Quotes about dancing
page 9

“But as soon as I opened a dance school they went who does she think she is? She has become a guru! In their mind they could not accept that anyone could build a place not because they want to be a guru but because they want to give the best to a young bunch of girls. Guru Kelucharan Mahapatra was in charge of Odissi. Kalanidhi Narayan for Abhinaya. Kumudini Lakhia for Kathak. Kalyani Kuttiyamma for Mohiniattam. The Paul Taylor Dance Company did a workshop there. I was not the guru. I was the slave. I was working with my hands -- planting trees, digging the earth, typing, collecting the money. I gave up my dance.”

Protima Bedi (1948–1998) Indian model and dancer

On Her Nityagrama dance school in Bangalore, quoted in "I have been a hippie all my life".

Money, School, Girl, Thinking

“Take the time to make some sense / Of what you want to say / And cast your words away upon the waves
Dance if you wanna dance, please brother take a chance / You know we're gonna go which way we wanna go / All we know is that we don't know how it's gonna be, please brother let it be / Life, on the other hand, won't make you understand / We're all part of the masterplan.
I'm not saying right is wrong / It's up to us to make the best of all the things that come our way”

Noel Gallagher (1967) British musician

The Masterplan, released 30 October 1995
B-sides released by Oasis

Life, Way, Understanding, Sense

“It may be true that I had dancing in my blood… I was a toddler when I danced deliriously with that street beggar. All called him a madman when he brought the house down with his frenetic dancing. Was he really mad? His unerring jatis (danced to rhythmic patterns) reverberate in my mind. Who knows which siddhapurusha (literally: “with all accomplishments”) he was? I can still see the gleam in his eye. If I am dance-mad now how could it be otherwise?… My first guru was a madman.”

Balasaraswati (1918–1984) Indian dancer

[Knight, Douglas M., Balasaraswati: Her Art and Life, http://books.google.com/books?id=Q3EsA2NooW4C, 15 June 2010, Wesleyan University Press, 978-0-8195-6906-6, 17-18]
Quote

Dance, Housing, Madness

“There are so many acting schools these days. Maybe, the new generation of actors is forgetting that acting is more emotional than mechanical. Take dancing, today's dancers are not dancing; they're just performing a drill to some beats.”

Waheeda Rehman (1938) Indian actress

Quoted in "Guru Dutt was my mentor: Waheeda".
Quote

School, Dance, Forgetting

“The next election will be a flyweight versus a heavyweight. However much the right hon. Gentleman (David Cameron) may dance around the ring beforehand, at some point, he will come within the reach of a big clunking fist.”

Gordon Brown (1951) British Labour Party politician

Hansard http://www.publications.parliament.uk/pa/cm200607/cmhansrd/cm061115/debtext/61115-0005.htm#0611152000428, House of Commons, 6th series, vol. 453, col. 29 (15 November 2006) Tony Blair, speaking in the House of Commons; the term 'big clunking fist' was taken as a reference to Brown. About

Dance

“But just as the world grew right again,
We heard a wanderer out on the plain
Singing what none of us understood;
Yet we thought that the world grew thrice more sweet
And the meadows were blossoming under his feet.
And we felt a grand and beautiful fear,
For we knew that a marvellous thought drew near;
So we kept the glass for a little while:
And the skies grew deeper and twice as bright,
And the seas grew soft as a flower of light,
And the meadows rippled from stile to stile;
And memories danced in a musical throng
Thro' the blossom that scented the wonderful song.”

Alfred Noyes (1880–1958) English poet

Part III : The Mystic Ruby
The Flower of Old Japan and Other Poems (1907), The Flower of Old Japan

World, Fear, Beauty, Music

“Andy and his little gang of bearded apes have made it clear that they intend to patrol the streets of London enforcing Sharia and preventing people going about their lawful business. I'll be interested to see how that works out for them. I've known a few Eastenders in my time, and I can't think of anyone — with the possible exception of Geordies (that's people from Newcastle) — who are less likely to tolerate having their pint of beer, their betting shop and their song and dance interfered with by a bunch of puffed-up bearded blowfish in pyjamas. And that's just the women.”

Pat Condell (1949) Stand-up comedian, writer, and Internet personality

"Sharia poster boy" (29 July 2011) http://youtube.com/watch?v=CwDo1uB-CBk 2011

Women, People, Law, Beer

“20 years ago it would not have been possible for the world's economy to be run using a “mark.” Computer chip implants are now common and it is totally possible to eliminate cash, credit cards, checks, debit cards and go to all electronic transactions. Anyone who doesn't “go along to get along” will not be welcome on the planet. Have you seen the commercials where everyone is dancing smoothly through the checkout line buying their food until one idiot wants to pay with CASH? It “messes up the smooth flow” of things for everyone. Those commercials are psychological preparations for people to accept the mark. Watch for many more to be on TV!”

Kent Hovind (1953) American young Earth creationist

Source: What On Earth Is About To Happen… For Heaven’s Sake? (2013), p. 145

People, World, Food, Dance

“McKey…gets it in to Miller for the win…IT'S THERE! Four tenths of a second! Yeah, you can dance, Reggie! One of the greatest clutch playoff performers of his generation has apparently done it again!”

Bob Costas (1952) American sportscaster

Calling Reggie Miller's game-winner in Game 4 of the 1998 Eastern Conference Finals.

Dance

“…I never got away from the enigma of Coren's personality. For me he remains the most enigmatic man of his generation, because the sprawling palace of his attainments has so many rooms he has scarcely bothered to look into. He can fly planes, drive fast cars, dance accomplished jive, speak perfect German. But who is he? His writing never tells you, because its humour is a shield.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

On Alan Coren, p. 166
Memoirs, North Face of Soho (2006)

Cars, Dance, Personality, Perfection

“My parents danced together, her head on his chest. Both had their eyes closed. They seemed so perfectly content. If you can find someone like that, someone who you can hold and close your eyes to the world with, then you’re lucky. Even if it only lasts for a minute or a day. The image of them gently swaying to the music is how I picture love in my mind even after all these years.”

Patrick Rothfuss book The Name of the Wind

Source: The Name of the Wind (2007), Chapter 15, “Distractions and Farewells” (pp. 119-120)

Love, World, Music, Parent

“This said, he reached to take his son; who, of his arms afraid,
And then the horse-hair plume, with which he was so overlaid,
Nodded so horribly, he clinged back to his nurse, and cried.
Laughter affected his great sire, who doffed and laid aside
His fearful helm, that on the earth cast round about it light;
Then took and kissed his loving son, and (balancing his weight
In dancing him) these loving vows to living Jove he used,
And all the other bench of Gods: "O you that have infused
Soul to this infant, now set down this blessing on his star:
Let his renown be clear as mine; equal his strength in war."”

George Chapman (1559–1634) English dramatist, poet, and translator

Book VI, line 506, p. 94
The Iliads of Homer, Prince of Poets (1611)

Love, God, War, Fear

“Dances an endless illusion, A woman of desire endures in my heart, I wait, O! Almighty cut the net of passion, You are the ultimate Source of light. Gitamohanam,(spiritual Hymns)”

Manmohan Acharya (1967–2013) Poet, lyricist

Hymn-16, verse-2
Spiritual Hymns (2001)

Light, Passion, Waiting, Heart

“When you're dancing the mystical dance of the molecules, you're not the one who's leading.”

Lily Tomlin (1939) American actress, comedian, writer, and producer

As "Trudy"
Contributions of Jane Wagner, The Search for Signs of Intelligent Life in the Universe (1985)

Dance

“I had never heard a Mass like that one.. the church vault was split open, the walls were rasped and peeling, the altars were wrecked or had been thrown out; worst of all, that great dark hole at the end, where the high altar had been, the paving hidden beneath the powder and rubble, no pews to sit on, everyone standing or kneeling before a wooden table with a crucifix placed on it, a sunbeam shining sharply down through a gap in the vault and a cloud of flies dancing in the harsh light that illuminated the whole Church and made it seem as though we were hearing Mass in the middle of the street. [-] I had never heard a Mass like that one [-] The bread and the Wine appeared as though they were fresh: the Host appeared to be beating and, in the sunlight, when the Wine was poured into the chalice, it appeared to be blood that was flowing [-] and then the thought, the sentiment occurred to me that Mass should always be heard in this way, in fear and trembling”

Joan Maragall (1860–1911) Spanish writer

Fear, Way, Light, Appearance

“He had a way, that Hackmuth; he had a style; he had so much to give, even his commas and semi-colons had a way of dancing up and down. I used to tear the stamps off his envelopes, peel them off gently, to see what was under them.”

John Fante book Ask the Dust

Ask the Dust (1939)

Way, Tear, Dance

“Pain and penitence forsaking,
Hearts like cloisters dim and grey,
By your laughter lured, awaking
Join with you the dance of day.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

By Still Waters (1906)

Pain, Laughter, Heart, Dance

“Have you been watching American Idol? They have Simon Cowell and Paula Abdul judging the singing. Paula Abdul?! Getting Paula Abdul to judge a singing contest is like getting Christopher Reeve to judge a dance contest!”

Chris Rock (1965) American comedian, actor, screenwriter, television producer, film producer, and director

Miscellaneous

Singing, Dance

“This is a nature-boy movie, a kid's daydream of being an Indian. When Dunbar has become a Sioux named Dances with Wolves, he writes in his journal that he knows for the first time who he really is. Costner has feathers in his hair and feathers in his head.”

Pauline Kael book Movie Love

"New Age Daydreams," review of Dances with Wolves (1990-12-17), p. 295.
Movie Love (1991)

Boy, Nature, Time, Dance

“And You dance inside my chest where no one sees You!”

Aaron Weiss

Seven Sisters.
Catch For Us The Foxes (2004)

Dance

“Third and finally, poetry originated as a form of vocal music. It began as a performative and auditory medium, linked to music and dance and associated with civic ceremony, religious ritual, and magic. (The earliest poetry almost certainly served a shamanistic function.) Most aboriginal cultures did not distinguish poetry from song because the arts were so interrelated as to be porous. Nor did the classical Greek or Chinese cultures two or three millennia ago differentiate poetry from song”

Dana Gioia (1950) American writer

10
Essays, Can Poetry Matter? (1991), Poetry as Enchantment (2015)

Art, Music, Dance

“Well, it's always very difficult to say what prompts anybody to do anything, let alone getting underwater and teaching ravens to fly. But I think it probably all dates back to a very early age, when I was quite a young fellow. My mother, Lady Beryl Streeb-Greebling, you know, the wonderful dancer — 107 tomorrow and still dancing — she came up to me in the conservatory — I was pruning some walnuts — and she said "Arthur" — I wasn't Sir Arthur in those days — she said "Arthur, if you don't get underwater and start teaching ravens to fly, I'll smash your stupid face off," and I think it was this that sort of first started my interest in the whole business of getting them underwater.”

Peter Cook (1937–1995) British architect

"Ravens" (1965)
Not Only... But Also (1965 - 1970)

Age, Stupidity, Business, Thinking

“I am a die hard fan of dancing and would take my dad's clothes and my mom's clothes and dance in front of the mirror. I loved my dad's clothes as they had a lot of glitter in them. My whole family speaks in this sing song way and, for a short period of time, I would practice these air hostess speeches. While my dad was comfortable with me being an actor, the only thing he said no was to becoming an air hostess.”

Shraddha Kapoor (1987) Indian film actress & Singer

I was most upset with the way people were talking about my dad: Shraddha via The Times of India (April 21, 2013) http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news-interviews/I-was-most-upset-with-the-way-people-were-talking-about-my-dad-Shraddha/articleshow/19649087.cms

Love, Family, Way, Moms

“Act, if you like,—but you do it at your peril. Men's actions are too strong for them. Show me a man who has acted, and who has not been the victim and slave of his action. What they have done commits and enforces them to do the same again. The first act, which was to be an experiment, becomes a sacrament. The fiery reformer embodies his aspiration in some rite or covenant, and he and his friends cleave to the form, and lose the aspiration. The Quaker has established Quakerism, the Shaker has established his monastery and his dance; and, although each prates of spirit, there is no spirit, but repetition, which is anti-spiritual.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

“Goethe; or, the Writer” p. 271
1850s, Representative Men (1850)

Men, Strong, Dance

“Happier of happy though I be, like them
I cannot take possession of the sky,
Mount with a thoughtless impulse, and wheel there
One of a mighty multitude whose way
Is a perpetual harmony and dance
Magnificent.”

William Wordsworth The Recluse

The Recluse, l. 198 (1805).

Happiness, Way, Dance

“When I attempted, a few minutes ago, to describe our spiritual longings, I was omitting one of their most curious characteristics. We usually notice it just as the moment of vision dies away, as the music ends or as the landscape loses the celestial light. What we feel then has been well described by Keats as “the journey homeward to habitual self.” You know what I mean. For a few minutes we have had the illusion of belonging to that world. Now we wake to find that it is no such thing. We have been mere spectators. Beauty has smiled, but not to welcome us; her face was turned in our direction, but not to see us. We have not been accepted, welcomed, or taken into the dance. We may go when we please, we may stay if we can: “Nobody marks us.” A scientist may reply that since most of the things we call beautiful are inanimate, it is not very surprising that they take no notice of us. That, of course, is true. It is not the physical objects that I am speaking of, but that indescribable something of which they become for a moment the messengers. And part of the bitterness which mixes with the sweetness of that message is due to the fact that it so seldom seems to be a message intended for us but rather something we have overheard. By bitterness I mean pain, not resentment. We should hardly dare to ask that any notice be taken of ourselves. But we pine. The sense that in this universe we are treated as strangers, the longing to be acknowledged, to meet with some response, to bridge some chasm that yawns between us and reality, is part of our inconsolable secret. And surely, from this point of view, the promise of glory, in the sense described, becomes highly relevant to our deep desire. For glory meant good report with God, acceptance by God, response, acknowledgment, and welcome into the heart of things. The door on which we have been knocking all our lives will open at last.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

The Weight of Glory (1949)

God, Pain, Secret, World

“Firstly I had never touched anyone's feet. So I refused to do that for months. I had never been inside a temple. I refused to go for puja every evening. I said I have only come to learn dance. I don't have to do all that. But the dance brought the devotion and the spiritual understanding. I saw my guru's devotion because everything he did was by example. If I have built Nrityagram today it is because of what I took from him.”

Protima Bedi (1948–1998) Indian model and dancer

On her learning stages of the Odissi dance, quoted in "I have been a hippie all my life".

Understanding, Learning, Dance

“This thing here, which looks like a wooden club, is actually several pieces of particular wood cunningly put together in a certain way so that the whole thing is sprung, like a dance floor. It's for hitting cricket balls with. If you get it right, the cricket ball will travel two hundred yards in four seconds, and all you've done is give it a knock like knocking the top off a bottle of stout, and it makes a noise like a trout taking a fly. What we're trying to do is to write cricket bats, so that when we throw up an idea and give it a little knock, it might…travel.”

Tom Stoppard The Real Thing

Henry, Act II, scene V
The Real Thing (1982)

Way, Travel, Idea, Dance

“I was invited to come here to speak about my idea of art, which is to enlarge the effectivity of art beyond the idea of art as coming out of art history — an art idea which contains the well-known disciplines like sculpture, architecture, painting, music, dancing, poetry and so on. I would like to declare why I feel that it's now necessary to establish a new kind of art, able to show the problems of the whole society, of every living being — and how this new discipline — which I call social sculpture — can realize the future of humankind. It could be a guarantee for the evolution of the earth as a planet, establish conditions for other planetarians too, and you can control it with your own thinking.”

Joseph Beuys (1921–1986) German visual artist

Source: 1970's, Joseph Beuys... Public Dialogue' 1974, p. 5; Lead paragraph of article

Art, Music, Feeling, History

“There is room enough indoors in New York City for the whole 1963 world's population to enter, with room enough inside for all hands to dance the twist in average nightclub proximity.”

Buckminster Fuller (1895–1983) American architect, systems theorist, author, designer, inventor and futurist

Prime Design (May 1960), later published in The Buckminster Fuller Reader (1970) edited by James Meller
1960s

World, Dance

“The chimney-sweepers of London have also singled out the first of May for their festival; at which time they parade the streets in companies, disguised in various manners. Their dresses are usually decorated with gilt paper, and other mock fineries; they have their shovels and brushes in their hands, which they rattle one upon the other; and to this rough music they jump about in imitation of dancing.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 358
The Sports and Pastimes of the People of England (1801), Chimney sweeps

Music, Time, Dance

“Jack shall pipe and Gill shall dance.”

George Wither (1588–1667) English poet

Poem on Christmas; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Dance

“Gloria Estefan is going to be here. She writes these books about her dog, Noelle... and she also dances and sings well, too.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Gretchen Carlson, anchor of Fox and Friends television program (October 12, 2006)
2007, 2008

Books, Dogs, Singing, Dance

“I set to work. I pointed a mural for the main wall: Introduction to the New National Theatre. The other interior walls, the ceiling and the friezes depicted the forerunners of the contemporary actor – a popular musician, a wedding jester, a good woman dancing, a copyist of the Torah, the first poet dreamer, and finally a modern couple flying over the stage. The friezes were decorated with dishes and food, beigels and fruits spread out on well-laid tables. I looked forward to meeting the actors who passed me: 'Let us agree. Let's join forces and throw out all this old rubbish. Let's work a miracle!”

Marc Chagall (1887–1985) French artist and painter

c. 1921
Quote from 'Chagall in the Yiddish Theater', Avram Kampf, as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 101
1920's

Food, Wedding, Dance, Flying

“The people of Sybaris, a city in Calabria, are proverbial on account of their effeminancy; and it is said that they taught their horses to dance to the music of the pipe; for which reason, their enemies the Crotonians, at a time when they were at war with them, brought a great number of pipers into the field, and at the commencement of the battle, they played upon their pipes; the Sybarian horses, hearing the sound of the music, began to dance; and their riders, unable to manage them as they ought to have done, were thrown into confusion, and defeated with prodigious slaughter. This circumstance is mentioned by Aristotle; and, if not strictly true, proves, at least that the teaching of animals to exceed the bounds of action prescribed by nature was not unknown to the ancients.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 242
The Sports and Pastimes of the People of England (1801), Sybaris

War, People, Music, Nature

“I believe natural beauty stimulates the creative mind and it’s no wonder the residents have always had an affinity to the arts. Growing up I was surrounded by music, dance, theater, literature and given my father owned and operated the only two cinema halls in town, I was a very popular kid on Saturdays when traditionally the two would flock to see the latest “flick” that was playing at either the Capitol Cinema or The Rink”

Erick Avari (1952) Indian actor

formerly a roller skating rink

Beauty, Art, Music, Literature

“She was our queen, our rose, our star;
And then she danced—O Heaven, her dancing!”

Winthrop Mackworth Praed (1802–1839) British politician, poet

"The Belle of the Ball" in The Poetical Works of Winthrop Mackworth Praed (published 1860) p. 139.

Star, Dance

“""likewesaid, we'lldowhatwecan. Trytoreconnectyou, towhatyouwant,"" said the Sheep Man. ""Butwecan'tdoit-alone. Yougottaworktoo.
Sittingsnotgonnadoit, thinking'snotgonnadoit."" ""So what do I have to do?"" ""Dance,"" said the Sheep Man. ""Yougottadance. Aslongasthemusicplays. Yougotta dance. Don'teventhinkwhy. Starttothink, yourfeetstop. Yourfeetstop, wegetstuck. Wegetstuck, you'restuck. Sodon'tpayanymind, nomatterhowdumb. Yougottakeepthestep. Yougottalimberup. Yougottaloosenwhatyoubolteddown. Yougottauseallyougot. Weknowyou're tired, tiredandscared. Happenstoeveryone, ok? Justdon'tletyourfeetstop.""”

Haruki Murakami book Dance Dance Dance

Dance Dance Dance

Dance

“And, anyway, no matter how much you may behave like the deaf adder of Scripture which, as you are doubtless aware, the more one piped, the less it danced, or words to that effect, I shall carry on as planned.”

P.G. Wodehouse book Right Ho, Jeeves

Right Ho, Jeeves (1934)

Dance

“You are on the anti-cline of the first rush. You are also experiencing the inevitable disappointment of clubs. You enter with an anticipation that on the basis of past experience is completely unjustified. You always seem to forget that you don't really like to dance. Since you are already here, though, you owe it to yourself to make a sustained assault on the citadel of the senses.”

Jay McInerney book Bright Lights, Big City

Bright Lights, Big City (1984)

Disappointment, Sense, Past, Dance

“The director's word used to be final. Today directors don't even come on sets for a dance sequence. Its canned by the choreographer.”

Waheeda Rehman (1938) Indian actress

Quote, Grace personified: Waheeda Rehman

Dance

“Then they invite her to join the dance and approach the holy rites, and make room for her in their ranks and rejoice to be near her. Just as Idalian birds, cleaving the soft clouds and long since gathered in the sky or in their homes, if a strange bird from some distant region has joined them wing to wing, are at first all filled with amaze and fear; then nearer and nearer they fly, and while yet in the air have made him one of them and hover joyfully around with favouring beat of pinions and lead him to their lofty resting-places.”
Dehinc sociare choros castisque accedere sacris hortantur ceduntque loco et contingere gaudent. qualiter Idaliae volucres, ubi mollia frangunt nubila, iam longum caeloque domoque gregatae, si iunxit pinnas diversoque hospita tractu venit avis, cunctae primum mirantur et horrent; mox propius propiusque volant, atque aere in ipso paulatim fecere suam plausuque secundo circumeunt hilares et ad alta cubilia ducunt.

Statius book Achilleid

Source: Achilleid, Book I, Line 370

Fear, Home, Bird, Distant

“The drama of the sky dance is enacted nightly on hundreds of farms, the owners of which sigh for entertainment, but harbor the illusion that it is to be sought in theaters. They live on the land, but not by the land.”

Aldo Leopold book A Sand County Almanac

“April: Sky Dance”, p. 34.
A Sand County Almanac, 1949, "April: Come High Water," "April: Draba," "April: Bur Oak," & "April:Sky Dance"

Dance

“Rachel was looking into the mirror at an angle of 45°, and so had a view of the face turned toward the room and the face on the other side, reflected in the mirror; here were time and reverse-time, co-existing, cancelling one another exactly out. Were there many such reference points, scattered throughout the world, perhaps only at nodes like this room which housed a transient population of the imperfect, the dissatisfied; did real time plus virtual or mirror-time equal zero and thus serve some half-understood moral purpose? Or was it only the mirror world that counted; only a promise of a kind that the inward bow of a nose-bridge or a promontory of extra cartilage at the chin meant a reversal of ill fortune such that the world of the altered would thenceforth run on mirror-time; work and love by mirror-light and be only, till death stopped the heart's ticking (metronome's music) quietly as light ceases to vibrate, an imp's dance under the century's own chandeliers….”

Thomas Pynchon book V.

Source: V. (1963), Chapter Two, Part I

Love, Death, World, Music

“So Marigold, my love, you've had too much to drink

And I need not remind you, our discount tickets for this sinking ship

Take-backs and sweet regrets, that's all that we have left

No one is looking out for anyone but number one

One to one, two to dance, we all get our sweet romance

Though sour grapes will turn to wine it's all just vinegar with time”

Tomas Kalnoky (1980) American musician

"The Receiving End of it All" from "Somewhere in the Between" (2007) http://risc.perix.co.uk/lyrics/sm/sitb/09/

Love, Drink, Wine, Time

“When you're dancing the mystical dance of the molecules, you're not the one who's leading.”

Jane Wagner (1935) Playwright, actress

"Trudy"
The Search for Signs of Intelligent Life in the Universe (1985)

Dance

“Today that rarely happens. Most often the songs are used as a relief. They have nothing to do with the film per say. And all look almost the same. Just replace the central characters and a step here and there…choreography remains the same in most cases. So does the beat. We have so many classical dances and folk dances in the country but nobody seems to be using them.”

Waheeda Rehman (1938) Indian actress

Quote, Grace personified: Waheeda Rehman

Dance, Country

“I try to dress classy and dance cheesy.”

Psy (1977) South Korean singer

Ibid.
Variant: The mindset of this dance is 'dress classy and dance cheesy'.

Dance

“I've always felt that complement of opposites: body and soul, solitude and companionship, and in the dance studio, contraction and release, rise and fall.”

Judith Jamison (1943) American dancer

Dancing Spirit, ch. 1 (1993)

Soul, Solitude, Dance

“People dancing all in the street
See the rhythm all in their feet
Life is good, wild and sweet.
Let the music play on (play on, play on)
Feel it in your heart
And feel it in your soul
Let the music take control.”

Lionel Richie (1949) American singer-songwriter, musician, record producer and actor

All Night Long (All Night).
Song lyrics, Can't Slow Down (1983)

Life, People, Music, Feeling

“Merce [Cunningham] is my favorit artist in any field. Sometimes I'm pleased by the complexity of a work I paint. By the fourth day I realize it's simple. Nothing Merce [Cunningham] does [choreography for dance] is simple. Everything has a fascinating richness and multiplicity of direction. [Jasper Johns did a lot of décors for :Merce Cunningham, as Robert Rauschenberg did and Frank Stella, ]”

Jasper Johns (1930) American artist

Merce, Hubert Saal, Newsweek 71, no. 22, 27 May 1968, as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 129
1960s

Dance, Painting

“Writing songs has a lot to do with your sexuality. I danced for awhile and just being around that made me realize what people use. And if you grow up blessed with a certain beauty or a certain intelligence that enhances your beauty, you can get into a better position in life.”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

On songwriting and beauty, The Guardian https://www.newspapers.com/clip/22821312/the_guardian/ (December 11, 1991) 1991–1995

Life, People, Beauty, Intelligence

“Some say the Gods are just a myth
but guess Who I've been dancing with…
The Great God Pan is alive!”

Mike Scott (1958) songwriter, musician

"The Return Of Pan"
Dream Harder (1993)

God, Dance

“We dance with our bodies, but we finally forget them and transform them.”

Rukmini Devi Arundale (1904–1986) Indian Bharatnatyam dancer

pdf, A Century of Negotiations: The Changing Sphere of the Woman Dancer in India, 1 December 2013, Performancestudies.ucla.edu, 15-16 http://www.performancestudies.ucla.edu/downloads/SarkarNegotiation.pdf.,

Dance, Forgetting

“The true human being … is the meaning of the universe. He is a dancing star. He is the exploding singularity pregnant with infinite possibilities.”

David Zindell book The Broken God

Source: The Broken God (1992), p. 236

Star, Universe, Dance

“Dance, then, wherever you may be,
I am the Lord of the Dance, said he,
And I'll lead you all, wherever you may be,
And I'll lead you all in the Dance, said he.”

Sydney Carter (1915–2004) British musician and poet

Lord of the Dance (1963)

Dance

“Language, intelligence, and humor, along with art, generosity, and musical ability, are often described as human equivalents of the peacock’s tail. However, peacocks afford a poor analogy for the role of courtship displays in humans. Other animal models offer a better fit. In a number of nonhuman species — species as diverse as sea dragons and grebes — males and females engage in a mutual courtship “dance,” in which the two partners mirror one another’s movements. In Clark’s grebes and Western grebes, for instance, the pair bond ritual culminates in the famous courtship rush: The male and female swim side by side along the top of the water, with their wings back and their heads and necks in a stereotyped posture. If we want a nonhuman analogue for the role of creative intelligence or humor in human courtship, we should think not of ornamented peacocks displaying while drab females evaluate them. We should think instead of grebes engaged in their mating rush or sea dragons engaged in their synchronized mirror dance. Once we have one of these alternative images fixed in our minds, we can then add the proviso that there is a slight skew such that, in the early stages of courtship, men tend to display more vigorously and women tend to be choosier. However, this should be seen as a qualification to the primary message that intelligence, humor, and other forms of sexual display are part of the mutual courtship process in our species.”

Steve Stewart-Williams (1971)

Source: The Ape that Thought It Was a Peacock: Does Evolutionary Psychology Exaggerate Human Sex Differences? (2013), p. 160

Women, Men, Art, Music

“My life is like a music-hall,
Where, in the impotence of rage,
Chained by enchantment to my stall,
I see myself upon the stage
Dance to amuse a music-hall.”

Arthur Symons (1865–1945) British poet

In The Stalls , st. 1.

Life, Music, Rage, Dance

“Painting responded to the plague-darkened vision of the human condition provoked by repeated exposure to sudden, inexplicable death. Tuscan painters reacted against Giotto's serenity, preferring sterner, hieratic portrayals of religious scenes and figures. The "Dance of Death" became a common theme for art; and several other macabre motifs entered the European repertory.”

William H. McNeill (1917–2016) Canadian historian

Source: Plagues and Peoples (1976), Ch.4 "The Impact of the Mongol Empire on Shifting Disease Balances, 1200-1500".

Death, Art, Dance, Painting

“This is where the shadows come to play twixt the day
And night
Dancing and skipping
Along a chink of light”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Aerial (2005), A Sky of Honey (Disc 2)

Light, Dance, Night

“He was dancing to some music
No one else had ever heard
He'd speak in unknown languages
She would translate every word
And then when the world was laughing
At his castles in the sky
She'd hold him in her body
Till he once again could fly.”

Harry Chapin (1942–1981) American musician

Shooting Star
Song lyrics, Verities & Balderdash (1974)

World, Music, Dance, Flying

“Some people like to go out dancing
Other people they have to work
There's even some evil mothers
They'll tell you that everything is just dirt
That women never really faint
Or that villians always blink their eyes
Or that children are the only ones who blush
And that life is just to die

But anyone who ever had a heart
They wouldn't turn around and break it
And anyone who ever played a part
They wouldn't turn around and hate it”

Lou Reed (1942–2013) American musician

Lyrics

Life, Women, Hate, Children

“I love the way you look tonight
With your hair hangin' down on your shoulders.
N' I love the way you dance your slow sweet tango,
The way you wanna do everything but talk.
And how you stare at me with those undress me eyes,
Your breath on my body makes me warm inside.”

Bryan Adams (1959) Canadian singer-songwriter

Let's Make a Night to Remember
Song lyrics, 18 til I Die (1996)

Love, Way, Dance

“Paris is the happiest city in the world tonight. All Paris is dancing in the streets.”

Larry LeSueur (1909–2003) American journalist

Goldstein, Richard. " Larry LeSueur, Pioneering War Correspondent, Dies at 93 http://www.nytimes.com/2003/02/07/arts/larry-lesueur-pioneering-war-correspondent-dies-at-93.html", (obituary), The New York Times, February 7, 2003, accessed June 21, 2011, from a radio broadcast following the 1944 Liberation of Paris.

World, Dance

“Interviewer says "Yeah, and I watched that but I actually was kind of like, terrified by the intensity of your fans and I was wondering if the intensity of your fans ever kind of scares you? I hear that they have a bunch of rules for what dances to do during certain songs…I was like ‘Oh God’."”

Jack Terricloth (1970)

Interviews

God, Dance

“Hitherto he has found in Western music, in Bach above all, everything he needs. Now he encounters something that is not in Bach, though there are intimations of it: a joyous yielding of the reasoning, comprehending mind to the dance of the fingers. He hunts through record shops, and in one of them finds an LP of a sitar player named Ustad Vilayat Khan, with his brother — a younger brother, to judge from the picture — on a veena, and an unnamed tabla player. He does not have a gramophone of this own, but he is able to listen to the first ten minutes in the shop. It is all there: the hovering exploration of tone-sequences, the quivering emotion, the ecstatic rushes. He cannot believe his good fortune. A new continent and all for a mere nine shillings! He takes the record back to his room, packs it away between sleeves of cardboard till the day he will able to listen to it again.”

J.M. Coetzee (1940) South African writer

Youth (2002)

Music, Dance

“There are people doing yoga in New York, dancing around, that’s the power of India. You go to a nightclub somewhere in Spain and there’s Amitabh Bachchan on the screen there, dancing around. That’s the power of India. That’s the power of Indian people.”

Rahul Gandhi (1970) Indian politician

Wall Street Journal, WSJ http://blogs.wsj.com/indiarealtime/2013/04/04/rahul-gandhi-speech-hits-some-dud-notes/

People, Dance

“If you wanna dance, if you want it all,
You know that I'm the girl that you should call.But when you're with me,
I'll give you a taste.
Make it like your birthday everyday.
I know you like it sweet,
So you can have your cake,
Give you something good to celebrate.”

Katy Perry (1984) American singer, songwriter and actress

Birthday, written by Katy Perry, Lukasz Gottwald, Max Martin, Bonnie McKee, and Henry Walter
Song lyrics, Prism (2013)

Girl, Birthday, Dance

“As one of the handful of girls who worked with both of those dance geniuses, I think I can give an honest comparison. In my opinion, Kelly is the more inventive choreographer of the two. Astaire, with Hermes Pan's help, creates fabulous numbers - for himself and his partner. But Kelly can create an entire number for somebody else… I think, however, that Astaire's coordination is better than Kelly's… his sense of rhythm is uncanny. Kelly, on the other hand, is the stronger of the two. When he lifts you, he lifts you!… To sum it up, I'd say they were the two greatest dancing personalities who were ever on screen. But it's like comparing apples and oranges. They're both delicious.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Cyd Charisse in Charisse, Cyd; Martin, Tony; Kleiner, Dick. The Two of Us, New York: Mason/Charter, 1976. ISBN 0-884-053636.

Girl, Thinking, Sense, Help

“Still another nightmare he suffered at a dance given by the old Duchess Dowager of Somerset, a terrible vision in castanets, who seized him and forced him to perform a Highland fling before the assembled nobility and gentry, with the daughter of the Turkish Ambassador for partner. This might seem humorous to some, but to him the world turned to ashes.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

World, Suffering, Dance, Daughters

“I'm in the Dance Band on the Titanic
Singing "Nearer my God to thee"
and the icebergs on the starboard bow
Won't you dance with me?”

Harry Chapin (1942–1981) American musician

Dance Band On the Titanic
Song lyrics, Dance Band on the Titanic (1977)

God, Singing, Dance

“It happens that they put on a heathen and abominable dance or fiesta; if the Christian who is present refuses to participate in that vile diversion, they mock him and laugh at him and persecute him until he gives in.”

Fermín Lasuén (1736–1803) Spanish missionary to Alta California.

Lasuén to Olmedo, San Carlos, 25 January 1803, ibid., 12:268

Dance

“As far as the sensory experience of the spectator goes, the most outstanding American kinetic artist is unquestionably the Chinese-born Wen-Ying Tsai. His pieces, which are perfect on the technological level, serve the primary purpose of giving a complete visual experience to the spectator, whose sound solicitations provoke a choreographic, chromatic and rhythmic response in the ‘cybernetic sculptures’. […]
György Kepes has commented enthusiastically on the ‘magic rhythms emanating from this swaying, dancing steel trembling with life’, and he has also noted the sense of ‘an instant fellowship, a spontaneous celebration’ which is re-created in their presence. As he concludes: ‘Rhythm is friendship and in Tsai’s work there is friendship of light, sound and our own heart-beats.’
If this appraisal testifies to the success with which Tsai affects the sensory and emotional responses of the spectator, we must not neglect the fact that he is also addressing himself to reason and the scientific element in his audience. In effect, the observer can enter an almost mathematical relationship with these works, and sharpen his perceptual powers through the exact assessment of the various aesthetic parameters of vibration, sound, colour, wave movement, etc.”

Frank Popper (1918) French art historian

Frank Popper, Art--Action and Participation, New York University Press, 1975, p. 214

Life, Friendship, Mathematics, Sense

“My dances were not like today’s, which have progressed with an Indian and Western combination or fusion which has become repetitive. You cannot tell one dance from the other. Everyone wants to be Michael Jackson. But I like some of them like that ‘Radha kaise na jale’ from Lagaan. I like classical stuff.”

Vyjayanthimala (1936) Indian actress, politician & dancer

Why Vyjayanthimala has 'nothing to say' about today's heroines

Dance

“Four a. m., having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. There was Lindsay Doran of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly appeared to understand me better than I understand myself. Mr. James Shamis, a most copiously erudite person and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behaviour one has learned to expect from that race. Mr. Mark Kenton, an energetic person with a ready smile who, as I understand it, owes me a great deal of money. [Breaks character, smiles. ] TRUE!! [Back in character. ] Miss Lisa Henson of Columbia, a lovely girl and Mr. Garrett Wiggin, a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing, that it proved impossible to get within ten feet of him. The room was full of interesting activity until 11 p. m. when it emptied rather suddenly. The lateness of the hour is due, therefore, not to the dance, but to the waiting in a long line for a horseless carriage of unconscionable size. The modern world has clearly done nothing for transport.”

Emma Thompson (1959) British actress and writer

Golden Globe Award Speech

Love, Wisdom, Money, Children

“When your young and hungry and nobody's ever really accepted you because of your color and class, the hurt of your own family having cast you out in the first place still inside you somewhere, you dance hard because there is no other way to live, and when opportunity knocks its more of an abduction than a housecall.”

Margaret Cho (1968) American stand-up comedian

From Her Books, I Have Chosen To Stay And Fight, FOLLOWING YOUR DREAMS

Family, Color, Way, Dance

“A planet of playthings
We dance on the strings of powers we cannot perceive
The stars aren't aligned or the gods are maligned
Blame is better to give than receive
-- Freewill (1980)”

Neil Peart (1952–2020) Canadian-American drummer , lyricist, and author

Rush Lyrics

God, Star, Dance

“Here the wild will woke within her lighting up her flying dreams,
Round and round the planets whirling break in woods and flowers and streams,
And the winds are shaken from them as the leaves from off the rose,
And the feet of earth go dancing in the way that beauty goes,
And the souls of earth are kindled by the incense of her breath
As her light alternate lures them through the gates of birth and death.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

Death, Beauty, Dreams, Way

“And we danced, and we drank
And I've seen something you probably never got the chance to see
Don't worry, Mary
Cause I'm taking care of Danny
And he's taking care of me”

Dido (1971) English singer-songwriter

Mary's In India
Song lyrics, Life for Rent (2003)

Chance, Dance

“Oh, my love
You're searching
For your name
Beside the sea
Of dwells and dreams
Where Shadows're dancing
For your glance…
The sky would chance
The granting of a dream
To the restless soul
That dwells within your heart…”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Children of the Sun (1969)

Love, Dreams, Soul, Search

“But that in any city, in any cluster of people, there a few people who are awake at this hour, who are both awake and dancing, and it’s here that we need to be. That if we are living as we were this week, that we had to be awake with the people who are still dancing.”

Dave Eggers (1970) memoirist, novelist, short story writer, editor, publisher

You Shall Know Our Velocity! (2002)

People, Dance

“I love writing but I hate starting. The page is awfully white and it says. " You may have fooled some of the people some of the time but those days are over, giftless. I'm not your agent and I'm not your mommy, I'm a white piece of paper, you wanna dance with me?" and I really, really don't. I don't want any trouble. I'll go peaceable-like.”

Aaron Sorkin (1961) American screenwriter, producer, playwright

The West Wing Script Book: Volume 1, Introduction.

Love, Hate, People, Fools

“She went away, she cut me like a knife.
Hello beautiful thing, maybe you could save my life.
In just a glance, down here on magic street,
Loves a fool's dance
And I ain't got much sense, but I still got my feet.”

Bruce Springsteen (1949) American singer and songwriter

"Girls in Their Summer Clothes"
Song lyrics, Magic (2007)

Love, Life, Beauty, Fools

“Cease, Man, to mourn, to weep, to wail; enjoy thy shining hour of sun;
We dance along Death's icy brink, but is the dance less full of fun?”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

The Kasîdah of Hâjî Abdû El-Yezdî (1870)

Death, Sun, Dance

“I hear if you make friends with Jesus Christ, you will get right up from that chalk outline. And then you'll get dolled up, and you'll dress in white all to take your place in his chorus line. And then in you'll come with those marching drums in a saintly compromise. No more whiskey slurs, no more blonde-haired girls for your whole eternal life. And you'll do the dance that was choreographed at the very dawn of time. Singing "I told you son, the day would come you would die, you'd die you'd die you'd die you'd die."”

Conor Oberst (1980) American musician

Arc Of Time
Digital Ash in a Digital Urn (2005)

Life, Girl, Singing, Time

“In the land of a thousand dances,
I dance with you.
I was out I was taking my chances
When dreams came true
When you came into my dream
Like from a whisper to a scream.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Heavy Connection
Song lyrics, A Period of Transition (1977)

Dreams, Chance, Dance

“I dream of building a community of dancers in a forsaken place amidst nature. A place where nothing exists, except dance. A place where you breathe, eat, sleep, dream, talk, imagine - dance. A place where all the five senses can be refined to perfection. A place where dancers drop negative qualities such as jealousy, small-mindedness, greed and malice to embrace their colleagues as sisters and support each other in their journey towards becoming dancers of merit. A place called Nrityagram.”

Protima Bedi (1948–1998) Indian model and dancer

On her dance institution called Nityagram quoted in The Dream, 14 January 2014, Nritygarm Organization http://www.nrityagram.org/soul/dream/dream.htm,

Jealousy, Dreams, Imagination, Communication

“I have brought you to the ring, now dance if you can.”

William Wallace (1270–1305) Scottish landowner and leader in the Wars for Scottish Independence

Statement before the Battle of Falkirk (21 July 1298); as quoted in The Story of England (1909) by Samuel B. Harding http://www.mainlesson.com/display.php?author=harding&book=england&story=edwards Variants: I hae brocht ye to the ring, now see gif ye can dance. I have brought you to the ring, now see if you can dance. I have brought you to the ring. Dance if ye can. I have brought you to the Revel, Now dance if you can.

Dance

“They say that the Devil is a charming man.
And just like you I bet he can dance.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Sensual World (1989)

Dance

“When I began singing 'Conga' athletes from all over the world busted out of formation to dance with me, [and] I thought: 'Wow, what a great choreography!.' I thought it was planned. But then the tower started shaking and I thought: 'Great, first the bus, then the boat, now the tower!”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

comment after the Olympic Closing Ceremonies in 1996
2007, 2008

World, Singing, Dance

“oh i should worry and fret
death and i will coquette
there s a dance in the old dame yet
toujours gai toujours gai”

Don Marquis (1878–1937) American writer

the song of mehitabel
archy and mehitabel (1927)

Death, Dance

“The sacred sense of beyond, of timelessness, of a world which had an eternal value and the substance of which was divine had been given back to me today by this friend of mine who taught me dancing.”

Hermann Hesse book Steppenwolf

Source: Steppenwolf (1927), p. 154

World, Sense, Dance

“You know that weird cat dance that cats do late at night where they go completely stir-crazy and they run around the apartment and you don't know what the hell they're doing? I often feel like that. I dye my hair constantly because I can't sit still with one hair color. That's a perfect example of trying to satisfy some hunger. I want change; I want constant stimuli. I love to fly because I love the high. All of these are like itch kind of things. Sometimes I need to completely get away. I'll get in the car and I'll drive for as long as I can drive. Sometimes it's a sexual urge. I don't need to explain that; it's pretty self-explanatory. It's a craving, a desire. Sometimes it's food. I'm just a giant, big ol' consumer. I want, I need, I crave, I can't say no. I have no control and I'm a complete control freak. It's just crazy”

Colleen Fitzpatrick (1972) American singer and actress

laughs
Asked where her "itches" come from
Attributed

Love, Hunger, Food, Cars

“So it was that I gave about 1949 my 'Lecture on Nothing' at the Artists' Club on Eighth Street in New York City (started by Robert Motherwell), which predated the popular one associated with Philip Pavia, Bill de Kooning, et al. ). This 'Lecture on Nothing' was written in the same rhythmic structure I employed at the time in my musical compositions (Sonatas and Interludes, Three Dances, etc.). One of the structural divisions was the repetition, some fourteen times, of a single page in which occurred the refrain, 'If anyone is sleepy let him go to sleep.' Jeanne Reynal, I remember, stood up part way through, screamed, and then said, while I continued speaking, 'John, I dearly love you, but I can't bear another minute.' She then walked out. Later, during the question period, I gave one of six previously prepared answers regardless of the question asked. This was a reflection of my engagement in Zen.”

John Cage (1912–1992) American avant-garde composer

Quote in: 'Silence: lectures and writings by John Cage'; publisher Middletown, Conn. Wesleyan University Press, June 1961, Foreword/ix
1960s

Love, Music, Way, Question

“For two and a half years, I rigorously trained seven to eight hours a day in two disciplines of dance but moved on to the most versatile medium called cinema which encompassed every form of art.”

Kamal Haasan (1954) Indian actor

Kamal Hassan: A universal legend

Art, Dance, Training

“Tonight there was music in the saloon, a piano and a violin; two fat women with hard masculine faces and short haircuts. Their song was Over the Waves. Ta de da da, and I watched Camilla dancing with her beer tray. Her hair was so black, so deep and clustered, like grapes hiding her neck. This was a sacred place, this saloon. Everything here was holy, the chairs, the tables, that rag in her hand, that sawdust under her feet. She was a Mayan princess and this was her castle. I watched the tattered huaraches glide across the floor, and I wanted those huaraches. I would like them to hold in my hands against my chest when I fell asleep. I would like to hold them and breathe the odor of them.”

John Fante book Ask the Dust

Ask the Dust (1939)

Women, Music, Beer, Dance

“All humans are created unequal. You are bigger and stronger than Pop; I am bigger and stronger than Hilda. I have the least years of experience; Pop has the most. Pop is a super-genius…but he concentrates so hard that he forgets to eat…unless he has a nursemaid to watch him—as Mama did, as I did, as Hilda now does. You, sir, are the all-around most competent man I’ve ever met, whether driving a duo, or dancing, or telling outrageous tales. Three of us have eight or nine earned degrees…but Aunt Hilda with none is a walking encyclopedia from insatiable curiosity and extraordinary memory. We two are baby factories and you two are not—but two men can impregnate fifty women—or five hundred. There is no end to the ways that we four are unequal.”

Robert A. Heinlein book The Number of the Beast

Source: The Number of the Beast (1980), Chapter XXXI : “—the first ghosts ever to search for an obstetrician.”, p. 321

Women, Men, Way, Memory

“Bonfires dot the rolling hillsides
Figures dance around and around
To drums that pulse out echoes of darkness
And moving to the pagan sound.”

Loreena McKennitt (1957) Canadian musician and composer

The Visit (1991), All Souls Night

Dance

“Those were the days of "Florodora" and of sextets, of pinched-in waists and blown-out sleeves, of almost bustles and absolute ballet skirts, but here, without doubt, disguised as she might be by the unaccustomed stiffness and old fashion of her costume, was a butterfly of butterflies. Here was the gayety of the period — the soft wine of eyes, the songs that flurried hearts, the toasts and tie bouquets, the dances and the dinners. Here was a Venus of the hansom, cab, the Gibson girl in her glorious prime. Here was…”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

"The Lees of Happiness"
Quoted, Tales of the Jazz Age (1922)

Girl, Fashion, Wine, Heart

“I was born in Lucknow 1938, 4 February. It was Friday. A hot day as it usually happens in spring…in that home where I was born there were only girls. I was the only boy. So our neighbours came saw that that there were all girls and just one boy… like Krishna and gopis they used to say. So my name became Brijmohan Misra. Brij is the name of the city where Krishna was born and ‘Mohan ‘means attraction. Brijmohan is a way of saying Krishna, the god of love and dance.”

Birju Maharaj (1938) Indian dancer

In [Reena Shah, Movement in Stills: The Dance and Life of Kumudini Lakhia, http://books.google.com/books?id=sSKU2DROHMgC&pg=PA117, January 2006, Mapin Publishing Pvt Ltd, 978-81-88204-42-7, 117–]

Love, God, Way, Home

Quotes about dancing page 9

Quotes about dancing
page 9