutional advertisements: if we have the patience (or are given the opportuity) to wait until the West has declined a little longer, we shall all see the advertisements of Merrill Lynch, Pierce, Fenner, and Smith illustrated by Jean Dubuffet.
This president’s minor executives may not be willing to hang a Kandinsky in the house, but they will wear one, if you make it into a sport shirt or a pair of swimming-trunks; and if you make it into a sofa, they will lie on it. They and their wives and children will sit on a porcupine, if you first exhibit it at the Museum of Modern Art and say that it is a chair. In fact, there is nothing, nothing in the whole world that someone won’t buy and sit in if you tell him it is a chair: the great new art form of our age, the one that will take anything we put in it, is the chair. If Hieronymus Bosch, if Christian Morgenstern, if the Marquis de Sade were living at this hour, what chairs they would be designing!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Taste of the Age”, pp. 19–20
A Sad Heart at the Supermarket: Essays & Fables (1962)

Children , Lie , Age , World

“The conflict between the theories of Surrealism & pure abstraction leads many to look upon one as black & bad & the other as white & good. Yet it seems to me that a good work of art has always contained both abstract & surrealist elements – just as it has both classical & romantic elements (order & surprise?)... Surrealism is widening the field of contemporary art & is giving more freedom to the artist (& perhaps what is not unimportant, – stretching the appreciation of the public). Abstraction is re-establishing fundamental laws; bringing back form to painting & sculpture. There are many products of surrealism which I personally dislike,.... but equally Unimportant to me are the empty decorations produced in the name of abstraction.”

Henry Moore (1898–1986) English artist

Source: 1925 - 1940, Unpublished notes' for 'The Sculptor Speaks' (1937), pp. 112-113

Law , Art , Freedom , Painting

“The complaint of the French artist against the Norman, is the "mesquin" treatment of dividing his tower into stories of equal height. Even in the twelfth century and in religious architecture, artists already struggled over the best solution to this peculiarly American problem of the twentieth century, and when tourists return to New York, they may look at the twenty-story towers which decorate the city, to see whether the Norman or the French plan has won; but this at least will be sure in advance:— the Norman will be the practical scheme which states the facts, and stops; while the French will be the graceful one, which states the beauties and more or less fits the facts to suit them.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mesquin: paltry, unimaginative, prosaic
Mont Saint Michel and Chartres (1904)

Beauty , Problem

“Forget decorated generals, tell me about Private Ryan.”

Dejan Stojanovic (1959) poet, writer, and businessman

A New Friend http://www.poetrysoup.com/famous/poem/21370/A_New_Friend
From the poems written in English

Forgetting

“The subject matter of creation is chaos. The present feeling seems to be that the artist is concerned with form, color, and spatial arrangement. This objective approach to art reduces it to a kind of ornament. The whole attitude of abstract painting, for example, has been such that it has reduced painting to an ornamental art whereby the picture surface is broken up in geometrical fashion into a new kind of design-image. It is a decorative art built on a slogan of purism where the attempt is made for an unworldly statement…”

Barnett Newman (1905–1970) American artist

Source: 1940 - 1950, The Plasmic Image 1. 1943-1945, p. 139

Art , Color , Feeling , Fashion

“I decided to take a calligraphy class to learn [the art of decorative or hand lettering]. I learned about serif and sans-serif typefaces, about varying the space between different letter combinations, about what makes great typography great. It was beautiful. Historical. Artistically subtle in a way that science can't capture. And I found it fascinating. None of this had any hope of any practical application in my life. But 10 years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would never have multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it's likely that no personal computer would have them.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

2000s, Address at Stanford University (2005)

Life , Beauty , Hope , Art

“One must realize that, apart from considerations of color and form, there are two fundamentally different ways of regarding a medium of expression: one is based on taste only — an approach in which the external physical elements of expression are merely pleasingly arranged. This way results in decoration with no spiritual reaction. Arrangement is not art. The second way is based on the artist’s power of empathy, to feel the intrinsic qualities of the medium of expression. Through these qualities the medium comes to life... In this life, an intuitive artist discovers the emotive and vital substance which makes a work of art.”

Hans Hofmann (1880–1966) American artist

'Search for the Real in the Visual Arts', p. 46
Search for the Real and Other Essays (1948)

Life , Art , Color , Way

“Purity" of and in art — any art, including music and dance — is an illusory notion, of course. It may be remotely conceivable or imaginable, but it can't be realized because it can't be recognized any more than a "pure" human being or a "pure" (or, for that matter, gratuitous) act can be. All the same, for Western art in its Modernist phase "purity" has been a useful idea and ideal, with a kind of logic to it that has worked, and still works, to generate aesthetic value and maintain aesthetic standards as nothing else in our specializing culture has over the last hundred-odd years.But this logic has also worked to exclude the decorative — the decorative insofar as it functions solely as decoration. It's as though aesthetic value, quality, could be preserved only by concentrating on "absolute" or "autonomous" art: thus on visual art — including even architecture — that held and moved and stirred the beholder as sheer decoration could not. Decoration is asked to be "merely" pleasing, "merely" embellishing, and the "functional" logic of Modernism leaves no room, apparently, for such "mereness.”

Clement Greenberg (1909–1994) American writer and artist

This is part of the pity of Modernism, one of the sacrifices it enjoins....
"Detached Observations" http://www.sharecom.ca/greenberg/detached.html, Arts Magazine (December 1976)
1970s

Art , Music , Imagination , Idea

“Has a biographer the right to suppress certain details under the pretext that he considers them superfluous? Or do they all have their importance, and must he present them one after the other, impartially, so that not a single one is left out, as in the inventory of a distraint? Unless the line of life, once it has reached its term, purges itself of all its useless and decorative elements. In which case, all that remains is the essential: the blanks, the silences and the pauses.”

Patrick Modiano (1945) French writer

Source: Honey Moon (1990), P. 36

Life , Silence

“The eye of the yeoman and peasant sought in vain the tall form of old Sir Henry Lee of Ditchley, as, wrapped in his laced cloak, and with beard and whiskers duly composed, he moved slowly through the aisles, followed be the faithful mastiff, or bloodhound, which in old time had saved his master by his fidelity, and which regularly followed him to church. Bevis indeed, fell under the proverb which avers, ‘He is a good dog, which goes to church’; for, bating an occasional temptation to warble along with the accord, he behaved himself as decorously as any of the congregation, and returned much edified, perhaps, as most of them.”

Walter Scott book Woodstock

Woodstock (1826), Ch.1.

Faith , Dogs , Time

“.. paint was always [in history of painting] a means to an end, whether the end was religious, social, decorative or romantic. Now it's become an end in itself..”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote in 'Artist's Voice', Kuh; as cited in Outside the Lines, David W. Galenson, Harvard University Press, 2001, p. 109
posthumous

History , Painting

“People like to come up to me and tell me that I've got nice ink. Except these tattoos aren't just decorations. They are declarations. Every tattoo I have tells its own story about who I am. Drug-free. Honor. And a war against the system. See I'm not some punk kid looking for the next thrill. I'm a highly disciplined athlete, craving to compete with the very best. My obsession is competition and my addiction is wrestling. My name, is C…M… Punk.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Extreme Championship Wrestling. July 11th, 2006.
Extreme Championship Wrestling

War , People , Tattoo

“Dada hurts. Dada does not jest, for the reason that it was experienced by revolutionary men and not by philistines who demand that art be a decoration for the mendacity of their own emotions... I am firmly convinced that all art will become dadaistic in the course of time, because from Dada proceeds the perpetual urge for its renovation.”

Richard Huelsenbeck (1892–1974) German poet

Quote of Huelsenbeck, in 'Dada Lives', Transition no. 25 (Autumn 1936), as cited in The Dada Painters and Poets: An Anthology, ed. Robert Motherwell (1951)

Men , Art , Time , Hurt

“The era that humanity has entered is an era of industrial development and therefore the organisation of artistic elements must be applied to the design of the material elements of everyday life, i. e. to industry or to so-called production. The new industrial production, in which artistic creativity must participate, will differ radically from the traditional aesthetic approach to the object, in that primarily attention will be focused not on the artistic decoration of the object (applied art), but on the artistic organisation of the object in accordance with the principles of creating the most utilitarian object.... If any of the different types of fine art (i. e., easel painting, drawing, engraving, sculpture, etc.) can still retain some purpose, they will do so only * 1. while they remain as the laboratory phase in our search for essential new forms * 2. insofar as they serve as supportive projects and schemes for constructions and utilitarian and industrially manufactured objects that have yet to be realised”

Lyubov Popova (1889–1924) Russian artist

Liubov Popova, untitled manuscript, signed and dated December 1921, Manuscript Department, State Tretjakov Gallery, Moscow, (fond 148, op.17, l. 3–4); transl. John Bowlt; the same text is reproduced in Women Artists of the Russian Avant-Garde 1910–1930, Cologne 1979, p. 68

Life , Art , Search , Support

“In the Pontic triumph one of the decorated wagons, instead of a stage-set representing scenes from the war, like the rest, carried a simple three-word inscription: I CAME, I SAW, I CONQUERED! This referred not to the events of the war [against Pontus], like the other inscriptions, but to the speed with which it had been won.”
Pontico triumpho inter pompae fercula trium verborum praetulit titulum VENI·VIDI·VICI non acta belli significantem sicut ceteris, sed celeriter confecti notam.

Sueton book The Twelve Caesars

Source: The Twelve Caesars, Julius Caesar, Ch. 37

War , Speed

“I think what happened: the mammoths were up there chopping on their tropical flowers. It was a beautiful day, and it began to snow super cold snow. They had never seen snow before. One of the mammoths looked at his buddy and said, "Herman, this is peculiar weather we're having here. What is this white stuff falling out of the sky?" "I don't know, but let's get out of here." They started running around trying to find a place to hide and the snow got deeper and deeper and deeper and they got stuck in the snow standing up, and they couldn't even fall down. How many of you have ever been in a snow drift so deep you couldn't even fall over? Ever been in one of those? I think that's what happened to the mammoths. People say, "Well the mammoths have long hair. They're designed for cold weather." No, mammoths are not designed for cold weather. A lot of animals in the jungle have long hair. It is hot there. If the temperature is seventy degrees, long hair is just simply a decoration. There's a lot of things about the mammoth that shows that they were not designed for cold weather. There's a whole section just in this book about mammoths showing that they were not designed for cold weather. You can read all about that. For the mammoths, some of them ended frozen standing up. It was in super cold ice, perhaps 300 degrees below zero!”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), The Hovind theory

People , Books , Beauty , Flowers

“I am happy because I want nothing from anyone. I do not care for money. Decorations, titles or distinctions mean nothing to me. I do not crave praise. The only thing that gives me pleasure, apart from my work, my violin and my sailboat, is the appreciation of my fellow workers.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

1920s, Viereck interview (1929)

Money , Pleasure , Happiness

“[with painting] directly tube against canvas, one soon becomes too slick... I regretfully realized that my composition was reduced to no more than a series of coloured rhythms, harmonious, discordant, monotonous and that, from simplification to simplification, I was falling into the trap of decoration. I no longer got to the bottom of things: I no longer cut through to their heart. The decorative spirit was leading me to forget painting.”

Maurice de Vlaminck (1876–1958) French painter

Vlaminck himself had become disillusioned with Fauvism, c. 1907-08
Source: Quotes dated, Dangerous Corner', 1929, p. 15

Heart , Painting , Forgetting

“This hall was, by order of the Emperor Jehanguire, the son of Acbar, highly decorated with painting and gilding; but in the lapse of time it was found to be gone greatly to decay; and the Emperor Aurungzebe, either from superstition or avarice, ordered it to be entirely defaced, and the walls whitened.”

Akbar (1542–1605) 3rd Mughal Emperor

About the defaced tomb of Akbar. William Hodges, https://archive.org/details/travelsinindiadu00hodg Travels in India during the Years 1780, 1781, 1782 and 1783.

Time , Painting

“The men seldom have any real, concrete notions of what combat is like. Their minds are full of romanticized, Hollywood versions of their future activity in combat, colored with vague ideas of being a hero and winning ribbons and decorations.”

Roy R. Grinker, Sr. (1900–1993) American psychiatrist and neurologist

Source: Men Under Stress, 1945, p. 44

Men , Color , Idea , Future

“Make an eternal spring;
Give life to this dark world which lieth dead.
Spread forth thy golden hair
In larger locks than thou wast wont before,
And emperor-like decore
With diadem of pearl thy temples fair.”

William Drummond of Hawthornden (1585–1649) British writer

"Phoebus Arise".
Poems (1616)

Life , World , Spring , Dead

“For many years I suffered from a severe and continuous nervous breakdown tending to melancholia — and beyond. During about the third year of this trouble I went, in devout faith and some faint stir of hope, to a noted specialist in nervous diseases, the best known in the country. This wise man put me to bed and applied the rest cure, to which a still-good physique responded so promptly that he concluded there was nothing much the matter with me, and sent me home with solemn advice to "live as domestic a life as far as possible," to "have but two hours' intellectual life a day," and "never to touch pen, brush, or pencil again" as long as I lived. This was in 1887.
I went home and obeyed those directions for some three months, and came so near the borderline of utter mental ruin that I could see over.
Then, using the remnants of intelligence that remained, and helped by a wise friend, I cast the noted specialist's advice to the winds and went to work again — work, the normal life of every human being; work, in which is joy and growth and service, without which one is a pauper and a parasite — ultimately recovering some measure of power.
Being naturally moved to rejoicing by this narrow escape, I wrote The Yellow Wallpaper, with its embellishments and additions, to carry out the ideal (I never had hallucinations or objections to my mural decorations) and sent a copy to the physician who so nearly drove me mad. He never acknowledged it.”

Charlotte Perkins Gilman (1860–1935) American feminist, writer, commercial artist, lecturer and social reformer

"Why I Wrote The Yellow Wallpaper" in The Forerunner (October 1913) http://www.library.csi.cuny.edu/dept/history/lavender/whyyw.html

Life , Disease , Faith , Hope

“The French archeologists Iégor Reznikoff and Michael Dauvois conducted detailed surveys of three decorated caves in the Ariège region of southwest France. …they moved slowly through the caves, stopping repeatedly to test the resonance of each section… spanning three octaves… those areas with highest resonance were also those most likely to harbor a painting or engraving. …a fascinating discovery that… Chris Scarre commented at the time, draws "new attention to the likely importance of music and singing in the rituals of our early ancestors."”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

The Origin of Humankind (1994)

Music , Singing , Time , Drawing

“There is no doubt that Goya thought that one of the drugs chiefly responsible for the sleep of reason was the Church, and he had the lowest possible opinion of ecclesiastical institutions. However, this did not prevent him from painting religious pictures, completely sincerely because, like all Latin people, however little he believed in Christianity, he felt himself to be within the structure of the Catholic Church. One of his finest works was the decoration of a church near Madrid called S. Antonio de la Florida. He used the kind of device that would have appealed to Tiepolo. He painted a balcony round the drum of a cupola, and behind it he put a crowd of loiterers who are supposed to be watching the saint raise a man from the dead. Very few of them are interested in this unusual event. They are interested in each other or themselves, and show very well the curious tension between the individual and the collective, which is the essence of a crowd.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Romantic Rebellion (1973), Ch. 3: Goya

People , Sleep , Painting , Sincerity

“At the end of the Middle Ages, castles began to lose their military func tion, but not their psychological impact as a symbol of authority. Gun powder and cannons supported armies of mercenary troops, and the garrison forts built to house them adopted the crenellated walls of private aristocratic castles. By the sixteenth century, professional soldiers lived in barracks, a few officers and the governor had finer quarters, and kings and nobles merely directed the operations from distant palaces where battle ments had become purely symbolic decoration. The Battle of Crecy be tween France and England in 1346 is traditionally considered to be the first use of cannons on the battlefield. At first the noise and smoke cre ated by the explosion terrified horses and men, and wreaked more havoc than the projectiles. Early cannons could be more dangerous for the gun ners than for the enemy, but military engineers rapidly developed the weapons’ power and accuracy. A castle’s high walls and towers made easy targets for gunners whose power and accuracy reduced once formidable medieval buildings to rubble. Mining became more successful because the attackers could put explosives under the walls.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 5 : Impact and Consequences : The Afterlife of the Castle

Men , Age , Support , Distant

“A Marshal of France is a fine fellow, second only to the Emperor, and he wore a dark blue uniform edged with golden leaves, and his collar and shoulders were heavy with gilt decorations. A Marshal of France was given privileges, riches, and honour, but they had to be earned by answering the difficult questions.”

Bernard Cornwell (1944) British writer

Narrator, p. 238
Sharpe (Novel Series), Sharpe's Sword (1983)

Question

“How much my life has changed, and yet how unchanged it has remained at bottom! When I think back and recall the time when I was still a member of the canine community, sharing in all its preoccupations, a dog among dogs, I find on closer examination that from the very beginning I sensed some discrepancy, some little maladjustment, causing a slight feeling of discomfort which not even the most decorous public functions could eliminate; more, that sometimes, no, not sometimes, but very often, the mere look of some fellow dog of my own circle that I was fond of, the mere look of him, as if I had just caught it for the first time, would fill me with helpless embarrassment and fear, even with despair.”

Franz Kafka book Investigations of a Dog

"Investigations of a Dog"
The Complete Stories (1971)

Life , Fear , Dogs , Feeling

“In religions which have lost their creative spark, the gods eventually become no more than poetic motifs or ornaments for decorating human solitude and walls.”

Nikos Kazantzakis book Zorba the Greek

Source: Zorba the Greek (1946), Ch. 12

God , Religion , Solitude

“Bucky: "Hello, Caller, Do you have an interior decorating problem I can help you with?"”

Darby Conley (1970) American cartoonist

Groovitude, page 172
Bucky Katt, Dialogue

Problem , Help

“If the Hindus sang Vande Mãtaram in a public meeting, it was a ‘conspiracy’ to convert Muslims into kãfirs. If the Hindus blew a conch, or broke a coconut, or garlanded the portrait of a revered patriot, it was an attempt to ‘force’ Muslims into ‘idolatry’. If the Hindus spoke in any of their native languages, it was an ‘affront’ to the culture of Islam. If the Hindus took pride in their pre-Islamic heroes, it was a ‘devaluation’ of Islamic history. And so on, there were many more objections, major and minor, to every national self-expression. In short, it was a demand that Hindus should cease to be Hindus and become instead a faceless conglomeration of rootless individuals. On the other hand, the ‘minority community’ was not prepared to make the slightest concession in what they regarded as their religious and cultural rights. If the Hindus requested that cow-killing should stop, it was a demand for renouncing an ‘established Islamic practice’. If the Hindus objected to an open sale of beef in the bazars, it was an ‘encroachment’ on the ‘civil rights’ of the Muslims. If the Hindus demanded that cows meant for ritual slaughter should not be decorated and marched through Hindu localities, it was ‘trampling upon time-honoured Islamic traditions’. If the Hindus appealed that Hindu religious processions passing through a public thoroughfare should not be obstructed, it was an attempt to ‘disturb the peace of Muslim prayers’. If the Hindus wanted their native languages to attain an equal status with Urdu in the courts and the administration, it was an ‘assault on Muslim culture’. If the Hindus taught to their children the true history of Muslim tyrants, it was a ‘hate campaign against Islamic heroes’. And the ‘minority community’ was always ready to ‘defend’ its ‘religion and culture’ by taking recourse to street riots.”

Sita Ram Goel (1921–2003) Indian activist

Muslim Separatism – Causes and Consequences (1987)

Hate , Children , Peace , Religion

“Negro art contains more ideas than Greek art. Its strange inventiveness of form is astonishing, and its imagination and extraordinary sense of decoration are difficult to explain. We dare not take such liberties; but the Negroes have succeeded. We are too much the subjects of our own past..”

Aristide Maillol (1861–1944) sculptor from France

Source: Conversations with Judith Cladel (1939–1944), p. 407

Art , Imagination , Idea , Sense

“The trend in some of the contemporary movements in art, but by no means all, seems to deny this ideal and to me appears to lead to a purely decorative conception of painting.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

1911 - 1940, Notes on Painting - Edward Hopper (1933)

Art , Appearance , Painting

“I don't mean sound as decoration or elaboration, but the actual cadence that moves tge thing along.”

Seamus Heaney (1939–2013) Irish poet, playwright, translator, lecturer

'Stepping Stones' interviews with Seamus Heaney' by Dennis O'Driscoll Faber and Faber 2009
Other Quotes

“I have designed a decorative and monumental work as a group of subjects representing the three ages of sacred and profane mythology: the Golden Age, the Silver Age and the Iron Age. I have symbolised these different ages by dividing each one into compositions representing the three phases of the day: morning, noon and evening.
The Golden Age comprises three compositions (Adam and childhood):
:1. Prayer at sunrise.
:2. A walk in Paradise or the ecstasy before nature.
:3. All nature asleep.
The Silver Age. The second phase is taken from pagan mythology (Orpheus and youth):
:1. The dream nature is revealed to the senses of the inspired poet.
:2. The song.
: 3. Orpheus in the forest, his lyre broken and he longs for unknown countries and immortality.
The Iron Age (Cain and the maturity of man):
:1. The Sower making the earth productive (production).
:2. The Ploughman (work).
:3. Death (Cain and Abel).
Fourth panel:
The Triumph of Christ.
These three periods of humanity also correspond to the three periods in the life of a man:
The purity of childhood: Adam –
The poetic and unhappy aspirations of youth: Orpheus –
The grievous sufferings and death of mature age: Cain with the redemption of Christ.
D— thought it was an extremely ingenious and intelligent device to have used a figure from pagan antiquity for the cycle of youth and poetry instead of a Biblical figure, because intelligence and poetry are far better personified in these periods which were devoted to art and the imagination than in the Bible which is all sentiment and religiosity.
The Golden Age: the beginning of the world, naïveté, candour, purity. The morning: prayer. Noon: ecstasy and evening: sleep. No passion, nothing but elementary feelings. —
The Silver Age, corresponding to the civilization of humanity, already begins to feel emotion; it is the age of poets. I can only find this cycle in Greece. The morning: inspiration. Noon: song. Evening: tears. —
The Iron Age. Decadence and fall of humanity. I shall represent Cain ploughing and Abel sowing. Noon: Cain rests while Abel tends the altar of the Lord from which smoke, a symbol of purity, rises straight to the heavens. The evening: death at the hands of Cain.
The first death corresponds to the other deaths in the two other paintings: sleep and death of the senses; tears and the death of the heart. Do you understand the progression?
Sleep, though sad, is gentler than tears which, though painful, are gentler than death. Ecstasy is more delightful than song, which is gentler than work. Prayer is superior to dreaming which is more elevated than manual work.”

Gustave Moreau (1826–1898) French painter

Notes to his mother, on The Life of Humanity (1884-6) http://www.wikiart.org/en/gustave-moreau/humanity-the-golden-age-depicting-three-scenes-from-the-lives-of-adam-and-eve-the-silver-age-1886, his composition of a ten image polyptych, p. 48 · Photo of its exhibition on the 3rd Floor of Musée National Gustave Moreau http://en.musee-moreau.fr/house-museum/studios/third-floor
Gustave Moreau (1972)

Life , Death , Pain , Youth

“It would be more decorous not to live. To live is not decorous,
Says he who after many years
Returned to the city of his youth.”

Czeslaw Milosz (1911–2004) Polish, poet, diplomat, prosaist, writer, and translator

"City of My Youth" (1984)
Context: It would be more decorous not to live. To live is not decorous,
Says he who after many years
Returned to the city of his youth. There was no one left
Of those who once walked these streets
And now they had nothing, except his eyes.
Stumbling, he walked and looked, instead of them,
On the light they had loved, on the lilacs again in bloom.

Youth

“They came home with many decorations and their conduct repeatedly won high commendation from both American and European commanders.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Progress of a People (1924)
Context: The propaganda of prejudice and hatred which sought to keep the colored men from supporting the national cause completely failed. The black man showed himself the same kind of citizen, moved by the same kind of patriotism, as the white man. They were tempted, but not one betrayed his country. Among well-nigh 400,000 colored men who were taken into the military service, about one-half had overseas experience. They came home with many decorations and their conduct repeatedly won high commendation from both American and European commanders.

Home

“Throughout time painting has alternately been put to the service of the Church, the State, arms, individual patronage, scientific phenomena, anecdote and decoration … all the marvelous works that have been painted, whatever the sources of inspiration, still live for us because of absolute qualities they possess in common.”

Man Ray (1890–1976) American artist and photographer

As quoted in "American Modernists in Painting take the Public into their Confidence" in Current Opinion Vol LX, No. 5 (May 1916), p. 351
Context: Throughout time painting has alternately been put to the service of the Church, the State, arms, individual patronage, scientific phenomena, anecdote and decoration … all the marvelous works that have been painted, whatever the sources of inspiration, still live for us because of absolute qualities they possess in common. The creative force and the expressiveness of painting reside materially in the colour and texture of pigments, in the possibilities of form invention and organisation, and in the flat plane on which these elements are brought into play.

Time , Painting

“To give people pleasure in the things they must perforce use, that is one great office of decoration; to give people pleasure in the things they must perforce make, that is the other use of it.”

William Morris (1834–1896) author, designer, and craftsman

The Decorative Arts (1877)
Context: To give people pleasure in the things they must perforce use, that is one great office of decoration; to give people pleasure in the things they must perforce make, that is the other use of it.
Does not our subject look important enough now? I say that without these arts, our rest would be vacant and uninteresting, our labour mere endurance, mere wearing away of body and mind.

People , Pleasure

“Shaw does not merely decorate a proposition, but makes his way from point to point through new and difficult territory.”

Jacques Barzun (1907–2012) Historian

Source: Bernard Shaw in Twilight (1943), II
Context: Shaw does not merely decorate a proposition, but makes his way from point to point through new and difficult territory.
This explains why Shaw must either be taken whole or left alone. He must be disassembled and put together again with nothing left out, under pain of incomprehension; for his politics, his art, and his religion — to say nothing of the shape of his sentences — are unique expressions of this enormously enlarged and yet concentrated consciousness.

Way

“This decoration which has gone from the ground up — here.”

John F. Kennedy (1917–1963) 35th president of the United States of America

Remarks at the presentation of NASA's Distinguished Service Medal to Astronaut Alan B. Shepard (8 May 1961) http://www.presidency.ucsb.edu/ws/index.php?pid=8119 — Video of presentation at YouTube http://www.youtube.com/watch?v=M0OurosNBFo
1961
Context: Commander Shepard has pointed out from the time that this flight began and from the time this flight was a success, that this was a common effort in which a good many men were involved. I think it does credit to him that he is associated with such a distinguished group of Americans whom we are all glad to honor today, his companions in the flight into outer space, so I think we want to give them all a hand. … I also want to take cognizance of the fact that this flight was made out in the open with all the possibilities of failure, which would have been damaging to our country's prestige. Because great risks were taken in that regard, it seems to me that we have some right to claim that this open society of ours which risked much, gained much. … This is a civilian award for a great civilian accomplishment, and therefore I want to again express my congratulations to Alan Shepard. We are very proud of him, and I speak on behalf of the Vice President, who is Chairman of our Space Council and who bears great responsibilities in this field, and the Members of the House and Senate Space Committee who are with us today. [accidentally drops the medallion, and picks it up] This decoration which has gone from the ground up — here.

“I have now decided to disband the Order, as I happen to be its Head. You can form other organizations and expect someone else. With that I am not concerned, nor with creating new cages, new decorations for those cages. My only concern is to set men absolutely, unconditionally free.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

1920s, Truth is a Pathless Land (1929)
Context: You are accustomed to being told how far you have advanced, what is your spiritual status. How childish! Who but yourself can tell you if you are beautiful or ugly within? Who but yourself can tell you if you are incorruptible? You are not serious in these things.
But those who really desire to understand, who are looking to find that which is eternal, without beginning and without an end, will walk together with a greater intensity, will be a danger to everything that is unessential, to unrealities, to shadows. And they will concentrate, they will become the flame, because they understand. Such a body we must create, and that is my purpose. Because of that real understanding there will be true friendship. Because of that true friendship – which you do not seem to know – there will be real cooperation on the part of each one. And this not because of authority, not because of salvation, not because of immolation for a cause, but because you really understand, and hence are capable of living in the eternal. This is a greater thing than all pleasure, than all sacrifice.
So these are some of the reasons why, after careful consideration for two years, I have made this decision. It is not from a momentary impulse. I have not been persuaded to it by anyone. I am not persuaded in such things. For two years I have been thinking about this, slowly, carefully, patiently, and I have now decided to disband the Order, as I happen to be its Head. You can form other organizations and expect someone else. With that I am not concerned, nor with creating new cages, new decorations for those cages. My only concern is to set men absolutely, unconditionally free.

Men

“The symbol was not a mere decorating ornament all over, it bore a very special meaning. Collecting all its images together, we might prove that it is the most extensively spread and ancient one among all the symbols of mankind. No one can claim that it belongs but to one religion or is based on the only one folk-lore. It would be very beneficial to glance at the evolution of human consciousness in its variegated forms.”

Nicholas Roerich (1874–1947) Russian painter, writer, archaeologist, theosophist, enlightener, philosopher

Notes on the Banner of Peace (24 May 1939)
Context: I was asked to collect information where the symbols of our Banner of Peace could be found. It turned out that the symbol of the Holy Trinity has been scattered all over the world. This has been explained in various ways. Some say it means the past, present and future, bound by the ring of eternity. Others find it more palatable to explain it as religion, knowledge and art in the ring of Culture. Obviously there were various explanations already in the ancient times, but the symbol, the sign itself had become fixed all over the world. … You can find it on the ancient icon in Bar depicting St. Nicholas. The same is on the centuries-old image of St. Sergius. It is on the image of Holy Trinity. It is on the coat of arms of Samarkand. It is on ancient Ethiopian and Coptic antiquities. It is on Mongolian rocks. It is on Tibetan rings. The steed of happiness on the Himalayan Mountains passes bears the same flaming sign. It is on all the brooches of Lahuli, Ladakhi and Himalayan Mountains. It is on Buddhist banners. Going back to the Neolithic depths we can find the same sign in the ornaments decorating their pottery. … And that is why the symbol was chose for all uniting Banner as the symbol that has passed through centuries, more exactly — millennia. The symbol was not a mere decorating ornament all over, it bore a very special meaning. Collecting all its images together, we might prove that it is the most extensively spread and ancient one among all the symbols of mankind. No one can claim that it belongs but to one religion or is based on the only one folk-lore. It would be very beneficial to glance at the evolution of human consciousness in its variegated forms.

Religion

“I'm quite lucky, because I've got a small, decorative concrete pig.”

Bill Bailey (1965) English comedian, musician, actor, TV and radio presenter and author

Cosmic Jam (tour 1995, DVD 2005, 2006)

“Our habits of thinking so fondly connect the order of the universe with the fate of man, that this gloomy period of history has been decorated with inundations, earthquakes, uncommon meteors, preternatural darkness, and a crowd of prodigies fictitious or exaggerated.”

Edward Gibbon (1737–1794) English historian and Member of Parliament

Vol. 1, Chap. 10.
The Decline And Fall Of The Roman Empire: Volume 1 (1776)

Universe , Thinking , History , Fate

Quotes about decoration page 2

Quotes about decoration
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