Quotes about dancing
page 8

Mike Scott photo

“I feel you move me
in such sweet silence
always dancing, always dancing
never ever getting tired”

Mike Scott (1958) songwriter, musician

"Always Dancing, Never Getting Tired"
Universal Hall (2003)

Ryan Adams photo
Rutherford B. Hayes photo
Elton John photo
Colin Moulding photo
Sri Aurobindo photo

“What the Divine wants is for man to embody Him here, in the individual and in the collectivity… to realise God in life. The old system of yoga could not harmonise or unify Spirit and life; it dismissed the world as Maya or a transient play of God. The result has been a diminution of life-power and the decline of India. The Gita says, utsideyur ime loka na kuryam karma cedaham ["These peoples would crumble to pieces if I did not do actions," 3.24]. Truly 'these peoples' of India have gone to ruin. What kind of spiritual perfection is it if a few Sannyasins, Bairagis and Saddhus attain realisation and liberation, if a few Bhaktas dance in a frenzy of love, god-intoxication and Ananda, and an entire race, devoid of life, devoid of intelligence, sinks to the depths of extreme tamas?… But now the time has come to take hold of the substance instead of extending the shadow. We have to awaken the true soul of India and in its image fashion all works…. I believe that the main cause of India's weakness is not subjection, nor poverty, nor a lack of spirituality or Dharma, but a diminution of thought-power, the spread of ignorance in the motherland of Knowledge. Everywhere I see an inability or unwillingness to think… incapacity of thought or 'thought-phobia'…. The mediaeval period was a night, a time of victory for the man of ignorance; the modern world is a time of victory for the man of knowledge. It is the one who can fathom and learn the truth of the world by thinking more, searching more, labouring more, who will gain more Shakti. Look at Europe, and you will see two things: a wide limitless sea of thought and the play of a huge and rapid, yet disciplined force. The whole Shakti of Europe lies there. It is by virtue of this Shakti that she has been able to swallow the world, like our Tapaswins of old, whose might held even the gods of the universe in awe, suspense and subjection. People say that Europe is rushing into the jaws of destruction. I do not think so. All these revolutions, all these upsettings are the initial stages of a new creation….. We, however, are not worshippers of Shakti; we are worshippers of the easy way…. Our civilisation has become ossified, our Dharma a bigotry of externals, our spirituality a faint glimmer of light or a momentary wave of intoxication. So long as this state of things lasts, any permanent resurgence of India is impossible…. We have abandoned the sadhana of Shakti and so the Shakti has abandoned us…. You say what is needed is emotional excitement, to fill the country with enthusiasm. We did all that in the political field during the Swadeshi period; but all we did now lies in the dust…. Therefore I no longer wish to make emotional excitement, feeling and mental enthusiasm the base. I want to make a vast and heroic equality the foundation of my yoga; in all the activities of the being, of the adhar [vessel] based on that equality, I want a complete, firm and unshakable Shakti; over that ocean of Shakti I want the vast radiation of the sun of Knowledge and in that luminous vastness an established ecstasy of infinite love and bliss and oneness. I do not want tens of thousands of disciples; it will be enough if I can get as instruments of God a hundred complete men free from petty egoism. I have no faith in the customary trade of guru. I do not want to be a guru. What I want is that a few, awakened at my touch or at that of another, will manifest from within their sleeping divinity and realise the divine life. It is such men who will raise this country.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

April, 1920, Letter to Barin Ghose, Sri Aurobindo's brother, Translated from Bengali
India's Rebirth

Noel Gallagher photo

“Would you maybe / Come dancing with me / 'Cos to me it doesn't matter if your hopes and dreams are shattered”

Noel Gallagher (1967) British musician

The Girl In The Dirty Shirt
Be Here Now (1997)

Anatoly Kudryavitsky photo

“…letters of a burning book
dance in flame not every time
and not every time literally.”

Anatoly Kudryavitsky (1954) a Russian/Irish novelist, poet, literary translator and magazine editor

Poems, Shadow of Time (2005)

Robert Bloomfield photo
Anastacia photo

“Poetry is to prose as dancing is to walking.”

John Wain (1925–1994) British writer

Talk on BBC Radio, 13 January 1976
Quoted in "The Penguin Dictionary of Twentieth-Century Quotations", J M & M J Cohen (1996) p. 389 ISBN 0-14-051165-2

George Eliot photo
Thomas Gainsborough photo
Tarkan photo

“Dancing and singing were always like games to me. I sang constantly.”

Tarkan (1972) Turkish singer

Tarkan Q & A, Tarkan Translations, April 10, 2003 http://tarkantr.blogspot.com/2005/05/q.html,

Walter Scott photo

“The stag at eve had drunk his fill,
Where danced the moon on Monan's rill,
And deep his midnight lair had made
In lone Glenartney's hazel shade.”

Walter Scott (1771–1832) Scottish historical novelist, playwright, and poet

Canto I, stanza 1.
The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)

George William Russell photo
Adolf Eichmann photo
Amir Taheri photo

“Some poets still write about the hair and eyes and body of a beloved and depict scenes of joy when lovers meet to drink and dance and be merry. But that is not the kind of poetry that the Islamic movement, grown on the concept of jihad and martyrdom, wants.”

Amir Taheri (1942) Iranian journalist

When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).

Thomas Flanagan (political scientist) photo
Max Heindel photo
Don Marquis photo

“dance mehitabel dance
caper and shake a leg
what little blood is left
will fizz like wine in a keg”

Don Marquis (1878–1937) American writer

mehitabel dances with boreas
archy and mehitabel (1927)

Gloria Estefan photo
Devendra Banhart photo

“And because my teeth don't bite, I can take them out dancing
I can take my little teeth out and show them a real good time”

Devendra Banhart (1981) American folk singer

-This Beard is for Siobhan
From Rejoicing in the Hands

P.G. Wodehouse photo
John Hennigan photo

“We don't dance with leprechauns at the Palace of Wisdom.”

John Hennigan (1979) American professional wrestler

The Palace Of Wisdom

Tanith Lee photo
João Magueijo photo
Sri Anandamoyi Ma photo
Kunti photo
Roger Manganelli photo
William Golding photo

“If there is one lesson that I have to teach you, dear reader, remember this: cute boys come and go, but The Dance is forever.”

Kai Cheng Thom (1991) writer

What I learned, loved and lost as a trans Zumba addict (2018)

Francis Picabia photo
Salman Rushdie photo

“The fundamentalist seeks to bring down a great deal more than buildings. Such people are against, to offer just a brief list, freedom of speech, a multi-party political system, universal adult suffrage, accountable government, Jews, homosexuals, women's rights, pluralism, secularism, short skits, dancing, beardlessness, evolution theory, sex. There are tyrants, not Muslims. United Nations Secretary-General Kofi Annan has said that we should now define ourselves not only by what we are for but by what we are against. I would reverse that proposition, because in the present instance what we are against is a no brainer. Suicidist assassins ram wide-bodied aircraft into the World Trade Center and Pentagon and kill thousands of people: um, I'm against that. But what are we for? What will we risk our lives to defend? Can we unanimously concur that all the items in the preceding list — yes, even the short skirts and the dancing — are worth dying for? The fundamentalist believes that we believe in nothing. In his world-view, he has his absolute certainties, while we are sunk in sybaritic indulgences. To prove him wrong, we must first know that he is wrong. We must agree on what matters: kissing in public places, bacon sandwiches, disagreement, cutting-edge fashion, literature, generosity, water, a more equitable distribution of the world's resources, movies, music, freedom of thought, beauty, love. These will be our weapons. Not by making war but by the unafraid way we choose to live shall we defeat them. How to defeat terrorism? Don't be terrorized. Don't let fear rule your life. Even if you are scared.”

Salman Rushdie (1947) British Indian novelist and essayist

Step Across This Line: Collected Nonfiction 1992–2002

Irshad Manji photo
C. D. Broad photo
C. L. R. James photo
Rumi photo
Alan Moore photo
Will Rogers photo

“This would be a great world to dance in if we didn't have to pay the fiddler.”

Will Rogers (1879–1935) American humorist and entertainer

Daily Telegram #1224, Rogers Offers His Version Of The Economic Situation (27 June 1930)
Daily telegrams

“Put music to our troubles and we'll dance them away.”

The Ghost.
A→B Life (2002)

“What matters is not what you paint but what your hand dances. The painting is only a notation of the dance of the hand, of the gesture of love.”

John Diamond (doctor) (1934) Australian doctor

Source: Stillpoints: An Introductory Guide to Haiku Painting (2008), p. 20

Elliott Smith photo

“You turned white, like a saintBut I'm tired of dancing on a pot of gold……Flecked paint.”

Elliott Smith (1969–2003) American singer-songwriter

The Biggest Lie.
Lyrics, Elliott Smith (1995)

Anne Hathaway photo
Robert Jordan photo

“Dance well with a woman, and she’s halfway yours.”

Robert Jordan (1948–2007) American writer

Matrim Cauthon
(15 October 1994)

Joseph Strutt photo

“In each of the cathedral churches there was a bishop, or an archbishop of fools, elected; and in the churches immediately dependent upon the papal see a pope of fools. These mock pontiffs had usually a proper suit of ecclesiastics who attended upon them, and assisted at the divine service, most of them attired in ridiculous dresses resembling pantomimical players and buffoons; they were accompanied by large crowds of the laity, some being disguised with masks of a monstrous fashion, and others having their faces smutted; in one instance to frighten the beholders, and in the other to excite their laughter: and some, again, assuming the habits of females, practised all the wanton airs of the loosest and most abandoned of the sex. During the divine service this motley crowd were not contended with singing of indecent songs in the choir, but some of them ate, and drank, and played at dice upon the altar, by the side of the priest who celebrated the mass. After the service they put filth into the censers, and ran about the church, leaping, dancing, laughing, singing, breaking obscene jests, and exposing themselves in the most unseemly attitudes with shameless impudence. Another part of these ridiculous ceremonies was, to shave the precentor of fools upon a stage erected before the church, in the presence of the populace; and during the operation, he amused them with lewd and vulgar discourses, accompanied by actions equally reprehensible. The bishop, or the pope of fools, performed the divine service habited in the pontifical garments, and gave his benediction to the people before they quitted the church. He was afterwards seated in an open carriage, and drawn about to the different parts of the town, attended by a large train of ecclesiastics and laymen promiscuously mingled together; and many of the most profligate of the latter assumed clerical habits in order to give their impious fooleries the greater effect; they had also with them carts filled with ordure, which they threw occasionally upon the populace assembled to see the procession. These spectacles were always exhibited at Christmas-time, or near to it, but not confined to one particular day.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 345
The Sports and Pastimes of the People of England (1801), Festival of Fools

Samuel R. Delany photo
Amir Taheri photo

“After weeks of dancing around the issue, the Obama administration has expressed concern about “heightened military activity” by Russia in Syria. But what if we are facing something more than “heightened military activity?” What if Moscow is preparing to give Syria the full Putin treatment? For years, Russia has been helping Syrian despot Bashar al-Assad cling to a diminishing power structure in a shrinking territorial base without trying to impose an overall strategy. Now, however, there are signs that Russia isn’t content to just support Assad. It wants to control Syria. The Putin treatment is reserved for countries in Russia’s “near neighborhood” that try to break out of Moscow’s orbit and deprive it of strategic assets held for decades. In such cases, unable to restore its past position, Russia tries to create a new situation in which it keeps a sword dangling above the head of the recalcitrant nation. Russia’s military intervenes directly and indirectly, always with help from a segment of the local population concerned. Russia starts by casting itself as protector of an ethnic, linguistic or religious minority that demands its military intervention against a central power vilified with labels such as “fascist” and “terrorist.””

Amir Taheri (1942) Iranian journalist

Putin is turning the Syrian coast into another Crimea http://nypost.com/2015/09/19/putin-is-turning-the-syrian-coast-into-another-crimea/, New York Post (September 19, 2015).
New York Post

Mikhail Gorbachev photo
Martin Mull photo

“Writing about music is like dancing about architecture.”

Martin Mull (1943) American actor

(on or before 1979), attributed in print in the magazine Time Barrier Express in the September-October 1979 issue in an article by Gary Sperrazza. Writing About Music is Like Dancing About Architecture: Laurie Anderson? Steve Martin? Frank Zappa? Martin Mull? Elvis Costello? Thelonius Monk?, Quote Investigator (blog), November 9, 2010 http://quoteinvestigator.com/2010/11/08/writing-about-music/,
Attributed

Peter Greenaway photo
Guy Lafleur photo

“It was tough going to school in the day and traveling to games at night. Sometimes we would get back about midnight. I never went to dances or hung around with girls. Hockey was the first thing.”

Guy Lafleur (1951) Canadian ice hockey player

Quoted in Kevin Shea, "One on One with Guy Lafleur," http://www.legendsofhockey.net/html/spot_oneononep198802.htm Legends of Hockey.net (2003-03-16)

Fred Astaire photo
William Henry Davies photo
H. Havelock Ellis photo

“Dancing is the loftiest, the most moving, the most beautiful of the arts, because it is no mere translation or abstraction from life; it is life itself.”

H. Havelock Ellis (1859–1939) British physician, writer, and social reformer

Source: The Dance of Life http://www.gutenberg.net.au/ebooks03/0300671.txt (1923), Ch. 2

Jack Benny photo

“Don Wilson: I don't think you know how much it means to me to do the commercial. After all I'm not a funny man. I can't sing or dance. I don't lead a band. What are you paying me for?”

Jack Benny (1894–1974) comedian, vaudeville performer, and radio, television, and film actor

The Jack Benny Program (Radio: 1932-1955), The Jack Benny Program (Television: 1950-1965)

“Glory glory alleluia
I'm the luckiest of females
For I've danced with a man
Who's danced with a girl
Who's danced with the Prince of Wales.”

Herbert Farjeon (1879–1972) American playwright, theater manager, critic, and researcher (1887–1945)

Song, "I've Danced With a Man Who's Danced With a Girl" (1927)

Plutarch photo
Amitabh Bachchan photo
John Backus photo
John Dryden photo
Tim McGraw photo
John Green photo

“The funny thing about writing is that whether you're doing it well or you're doing it poorly, it looks the exact same. That is actually one of the main ways that writing is different from ballet dancing.”

John Green (1977) American author and vlogger

July 19: A Day in the Life of a Writer (Who Has No Friends) http://www.youtube.com/watch?v=GXbGFyNXLwA
YouTube

Nicholas Lore photo
André Breton photo
Ursula K. Le Guin photo
Boris Johnson photo
Craig Ferguson photo

“[in reference to a two-word comment from a guest] …I used to dance under that name.”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

The Late Late Show with Craig Ferguson (2005–2014), Commonly repeated

Tom Lehrer photo

“Take your cigarette from its holder,
And burn your initials in my shoulder.
Fracture my spine,
And swear that you're mine,
As we dance to the Masochism Tango.”

Tom Lehrer (1928) American singer-songwriter and mathematician

"The Masochism Tango"
An Evening (Wasted) With Tom Lehrer (1959)

Gene Kelly photo
Joseph Strutt photo
Taylor Swift photo
Balasaraswati photo
Rani Mukerji photo
Laxmi Prasad Devkota photo
Parker Palmer photo
Fred Astaire photo

“I have no desire to prove anything by it. I have never used it as an outlet or a means of expressing myself. I just dance.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

from Astaire's autobiography Steps in Time, 1959, p. 325.

Noel Gallagher photo

“Kylie Minogue is just a demonic little idiot as far as I'm concerned. She gets cool dance producers to work with her for some bizarre reason, I don't know why. She doesn't even have a good name. It's a stupid name, Kylie, I just don't get it”

Noel Gallagher (1967) British musician

Noel Gallagher cited in " Kylie 'demonic', says Oasis star http://news.bbc.co.uk/2/hi/entertainment/2070390.stm", at news.bbc.co.uk, 27 June, 2002
Controversy with other artists

David Bowie photo
John Steinbeck photo

“Mr. Pritchard was a businessman, president of a medium-sized corporation. He was never alone. His business was conducted by groups of men like himself who joined together in clubs so that no foreign element or idea could enter. His religious life was again his lodge and his church, both of which were screened and protected. One night a week he played poker with men so exactly like himself that the game was fairly even, and from this fact his group was convinced that they were very fine poker players. Wherever he went he was not one man but a unit in a corporation, a unit in a club, in a lodge, in a church, in a political party. His thoughts and ideas were never subjected to criticism since he willingly associated only with people like himself. He read a newspaper written by and for his group. The books that came into his house were chosen by a committee which deleted material that might irritate him. He hated foreign countries and foreigners because it was difficult to find his counterpart in them. He did not want to stand out from his group. He would like to have risen to the top of it and be admired by it; but it would not occur to him to leave it. At occasional stags where naked girls danced on the tables and sat in great glasses of wine, Mr. Pritchard howled with laughter and drank the wine, but five hundred Mr. Pritchards were there with him.”

Source: The Wayward Bus (1947), Ch. 3

Sherman Alexie photo

“People come to see beauty, and I dance to give it to them.”

Judith Jamison (1943) American dancer

WomenSports magazine, p. 14 (September 1975)

Colleen Fitzpatrick photo
Merce Cunningham photo
Brad Paisley photo
Ananda K. Coomaraswamy photo
Dan Fogelberg photo
Paul Karl Feyerabend photo