The Owner Built Home: A How-to-do-it Book (1972)
Quotes about copy
page 3
Walter Kaufmann, Preface to The Present Age, by Soren Kierkegaard, Dru translation 1962 p. 15-16
Other books

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), p.81

"The Politics of Sado-Masochistic Fantasies", in Going Too Far: The Personal Chronicle of a Feminist, p 235.

Source: Art applied to industry: a series of lectures, 1865, p. 1

1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My Painting', p. 73

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 91-94

“♡ Copying is an act of love. Please copy & share.”
Copyheart.org home page (3 December 2010) http://copyheart.org
The Gramophone magazine, December 1933

“Copying or emulating heroes is true power learning.”
Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!

Karl Dallas Interview, 1984
Music

Elst, K. (2002). Who is a Hindu?: Hindu revivalist views of Animism, Buddhism, Sikhism, and other offshoots of Hinduism.
And that last bit I think often gets missed out.
Interview at the Academy of Achievement (23 May 1998).

Ritchie Blackmore, in: Guitar Player. Vol. 7. (1973). p. 235:
Answer to the question Does listening to solos performed on other instruments than the guitar help the beginning guitarist develop a personal style?

Quote in a letter to M. Guizot, c. 1839-41; as cited by Charles Sprague Smith, in Barbizon days, Millet-Corot-Rousseau-Barye publisher, A. Wessels Company, New York, July 1902, pp. 172-173
The Duke de Broglie had ordered of Rousseau a painting of the 'Chateau de Broglie', for his friend M. Guizot. Madame Guizot had died there, and The Duke de Broglie urged Rousseau to make the painting grave and sad.. The quote presents Rousseau’s responding
1830 - 1850

Source: The Exposition of 1851: Views Of The Industry, The Science, and the Government Of England, 1851, p. 52-53
Radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT456 (1992, 2006, 2014)

On his book Jack and the Box, as quoted in "Smart Art : Spiegelman doesn’t dumb down for kids" by Alexandra Zissu in New York Magazine (16 November 2008) http://nymag.com/family/kids/52136/.

Said during his exile in Peking, as quoted by Oriana Fallaci (June 1973), Intervista con la Storia (sixth edition, 2011). page 128.
Interviews

2006
http://www.byrnerobotics.com/forum/forum_posts.asp?TID=15591
The humanity of the Vision, an android hero whose body was once the original Human Torch

Darling: A Spiritual Autobiography (2013)
Variant: Something funny I have noticed—perhaps you have noticed it, too. You know what futurists and online-ists and cut-out-the-middle-man-ists and Davos-ists and deconstructionists of every stripe want for themselves? They want exactly what they tell you you no longer need, you pathetic, overweight, disembodied Kindle reader. They want white linen tablecloths on trestle tables in the middle of vineyards on soft blowy afternoons. (You can click your bottle of wine online. Cheaper.) They want to go shopping on Saturday afternoons on the Avenue Victor Hugo; they want the pages of their New York Times all kind of greasy from croissant crumbs and butter at a café table in Aspen; they want to see their names in hard copy in the “New Establishment” issue of Vanity Fair; they want a nineteenth-century bookshop; they want to see the plays in London; they want to float down the Nile in a felucca; they want five-star bricks and mortar and Do Not Disturb signs and views of the park. And in order to reserve these things for themselves they will plug up your eyes and your ears and your mouth, and if they can figure out a way to pump episodes of The Simpsons through the darkening corridors of your brain as you expire (ADD TO SHOPPING CART), they will do it.

That subjective idea he translated into art. He made a composition of it.
Quote of Metzinger in 'The Wild Men of Paris', by Gelett Burgess https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf, in 'The Architectural Record, Vol XXVII, May 1910, p. 413

Discourse no. 13; vol. 2, p. 136.
Discourses on Art

Source: after 2000, Doubt and belief in painting' (2003), pp. 60-61, note 94

Waiting for the Olympians (p. 257)
Platinum Pohl (2005)
The Pageant of Life (1964), On Lawyers

On Michelangelo Antonioni
Variant translation: Antonioni has never properly learnt his craft. He's an aesthete. If, for example, he needs a certain kind of road for The Red Desert, then he gets the houses repainted on the damned street. That is the attitude of an aesthete. He took great care over a single shot, but didn't understand that a film is a rhythmic stream of images, a living, moving process; for him, on the contrary, it was such a shot, then another shot, then yet another. So, sure, there are some brilliant bits in his films... I can't understand why Antonioni is held in such high esteem.
Jan Aghed interview (2002)

Source: The Story Of The Bible, Chapter X, The Position Today, p. 136

Letter to Nele van de Velde ((daughter of Henry van de Velde), from Frauenkirch, 1919/20; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 224-225
1916 - 1919

LibrePlanet Keynote Speech (2015) @20:45 https://media.libreplanet.org/u/libreplanet/m/richard-stallman-free-software-free-hardware/
2010s

as quoted in the exposition-text 'Alexej von Jawlensky', Museum Boymans-van-Beuningen Rotterdam; 25/9 – 27/ 11-1994, p. 21
this quote of Gabriele Münter was the leading idea for her early painting during the period she worked with Kandinsky in and around Murnau..

An essay on aesthetics (1909) from Vision and design by Roger fry, Forgotten Books , 2012
Art Quotes

RODIN, AUGUSTE. L'Art. Entretiens réunis par Paul Gsell, 1911

Source: Psychic Politics: An Aspect Psychology Book (1976), p. 57-58
Source: Gyn/Ecology: The Metaethics of Radical Feminism (1978–1990), pp. 375–376 (fnn. omitted, fn. at "apparent gains." giving as examples the Equal Rights Amendment, affirmative action, and abortion & fn. at "more radical freedom." stating "the fact that Lesbians/Spinsters have no need of abortions, unless forcibly raped").

Writing in her column about how she reacted after she realised she had been recruited as an 'unwitting' spy by Cliff Saunders in London in the early 1990s. http://www.int.iol.co.za/index.php?set_id=1&click_id=13&art_id=ct20000227222234900S1258
Other

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 102-107
The Examined Life (1989)
A History of Civilizations , Penguin, 1995, p. 73-81

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, pp. 25-26 : 'Notes from 1969'
Tom Peters in: " The Best Corporate Strategy? None, Of Course http://articles.chicagotribune.com/1994-07-11/business/9407110026_1_silicon-graphics-customers-richard-branson." Chicago Tribune, July 11, 1994.

Quote in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, pp. 24-25
1920's, My life (1922)

Vägen mot toppen kantad av bråk, Sveriges Television, 2006-10-17, 2006-11-23 http://svt.se/svt/jsp/Crosslink.jsp?d=55838&a=657073,

"Authors Take Sides on the Spanish War" (1937), edited by Nancy Cunard, reprinted in The Spanish Front: Writers on the Civil War (1986), edited by Valentine Cunningham

“Graves: Here, we can clearly see how an idea is copied!”
Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), p.79

Dantzig (1986) in: D.J. Albers and C. Reid "An interview with George B. Dantzig : the father of linear programming". In: The College Mathematics Journal Vol 17, nr 4, 1986, p. 293-314.

“Engineers did not discover insulation: they copied it from these old soldiers of the prairie war.”
“April: Bur Oak”, p. 27.
A Sand County Almanac, 1949, "April: Come High Water," "April: Draba," "April: Bur Oak," & "April:Sky Dance"
On becoming her own person as a professional musician.
Malvern Gaz http://www.webcitation.org/query?id=1256525759902277&url=www.geocities.com/thecoolchip03/malverngaz.htm article, unidentified issue

Source: Process charts (1921), p. 5-6.

letter to the Minister, Don Miguel Cayetano Soler, Madrid, October 9, 1803; as quoted in the 'Gazette des Beaux-Arts', 1860, p. 241, and reproduced in facsimile in Mr. Calvert's monograph, p. 88; also by Valerian von Loga: Francisco de Goya, Berlin, 1903, p. 77
1800s

Sjálfstætt fólk (Independent People) (1935), Book One, Part II: Free of Debt

(original Dutch, citaat van B.C. Koekkoek:) Gelukkig echter de [schilder]school, waar moeder Natuur op den voorgrond staat, en zij alleen geraadpleegd wordt om 'waarheid' op het doek of paneel voor te stellen. – Hij kent de geheimen van de veelvuldige schakeringen der natuur, zijne schilderij is ene getrouwe kopij der natuur, ziedaar den hoogsten lof, die een schilder kan toegezwaaid worden..
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 27-28

The True Latter Day Saints’ Herald 22:630, 1875.
Letter written by Harris to the early Reorganized Church of Jesus Christ of Latter Day Saints newspaper after his arrival in Utah . The letter was addressed to “Mr. Emerson, Sir,” and is dated Smithfield, Utah, Nov. 23rd, 1870. (1870)
Source: Social Amnesia: A Critique of Conformist Psychology from Adler to Laing (1975), pp. 67-68

“Russian Roulette should not, under any circumstances, be copied. It is extremely dangerous.”
TV Series and Specials (Includes DVDs), Derren Brown Plays Russian Roulette Live (2003)

Dr. Wallis's Account of some Passages of his own Life (1696)

'Research desk: Because it is a weapon of mass deception!'
Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), p.114
Source: 2000s, Wars of Blood and Faith: The Conflicts That Will Shape the Twenty-First Century (2007), p. 334
Source: Pictures from an Institution (1954) [novel], Chapter 1: “The President, Mrs., and Derek Robbins”, p. 3; opening paragraph of novel

"On the Philosophy of the Asiatics" (1794)

On Microsoft, at the Worldwide Developer's Conference (August 2006)
2000s

Quote in a letter of Malevich to his student Yudin, summer of 1924; as quoted in Marc Chagall – the Russian years 1906 – 1922, ed. By Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 66
1921 - 1930

About her first introduction to India.
Q&A with Wendy Doniger, the Mircea Eliade Distinguished Service Professor and author of The Hindus

Generation X (1991)

Richter's quote refers to his 'Annunciation after Titian', he made in 1973
Source: after 2000, Doubt and belief in painting' (2003), p. 104, note 52

Quote of Degas, in his talk with the visiting Mallarmé, 1880's; as cited in Berthe Morisot, the first lady of Impressionism, by Margaret Sehnan; Sutton Publishing (ISBN 0 7509 2339 3), 1996, p. 234
1876 - 1895

An Essay on the Genius and Writings of Pope, Vol. II (1782), pp. 21–24

“I do hope, that if I ever do anything, at least to have the merit of not copying anyone.”
Quote in Bazille's letter to his father, 1864; as cited in: article: Frédéric Bazille and the Birth of Impressionism, Corrinne Chong, PhD -independent scholar http://www.19thc-artworldwide.org/autumn17/chong-reviews-frederic-bazille-and-the-birth-of-impressionism
1861 - 1865

Responding to a question on breaking encryption to make a back-up copy of a DVD.
Interview in Harvard Political Review (2002)

“Implementing best practice is copying yesterday; innovation is inventing tomorrow.”
Source: Quoted in "Paul Sloane Quotes on Goodreads https://www.goodreads.com/quotes/770591-implementing-best-practice-is-copying-yesterday-innovation-is-inventing-tomorrow/ (1 April 2013)

The Richard Dimbleby Lecture: Science, Delusion and the Appetite for Wonder (1996)

"The Spirit of the Age", p. 18.
Company Manners: A Cultural Inquiry into American Life (1954)

1980s, GNU Manifesto (1985)

On the title of her book Chess Bitch : Women in the Ultimate Intellectual Sport
Gothamist interview (2006)

Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27

No. 166 (10 September 1711).
The Spectator (1711–1714)
Quoted in Dustin Reyes, "Interview with id Software's Timothee Besset" http://web.archive.org/web/20040924113843/http://www.linuxgames.com/?dataloc=articles/ttimo/ LinuxGames (2004-08-22).
Source: 2000 - 2011, Cy Twombly, 2000', by David Sylvester (June 2000), p. 179

The Smartphone Wars: The iPhone Design Was Inspired by Sony http://esr.ibiblio.org/?p=4479 in Armed and Dangerous (20 July 2012)
“…there is in this world no line so bad that someone won’t someday copy it.”
“The Profession of Poetry”, p. 165
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)
citation needed
Quote from Abstract Expressionism, Barbara Hess, Taschen, Köln, 2006, p. 80
1990s - 2000s