Quotes about craft

A collection of quotes on the topic of craft, doing, work, working.

Quotes about craft

Hayao Miyazaki photo

“If it is a dying craft we can't do anything about it. Civilisation moves on. Where are all the fresco painters now? Where are the landscape artists? What are they doing now? The world is changing. I have been very fortunate to be able to do the same job for 40 years. That's rare in any era.”

Hayao Miyazaki (1941) Japanese animator, film director, and mangaka

on the topic of hand-drawn animation (2005) The Guardian article http://www.theguardian.com/film/2005/sep/14/japan.awardsandprizes
On Animation

John Henry Newman photo

“Surely, there is at this day a confederacy of evil, marshalling its hosts from all parts of the world, organizing itself, taking its measures, enclosing the Church of CHRIST as in a net, and preparing the way for a general apostasy from it. Whether this very apostasy is to give birth to Antichrist, or whether he is still to be delayed, we cannot know; but at any rate this apostasy, and all its tokens, and instruments, are of the Evil One and savour of death. Far be it from any of us to be of those simple ones, who are taken in that snare which is circling around us! Far be it from us to be seduced with the fair promises in which Satan is sure to hide his poison! Do you think he is so unskilful in his craft, as to ask you openly and plainly to join him in his warfare against the Truth? No; he offers you baits to tempt you. He promises you civil liberty; he promises you equality; he promises you trade and wealth; he promises you a remission of taxes; he promises you reform. This is the way in which he conceals from you the kind of work to which he is putting you; he tempts you to rail against your rulers and superiors; he does so himself, and induces you to imitate him; or he promises you illumination, he offers you knowledge, science, philosophy, enlargement of mind. He scoffs at times gone by; he scoffs at every institution which reveres them. He prompts you what to say, and then listens to you, and praises you, and encourages you. He bids you mount aloft. He shows you how to become as gods. Then he laughs and jokes with you, and gets intimate with you; he takes your hand, and gets his fingers between yours, and grasps them, and then you are his.”

John Henry Newman (1801–1890) English cleric and cardinal

Tract 83 http://anglicanhistory.org/tracts/tract83.html (29 June 1838).

Albert Pike photo

“All that is done and said and thought and suffered upon the Earth combine together, and flow onward in one broad resistless current toward those great results to which they are determined by the will of God.
We build slowly and destroy swiftly. Our Ancient Brethren who built the Temples at Jerusalem, with many myriad blows felled, hewed, and squared the cedars, and quarried the stones, and car»ed the intricate ornaments, which were to be the Temples. Stone after stone, by the combined effort and long toil of Apprentice, Fellow-Craft, and Master, the walls arose; slowly the roof was framed and fashioned; and many years elapsed, before, at length, the Houses stood finished, all fit and ready for the Worship of God, gorgeous in the sunny splendors of the atmosphere of Palestine. So they were built. A single motion of the arm of a rude, barbarous Assyrian Spearman, or drunken Roman or Gothic Legionary of Titus, moved by a senseless impulse of the brutal will, flung in the blazing brand; and, with no further human agency, a few short hours sufficed to consume and melt each Temple to a smoking mass of black unsightly ruin.
Be patient, therefore, my Brother, and wait!
The issues are with God: To do,
Of right belongs to us.
Therefore faint not, nor be weary in well-doing! Be not discouraged at men's apathy, nor disgusted with their follies, nor tired of their indifference! Care not for returns and results; but see only what there is to do, and do it, leaving the results to God! Soldier of the Cross! Sworn Knight of Justice, Truth, and Toleration! Good Knight and True! be patient and work!”

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XIX : Grand Pontiff, p. 321

Stephen King photo
Jimmy Carter photo
Geoffrey Chaucer photo

“The lyf so short, the craft so longe to lerne.
Th’ assay so hard, so sharp the conquerynge,
The dredful joye, alwey that slit so yerne;
Al this mene I be love.”

Parlement of Foules, l. 1-4; comparable with Hippocrates, Aphorisms 1:1
Source: The Parliament of Birds

Thomas Paine photo
Barack Obama photo
Theodore Roosevelt photo

“This is a book by a writer who does some teaching, not a book by a teacher who does some writing, and one of the satisfactions of the craft is that there's always something new to learn.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Introduction, p. viii.
On Writing Well (Fifth Edition, orig. pub. 1976)

Edgar Allan Poe photo
Joseph Gordon-Levitt photo
Martin Lewis Perl photo
Walter Gropius photo
Thomas Fuller (writer) photo

“1200. Craft must have Clothes; but Truth loves to go naked.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

Oscar Wilde photo
Ibn Khaldun photo
Antoine de Saint-Exupéry photo

“The magic of the craft has opened for me a world in which I shall confront, within two hours, the black dragons and the crowned crests of a coma of blue lightnings, and when night has fallen I, delivered, shall read my course in the stars.”

Antoine de Saint-Exupéry (1900–1944) French writer and aviator

Source: Terre des Hommes (1939), Ch. I : The Craft
Context: I had a vision of the face of destiny.
Old bureaucrat, my comrade, it is not you who are to blame. No one ever helped you to escape. You, like a termite, built your peace by blocking up with cement every chink and cranny through which the light might pierce. You rolled yourself up into a ball in your genteel security, in routine, in the stifling conventions of provincial life, raising a modest rampart against the winds and the tides and the stars. You have chosen not to be perturbed by great problems, having trouble enough to forget your own fate as man. You are not the dweller upon an errant planet and do not ask yourself questions to which there are no answers. You are a petty bourgeois of Toulouse. Nobody grasped you by the shoulder while there was still time. Now the clay of which you were shaped has dried and hardened, and naught in you will ever awaken the sleeping musician, the poet, the astronomer that possibly inhabited you in the beginning.
The squall has ceased to be a cause of my complaint. The magic of the craft has opened for me a world in which I shall confront, within two hours, the black dragons and the crowned crests of a coma of blue lightnings, and when night has fallen I, delivered, shall read my course in the stars.

Thucydides photo
Abraham Lincoln photo

“You will find that all the arguments in favor of king-craft were of this class; they always bestrode the necks of the people, not that they wanted to do it, but because the people were better off for being ridden. That is their argument, and this argument of the Judge is the same old serpent that says you work and I eat, you toil and I will enjoy the fruits of it.”

Abraham Lincoln (1809–1865) 16th President of the United States

Speech in reply to Senator Stephen Douglas in the Lincoln-Douglas debates http://www.bartleby.com/251/1003.html of the 1858 campaign for the U.S. Senate, at Chicago, Illinois (10 July 1858)
1850s, Lincoln–Douglas debates (1858)
Context: Those arguments that are made, that the inferior race are to be treated with as much allowance as they are capable of enjoying; that as much is to be done for them as their condition will allow. What are these arguments? They are the arguments that kings have made for enslaving the people in all ages of the world. You will find that all the arguments in favor of king-craft were of this class; they always bestrode the necks of the people, not that they wanted to do it, but because the people were better off for being ridden. That is their argument, and this argument of the Judge is the same old serpent that says you work and I eat, you toil and I will enjoy the fruits of it. Turn in whatever way you will, whether it come from the mouth of a King, an excuse for enslaving the people of this country, or from the mouth of men of one race as a reason for enslaving the men of another race, it is all the same old serpent, and I hold if that course of argumentation that is made for the purpose of convincing the public mind that we should not care about this, should be granted, it does not stop with the negro. I should like to know if, taking this old Declaration of Independence, which declares that all men are equal upon principle, and making exceptions to it, where will it stop? If one man says it does not mean a negro, why not another say it does not mean some other man? If that declaration is not the truth, let us get the Statute book, in which we find it, and tear it out! Who is so bold as to do it? If it is not true let us tear it out! [Cries of "No, No."] Let us stick to it, then; let us stand firmly by it, then. It may be argued that there are certain conditions that make necessities and impose them upon us, and to the extent that a necessity is imposed upon a man, he must submit to it. I think that was the condition in which we found ourselves when we established this Government. We had slavery among us, we could not get our Constitution unless we permitted them to remain in slavery, we could not secure the good we did secure if we grasped for more; and having by necessity submitted to that much, it does not destroy the principle that is the charter of our liberties. Let that charter stand as our standard.

Ronald Reagan photo

“Diplomacy, of course, is a subtle and nuanced craft”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

Address to United Nations General Assembly http://www.reagan.utexas.edu/archives/speeches/1987/092187b.htm (21 September 1987)
1980s, Second term of office (1985–1989)
Context: Diplomacy, of course, is a subtle and nuanced craft, so much so that it's said that when the most wily diplomat of the nineteenth-century passed away, other diplomats asked, on reports of his death, "What do you suppose the old fox meant by that?"

Desiderius Erasmus photo

“But there is craft, and plenty of it — craft enough to impose on mature men, not to say innocent boys; and this is called profession.”

Desiderius Erasmus (1466–1536) Dutch Renaissance humanist, Catholic priest, and theologian

Letter to Lambertus Grunnius (August 1516), publised in Life and Letters of Erasmus : Lectures delivered at Oxford 1893-4 (1894) http://books.google.com/books?id=ussXAAAAMAAJ&pg=PA180&lpg=PA180&dq=%22is+no+discipline+and+which+are+worse+than+brothels%22&source=bl&ots=PnJjrkSLNB&sig=JPY0PhTf2YgYwJlf3uH2eTvCJeA&hl=en&ei=BGwXTNqTA5XANu6_pJ8L&sa=X&oi=book_result&ct=result&resnum=1&ved=0CBIQ6AEwAA#v=onepage&q=%22is%20no%20discipline%20and%20which%20are%20worse%20than%20brothels%22&f=false edited by James Anthony Froude, p. 180
Context: There are monasteries where there is no discipline, and which are worse than brothels — ut prae his lupanaria sint et magis sobria et magis pudica. There are others where religion is nothing but ritual; and these are worse than the first, for the Spirit of God is not in them, and they are inflated with self-righteousness. There are those, again, where the brethren are so sick of the imposture that they keep it up only to deceive the vulgar. The houses are rare indeed where the rule is seriously observed, and even in these few, if you look to the bottom, you will find small sincerity. But there is craft, and plenty of it — craft enough to impose on mature men, not to say innocent boys; and this is called profession. Suppose a house where all is as it ought to be, you have no security that it will continue so. A good superior may be followed by a fool or a tyrant, or an infected brother may introduce a moral plague. True, in extreme cases a monk may change his house, or even may change his order, but leave is rarely given. There is always a suspicion of something wrong, and on the least complaint such a person is sent back.

Miyamoto Musashi photo

“Strategy is the craft of the warrior.”

Miyamoto Musashi (1584–1645) Japanese martial artist, writer, artist

Go Rin No Sho (1645), The Ground Book
Context: Strategy is the craft of the warrior. Commanders must enact the craft, and troopers should know this Way. There is no warrior in the world today who really understands the Way of strategy.
There are various Ways. There is the Way of salvation by the law of Buddha, the Way of Confucius governing the Way of learning, the Way of healing as a doctor, as a poet teaching the Way of Waka, tea, archery, and many arts and skills. Each man practices as he feels inclined.

Thomas Paine photo

“It is from a strange mixture of tyranny and cowardice that exclusions have been set up and continued. The boldness to do wrong at first, changes afterwards into cowardly craft, and at last into fear.”

Thomas Paine (1737–1809) English and American political activist

1790s, Letter to the Addressers (1792)
Context: It is from a strange mixture of tyranny and cowardice that exclusions have been set up and continued. The boldness to do wrong at first, changes afterwards into cowardly craft, and at last into fear. The Representatives in England appear now to act as if they were afraid to do right, even in part, lest it should awaken the nation to a sense of all the wrongs it has endured. This case serves to shew that the same conduct that best constitutes the safety of an individual, namely, a strict adherence to principle, constitutes also the safety of a Government, and that without it safety is but an empty name. When the rich plunder the poor of his rights, it becomes an example of the poor to plunder the rich of his property, for the rights of the one are as much property to him as wealth is property to the other and the little all is as dear as the much. It is only by setting out on just principles that men are trained to be just to each other; and it will always be found, that when the rich protect the rights of the poor, the poor will protect the property of the rich. But the guarantee, to be effectual, must be parliamentarily reciprocal.

Antoine de Saint-Exupéry photo

“This viscous whiteness became in my mind the frontier between the real and the unreal, between the known and the unknowable. Already I was beginning to realize that a spectacle has no meaning except it be seen through the glass of a culture, a civilization, a craft.”

Antoine de Saint-Exupéry (1900–1944) French writer and aviator

Source: Terre des Hommes (1939), Ch. I : The Craft
Context: "Navigating by the compass in a sea of clouds over Spain is all very well, it is very dashing, but—"
And I was struck by the graphic image:
"But you want to remember that below the sea of clouds lies eternity."
And suddenly that tranquil cloud-world, that world so harmless and simple that one sees below on rising out of the clouds, took on in my eyes a new quality. That peaceful world became a pitfall. I imagined the immense white pitfall spread beneath me. Below it reigned not what one might think — not the agitation of men, not the living tumult and bustle of cities, but a silence even more absolute than in the clouds, a peace even more final. This viscous whiteness became in my mind the frontier between the real and the unreal, between the known and the unknowable. Already I was beginning to realize that a spectacle has no meaning except it be seen through the glass of a culture, a civilization, a craft. Mountaineers too know the sea of clouds, yet it does not seem to them the fabulous curtain it is to me.

Adam Weishaupt photo
Desiderius Erasmus photo

“There are monasteries where there is no discipline, and which are worse than brothels — ut prae his lupanaria sint et magis sobria et magis pudica. There are others where religion is nothing but ritual; and these are worse than the first, for the Spirit of God is not in them, and they are inflated with self-righteousness. There are those, again, where the brethren are so sick of the imposture that they keep it up only to deceive the vulgar. The houses are rare indeed where the rule is seriously observed, and even in these few, if you look to the bottom, you will find small sincerity. But there is craft, and plenty of it — craft enough to impose on mature men, not to say innocent boys; and this is called profession. Suppose a house where all is as it ought to be, you have no security that it will continue so. A good superior may be followed by a fool or a tyrant, or an infected brother may introduce a moral plague. True, in extreme cases a monk may change his house, or even may change his order, but leave is rarely given. There is always a suspicion of something wrong, and on the least complaint such a person is sent back.”

Desiderius Erasmus (1466–1536) Dutch Renaissance humanist, Catholic priest, and theologian

Letter to Lambertus Grunnius (August 1516), published in Life and Letters of Erasmus : Lectures delivered at Oxford 1893-4 (1894) http://books.google.com/books?id=ussXAAAAMAAJ&pg=PA180&lpg=PA180&dq=%22is+no+discipline+and+which+are+worse+than+brothels%22&source=bl&ots=PnJjrkSLNB&sig=JPY0PhTf2YgYwJlf3uH2eTvCJeA&hl=en&ei=BGwXTNqTA5XANu6_pJ8L&sa=X&oi=book_result&ct=result&resnum=1&ved=0CBIQ6AEwAA#v=onepage&q=%22is%20no%20discipline%20and%20which%20are%20worse%20than%20brothels%22&f=false edited by James Anthony Froude, p. 180

William Faulkner photo

“That's a very good way to learn the craft of writing — from reading.”

William Faulkner (1897–1962) American writer

Faulkner in the University, p. 117
Faulkner in the University (1959)

Richard Wagner photo

“Believe me, mankind's truest madness is revealed to him in dreams. All word-craft and poetry is nothing but true dream-interpretation.”

Richard Wagner (1813–1883) German composer, conductor

Original: (de) "Glaubt mir, des Menschen wahrster Wahn
wird ihm im Traume aufgetan:
all' Dichtkunst und Poeterei
ist nichts als Wahrtraumdeuterei."
Source: Quotes from his operas, Die Meistersinger von Nürnberg, Hans Sachs, Act 3, Scene 2

Isaac Babel photo
Lois Duncan photo
Holly Black photo
Richard Dawkins photo
Ernest Hemingway photo

“We are all apprentices in a craft where no one ever becomes a master.”

Ernest Hemingway (1899–1961) American author and journalist

New York Journal-American (11 July 1961)
Source: The Wild Years

Herman Melville photo
Mitch Albom photo

“But you cannot change your past, no matter how you craft your future.”

Mitch Albom (1958) American author

Source: The Magic Strings of Frankie Presto: A Novel

Robert Bringhurst photo
Marilyn Monroe photo

“The craft is finding a decent drainpipe to get access to the site as much as it is in the art… Van Gogh used short, stumpy brush strokes to convey his insanity - I use short, thin ledges above mainline train tracks.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

Evening Post, 2004 (taken from "Home Sweet Home - Banksy's Bristol" by Steve Wright)
Other sources
Source: Wall and Piece

Joss Whedon photo
Alberto Manguel photo
Robert Greene photo
Anne Sexton photo
Raymond Chandler photo
Gerald Durrell photo
J.M. Coetzee photo
Mary Midgley photo
Torquato Tasso photo

“The craftsman is in his own craft beguiled.”

Torquato Tasso (1544–1595) Italian poet

Lo schermitor vinto è di schermo.
Canto XIX, stanza 14 (tr. Fairfax)
Gerusalemme Liberata (1581)

Joseph Conrad photo
Norman Spinrad photo
Pope John Paul II photo

“Not all are called to be artists in the specific sense of the term. Yet, as Genesis has it, all men and women are entrusted with the task of crafting their own life: in a certain sense, they are to make of it a work of art, a masterpiece.”

Pope John Paul II (1920–2005) 264th Pope of the Catholic Church, saint

Letter to artists, 4 April 1999
Source: Libreria Editrice Vaticana http://www.vatican.va/holy_father/john_paul_ii/letters/documents/hf_jp-ii_let_23041999_artists_en.html

Jerome David Salinger photo
Lois Duncan photo

“I understand the craft of writing, because it’s who and what I am. The commercial world of publishing, both in the past and today, is an ongoing mystery to me. Fads are constantly changing.”

Lois Duncan (1934–2016) American young-adult and children's writer

On writing and publishing, interview with Megan Abbott (2011)
2003–2016

Dean Acheson photo
Niccolo Machiavelli photo
Robert Pinsky photo
Emily Dickinson photo
Ernest Bramah photo
Swapan Dasgupta photo

“There are two dominant mindsets in the world of business or any kind of organization.One is a productive mindset, and it says it's a good idea to seek valid knowledge, it's a good idea to craft your conversations so you make explicit what you are thinking and trying to examine. You craft them in such a way that you can test, as clearly as you can, the validity of your claims. Truth is a good idea. All the managerial functions—accounting, all of them—have a fundamental notion that the productive mindset is what ought to be used to manage human beings.Then there's another mindset I call the defensive mindset. The idea is that even if you are seeking valid knowledge, you are seeking only that kind of valid knowledge that protects yourself or your organization or your department—it is defensive. From a defensive mindset point of view, truth is a good idea when it isn't threatening or upsetting. If it is, massage it, spin it. But if you massage it and spin it, you're violating the espoused theory of good management. When you spin, you have to cover up the fact that you're spinning. And in order for a cover up to work, it too has to be covered up.”

Chris Argyris (1923–2013) American business theorist/Professor Emeritus/Harvard Business School/Thought Leader at Monitor Group

Chris Argyris (2004) in: " Surfacing Your Underground Organization http://hbswk.hbs.edu/archive/4456.html" on hbswk.hbs.edu by Mallory Stark, 11/1/2004

Oscar Niemeyer photo

“My job is to faithfully interpret the work of the Legislature and to try and communicate to our judgments as clearly as possible, I never signed on for the job of philosopher king, If I thought I was any good at crafting policy, I would be in a different branch of government.”

Joan Larsen (1968) United States Circuit Judge for the Sixth Circuit

POTUS election could have ‘huge’ impact on Mich. judges http://www.detroitnews.com/story/news/politics/2016/06/04/potus-election-huge-impact-mich-judges/85424958/ (June 4, 2016)

Dharampal photo

“There is a sense of widespread neglect and decay in the field of indigenous education within a few decades after the onset of British rule. (…) The conclusion that the decay noticed in the early 19th century and more so in subsequent decades originated with European supremacy in India, therefore, seems inescapable. The 1769-70 famine in Bengal (when, according to British record, one-third of the population actually perished), may be taken as a mere forerunner of what was to come. (…) During the latter part of the 19th century, impressions of decay, decline and deprivation began to agitate the mind of the Indian people. Such impressions no doubt resulted from concrete personal, parental and social experience of what had gone before. They were, perhaps, somewhat exaggerated at times. By 1900, it had become general Indian belief that the country had been decimated by British rule in all possible ways; that not only had it become impoverished, but it had been degraded to the furthest possible extent; that the people of India had been cheated of most of what they had; that their customs and manners were ridiculed, and that the infrastructure of their society mostly eroded. One of the statements which thus came up was that the ignorance and illiteracy in India was caused by British rule; and, conversely, that at the beginning of British political dominance, India had had extensive education, learning and literacy. By 1930, much had been written on this point in the same manner as had been written on the deliberate destruction of Indian crafts and industry, and the impoverishment of the Indian countryside.”

Dharampal (1922–2006) Indian historian

Dharmapal: The Beautiful Tree, Indigenous Indian Education in the Eighteenth Century. (1983)

Don Willett photo
Starhawk photo
Russ Feingold photo

“Opening up the Arctic National Wildlife Refuge to oil drilling is bad public policy that has no place in the budget process,. The Budget Committee needs to leave drilling in the Arctic Refuge behind and focus on crafting this year’s budget package.”

Russ Feingold (1953) Wisconsin politician; three-term U.S. Senator

[Feingold Pushes to Keep Arctic Drilling out of Budget Process (press release), http://feingold.senate.gov/~feingold/releases/06/03/20060306.html, U.S. Senator Russ Feingold, 20 August 2018, https://web.archive.org/web/20080412072316/http://feingold.senate.gov/~feingold/releases/06/03/20060306.html, April 12, 2008, March 6, 2006]
2006

“Science Fiction Gods; Do they take much of an interest in us? I doubt it. How much entertainment does an ant's nest provide you with?
'Adepticus Sir, that bunch of Ornithoids on Artoc 4 that you asked me to observe, well they've just trashed their planet.'
'Oh that is a pity Initiatus Jones. What was it this time, ecological screw up or nuclear winter?'
'Worse than that sir, i looks lke they were mucking around with vacuum energy without having first invented the Mobius sphere.'
'Ah yes, the old classic mistake, we loose a few like that.'
'Could we not have tipped them off about it Sir?'
'I'm afraid not Jones, stupidity must remain its own reward, it's regrettable but there you are. Did you salvage anything?'
'They composed some fairly good poetry a couple of centuries ago, and some rather fine cloud sculptures fairly recently, I've logged some records in the archives.'
'Splendid Jones, I'll peruse them this evening. What about those Apes on Sol 3, how are they getting on?'
'Quit a bit of warfare as usual Sir, mostly based on chemical explosives these days, but with the occasional use of plutonium. Many of them have developed a belief in a big bang theory, and they reckon that they have the maths to prove it.'
'Really? Smith in anthropology will probably find that hilarious, I'm sure she would appreciate the data. It was one of her old Stomping grounds you know?'
'No I didnt know that Sir'
'It was a long time ago Jones, and a bit of a fiasco actually, she gave them a piece of her mind about some of their barbaric behavior which then abruptly became worse. Ever since then they have been obsessed with the number plate on her craft, it read 'JHVH'. The department gave her a desk job after that.”

Peter J. Carroll (1953) British occultist

Source: The Apophenion (2008), p. 107-108

Ursula K. Le Guin photo
Carson Grant photo
Phillip Guston photo

“Never hesitate to imitate another writer - every person learning a craft or an art needs models. Eventually you'll find your own voice and will shed the skin of the writer you imitated.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 13, Bits & Pieces, p. 136.

Joe Biden photo

“The standard of judgment is no longer results but the flickering image of seriousness, skillfully crafted to squeeze into 30 seconds on the nightly news. In this world, emotion has become suspect - the accepted style is smooth, antiseptic and passionless.”

Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)

On the national debate, Speech http://www.nytimes.com/1987/06/10/us/biden-joins-campaign-for-the-presidency.html announcing entry into 1988 presidential race, Wilmington, Delaware (June 10, 1987)
1980s

Dan Fogelberg photo
Bernard Lewis photo

“What we have now come to regard as typical of Middle Eastern regimes is not typical of the past. The regime of Saddam Hussein, the regime of Hafiz al Assad, this kind of government, this kind of society, has no roots either in the Arab or in the Islamic past. It is due and let me be quite specific and explicit it is due to an importation from Europe, which comes in two phases.
Phase one, the 19th century, when they are becoming aware of their falling behind the modern world and need desperately to catch up, so they adopt all kinds of European devices with the best of intentions, which nevertheless have two harmful effects. One, they enormously strengthen the power of the state by placing in the hands of the ruler, weaponry and communication undreamt of in earlier times, so that even the smallest petty tyrant has greater powers over his people than Harun al-Rashid or Suleyman the Magnificent, or any of the legendary rulers of the past.
Second, even more deadly, in the traditional society there were many, many limits on the autocracy, the ruler. The whole Islamic political tradition is strongly against despotism. Traditional Islamic government is authoritarian, yes, but it is not despotic. On the contrary, there is a quite explicit rejection of despotism. And this wasn't just in theory; it was in practice too because in Islamic society, there were all sorts of established orders in society that acted as a restraining factor. The bazaar merchants, the craft guilds, the country gentry and the scribes, all of these were well organized groups who produced their own leaders from within the group. They were not appointed or dismissed by the governments. And they did operate effectively as a constraint.”

Bernard Lewis (1916–2018) British-American historian

Books, Islam and the West: A Conversation with Bernard Lewis (2006)

Steven M. Greer photo

“I was 8 or 9 when I had a sighting of a disk-shaped craft that convinced me that it was certainly not an airplane or anything conventional.”

Steven M. Greer (1955) American ufologist

Source: Quoted in: Researcher's Close Encounters Convince Him Of Extraterrestrials The Virginian-Pilot, Roy A. Bahls, http://nl.newsbank.com/nl-search/we/Archives?p_product=VP&p_theme=vp&p_action=search&p_maxdocs=200&p_topdoc=1&p_text_direct-0=0EAFF84CB5EACDC1&p_field_direct-0=document_id&p_perpage=10&p_sort=YMD_date:D&s_trackval=GooglePM (22 March 1995)

Robert E. Howard photo
Paul Newman photo
Anwar Ibrahim photo

“We talk of poverty and inequality, but in crafting an economic programme or policy for the future for this country, we must ensure no community, no region should be neglected.”

Anwar Ibrahim (1947) Malaysian politician

Anwar Ibrahim said during a meeting event with bankers and fund managers at a Port Dickson hotel, quoted on The Star Online, "Anwar underscores the need to help the poor" https://www.thestar.com.my/news/nation/2018/10/10/anwar-underscores-the-need-to-help-the-poor/, 10 October 2018.

“[W]omen under phallocratic rule are confined to the role of vessels/carriers, directed and controlled by men. Since that role is the basic base reversal of the very be-ing of Voyaging/Spiraling women, when we direct our own Crafts/Vessels we become reversers of that deadly reversal.”

Mary Daly (1928–2010) American radical feminist philosopher and theologian

Source: Gyn/Ecology: The Metaethics of Radical Feminism (1978–1990), p. xxvi (New Intergalactic Introduction).

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“I don't believe that we all should eat squirrels and craft our own doorknobs.”

Elizabeth Warren (1949) 28th United States Senator from Massachusetts

On Pod Save America.

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“History knew a midnight, which we may estimate at about the year 1000 A. D., when the human race lost the arts and sciences even to the memory. The last twilight of paganism was gone, and yet the new day had not begun. Whatever was left of culture in the world was found only in the Saracens, and a Pope eager to learn studied in disguise in their unversities, and so became the wonder of the West. At last Christendom, tired of praying to the dead bones of the martyrs, flocked to the tomb of the Saviour Himself, only to find for a second time that the grave was empty and that Christ was risen from the dead. Then mankind too rose from the dead. It returned to the activities and the business of life; there was a feverish revival in the arts and in the crafts. The cities flourished, a new citizenry was founded. Cimabue rediscovered the extinct art of painting; Dante, that of poetry. Then it was, also, that great courageous spirits like Abelard and Saint Thomas Aquinas dared to introduce into Catholicism the concepts of Aristotelian logic, and thus founded scholastic philosophy. But when the Church took the sciences under her wing, she demanded that the forms in which they moved be subjected to the same unconditioned faith in authority as were her own laws. And so it happened that scholasticism, far from freeing the human spirit, enchained it for many centuries to come, until the very possibility of free scientific research came to be doubted. At last, however, here too daylight broke, and mankind, reassured, determined to take advantage of its gifts and to create a knowledge of nature based on independent thought. The dawn of the day in history is know as the Renaissance or the Revival of Learning.”

Carl Gustav Jacob Jacobi (1804–1851) German mathematician

"Über Descartes Leben und seine Methode die Vernunft Richtig zu Leiten und die Wahrheit in den Wissenschaften zu Suchen," "About Descartes' Life and Method of Reason.." (Jan 3, 1846) C. G. J. Jacobi's Gesammelte werke Vol. 7 https://books.google.com/books?id=_09tAAAAMAAJ&pg=PA309 p.309, as quoted by Tobias Dantzig, Number: The Language of Science (1930).

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“And at that point, too, in Buddhist India as in Babylon, in Rome as in our own cities, a man's choice of the woman who is to be, not mother of his children as amongst peasants and primitives, but his own "companion for life", becomes a problem of mentalities. The Ibsen marriage appears, the "higher spiritual affinity" in which both parties are "free"—free, that is, as intelligences, free from the plantlike urge of the blood to continue itself, and it becomes possible for a Shaw to say "that unless Woman repudiates her womanliness, her duty to her husband, to her children, to society, to the law, and to everyone but herself, she cannot emancipate herself." The primary woman, the peasant woman, is mother. The whole vocation towards which she has yearned from childhood is included in that one word. But now emerges the Ibsen woman, the comrade, the heroine of a whole megalopolitan literature from Northern drama to Parisian novel. Instead of children, she has soul-conflicts; marriage is a craft-art for the achievement of "mutual understanding"….
At this level all Civilizations enter upon a stage, which lasts for centuries, of appalling depopulation. The whole pyramid of cultural man vanishes. It crumbles from the summit, first the world-cities, then the provincial forms, and finally the land itself, whose best blood has incontinently poured into the towns, merely to bolster them up awhile. At the last, only the primitive blood remains, alive, but robbed of its strongest and most promising elements. This residue is the Fellah type.
If anything has demonstrated the fact that Causality has nothing to do with history, it is the familiar "decline" of the Classical, which accomplished itself long before the irruption of Germanic migrants. The Imperium enjoyed the completest peace; it was rich and highly developed; it was well organized; and it possessed in its emperors from Nerva to Marcus Aurelius a series of rulers such as the Caesarism of no other Civilization can show. And yet the population dwindled, quickly and wholesale. The desperate marriage-and-children laws of Augustus—amongst them the Lex de maritandis ordinibus, which dismayed Roman society more than the destruction of Varus's legions—the wholesale adoptions, the incessant plantation of soldiers of barbarian origin to fill the depleted country-side, the immense food-charities of Nerva and Trajan for the children of poor parents—nothing availed to check the process.”

Vol. II, Alfred A. Knopf, 1928, pp. 104–06 https://archive.org/stream/Decline-Of-The-West-Oswald-Spengler/Decline_Of_The_West#page/n573/mode/2up/search/depopulation
The Decline of the West (1918, 1923)

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“Criticism is often not a science; it is a craft, requiring more good health than wit, more hard work than talent, more habit than native genius. In the hands of a man who has read widely but lacks judgment, applied to certain subjects it can corrupt both its readers and the writer himself.”

La critique souvent n'est pas une science; c'est un métier, où il faut plus de santé que d'esprit, plus de travail que de capacité, plus d'habitude que de génie. Si elle vient d'un homme qui ait moins de discernement que de lecture, et qu'elle s'exerce sur de certains chapitres, elle corrompt et les lecteurs et l'écrivain.
Aphorism 63
Les Caractères (1688), Des Ouvrages de l'Esprit

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