Quotes about craft
page 2

“While in improvisation there is a sense of craft within one's own instrument and in being able to interact with other musicians, in noise this disappears to the extent of anti-virtuosity becoming a virtue. A nihilist approach to improvisation in which the interaction is not based upon developing common denominators for some communication to happen among the players, but rather a matter of developing the freedom of individual expression.”

Mattin (1977) Spanish musician

Page 173.
"Anti-Copyright: Why Improvisation and Noise Run Against the Idea of Intellectual Property" (October 2008)

Communication, Sense, Freedom

“Arabic writing at the beginning of Islam was, therefore, not of the best quality nor of the greatest accuracy and excellence. It was not (even) of medium quality, because the Arabs possessed the savage desert attitude and were not familiar with crafts. One may compare what happened to the orthography of the Qur’an on account of this situation. The men around Muhammad wrote the Qur’an in their own script which, was not of a firmly established, good quality. Most of the letters were in contradiction to the orthography required by persons versed in the craft of writing…. Consequently, (the Qur’anic orthography of the men around Muhammad was followed and became established, and the scholars acquainted with it have called attention to passages where (this is noticeable). No attention should be paid in this connection with those incompetent (scholars) that (the men around Muhammad) knew well the art of writing and that the alleged discrepancies between their writing and the principles of orthography are not discrepancies, as has been alleged, but have a reason. For instance, they explain the addition of the alif in la ‘adhbahannahU "I shall indeed slaughter him" as indication that the slaughtering did not take place ( lA ‘adhbahannahU ). The addition of the ya in bi-ayydin "with hands (power)," they explain as an indication that the divine power is perfect. There are similar things based on nothing but purely arbitrary assumptions. The only reason that caused them to (assume such things) is their belief that (their explanations) would free the men around Muhammad from the suspicion of deficiency, in the sense that they were not able to write well. They think that good writing is perfection. Thus, they do not admit the fact that the men around Muhammad were deficient in writing.”

Ibn Khaldun book Muqaddimah

Muqqadimah, ibn Khaldun, vol. 2, p. 382
Muqaddimah (1377)

Men, Art, Thinking, Sense

“Other religions, indeed, are quite as full of miracles; the heathen boasts of many, so does the Turk; no religion is without them, and this it is which also makes the Christian miracles so doubtful, and provokes us to ask: "Did the events really happen? Were the attendant circumstances such as are stated? Did they come to pass naturally, or by craft, or by chance?"… those who would build Christianity upon miracles give it nothing firm, deep or substantial for a foundation.”

Hermann Samuel Reimarus (1694–1768) German philosopher

Source: Fragments from Reimarus: Consisting of Brief Critical Remarks on the Object of Jesus and His Disciples as Seen in the New Testament, p. 74

Religion, Nature, Chance

“Because internal organization experiences added bureaucratic costs, the firm is usefully thought as the organization of last resort: try markets, try hybrids (long term contractual relations into which security features have been crafted), and resort to firms when all else fails”

Oliver E. Williamson (1932) American economist

compatatively
Oliver E. Williamson (1999, p. 1091) cited in: Steve Cropper (2008) The Oxford Handbook of Inter-organizational Relations. p. 355.

“A word or a phrase or a line is not a poem. A poem is the exploration and shaping of an experience. A real poem demands intelligence, imagination, passion, understanding, experience and not least a knowledge of the craft.”

Vernon Scannell (1922–2007) British boxer and poet

A Proper Gentleman, 1977

Imagination, Intelligence, Understanding, Knowledge

“The old writer, like the old actor, is a master of his craft. Youthfulness of style is no more than a matter of technique.”

André Maurois (1885–1967) French writer

The Art of Writing

Youth

“The true Way of sword fencing is the craft of defeating the enemy in a fight, and nothing other than this.”

Miyamoto Musashi (1584–1645) Japanese martial artist, writer, artist

Go Rin No Sho (1645), The Fire Book

Way, Fight

“It is possible that the malice of writers has been overrated (by myself among others). Reading their ruminations on their craft, one sees why this writer could not possibly like that one, would indeed consider him a menace. Literature is a battleground of conflicting faiths, and nobler passions than envy are involved.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"The Interview as Art," p. 209
The Good Word & Other Words (1978)

Faith, Literature, Passion, Reading

“It is my craft and my science to Watch. It is yours to jeer. Each of us to our specialty.”

Robert Silverberg (1935) American speculative fiction writer and editor

Section 1
Short fiction, Nightwings (1968)

Science

“Process-chart notes and information should be collected and set down in sketch form by a highly intelligent man, preferably with an engineering training and experience, but who need not necessarily have been previously familiar with the actual details of the processes. In fact, the unbiased eye of an intelligent and experienced process-chart maker usually brings better results than does the study of a less keen man with more special information regarding present practices of the processes. The mere act of investigating sufficiently to make the notes in good enough condition for the draftsman to copy invariably results in many ideas and suggestions for improvement, and all of these suggestions, good and bad, should be retained and filed together with the description of the process chart. These suggestions and proposed improvements must be later explained to others, such as boards of directors, managers and foremen, and for best results also to certain workmen and clerks who have special craft or process knowledge. To overcome the obstacles due to habit, worship of tradition and prejudice, the more intelligence shown by the process-chart recorder, the sooner hearty cooperation of all concerned will be secured. Anyone can make this form of process chart with no previous experience in making such charts, but the more experience one has in making them, the more certain standard combinations of operations, inspection and transporting can be transferred bodily to advantage to the charts of proposed processes.”

Frank Bunker Gilbreth, Sr. (1868–1924) American industrial engineer

Source: Process charts (1921), p. 5-6.

Intelligence, Idea, Knowledge, Study

“The partial absorption of art by domestic industry and by domestic female crafts, that is to say, the fusion of artistic activity with other activities, is a retrogression from the standpoint of the division of labour and professional differentiation.”

Arnold Hauser (1892–1978) Hungarian art historian

The Social History of Art, Volume I. From Prehistoric Times to the Middle Ages, 1999, Chapter I. Prehistoric Times

Art

“Colour, as the strange and magnificent expression of the inscrutable spectrum of Eternity, is beautiful and important to me as a painter; I use it to enrich the canvas and to probe more deeply into the object. Colour also decided, to a certain extent, my spiritual outlook, but it is subordinated to life, and above all, to the treatment of form. Too much emphasis on colour at the expense of form and space would make a double manifestation of itself on the canvas, and this would verge on craft work.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

Source: 1930s, On my Painting (1938), pp. 18-19

Life, Beauty

“Effective managing therefore happens where art, craft, and science meet. But in a classroom of students without managerial experience, these have no place to meet — there is nothing to do.”

Henry Mintzberg (1939) Canadian busines theorist

p 10
Managers Not MBAs (2005)

Art, Science

“Alas! So there is no escape from the question. Not for me, not for anyone! Then life is just breathing or running behind infinite number of questions? And then, what question is really? And what answer is too? This too a question. I observe the question mark carefully. And Eureka! I didn't know that my answer was encrypted and hidden in that symbol of a question mark. The dot below the curved stroke in a question mark symbolizes Zero as the question's answer itself, I never knew. Punctuation marks are so carefully crafted, I never knew!”

P. L. Deshpande (1919–2000) Marathi writer, humourist, actor, dramatist

citation needed
From his various literature

Life, Question

“Entering through the double doors, I had to make my way through room after room of African masks and voodoo dolls dating from no particular time, as well as clay pots and things crafted by all sorts of third-world people. I'm happy for these people that they have their ways, though some of it gave me the creeps. But I want to know: why is all this primitive nonsense in a prestigious museum? Even more absurdly, why does it take up the first three rooms in a place that surely lacks sufficient space for exhibits? Clearly the nutty multiculturalists had prevailed here.”

Jeffrey Tucker (1963) American writer

Source: Letter From New England, archive.lewrockwell.com, 2016-05-22 http://archive.lewrockwell.com/orig/tucker5.html,

People, World, Way, Time

“Essential to the Catholic mind is what I would characterize as a keen sense of the prolongation of the Incarnation throughout space and time, an extension that is made possible through the mystery of the church. Catholics see God’s continued enfleshment in the oil, water, bread, imposed hands, wine, and salt of the sacraments; they appreciate it in the gestures, movements, incensations, and songs of the Liturgy; they savor it in the texts, arguments, and debates of the theologians; they sense it in the graced governance of popes and bishops; they love it in the struggles and missions of the saints; they know it in the writings of Catholic poets and in the cathedrals crafted by Catholic architects, artists, and workers. In short, all of this discloses to the Catholic eye and mind the ongoing presence of the Word made flesh, namely Christ.”

Robert Barron (bishop) (1959) priest of the Roman Catholic Church, author, scholar and Catholic evangelist.

Father Barron, Robert. Catholicism: A Journey to the Heart of the Faith (Kindle Locations 75-81). The Crown Publishing Group. Kindle Edition.

Love, God, Sense, Water

“Benjamin Black is a craftsman and these are crafted works. I'm very proud of them. I think they're well made, but Banville is doing something else – he's trying to make a kind of poetry, I suppose. I'm a perfectionist. It's an illness but a good illness. It's a completely different method of writing. Banville writes with a fountain pen on paper in a manuscript book and Black works straight on to the screen. It could take me a whole morning to write a few sentences as Banville, but as Black I'd be very annoyed if I didn't have at least two or three pages done. This drives crime-writers crackers because they think I'm saying that their craft is not worth it. I'm simply saying it's a different thing. I don't know why they worry when I talk about speed; after all, Georges Simenon wrote his books in about 10 days.”

John Banville (1945) Irish writer

John Banville: Who cares whodunnit? (2013)

Books, Thinking, Speed

“I am very much interested in the so-called useless object. I mean, it takes perfect craftsmanship, beautiful material carefully measured and crafted, but at the same time it’s really useless.”

Ai Weiwei (1957) Chinese concept artist

Ai Weiwei, interview in “ Change http://www.pbs.org/art21/watch-now/episode-change,” Episode 1, Season Six, Art: 21—Art in the Twenty-First Century, PBS, April 2012. <br class="br">2010-, 2012

Beauty, Time, Perfection

“A strong and independent Judiciary is necessary for our republic to remain strong, for our democracy to survive, and for the rule of law to flourish. To understand what I mean by independence, let me first clarify what independence is not. Judicial independence does not mean complete freedom from scrutiny or criticism. Judges' decisions may be criticized, and the nature of the job virtually guarantees it. After all, in every court case there will be a loser. Judges must resist the temptation to craft their opinions to avoid criticism or to seek approval, whether from the press, the public, the academy, or Congress.”

Alberto Gonzales (1955) 80th United States Attorney General

Speech to American Enterprise Institute (January 17, 2007)

Law, Democracy, Understanding, Nature

“Acting is the least mysterious of all crafts. Whenever we want something from somebody or when we want to hide something or pretend, we're acting. Most people do it all day long.”

Marlon Brando (1924–2004) American screen and stage actor

New York Times (July 2, 2004)

People

“Everywhere there is craft and technique, everywhere there is artistry and form. Art itself, technique, is ponderous and clumsy, and because of it awkwardness it obstructs that inner element… All craft, technique, and artistry, like anything beautiful, results in futility and vulgarity.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

critical quote on Constructivism artists
1910 - 1920
Source: 'On poetry'; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 65

Beauty, Art, Quotes

“Our aim is to create an island of tranquility in our own country which, amid the joyful hum of arts and crafts, would be welcome to anyone who professes faith in Ruskin and Morris.”

Josef Hoffmann (1870–1956) Austrian architect and product designer

Declaration in work programme of Wiener Werkstätte (Vienna Workshop, 1903)

Faith, Art, Country

“Gaskell… had to keep his stately soldiers upright and uniformly oriented… by crafting the brain and spinal cord from an arthropod digestive tube, while forming a completely new gut below. …Gaskell thought that his move would rescue the theory of linear progress, with its necessary transition of arthropod into vertebrate, from the absurdities of the old inversion theory.”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"Brotherhood by Inversion", p. 327
Leonardo's Mountain of Clams and the Diet of Worms (1998)

“To my delight, Federico had seen Dans la ville blanche (1983) by Swiss director Alain Tanner. Enthusiastic about Bruno Ganz’s performance, he also was impressed by the film’s startling visual poetry of Lisbon achieved by transferring inferior film stock onto 35mm. It was exactly this kind of uncomplicated technical innovation that inspired Federico during the writing of Attore. Conceived in 1992, Attore focused on the craft and the psychology of actors. Having completed a film treatment with roles for Mastroianni, Giulietta Masina, and Paolo Villagio, Fellini was now wondering if he should provide Marcello with a home movie camera to be used in a loosely Shakespearian sense that all the world’s a film set. The 8mm footage of intimate memories of the theatre from his Rimini childhood would then be transferred to 35mm – a most intriguing idea that would have been a new departure for the Maestro had he lived to bring it to the screen.”

Damian Pettigrew Canadian filmmaker

On Fellini’s last film project, Attore
Federico Fellini: Sou um Grande Mentiroso (2008)

World, Home, Idea, Departure

“He fled to his usual refuge, that of hoping for some unforeseen turn of fortune, some favourable chance which would save him from unpleasant consequences – perhaps even justify his insincerity by manifesting prudence.
In this point of trusting in some throw of fortune's dice, Godfrey can hardly be called old-fashioned. Favourable Chance is the god of all men who follow their own devices instead of obeying a law they believe in. Let even a polished man of these days get into a position he is ashamed to avow, and his mind will be bent on all the possible issues that may deliver him from the calculable results of that position. Let him live outside his income, or shirk the resolute honest work that brings wages, and he will presently find himself dreaming of a possible benefactor, a possible simpleton who may be cajoled into using his interest, a possible state of mind in some possible person not yet forthcoming. Let him neglect the responsibilities of his office, and he will inevitably anchor himself on the chance, that the thing left undone may turn out not to be of the supposed importance. Let him betray his friend's confidence, and he will adore that same cunning complexity called Chance, which gives him the hope that his friend will never know. Let him forsake a decent craft that he may pursue the gentilities of a profession to which nature never called him, and his religion will infallibly be the worship of blessed Chance, which he will believe in as the mighty creator of success. The evil principle deprecated in that religion, is the orderly sequence by which the seed brings forth a crop after its kind.”

George Eliot (1819–1880) English novelist, journalist and translator

Source: Silas Marner: The Weaver of Raveloe (1861), Chapter 9 (at page 73-74)

Men, God, Religion, Law

“In its whole sweep, therefore, information work includes: science, that helps us to understand our problems; technology, that helps us to solve them; and the art of participating in each delicate interpersonal communication into which we are invited. The fusion of these three aspects of the craft creates a “triple glow” of optimal service.”

Brian Campbell Vickery (1918–2009) British information theorist

Source: Information Systems (1973), p. 330.

Art, Communication, Optimism, Understanding

“So shall we voyd of all craft and sail, with true reason declare how much each man erreth in life, judgement, opinion, and will. Some things there are that so wel do prove themselves, as besides nature nede no profe at all.”

Girolamo Cardano (1501–1576) Italian Renaissance mathematician, physician, astrologer

Cardanus Comforte (1574)

Life, Nature

“We all have to go one day, but pray God let it not be over Afghanistan. An unspeakable country filled with unspeakable people, sheepshaggers and smugglers, who have furnished in their leisure hours some of the worst arts and crafts ever to penetrate the occidental world. I yield to none in my sympathy to those prostrate beneath the Russian jackboot, but if ever a country deserved rape it’s Afghanistan. Nothing but mountains filled with barbarous ethnics with views as medieval as their muskets, and unspeakably cruel too.”

Alexander Cockburn (1941–2012) Leftist journalist and writer

"Press Clips", The Village Voice (21 January 1980).

God, People, World, Art

“There is only one thing we can do about this: live the way we are supposed to live, as our Constitution commands us to, with dignity and respect for all. Being an American is not easy. It is hard. We are required to keep some serious promises. We are judged by a high standard, one we crafted for ourselves in the founding documents of the republic, the ones that talk about the equality of all people, the ones that tell us that government is of the people, by the people and for the people. We need to live by this, at home and abroad, and it is just about the only thing we can do to face the hatred of those who want to destroy us. Our best defense is to stay true to who we are. Our best defense is to refuse to live in fear, of them, of ourselves, of anyone.”

Michael Ignatieff (1947) professor at Harvard Kennedy School and former Canadian politician

From "Living Fearlessly in a Fearless World" Ignatieff Commencement Address to Whitman College (USA), 2004

People, Fear, Way, Home

“Masonically we are heirs of past. Our Masonic ancestors gave the craft devotion, loyalty and faith and made it an illustrious institution in the world. It should be our religious duty to appreciate and conserve the rich inheritance. In view of the increasing complexity of life and the maintenance of the best and highest traditions of the Craft, great care and concern should be displayed, if Freemasonry has to function in the best interests of humanity. It has been truly said, that an inspired and inspiring dedication to service should be the part of every Mason’s life. Let us not give in to skepticism. There is all the difference between a pessimist and an optimist, in any field of human endeavour. One looks at his glass and cries “My glass is half empty.””

Jayachamarajendra Wadiyar (1919–1974) Indian writer

The optimist looks and exclaims “My glass is half full”.
In his address to the members of the Masonic Fraternity on the occassion of his joining as member of the Masonic Lodge. quoted in "Article # 14 Initiate responds to his Toast R.W.Bro. Jaya Chamaraja Wadeyar".

Life, World, Faith, Past

“Women have tongues of craft, and hearts of guile,
They will, they will not; fools that on them trust.”

Torquato Tasso (1544–1595) Italian poet

Femina è cosa garrula e fallace:
Vuole e disvuole; è folle uom che sen fida.
Canto XIX, stanza 84 (tr. Fairfax)
Gerusalemme Liberata (1581)

Women, Fools, Heart

“I have no skill in any craft, even in words.”

Vālmīki Ramayana

In p. 6.
Valmiki to Narada
Ramayana

“We’ve never had more energy, more creativity or more talent in our caucus, do expectations sometimes get raised to a level that we maybe can’t meet? Sure. But we will always be willing to take on that challenge to do things like we did today in overriding the Governor. I think we need some of these ad hoc committees to create public policy that is driven by our caucus, our caucus needs to be crafting and riving policy, not the people paid to hang around in these hallways.”

Todd Richardson (1976) American politician

Richardson to run for Floor Leader with overwhelming caucus support https://themissouritimes.com/10690/richardson-run-floor-leader-overwhelming-caucus-support/ (May 6, 2014)

People, Thinking

“To say that an author is a reader or a reader an author, to see a book as a human being or a human being a book, to describe the world as text or a text as the world, are ways of naming the readers craft.”

Alberto Manguel (1948) writer

Metaphors of Reading, p. 168.
A History of Reading (1996)

Books, World, Way

“In recollecting Schumpeter, it is hard to tear oneself away from the exotic manner, the dubious politics, the carefully crafted image, the hidden self-doubts, the convoluted life story, the complicated relations to three wives and several non-wives.”

Robert Solow (1924) American economist

"Heavy Thinker" (2007)

Life, Tear

“I can not draw or paint worth a damn, because I can't see it in my head before I do it. I can sculpt and I do crafts but I can not draw. When it comes to music I can hear it before it happens, which most people can't do.”

Blackie Lawless (1956) musician, songwriter and actor

Music America Interview

People, Music, Drawing, Painting

“For me, my craft is sailing on,
Through mists to-day, clear seas anon.
Whate’er the final harbor be
’T is good to sail upon the sea!”

John Kendrick Bangs (1862–1922) American author, editor and satirist

The Voyage.

Sea

“The Working Man as yet sought only to know his craft; and educated himself sufficiently by ploughing and hammering, under the conditions given, and in fit relation to the persons given: a course of education, then as now and ever, really opulent in manful culture and instruction to him; teaching him many solid virtues, and most indubitably useful knowledges; developing in him valuable faculties not a few both to do and to endure,—among which the faculty of elaborate grammatical utterance, seeing he had so little of extraordinary to utter, or to learn from spoken or written utterances, was not bargained for; the grammar of Nature, which he learned from his mother, being still amply sufficient for him. This was, as it still is, the grand education of the Working Man. As for the Priest, though his trade was clearly of a reading and speaking nature, he knew also in those veracious times that grammar, if needful, was by no means the one thing needful, or the chief thing. By far the chief thing needful, and indeed the one thing then as now, was, That there should be in him the feeling and the practice of reverence to God and to men; that in his life's core there should dwell, spoken or silent, a ray of pious wisdom fit for illuminating dark human destinies;—not so much that he should possess the art of speech, as that he should have something to speak!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1850s, Latter-Day Pamphlets (1850), Stump Orator (May 1, 1850)

Life, Wisdom, Men, God

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"Brotherhood by Inversion", p. 330-31
Leonardo's Mountain of Clams and the Diet of Worms (1998)

Confidence, History, Optimism, Nature

“But it is not alone the harmony of music which has such a power over the mind. The harmony of colors, every art and science, has the same power. Even the most common craft, and the most prosaic of all prose, the chase after the dollar, may take possession of a man’s soul and prostrate him in adoration before its idol.”

Joseph Dietzgen (1828–1888) german philosopher

Letter 3
Letters on Logic: Especially Democratic-Proletarian Logic (1906)

Art, Music, Color, Soul

“Eric's not retiring from television entirely, but only from daily journalism, and that means, of course, this broadcast. It's not only his beautifully-chosen words of wisdom that we shall miss — to this newsman, he's one of the finest essayists of this century — but we shall also miss our almost daily contacts with him in the pursuit of our craft, in which his rare insight and unswerving integrity were a constant source of professional guidance. And yes, it's also true that we shall be the poorer in our self-esteem for no longer being able to call him "colleague," but that's the way it is: Wednesday, November 30, 1977. This is Walter Cronkite, CBS News; good night.”

Walter Cronkite (1916–2009) American broadcast journalist

On Eric Sevareid's retirement (1977)

Wisdom, Way, Night

“This is what has Gropius the director made the Bauhaus famous. Not its lamps or its furniture. They are all out of fashion already. But the way of approaching formal problems or material as such, that has made it famous. And the emphasis on material, especially its capacity is my contribution. That was never cleared between us teachers. Kandinsky did what he thought should be done. Klee developed an absolutely different method. Schlemmer developed absolutely something else. Klee was my so-called form master. In the workshops there they had a crafts master and a form master. The crafts master had to direct the practical work, the mechanics of the workshop. And the form master had to develop the, formal qualities. Klee was my form master in the glass workshop. He came to me and never criticized anything. He talked about something else. Never asked about any form problem with the windows I was working on. Never a word. He was too respectful. He was the nicest master I could ask for. He talked about exhibitions. He thought I should exhibit. That's another story. We had a good relationship because we never dealt with the same problems. He didn’t attack our problems. He never brought up a problem.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Way, Fashion, Problem, Teachers

“There's an old saying that states something about leaving the best for last. [Writer/producer] George Lucas certainly didn't follow that adage when crafting the original Star Wars trilogy. Return of the Jedi, the final installment of the series, is easily the least innovative and most hokey of the three films. In fact, most of the enjoyment derived from this motion picture comes from the simple act of getting together with old friends and enemies one more time. If Luke, Han, Leia, and Vader were replaced by nameless, faceless characters, Return of the Jedi wouldn't be a whole lot more interesting than Independence Day.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/s/sw3.html of Star Wars Episode VI: Return of the Jedi (1983). <br class="br">Three star reviews

War, Star, Time

“Games run primarily on music loops. Each piece is composed to cycle during gameplay so it’s important to create music that doesn’t get monotonous or annoying and has very exact pacing. The use of themes, signature motifs and rhythmic passages needs to be arranged so they remain effective when played over and over. In a film, it’s a one-time-through experience. Tracks are scored tightly to picture and each track is crafted to exactly match what’s going on on-screen. Scoring in such a precise manner wouldn’t be practical in games because of the dynamic environment of gameplay. It can be different each time you revisit a level or area of a game, whereas a film is intended to play one way every time.”

Michael Wandmacher (1967) composer

Exclusive Interview: Composer Michael Wandmacher discusses his Voice from the Stone score and more https://www.flickeringmyth.com/2017/09/interview-composer-michael-wandmacher-discusses-his-voice-from-the-stone-score-more/ (September 16, 2017)

Music, Way, Game, Time

“grave talk and grave humor with the doers of the craft. Building, walling, is an operation that beyond most other manual ones requires incessant consideration — even new invention. I have heard good judges say that he excelled in it all persons they had seen.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1880s, Reminiscences (1881)

Personality

“Go to the United States, into Europe, or wherever you can come across men who have been in the midst of this people, and one will tell you that we are a poor, ignorant, deluded people; the next will tell you that we are the most industrious and intelligent people on the earth, and are destined to rise to eminence as a nation, and spread, and continue to spread, until we revolutionize the whole earth. If you pass on to the third man, and inquire what he thinks of the "Mormons," he will say they are fools, duped and led astray by Joe Smith, who was a knave, a false Prophet, and a money digger. Why is all this? It is because there is a spirit in man. And when the Gospel of Jesus Christ is preached on the earth, and the kingdom of God is established, there is also a spirit in these things, and an Almighty spirit too. When these two spirits come in contact one with the other, the spirit of the Gospel reflects light upon the spirit which God has placed in man, and wakes him up to a consciousness of his true state, which makes him afraid he will be condemned, for he perceives at once that "Mormonism" is true. "Our craft is in danger," is the first thought that strikes the wicked and dishonest of mankind, when the light of truth shines upon them. Say they, "If these people called Latter-day Saints are correct in their views, the whole world must be wrong, and what will become of our time-honoured institutions, and of our influence, which we have swayed successfully over the minds of the people for ages. This Mormonism must be put down."”

Brigham Young (1801–1877) Latter Day Saint movement leader

Journal of Discourses, 1:187-188 (June 19, 1853)
1850s

Men, Money, God, People

“We [at Apple] worry about the humanity being drained out of music, about it becoming a bits-and-bytes kind of world instead of the art and craft.”

Tim Cook (1960) American business executive

TechSpot: "Tim Cook thinks Spotify is 'draining the humanity out of music'" https://www.techspot.com/news/75875-tim-cook-thinks-spotify-draining-humanity-out-music.html (8 August 2018)

World, Art, Music

“It was not a Government that built up the skill and craft of this country…It was private individuals who patiently persevered, building up their businesses bit by bit…Their success provided employment for others and greatly benefited the community as a whole. This was the spirit that made England great and can restore her once again. Do you want it to perish for a soul-less Socialist system, or to live to recreate a glorious Britain?”

Margaret Thatcher (1925–2013) British stateswoman and politician

Article for Gravesend and Dartford Reporter (28 January 1950) http://www.margaretthatcher.org/document/100856 <br class="br">1950s

Soul, Communication, Business, Success

“The helm went down hard and we just cleared the rocks. Otherwise it would have been the end of this poor craft. Our ancient skipper, who was responsible for the error in pilotage, is now wearing what is called his "stuffed monkey expression!"”

Evelyn Underhill (1875–1941) British saint, poet, novelist

To Lucy Menziens, from the yacht Wulfruna, Salcombe, S.Devon dated August 10, 1925.
Letters

Error

“[Pelsaert laments] “the utter subjection and poverty of the common people-poverty so great and miserable that the life of the people can be depicted or accurately described only as the home of stark want and the dwelling place of bitter woe.” He continues: “There are three classes of people who are indeed nominally free, but whose status differs very little from voluntary slavery-workmen, peons or servants and shopkeepers. For the workmen there are two scourges, the first of which is low wages. Goldsmiths, painters (of cloth or chintz), embroiderers, carpet makers, cotton or silk weavers, black-smiths, copper-smiths, tailors, masons, builders, stone-cutters, a hundred crafts in all-any of these working from morning to night can earn only 5 or 6 tackas (tankahs), that is 4 or 5 strivers in wages. The second (scourge) is (the oppression of) the Governor, the nobles, the Diwan, the Kotwal, the Bakshi, and other royal officers. If any of these wants a workman, the man is not asked if he is willing to come, but is seized in the house or in the street, well beaten if he should dare to raise any objection, and in the evening paid half his wages, or nothing at all. From these facts the nature of their food can be easily inferred… For their monotonous daily food they have nothing but a little khichri… in the day time, they munch a little parched pulse or other grain, which they say suffices for their lean stomachs… Their houses are built of mud with thatched roofs. Furniture there is little or none, except some earthenware pots to hold water and for cooking… Their bedclothes are scanty, merely a sheet or perhaps two… this is sufficient in the hot weather, but the bitter cold nights are miserable indeed, and they try to keep warm over little cowdung fires… the smoke from these fires all over the city is so great that the eyes run, and the throat seems to be choked.””

Francisco Pelsaert (1591–1630) Dutch merchant, commander of the ship Batavia

Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 7
Jahangir’s India

Life, People, Food, Home

“Beauty means perfect to me, but it also has an additional meaning having to do with being pleasurable, rather than painful. Beauty is hard to make. The making is painful, and involves a certain amount of craft, and a relaxation of the part of the brain that says, "Don't write that. X wrote those four notes in 1542 or 1979 or 1825 or whatever period you are worried about being influenced by."”

Beth Anderson (1950) American neo-romantic composer

Beauty is Revolution (1980)

Pain, Pleasure, Beauty, Parting

“Such things had occasionally been said by some political enthusiast in the olden time, but, for the first time in the history of the world, the representatives of a nation, the representatives of a real, living, breathing, hoping people, declared that all men are created equal. With one blow, with one stroke of the pen, they struck down all the cruel, heartless barriers that aristocracy, that priestcraft, that king-craft had raised between man and man. They struck down with one immortal blow that infamous spirit of caste that makes a God almost a beast, and a beast almost a god. With one word, with one blow, they wiped away and utterly destroyed, all that had been done by centuries of war — centuries of hypocrisy — centuries of injustice.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

Centennial Oration (4 July 1876) http://www.infidels.org/library/historical/robert_ingersoll/centennial_oration.html

Men, God, War, People

“I love coming in with a battle plan, but I also love the freedom to make things up with my actors, and my DP, too. Sometimes we’ll be in a scene and I see new things we can do, so I will throw whatever stuff that has been cooking away in my brain for a long time because I think what I'm coming up with on the set might serve the film better. You know, your instinct will tell you, “This is a better way, try this other way instead,” and that's very important for me, and that is my style of filmmaking, for better or for worse. That's how I like to approach it. And a lot of it comes to me when I'm designing the script, the screenplay. I'm generally very involved in the screenplay, even the ones I'm not on officially as a writer, I'm still extremely involved in how I craft the screen with the writers. I like to get in there and I really craft the world so I can have an idea of how all that will play out before I go on set. Then when I go on set, I like to keep it free, so that I can improvise with my actors.”

James Wan (1977) Malaysian-born Australian film director, screenwriter and producer

Interview: James Wan on His Creative Process, Returning to Horror with The Conjuring 2 and His Approach to Aquaman https://dailydead.com/interview-james-wan-creative-process-returning-horror-conjuring-2-approach-aquaman/ (June 9, 2016)

Love, World, Way, Idea

“One should not underestimate the power of persuasion by well-crafted propaganda films. D. W. Griffith's The Birth of a Nation in 1915 helped to resurrect Ku Klux Klan in Georgia; and Leni Riefenstahl's award-winning Triumph of the Will in 1935 helped fuel the rise of Nazism in Germany.”

Newton Lee American computer scientist

Counterterrorism and Cybersecurity: Total Information Awareness (2nd Edition), 2015

Birth, Help

“For his Spiritual Church Joachim of Fiore foresaw the continuance of the Papacy (much modified), but the bishops were to disappear. If I think at all of the Church to come, then I hope and pray above all for a revival, indeed resurrection of the episcopal office. To my mind it is still a prisoner of its almost thousand-year long disastrous fusion with temporal power. Strange - only a few years ago I thought the Emperor Otto I just marvellous and was full of admiration for his genius in raising the bishops to Reichsfürsten - princes of the realm - thus securing an unshakeable foundation for his Empire. Politically it was a brilliant decision… Yet I can imagine no way in which a mortal enemy of the Church in all craft and cunning could have fastened a worse fate upon her… For how often was their charismatic office as pastors overshadowed, indeed frequently rendered impossible, by their temporal mission and worldly achievements..”

Ida Friederike Görres (1901–1971) Austrian writer and noble

Broken Lights Letters 1951-59.

Fate, Hope, Way, Imagination

“Between the crowded houses of Gravesend and the monstrous red-brick pile on the Essex shore the ship is surrendered fairly to the grasp of the river. That hint of loneliness, that soul of the sea which had accompanied her as far as the Lower Hope Reach, abandons her at the turn of the first bend above. The salt, acrid flavour is gone out of the air, together with a sense of unlimited space opening free beyond the threshold of sandbanks below the Nore. The waters of the sea rush on past Gravesend, tumbling the big mooring buoys laid along the face of the town; but the sea-freedom stops short there, surrendering the salt tide to the needs, the artifices, the contrivances of toiling men. Wharves, landing-places, dock-gates, waterside stairs, follow each other continuously right up to London Bridge, and the hum of men’s work fills the river with a menacing, muttering note as of a breathless, ever-driving gale. The water-way, so fair above and wide below, flows oppressed by bricks and mortar and stone, by blackened timber and grimed glass and rusty iron, covered with black barges, whipped up by paddles and screws, overburdened with craft, overhung with chains, overshadowed by walls making a steep gorge for its bed, filled with a haze of smoke and dust.”

Joseph Conrad book The Mirror of the Sea

Tilbury / Gravesend to London Bridge
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Men, Hope, Way, Soul

“Punishment of cadets had been artfully crafted. In the early nineteenth century, West Point officials deemed manual labor an inappropriate punishment for a cadet: It would have been an ungentlemanly task for a future officer. But they could make him do something that was tiring, embarrassing, and, most excruciating, accomplished nothing. So cadets ever since have been awarded "Area tours," each representing an hour- two hours on Friday afternoon, and then three on Saturday- walking in our dress gray uniforms with rifles across the Area. As my bemused father explained to me, the Area does not make you smarter, braver, or more expert; even trench digging would offer some tangible benefit. At the academy, where we hoarded free minutes, walking the yard meant wasted hours.”

Stanley A. McChrystal (1954) American general

Source: My Share Of The Task (2013), p. 14-15

Future

“Let us invent a character, a nice respectable, middle-class, middle-aged, maiden lady, with time on her hands and the money to help her pass it. She enjoys pictures, books, music, and the theatre and though to none of these arts (or rather, for consistency's sake, to none of these three arts and the one craft) does she bring much knowledge or discernment, at least, as she is apt to tell her cronies, she "does know what she likes."”

Terence Rattigan (1911–1977) playwright, screenwriter

Let us call her Aunt Edna.
The Collected Plays of Terence Rattigan (London: Hamish Hamilton, 1953) vol. 1, p. xi.

Money, Books, Age, Art

“I remember a decade ago at my first annual meeting in St. Louis. After my banquet remarks to a packed house, they presented me with a very special gift. It was a splendid hand-crafted musket.
I admit I was overcome by the power of its simple symbolism. I looked at that musket and I thought of all of the lives given for that freedom. I thought of all of the lives saved with that freedom. It dawned on me that the doorway to all freedoms is framed by muskets.
So I lifted that musket over my head for all to see. And as flashbulbs popped around the room, my heart and a few tears swelled up, and I uttered five unscripted words. When I did, that room exploded in sustained applause and hoots and shouts that seemed to last forever. … So as we set out this year to defeat the divisive forces that would take freedom away, I want to say those words again for everyone within the sound of my voice to hear and to heed, and especially for you, Mr. Gore: From my cold dead hands!”

Charlton Heston (1923–2008) American actor

Speech at NRA Convention in Charlotte, North Carolina (20 May 2000)
referencing a slogan from a series of NRA bumper stickers, "I'll give you my gun when you take it from my cold, dead hands"

Tear, Freedom, Heart, Housing

“I was commissioned [in 1906] to do a ceiling-painting and an altar painting for the Saxon pavilion at the third German Arts and Crafts exhibition... I varied my tulips. But when I went in before the opening I was horrified to see that the fiery red had been toned down with streaks of grey... I gave furious vent to my feelings. Suddenly there was someone at my side, seconding my vituperation. It was Erich Heckel.... joyfully we discovered our total accord in the drive towards liberation, an art which charged forwards, unimpeded by conventions. And that was how I joined Die Brücke.”

Max Pechstein (1881–1955) German artist

Quote of Pechstein in Expressionism, de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 32-33

Art, Feeling, Painting

“I think it right to warn my reader, that there are more passages than one in the book, which are of that nature, which will be perfectly understood by my Masonic friends, but which my engagements prevent me explaining to the world at large. My Masonic friends will find their craft very often referred to. I believe, however that they will not find any of their secrets betrayed; but I trust they will find it proved, that their art is the remains of a very fine ancient system, or, perhaps, more properly, a branch of the fine and beautiful system of WISDOM which, in this work, I have developed.”

Godfrey Higgins book Anacalypsis

Preface to Vol. I.
Anacalypsis (published 1833)

Wisdom, Secret, Books, World

“The desire that drives an artist to graphic work is perhaps partly the effort to capture the unique and indefinite nature of a drawing in a fixed and durable form. Another aspect of it is that the technical manipulations exercise energies in the artist that he does not use in the far less strenuous crafts of drawing and painting... the mysterious attraction that surrounded the invention of printing in the Middle Ages is still felt by anyone who takes up graphics seriously and performs every stage in the process wit hits own hands.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

as quoted in Expressionism, de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 27
undated

Age, Exercises, Nature, Effort

“We are part of nature and it is part of us. Everything about our species, from the shape of our teeth to the size of our brains, has been fashioned over millennia by our interaction with the plants and animals around us. What’s more, our sense of beauty and our greatest artistic achievements have been crafted in response to nature. Our yearning for wilderness is a hankering after the place we have come from, and from which we have become alienated in the headlong march of so-called progress.”

Justin D. Fox (1967) South African author, photojournalist, lecturer and editor

The Impossible Five (2015)

Beauty, Fashion, Nature, Sense

“Making a book is a craft, like making a clock; it needs more than native wit to be an author.”

Jean de La Bruyère book Les Caractères

C'est un métier que de faire un livre, comme de faire une pendule: il faut plus que de l'esprit pour être auteur.
Aphorism 3; Variant translation: It requires more than mere genius to be an author.
Les Caractères (1688), Des Ouvrages de l'Esprit

Books

“WE ARE IN THE MIDST OF AN EPIC CHANGE in the nature of work. The First Industrial Revolution ended slave and serf labor. The Second Industrial Revolution dramatically shrank agricultural and craft labor. The Third Industrial Revolution is sunsetting mass wage labor in the manufacturing and service industries and salaried professional labor in large parts of the knowledge sector.”

Jeremy Rifkin (1945) American economist

The Zero Marginal Cost Society: The Internet of Things, the Collaborative Commons, and the Eclipse of Capitalism (2014)

Nature, Knowledge, Change, Parting

“We're no longer in the days where everything is super well crafted. But at the heart of the programs that make it to the top, you'll find that the key internal code was done by a few people who really know what they were doing.”

Bill Gates (1955) American business magnate and philanthropist

Interview from Programmers at Work (1986)

People, Heart

“After writing the account given of the Savior’s ministry to the remnant of the seed of Jacob, upon this continent, it was easy to be seen, as the prophet said it would be, that darkness covered the earth and gross darkness the minds of the people. On reflecting further it was as easy to be seen that amid the great strife and noise concerning religion, none had authority from God to administer the ordinances of the Gospel. For the question might be asked, have men authority to administer in the name of Christ, who deny revelations, when His testimony is no less than the spirit of prophecy, and His religion based, built, and sustained by immediate revelations, in all ages of the world when He has had a people on earth? If these facts were buried, and carefully concealed by men whose craft would have been in danger if once permitted to shine in the faces of men, they were no longer to us; and we only waited for the commandment to be given ‘Arise and be baptized.”

Oliver Cowdery (1806–1850) American Mormon leader

Men, God, People, Age

“They were a lot of fun but at the time I had two children. I’m just a mother at heart, so I decided it was time to retire from the screen. I would hate to be around today. In my time you learned your craft with small roles. They always handed you a script and told you, ‘This is your role.’ Now, you have to read for a part, over and over. 2,000 people have to approve before you get anything. I liked my era, where you were groomed.”

Elyse Knox (1917–2012) American actress

Interview with Ekyse Knox http://www.westernclippings.com/interview/elyseknox_interview.shtml

Hate, Children, People, Learning

“We were huddled in the prow of our assault craft. German shells landed in the water, but you didn't hear any noise -- just white geysers of water going up alongside. Other small ships were swamped, and several of the tanks that accompanied us foundered. There were quite a few helmets floating around in the water nearby, which increased our apprehension. The Germans were firing from the ridge. I saw the first Americans killed by rifle fire crossing the inundated area. We knew Americans could get wounded, but we didn't know that they could actually expire. We thought that was only going to happen to the enemy. It was rather a sobering sight.”

Larry LeSueur (1909–2003) American journalist

Adam Bernstein. (2003, February 7). Newsman Larry LeSueur Dies: [FINAL Edition]. The Washington Post, p. B.06. Retrieved June 21, 2011, from ProQuest National Newspapers Premier. (Document ID: 284067491), as told by LeSueur to the Washington Post in 1984.

Water

“Craft, I would argue, is not an essential part of art, though skill is. That skill may indeed find its expression in draughtsmanship or carving, realised through the hand of the artist, but it may also be directed towards the selection of material or the choice of an expert fabricator.”

Nicholas Serota (1946) British curator

The Dimbleby Lecture 2000

Art, Parting

“A branch of physics that I was working in for many years has lately become much less active. Many problems have been solved and others are so difficult that nobody knows what to do about them. This means that I do much less physics today than 15 years ago. By contrast, fractal tools have plenty to do. There is a joke that your hammer will always find nails to hit. I find that perfectly acceptable. The hammer I crafted is the first effective tool for all kinds of roughness and nobody will deny that there is at last some roughness everywhere.”

Benoît Mandelbrot (1924–2010) Polish-born, French and American mathematician

A Theory of Roughness (2004)

Problem

“Yes, I'm actually a fan of all things Disney, I utilize that in my craft, because I think Disney movies are crafted so well that they can be studied as well as film can be studied. What people do is they hear it in my voice, they can hear him in my voice, because he is me, he's not like a made-up character, he is me they can hear it in my voice, and when they hear that they ask "Are you the guy who played Sebastian the crab, because you look like him."”

Samuel E. Wright (1946) American actor

People, Guy, Thinking, Study

“When I come to put down their names, there weren’t many. David O. Selznick, Sam Goldwyn, Darryl Zanuck, Walter Wanger, Irving Thalberg seem to exhaust the list…Ninety per cent of the producers I have known were not bright. They were as slow-witted and unprofessional toward making up a story as stockbrokers might be, or bus drivers. Even after twenty or thirty years of telling writers what and how to write, they were still as ignorant of writing as if they had never encountered the craft.”

Ben Hecht (1894–1964) American screenwriter

from "Elegy for Wonderland", by Ben Hecht, Esquire Magazine, March 1959

“Every serious novel is, beyond its immediate thematic preoccupations, a discussion of the craft, a conquest of the form, a conflict with its difficulties and a pursuit of its felicities and beauty.”

Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer

"Society, Morality and the Novel" (1957), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 699.

Beauty

“It is in the gift for employing all the vicissitudes of life to one's own advantage and to that of one's craft that a large part of genius consists.”

Georg Christoph Lichtenberg (1742–1799) German scientist, satirist

K 48
Aphorisms (1765-1799), Notebook K (1789-1793)

Life, Parting

“In that one moment, during an era in which sluggers threatened to take over the sport, Carl Hubbell had restored to pitching its true eminence. The man with skill in his arm, courage in his heart, and craft in his brain, could still set down the brute man with the club. It meant more than a man striking out great hitters; it stood for baseball's interpretation of man's growth. We have come away from men with clubs and dim brains. Hubbell's performance those five outs was baseball's way of representing all this, of representing the contest between brains and brawn. Never was brawn so thoroughly routed.”

Arnold Hano (1922) American writer

From Greatest Giants of Them All (1967), p. 82
Sports-related

Men, Way, Courage, Sport

“Traditional guerrilla activity such as bombings, snipings and kidnappings complete with printed manifestos seem like so many ecologically risky short change feedback devices compared with the real possibilities of portable video, maverick data banks, acid metaprogramming, Cable TV, satellites, cybernetic craft industries, and alternative lifestyles. Yet the guerrilla tradition is highly relevant in the current information environment. Guerrilla warfare is by nature irregular and non-repetitive. Like information theory, it recognizes that redundancy can easily become reactionary and result in entropy and defeat.”

Paul Ryan (video artist) (1943–2013) American video artist

Paul Ryan, "Cybernetic Guerilla Warfare," Radical Software 3 (Spring 1971): 1

Nature, Change

“What are we supposed to do [reacting furiously on art-critic Jules Castagnary who proclaimed the so-called new School of Impressionism, 29 April 1874 in the Paris journal 'Le Siècle'] about these stupid literary people who will never understand that painting is a craft! You make it with materials, not ideas! The ideas come afterwards, when the painting is finished.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

As quoted in The private lives of the Impressionists Sue Roe, Harper-Collins Publishers, New York, 2006, p. 127
1870's

People, Stupidity, School, Art

“All life is based on the fact that anything worth getting is hard to get. There is a price to be paid for anything. Scholarship can only be bought at the price of study, skill of craft or technique can only be bought at the price of practice, and eminence in any sport can only be bought at the price of training and discipline.”

William Barclay (1907–1978) Church of Scotland minister and academic

William Barclay (1964) The Gospel of John. Vol. 2, p. 77

Life, Sport, Study, Training

“The neurotic listens to weather reports about Small Craft Warnings, and he thinks: They're talking about me.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Neurotics and neurosis

Thinking, Weather

“For this feeling there are many apologies, for there was never yet an error, however flagrant and hurtful, for which some plausible defense could not be framed. Chattel slavery, king craft, priest craft, pious frauds, intolerance, persecution, suicide, assassination, repudiation, and a thousand other errors and crimes have all had their defenses and apologies. Prejudice of race and color has been equally upheld. The two best arguments in the defense are, first, the worthlessness of the class against which it is directed; and, second, that the feeling itself is entirely natural. The way to overcome the first argument is to work for the elevation of those deemed worthless, and thus make them worthy of regard, and they will soon become worthy and not worthless. As to the natural argument, it may be said that nature has many sides. Many things are in a certain sense natural, which are neither wise nor best. It is natural to walk, but shall men therefore refuse to ride? It is natural to ride on horseback, shall men therefore refuse steam and rail?”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, Our Composite Nationality (1869)
Context: I need not repeat here the multitude of reproachful epithets expressive of the same sentiment among ourselves. All who are not to the manor born have been made to feel the lash and sting of these reproachful names. For this feeling there are many apologies, for there was never yet an error, however flagrant and hurtful, for which some plausible defense could not be framed. Chattel slavery, king craft, priest craft, pious frauds, intolerance, persecution, suicide, assassination, repudiation, and a thousand other errors and crimes have all had their defenses and apologies. Prejudice of race and color has been equally upheld. The two best arguments in the defense are, first, the worthlessness of the class against which it is directed; and, second, that the feeling itself is entirely natural. The way to overcome the first argument is to work for the elevation of those deemed worthless, and thus make them worthy of regard, and they will soon become worthy and not worthless. As to the natural argument, it may be said that nature has many sides. Many things are in a certain sense natural, which are neither wise nor best. It is natural to walk, but shall men therefore refuse to ride? It is natural to ride on horseback, shall men therefore refuse steam and rail? Civilization is itself a constant war upon some forces in nature, shall we therefore abandon civilization and go back to savage life? Nature has two voices, the one high, the other low; one is in sweet accord with reason and justice, and the other apparently at war with both. The more men know of the essential nature of things, and of the true relation of mankind, the freer they are from prejudice of every kind. The child is afraid of the giant form of his own shadow. This is natural, but he will part with his fears when he is older and wiser. So ignorance is full of prejudice, but it will disappear with enlightenment. But I pass on.

Men, Color, Way, Error

“To master the virtue of the long sword is to govern the world and oneself, thus the long sword is the basis of strategy. The principle is "strategy by means of the long sword". If he attains the virtue of the long sword, one man can beat ten men. Just as one man can beat ten, so a hundred men can beat a thousand, and a thousand men can beat ten thousand. In my strategy, one man is the same as ten thousand, so this strategy is the complete warrior's craft.”

Miyamoto Musashi (1584–1645) Japanese martial artist, writer, artist

Go Rin No Sho (1645), The Ground Book
Context: To master the virtue of the long sword is to govern the world and oneself, thus the long sword is the basis of strategy. The principle is "strategy by means of the long sword". If he attains the virtue of the long sword, one man can beat ten men. Just as one man can beat ten, so a hundred men can beat a thousand, and a thousand men can beat ten thousand. In my strategy, one man is the same as ten thousand, so this strategy is the complete warrior's craft.
The Way of the warrior does not include other Ways, such as Confucianism, Buddhism, certain traditions, artistic accomplishments and dancing. But even though these are not part of the Way, if you know the Way broadly you will see it in everything. Men must polish their particular Way.

Men, World

“Whether one traces his Americanisms back three centuries to the Mayflower, or three years to the steerage, is not half so important as whether his Americanism of today is real and genuine. No matter by what various crafts we came here, we are all now in the same boat”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Toleration and Liberalism (1925)
Context: We must not, in times of peace, permit ourselves to lose any part from this structure of patriotic unity. I make no plea for leniency toward those who are criminal or vicious, are open enemies of society and are not prepared to accept the true standards of our citizenship. By tolerance I do not mean indifference to evil. I mean respect for different kinds of good. Whether one traces his Americanisms back three centuries to the Mayflower, or three years to the steerage, is not half so important as whether his Americanism of today is real and genuine. No matter by what various crafts we came here, we are all now in the same boat. You men constituted the crew of our 'Ship of State' during her passage through the roughest waters. You made up the watch and held the danger posts when the storm was fiercest. You brought her safely and triumphantly into port. Out of that experience you have learned the lessons of discipline, tolerance, respect for authority, and regard for the basic manhood of your neighbor. You bore aloft a standard of patriotic conduct and civic integrity, to which all could repair. Such a standard, with a like common appeal, must be upheld just as firmly and unitedly now in time of peace. Among citizens honestly devoted to the maintenance of that standard, there need be small concern about differences of individual opinion in other regards. Granting first the essentials of loyalty to our country and to our fundamental institutions, we may not only overlook, but we may encourage differences of opinion as to other things. For differences of this kind will certainly be elements of strength rather than of weakness. They will give variety to our tastes and interests. They will broaden our vision, strengthen our understanding, encourage the true humanities, and enrich our whole mode and conception of life. I recognize the full and complete necessity of 100 per cent Americanism, but 100 per cent Americanism may be made up of many various elements.

“None but a Craftsman can judge of a craft.”

Pythagoras (-585–-495 BC) ancient Greek mathematician and philosopher

The Sayings of the Wise (1555), p. 161

“Let no Fellow-Craft imagine that the work of the lowly and uninfluential is not worth the doing.”

Albert Pike book Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. II : The Fellow-Craft, p. 41
Context: Let no Fellow-Craft imagine that the work of the lowly and uninfluential is not worth the doing. There is no legal limit to the possible influences of a good deed or a wise word or a generous effort. Nothing is really small. Whoever is open to the deep penetration of nature knows this. Although, indeed, no absolute satisfaction may be vouchsafed to philosophy, any more in circumscribing the cause than in limiting the effect, the man of thought and contemplation falls into unfathomable ecstacies in view of all the decompositions of forces resulting in unity. All works for all. Destruction is not annihilation, but regeneration.

Imagination

“Much of what is written on the craft is biased in one way or another, so weed out what is useful to you and ignore the rest. I see the next few years as being crucial in the transformation of our culture away from the patriarchal death cults and toward the love of life, of nature, of the female principle.”

Starhawk (1951) American author, activist and Neopagan

As quoted in Womanspirit Rising: A Feminist Reader in Religion (1979) by Carol P. Christ and Judith Plaskow
Context: Much of what is written on the craft is biased in one way or another, so weed out what is useful to you and ignore the rest. I see the next few years as being crucial in the transformation of our culture away from the patriarchal death cults and toward the love of life, of nature, of the female principle. The craft is only one path among the many opening up for women, and many of us will blaze new trails as we explore the uncharted country of our own interiors. The heritage, the culture, the knowledge of the ancient priestesses, healers, poets, singers, and seers were nearly lost, but a seed survived the flames that will blossom in a new age into thousands of flowers. The long sleep of Mother Goddess is ended. May She awaken in each of our hearts — Merry meet, merry part, and blessed be.

Love, Life, Death, Way

“I believe in the honest craft of workmen.”

Robert A. Heinlein (1907–1988) American science fiction author

This I Believe (1952)
Context: I believe in the honest craft of workmen. Take a look around you. There never were enough bosses to check up on all that work. From Independence Hall to the Grand Coulee Dam, these things were built level and square by craftsmen who were honest in their bones.

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

Speech to the UN Economic and Social Council, Geneva, Switzerland (9 July 1965)
Context: We travel together, passengers on a little spaceship, dependent on its vulnerable reserves of air and soil; all committed, for our safety, to its security and peace; preserved from annihilation only by the care, the work and the love we give our fragile craft. We cannot maintain it half fortunate, half miserable, half confident, half despairing, half slave — to the ancient enemies of man — half free in a liberation of resources undreamed of until this day. No craft, no crew can travel safely with such vast contradictions. On their resolution depends the survival of us all.

Love, Peace, Travel, Dependency

“I'm convinced that the victim-to-be picks out the assailant with as much skill and craft as the murderer seeks his victim, and until we learn much more about both, we'll get nowhere battling crime.”

Jane Roberts (1929–1984) American Writer

Source: Psychic Politics: An Aspect Psychology Book (1976), p. 205
Context: I believe too thoroughly that we create our own reality, for one thing -- an unpopular belief where violence is concerned -- but I'm convinced that the victim-to-be picks out the assailant with as much skill and craft as the murderer seeks his victim, and until we learn much more about both, we'll get nowhere battling crime. I'm not justifying murder by any means, but I'm saying that the victim wants to be murdered -- perhaps to be punished, if not by a vengeful god then by one of his fellows, and that a would-be murderer can switch in a minute and become the victim instead; and that the slayer wants to be slain.

Learning

“My craft and my skill is living.”

Michel De Montaigne (1533–1592) (1533-1592) French-Occitan author, humanistic philosopher, statesman

“Look what they have said about the space craft photos which show objects entirely different from any made on Earth—and which have been photographed by many people in different parts of the world! So, no matter how you look at it, unless the person himself has that something necessary to recognize truth, it would make no difference what was presented as evidence, he still would want concrete proof to suit his own understanding, ignoring all the other minds in the world.”

George Adamski (1891–1965) American ufologist

Inside the Spaceships

Photo, Understanding, Personality, People

“I do have witnesses to one of my journeys in a space craft. Both are scientists who hold high positions. Once they are able to make a statement the picture will change overnight. However, the way things are nowadays with everything classified as security, for the time being they must remain in the shadow. When they believe that they can release the substantiation they have without jeopardizing either the national defense or themselves, they have said that they will do so through the press. How soon that will be, your guess is as good as mine. But because they were with me at the request of the Brothers, some things are moving in behalf of both the Brothers and the general public that otherwise could not have been started. And much as we would like to, we cannot speak of these things yet because good intentions can have bad reactions. Anything acted upon prematurely can ruin the best beginnings.”

George Adamski (1891–1965) American ufologist

Inside the Spaceships

Time, Bad luck, Way, Making love

“Even in stories written by exceptional writers, even when they write a well-crafted piece…the mother is a cliché, though it might be a good rendering of a cliché.”

Alfre Woodard (1952) American film, stage, and television actress

On how mothers are typically portrayed in “Alfre Woodard Redefines Black Motherhood On Screen In ‘Juanita’” https://shadowandact.com/alfre-woodard-redefines-black-motherhood-on-screen-in-juanita in Shadow and Act (2019 Mar 11)

“I often wish I was asked more about the craft of the verse. I spent so many agonizing hours ensuring every line break was precise, every word and repetition chosen with care—because it was important to me to maintain the integrity of the lyric while also advancing the narrative. It’s that tightrope walk I’m studying in other people’s work and am continuously looking to understand further.”

Elizabeth Acevedo American poet and author

On desiring to be asked about her writing style in interviews in “Meet National Book Award Finalist Elizabeth Acevedo” https://lithub.com/meet-national-book-award-finalist-elizabeth-acevedo/ in LitHub (2018 Oct 29)

Study, People, Understanding

“Art can be a spiritual practice. Not all artists consider this to be true for them, but with the proper motivation and focus, it can be. A spiritual practice is an activity that enables you to develop the qualities of mental clarity, mindfulness of the moment, wisdom, compassion and access to revelations of higher mystic states of awareness. A contemplative method, such as yoga or meditation, will stabilize and assist in the progress of spiritual awareness. An artist’s craft can become a contemplative method, and the creations may provide outward signs of an inner spiritual journey.”

Alex Grey (1953) American artist

High Times interview (2002)

Motivation, Wisdom, Art

“If you can strum the guitar a little, hit the drums — it’s always fun and a good way to release tensions…You can have a hard day at work, pick up your instrument and just feel better. You also can appreciate why a performer is up on stage and see how they have spent their life learning their craft.”

Pete Escovedo (1935) Mexican-American jazz musician and percussionist

On the benefits of being a musician in “Drummer Pete Escovedo will stick with what he knows at Thornton Winery” https://www.pe.com/2017/07/06/drummer-pete-escovedo-will-stick-with-what-he-knows-at-thornton-winery/ in The Press-Enterprise (2017 Jul 6)

Way, Life, Feeling, Learning

“We travel together, passengers on a little spaceship, dependent on its vulnerable reserves of air and soil; all committed, for our safety, to its security and peace; preserved from annihilation only by the care, the work and the love we give our fragile craft. We cannot maintain it half fortunate, half miserable, half confident, half despairing, half slave — to the ancient enemies of man — half free in a liberation of resources undreamed of until this day. No craft, no crew can travel safely with such vast contradictions. On their resolution depends the survival of us all.”

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

Speech to the UN Economic and Social Council, Geneva, Switzerland (9 July 1965)

Despair, Peace, Confidence, Dependency

“Conducting investigations is the means that Congress uses to carry out that constitutional obligation. Thus, blatant defiance of Congress’ centuries-old power to compel the performance of witnesses is not an abstract injury, nor is it a mere banal insult to our democracy. It is an affront to the mechanism for curbing abuses of power that the Framers carefully crafted for our protection, and, thereby, recalcitrant witnesses actually undermine the broader interests of the People of the United States.”

Ketanji Brown Jackson (1970) United States District Judge

Committee on the Judiary, United States House of Representatives, Plaintiff, v. Donald F. McGahn II, Defendant. (Nov 25, 2019)

Democracy, People

“The people are never voluntary slaves, they yield not to power, but when they believe it to be a duty, or are unable to oppose it. Hence in a state newly founded or reformed, the subjects are not at once enslaved, however imperfect the constitution might be. Despair, that prompted them at first to throw off the yoke, would prompt them to throw it off anew whenever they should feel its weight. To commence with open attacks upon liberty, and to attempt to destroy it by violence, would prove therefore a rash undertaking. When those who govern, daringly dispute the supreme power with open force, and the people perceive their rulers attempting * to enslave them, the latter ever prevail, and the Prince in a moment loses the fruit of all his efforts. At his first attempt the subjects unite against him, and his authority is at stake, if his conduct be not more submissive than imperious. It is not therefore by open attacks Princes first attempt to enslave the people, they take their measures in secrecy, they have recourse to craft: it is by flow but constant efforts, by changes almost imperceptible, by innovations of which it is difficult to observe the consequences, and such as are scarcely taken notice of.”

Jean-Paul Marat (1743–1793) politician and journalist during the French Revolution

THE CHAINS OF SLAVERY

Despair, People, Effort, Feeling

“He surely failed as prime minister to prevent the tragedy at Ayodhya. But his rivals in the Congress did their own party such disservice by spreading the canard that his (and their) government was responsible for that crime. This, more than anything else, lost them the Muslim vote in Uttar Pradesh and Bihar… any dispassionate reading of recent political history will tell you that this is a self-inflicted injury. The Congress has itself built a mythology whereby the Muslims have come to hold their party as responsible for Babri as the BJP … If you take Justice Liberhan’s indictment of so many in the BJP seriously, you cannot at the same time dismiss his exoneration of Rao, and the government, and the Congress Party under him. You surely cannot put the clock back on so much injustice done to him, like not even allowing his body to be taken inside the AICC building. But the least you can do now is to give him a memorial spot too along the Yamuna as one of our more significant (and secular) prime ministers who led us creditably through five difficult years, crafted our post-Cold War diplomacy, launched economic reform and, most significantly, discovered the political talent and promise of a quiet economist called Manmohan Singh.”

P. V. Narasimha Rao (1921–2004) Indian politician

Shekhar Gupta in Tearing down Narasimha Rao http://archive.indianexpress.com/news/tearingdownnarasimharao/547260/1, The Indian Express, 7 September 2011.

Time, Justice, Reading, History

Quotes about craft page 2

Quotes about craft
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