Quotes about dancing (1248 quotes, page 12)

“For ritual allows those who cannot will themselves out of the secular to perform the spiritual, as dancing allows the tongue-tied man a ceremony of love.”

Andre Dubus (1936–1999) Novelist, short story writer, teacher

A Father's Story.
Selected Stories (1995)

Love , Dance

“When yer lonely and you start to hear/The little voices in your head at night/You will only sniff away the tears/So you can dance until the mornings light
And in your head, do you feel what your not supposed to feel?
You need more time / 'Cos your thoughts and words won't last forevermore”

Noel Gallagher (1967) British musician

Sunday Morning Call
Standing on the Shoulder of Giants (2000)

Feeling , Tear , Light , Time

“(talking about The Lord Of The Dance) Have you seen that show? If you have, GET OUT! Get the hell out of my show right now!”

Denis Leary (1957) American actor and comedian

Standup routines, Lock 'n Load (1997)

Hell , Dance

“We are just this blessed consciousness, nothing more, nothing less. We are the light inside light that fuses into the atoms of our bodies; we are the fire that whirls across the stellar deeps and dances all things into being.”

David Zindell (1952) American writer

Source: War in Heaven (1998), p. 599
Context: The memory of all things is in all things, Danlo remembered. Nothing is ever truly lost.
"The true Elder Eddas," he said "are universal memories. The One memory is just the memory of the universe itself. The way the universe evolves in conscioiusness of itself and causes itself to be. We are just this blessed consciousness, nothing more, nothing less. We are the light inside light that fuses into the atoms of our bodies; we are the fire that whirls across the stellar deeps and dances all things into being."
"Now you are speaking mystically again, Little Fellow."
"About some things there is no other way to speak."

Light , Dance

“I think the reason dance has held such an ageless magic for the world is that it has been the symbol of the performance of living.”

Martha Graham (1894–1991) American dancer and choreographer

I Am A Dancer (1952)

World , Thinking , Dance

“I'm dancing in the shadows of life
And death is all around me tonight”

Sophie B. Hawkins (1967) American musician

Whaler (1994), Right Beside You
Context: I'm dancing in the shadows of life
And death is all around me tonight
I miss you making love to me right
Beside myself I'm holding you tight
Someone is waiting for me to rise
And drive into the ocean I cried
And I cried and I cried my baby to sleep
Beside myself my soul to keep Right beside you I see
Right beside you I stay
Right beside you I'll be
Right beside you always.

Life , Death , Dance

“And now, by a transition which he did not notice, it seemed that what had begun as speech was turned into sight, or into something that can be remembered only as if it were seeing. He thought he saw the Great Dance.”

Clive Staples Lewis book Perelandra

Perelandra (1943)
Context: And now, by a transition which he did not notice, it seemed that what had begun as speech was turned into sight, or into something that can be remembered only as if it were seeing. He thought he saw the Great Dance. It seemed to be woven out of the intertwining undulation of many cords or bands of light, leaping over and under one another and mutually embraced in arabesques and flower-like subtleties. Each figure as he looked at it became the master-figure or focus of the whole spectacle, by means of which his eye disentangled all else and brought it into unity — only to be itself entangled when he looked to what he had taken for mere marginal decorations and found that there also the same hegemony was claimed, and the claim made good, yet the former pattern thereby disposed but finding in its new subordination a significance greater than that which it had abdicated. He could see also (but the word "seeing" is now plainly inadequate) wherever the ribbons or serpents of light intersected minute corpuscles of momentary brightness: and he knew somehow that these particles were the secular generalities of which history tells — people, institutions, climates of opinion, civilizations, arts, sciences and the like — ephemeral coruscations that piped their short song and vanished. The ribbons or cords themselves, in which millions of corpuscles lived and died, were the things of some different kind. At first he could not say what. But he knew in the end that most of them were individual entities. If so, the time in which the Great Dance proceeds is very unlike time as we know it. Some of the thinner more delicate cords were the beings that we call short lived: flowers and insects, a fruit or a storm of rain, and once (he thought) a wave of the sea. Others were such things we think lasting: crystals, rivers, mountains, or even stars. Far above these in girth and luminosity and flashing with colours form beyond our spectrum were the lines of personal beings, yet as different from one another in splendour as all of them from the previous class. But not all the cords were individuals: some of them were universal truths or universal qualities. It did not surprise him then to find that these and the persons were both cords and both stood together as against the mere atoms of generality which lived and died in the clashing of their streams: But afterwards, when he came back to earth, he wondered. And by now the thing must have passed together out of the region of sight as we understand it. For he says that the whole figure of these enamored and inter-inanimate circlings was suddenly revealed as the mere superficies of a far vaster pattern in four dimensions, and that figure as the boundary of yet others in other worlds: till suddenly as the movement grew yet swifter, the interweaving yet more ecstatic, the relevance of all to all yet more intense, as dimension was added to dimension and that part of him which could reason and remember was dropped further and further behind that part of him which saw, even then, at the very zenith of complexity, complexity was eaten up and faded, as a thin white cloud fades into the hard blue burning of sky, and all simplicity beyond all comprehension, ancient and young as spring, illimitable, pellucid, drew him with cords of infinite desire into its own stillness. He went up into such a quietness, a privacy, and a freshness that at the very moment when he stood farthest from our ordinary mode of being he had the sense of stripping off encumbrances and awaking from a trance, and coming to himself. With a gesture of relaxation he looked about him…

Dance

“The single harmony produced by all the heavenly bodies singing and dancing together springs from one source and ends by achieving one purpose, and has rightly bestowed the name not of "disordered" but of "ordered universe" upon the whole.”

Aristotle book On the Universe

Pseudo-Aristotle, De Mundo, 399a https://archive.org/stream/worksofaristotle03arisuoft#page/n181/mode/2up/search/heavenly
Disputed

Spring , Universe , Singing , Dance

“I danced on the Sabbath
And I cured the lame;
The holy people
Said it was a shame.”

Sydney Carter (1915–2004) British musician and poet

Lord of the Dance (1963)
Context: I danced on the Sabbath
And I cured the lame;
The holy people
Said it was a shame.
They whipped and they stripped
And they hung me on high,
And they left me there
On a Cross to die.

People , Dance

“Yesterday was an utter waste. An artist, of whatever stripe, has only so many days, to write or paint or dance or whatever, and each one wasted is that much that will never be accomplished.”

Caitlín R. Kiernan (1964) writer

20 February 2005
Unfit for Mass Consumption (blog entries), 2005

Dance , Painting

“Oh, friend John, it is a strange world, a sad world, a world full of miseries, and woes, and troubles; and yet when King Laugh come, he make them all dance to the tune he play.”

Bram Stoker book Dracula

Source: Dracula (1897), Chapter XIV, Dr. Seward's Diary entry for 22 September
Context: Van Helsing and I came on here. The moment we were alone in the carriage he gave way to a regular fit of hysterics. He has denied to me since that it was hysterics, and insisted that it was only his sense of humour asserting itself under very terrible conditions. He laughed till he cried, and I had to draw down the blinds lest any one should see us and misjudge; and then he cried, till he laughed again; and laughed and cried together, just as a woman does. I tried to be stern with him, as one is to a woman under the circumstances; but it had no effect. Men and women are so different in manifestations of nervous strength or weakness! Then when his face grew grave and stern again I asked him why his mirth, and why at such a time. His reply was in a way characteristic of him, for it was logical and forceful and mysterious. He said:—
“Ah, you don't comprehend, friend John. Do not think that I am not sad, though I laugh. See, I have cried even when the laugh did choke me. But no more think that I am all sorry when I cry, for the laugh he come just the same. Keep it always with you that laughter who knock at your door and say, ‘May I come in?’ is not the true laughter. No! he is a king, and he come when and how he like. He ask no person; he choose no time of suitability. He say, ‘I am here.’ Behold, in example I grieve my heart out for that so sweet young girl; I give my blood for her, though I am old and worn; I give my time, my skill, my sleep; I let my other sufferers want that so she may have all. And yet I can laugh at her very grave — laugh when the clay from the spade of the sexton drop upon her coffin and say ‘Thud, thud!’ to my heart, till it send back the blood from my cheek. My heart bleed for that poor boy — that dear boy, so of the age of mine own boy had I been so blessed that he live, and with his hair and eyes the same. There, you know now why I love him so. And yet when he say things that touch my husband-heart to the quick, and make my father-heart yearn to him as to no other man — not even you, friend John, for we are more level in experiences than father and son — yet even at such a moment King Laugh he come to me and shout and bellow in my ear, ‘Here I am! here I am!’ till the blood come dance back and bring some of the sunshine that he carry with him to my cheek. Oh, friend John, it is a strange world, a sad world, a world full of miseries, and woes, and troubles; and yet when King Laugh come, he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall — all dance together to the music that he make with that smileless mouth of him. And believe me, friend John, that he is good to come, and kind. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come; and, like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again; and we bear to go on with our labour, what it may be.”

World , Sadness , Dance

“Vote for EL Wisty and lovely nude ladies will come and dance with you.”

Peter Cook (1937–1995) British architect

"The World Domination League" (1964)
E. L. Wisty
Context: I've had some wonderful ideas for getting the dominating going. I've got some extremely subtle advertising slogans that should get the public behind us. Things like "Vote for EL Wisty and lovely nude ladies will come and dance with you." It's a complete lie, of course, but you can't afford to be too scrupulous if you're going to dominate the world.

Love , Dance

“For Now does ride in on the curl of the wave,
And you will dance with me in the sunlit pools.
We are of the going water and the gone.
We are of water in the holy land of water
And all that's to come runs in
With the thrust on the strand.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

This is the portion of "Jig of Life" which was actually written as well as spoken by Kate's brother John Carder Bush.
Song lyrics, Hounds of Love (1985), The Ninth Wave
Context: Can't you see where memories are kept bright?
Tripping on the water like a laughing girl.
Time in her eyes is spawning past life,
One with the ocean and the woman unfurled,
Holding all the love that waits for you here.
Catch us now for I am your future.
A kiss on the wind and we'll make the land.
Come over here to where When lingers,
Waiting in this empty world,
Waiting for Then, when the lifespray cools.
For Now does ride in on the curl of the wave,
And you will dance with me in the sunlit pools.
We are of the going water and the gone.
We are of water in the holy land of water
And all that's to come runs in
With the thrust on the strand.

Water , Dance

“Social Development Dance”

Pete Yorn (1974) American musician

Song lyrics

Dance

“Many times I hear the phrase "the dance of life". It is an expression that touches me deeply, for the instrument through which the dance speaks is also the instrument through which life is lived — the human body.”

Martha Graham (1894–1991) American dancer and choreographer

I Am A Dancer (1952)

Life , Time , Dance

“The image that later became famous of the Dance of Death beneath the dark cloud was improvised in only a few minutes. That's how things can happen on the set.”

Ingmar Bergman (1918–2007) Swedish filmmaker

Images : My Life in Films (1990)
Context: The final scene when Death dances off with the travelers was…shot at Hovs hallar. We had packed up for the day because of an approaching storm. Suddenly, I caught sight of a strange cloud. Gunnar Fischer hastily set the camera back into place. Several of the actors had already returned to where we were staying, so a few grips and a couple of tourists danced in their place, having no idea what it was all about. The image that later became famous of the Dance of Death beneath the dark cloud was improvised in only a few minutes. That's how things can happen on the set.

Death , Dance

“When artists create pictures and thinkers search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something that lasts longer than we do.”

Hermann Hesse book Narcissus and Goldmund

Narcissus and Goldmund (1930)
Context: We fear death, we shudder at life's instability, we grieve to see the flowers wilt again and again, and the leaves fall, and in our hearts we know that we, too, are transitory and will soon disappear. When artists create pictures and thinkers search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something that lasts longer than we do.

Death , Law , Search , Dance

“We know who the homicidal maniacs are. They are the ones cheering and dancing right now.
We should invade their countries, kill their leaders and convert them to Christianity.”

Ann Coulter (1961) author, political commentator

2001
Context: Airports scrupulously apply the same laughably ineffective airport harassment to Suzy Chapstick as to Muslim hijackers. It is preposterous to assume every passenger is a potential crazed homicidal maniac. We know who the homicidal maniacs are. They are the ones cheering and dancing right now.
We should invade their countries, kill their leaders and convert them to Christianity. We weren't punctilious about locating and punishing only Hitler and his top officers. We carpet-bombed German cities; we killed civilians. That's war. And this is war.

Dance , Country

“Elemental Music is never just music. It's bound up with movement, dance and speech, and so it is a form of music in which one must participate, in which one is involved not as a listener bust as a co-performer.”

Carl Orff (1895–1982) German composer

As quoted in Through Music to the Self : How to Appreciate and Experience Music Anew (1979) by Peter Michael Hamel, p. 18
Context: Elemental Music is never just music. It's bound up with movement, dance and speech, and so it is a form of music in which one must participate, in which one is involved not as a listener bust as a co-performer. It is pre-rational, has no over-all form, no architectonics, involves no set sequences, ostinati or minor rondo-forms. Elemental Music is earthy, natural, physical, capable of being learnt and experienced by anybody, child's play.... Elemental Music, word and movement, play, every-thing that awakens and develops the powers of the soul builds up the humus of the soul, the humus without which we face spiritual soil-erosion.... we face spiritual soil-erosion when man estranges himself from the elemental and loses his balance.

Music , Dance

“I came to think of myself, not as a dance and chaos of molecules, but as a brief and minute portion of that majestic process…”

Will Durant (1885–1981) American historian, philosopher and writer

Transition (1927)
Context: I felt more keenly than before the need of a philosophy that would do justice to the infinite vitality of nature. In the inexhaustible activity of the atom, in the endless resourcefulness of plants, in the teeming fertility of animals, in the hunger and movement of infants, in the laughter and play of children, in the love and devotion of youth, in the restless ambition of fathers and the lifelong sacrifice of mothers, in the undiscourageable researches of scientists and the sufferings of genius, in the crucifixion of prophets and the martyrdom of saints — in all things I saw the passion of life for growth and greatness, the drama of everlasting creation. I came to think of myself, not as a dance and chaos of molecules, but as a brief and minute portion of that majestic process... I became almost reconciled to mortality, knowing that my spirit would survive me enshrined in a fairer mold... and that my little worth would somehow be preserved in the heritage of men. In a measure the Great Sadness was lifted from me, and, where I had seen omnipresent death, I saw now everywhere the pageant and triumph of life.

Thinking , Dance

“The next time you look into the mirror, just look at the way the ears rest next to the head; look at the way the hairline grows; think of all the little bones in your wrist. It is a miracle. And the dance is a celebration of that miracle.”

Martha Graham (1894–1991) American dancer and choreographer

I Am A Dancer (1952)
Variant: Think of the magic of that foot, comparatively small, upon which your whole weight rests. It's a miracle, and the dance is a celebration of that miracle.

Way , Thinking , Time , Dance

“Eschew blandness. Eschew causing others pain. We are all the target so wear bright colors and dance with those you love.”

Anne Herbert (writer) (1952) American journalist

"Handy tips on how to behave at the death of the world" in Whole Earth Review (Spring 1995), p. 88 http://archive.is/20120715140307/findarticles.com/p/articles/mi_m1510/is_n85/ai_16816244
Context: Eschew blandness. Eschew causing others pain. We are all the target so wear bright colors and dance with those you love. Falling in love has always been a bit too much to apply to one person. Falling in love is appropriate for now, to love all these things which are about to leave. The rocks are watching, and the squirrels and the stars and the mlklk tired people in the street. If you love them, let them know, with grace and non-invasive extravagance. Care about the beings you care about in gorgeous and surprising ways. Color outside the lines. Practice random kindness and senseless acts of beauty. This is your last chance.

Love , Pain , Color , Dance

“We granted certiorari, and in this Court the parties changed positions as nimbly as if dancing a quadrille.”

Robert H. Jackson (1892–1954) American judge

Orloff v. Willoughby, 345 U.S. 83, 87 (1953)
Judicial opinions

Change , Dance

“For Now does ride in on the curl of the wave,
And you will dance with me in the sunlit pools.
We are of the going water and the gone.
We are of water in the holy land of water
And all that's to come runs in
With the thrust on the strand.”

John Carder Bush (1944) British artist; brother of Kate Bush

This portion of the track "Jig of Life" on his sister Kate's album Hounds of Love (1985) was actually written as well as spoken by JCB.
Jig of Life (1985)
Context: Can't you see where memories are kept bright?
Tripping on the water like a laughing girl.
Time in her eyes is spawning past life,
One with the ocean and the woman unfurled,
Holding all the love that waits for you here.
Catch us now for I am your future.
A kiss on the wind and we'll make the land.
Come over here to where When lingers,
Waiting in this empty world,
Waiting for Then, when the lifespray cools.
For Now does ride in on the curl of the wave,
And you will dance with me in the sunlit pools.
We are of the going water and the gone.
We are of water in the holy land of water
And all that's to come runs in
With the thrust on the strand.

Water , Dance

“That intermediate manifestation of the divine process which we call the DNA code has spent the last 2 billion years making this planet a Garden of Eden. An intricate web has been woven, a delicate fabric of chemical-electrical-seed-tissue=organism=species. A dancing, joyous harmony of energy transactions is rooted in the 12 inches of topsoil which covers the rock
metal
fire
core of this planet.”

Timothy Leary (1920–1996) American psychologist

The Purpose of Life is Religious Discovery
Start your own Religion (1967)

Dance

“The wind, the birds,
do not sound poorer but clearer,
recalling our agony, and the way we danced.”

Denise Levertov (1923–1997) Poet

A Tree Telling of Orpheus (1968)

Way , Bird , Dance

“I see Christ as the incarnation of the piper who is calling us. He dances that shape and pattern which is at the heart of our reality. By Christ I mean not only Jesus; in other times and places, other planets, there may be other Lords of the Dance. But Jesus is the one I know of first and best. I sing of the dancing pattern in the life and words of Jesus.”

Sydney Carter (1915–2004) British musician and poet

Green Print for Song (1974)
Context: I see Christ as the incarnation of the piper who is calling us. He dances that shape and pattern which is at the heart of our reality. By Christ I mean not only Jesus; in other times and places, other planets, there may be other Lords of the Dance. But Jesus is the one I know of first and best. I sing of the dancing pattern in the life and words of Jesus.
Whether Jesus ever leaped in Galilee to the rhythm of a pipe or drum I do not know. We are told that David danced (and as an act of worship too), so it is not impossible. The fact that many Christians have regarded dancing as a bit ungodly (in a church, at any rate) does not mean that Jesus did. The Shakers didn't...

Life , Reality , Singing , Time

“So long as this devil-dance does not disgust us, we cannot pretend to be civilized.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Kalki : or The Future of Civilization (1929)
Context: War with its devastated fields and ruined cities, with its millions of dead and more millions of maimed and wounded, its broken-hearted and defiled women and its starved children bereft of their natural protection, its hate and atmosphere of lies and intrigue, is an outrage on all that is human. So long as this devil-dance does not disgust us, we cannot pretend to be civilized. It is no good preventing cruelty to animals and building hospitals for the sick and poor houses for the destitute so long as we willing to mow down masses of men by machine-guns and poison non-combatants, including the aged and the infirm, women and children — and all for what? For the glory of God and the honour of the nation!
It is quite true that we attempt to regulate war, as we cannot suppress it; but the attempt cannot succeed. For war symbolizes the spirit of strife between two opposing national units which is to be settled by force. When we allow the use of force as the only argument to put down opposition, we cannot rightly discriminate between one kind of force and another. We must put down opposition by mobilizing all the forces at our disposal. There is no real difference between a stick and a sword, or gunpowder and poison gas. So long as it is the recognized method of putting down opposition, every nation will endeavour to make its destructive weapons more and more efficient. War is its only law add the highest virtue is to win, and every nation has to tread this terrific and deadly road. To approve of warfare but criticize its methods, it has been well said is like approving of the wolf eating the lamb but criticizing the table-manners. War is war and not a game of sport to be played according to rules.

Dance

“We move from part to whole and back again, and in that dance of comprehension, in that amazing circle of understanding, we come alive to meaning, to value, and to vision”

Ken Wilber (1949) American writer and public speaker

The Eye of Spirit : An Integral Vision for a World Gone Slightly Mad (1997)
Context: We move from part to whole and back again, and in that dance of comprehension, in that amazing circle of understanding, we come alive to meaning, to value, and to vision: the very circle of understanding guides our way, weaving together the pieces, healing the fractures, mending the torn and tortured fragments, lighting the way ahead — this extraordinary movement from part to whole and back again, with healing the hallmark of each and every step, and grace the tender reward.

Understanding , Dance , Parting

“For a moment the waves and particles dance in grotesque, inconceivably complex patterns capable of reflecting on their own absurdity.”

Martin Gardner (1914–2010) recreational mathematician and philosopher

Introduction to The Annotated Alice (1960) // The Annotated Alice. The Definitive Edition (1999), by Lewis Carroll (Author, Christ Church College, Oxford), John Tenniel (Illustrated by), Martin Gardner (Editor, Introduction and notes by), page viii
Context: The last level of metaphor in the Alice books is this: that life, viewed rationally and without illusion, appears to be a nonsense tale told by an idiot mathematician. At the heart of things science finds only a mad, never-ending quadrille of Mock Turtle Waves and Gryphon Particles. For a moment the waves and particles dance in grotesque, inconceivably complex patterns capable of reflecting on their own absurdity.

Dance

“It is a position, a posture in the dance.”

Ursula K. Le Guin Hainish Cycle

Source: Hainish Cycle, The Telling (2000), Ch. 4, §3 (pp. 90–91)
Context: One of the historians of Darranda said: To learn a belief without belief is to sing a song without the tune.
A yielding, an obedience, a willingness to accept these notes as the right notes, this pattern as the true pattern, is the essential gesture of performance, translation, and understanding. The gesture need not be permanent, a lasting posture of the mind or heart, yet it is not false. It is more than the suspension of disbelief needed to watch a play, yet less than the conversion. It is a position, a posture in the dance.

Dance

“There is the beauty of the flowers and the forests, of the azure oceans and the meandering rivers. There is the splendour of architecture, the magnificence of music, and the sparkle of the dance. Above all, there is the beauty of man and woman, the most perfect creations of God.”

Zulfikar Ali Bhutto (1928–1979) Fourth President and ninth Prime Minister of Pakistan

Source: Letter to his daughter (1978), p. 78 - 79
Context: Earlier, I have cautioned you against an outright pragmatist approach. Now I am cautioning you against an outright populist approach. Sometimes a populist decision is, in the long run, not beneficial to the masses. Neither pragmatism nor populism are fundamental political and socio-economic doctrines. Nor do I say that you should play it by ear. I have made this melancholy analysis in anguish. My jail surroundings have not influenced my objectivity. I do not want to see the whole world in a death-cell merely because I am in a death cell. I do not say that the High Court has pronounced a death sentence on the world because a law court has pronounced a perverse death sentence on me. I would be the happiest man if the gloomy winter of mankind were to give way to a shaft of sunlight and to coloured flowers. The world is very beautiful. "A thing of beauty is a joy forever". There is the beauty of the landscape, of the tall mountain, the green plains, the humped deserts. There is the beauty of the flowers and the forests, of the azure oceans and the meandering rivers. There is the splendour of architecture, the magnificence of music, and the sparkle of the dance. Above all, there is the beauty of man and woman, the most perfect creations of God.

God , Beauty , Music , Flowers

“For our God is not an abstract thought, a logical necessity, a high and harmonious structure made of deductions and speculations.
He is not an immaculate, neutral, odorless, distilled product of our brains, neither male nor female.
He is both man and woman, mortal and immortal, dung and spirit. He gives birth, fecundates, slaughters — death and eros in one — and then he begets and slays once more, dancing spaciously beyond the boundaries of a logic which cannot contain the antinomies.”

Nikos Kazantzakis book The Saviors of God

The Saviors of God (1923)
Context: I do not care what face other ages and other people have given to the enormous, faceless essence. They have crammed it with human virtues, with rewards and punishments, with certain ties. They have given a face to their hopes and fears, they have submitted their anarchy to a rhythm, they have found a higher justification by which to live and labor. They have fulfilled their duty.
But today we have gone beyond these needs; we have shattered this particular mask of the Abyss; our God no longer fits under the old features.
Our hearts have overbrimmed with new agonies, with new luster and silence. The mystery has grown savage, and God has grown greater. The dark powers ascend, for they have also grown greater, and the entire human island quakes.
Let us stoop down to our hearts and confront the Abyss valiantly. Let us try to mold once more, with our flesh and blood, the new, contemporary face of God.
For our God is not an abstract thought, a logical necessity, a high and harmonious structure made of deductions and speculations.
He is not an immaculate, neutral, odorless, distilled product of our brains, neither male nor female.
He is both man and woman, mortal and immortal, dung and spirit. He gives birth, fecundates, slaughters — death and eros in one — and then he begets and slays once more, dancing spaciously beyond the boundaries of a logic which cannot contain the antinomies.

Death , God , Birth , Dance

“The dance of atoms, electrons and nuclei, which in all its fury is subject to God's eternal laws, has been entangled with”

Max Born (1882–1970) physicist

From the Postcrip to 'The restless universe' (1951), pp. 225-226
Physics in my generation (1956)
Context: The dance of atoms, electrons and nuclei, which in all its fury is subject to God's eternal laws, has been entangled with another restless Universe which may well be the Devil's: the human struggle for power and domination, which eventually becomes history. My optimistic enthusiasm about the disinterested search for truth has been severely shaken. I wonder at my simplemindedness when I re-read what I said on the modern fulfilment of the alchemists dream: "Now however, the motive is not the lust for gold, cloaked by the mystery of magic arts, but the scientists' pure curiosity. For it is clear from the beginning that we may not expect wealth too." Gold means power, power to rule and to have a big share in the riches of this world. Modern alchemy is even a short-cut to this end, it provides power directly; a power to dominate and to threaten and hurt on a scale never heard of before. And this power we have actually seen displayed in ruthless acts of warfare, in the devastation of whole cities and the destruction of their population.

God , Law , Dance

“Dances With Wolves has the kind of vision and ambition that is rare in movies today.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/dances-with-wolves-1990 of Dances with Wolves (9 November 1990)
Reviews, Four star reviews
Context: Dances With Wolves has the kind of vision and ambition that is rare in movies today. It is not a formula movie, but a thoughtful, carefully observed story. It is a Western at a time when the Western is said to be dead. It asks for our imagination and sympathy. It takes its time, three hours, to unfold. It is a personal triumph for Kevin Costner, the intelligent young actor of Field of Dreams, who directed the film and shows a command of story and of visual structure that is startling; this movie moves so confidently and looks so good it seems incredible that it's a directorial debut.

Dance

“I have spent all my life with dance and being a dancer. It's permitting life to use you in a very intense way. Sometimes it is not pleasant. Sometimes it is fearful. But nevertheless it is inevitable.”

Martha Graham (1894–1991) American dancer and choreographer

As quoted in "About Martha Graham" at the Martha Graham Center of Contemporary Dance http://marthagraham.org/resources/aboutgraham.

Life , Fear , Way , Dance

“The Spiral Dance is a seed planted twenty years ago.”

Starhawk (1951) American author, activist and Neopagan

Bodhi Tree lecture (1999)
Context: The Spiral Dance is a seed planted twenty years ago. Over the last two decades, the goddess movement has grown from many seeds like a garden of long-life flowers and healing herbs. It's a big garden — I've tended only one corner of it.

Dance

“And everything comes to One,
As we dance on, dance on, dance on.”

Theodore Roethke book The Far Field

Once More, the Round," ll. 11-12
The Far Field (1964)
Context: p>And I dance with William Blake
For love, for Love's sake;And everything comes to One,
As we dance on, dance on, dance on.</p

Dance

“There has always been a dance element in my mysticism.”

Alan Moore (1953) English writer primarily known for his work in comic books

De Abaitua interview (1998)
Context: There has always been a dance element in my mysticism. We just think ‘why not’. Music is imposing a state of consciousness by its very nature. If what this Tree of Life is is a hierarchy of different states of consciousness, would it be possible to simulate and stimulate those states of consciousness in the listener by producing the right sorts of music. Is it possible? We don’t know, but we’re working on it.

Dance

“With no words, with no song
I'm gonna dance the dream
And make the dream come true…”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Red Shoes (1993)
Context: Feel your hair come tumbling down
Feel your feet start kissing the ground
Feel your arms are opening out
And see your eyes are lifted to God
With no words, with no song
I'm gonna dance the dream
And make the dream come true…

Dreams , Dance

“A pure genius of jazz is manifested when he and the rest of the orchestra run around the room while the rhythm section grimaces and dances around their instruments.”

Charles Mingus (1922–1979) American jazz double bassist, composer and bandleader

Quoted in "What'd I Say?" : The Atlantic Story : 50 Years of Music (2001) by Ahmet M. Ertegun; also partially quoted in What Is This Thing Called Jazz?: African American Musicians As Artists, Critics, and Activists (2002) by Eric C. Porter, p. 118, and Freedom Is, Freedom Ain't: Jazz And the Making of the Sixties (2005) by Scott Saul, p. 154
Context: Good jazz is when the leader jumps on the piano, waves his arms, and yells. Fine jazz is when a tenorman lifts his foot in the air. Great jazz is when he heaves a piercing note for 32 bars and collapses on his hands and knees. A pure genius of jazz is manifested when he and the rest of the orchestra run around the room while the rhythm section grimaces and dances around their instruments.

Dance

“All night have the roses heard
The flute, violin, bassoon;
All night has the casement jessamine stirr'd
To the dancers dancing in tune;
Till a silence fell with the waking bird,
And a hush with the setting moon.”

Alfred, Lord Tennyson (1809–1892) British poet laureate

Part I, section xxii, stanza 3
Maud; A Monodrama (1855)

Bird , Silence , Dance , Night

“Steer your life by these stars
On the unconditional chance
'Tis here where Hell and Heaven dance.
This is the constellation of the heart.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Red Shoes (1993)
Context: We take all the telescopes
And we turn them inside out
And we point them away from the big sky.
Put your eye right up to the glass.
Here we'll find the constellation of the heart.
Steer your life by these stars
On the unconditional chance
'Tis here where Hell and Heaven dance.
This is the constellation of the heart.

Life , Star , Hell , Chance

“Philosophy may not neglect the multifariousness of the world — the fairies dance, and Christ is nailed to the cross.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

Pt. V, ch. 1, sec. 1.
1920s, Process and Reality: An Essay in Cosmology (1929)
Context: There is a greatness in the lives of those who build up religious systems, a greatness in action, in idea and in self-subordination, embodied in instance after instance through centuries of growth. There is a greatness in the rebels who destroy such systems: they are the Titans who storm heaven, armed with passionate sincerity. It may be that the revolt is the mere assertion by youth of its right to its proper brilliance, to that final good of immediate joy. Philosophy may not neglect the multifariousness of the world — the fairies dance, and Christ is nailed to the cross.

World , Christ , Dance

“Queen rose of the rosebud garden of girls,
Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
Queen lily and rose in one;
Shine out, little head, sunning over with curls,
To the flowers, and be their sun.”

Alfred, Lord Tennyson (1809–1892) British poet laureate

Part I, section xxii, stanza 9
Maud; A Monodrama (1855)

Girl , Flowers , Sun , Dance

“I grew up a Southern Baptist in Texas where dancing was a mortal sin in the eyes of Almighty God, but coffee was OK. Dave grew up a Latter Day Saint where dancing was considered righteous – but not coffee.
But . . . we're dancers. And laughers. That's a strong bond right there. And we're committed to being useful in our world.”

Robert Fulghum (1937) American writer

"The Lightness Of Being" (25 April 2007) Pack Creek Ranch, San Juan County, Utah http://robertfulghum.com/index.php/fulghumweb/entry/377_the_lightness_of_being/
Web Journal
Context: The four of us are talking dancing, and laughing, and recalling the joys of being out on the floor and having that timeless feeling that comes from being caught up in the music. "Nobody should miss that," says Dave.
On the face of it, Dave's family and I don't have a lot in common. They're Mormons and Republicans. I'm a Unitarian and a Democrat. When Dave was on the County Council, we were on different sides of some important issues. I grew up a Southern Baptist in Texas where dancing was a mortal sin in the eyes of Almighty God, but coffee was OK. Dave grew up a Latter Day Saint where dancing was considered righteous – but not coffee.
But... we're dancers. And laughers. That's a strong bond right there. And we're committed to being useful in our world. And if you love something, like dancing, and you pass it on, like Dave and his wife do, you've been very useful by my standards. Dancing is a lifetime, equal opportunity sport.
And I will never drive by Dave's garage again without having the finest feelings for the man and his wife and mother who are inside taking good care of their corner of this world. They've added an important dimension to the lives of the young people of their town — that lightness of being that belongs to dancers.

God , World , Coffee , Strong

“You cannot find the centre
Where we dance, where we play,
Where life is still asleep
Under the closed flower,
Under the smooth shell
Of eggs in the cupped nest
That mock the faded blue
Of your remoter heaven.”

R.S. Thomas (1913–2000) Welsh poet

"Children’s Song"
Song at the Year's Turning (1955)

Dance

“Life, to him, flashes, rejoicing, upon every flower and every tree that trembles in the breeze. There is more to him, everywhere, than the eye sees; a presence of profound joy, on hill and valley, and bright, dancing water.”

Albert Pike book Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XXII : Grand Master Architect, p. 193
Context: Life is what we make it, and the world is what we make it. The eyes of the cheerful and of the melancholy man are fixed upon the same creation; but very different are the aspects which it bears to them. To the one, it is all beauty and gladness; the waves of ocean roll in light, and the mountains are covered with day. Life, to him, flashes, rejoicing, upon every flower and every tree that trembles in the breeze. There is more to him, everywhere, than the eye sees; a presence of profound joy, on hill and valley, and bright, dancing water. The other idly or mournfully gazes at the same scene, and everything wears a dull, dim, and sickly aspect. The murmuring of the brooks is a discord to him, the great roar of the sea has an angry and threatening emphasis, the solemn music of the pines sings the requiem of his departed happiness, the cheerful light shines garishly upon his eyes and offends him. The great train of the seasons passes before him like a funeral procession; and he sighs, and turns impatiently away. The eye makes that which it looks upon; the ear makes its own melodies and discords: the world without reflects the world within.

Life , Flowers , Tree , Water

“So, too, in the Vedanta the whole world is seen as the lila and the maya of the Self, the first word meaning "play" and the second having the complex sense of illusion (from the Latin ludere, to play), magic, creative power, art, and measuring—as when one dances or draws a design to a certain measure. From this point of view the universe in general and playing in particular are, in a special sense, "meaningless": that is, they do not—like words and symbols—signify or point to something beyond themselves, just as a Mozart sonata conveys no moral or social message and does not try to suggest the natural sounds of wind, thunder, or birdsong.”

Alan Watts (1915–1973) British philosopher, writer and speaker

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 94

World , Art , Nature , Sense

“My dance has passed.”

Daryl Palumbo (1979) Vocalist musician

Motel of the White Locust (Glassjaw)

Dance

“God is not an impersonal thing nor a static thing—not even just one person—but a dynamic pulsating activity, a life, a kind of drama, almost, if you will not think me irreverent, a kind of dance … (The) pattern of this three-personal life is … the great fountain of energy and beauty spurting up at the very center of reality.”

Clive Staples Lewis book Mere Christianity

Book IV, Chapter 4, "Good Infection"
Mere Christianity (1952)
Context: They [Christians] believe that the living, dynamic activity of love has been going on in God forever and has created everything else. And that, by the way, is perhaps the most important difference between Christianity and all other religions: that in Christianity God is not an impersonal thing nor a static thing—not even just one person—but a dynamic pulsating activity, a life, a kind of drama, almost, if you will not think me irreverent, a kind of dance … (The) pattern of this three-personal life is … the great fountain of energy and beauty spurting up at the very center of reality.

Life , God , Beauty , Thinking

“A charity ball is like a dance except it's tax deductible.”

P. J. O'Rourke (1947) American journalist

Modern Manners (1983)

Dance

“From time to time the emotional lightning flashed and showed a landscape of private misery, and then — we went on dancing.”

Doris Lessing book The Golden Notebook

Anna Wulf, in "Free Women: 1"
The Golden Notebook (1962)
Context: What is so painful about that time is that nothing was disastrous. It was all wrong, ugly, unhappy and coloured with cynicism, but nothing was tragic, there were no moments that could change anything or anybody. From time to time the emotional lightning flashed and showed a landscape of private misery, and then — we went on dancing. <!-- 128

Time , Dance

“Nay, even suppose when we have suffered fate,
The soul could feel in her divided state,
What's that to us? for we are only we,
While souls and bodies in one frame agree.
Nay, though our atoms should revolve by chance,
And matter leap into the former dance;
Though time our life and motion could restore,
And make our bodies what they were before,
What gain to us would all this bustle bring?
The new-made man would be another thing;
When once an interrupting pause is made,
That individual being is decayed.
We, who are dead and gone, shall bear no part
In all the pleasures, nor shall feel the smart,
Which to that other mortal shall accrue,
Whom of our matter, time shall mould anew.
For backward if you look, on that long space
Of ages past, and view the changing face
Of matter, tossed and variously combined
In sundry shapes, ’tis easy for the mind
From thence t' infer that seeds of things have been
In the same order as they now are seen:
Which yet our dark remembrance cannot trace,
Because a pause of life, a gaping space
Has come betwixt, where memory lies dead,
And all the wandering motions from the sense are fled.”
Et si iam nostro sentit de corpore postquam distractast animi natura animaeque potestas, tamen est ad nos, qui comptu coniugioque corporis atque animae consistimus uniter apti. nec, si materiem nostram collegerit aetas post obitum rursumque redegerit ut sita nunc est, atque iterum nobis fuerint data lumina vitae, quicquam tamen ad nos id quoque factum, interrupta semel cum sit repetentia nostri. et nunc nil ad nos de nobis attinet, ante qui fuimus, [neque] iam de illis nos adficit angor. nam cum respicias inmensi temporis omne praeteritum spatium, tum motus materiai quam sint, facile hoc adcredere possis, saepe in eodem, ut nunc sunt, ordine posta haec eadem, quibus e nunc nos sumus, ante fuisse. nec memori tamen id quimus reprehendere mente; inter enim iectast vitai pausa vageque deerrarunt passim motus ab sensibus omnes.

Lucretius (-94–-55 BC) Roman poet and philosopher

Book III, lines 843–860 (tr. John Dryden)
De Rerum Natura (On the Nature of Things)

Life , Fate , Pleasure , Age

“Dancing's part of my soul. I enjoy it, it makes people happy, and it makes me happy. ”

John Travolta (1954) American actor, dancer and singer

People , Soul , Dance , Parting

“As giant third world hordes just pour in, raping everyone just reaghhhhhh, reaghhhh! Just sexualizing our children, ruling everything, debasing the currency, drugging the food and water giving everyone cancer and just dancing to their god of death, selling body parts, chopping up babies that battle the scalpel. I mean it's just… it's just on Hell on Earth, the gates are opening. And out will flood the armies…”

Alex Jones (1974) American radio host, author, conspiracy theorist and filmmaker

Alex Jones Describes the Future https://www.youtube.com/watch?v=Wvftj4CVmNo, The Alex Jones Show, February 8, 2017.
2017

Baby , God , Hell , Food

“The old Dances of Death supplied what fails so much in our modern life—an artistic representation appealing to all classes of at least one experience common to the whole of humanity.”

Karl Pearson (1857–1936) English mathematician and biometrician

"The Chances of Death" (1895)

Life , Death , Dance

“And when all things were created as has been described by Moses — both heaven and earth, and the things therein — the twelve angels of the Mother were divided into four principles, and each fourth part of them is called a river — Phison, and Gehon, and Tigris, and Euphrates, as, he says, Moses states. These twelve angels being mutually connected, go about into four parts, and manage the world, holding from Edem a sort of viceregal authority over the world. But they do not always continue in the same places, but move around as if in a circular dance, changing place after place, and at set times and intervals retiring to the localities subject to themselves. And when Phison holds sway over places, famine, distress, and affliction prevail in that part of the earth, for the battalion of these angels is niggardly.”

Hippolytus of Rome Refutation of all Heresies

Ante-Nicene Christian Library, Volume 6: Hippolytus, Bishop Of Rome, Volume 1 p. 187
Refutation of All Heresies

Time , Affliction , Angels , Dance

“I think TV series, games, and general media have changed the way we tell stories. But books will remain. Technology has changed all the others arts: painting, theater, dancing, cinema, music. But literature is an absolutely intimate process between the writer’s voice and the reader’s mind, it is something so natural and strong that the only thing that technology could change is its support, its format, for example, if we read from a book or from an e-reader. But that doesn’t change the heart of literature.”

Samanta Schweblin (1978) Argentine writer

On the staying power of literature in “Samanta Schweblin on Revealing Darkness Through Fiction” https://lithub.com/samanta-schweblin-on-revealing-darkness-through-fiction/ in LitHub (2017 Jan 12)

Painting , Reading , Strong , Game

“Run in the open air. Do mild Pranayama. Chant OM. Sing with devotion. Dance in ecstasy. Depression will vanish soon. You are Ananda Svarupa—where is gloom and depression? They are mental creations only. Remain silent. You can gain more by silence.”

Swami Sivananda (1887–1963) Indian philosopher

Overcome Depression and Gloom
Autobiography of Swami Sivananda

Singing , Silence , Dance

“But even if all the other stuff seems a bit esoteric, just think of all those other avatars at all those other gatherings, concerts, dances, ceremonies, parties and meals; think of all that talk, all those ideas, all that sparkle and wit!”

Iain Banks Culture series

“Think of all that bullshit, the nonsense and non-sequiturs, the self-aggrandisement and self-deception, the boring stupid nonsense, the pathetic attempts to impress or ingratiate, the slow-wittedness, the incomprehension and the incomprehensible, the gland-addled meanderings and general suffocating dullness.”
Source: Culture series, Look to Windward (2000), Chapter 11 “Absence of Gravitas” (p. 245)

Idea , Thinking , Dance

“I had a rudimentary knowledge of dancing and had learned a bit of tap at dancing school, but it was mostly a case of picking it up as one went along.”

Bessie Love (1898–1986) American actress (1898–1986)

On dancing in film, from [Leslie, Wilkinson, What Are They Doing Now? Part 14, Photoplay Film Monthly]

Knowledge , School , Learning , Dance

“It’s what I know best. It’s roots. It’s Dazed And Confused and Friday Night Lights. It’s border life and El Pato and Whataburger and getting drunk in a back of a pickup. It’s dancing every weekend to country music, or Tejano music, or club music. It’s the beach. It’s, for better or worse, home.”

Mando Alvarado actor

On how Texas influences his writings in “SIN MUROS: INTERVIEW WITH “LIVING SCULPTURE” PLAYWRIGHT MANDO ALVARADO” https://thetheatretimes.com/sin-muros-interview-living-sculpture-playwright-mando-alvarado/ in The Theatre Times

Home , Night , Country , Light

“The world is just a barrel-organ which the Lord God turns Himself. We all have to dance to the tune which is already on the drum.”

Reinhard Heydrich (1904–1942) German Nazi official during World War II

Heydrich recited this, one of his father's operas, on his deathbed during one of Himmler's visits on 2 June 1941.
Source: [Lehrer, Steven, Steven Lehrer, 2000, 86, Wannsee House and the Holocaust, McFarland, Jefferson, NC, 978-0-7864-0792-7, harv]

World , God , Dance

“In their phenomena of life the inhabitants of the earth display endless variety. They swim in the waters, soar in the skies, squeeze among the rocks, clamber among the trees, scamper over the plains, and glide among the grounds and grasses. Some are born for a summer, some for a century, and some flutter their little lives out in a day. They are black, white, blue, golden, all the colours of the spectrum. Some are wise and some are simple; some are large and some are microscopic; some live in castles and some in bluebells; some roam over continents and seas, and some doze their little day-dream away on a single dancing leaf. But they are all the children of a commion mother and the co-tenants of a common world. Why they are here in this world rather than some place else; why the world in which they find themselves is so full of the undesirable; and whether it would not have been better if the ball on which they ride and riot had been in the beginning sterilised, are problems too deep and baffling for the most of them. But since they are here, and since they are too proud or too superstitious to die, and are surrounded by such cold and wolfish immensities, what would seem more proper than for them to be kind to each other, and helpful, and dwell together as loving and forbearing members of One Great Family?”

J. Howard Moore (1862–1916)

"Conclusion", pp. 324–325
The Universal Kinship (1906), The Ethical Kinship

Family , Tree , Sea , Making love

“I claim credit for nothing. Everything is determined, the beginning as well as the end, by forces over which we have no control. It is determined for the insect as well as for the star. Human beings, vegetables or cosmic dust, we all dance to a mysterious tune, intoned in the distance by an invisible player.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

1920s, Viereck interview (1929)

Star , Dance

“Beware of assuming the sterile attitude of a spectator, for life is not a spectacle, a sea of miseries is not a proscenium, a man screaming is not a dancing bear.”

Aimé Césaire (1913–2008) Martiniquais politician

Source: Notebook of a Return to the Native Land (1939), p. 13

Sea , Life , Dance

“I was always into different kinds of music but just by default, I was singing and playing acoustic guitar; I didn’t know how to dance or anything. So it would take some time, over a year, for me to kind of progress into the stuff that I ended up doing later, the more Southern soul, country-rock, whatever-you-want-to-call-it kind of thing.”

Lucinda Williams (1953) American rock, folk, blues, and country music singer, songwriter and musician

On her 1980 album Happy Woman Blues in “Lucinda Williams Looks Back on Every Album She’s Ever Made” https://www.spin.com/2016/02/lucinda-williams-ghosts-of-highway-20-car-wheels-on-a-gravel-road-interview/ in Spin (2016 Feb 25)

Singing , Soul , Time , Country

“Escape, God how we all need escape from this tiny here. The need for it has motivated just about everything man has ever done in any direction other than that of the satisfaction of his physical appetites; it has led him along weird and wonderful pathways; it has led him into art and religion, ascetism and astrology, dancing and drinking, poetry and insanity. All of these have been escapes because he has known only recently the true direction of escape—outward, into infinity and eternity, away from this little flat if rounded surface we’re born on and die on. This mote in the solar system, this atom in the galaxy.”

Fredric Brown book The Lights in the Sky Are Stars

Source: The Lights in the Sky Are Stars (1953), Chapter 5 “2001” (pp. 243-244; "ascetism" should be "asceticism")

God , Religion , Drink , Art

“Cricket is an art, not a bastard or a poor relation, but a full member of the community. (…) Cricket is first and foremost a dramatic spectacle. It belong with the theatre, ballet, opera and dance.”

C. L. R. James book Beyond a Boundary

Source: Beyond a Boundary (1963), p. 196

Communication , Dance , Relation ships , Art

“Art has a breadth which encompasses all the forms of creativeness, in drama, poetry, dance, fine arts, music, and literature. Art is not the picture you see before you. Pictures are the products of art.”

Harvey Dwight Dash (1924–2002) American art educator

[Pictures Called Products Of Art., The Record, https://commons.wikimedia.org/wiki/File:Harvey_Dwight_Dash_(1924-2002)_in_The_Record_of_Hackensack,_New_Jersey_on_5_November_1959.png, November 5, 1959, Harvey Dwight Dash]
Quote

Music , Dance , Literature , Art

“The modern world has largely forgotten, and our educational systems ignore, the primary importance, in the evolution of man, of various types of symbolic communication—the communication embodied in gesture, ritual, dance, music myth, and poetic metaphor. All these modes of expression constitute a language of feeling, a non-discursive form of thought, absolutely essential to our individual development and to the unity of social life.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Selected Writings—Poetry and Criticism. (1964).
Other Quotes

Communication , Music , Dance , World

“Whereas some ascetics and Brahmins remain addicted to attending such shows as dancing, singing, music, displays, recitations, hand-music, cymbals and drums, fairy-shows, acrobatic and conjuring tricks, combats of elephants, buffaloes, bulls, goats, rams, cocks and quail, fighting with staves, boxing, wrestling, sham-fights, parades, manoeuvres and military reviews, the ascetic Gotama refrains from attending such displays.”

Gautama Buddha (-563–-483 BC) philosopher, reformer and the founder of Buddhism

M. Walshe, trans. (1987), Sutta 1, verse 1.13
Pali Canon, Sutta Pitaka, Digha Nikaya (Long Discourses)

Singing , Box , Music , Dance

“So Tessa Virtue and Scott Moir solidified their legacy as perhaps the best ice dancing team the world has ever seen.”

Scott Moir (1987) Canadian figure skater

James McCarthy, in "SPORTS TALK: Wasn’t that a lovely show North Korea put on?" http://nunavutnews.com/nunavut-news/sports-talk-wasnt-lovely-show-north-korea-put/ (26 February 2018)

World , Dance

“So Tessa Virtue and Scott Moir solidified their legacy as perhaps the best ice dancing team the world has ever seen.”

Tessa Virtue (1989) Canadian ice dancer

James McCarthy, in "SPORTS TALK: Wasn’t that a lovely show North Korea put on?" http://nunavutnews.com/nunavut-news/sports-talk-wasnt-lovely-show-north-korea-put/ (26 February 2018)

World , Dance

“It’s funny about career choices. I had to fight to test for the Janet Leigh role in Walking My Baby Back Home. Janet couldn’t dance at the time and I could—but she was a bigger name. I also fought to get the role Piper Laurie had in Son of Ali Baba. Luckily, I lost that one. The one I didn’t want to do was Revenge of the Creature.”

Lori Nelson (1933) Actress, model

Science-Fiction was considered bottom of the barrel in those days. Of course, that’s the picture I am most remembered for. It’s very ironic!
Interview with Lori Nelson http://www.westernclippings.com/interview/lorinelson_interview.shtml

Home , Baby , Time , Revenge

“Under Swati Tirunal’s rule, the forms of music and dance peculiar to Travancore, including - the sapna sangitam (literally: step music) sung on the steps of temples and the dance form of Mohiniattam – were significantly altered, brought closer to the forms of music and dance practiced at Tanjavur. Swapna Sangitam known for its slow renditions and limited improvisation, was altered not only by the influx of new style of composing and singing represented by Vadivelu and other Tanjavur Musicians but also by the very structure of music that Swati Tirunal’s court suggested.”

Swathi Thirunal Rama Varma (1813–1846) Maharajah of Travencore

K.M Panikkar quoted in pp.63-64
About Swathi Thirunal, Singing the Classical, Voicing the Modern: The Postcolonial Politics of ...

Music , Singing , Dance

“She abandoned her dance school and other business to become a sanyasin, but death took her unawares: she was killed in a landslide while on a pilgrimage to Kailash-Mansarovar. Oddly enough even as a sanyasin she was accompanied by one of her lovers.”

Protima Bedi (1948–1998) Indian model and dancer

By Khushwant Mubarak Singh quoted in "She had a lust for life"

School , Business , Dance , Lovers

“The most striking aspect of Ms. Bali’s dance was her fidelity to tradition. She is a copybook of Bharatanatyam, traditional and classical.”

Vyjayanthimala (1936) Indian actress, politician & dancer

By N. Murali in "Vyjayanthimala Bali a copybook of Bharatanatyam".

Dance

“Brijmohan Maharaj’s Kamdeva matched grace with grace. To the loving he added fear, and a secret knowledge of his fate. Together they devised a poignancy that was memorable and must surely be rare in dance.”

Birju Maharaj (1938) Indian dancer

His dance in the ballet choreography Rati Kamdeva performed along with co-artiste Kumudini Lakhi reviewed in the Statesman in "Movement in Stills: The Dance and Life of Kumudini Lakhia}, page=115.

Fate , Knowledge , Secret , Dance

“It has been more than 15 years but her dedication towards dance is the same. She grabs quickly and is a genius dancer. Her expressions are just perfect.”

Madhuri Dixit (1967) Indian actress

Perfection , Dance

“It has been more than three decades but Hema Malini’s passion for dance has not diminished. Starting in the early 70s with solo Bhratanatyam performances, the diva has reinvented herself at every stage of her career. When she felt that the pure classical dance form would not be appreciated by a less aware audience, she expanded her art form to include ballets.”

Hema Malini (1948) Indian actress, dancer and politician

Writer Bhawana Somaaya in [Bhawana Somaaya, Fragmented Frames: Reflections of a Critic, http://books.google.com/books?id=HQ3Yi9VPU8QC&pg=PP201, 1 January 2008, Pustak Mahal, 978-81-223-1016-0, 201–]

Passion , Dance , Art

“She was the only one where the music and dance were equally important… her dance moves were deeply affected by this… she was able to convey not only the meaning of the dance, but also the emotion of the music. That’s what I liked best.”

Balasaraswati (1918–1984) Indian dancer

Rukmini Devi in Dance readings and musings Balasaraswati: Her Art and Life, 1 December 2013, Narthaki.com http://www.narthaki.com/info/bookrev/bkrev1a.html,

Music , Dance

“There used to be beggar, a sort of maniac, who would jump up and dance like a monkey while singing tat tarigappa tei ta, tat tarigappa tei ta.”

Balasaraswati (1918–1984) Indian dancer

Bala would imitate him, both dancing like monkeys... All of us tried to snub him but the beggar could not be turned out. It meant a few coins for him; he made a regular visit to our house and the two used to dance. That was the real starting point for Bala’s dancing mania.

Singing , Dance

“If you can’t fuck it, and it doesn’t dance, eat it or throw it away.”

Pat Cadigan book Synners

Source: Synners (1991), Chapter 29 (p. 334; catch phrase repeated several times in the book)

Dance

“I have been taking stock of my 50 years since I left Wichita. How I have existed fills me with horror for I failed in everything. Spelling, arithmetic, writing, swimming, tennis, golf, dancing, singing, acting, wife, mistress, whore, friend, even cooking. And I do not excuse myself with the usual escape of not trying. I tried with all my heart.”

Louise Brooks (1906–1985) American dancer and actress

Looking for Lulu (1998)

Singing , Whore , Heart , Dance

“You’d be alone in the kitchen and twilight would be dwindling, and you could hear the far off cries of the other children playing nearby. You’d be alone in the kitchen because it was your special treat time, where the jelly would come out just for you, and your mother would appear at your side just as a vision of Laura Ashley print dress, smelling of magnolias and biscuits and put the jelly in front of you, and you would pull your chair in. Then the old fashioned bar of ice cream would come down, the one that had to be cut with a breadknife before the two sides were flanked with wafers. You would lift your little spoon up excitedly and winkle out that first divet of black jelly… AND THEN THE CAGE COMES DOWN! The cage with the Japanese fighting spiders inside, your mother strikes a match off her forearm and tells you to dance in the front room for money… You, you never forget that shit, I mean it never goes away.”

Dylan Moran (1971) Irish actor and comedian

Like, Totally (2006)

Money , Time , Forgetting , Children

“Dada; knowledge of all the means rejected up until now... Dada; abolition of logic, which is the dance of those impotent to create: Dada; of every social hierarchy and equation set up for the sake of values by our valets: Dada; every object, all objects, sentiments, obscurities, apparitions and the precise clash of parallel lines are weapons for the fight: Dada; abolition of memory: Dada; abolition of archaeology: Dada; abolition of prophets: Dada; abolition of the future: Dada; absolute and unquestionable faith in every god that is the immediate product of spontaneity:* Dada; elegant and unprejudiced leap from a harmony to the other sphere… Freedom: Dada Dada Dada, a roaring of tense colors, and interlacing of opposites and of all contradictions, grotesques, inconsistencies: LIFE.”

Tristan Tzara (1896–1963) Romanian and French avant-garde poet, essayist and performance artist

1910s, Dada Manifesto', 1918

God , Faith , Freedom , Future

“Breathing is our participation with the cosmic dance. When our breath is in harmony, cosmos nourishes us in every sense.”

Amit Ray (1960) Indian author

Beautify your Breath - Beautify your Life (2015)

Sense , Dance

“When we talk about culture, it includes literature, paintings, music, dance, sculpture, folklores, festivals, and celebrations.”

Mubarak Ali (1941) Historian, activist, scholar

In Search of History, Chapter I: War and Peace in Historical Perspectives, p. 1
Culture

Music , Literature , Painting , Dance

“We gaze petrified at the hieroglyphs of the invisible, as they too stand motionless or only slowly change against the background of a nocturnal sky. We watch forces that slumbered within us, waiting stubbornly and patiently for millennia, even from the beginning of time. These forces explode into the violence and gleam of colours; they open spaces and engender the forms of the worlds. The forces of the cosmos are awakened within us. They lead us outside of time to join in their celebration dance and they do not let go of us. They do not stop – because not even they believed that it was possible to attain 'such happiness.'”

Michel Henry (1922–2002) French writer

Art is the resurrection of eternal life.
Michel Henry, Seeing the invisible: On Kandinsky, Continuum, 2009, p. 142
Books on Culture and Barbarism, Seeing the Invisible: On Kandinsky (1988)

Waiting , Time , Happiness , Dance

“We can do the innuendo,
We can dance and sing
And when it's said and done
We haven't told you a thing,
We all know that crap is king, give us dirty laundry.”

Don Henley (1947) American singer, lyricist, producer and drummer

"Dirty Laundry"
Song lyrics, I Can't Stand Still, 1982

Singing , Dance

“Before you go to bed, think of three things that went well today. I don’t care if it’s a little crazy thing – it doesn’t matter…Take some music you love and if you can’t dance, go do 10 minutes of jumping jacks. Get yourself all cheered up.”

Goldie Hawn (1945) American actress, film director, and producer.

On remaining centered and positive in “Goldie Hawn: ‘I was born with a high set point for happiness’” https://www.theguardian.com/film/2020/apr/13/goldie-hawn-i-was-born-with-a-high-set-point-for-happiness in The Guardian (2020 Apr 13)

Music , Thinking , Dance , Love

“Starting out as a dancer gave me an aspect of mindfulness that I didn’t even realise that I was getting…because to dance is to be aware of every piece of your body while you’re moving. It’s like a meditation unto itself.”

Goldie Hawn (1945) American actress, film director, and producer.

On how meditation complimented her dance background in “Goldie Hawn: ‘I was born with a high set point for happiness’” https://www.theguardian.com/film/2020/apr/13/goldie-hawn-i-was-born-with-a-high-set-point-for-happiness in The Guardian (2020 Apr 13)

Dance