Quotes about dancing
page 8

“When forever becomes a place…when forever ceases to be just a word… when it ceases to be a just a measurement of time…but instead becomes a place where soul mates can dance to the song in their hearts, that is a reflection of true love.”

Steve Maraboli (1975)

Source: Life, the Truth, and Being Free (2010), p. 123

Love, Soul, Time, Heart

“I feel you move me
in such sweet silence
always dancing, always dancing
never ever getting tired”

Mike Scott (1958) songwriter, musician

"Always Dancing, Never Getting Tired"
Universal Hall (2003)

Feeling, Silence, Dance

“I should've died a hundred thousand times,Teetering stoned off the side of a building.Nobody loved me and nobody even triedYou can't hang on to something that won't stop moving.Singing and dancing to them nighttime songs.”

Ryan Adams (1974) American alt-country/rock singer-songwriter

29
29 (2005)

Love, Time, Dance

“We have dancing … from soon after sundown until a few minutes after nine o’clock…. Occasionally the boys who play the female partners in the dances exercise their ingenuity in dressing to look as girlish as possible. In the absence of lady duds they use leaves, and the leaf-clad beauties often look very pretty and always odd enough.”

Rutherford B. Hayes (1822–1893) American politician, 19th President of the United States (in office from 1877 to 1881)

Letter to Sophia Birchard Hayes (10 July 1862)
Diary and Letters of Rutherford Birchard Hayes (1922 - 1926)

Beauty, Exercises, Boy, Dance

“Blue jean baby, L. A. lady, seamstress for the band.
Pretty eyed, pirate smile, you'll marry a music man.
Ballerina, you must have seen her dancing in the sand.
And now she's in me, always with me, tiny dancer in my hand.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Tiny Dancer
Song lyrics, Madman Across the Water (1971)

Smile, Music, Dance, Baby

“Yes I'm talking about this war dance
A patriotic romance
And I know all you poets
Have seen it all before
About the stirring of those young hearts
Back in the first world war”

Colin Moulding (1955) English bassist, songwriter and vocalist

"War Dance"
Nonsuch (1992)

War, World, Heart, Dance

“What the Divine wants is for man to embody Him here, in the individual and in the collectivity… to realise God in life. The old system of yoga could not harmonise or unify Spirit and life; it dismissed the world as Maya or a transient play of God. The result has been a diminution of life-power and the decline of India. The Gita says, utsideyur ime loka na kuryam karma cedaham ["These peoples would crumble to pieces if I did not do actions," 3.24]. Truly 'these peoples' of India have gone to ruin. What kind of spiritual perfection is it if a few Sannyasins, Bairagis and Saddhus attain realisation and liberation, if a few Bhaktas dance in a frenzy of love, god-intoxication and Ananda, and an entire race, devoid of life, devoid of intelligence, sinks to the depths of extreme tamas?… But now the time has come to take hold of the substance instead of extending the shadow. We have to awaken the true soul of India and in its image fashion all works…. I believe that the main cause of India's weakness is not subjection, nor poverty, nor a lack of spirituality or Dharma, but a diminution of thought-power, the spread of ignorance in the motherland of Knowledge. Everywhere I see an inability or unwillingness to think… incapacity of thought or 'thought-phobia'…. The mediaeval period was a night, a time of victory for the man of ignorance; the modern world is a time of victory for the man of knowledge. It is the one who can fathom and learn the truth of the world by thinking more, searching more, labouring more, who will gain more Shakti. Look at Europe, and you will see two things: a wide limitless sea of thought and the play of a huge and rapid, yet disciplined force. The whole Shakti of Europe lies there. It is by virtue of this Shakti that she has been able to swallow the world, like our Tapaswins of old, whose might held even the gods of the universe in awe, suspense and subjection. People say that Europe is rushing into the jaws of destruction. I do not think so. All these revolutions, all these upsettings are the initial stages of a new creation….. We, however, are not worshippers of Shakti; we are worshippers of the easy way…. Our civilisation has become ossified, our Dharma a bigotry of externals, our spirituality a faint glimmer of light or a momentary wave of intoxication. So long as this state of things lasts, any permanent resurgence of India is impossible…. We have abandoned the sadhana of Shakti and so the Shakti has abandoned us…. You say what is needed is emotional excitement, to fill the country with enthusiasm. We did all that in the political field during the Swadeshi period; but all we did now lies in the dust…. Therefore I no longer wish to make emotional excitement, feeling and mental enthusiasm the base. I want to make a vast and heroic equality the foundation of my yoga; in all the activities of the being, of the adhar [vessel] based on that equality, I want a complete, firm and unshakable Shakti; over that ocean of Shakti I want the vast radiation of the sun of Knowledge and in that luminous vastness an established ecstasy of infinite love and bliss and oneness. I do not want tens of thousands of disciples; it will be enough if I can get as instruments of God a hundred complete men free from petty egoism. I have no faith in the customary trade of guru. I do not want to be a guru. What I want is that a few, awakened at my touch or at that of another, will manifest from within their sleeping divinity and realise the divine life. It is such men who will raise this country.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

April, 1920, Letter to Barin Ghose, Sri Aurobindo's brother, Translated from Bengali
India's Rebirth

Love, Life, Men, God

“Meanwhile Medea, though she was singing and dancing with her maids, could think of one thing only. There was no melody, however gay, that did not quickly cease to please. Time and again she faltered and came to a halt. To keep her eyes fixed on her choir was more than she could do. She was for ever turning them aside to search the distant paths, and more than once she well-nigh fainted when she mistook the noise of the wind for the footfall of a passer-by. But it was not so very long before the sight of Jason rewarded her impatient watch. Like Sirius rising from Ocean, brilliant and beautiful but full of menace for the flocks, he sprang into view, splendid to look at but fraught with trouble for the lovesick girl. Her heart stood still, a mist descended on her eyes, and a warm flush spread across her cheeks. She could neither move towards him nor retreat; her feet were rooted to the ground. And now her servants disappeared, and the pair of them stood face to face without a word or sound, like oaks or tall pines that stand in the mountains side by side in silence when the air is still, but when the wind has stirred them chatter without end. So these two, stirred by the breath of Love, were soon to pour out all their tale.”

Apollonius of Rhodes book Argonautica

Source: Argonautica (3rd century BC), Book III. Jason and Medea, Lines 948–972

Love, Beauty, Search, Girl

“Would you maybe / Come dancing with me / 'Cos to me it doesn't matter if your hopes and dreams are shattered”

Noel Gallagher (1967) British musician

The Girl In The Dirty Shirt
Be Here Now (1997)

Dreams, Hope, Dance

“…letters of a burning book
dance in flame not every time
and not every time literally.”

Anatoly Kudryavitsky (1954) a Russian/Irish novelist, poet, literary translator and magazine editor

Poems, Shadow of Time (2005)

Books, Time, Dance

“Soon round us spread the hills and dales,
Where GEOFFREY spun his magic tales,
And call'd them history. The land
Whence ARTHUR sprung, and all his band
Of gallant knights. Sire of romance,
Who led the fancy's mazy dance,
Thy tales shall please, thy name still be,
When Time forgets my verse and me.”

Robert Bloomfield (1766–1823) British writer

Book I The Banks of the Wye http://www.gutenberg.org/dirs/etext05/bkwye10.txt (1811)

History, Time, Dance, Forgetting

“I felt very awkward as a teenager. I wanted blue eyes, I wanted to be taller, I wore glasses, I got my chest early and I was very embarrassed about it. I just wasn’t the kind of girl I thought guys would want to date. Though in some ways I was okay with that because I didn’t want to date any boys anyway. I just wanted to be friends with boys, boys were cool with me. Until we were doing a show in school where we all had to wear these catsuits for a dance routine. I walked into the room, all boobs and bum, and the boys never looked at me the same way again. I was mortified. That’s probably when I started wearing my stepfather’s shirts, big and baggy, to cover up. I just wanted to stay a kid.”

Anastacia (1968) American singer-songwriter

Letter to my younger self http://www.bigissue.com/features/letter-to-my-younger-self/6000/anastacia-interview-it-s-a-great-irony-that-i-hated-my, Big Issue, December 7, 2015. General Quotes

School, Way, Guy, Girl

“Poetry is to prose as dancing is to walking.”

John Wain (1925–1994) British writer

Talk on BBC Radio, 13 January 1976
Quoted in "The Penguin Dictionary of Twentieth-Century Quotations", J M & M J Cohen (1996) p. 389 ISBN 0-14-051165-2

Dance

“Twas easy following where invention trod
— All eyes can see when light flows out from God.
And thus did Jubal to his race reveal
Music their larger soul, where woe and weal
Filling the resonant chords, the song, the dance,
Moved with a wider-winged utterance.”

George Eliot (1819–1880) English novelist, journalist and translator

The Legend of Jubal (1869)

God, Music, Soul, Light

“I'm sick of Portraits and wish very much to take my viols-da-gamba and walk off to some sweet village, where I can paint landskips [landscapes] and enjoy the fag - end of life in quietness and ease. But these fine ladies [very probably his wife and daughters] and their tea-drinkings, dancings, husband-huntings, &c, &c. &c., will fob me out of the last ten years, and I fear miss getting husbands too. But we can say nothing to these things you know, Jackson, we must jog on and be content with the jingling of the bells, only, d-[damned]-it I hate a dust, the kicking up a dust, and being confined in harness to follow the track whilst others ride in the waggon, under cover, stretching their legs in the straw at ease, and gazing at green trees and blue skies without half my 'Taste'. That's d-d [damned] hard. My comfort is I have five viols-da-gamba: three 'Jayes' and two 'Barak Normans”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Adieu. 2 Quotes from Gainsborough's letter to his friend William Jackson of Exeter, from Bath, 4 June 1768; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 385 (Appendix A - Letter VIII) 1755 - 1769

Life, Hate, Fear, Drink

“Dancing and singing were always like games to me. I sang constantly.”

Tarkan (1972) Turkish singer

Tarkan Q & A, Tarkan Translations, April 10, 2003 http://tarkantr.blogspot.com/2005/05/q.html,

Game, Singing, Dance

“The stag at eve had drunk his fill,
Where danced the moon on Monan's rill,
And deep his midnight lair had made
In lone Glenartney's hazel shade.”

Walter Scott (1771–1832) Scottish historical novelist, playwright, and poet

Canto I, stanza 1. The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)

Dance

“I am the sunlight in the heart, the silver moonglow in the mind;
My laughter runs and ripples through the wavy tresses of the wind.
I am the fire upon the hills, the dancing flame that leads afar
Each burning-hearted wanderer, and I the dear and homeward star.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

Star, Laughter, Heart, Dance

“I witnessed the gruesome workings of the machinery of death; gear meshed with gear, like clockwork. It was the biggest and most enormous dance of death of all times.”

Adolf Eichmann (1906–1962) German Nazi SS-Obersturmbannführer

CBC report (2000)

Death, Time, Dance

“Some poets still write about the hair and eyes and body of a beloved and depict scenes of joy when lovers meet to drink and dance and be merry. But that is not the kind of poetry that the Islamic movement, grown on the concept of jihad and martyrdom, wants.”

Amir Taheri (1942) Iranian journalist

When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).

Lovers, Drink, Joy, Dance

“But if politics is an art, it is not like sculpture or painting, where one side acts and the other is passive material. It is more like drama without a script, or dance without choreography - in other words, improvisation. Either player may surprise us again with a new move.”

Thomas Flanagan (political scientist) (1944) author, academic, and political activist

Source: Game Theory and Canadian Politics (1998), Chapter 3, Stalemate At Lubicon Lake, p. 54.

Art, Dance, Painting

“On whistling stormcloud; on Zephyrus wing,
The Spirit-choir loud the world-anthems sing;
Hark! List to their voice: "We have passed through death's door,
There's no Death; rejoice! life lives evermore."

We are, have always been, will ever be.
We are a portion of Eternity,
Older than Creation, a part of One Great Whole,
Is each Individual and immortal Soul.

On Time's whirring loom our garments we've wrought,
Eternally weave we on network of Thought,
Our kin and our country, by Mind brought to birth,
Were patterned in heaven ere molded on earth.

We have shone in the jewel and danced on the wave,
We have sparkled in fire, defying the grave;
Through shapes ever-changing, in size, kind and name
Our individual essence still is the same.

And when we have reached to the highest of all,
The gradations of growth our minds shall recall,
So that link by link we may join them together
And trace step by step the way we reached thither.

Thus in time we shall know, if only we do
What lifts, ennobles, is right and true.
With kindness to all, with malice to none,
That in and through us God's will may be done.”

Max Heindel (1865–1919) American asrologer and occultist

We Are Eternal (1911) Source: http://www.rosicrucian.com/rms/rmseng01.htm http://www.rosicrucian.com/rms/rmseng01.htm

Life, Death, God, World

“dance mehitabel dance
caper and shake a leg
what little blood is left
will fizz like wine in a keg”

Don Marquis (1878–1937) American writer

mehitabel dances with boreas
archy and mehitabel (1927)

Wine, Dance

“Well, fortunately, I am bilingual and I have really two cultures. So when you have that to draw on, you are able to write from one extreme to the other, or anywhere in-between. If you look at my discography, you will notice that one of my favorite albums is "Gloria!", which is totally dance-oriented, with very sensual lyrics; and then there's "Mi Tierra which is totoally roots-oriented and really promoted our culture worldwide through music, and that's important for me and also for people of Cuba to know that even though we were in exile and I grew up in the States, our culture and our music are very much a part of my life.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

answer to the question "How do you reinvent yourself through the years?"
2007, 2008

Life, People, Music, Dance

“And because my teeth don't bite, I can take them out dancing
I can take my little teeth out and show them a real good time”

Devendra Banhart (1981) American folk singer

-This Beard is for Siobhan
From Rejoicing in the Hands

Time, Dance

“This done, he felt a little—not much, but a little—better. Before, he would have gladly murdered Beach and James and danced on their graves. Now, he would have been satisfied with straight murder.”

P.G. Wodehouse book Summer Lightning

Summer Lightning (1929)

Dance

“We don't dance with leprechauns at the Palace of Wisdom.”

John Hennigan (1979) American professional wrestler

The Palace Of Wisdom

Wisdom, Dance

“Woana was the most talented, amazing and prodigious human in the world, and the most beautiful too. For Woana, if she had summoned them, those bright eyes in the sky would have danced down to earth; but naturally Woana was far too sophisticated to stoop to such a thing. Woana was, in fact, unrivalled, peerless. The reason being that Mitz belonged to her, and Mitz’s feline ego would never consider that anyone, but the most sublime, could have acquired her own exceptional self.”

Tanith Lee book Volkhavaar

Source: Volkhavaar (1977), Chapter 17 (p. 144)

World, Beauty, Nature, Dance

“Cornelia would not be altogether surprised if she saw the grazing cow start tap dancing, lap dancing, or whatever quantum gravity might cause cows to do.”

João Magueijo (1967) Portuguese scientist

pg. 249
Faster than the Speed of Light

Dance

“"Father, there is little to tell." She spread her graceful hands in a deprecatory gesture. "My consciousness has never associated itself with this temporary body. Before I came on this earth, Father, 'I was the same.' As a little girl, 'I was the same.' I grew into womanhood, but still 'I was the same.' When the family in which I had been born made arrangements to have this body married, 'I was the same… And, Father, in front of you now, 'I am the same.' Ever afterward, though the dance of creation change[s] around me in the hall of eternity, 'I shall be the same.'"”

Sri Anandamoyi Ma (1896–1982) Hindu saint

Paramahansa Yogananda, Autobiography of a Yogi, Chapter 45
By another guru

Family, Girl, Change, Dance

“Mahari dance tradition in which the Oriya verse goes:
Pancha bhuta khiti op tejo maruta Byomo
Pancha sati nirjyasa gyani bodho Gomyo
Ahalya Draupadi Kunti Tara Mandodari totha Pancha kanya…”

Kunti character from Indian epic Mahabharata

Dance

“Roger: No, not anyone in the band. No, not really. We don't get that. There was one time where we played a show and we were playing at Sunlight Convention Center or something and they just had no idea what they were doing security wise. Kids were dancing and stuff and kicking stuff on the stage and this security guy had no idea on what to do so he just pushes this kid right off the stage and he just falls and breaks his leg in like a second! There's been some stories like that. Faulty employees, I called it. (laughs) You have no idea what to expect. Sometimes we'll play a college show and we'll just show up and start doing our thing and security's like stop, no moshing, no crowd surfing, no circle pits or whatever. Well, why did you have us play here? Don't you know that's what we do? Haven't you ever heard of us before? That's what we do! We get people excited, get them running around! They're going to jump around! That's what we're trying to do!! (laughs) Get some energy flowing between us.”

Roger Manganelli (1973) American musician

People, Guy, Idea, Time

“Jack was on top of the sow, stabbing downward with his knife. Roger found a lodgment for his point and began to push till he was leaning his whole weight. The spear moved forward inch by inch and the terrified squealing became a high-pitched scream. Then Jack found the throat and the hot blood spouted over his hands. The sow collapsed under them and they were heavy and fulfilled upon her. The butterflies still danced, preoccupied in the center of the clearing.”

William Golding book Lord of the Flies

Source: Lord of the Flies (1954), Ch. 8: Gift for the Darkness

Dance

“If there is one lesson that I have to teach you, dear reader, remember this: cute boys come and go, but The Dance is forever.”

Kai Cheng Thom (1991) writer

What I learned, loved and lost as a trans Zumba addict (2018)

Boy, Dance

“It is not a recognisable scene [his two paintings 'Dances at the spring', 1912 - Picabia painted the motion and the excitement of a peasant dance while he was on his honeymoon in the countryside of Italy; one version is lost]. There is no dancer, no spring, no light, no perspective, nothing other than the visible clue of the sentiments I am trying to express... I would draw your attention to a song of colours, which will bring out for others the joyful sensations and feelings inspired in me on those summer days when I found myself somewhere in the country near the Italian border, where there was a spring in a wonderful garden. A photograph of that spring and that garden would in now way look like my painting 'Dance at a spring' I was shown for the first time at the w:Salon d'Automne in Paris in 1912.”

Francis Picabia (1879–1953) French painter and writer

As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 200
1920's

Way, Feeling, Spring, Light

“The fundamentalist seeks to bring down a great deal more than buildings. Such people are against, to offer just a brief list, freedom of speech, a multi-party political system, universal adult suffrage, accountable government, Jews, homosexuals, women's rights, pluralism, secularism, short skits, dancing, beardlessness, evolution theory, sex. There are tyrants, not Muslims. United Nations Secretary-General Kofi Annan has said that we should now define ourselves not only by what we are for but by what we are against. I would reverse that proposition, because in the present instance what we are against is a no brainer. Suicidist assassins ram wide-bodied aircraft into the World Trade Center and Pentagon and kill thousands of people: um, I'm against that. But what are we for? What will we risk our lives to defend? Can we unanimously concur that all the items in the preceding list — yes, even the short skirts and the dancing — are worth dying for? The fundamentalist believes that we believe in nothing. In his world-view, he has his absolute certainties, while we are sunk in sybaritic indulgences. To prove him wrong, we must first know that he is wrong. We must agree on what matters: kissing in public places, bacon sandwiches, disagreement, cutting-edge fashion, literature, generosity, water, a more equitable distribution of the world's resources, movies, music, freedom of thought, beauty, love. These will be our weapons. Not by making war but by the unafraid way we choose to live shall we defeat them. How to defeat terrorism? Don't be terrorized. Don't let fear rule your life. Even if you are scared.”

Salman Rushdie (1947) British Indian novelist and essayist

Step Across This Line: Collected Nonfiction 1992–2002

Love, Life, Women, War

“I've read the scholarship that explains these verses 'in their context', and I think there's a fancy dance of evasion going on.”

Irshad Manji book The Trouble with Islam Today

Source: The Trouble with Islam Today (2005), p. 48

Thinking, Reading, Dance

“In the meanwhile I retire to my well-earned bath-chair, from which I shall watch with a fatherly eye the philosophic gambols of my younger friends as they dance to the highly syncopated pipings of Herr Wittgenstein's flute.”

C. D. Broad (1887–1971) English philosopher

From the Preface to Mind and Its Place in Nature (1925)

Dance

“Cricket is first and foremost a dramatic spectacle. It belongs with theatre, ballet, opera and the dance.”

C. L. R. James book Beyond a Boundary

Beyond a Boundary
Beyond a Boundary (1963)

Dance

“This dance is the joy of existence. I am filled with you.
Skin, blood, bone, brain, and soul.
There's no room for lack of trust, or trust.
Nothing in this existence but that existence.”

Rumi (1207–1273) Iranian poet

"We Three" Ch. 11 : Union
The Essential Rumi (1995)

Soul, Joy, Dance

“The sexuality of creativity – on that level, human interaction becomes less of an oppressive pyramid and more of a dance, an orgy, something that you can imagine being a bit of fun. It seems to work naturally, except when order is imposed upon it, from above, and then everything starts getting a bit screwed up. The information, the energy, starts to get messed up.”

Alan Moore (1953) English writer primarily known for his work in comic books

De Abaitua interview (1998)

Imagination, Nature, Dance

“This would be a great world to dance in if we didn't have to pay the fiddler.”

Will Rogers (1879–1935) American humorist and entertainer

Daily Telegram #1224, Rogers Offers His Version Of The Economic Situation (27 June 1930)
Daily telegrams

World, Dance

“Put music to our troubles and we'll dance them away.”

Aaron Weiss

The Ghost.
A→B Life (2002)

Music, Dance

“What matters is not what you paint but what your hand dances. The painting is only a notation of the dance of the hand, of the gesture of love.”

John Diamond (doctor) (1934) Australian doctor

Source: Stillpoints: An Introductory Guide to Haiku Painting (2008), p. 20

Love, Dance, Painting

“You turned white, like a saintBut I'm tired of dancing on a pot of gold……Flecked paint.”

Elliott Smith (1969–2003) American singer-songwriter

The Biggest Lie.
Lyrics, Elliott Smith (1995)

Dance, Painting

“We've all done things we shouldn't, it's just I did stuff at college, when nobody knew about it, so I'm not a saint. … I wasted time doing self-destructive things but it didn't work. I found out you can only dance on so many tabletops. I got that all out of my system and now I'm healthy and I'm grounded.”

Anne Hathaway (1982) American actress

Source: As quoted in "Anne Hathaway : I'm Not a Saint" in People magazine (20 February 2007) http://www.people.com/people/article/0,,20012312,00.html

Time, Dance

“Dance well with a woman, and she’s halfway yours.”

Robert Jordan (1948–2007) American writer

Matrim Cauthon
(15 October 1994)

Dance

“In each of the cathedral churches there was a bishop, or an archbishop of fools, elected; and in the churches immediately dependent upon the papal see a pope of fools. These mock pontiffs had usually a proper suit of ecclesiastics who attended upon them, and assisted at the divine service, most of them attired in ridiculous dresses resembling pantomimical players and buffoons; they were accompanied by large crowds of the laity, some being disguised with masks of a monstrous fashion, and others having their faces smutted; in one instance to frighten the beholders, and in the other to excite their laughter: and some, again, assuming the habits of females, practised all the wanton airs of the loosest and most abandoned of the sex. During the divine service this motley crowd were not contended with singing of indecent songs in the choir, but some of them ate, and drank, and played at dice upon the altar, by the side of the priest who celebrated the mass. After the service they put filth into the censers, and ran about the church, leaping, dancing, laughing, singing, breaking obscene jests, and exposing themselves in the most unseemly attitudes with shameless impudence. Another part of these ridiculous ceremonies was, to shave the precentor of fools upon a stage erected before the church, in the presence of the populace; and during the operation, he amused them with lewd and vulgar discourses, accompanied by actions equally reprehensible. The bishop, or the pope of fools, performed the divine service habited in the pontifical garments, and gave his benediction to the people before they quitted the church. He was afterwards seated in an open carriage, and drawn about to the different parts of the town, attended by a large train of ecclesiastics and laymen promiscuously mingled together; and many of the most profligate of the latter assumed clerical habits in order to give their impious fooleries the greater effect; they had also with them carts filled with ordure, which they threw occasionally upon the populace assembled to see the procession. These spectacles were always exhibited at Christmas-time, or near to it, but not confined to one particular day.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 345
The Sports and Pastimes of the People of England (1801), Festival of Fools

People, Fools, Sex, Fashion

“She said faintly, “Are you… real?”
Amusement showed in his face. “Real?” he said. “Define reality and I can answer you.” He waved a hand. “Look into solid earth, into rock, and see the galaxies of all Creation. What you call reality melts; there is a whirling, a spinning of forces, a dance of motes and atoms. Some of them we call planets, one of them is Earth. Nothingness within nothingness enclosing nothing, that is reality. Tell me what you want, and I can answer.””

Keith Roberts book Pavane

Fourth measure “Lords and Ladies” (p. 170)
Pavane (1968)

Reality, Dance

“Childhood is that time in which we never question the fact that every adult act is not only an autonomous occurrence in the universe, but that it is also filled, packed, overflowing with meaning, whether that meaning works for ill or good, whether the ill or good is or is not comprehended.
Adulthood is that time in which we see that all human actions follow forms, whether well or badly, and it is the perseverance of the forms that is, whether for better or worse, their meaning.
Various cultures make the transition at various ages, which transition period lasts for varying lengths of time, one accomplishing it in a week with careful dances, ancient prayers, and isolate and specified rituals; another, letting it take its own course, offering no help for it, and allowing it to run on frequently for years. But at the center of the changeover there is a period—whether it be a moment’s vision or a year-long suspicion—where the maturing youth sees all adult behavior as merely formal and totally meaningless.”

Samuel R. Delany book Tales of Nevèrÿon

Section 3 (p. 114)
Tales of Nevèrÿon (1979)

Youth, Age, Behavior, Question

“After weeks of dancing around the issue, the Obama administration has expressed concern about “heightened military activity” by Russia in Syria. But what if we are facing something more than “heightened military activity?” What if Moscow is preparing to give Syria the full Putin treatment? For years, Russia has been helping Syrian despot Bashar al-Assad cling to a diminishing power structure in a shrinking territorial base without trying to impose an overall strategy. Now, however, there are signs that Russia isn’t content to just support Assad. It wants to control Syria. The Putin treatment is reserved for countries in Russia’s “near neighborhood” that try to break out of Moscow’s orbit and deprive it of strategic assets held for decades. In such cases, unable to restore its past position, Russia tries to create a new situation in which it keeps a sword dangling above the head of the recalcitrant nation. Russia’s military intervenes directly and indirectly, always with help from a segment of the local population concerned. Russia starts by casting itself as protector of an ethnic, linguistic or religious minority that demands its military intervention against a central power vilified with labels such as “fascist” and “terrorist.””

Amir Taheri (1942) Iranian journalist

Putin is turning the Syrian coast into another Crimea http://nypost.com/2015/09/19/putin-is-turning-the-syrian-coast-into-another-crimea/, New York Post (September 19, 2015). New York Post

Support, Past, Help, Dance

“With Yeltsin, the Soviet Union broke apart, the country was totally mismanaged, the constitution was not respected by the regions of Russia. The army, education and health systems collapsed. People in the West quietly applauded, dancing with and around Yeltsin. I conclude therefore that we should not pay too much attention to what the West is saying.”

Mikhail Gorbachev (1931) General Secretary of the Communist Party of the Soviet Union

As quoted in USA Today (5 April 2006)
1990s

People, Health, Education, Dance

“Religious ritual survives cultural transmission by embedding episodes of intense, life-defining personal experiences in public performances. These performances involve sequential, socially interactive movement and gesture (chant, dance, murmur, sway) and formulaic utterances that rhythmically synchronize affective states among group members in displays of cooperative commitment. This is often accompanied by sensory pageantry, which further helps to emotionally validate and sustain the moral consensus.”

Scott Atran (1952) Anthropologist

Introduction: an evolutionary riddle, p. 16
In Gods We Trust: The Evolutionary Landscape of Religion (2002)

Life, Help, Dance, Personality

“Writing about music is like dancing about architecture.”

Martin Mull (1943) American actor

(on or before 1979), attributed in print in the magazine Time Barrier Express in the September-October 1979 issue in an article by Gary Sperrazza. Writing About Music is Like Dancing About Architecture: Laurie Anderson? Steve Martin? Frank Zappa? Martin Mull? Elvis Costello? Thelonius Monk?, Quote Investigator (blog), November 9, 2010 http://quoteinvestigator.com/2010/11/08/writing-about-music/, Attributed

Music, Dance

“The movement known as the Ghost Dance first appeared around 1870… soon after the Union Pacific Railroad completed its first transcontinental run. …that event inspired the vision of the prophet Wodziwob, who declared that a big train was coming to bring back dead ancestors… a cataclysm would swallow up all the whites and leave behind their goods for his followers.”

Peter Farb (1929–1980) American academic and writer

Man's Rise to Civilization (1968)

Appearance, Dance, Training, Dead

“Prospero's power is held in his relationship to his books, and The Tempest is witness to more than a few apparently conflicting facets of his personality -- not all of them particularly praiseworthy. What was it, in those books, that made Prospero not only powerful but also a moralising schold and a petty revenger, a benevolent despote, a jealous father and also a master designer of song and dance? Are we truly the product of what we read?”

Peter Greenaway (1942) British film director

Prospero's Books

Books, Revenge, Reading, Dance

“The Lost Music was his way of talking about the way he believed that old wives' tales and dance tunes and folktales were just the tangled echoes of something that's not quite of this world … something we all knew once, but have forgotten since.”

Charles de Lint (1951) author

Part One: The Hidden People, "The Quarrlsome Piper" p. 19
The Little Country (1991)

World, Music, Way, Dance

“It was tough going to school in the day and traveling to games at night. Sometimes we would get back about midnight. I never went to dances or hung around with girls. Hockey was the first thing.”

Guy Lafleur (1951) Canadian ice hockey player

Quoted in Kevin Shea, "One on One with Guy Lafleur," http://www.legendsofhockey.net/html/spot_oneononep198802.htm Legends of Hockey.net (2003-03-16)

School, Travel, Girl, Game

“Mr. Llewellyn paused. Mr. Trout had begun to float about the room like something out of Swan Lake, and Mr. Llewellyn disapproved of this. He was apt to be a martinet in his dealings with his legal advisers, demanding that lawyers should behave like lawyers and leave eccentric dancing to the professionals. A man, he held, is either Fred Astaire or he is not Fred Astaire, and if he is not Fred Astaire he should not carry on like him.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

From P.G. Wodehouse's Bachelors Anonymous (1973).

Dance

“No time to see, in broad daylight,
Streams full of stars, like skies at night.
No time to turn at Beauty's glance,
And watch her feet, how they can dance.”

William Henry Davies (1871–1940) British poet

Leisure

Beauty, Star, Time, Dance

“Dancing is the loftiest, the most moving, the most beautiful of the arts, because it is no mere translation or abstraction from life; it is life itself.”

H. Havelock Ellis (1859–1939) British physician, writer, and social reformer

Source: The Dance of Life http://www.gutenberg.net.au/ebooks03/0300671.txt (1923), Ch. 2

Life, Beauty, Art, Dance

“Don Wilson: I don't think you know how much it means to me to do the commercial. After all I'm not a funny man. I can't sing or dance. I don't lead a band. What are you paying me for?”

Jack Benny (1894–1974) comedian, vaudeville performer, and radio, television, and film actor

The Jack Benny Program (Radio: 1932-1955), The Jack Benny Program (Television: 1950-1965)

Thinking, Singing, Dance

“Glory glory alleluia
I'm the luckiest of females
For I've danced with a man
Who's danced with a girl
Who's danced with the Prince of Wales.”

Herbert Farjeon (1879–1972) American playwright, theater manager, critic, and researcher (1887–1945)

Song, "I've Danced With a Man Who's Danced With a Girl" (1927)

Girl, Dance

“A college education was for me life-changing. It gave me a life-long passion for reading and learning. It challenged my narrowness and parochialism-really forced open my mind. It deepened my commitment to culture in general and to the higher forms of pleasure. Thus it enriched my life-permanently-by confirming me in habits of mind that would benefit me all my life long. Anyone observing could have seen that happening to me (and my fellow students) at the time. A real education is life-changing. You don't go to classes during the week and get drunk in dance bars on the weekend. You discover a higher level of life and pleasure, and you start living it. If the education takes, you keep living it the rest of your life. […] Education releases you for real joy in the midst of a culture that is abysmally cheap and shabby. The people around you pursue TV, sports, and shopping-- obey the commands of their masters to indulge themselves in every way and not to question the value of what they are fed by the media. But the educated man is critical and even self-critical: he THINKS about things-even things like pleasure. Mindless self-indulgence is no longer enough when you have learned to think.”

Donald Vroon (1942) American music critic

"Critical Convictions", American Record Guide, May/Jun 2002

Life, People, Pleasure, Education

“If it were not my purpose to combine foreign things with things Greek, to traverse and civilize every continent, to search out the uttermost parts of land and sea, to push the bounds of Macedonia to the farthest Ocean, and to disseminate and shower the blessings of Greek justice and peace over every nation, I should not content to sit quietly in the luxury of idle power, but I should emulate the frugality of Diogenes. But as things are, forgive me Diogenes, that I imitate Herakles, and emulate Perseus, and follow in the footsteps of Dionysos, the divine author and progenitor of my family, and desire that victorious Greeks should dance again in India and revive the memory of the Bacchic revels among the savage mountain tribes beyond the Kaukasos…”

Plutarch book Moralia

On the Fortune of Alexander, I, 332A Loeb, F.C Babbitt
Moralia, Others

Family, Peace, Justice, Search

“The first-century church in Jerusalem clearly had it. And they didn't have any fancy accoutrements. So it can't possibly be stained-glass windows, hand-carved cherubs, custom silk tapestries, gold-inlaid hymnals, thousand-pipe organs, marble floors, mile-high steeples, hand-painted ceilings, mahogany pews, giant cast-iron bells, and a three-piece, thousand dollar suit. It doesn't stick any better to a young, hip, shaved-headed pastor with rimmed glasses, a goatee, and tattoos than it does to an older, stately gentleman in a robe. Nor is it spotlights and lasers, video production, satellite dishes, fog machines, shiny gauze backdrops, four-color glossy brochures, sexy billboards, loud "contemporary" music, free donuts, coffee shops, hip bookstores, break dancing or acrobatics, sermon series named after television shows, a retro-modern matching chair and table onstage, or blue jeans and Heelys. It is not being on television, being on the Internet, or being on book and magazine covers. It is real. It is genuine.”

Craig Groeschel (1967) American priest

It – How Churches and Leaders Can Get It and Keep It (2008, Zondervan)

Books, Music, Color, Coffee

“But I would dance with my daughter if I could. And if I can dance with Shilpa Shetty, then I will do that- (On being asked in an interview whether it was suitable for a man his age to dance in a song in the film Lal Badshah with Shilpa Shetty, who was young enough to be his daughter).”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

Age, Dance, Daughters

“For twenty years programming languages have been steadily progressing toward their present condition of obesity; as a result, the study and invention of programming languages has lost much of its excitement. Instead, it is now the province of those who prefer to work with thick compendia of details rather than wrestle with new ideas. Discussions about programming languages often resemble medieval debates about the number of angels that can dance on the head of a pin instead of exciting contests between fundamentally differing concepts. Many creative computer scientists have retreated from inventing languages to inventing tools for describing them. Unfortunately, they have been largely content to apply their elegant new tools to studying the warts and moles of existing languages.”

John Backus (1924–2007) American computer scientist

"Can Programming Be Liberated From the von Neumann Style?" http://dl.acm.org/ft_gateway.cfm?id=1283933&type=pdf, 1977 Turing Award Lecture, Communications of the ACM 21 (8), (August 1978): p. 614

Angels, Idea, Study, Dance

“Nay, tho' our Atoms shou'd revolve by chance,
And matter leape into the former dance;
Tho' time our Life and motion cou'd restore,
And make our Bodies what they were before,
What gain to us wou'd all this bustle bring,
The new made man wou'd be another thing;
When once an interrupting pause is made,
That individual Being is decay'd.
We, who are dead and gone, shall bear no part
In all the pleasures, nor shall feel the smart,
Which to that other Mortal shall accrew,
Whom of our Matter Time shall mould anew.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Sylvae (London, 1685), Translation of the Latter Part of the Third Book of Lucretius, "Against the Fear of Death", pp. 61–62.

Life, Pleasure, Feeling, Chance

“I ain't no angel, I still got a few more dances with the devil.
I'm cleaning up my act little by little.
I'm getting there. I can finally stand the man in the mirror I see.
I ain't as good as I'm gonna get, but I'm better than I used to be.”

Tim McGraw (1967) American country singer

Better Than I Used to Be
Song lyrics, Emotional Traffic (2012)

Angels, Dance

“The funny thing about writing is that whether you're doing it well or you're doing it poorly, it looks the exact same. That is actually one of the main ways that writing is different from ballet dancing.”

John Green (1977) American author and vlogger

July 19: A Day in the Life of a Writer (Who Has No Friends) http://www.youtube.com/watch?v=GXbGFyNXLwA YouTube

Way, Dance

“I danced in the morning
When the world was begun,
And I danced in the moon
And the stars and the sun,
And I came down from heaven
And I danced on the earth,
At Bethlehem
I had my birth.”

Sydney Carter (1915–2004) British musician and poet

Lord of the Dance (1963)

World, Star, Birth, Sun

“Everyone else on the planet, from the lowest amoebae to the great blue whale, expresses all their component elements in a perfect dance with the world around them. Only human beings have unfulfilled lives.”

Nicholas Lore (1944) American social scientist

Wholeliving, 2004

World, Dance, Perfection

“As we liked to do as children, extracting from the soft forest floor the light chestnut trees only a few centimeters high at the base of which the chestnut continues to shine to the sun its clods of soil from the past, the chestnut conserving all of its presence and witnessing with its presence the power of green hands, of shadow, of airy white or pink pyramids of dances.... and of future chestnuts which, under new dust, would be discovered by the marveled sight of other children. It is in this perspective that the work of Arp, more than any other, should be situated. He found the most vital in himself in the secrets of this germinating life where the most minimal detail is of the greatest importance, where, on the other hand, the distinction between the elements becomes meaningless, adopting a peculiar under the rock humor permanently.”

André Breton (1896–1966) French writer

Quote from Anthologie de l'humour noir, André Breton; as cited in Arp, ed. Serge Fauchereau, Ediciones Poligrafa S. A., Barcelona, Spain, 1988
after 1930

Life, Children, Secret, Tree

“She had come to Aka to learn how to sing this world's tune, to dance its dance; and at last, she thought, away from the city's endless noise, she was beginning to hear the music and to learn how to move to it.”

Ursula K. Le Guin Hainish Cycle

Source: Hainish Cycle, The Telling (2000), Ch. 4, §3 (p. 91)

World, Music, Learning, Singing

“Chinese cultural influence is virtually nil, and unlikely to increase… Indeed, high Chinese culture and art are almost all imitative of western forms: Chinese concert pianists are technically brilliant, but brilliant at Schubert and Rachmaninov. Chinese ballerinas dance to the scores of Diaghilev. The number of Chinese Nobel prizes won on home turf is zero, although there are of course legions of bright Chinese trying to escape to Stanford and Caltech… It is hard to think of a single Chinese sport at the Olympics, compared with umpteen invented by Britain, including ping-pong, I’ll have you know, which originated at upper-class dinner tables and was first called whiff-whaff. The Chinese have a script so fiendishly complicated that they cannot produce a proper keyboard for it.”

Boris Johnson (1964) British politician, historian and journalist

Have I Got Views for You, p277
2000s, 2006

Art, Home, Thinking, Sport

“[in reference to a two-word comment from a guest] …I used to dance under that name.”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

The Late Late Show with Craig Ferguson (2005–2014), Commonly repeated

Dance

“Street design up to the time of the Regency will be found to be loyal, in principle, to what had been developed in Bath. The two most important names in English planning during the period are those of Robert Adam and George Dance II, whose careers will be dealt with in the chapters which follow. Both of them recognized the principle of the monumentally treated block of ordinary houses, with centre and wings emphasized, as the proper solution of the urban street problem.”

John Summerson (1904–1992) British architectural historian

Architecture in Britain, 1530–1830

Problem, Time, Dance, Housing

“Take your cigarette from its holder,
And burn your initials in my shoulder.
Fracture my spine,
And swear that you're mine,
As we dance to the Masochism Tango.”

Tom Lehrer (1928) American singer-songwriter and mathematician

"The Masochism Tango"
An Evening (Wasted) With Tom Lehrer (1959)

Dance

“It's all true. It's true I didn't want to be a dancer. What I really wanted to be was a shortstop for the Pittsburgh Pirates. Then at 14 I discovered girls, and began to study dancing diligently. At that time dancing was the only way you could put your arm around the girl. Dancing was courtship. Only later did I discover you dance joy. You dance love. You dance dreams. Of course, the Pittsburgh Pirates lost a hell of a shortstop.”

Gene Kelly (1912–1996) American dancer, actor, singer, director, producer and choreographer

Speaking on March 8, 1985 at the American Film Institute; as quoted in "Hollywood Honors Man Who `Danced Joy'" by Paul Rosenfield, in Los Angeles Times (March 9, 1985)

Love, Dreams, Way, Girl

“In the Roman de la Rose, we read of a dance, the name of which is not recorded, performed by two young women lightly clothed. The original reads, "Qui estoient en pure cottes, et tresses a menu tresse;" which Chaucer renders, "In kyrtels, and none other wede, and fayre ytressed every tresse." The French intimates that their hair was platted, or braided in small braids. The thin clothing, I suppose, was used then, as it is now upon like occasions, to show their persons to greater advantage. In their dancing they displayed a variety of singular attitudes; the one coming as it were privately to the other, and, when they were near together, in a playsome manner they turned their faces about, so that they seemed continually to kiss each other.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 227
The Sports and Pastimes of the People of England (1801), Public entertainment

Women, Kiss, Reading, Dance

“Jesus was way cool. He told people to eat his body and drink his blood. That's so cool. Jesus was so cool. But then some people got jealous of how cool he was, so they killed him. But then he rose from the dead! He rose from the dead, danced around, and went up to heaven. I mean, that's so cool. Jesus was way cool. No wonder there are so many Christians.”

John S. Hall Jesus Was Way Cool

"Jesus Was Way Cool"
Lyrics, Mystical Shit (1990)

People, Way, Drink, Dance

“I don't know about you but I'm feeling 22.
Everything will be alright if you keep me next to you.
You don't know about me but I bet you want to.
Everything will be alright if we just keep dancing like we're 22, 22.”

Taylor Swift (1989) American singer-songwriter

22, written by Taylor Swift, Max Martin, and Shellback.
Song lyrics, Red (2012)

Feeling, Dance

“Bharatanatyam is grounded in bhakthi. In fact bhakthi is at the center of all arts of India. Our music and dance are two offerings to God…This experience may only occur once in a while but when it does for that little duration, its grandeur enters the soul not transiently but with a sense of eternity. As one gets involved in the art, with greater and greater dedication, one can continuously experience throughout the few hours of the dance, the unending joy, this complete well-being, especially when music and dance mingle indistinguishably.”

Balasaraswati (1918–1984) Indian dancer

Her comment on the role of dance and music in veneration of God. Quoted in "Balasaraswati: Her Art and Life", page=28
Quote

God, Art, Music, Soul

“I have been into Odissi for over a decade now. I started around the time I was in standard X. I started dancing with Meenakshi Seshadri. My guru Pandit Ravindra Attibuthi has also taught Meenakshi and Hema Malini.”

Rani Mukerji (1978) Indian film actress

citation needed
Famous Quotes

Time, Dance

“There is fun in being small; we can see other's importance dancing around. There is pleasure in the peacefulness of ego; we can see other's charade.”

Laxmi Prasad Devkota (1909–1959) Nepali poet

वैराग्य

Pleasure, Peace, Dance

“When I understand this liability as a trade-off for my strengths, something new and liberating arises within me. I no longer want to have my liability “fixed”—by learning how to dance solo, for example, when no one wants to dance with me—for to do that would be to compromise or even destroy my gift.”

Parker Palmer (1939) American theologian

Source: Let Your Life Speak: Listening for the Voice of Vocation (1999), p. 53

Understanding, Learning, Dance

“I have no desire to prove anything by it. I have never used it as an outlet or a means of expressing myself. I just dance.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

from Astaire's autobiography Steps in Time, 1959, p. 325.

Dance

“Kylie Minogue is just a demonic little idiot as far as I'm concerned. She gets cool dance producers to work with her for some bizarre reason, I don't know why. She doesn't even have a good name. It's a stupid name, Kylie, I just don't get it”

Noel Gallagher (1967) British musician

Noel Gallagher cited in " Kylie 'demonic', says Oasis star http://news.bbc.co.uk/2/hi/entertainment/2070390.stm", at news.bbc.co.uk, 27 June, 2002 Controversy with other artists

Stupidity, Dance