Quotes about craft

A collection of quotes on the topic of craft, doing, work, working.

Quotes about craft

“Supporters will come and go, but nobody will invest in your craft more than yourself. Stay focused and start crossing goals off the list one by one, it takes time but practice makes perfect”

Alireza Kohany

Perfection, Time, Support

“If it is a dying craft we can't do anything about it. Civilisation moves on. Where are all the fresco painters now? Where are the landscape artists? What are they doing now? The world is changing. I have been very fortunate to be able to do the same job for 40 years. That's rare in any era.”

Hayao Miyazaki (1941) Japanese animator, film director, and mangaka

on the topic of hand-drawn animation (2005) The Guardian article http://www.theguardian.com/film/2005/sep/14/japan.awardsandprizes On Animation

World, Change

“Surely, there is at this day a confederacy of evil, marshalling its hosts from all parts of the world, organizing itself, taking its measures, enclosing the Church of CHRIST as in a net, and preparing the way for a general apostasy from it. Whether this very apostasy is to give birth to Antichrist, or whether he is still to be delayed, we cannot know; but at any rate this apostasy, and all its tokens, and instruments, are of the Evil One and savour of death. Far be it from any of us to be of those simple ones, who are taken in that snare which is circling around us! Far be it from us to be seduced with the fair promises in which Satan is sure to hide his poison! Do you think he is so unskilful in his craft, as to ask you openly and plainly to join him in his warfare against the Truth? No; he offers you baits to tempt you. He promises you civil liberty; he promises you equality; he promises you trade and wealth; he promises you a remission of taxes; he promises you reform. This is the way in which he conceals from you the kind of work to which he is putting you; he tempts you to rail against your rulers and superiors; he does so himself, and induces you to imitate him; or he promises you illumination, he offers you knowledge, science, philosophy, enlargement of mind. He scoffs at times gone by; he scoffs at every institution which reveres them. He prompts you what to say, and then listens to you, and praises you, and encourages you. He bids you mount aloft. He shows you how to become as gods. Then he laughs and jokes with you, and gets intimate with you; he takes your hand, and gets his fingers between yours, and grasps them, and then you are his.”

John Henry Newman (1801–1890) English cleric and cardinal

Tract 83 http://anglicanhistory.org/tracts/tract83.html (29 June 1838).

Death, God, Truth, World

“All that is done and said and thought and suffered upon the Earth combine together, and flow onward in one broad resistless current toward those great results to which they are determined by the will of God.
We build slowly and destroy swiftly. Our Ancient Brethren who built the Temples at Jerusalem, with many myriad blows felled, hewed, and squared the cedars, and quarried the stones, and car»ed the intricate ornaments, which were to be the Temples. Stone after stone, by the combined effort and long toil of Apprentice, Fellow-Craft, and Master, the walls arose; slowly the roof was framed and fashioned; and many years elapsed, before, at length, the Houses stood finished, all fit and ready for the Worship of God, gorgeous in the sunny splendors of the atmosphere of Palestine. So they were built. A single motion of the arm of a rude, barbarous Assyrian Spearman, or drunken Roman or Gothic Legionary of Titus, moved by a senseless impulse of the brutal will, flung in the blazing brand; and, with no further human agency, a few short hours sufficed to consume and melt each Temple to a smoking mass of black unsightly ruin.
Be patient, therefore, my Brother, and wait!
The issues are with God: To do,
Of right belongs to us.
Therefore faint not, nor be weary in well-doing! Be not discouraged at men's apathy, nor disgusted with their follies, nor tired of their indifference! Care not for returns and results; but see only what there is to do, and do it, leaving the results to God! Soldier of the Cross! Sworn Knight of Justice, Truth, and Toleration! Good Knight and True! be patient and work!”

Albert Pike book Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XIX : Grand Pontiff, p. 321

Men, God, Truth, Justice

“I'm a slow reader, but I usually get through seventy or eighty books a year, most fiction. I don't read in order to study the craft; I read because I like to read”

Stephen King (1947) American author

Source: On Writing: A Memoir of the Craft

Books, Study, Reading

“For the first time, we recognized a medium that takes our ordinary, everyday objects like bowls, baskets, and quilts and elevates them to art forms that rival painting and sculpture in their impact.
(From the forward to "Crafts in America: Celebrating Two Centuries of Artists and Objects.”

Jimmy Carter (1924) American politician, 39th president of the United States (in office from 1977 to 1981)

Art, Time, Painting

“The lyf so short, the craft so longe to lerne.
Th’ assay so hard, so sharp the conquerynge,
The dredful joye, alwey that slit so yerne;
Al this mene I be love.”

Geoffrey Chaucer book Parlement of Foules

Parlement of Foules, l. 1-4; comparable with Hippocrates, Aphorisms 1:1
Source: The Parliament of Birds

Love

“Voltaire, who was both the flatterer and the satirist of despotism, took another line. His force lay in exposing and ridiculing the superstitions which priest-craft, united with state-craft, had interwoven with governments. It was not from the purity of his principles, or his love of mankind (for satire and philanthropy are not naturally concordant), but from his strong capacity of seeing folly in its true shape, and his irresistible propensity to expose it, that he made those attacks. They were, however, as formidable as if the motive had been virtuous; and he merits the thanks rather than the esteem of mankind.”

Thomas Paine book Rights of Man

Part 1.3 Rights of Man
1790s, Rights of Man, Part I (1791)

Love, Motivation, Nature, Strong

“We know that states with the most gun laws tend to have the fewest gun deaths. So the notion that gun laws don’t work, or just will make it harder for law-abiding citizens and criminals will still get their guns is not borne out by the evidence.
We know that other countries, in response to one mass shooting, have been able to craft laws that almost eliminate mass shootings. Friends of ours, allies of ours — Great Britain, Australia, countries like ours. So we know there are ways to prevent it.”

Barack Obama (1961) 44th President of the United States of America

2015, Remarks after the Umpqua Community College shooting (October 2015)

Death, Law, Way, Country

“It is not merely that we want to see the game played fairly. We also want to see the rules changed, so that there shall be both less opportunity and less temptation to cheat, and less chance for some few people to gain a proﬁt to which either they are not entitled at all, or else which is so enormous as to be greatly in excess of what they deserve, even though their services have been great. We wish to do away with the proﬁt that comes from the illegitimate exercise of cunning and craft. We also wish to secure a measurable equality of opportunity, a measurable equality of reward for services of similar value. To do all this, two, mutually supplementary movements are necessary. On the one hand, there must be - I think there now is - a genuine and permanent moral awakening, without which no wisdom of legislation or administration really means anything; and, on the other hand, we must try to secure the social and economic legislation without which any improvement due to purely moral agitation is necessarily evanescent.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1910s, The Progressives, Past and Present (1910)

Wisdom, People, Exercises, Game

“This is a book by a writer who does some teaching, not a book by a teacher who does some writing, and one of the satisfactions of the craft is that there's always something new to learn.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Introduction, p. viii.
On Writing Well (Fifth Edition, orig. pub. 1976)

Books, Learning, Teachers

“For one instant the party upon the stairs remained motionless, through extremity of terror and of awe. In the next, a dozen stout arms were toiling at the wall. It fell bodily. The corpse, already greatly decayed and clotted with gore, stood erect before the eyes of the spectators. Upon its head, with red extended mouth and solitary eye of fire, sat the hideous beast whose craft had seduced me into murder, and whose informing voice had consigned me to the hangman. I had walled the monster up within the tomb!”

Edgar Allan Poe book The Black Cat

The Black Cat (1843)

“Supermarket tabloids and celebrity gossip shows are not just innocently shallow entertainment, but a fundamental part of a much larger movement that involves apathy, greed and hierarchy. Celebrity doesn’t have anything to do with art or craft. It’s about being rich and thinking that you’re better than everybody else.”

Joseph Gordon-Levitt (1981) American actor, director, producer, and writer

The New York Times, March 25, 2007.

Art, Thinking, Parting

“Experimental science is a craft and an art, and part of the art is knowing when to end a fruitless experiment. There is a danger of becoming obsessed with a fruitless experiment even if it goes nowhere.”

Martin Lewis Perl (1927–2014) American scientist

Nobel prize lecture

Art, Science, Parting

“Art itself cannot be taught, but craftsmanship can. Architects, painters, sculptors are all craftsmen in the original sense of the word. Thus it is a fundamental requirement of all artistic creativity that every student undergo a thorough training in the workshops of all branches of the crafts.”

Walter Gropius (1883–1969) German architect (1883-1969) and founder of the Bauhaus School

As quoted in Paul Klee, 1879-1940 (2000) by w:Susanna Partsch, p. 47

Art, Sense, Training

“1200. Craft must have Clothes; but Truth loves to go naked.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

Love, Truth, Clothes

“An individual who has to make things for the use of others, and with reference to their wants and their wishes, does not work with interest, and consequently cannot put into his work what is best in him. Upon the other hand, whenever a community or a powerful section of a community, or a government of any kind, attempts to dictate to the artist what he is to do, Art either entirely vanishes, or becomes stereotyped, or degenerates into a low and ignoble form of craft.”

Oscar Wilde book The Soul of Man under Socialism

The Soul of Man Under Socialism (1891)

Art, Communication

“When civilization [population] increases, the available labor again increases. In turn, luxury again increases in correspondence with the increasing profit, and the customs and needs of luxury increase. Crafts are created to obtain luxury products. The value realized from them increases, and, as a result, profits are again multiplied in the town. Production there is thriving even more than before. And so it goes with the second and third increase. All the additional labor serves luxury and wealth, in contrast to the original labor that served the necessity of life.”

Ibn Khaldun book Muqaddimah

Muqaddimah, 2:272–73 quoted in Weiss (1995) p 30
Muqaddimah (1377)

Life, Wealth

“The magic of the craft has opened for me a world in which I shall confront, within two hours, the black dragons and the crowned crests of a coma of blue lightnings, and when night has fallen I, delivered, shall read my course in the stars.”

Antoine de Saint-Exupéry (1900–1944) French writer and aviator

Source: Terre des Hommes (1939), Ch. I : The Craft
Context: I had a vision of the face of destiny.
Old bureaucrat, my comrade, it is not you who are to blame. No one ever helped you to escape. You, like a termite, built your peace by blocking up with cement every chink and cranny through which the light might pierce. You rolled yourself up into a ball in your genteel security, in routine, in the stifling conventions of provincial life, raising a modest rampart against the winds and the tides and the stars. You have chosen not to be perturbed by great problems, having trouble enough to forget your own fate as man. You are not the dweller upon an errant planet and do not ask yourself questions to which there are no answers. You are a petty bourgeois of Toulouse. Nobody grasped you by the shoulder while there was still time. Now the clay of which you were shaped has dried and hardened, and naught in you will ever awaken the sleeping musician, the poet, the astronomer that possibly inhabited you in the beginning.
The squall has ceased to be a cause of my complaint. The magic of the craft has opened for me a world in which I shall confront, within two hours, the black dragons and the crowned crests of a coma of blue lightnings, and when night has fallen I, delivered, shall read my course in the stars.

World, Star, Reading, Night

“On the whole, however, the conclusions I have drawn from the proofs quoted may, I believe, safely be relied on. Assuredly they will not be disturbed either by the lays of a poet displaying the exaggeration of his craft, or by the compositions of the chroniclers that are attractive at truth's expense; the subjects they treat of being out of the reach of evidence, and time having robbed most of them of historical value by enthroning them in the region of legend.”

Thucydides History of the Peloponnesian War

Book I, 21-[1]
History of the Peloponnesian War, Book I

Truth, Quotes, Time

“You will find that all the arguments in favor of king-craft were of this class; they always bestrode the necks of the people, not that they wanted to do it, but because the people were better off for being ridden. That is their argument, and this argument of the Judge is the same old serpent that says you work and I eat, you toil and I will enjoy the fruits of it.”

Abraham Lincoln (1809–1865) 16th President of the United States

Speech in reply to Senator Stephen Douglas in the Lincoln-Douglas debates http://www.bartleby.com/251/1003.html of the 1858 campaign for the U.S. Senate, at Chicago, Illinois (10 July 1858) 1850s, Lincoln–Douglas debates (1858) Context: Those arguments that are made, that the inferior race are to be treated with as much allowance as they are capable of enjoying; that as much is to be done for them as their condition will allow. What are these arguments? They are the arguments that kings have made for enslaving the people in all ages of the world. You will find that all the arguments in favor of king-craft were of this class; they always bestrode the necks of the people, not that they wanted to do it, but because the people were better off for being ridden. That is their argument, and this argument of the Judge is the same old serpent that says you work and I eat, you toil and I will enjoy the fruits of it. Turn in whatever way you will, whether it come from the mouth of a King, an excuse for enslaving the people of this country, or from the mouth of men of one race as a reason for enslaving the men of another race, it is all the same old serpent, and I hold if that course of argumentation that is made for the purpose of convincing the public mind that we should not care about this, should be granted, it does not stop with the negro. I should like to know if, taking this old Declaration of Independence, which declares that all men are equal upon principle, and making exceptions to it, where will it stop? If one man says it does not mean a negro, why not another say it does not mean some other man? If that declaration is not the truth, let us get the Statute book, in which we find it, and tear it out! Who is so bold as to do it? If it is not true let us tear it out! [Cries of "No, No."] Let us stick to it, then; let us stand firmly by it, then. It may be argued that there are certain conditions that make necessities and impose them upon us, and to the extent that a necessity is imposed upon a man, he must submit to it. I think that was the condition in which we found ourselves when we established this Government. We had slavery among us, we could not get our Constitution unless we permitted them to remain in slavery, we could not secure the good we did secure if we grasped for more; and having by necessity submitted to that much, it does not destroy the principle that is the charter of our liberties. Let that charter stand as our standard.

People

“Diplomacy, of course, is a subtle and nuanced craft”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

Address to United Nations General Assembly http://www.reagan.utexas.edu/archives/speeches/1987/092187b.htm (21 September 1987) 1980s, Second term of office (1985–1989) Context: Diplomacy, of course, is a subtle and nuanced craft, so much so that it's said that when the most wily diplomat of the nineteenth-century passed away, other diplomats asked, on reports of his death, "What do you suppose the old fox meant by that?"

“But there is craft, and plenty of it — craft enough to impose on mature men, not to say innocent boys; and this is called profession.”

Desiderius Erasmus (1466–1536) Dutch Renaissance humanist, Catholic priest, and theologian

Letter to Lambertus Grunnius (August 1516), publised in Life and Letters of Erasmus : Lectures delivered at Oxford 1893-4 (1894) http://books.google.com/books?id=ussXAAAAMAAJ&pg=PA180&lpg=PA180&dq=%22is+no+discipline+and+which+are+worse+than+brothels%22&source=bl&ots=PnJjrkSLNB&sig=JPY0PhTf2YgYwJlf3uH2eTvCJeA&hl=en&ei=BGwXTNqTA5XANu6_pJ8L&sa=X&oi=book_result&ct=result&resnum=1&ved=0CBIQ6AEwAA#v=onepage&q=%22is%20no%20discipline%20and%20which%20are%20worse%20than%20brothels%22&f=false edited by James Anthony Froude, p. 180 Context: There are monasteries where there is no discipline, and which are worse than brothels — ut prae his lupanaria sint et magis sobria et magis pudica. There are others where religion is nothing but ritual; and these are worse than the first, for the Spirit of God is not in them, and they are inflated with self-righteousness. There are those, again, where the brethren are so sick of the imposture that they keep it up only to deceive the vulgar. The houses are rare indeed where the rule is seriously observed, and even in these few, if you look to the bottom, you will find small sincerity. But there is craft, and plenty of it — craft enough to impose on mature men, not to say innocent boys; and this is called profession. Suppose a house where all is as it ought to be, you have no security that it will continue so. A good superior may be followed by a fool or a tyrant, or an infected brother may introduce a moral plague. True, in extreme cases a monk may change his house, or even may change his order, but leave is rarely given. There is always a suspicion of something wrong, and on the least complaint such a person is sent back.

Men, Boy

“Strategy is the craft of the warrior.”

Miyamoto Musashi (1584–1645) Japanese martial artist, writer, artist

Go Rin No Sho (1645), The Ground Book
Context: Strategy is the craft of the warrior. Commanders must enact the craft, and troopers should know this Way. There is no warrior in the world today who really understands the Way of strategy.
There are various Ways. There is the Way of salvation by the law of Buddha, the Way of Confucius governing the Way of learning, the Way of healing as a doctor, as a poet teaching the Way of Waka, tea, archery, and many arts and skills. Each man practices as he feels inclined.

“It is from a strange mixture of tyranny and cowardice that exclusions have been set up and continued. The boldness to do wrong at first, changes afterwards into cowardly craft, and at last into fear.”

Thomas Paine (1737–1809) English and American political activist

1790s, Letter to the Addressers (1792)
Context: It is from a strange mixture of tyranny and cowardice that exclusions have been set up and continued. The boldness to do wrong at first, changes afterwards into cowardly craft, and at last into fear. The Representatives in England appear now to act as if they were afraid to do right, even in part, lest it should awaken the nation to a sense of all the wrongs it has endured. This case serves to shew that the same conduct that best constitutes the safety of an individual, namely, a strict adherence to principle, constitutes also the safety of a Government, and that without it safety is but an empty name. When the rich plunder the poor of his rights, it becomes an example of the poor to plunder the rich of his property, for the rights of the one are as much property to him as wealth is property to the other and the little all is as dear as the much. It is only by setting out on just principles that men are trained to be just to each other; and it will always be found, that when the rich protect the rights of the poor, the poor will protect the property of the rich. But the guarantee, to be effectual, must be parliamentarily reciprocal.

Fear, Change

“This viscous whiteness became in my mind the frontier between the real and the unreal, between the known and the unknowable. Already I was beginning to realize that a spectacle has no meaning except it be seen through the glass of a culture, a civilization, a craft.”

Antoine de Saint-Exupéry (1900–1944) French writer and aviator

Source: Terre des Hommes (1939), Ch. I : The Craft
Context: "Navigating by the compass in a sea of clouds over Spain is all very well, it is very dashing, but—"
And I was struck by the graphic image:
"But you want to remember that below the sea of clouds lies eternity."
And suddenly that tranquil cloud-world, that world so harmless and simple that one sees below on rising out of the clouds, took on in my eyes a new quality. That peaceful world became a pitfall. I imagined the immense white pitfall spread beneath me. Below it reigned not what one might think — not the agitation of men, not the living tumult and bustle of cities, but a silence even more absolute than in the clouds, a peace even more final. This viscous whiteness became in my mind the frontier between the real and the unreal, between the known and the unknowable. Already I was beginning to realize that a spectacle has no meaning except it be seen through the glass of a culture, a civilization, a craft. Mountaineers too know the sea of clouds, yet it does not seem to them the fabulous curtain it is to me.

“As Weishaupt lived under the tyranny of a despot & priests, he knew that caution was necessary even in spreading information, & the principles of pure morality.… He proposed to initiate new members into his body by gradations proportioned to his fears of the thunderbolts of tyranny. This has given an air of mystery to his views, was the foundation of his banishment, the subversion of the masonic order, & is the colour for the ravings against him of Robinson, Barruel & Morse, whose real fears are that the craft would be endangered by the spreading of information, reason, & natural morality among men.”

Adam Weishaupt (1748–1830) German philosopher and founder of the Order of Illuminati

Thomas Jefferson, letter to Reverend James Madison http://memory.loc.gov/cgi-bin/query/r?ammem/mtj:@field(DOCID+@lit(tj090050)) (31 January 1800). About Weishaupt

Nature, Fear, Men

“There are monasteries where there is no discipline, and which are worse than brothels — ut prae his lupanaria sint et magis sobria et magis pudica. There are others where religion is nothing but ritual; and these are worse than the first, for the Spirit of God is not in them, and they are inflated with self-righteousness. There are those, again, where the brethren are so sick of the imposture that they keep it up only to deceive the vulgar. The houses are rare indeed where the rule is seriously observed, and even in these few, if you look to the bottom, you will find small sincerity. But there is craft, and plenty of it — craft enough to impose on mature men, not to say innocent boys; and this is called profession. Suppose a house where all is as it ought to be, you have no security that it will continue so. A good superior may be followed by a fool or a tyrant, or an infected brother may introduce a moral plague. True, in extreme cases a monk may change his house, or even may change his order, but leave is rarely given. There is always a suspicion of something wrong, and on the least complaint such a person is sent back.”

Desiderius Erasmus (1466–1536) Dutch Renaissance humanist, Catholic priest, and theologian

Letter to Lambertus Grunnius (August 1516), published in Life and Letters of Erasmus : Lectures delivered at Oxford 1893-4 (1894) http://books.google.com/books?id=ussXAAAAMAAJ&pg=PA180&lpg=PA180&dq=%22is+no+discipline+and+which+are+worse+than+brothels%22&source=bl&ots=PnJjrkSLNB&sig=JPY0PhTf2YgYwJlf3uH2eTvCJeA&hl=en&ei=BGwXTNqTA5XANu6_pJ8L&sa=X&oi=book_result&ct=result&resnum=1&ved=0CBIQ6AEwAA#v=onepage&q=%22is%20no%20discipline%20and%20which%20are%20worse%20than%20brothels%22&f=false edited by James Anthony Froude, p. 180

God, Religion, Housing, Personality

“That's a very good way to learn the craft of writing — from reading.”

William Faulkner (1897–1962) American writer

Faulkner in the University, p. 117
Faulkner in the University (1959)

Way, Reading, Learning

“Believe me, mankind's truest madness is revealed to him in dreams. All word-craft and poetry is nothing but true dream-interpretation.”

Richard Wagner (1813–1883) German composer, conductor

Original: (de) "Glaubt mir, des Menschen wahrster Wahn
wird ihm im Traume aufgetan:
all' Dichtkunst und Poeterei
ist nichts als Wahrtraumdeuterei."
Source: Quotes from his operas, Die Meistersinger von Nürnberg, Hans Sachs, Act 3, Scene 2

Dreams, Madness

“A well-thought-out story doesn’t need to resemble real life. Life itself tries with all its might to resemble a well-crafted story.”

Isaac Babel (1894–1940) Russian language journalist, playwright, literary translator, and short story writer

Life

“Sit down every day and DO IT. Writing is a self-taught craft; the more you work at it, the more skilled you become. And when you're not writing, READ.”

Lois Duncan (1934–2016) American young-adult and children's writer

Reading

“Farewell, Father," she said. He fell back upon his chair, choking. She laughed, not with mirth or even mockery, but something that was closer to a sob. "You crafted me so sharp, I cut even myself.”

Holly Black (1971) American children's fiction writer

Source: The Poison Eaters and Other Stories

“Why would an all-powerful creator decide to plant his carefully crafted species on islands and continents in exactly the appropriate pattern to suggest, irresistibly, that they had evolved and dispersed from the site of their evolution?”

Richard Dawkins book The Greatest Show on Earth: The Evidence for Evolution

Source: The Greatest Show on Earth: The Evidence for Evolution

“We are all apprentices in a craft where no one ever becomes a master.”

Ernest Hemingway (1899–1961) American author and journalist

New York Journal-American (11 July 1961)
Source: The Wild Years

“Whether we write lyrics or craft legislation, sell homes or teach classes, design spaces or open franchises, prayer is a critical part of the creative process. Don’t just brainstorm; praystorm.”

Mark Batterson (1969) American pastor and writer

Source: Draw the Circle: The 40 Day Prayer Challenge

Home, Parting

“A noble craft, but somehow a most melancholy! All noble things are touched with that.”

Herman Melville book Moby-Dick

Source: Moby-Dick

“But you cannot change your past, no matter how you craft your future.”

Mitch Albom (1958) American author

Source: The Magic Strings of Frankie Presto: A Novel

Change, Past, Future

“Typography is the craft of endowing human language with a durable visual form.”

Robert Bringhurst The Elements of Typographic Style

Source: The Elements of Typographic Style

“Some people have been unkind. If I say I want to grow as an actress, they look at my figure. If I say I want to develop, to learn my craft, they laugh. Somehow they don't expect me to be serious about my work.”

Marilyn Monroe (1926–1962) American actress, model, and singer

People, Learning

“The craft is finding a decent drainpipe to get access to the site as much as it is in the art… Van Gogh used short, stumpy brush strokes to convey his insanity - I use short, thin ledges above mainline train tracks.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

Evening Post, 2004 (taken from "Home Sweet Home - Banksy's Bristol" by Steve Wright)
Other sources
Source: Wall and Piece

Art, Training

“If you're going to make a science fiction movie, then have a hover craft chase, for God's sake.”

Joss Whedon (1964) American director, writer, and producer for television and film

God, Science

“As centuries of dictators have known, an illiterate crowd is easiest to rule; since the craft of reading cannot be untaught once it has been acquired, the second-best recourse is to limit its scope.”

Alberto Manguel (1948) writer

Forbidden Reading, p. 281.
Source: A History of Reading (1996)

Reading

“You must want to enough. Enough to take all the rejections, enough to pay the price of disappointment and discouragement while you are learning. Like any other artist you must learn your craft—then you can add all the genius you like.”

Phyllis A. Whitney (1903–2008) American writer

Disappointment, Learning

“Do not leave your reputation to chance or gossip; it is your life's artwork, and you must craft it, hone it, and display it with the care of an artist.”

Robert Greene book The 48 Laws of Power

Source: The 48 Laws of Power

Life, Chance

“But suicides have a special language.
Like carpenters they want to know which tools.
They never ask why build.

Twice I have so simply declared myself,
have possessed the enemy, eaten the enemy,
have taken on his craft, his magic.”

Anne Sexton (1928–1974) poet from the United States

Suicide

“Everything a writer learns about the art or craft of fiction takes just a little away from his need or desire to write at all. In the end he knows all of the tricks and has nothing to say.”

Raymond Chandler (1888–1959) Novelist, screenwriter

Art, Learning

“My childhood in Corfu shaped my life. If I had the craft of Merlin, I would give every child the gift of my childhood.”

Gerald Durrell book My Family and Other Animals

Source: My Family and Other Animals

Life, Childhood

“The longer he practised his craft, the more conscious he became of the dynamic of language, of speech and writing as events in themselves. The simplest and most obvious proposition, stated in the most elementary language, could so mutate itself in the mind of the reader that it could express the opposite of what the writer had intended. What he wrote as evidence for the defence could hang the man he was defending.”

Morris West (1916–1999) Australian writer

Reflection of Nicol Peters, journalist, in Ch. III
Lazarus (1990)

“Machiavelli says that if as a ruler you accept that your every action must pass moral scrutiny, you will without fail be defeated by an opponent who submits to no such moral test. To hold on to power, you have not only to master the crafts of deception and treachery but to be prepared to use them where necessary.”

J.M. Coetzee book Diary of a Bad Year

Source: Diary of a Bad Year (2007), p. 17

“But my present point is a much wider one. What we need, in order to feel at home in the world, is certainly not a belief that it was made for us. We are at home in this world because we were made for it. we have develped here, on this planet, and are adapted to live here. Our emotional constitution is part of that adaptation. We are not fit to live anywhere else (the possibility, such as it is, of surviving briefly, and at ruinous expense in space-craft and the like is just parasitical; it depends on extending the conditions we are used to into a few bizairre corners, not on our being able to live in other conditions.”

Mary Midgley (1919–2018) British philosopher and ethicist

Beast and Man: The Roots of Human Nature (1979).

World, Feeling, Home, Parting

“The craftsman is in his own craft beguiled.”

Torquato Tasso (1544–1595) Italian poet

Lo schermitor vinto è di schermo.
Canto XIX, stanza 14 (tr. Fairfax)
Gerusalemme Liberata (1581)

“Nobody ever comes back from a "missing" ship to tell how hard was the death of the craft, and how sudden and overwhelming the last anguish of her men. Nobody can say with what thoughts, with what regrets, with what words on their lips they died. But there is something fine in the sudden passing away of these hearts from the extremity of struggle and stress and tremendous uproar—from the vast, unrestful rage of the surface to the profound peace of the depths, sleeping untroubled since the beginning of ages.”

Joseph Conrad book The Mirror of the Sea

Source: The Mirror of the Sea (1906), Ch. 17

Death, Men, Age, Peace

“True civilization consists precisely of conventions, rituals, and modes of oblique communication whereby the chaos within and the void without may be expressed and contained within the harmonious consensus of shared social objectivity, thus maintaining our bubble of crafted reality, the necessary illusion.”

Norman Spinrad book The Void Captain's Tale

Source: The Void Captain's Tale (1983), Chapter 9 (p. 107)

Communication, Reality

“Not all are called to be artists in the specific sense of the term. Yet, as Genesis has it, all men and women are entrusted with the task of crafting their own life: in a certain sense, they are to make of it a work of art, a masterpiece.”

Pope John Paul II (1920–2005) 264th Pope of the Catholic Church, saint

Letter to artists, 4 April 1999 Source: Libreria Editrice Vaticana http://www.vatican.va/holy_father/john_paul_ii/letters/documents/hf_jp-ii_let_23041999_artists_en.html

Life, Women, Men, Art

“Behind the shower curtain, Zooey closed his eyes for a few seconds, as though his own small craft were listing precariously in the wake. Then he pulled back the shower curtain and stared over at the closed door. It was a weighty stare, and relief was not really a great part of it. As much as anything else, it was the stare, not so paradoxically, of a privacy-lover who, once his privacy has been invaded, doesn't quite approve when the invader just gets up and leaves, one-two-three, like that.”

Jerome David Salinger book Franny and Zooey

Franny and Zooey (1961), Zooey (1957)

Lovers, Parting

“I helped my father who was a house painter and decorative painter. He made stage sets, he made glass paintings, he made everything. I was in the workshop and watched him. So as a child so-called art was not my view. That was, in my opinion, my father's job. But I liked to watch him; he comes, as my mother also, from a very craftsman's background. My father's parents were carpenters. They were also builders partly. They were painters. And several of them were very, active in the theater and all such nonsense, you know. On my mother's side there was much more heavy craft. They were blacksmiths. They made a specialty horse shoes and nails for them... So, as a child, my main fun was to watch others working. I loved to walk to the neighboring carpenter's place and up to the neighboring shoemaker in my home town.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Love, Art, Shoe, Home

“Telling the complete story of VeggieTales would require much more time than we have before us tonight. Since this is Yale, I decided to craft a shorter version of the story, using very large words. Remembering though that I was kicked out of Bible College before I’d had a chance to learn many very large words, I concluded that my only remaining option was to tell the story simply, using simple words, and chance the consequences.”

Phil Vischer (1966) American puppeter

Source: The Philosophical Implications of Talking Vegetables (2005), p. 1

Learning, Chance, Time

“I understand the craft of writing, because it’s who and what I am. The commercial world of publishing, both in the past and today, is an ongoing mystery to me. Fads are constantly changing.”

Lois Duncan (1934–2016) American young-adult and children's writer

On writing and publishing, interview with Megan Abbott (2011)
2003–2016

World, Understanding, Change, Past

“My memory…is of a department without direction, composed of a lot of busy people working hard and usefully but as a whole not functioning as a foreign office. It did not chart a course to be furthered by the success of our arms, or to aid or guide our arms. Rather it seems to have been adrift carried hither and yon by the currents of war or pushed about by collisions with more purposeful craft.”

Dean Acheson book Present at the Creation: My Years in the State Department

Present at the Creation: My Years in the State Department (1969), State Department Management, Leadership Perspectives

War, People, Business, Memory

“For as when much superfluous matter has gathered in simple bodies, nature makes repeated efforts to remove and purge it away, thereby promoting the health of these bodies, so likewise as regards that composite body the human race, when every province of the world so teems with inhabitants that they can neither subsist where they are nor remove elsewhere, every region being equally crowded and over-peopled, and when human craft and wickedness have reached their highest pitch, it must needs come about that the world will purge herself in one or another of these three ways, to the end that men, becoming few and contrite, may amend their lives and live with more convenience.”

Niccolo Machiavelli book Discourses on Livy

Book 1 Ch. 5 (as translated by Ninian Hill Thomson)
Discourses on Livy (1517)

Men, People, Health, World

“Craft is something you learn by studying models. When a student asks, what is a good book about traditional iambic verse, The Collected Poems of Ben Jonson. What is an excellent book about free verse? The Collected Poems of William Carlos Williams. What is a good book about short line in ballad metre? The Collected Poems of Emily Dickinson.”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

Interview at Skidmore College Aug 1995,published 'Paris Review' no 144 Fall 1997
The Art of Poetry - interview 1995 with Downing & Kunitz

Books, Study, Learning

“Could Hope inspect her Basis
Her Craft were done —
Has a fictitious Charter
Or it has none —

Balked in the vastest instance
But to renew —
Felled but by one assassin —
Prosperity —”

Emily Dickinson Could Hope inspect her Basis

1283: Could Hope inspect her Basis
The Complete Poems of Emily Dickinson (1960)

Hope

“Houses stretched off on all sides, sometimes dipping below the ground and sometimes emerging out of it, piling themselves into pyramids, into almost toppling waves, never one rooftree more than eighty yards from the next. The planet was covered. There were the old, open-air cities planted with whatever would grow, mountains honeycombed, resorts in Antarctica, covered roads crammed with carrier traffic only, hovercraft, sea-craft, masses, structures, and installations under the sea, nets of algae towed in the air, some insects and no animals whatever, but people, people, people everywhere.
What’s the opposite of the Garden of Eden?”

Joanna Russ (1937–2011) American author

Source: Fiction, And Chaos Died (1970), Chapter 3 (p. 120)

People, Mountain, Animals, Housing

“Altruism itself was so insisted upon in the latter half of the nineteenth century that … theory and practice, words and deeds, stood in liveliest contradiction. … Everywhere a conflict rent the world in twain: it created abysses in every thinker’s scheme of things: it made its presence so unpleasantly real that the best brains gave up research and thinking, and crept for refuge into a profession, a craft, into libraries, or hid themselves in the mine-shafts of specialism.”

Oscar Levy (1867–1946) German physician and writer

Source: The Revival of Aristocracy (1906), p. 37.

World, Thinking

“After secretly observing the unstudied grace of her movements, the most celebrated picture-maker of the province burned the implements of his craft, and began life anew as a trainer of performing elephants.”

Ernest Bramah (1868–1942) English author

The Story of Chang Tao, Melodious Vision and the Dragon
Kai Lung's Golden Hours (1922)

Life

“Many of those who read history at Delhi in the mid-1970s and later, still bear the ugly scars inflicted by the thought police of sarkari Marxism. 'There are two interpretations of history', a leading representative of the Red Cretin Brigade used to inform his students casually, 'the bourgeois interpretation and the Marxist interpretation, and the Marxist interpretation is the correct one.'… Whereas the British Marxists established their reputation by crafting their radical concerns their Indian counterparts took cheeky short cuts. it may also explain why substantive research on Indian history has increasingly become the prerogative of British, and a few American and Australian universities. The presiding deities of Indian historiography have meanwhile devoted themselves to writing politically correct text books that present history as chapters of received wisdom. They have also drafted resolutions for the Indian History Congress and written articles in the press on the Ayodhya issue.”

Swapan Dasgupta (1955) Indian politician, journalist and columnist

Swapan Dasgupta Indian Express of July 23, 1995. quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 7

Wisdom, Books, History, Universe

“There are two dominant mindsets in the world of business or any kind of organization.One is a productive mindset, and it says it's a good idea to seek valid knowledge, it's a good idea to craft your conversations so you make explicit what you are thinking and trying to examine. You craft them in such a way that you can test, as clearly as you can, the validity of your claims. Truth is a good idea. All the managerial functions—accounting, all of them—have a fundamental notion that the productive mindset is what ought to be used to manage human beings.Then there's another mindset I call the defensive mindset. The idea is that even if you are seeking valid knowledge, you are seeking only that kind of valid knowledge that protects yourself or your organization or your department—it is defensive. From a defensive mindset point of view, truth is a good idea when it isn't threatening or upsetting. If it is, massage it, spin it. But if you massage it and spin it, you're violating the espoused theory of good management. When you spin, you have to cover up the fact that you're spinning. And in order for a cover up to work, it too has to be covered up.”

Chris Argyris (1923–2013) American business theorist/Professor Emeritus/Harvard Business School/Thought Leader at Monitor Group

Chris Argyris (2004) in: " Surfacing Your Underground Organization http://hbswk.hbs.edu/archive/4456.html" on hbswk.hbs.edu by Mallory Stark, 11/1/2004

Truth, World, Way, Idea

“First were the thick stone walls, the arches, then the domes and vaults — of the architect, searching out for wider spaces.
Now it is concrete-reinforced that gives our imagination flight with its soaring spans and uncommon cantilevers. Concrete, to which architecture is integrated, through which it is able to discard the foregone conclusions of rationalism, with its monotony and repetitious solutions.
A concern for beauty, a zest for fantasy, and an ever-present element of surprise bear witness that today's architecture is not a minor craft bound to straight-edge rules, but an architecture imbued with technology: light, creative and unfettered, seeking out its architectural scene.”

Oscar Niemeyer (1907–2012) Brazilian architect

Acceptance speech, Pritzker Architecture Prize http://www.pritzkerprize.com/bunnei.htm#Oscar%20Niemeyer's%20Acceptance%20Speech (1988).

Beauty, Imagination, Search, Light

“My job is to faithfully interpret the work of the Legislature and to try and communicate to our judgments as clearly as possible, I never signed on for the job of philosopher king, If I thought I was any good at crafting policy, I would be in a different branch of government.”

Joan Larsen (1968) United States Circuit Judge for the Sixth Circuit

POTUS election could have ‘huge’ impact on Mich. judges http://www.detroitnews.com/story/news/politics/2016/06/04/potus-election-huge-impact-mich-judges/85424958/ (June 4, 2016)

Communication

“There is a sense of widespread neglect and decay in the field of indigenous education within a few decades after the onset of British rule. (…) The conclusion that the decay noticed in the early 19th century and more so in subsequent decades originated with European supremacy in India, therefore, seems inescapable. The 1769-70 famine in Bengal (when, according to British record, one-third of the population actually perished), may be taken as a mere forerunner of what was to come. (…) During the latter part of the 19th century, impressions of decay, decline and deprivation began to agitate the mind of the Indian people. Such impressions no doubt resulted from concrete personal, parental and social experience of what had gone before. They were, perhaps, somewhat exaggerated at times. By 1900, it had become general Indian belief that the country had been decimated by British rule in all possible ways; that not only had it become impoverished, but it had been degraded to the furthest possible extent; that the people of India had been cheated of most of what they had; that their customs and manners were ridiculed, and that the infrastructure of their society mostly eroded. One of the statements which thus came up was that the ignorance and illiteracy in India was caused by British rule; and, conversely, that at the beginning of British political dominance, India had had extensive education, learning and literacy. By 1930, much had been written on this point in the same manner as had been written on the deliberate destruction of Indian crafts and industry, and the impoverishment of the Indian countryside.”

Dharampal (1922–2006) Indian historian

Dharmapal: The Beautiful Tree, Indigenous Indian Education in the Eighteenth Century. (1983)

People, Education, Way, Parent

“I diligently self-censor and aim for carefulness,” Willett told me, “A few cardinal rules: I don’t throw partisan sharp elbows or discuss pending cases. I keep things light and upbeat. Whether you’re crafting a 140-page opinion or a 140-character tweet, judges must always be judicious.”

Don Willett (1966) American judge

Online and on the Bench, the ‘Tweeter Laureate of Texas’ Is All About Judicial Engagement (September 17, 2015)

Light

“In the Craft, we do not believe in the Goddess — we connect with her; through the moon, the stars, the ocean, the earth, through trees, animals, through other human beings, through ourselves. She is here. She is within us all.”

Starhawk (1951) American author, activist and Neopagan

The Spiral Dance: A Rebirth of the Ancient Religion of the Goddess (1979)

Star, Tree, Animals

“Opening up the Arctic National Wildlife Refuge to oil drilling is bad public policy that has no place in the budget process,. The Budget Committee needs to leave drilling in the Arctic Refuge behind and focus on crafting this year’s budget package.”

Russ Feingold (1953) Wisconsin politician; three-term U.S. Senator

[Feingold Pushes to Keep Arctic Drilling out of Budget Process (press release), http://feingold.senate.gov/~feingold/releases/06/03/20060306.html, U.S. Senator Russ Feingold, 20 August 2018, https://web.archive.org/web/20080412072316/http://feingold.senate.gov/~feingold/releases/06/03/20060306.html, April 12, 2008, March 6, 2006]
2006

“Science Fiction Gods; Do they take much of an interest in us? I doubt it. How much entertainment does an ant's nest provide you with?
'Adepticus Sir, that bunch of Ornithoids on Artoc 4 that you asked me to observe, well they've just trashed their planet.'
'Oh that is a pity Initiatus Jones. What was it this time, ecological screw up or nuclear winter?'
'Worse than that sir, i looks lke they were mucking around with vacuum energy without having first invented the Mobius sphere.'
'Ah yes, the old classic mistake, we loose a few like that.'
'Could we not have tipped them off about it Sir?'
'I'm afraid not Jones, stupidity must remain its own reward, it's regrettable but there you are. Did you salvage anything?'
'They composed some fairly good poetry a couple of centuries ago, and some rather fine cloud sculptures fairly recently, I've logged some records in the archives.'
'Splendid Jones, I'll peruse them this evening. What about those Apes on Sol 3, how are they getting on?'
'Quit a bit of warfare as usual Sir, mostly based on chemical explosives these days, but with the occasional use of plutonium. Many of them have developed a belief in a big bang theory, and they reckon that they have the maths to prove it.'
'Really? Smith in anthropology will probably find that hilarious, I'm sure she would appreciate the data. It was one of her old Stomping grounds you know?'
'No I didnt know that Sir'
'It was a long time ago Jones, and a bit of a fiasco actually, she gave them a piece of her mind about some of their barbaric behavior which then abruptly became worse. Ever since then they have been obsessed with the number plate on her craft, it read 'JHVH'. The department gave her a desk job after that.”

Peter J. Carroll (1953) British occultist

Source: The Apophenion (2008), p. 107-108

God, Stupidity, Behavior, Science

“I know what they think they seek. But I know it to be a lie. Listen to me, Arren. You will die. You will not live forever. Nor will any man nor any thing. Nothing is immortal. But only to us is it given to know that we must die. And that is a great gift: the gift of selfhood. For we have only what we know we must lose, what we are willing to lose…. That selfhood which is our torment, and our treasure, and our humanity, does not endure. It changes; it is gone, a wave on the sea. Would you have the sea grow still and the tides cease, to save one wave, to save yourself? Would you give up the craft of your hands, and the passion of your heart, and the light of sunrise and sunset, to buy safety for yourself—safety forever? That is what they seek to do on Wathort and Lorbanery and elsewhere. That is the message that those who know how to hear have heard: By denying life you may deny death and live forever!—And this message I do not hear, Arren, for I will not hear it. I will not take the counsel of despair.”

Ursula K. Le Guin (1929–2018) American writer

Source: Earthsea Books, The Farthest Shore (1972), Chapter 8, "The Children of the Open Sea" (Ged)

Life, Death, Lie, Thinking

“A is for audition sense, knowing what to prepare for auditions and finding your niche; B is for business sense, submitting through Back Stage, reading Ross Reports, allocating funds every week for materials; C is for common sense, knowing how to weed out scam artists and follow your instincts, not your ego D is for driving sense, performing regularly, taking classes, practicing your craft; and E is for exit sense, which, he says, means know when to leave an audition; exit your emotions. Look for and enter the next audition fresh and enthusiastic.”

Carson Grant (1950) American actor

Davis, Leesa, "Who Got the Part: Carson Grant", Backstage, November 9, 2006, p. 18.
About his ABC's audition philosophy printed in 2006 Backstage.

Business, Sense, Reading

“Organizations make two responses to deal with the behavior control problem. The first change involves the substitution of craft or professional training of the work force for the detailed centralized programming of the work processes.”

Jay R. Galbraith (1939–2014) American business theorist

Source: Designing complex organizations, 1973, p. 12

Behavior, Problem, Change, Training

“.. there comes a point when something catches on the canvas, something grips on the canvas. I don’t know what it is, you can put your paint on the surface? Most of the time it looks like paint, and who the hell wants paint on a surface? But there does come a time – you take it off, put it on, goes over here, moves over a foot, as you go closer you start moving in inches not feet, half-inches – there comes a point when the paint doesn't feel like paint. I don't know why. Some mysterious thing happens. I think you have all experienced it.... What counts is that the paint should really disappear, otherwise it's craft. That's what I mean by something grips in a canvas. The moment that happens you are then sucked into the whole thing. Like some kind of rhythm.”

Phillip Guston (1913–1980) American artist

Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, p. 67

Feeling, Hell, Thinking, Time

“Independent derivation meshed beautifully with the triumph, from the 1930's on, of a strict version of Darwinism based on the near ubiquity of adaptive design built by natural selection… Arthropods and vertebrates do share several features of functional design. But those similarities only reflect the power of natural selection to craft optimal structures independently in a world of limited biomechanical solutions to common functional problems - an evolutionary phenomenon called convergence.”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"Brotherhood by Inversion", p. 328
Leonardo's Mountain of Clams and the Diet of Worms (1998)

World, Optimism, Nature, Problem

“Never hesitate to imitate another writer - every person learning a craft or an art needs models. Eventually you'll find your own voice and will shed the skin of the writer you imitated.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 13, Bits & Pieces, p. 136.

Art, Learning, Personality

“[Director Christopher] Nolan has not only crafted the best Batman movie, but arguably the second-best motion picture superhero narrative (topped only by the linked duo of Superman and Superman II). For those who thought Spider-Man and X-Men had a lot to offer, wait till you see where this film goes. … Batman Begins is a strong re-start to a franchise that deserves better than it has often been accorded.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/b/batman_begins.html of Batman Begins (2005). Three-and-a-half star reviews

Men, Strong, Waiting

“The standard of judgment is no longer results but the flickering image of seriousness, skillfully crafted to squeeze into 30 seconds on the nightly news. In this world, emotion has become suspect - the accepted style is smooth, antiseptic and passionless.”

Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)

On the national debate, Speech http://www.nytimes.com/1987/06/10/us/biden-joins-campaign-for-the-presidency.html announcing entry into 1988 presidential race, Wilmington, Delaware (June 10, 1987) 1980s

World

“Looking back now toward the start
You said you thought I'd lost my path
And I asked if you still considered love an art
And you said " No, I think it's more a craft"
And I just turned and laughed
I just had to turn and laugh.”

Dan Fogelberg (1951–2007) singer-songwriter, musician

Hearts and Crafts.
Song lyrics, Portrait - The Music of Dan Fogelberg (1997)

Love, Art, Quotes, Thinking

“What we have now come to regard as typical of Middle Eastern regimes is not typical of the past. The regime of Saddam Hussein, the regime of Hafiz al Assad, this kind of government, this kind of society, has no roots either in the Arab or in the Islamic past. It is due and let me be quite specific and explicit it is due to an importation from Europe, which comes in two phases.
Phase one, the 19th century, when they are becoming aware of their falling behind the modern world and need desperately to catch up, so they adopt all kinds of European devices with the best of intentions, which nevertheless have two harmful effects. One, they enormously strengthen the power of the state by placing in the hands of the ruler, weaponry and communication undreamt of in earlier times, so that even the smallest petty tyrant has greater powers over his people than Harun al-Rashid or Suleyman the Magnificent, or any of the legendary rulers of the past.
Second, even more deadly, in the traditional society there were many, many limits on the autocracy, the ruler. The whole Islamic political tradition is strongly against despotism. Traditional Islamic government is authoritarian, yes, but it is not despotic. On the contrary, there is a quite explicit rejection of despotism. And this wasn't just in theory; it was in practice too because in Islamic society, there were all sorts of established orders in society that acted as a restraining factor. The bazaar merchants, the craft guilds, the country gentry and the scribes, all of these were well organized groups who produced their own leaders from within the group. They were not appointed or dismissed by the governments. And they did operate effectively as a constraint.”

Bernard Lewis (1916–2018) British-American historian

Books, Islam and the West: A Conversation with Bernard Lewis (2006)

People, World, Communication, Time

“I was 8 or 9 when I had a sighting of a disk-shaped craft that convinced me that it was certainly not an airplane or anything conventional.”

Steven M. Greer (1955) American ufologist

Source: Quoted in: Researcher's Close Encounters Convince Him Of Extraterrestrials The Virginian-Pilot, Roy A. Bahls, http://nl.newsbank.com/nl-search/we/Archives?p_product=VP&p_theme=vp&p_action=search&p_maxdocs=200&p_topdoc=1&p_text_direct-0=0EAFF84CB5EACDC1&p_field_direct-0=document_id&p_perpage=10&p_sort=YMD_date:D&s_trackval=GooglePM (22 March 1995)

“What do I know of cultured ways, the gilt, the craft and the lie?
I, who was born in a naked land and bred in the open sky.
The subtle tongue, the sophist guile, they fail when the broadswords sing;
Rush in and die, dogs—I was a man before I was a king.”

Robert E. Howard (1906–1936) American author

"The Phoenix on the Sword" (1932)

Lie, Dogs, Way, Singing

“Study your craft and know who you are and what's special about you. Find out what everyone does on a film set, ask questions and listen. Make sure you live life, which means don't do things where you court celebrity, and give something positive back to our society.”

Paul Newman (1925–2008) American actor and film director

Quoted in Craig Modderno, "Newman remains animated at 81," Reuters (2006-06-12)

Life, Question, Study

“We talk of poverty and inequality, but in crafting an economic programme or policy for the future for this country, we must ensure no community, no region should be neglected.”

Anwar Ibrahim (1947) Malaysian politician

Anwar Ibrahim said during a meeting event with bankers and fund managers at a Port Dickson hotel, quoted on The Star Online, "Anwar underscores the need to help the poor" https://www.thestar.com.my/news/nation/2018/10/10/anwar-underscores-the-need-to-help-the-poor/, 10 October 2018.

Communication, Future, Country

“[W]omen under phallocratic rule are confined to the role of vessels/carriers, directed and controlled by men. Since that role is the basic base reversal of the very be-ing of Voyaging/Spiraling women, when we direct our own Crafts/Vessels we become reversers of that deadly reversal.”

Mary Daly (1928–2010) American radical feminist philosopher and theologian

Source: Gyn/Ecology: The Metaethics of Radical Feminism (1978–1990), p. xxvi (New Intergalactic Introduction).

Women, Men

“I don't believe that we all should eat squirrels and craft our own doorknobs.”

Elizabeth Warren (1949) 28th United States Senator from Massachusetts

On Pod Save America.

“All, or the greatest part of men that have aspired to riches or power, have attained thereunto either by force or fraud, and what they have by craft or cruelty gained, to cover the foulness of their fact, they call purchase, as a name more honest. Howsoever, he that for want of will or wit useth not those means, must rest in servitude and poverty.”

Walter Raleigh (1554–1618) English aristocrat, writer, poet, soldier, courtier, spy, and explorer

Source: The Cabinet Council (published 1658), Chapter 25

Men, Fraud, Parting

“There is some confusion today as to the meaning of scientific management. This concerns itself with the nature of such management itself, with the scope or field to which such management applies, and with the aims that it desires to attain. Scientific management is simply management that is based upon actual measurement. Its skilful application is an art that must be acquired, but its fundamental principles have the exactness of scientific laws which are open to study by everyone. We have here nothing hidden or occult or secret, like the working practices of an old-time craft; we have here a science that is the result of accurately recorded, exact investigation.”

Frank Bunker Gilbreth, Sr. (1868–1924) American industrial engineer

Source: Applied Motion Study (1917), p. 3.

Secret, Law, Art, Nature

“I flaked a flint to a cutting edge
And shaped it with brutish craft;
I broke a shank from the woodland lank
And fitted it, head and haft.”

Langdon Smith Evolution

Evolution (1895; 1909)

“History knew a midnight, which we may estimate at about the year 1000 A. D., when the human race lost the arts and sciences even to the memory. The last twilight of paganism was gone, and yet the new day had not begun. Whatever was left of culture in the world was found only in the Saracens, and a Pope eager to learn studied in disguise in their unversities, and so became the wonder of the West. At last Christendom, tired of praying to the dead bones of the martyrs, flocked to the tomb of the Saviour Himself, only to find for a second time that the grave was empty and that Christ was risen from the dead. Then mankind too rose from the dead. It returned to the activities and the business of life; there was a feverish revival in the arts and in the crafts. The cities flourished, a new citizenry was founded. Cimabue rediscovered the extinct art of painting; Dante, that of poetry. Then it was, also, that great courageous spirits like Abelard and Saint Thomas Aquinas dared to introduce into Catholicism the concepts of Aristotelian logic, and thus founded scholastic philosophy. But when the Church took the sciences under her wing, she demanded that the forms in which they moved be subjected to the same unconditioned faith in authority as were her own laws. And so it happened that scholasticism, far from freeing the human spirit, enchained it for many centuries to come, until the very possibility of free scientific research came to be doubted. At last, however, here too daylight broke, and mankind, reassured, determined to take advantage of its gifts and to create a knowledge of nature based on independent thought. The dawn of the day in history is know as the Renaissance or the Revival of Learning.”

Carl Gustav Jacob Jacobi (1804–1851) German mathematician

"Über Descartes Leben und seine Methode die Vernunft Richtig zu Leiten und die Wahrheit in den Wissenschaften zu Suchen," "About Descartes' Life and Method of Reason.." (Jan 3, 1846) C. G. J. Jacobi's Gesammelte werke Vol. 7 https://books.google.com/books?id=_09tAAAAMAAJ&pg=PA309 p.309, as quoted by Tobias Dantzig, Number: The Language of Science (1930).

Life, World, Faith, Law

“…the twelve or fifteen millions in the British Empire, who, while they possess no electoral rights, are yet persuaded they are freemen, and who are mystified into the notion that they are not political bondmen, by that great juggle of the ‘English Constitution’—a thing of monopolies, and Church-craft, and sinecures, armorial hocus-pocus, primogeniture, and pageantry!”

Richard Cobden (1804–1865) English manufacturer and Radical and Liberal statesman

Letter to F. Cobden (11 September 1838), quoted in John Morley, The Life of Richard Cobden (London: T. Fisher Unwin, 1905), p. 130.
1830s

“Acting has been a journey of self-discovery for me. It is the most fulfilling thing I know. It is also terrifying, and painfully awkward. But for me there is no better feeling that truthfully living in a moment, under completely imaginative circumstances. There is also nothing more devastating than walking out of an audition knowing that you were “acting” and not simply being. I feel like a fraud most of the time, but then you have these magical moments when you really feel and it is those moments that make it all worthwhile. It’s a high like nothing I have ever experienced. Acting is the most paradoxical of crafts – you have to learn it, practice obsessively and then throw it all away. Its like walking on a tightrope, there is a very thin line between passion and technique and you have to find the perfect balance. I think it’s a very personal and private art.”

Sara Malakul Lane (1983) Thai-American actress and model

Sara Malakul Lane – Getting to Know http://somethingyousaid.com/2013/08/07/getting-to-know-sara-malakul-lane-2/ (August 7, 2013)

Art, Feeling, Imagination, Fraud

“And at that point, too, in Buddhist India as in Babylon, in Rome as in our own cities, a man's choice of the woman who is to be, not mother of his children as amongst peasants and primitives, but his own "companion for life", becomes a problem of mentalities. The Ibsen marriage appears, the "higher spiritual affinity" in which both parties are "free"—free, that is, as intelligences, free from the plantlike urge of the blood to continue itself, and it becomes possible for a Shaw to say "that unless Woman repudiates her womanliness, her duty to her husband, to her children, to society, to the law, and to everyone but herself, she cannot emancipate herself." The primary woman, the peasant woman, is mother. The whole vocation towards which she has yearned from childhood is included in that one word. But now emerges the Ibsen woman, the comrade, the heroine of a whole megalopolitan literature from Northern drama to Parisian novel. Instead of children, she has soul-conflicts; marriage is a craft-art for the achievement of "mutual understanding"….
At this level all Civilizations enter upon a stage, which lasts for centuries, of appalling depopulation. The whole pyramid of cultural man vanishes. It crumbles from the summit, first the world-cities, then the provincial forms, and finally the land itself, whose best blood has incontinently poured into the towns, merely to bolster them up awhile. At the last, only the primitive blood remains, alive, but robbed of its strongest and most promising elements. This residue is the Fellah type.
If anything has demonstrated the fact that Causality has nothing to do with history, it is the familiar "decline" of the Classical, which accomplished itself long before the irruption of Germanic migrants. The Imperium enjoyed the completest peace; it was rich and highly developed; it was well organized; and it possessed in its emperors from Nerva to Marcus Aurelius a series of rulers such as the Caesarism of no other Civilization can show. And yet the population dwindled, quickly and wholesale. The desperate marriage-and-children laws of Augustus—amongst them the Lex de maritandis ordinibus, which dismayed Roman society more than the destruction of Varus's legions—the wholesale adoptions, the incessant plantation of soldiers of barbarian origin to fill the depleted country-side, the immense food-charities of Nerva and Trajan for the children of poor parents—nothing availed to check the process.”

Oswald Spengler book The Decline of the West

Vol. II, Alfred A. Knopf, 1928, pp. 104–06 https://archive.org/stream/Decline-Of-The-West-Oswald-Spengler/Decline_Of_The_West#page/n573/mode/2up/search/depopulation The Decline of the West (1918, 1923)

Life, Marriage, Children, World

“Criticism is often not a science; it is a craft, requiring more good health than wit, more hard work than talent, more habit than native genius. In the hands of a man who has read widely but lacks judgment, applied to certain subjects it can corrupt both its readers and the writer himself.”

Jean de La Bruyère book Les Caractères

La critique souvent n'est pas une science; c'est un métier, où il faut plus de santé que d'esprit, plus de travail que de capacité, plus d'habitude que de génie. Si elle vient d'un homme qui ait moins de discernement que de lecture, et qu'elle s'exerce sur de certains chapitres, elle corrompt et les lecteurs et l'écrivain.
Aphorism 63
Les Caractères (1688), Des Ouvrages de l'Esprit

Health, Science, Reading

“Out of the savage tribe grew up the barbarian village community; and a new, still wider, circle of social customs, habits, and institutions, numbers of which are still alive among ourselves, was developed under the principles of common possession of a given territory and common defence of it, under the jurisdiction of the village folkmote, and in the federation of villages belonging, or supposed to belong, to one stem. And when new requirements induced men to make a new start, they made it in the city, which represented a double network of territorial units (village communities) connected with guilds, these latter arising out of the common prosecution of a given art or craft, or for mutual support and defence.”

Peter Kropotkin book Mutual Aid: A Factor of Evolution

Mutual Aid: A Factor of Evolution (1902)

Men, Art, Communication, Support