Quotes about cow
page 2

Yuval Noah Harari photo
Merlin Mann photo

“If you want to make a chili, you're going to break some cows.”

Merlin Mann (1966) American blogger

"Roderick On The Line" podcast, October 2011
Podcasts, Other podcasts

Aldo Leopold photo

“[This book] has done well to preserve this saga of how the state was made safe for cows. How the state is to be made safe from cows is a saga yet to be written.”

Aldo Leopold (1887–1948) American writer and scientist

"Review of Meet Mr. Grizzly by Montague Stevens" [1944]; Published in Aldo Leopold's Southwest, David E. Brown and Neil B. Carmony (eds.) 1990, p. 220.
1940s

Octavio Paz photo
Niranjan Jyoti photo

“In a democracy it is the duty of the state governments to ban cow slaughter. There are a lot of things to eat in this country apart from cow.”

Niranjan Jyoti (1967) Indian politician

As quoted in " Duty of state govts to ban cow slaughter, says Sadhvi Niranjan Jyoti in Kolkata http://indianexpress.com/article/india/india-news-india/duty-of-state-govts-to-ban-cow-slaughter-says-sadhvi-niranjan-jyoti-in-kolkata/" The Indian Express (23 November 2015)

Rajnath Singh photo

“Mughal rulers understood that by killing cows and giving their open support to cow slaughter, they cannot rule for a long period. Even Babur, in his will, has written we can’t do two things at one time. Either rule the hearts of people or eat cow’s meat.”

Rajnath Singh (1951) Indian politician

On protecting cows, as quoted in " Even Mughals did not support cow slaughter: Rajnath Singh http://www.hindustantimes.com/india-news/even-mughals-did-not-support-cow-slaughter-rajnath-singh/article1-1377920.aspx", Hindustan Times (8 August 2015)

“The history of the CIA brims with inquiries that cowed our spies and ruined their careers.”

Mark Riebling (1963) American writer

Watching the Watchmen: The CIA’s investigation of its own inspector general is perfectly legitimate (2007)

Mark Rowlands photo
Patrick Allen photo

“Behold the E4 Udderbelly! An Edinburgh Festival venue that's a ruddy inflatable cow!”

Patrick Allen (1927–2006) Film, television and voice actor

E4, E4 Udderbelly

Carol J. Adams photo
Lin Yutang photo
H. D. Deve Gowda photo

“Having a good and cultured family background was not enough to be successful in politics. One should live amidst farmers, till land, and tend cows and buffaloes.”

H. D. Deve Gowda (1933) Indian politician

On being compared with Hegde, a suave opponent
Source: Gopal K. Kadekodi, et al., Development in Karnataka: Challenges of Governance, Equity, and Empowerment http://books.google.co.in/books?id=YpjqJz_RbncC&pg=PA99&dq=Devegowda&hl=en&sa=X&ei=Lpy6U9fAJ4ejkwXp54DwDA&redir_esc=y#v=onepage&q=Devegowda&f=false, Academic Foundation, 2008 P.98

Djuna Barnes photo

“I’m a fart in a gale of wind, a humble violet, under a cow pat.”

Source: Nightwood (1936), Ch. 5 : Watchman, What of the Night?

Gelett Burgess photo

“Ah, yes, I wrote the "Purple Cow"—
I'm Sorry, now, I wrote it;
But I can tell you Anyhow
I'll Kill you if you Quote it!”

Gelett Burgess (1866–1951) artist, art critic, poet, author and humorist

Poem Confession: and a Portrait Too, Upon a Background that I Rue (1897)
Reacting to the many parodies of his poem.
Confession (1897)

Jerry Fodor photo
Frank Welker photo
Josh Billings photo
Rigoberto González photo
Gene Spafford photo

“Questioning the status quo can result in banishment, imprisonment, ridicule or being burned at the stake, depending on your era, your locale, and the sacred cows you wish to butcher.”

Gene Spafford (1956) American computer scientist

The Pursuit of Knowledge, from Genesis to Google http://www.interesting-people.org/archives/interesting-people/200501/msg00031.html

Boris Cyrulnik photo
Firuz Shah Tughlaq photo

“From thence the King marched towards the mountains of Nagrakote, where he was overtaken by a storm of hail and snow. The Raja of Nagrakote, after sustaining some loss, submitted, but was restored to his dominions. The name of Nagrakote was, on this occasion, changed to that of Mahomedabad, in honour of the late king. Some historians state, that Feroze, on this occasion, broke the idols of Nagrakote, and mixing the fragments with pieces of cows flesh, filled bags with them, and caused them to be tied round the necks of Bramins, who were then paraded through the camp. It is said, also, that he sent the image of Nowshaba to Mecca, to be thrown on the road, that it might be trodden under foot by the pilgrims, and that he also remitted the sum of 100,000 tunkas, to be distributed among the devotees and servants of the temple.”

Firuz Shah Tughlaq (1309–1388) Tughluq sultan

Tarikh-i-Firishta, translated into English by John Briggs under the title History of the Rise of the Mahomedan Power in India, 4 Volumes, New Delhi Reprint, 1981. p. 263 Vol I.
Variant: From thence the King marched towards the mountains of Nagrakote, where he was overtaken by a storm of hail and snow. The Raja of Nagrakote, after sustaining some loss, submitted, but was restored to his dominions. The name of Nagrakote was, on this occasion, changed to that of Mahomedabad, in honour of the late king. Some historians state, that Feroze, on this occasion, broke the idols of Nagrakote, and mixing the fragments with pieces of cows flesh, filled bags with them, and caused them to be tied round the necks of Bramins, who were then paraded through the camp. It is said, also, that he sent the image of Nowshaba to Mecca, to be thrown on the road, that it might be trodden under foot by the pilgrims, and that he also remitted the sum of 100,000 tunkas, to be distributed among the devotees and servants of the temple.

Werner Herzog photo

“It is my duty because this might be the inner chronicle of what we are, and we have to articulate ourselves. Otherwise we would be cows in the field.”

Werner Herzog (1942) German film director, producer, screenwriter, actor and opera director

Herzog on Herzog (2002)

George Ohsawa photo

“"You are what you eat." Nothing else. Never. If you are nourished with cow's milk and later with herbs, you'll become someone whose whole life is good only for being exploited by others.”

George Ohsawa (1893–1966) twentieth century Japanese philosopher

Atomic Age - And the Philosophy of the Far East (1977), p. 53

David Cameron photo
Daniel Buren photo
Camille Paglia photo

“The sixteenth century transformed Middle English into modern English. Grammar was up for grabs. People made up vocabulary and syntax as they went along. Not until the eighteenth century would rules of English usage appear. Shakespearean language is a bizarre super-tongue, alien and plastic, twisting, turning, and forever escaping. It is untranslatable, since it knocks Anglo-Saxon root words against Norman and Greco-Roman importations sweetly or harshly, kicking us up and down rhetorical levels with witty abruptness. No one in real life ever spoke like Shakespeare’s characters. His language does not “make sense,” especially in the greatest plays. Anywhere from a third to a half of every Shakespearean play, I conservatively estimate, will always remain under an interpretive cloud. Unfortunately, this fact is obscured by the encrustations of footnotes in modern texts, which imply to the poor cowed student that if only he knew what the savants do, all would be as clear as day. Every time I open Hamlet, I am stunned by its hostile virtuosity, its elusiveness and impenetrability. Shakespeare uses language to darken. He suspends the traditional compass points of rhetoric, still quite firm in Marlowe, normally regarded as Shakespeare’s main influence. Shakespeare’s words have “aura.””

Camille Paglia (1947) American writer

This he got from Spenser, not Marlowe.
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 195

Halldór Laxness photo
Benjamin Spock photo
Jahangir photo
Ray Comfort photo
Harry Emerson Fosdick photo
Fred Thompson photo
Roger Raveel photo

“That I started [in the creation of his art] from my immediate environment was extremely important to me. Only the things I knew, with which I was familiar, which I had caught on their reality value, I could approach free of extra-pictorial aesthetics and pale romanticism. Of course the question remained how I - who wanted to involve modern life in my art - could continue to seek my inspiration at Machelen-aan-de-Leie, a village in the countryside, far from the city and the crowds. Where can one sense better the infiltration of modern life than in a village in the countryside? In the city everything gets integrated immediately, you can't see clearly the insulating and contrasting-alienating effect of publicity, the gas-station, the concrete, the car, etc. On the other hand, I keep saying that we must continue to see the grass, the corn and the cows. Not within an animistic unity, but from a mentality that has the courage to approach these things freely and ruthless in our era. What ordinary people make out of life is fascinating me.”

Roger Raveel (1921–2013) painter

Dat ik [met het maken van mijn kunst] vertrok uit mijn onmiddellijke omgeving vond ik uiterst belangrijk. Alleen de dingen die ik kende, waarmee ik vertrouwd was, die ik op hun werkelijkheidswaarde had betrapt konden vrij van extra-picturale esthetiek en van bleek romantisme door mij benaderd worden. De vraag bleef natuurlijk hoe ik, die het moderne leven in mijn kunst wou betrekken, mijn inspiratie kon blijven zoeken te Machelen-aan-de-Leie, een dorp op het platteland, ver van de stad en van de drukte. Waar kan men beter het infiltreren van het moderne leven gewaar worden dan in een dorp op het platteland? In de stad wordt alles onmiddellijk geïntegreerd, ziet men niet zo scherp de isolerende en tevens contrasterend-bevreemdende werking van de publiciteit, het benzinestation, het beton, de auto, enz. Aan de andere kant blijf ik ervan overtuigd dat ook het gras, het koren en de koe nog moeten gezien worden. Niet binnen een animistische eenheid, maar wel vanuit een mentaliteit die vrij en meedogenloos deze dingen in ons tijdperk nog zou durven benaderen. Wat de gewone man van het leven maakt, dat boeit mij.
Quote of Raveel, 1969, in the text 'In gesprek met mezelf' ('In conversation with myself'), in the exhibition-catalog of his exhibition in 'De Hallen' (museum in Haarlem, The Netherlands; as cited by Ludo Bekkers in 'Roger Raveel en zijn keuze uit het Museum voor Schone Kunsten in Gent' http://www.tento.be/sites/default/files/tijdschrift/pdf/OKV1975/Roger%20Raveel%20en%20zijn%20keuze%20uit%20het%20Museum%20voor%20Schone%20Kunsten%20in%20Gent.pdf, Dutch art-magazine 'Openbaar Kunstbezit', Jan/Maart 1975, p. 3-4
1960's

“The human body has no more need for cows' milk than it does for dogs' milk, horses' milk, or giraffes' milk.”

Michael Klaper (1947) American physician

Speech of July 19, 1985. Quoted in David Robinson Simon, Meatonomics (Conari Press, 2013), p. 193 https://books.google.it/books?id=PY0KUnaIU5AC&pg=PA193.

William S. Burroughs photo
Gelett Burgess photo

“I never saw a purple cow,
I never hope to see one;
But I can tell you, anyhow,
I'd rather see than be one!”

Gelett Burgess (1866–1951) artist, art critic, poet, author and humorist

The Purple Cow (1895)

Mohan Bhagwat photo

“We feel it necessary to put a ban on meat exports, beef in particular and cow smuggling in immediate future.”

Mohan Bhagwat (1950) Indian activist

On beef, as quoted in " Full Text of RSS Chief Mohan Bhagwat's Vijaya Dashami Speech http://www.ndtv.com/india-news/full-text-of-rss-chief-mohan-bhagwats-vijaya-dashami-speech-674477", NDTV (3 October 2014)
2011-2014

Jeffrey Moussaieff Masson photo
John Harvey Kellogg photo
William Harcourt photo

“…the principle of three acres and a cow, on which the election of 1885 was fought. The principle was that the local authority was to have power to acquire land by compulsion for the benefit of the community, in letting it out or otherwise disposing of it to individuals…It was on this proposal that the great charge of Socialism was made; but we were all Socialists now.”

William Harcourt (1827–1904) British politician

Speech on the Labourers' Allotments Bill (11 August, 1887).
'House Of Commons, Thursday, Aug. 11', The Times (12 August, 1887), p. 6.
Harcourt said "we are all Socialists now" but The Times reported his speech in past tense.

Tony Abbott photo

“When you are challenging the young, they can come back at you with language of tremendous power and they are no respecters of sacred cows, you know, the young. There's nothing politically correct about the average young Australian when it comes to use of language.”

Tony Abbott (1957) Australian politician

Quoted in News.com.au, "Abbott OK being a 'lame, gay, churchy loser'" in news.com.au from all angles http://web.archive.org/web/20090829085019/http://www.news.com.au/story/0,27574,25992545-421,00.html, August 28 2009.
2009

Gary Yourofsky photo
Milan Kundera photo
Bob Dylan photo

“A cat's meow and a cow's moo,
I can recite 'em all,
just tell me where it hurts you, honey,
and I'll tell you who to call.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Self Portrait (1970), Quinn The Eskimo (The Mighty Quinn)

“Interviewer: In other words you were born with your destiny tied to cows. So, of course you must love cows?”

Hiromu Arakawa (1973) award winning Japanese manga artist

Interview with mobuta.com (2004)

RZA photo
Samuel Johnson photo

“A cow is a very good animal in the field; but we turn her out of a garden.”

Samuel Johnson (1709–1784) English writer

April 14, 1772, p. 201
Life of Samuel Johnson (1791), Vol II

Shelly Kagan photo
James Jeans photo

“The motion of the stars over our heads is as much an illusion as that of the cows, trees and churches that flash past the windows of our train.”

James Jeans (1877–1946) British mathematician and astronomer

Source: The Stars in their Courses (1931), p. 3.

P. L. Travers photo
Anton Mauve photo
Ahmad Sirhindi photo
Camille Pissarro photo
Halldór Laxness photo
Willem Maris photo

“I don't paint cows but light”

Willem Maris (1844–1910) Dutch landscape painter of the Hague School (1844-1910)

version in original Dutch / origineel citaat van Willem Maris: Ik schilder geen koeien, maar licht.
2 short Quotes of Willem Maris, c. 1880; as cited in 'Schilder Maris' http://www.wittebrugpark.nl/wittebrugpark/schilders/maris/maris.htm (translation from original Dutch, Fons Heijnsbroek, 2018)

“Interviewer: Is that why you draw yourself as a cow?”

Hiromu Arakawa (1973) award winning Japanese manga artist

Interview with mobuta.com (2004)

John Dear photo
Roger Bacon photo
Arundhati Roy photo
Richard Dawkins photo

“It is fashionable to wax apocalyptic about the threat to humanity posed by the AIDS virus, "mad cow" disease, and many others, but I think a case can be made that faith is one of the world's great evils, comparable to the smallpox virus but harder to eradicate.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

" Is Science a Religion? http://www.thehumanist.org/humanist/articles/dawkins.html", The Humanist (January 1997)

Alfredo Di Stéfano photo

“Ball is made of leather, leather comes from cows, cows eat grass, and there is where the ball must be.”

Alfredo Di Stéfano (1926–2014) Argentine association football player

The Wit and Wisdom of Alfredo Di Stéfano Kindle Location 71.

Theo van Doesburg photo
Charles Stross photo
Ray Bradbury photo
Lauren Anderson (model) photo
João Magueijo photo
Eminem photo
Emma Goldman photo
William James photo
Willem Maris photo

“The cow exists for the light that comes to glide along and over the animal - the light doesn't exist for he cow.”

Willem Maris (1844–1910) Dutch landscape painter of the Hague School (1844-1910)

version in original Dutch / origineel citaat van Willem Maris: De koe is er om het licht, dat langs en over het dier komt glijden - het licht niet om de koe.

Willem Roelofs photo

“That [watercolor] with the Cows has been partially washed out [reducing colors] and that ugly hedge of willow trees has been taken out, and is already doing better, but the paper is not a good quality. I don't know I'll finish it or make a new one.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Die [aquarel] met de Koeijen is gedeeltelijk uitgewassen [kleuren vermindert] en die leelijke heg van wilgeboomen er uit [gehaald] en doet reeds beter, maar het papier is niet heel goed. Ik weet niet of ik die af zal maken of een nieuwe [maken].
In a letter to Pieter verLoren van Themaat, 30 March 1867; in Haagsch Gemeentearchief / Municipal Archive of The Hague
1860's

Halldór Laxness photo

“Holy cow! You were totally right-- whipped cream ROCKS!”

Darby Conley (1970) American cartoonist

Bucky Katt's Big Book of fun, page 61
Bucky Katt, Satchel Pooch

David Haye photo

“I watched a TV documentary about how animals are farmed, killed and prepared for us to eat. I saw all those cows and pigs and realised I couldn’t be a part of it any more. It was horrible. I did some research to make sure I could still obtain enough protein to fight and, once satisfied that I could, I stopped [eating animal products]. I’ll never go back.”

David Haye (1980) British boxer

“PETA’s Sexiest Vegan Celebrities of 2014: Thandie Newton and David Haye Nab Top Honours!,” in Peta.org.uk (23 December 2014) http://www.peta.org.uk/blog/petas-sexiest-vegan-celebrities-2014-thandie-newton-david-haye-nab-top-honours/.

Winston S. Churchill photo
Winston S. Churchill photo
Haruki Murakami photo
Dylan Moran photo
Marc Chagall photo

“Two or three o'clock in the morning. The sky is blue. Dawn is breaking. Down there, a little way off, they slaughtered cattle, cows bellowed, and I painted them. I used to sit up like that all night long. It's already a week since the studio was cleaned out. Frames, eggshells, empty two-sou soup tins lie about higgledy-piggledy... On the shelves, reproductions of El Greco and Cézanne lay next tot the remains of a herring I had cut in two, the head for the first day, the tail for the next, and Thank God, a few crusts of bread.”

Marc Chagall (1887–1985) French artist and painter

Quote in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, pp. 29-30
Chagall describes a morning in his studio in Paris, c. 1911, in 'La Ruche' an old factory where many artists as Soutine, Archipenko, Léger and Modigliani had their studio
1920's, My life (1922)

Richard Huelsenbeck photo
James Herriot photo
Joseph Arch photo
Russell Brand photo
Addison Mizner photo

“A cow couldn't find its calf in this room.”

Addison Mizner (1872–1933) American architect

From his sketchbook

Philip Kapleau photo
Jopie Huisman photo

“In 1973 I suddenly came into major private problems. I was completely thrown back on myself. Then I found those trousers between the old stuff. A worn-out, eighty times repaired, filthy pair of pants of a milker. I saw myself in it, it reflected the state of my soul. Then I took it with me and painted it [title: Pants of a cow milker]. Moreover because other because people recognized themselves in it, this has become my salvation. I found back my identity through it. As a matter of fact a self-portrait.”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: In 1973 raakte ik plotseling in grote privéproblemen. Ik was helemaal op mezelf teruggeworpen. Toen vond ik tussen de rommel die broek. Een afgetobde, tachtig keer verstelde, smerige melkersbroek. Ik zag mijzelf daarin, hij weerspiegelde de toestand van mijn ziel. Toen heb ik hem meegenomen en geschilderd [titel: Broek van een koemelker]. Ook omdat andere mensen zich erin herkenden, is het mijn redding geweest. Ik heb er mijn identiteit door teruggevonden. Eigenlijk een zelfportret.
p 60
Jopie Huisman', 1981

Peter Dinklage photo

“I like animals, all animals. I wouldn’t hurt a cat or a dog—or a chicken or a cow. And I wouldn’t ask someone else to hurt them for me. That’s why I’m a vegetarian.”

Peter Dinklage (1969) American actor

“ 'Game of Thrones' Star Peter Dinklage on Why He's Vegetarian https://www.youtube.com/watch?v=6RlQwEgjCxE,” ad for PETA (26 August 2011).

Maxwell D. Taylor photo
Dylan Moran photo