Quotes about copy
page 5

Amir Taheri photo
Christopher Pitt photo
Albert Marquet photo

“I was certain that they [ Poussin's paintings which Marquet copied frequently in the 1880's] would never bore me.”

Albert Marquet (1875–1947) French artist

as quoted by Mikhail Guerman, in Albert Marquet – The Paradox of Time, Parkstone Aurora Publishers, Bournemouth England, 1995, p. 11

Margaret Atwood photo
Robert E. Howard photo
Pauline Kael photo
Juicy J photo
Henri Matisse photo
Max Tegmark photo
Henry Moore photo
Charlotte Perkins Gilman photo

“For many years I suffered from a severe and continuous nervous breakdown tending to melancholia — and beyond. During about the third year of this trouble I went, in devout faith and some faint stir of hope, to a noted specialist in nervous diseases, the best known in the country. This wise man put me to bed and applied the rest cure, to which a still-good physique responded so promptly that he concluded there was nothing much the matter with me, and sent me home with solemn advice to "live as domestic a life as far as possible," to "have but two hours' intellectual life a day," and "never to touch pen, brush, or pencil again" as long as I lived. This was in 1887.
I went home and obeyed those directions for some three months, and came so near the borderline of utter mental ruin that I could see over.
Then, using the remnants of intelligence that remained, and helped by a wise friend, I cast the noted specialist's advice to the winds and went to work again — work, the normal life of every human being; work, in which is joy and growth and service, without which one is a pauper and a parasite — ultimately recovering some measure of power.
Being naturally moved to rejoicing by this narrow escape, I wrote The Yellow Wallpaper, with its embellishments and additions, to carry out the ideal (I never had hallucinations or objections to my mural decorations) and sent a copy to the physician who so nearly drove me mad. He never acknowledged it.”

Charlotte Perkins Gilman (1860–1935) American feminist, writer, commercial artist, lecturer and social reformer

"Why I Wrote The Yellow Wallpaper" in The Forerunner (October 1913) http://www.library.csi.cuny.edu/dept/history/lavender/whyyw.html

Joseph Alois Schumpeter photo
Bart D. Ehrman photo
David Icke photo
Dejan Stojanovic photo

“Great poets are great copy editors.”

Dejan Stojanovic (1959) poet, writer, and businessman

Life Is Poetry http://www.poemhunter.com/poem/life-is-poetry/
From the poems written in English

Pat Condell photo
Francisco De Goya photo

“What a scandal to hear nature deprecated in comparison to Greek statues by one who knows neither one nor the other without acknowledging that the smallest part of Nature confounds and amazes those who know most. What statue or cast of it might there be that is not copied from divine nature?”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

In a report in 1792 - Goya wrote to the Academy of San Fernando, on 'teaching art'; as quoted in Francisco Goya y Licientis, Janis Tomlinson, Phaodon 1999, p. 70
1790s

Nathaniel Hawthorne photo
Eben Moglen photo
Bernie Ecclestone photo

“The morning after I die. And the first 12 copies go to the Inland Revenue”

Bernie Ecclestone (1930) British business magnate

Financial Times. November 23, 2004
Bernie Ecclestone's response from a tongue in cheek interview question that asked: “So when’s your autobiography going to be published, Bernie?”

Will Eisner photo

“International Jews.
In violent opposition to all this sphere of Jewish effort rise the schemes of the International Jews. The adherents of this sinister confederacy are mostly men reared up among the unhappy populations of countries where Jews are persecuted on account of their race. Most, if not all, of them have forsaken the faith of their forefathers, and divorced from their minds all spiritual hopes of the next world. This movement among the Jews is not new. From the days of Spartacus-Weishaupt to those of Karl Marx, and down to Trotsky (Russia) Bela Kun (Hungary), Rosa Luxemborg (Germany) and Emma Goldman (United States), this world-wide conspiracy for the overthrow of civilization and for the reconstitution of society on the basis of arrested development, of envious malevolence, and impossible equality, has been steadily growing. It played, as a modern writer, Mrs. Webster, has so ably shown, a definitely recognizable part in the tragedy of the French Revolution. It has been the mainspring of every subversive movement during the Nineteenth Century; and now at last this band of extraordinary personalities from the underworld of the great cities of Europe and America have gripped the Russian people by the hair of their heads and have become practically the undisputed masters of that enormous empire.
Graves: This was written by Winston Churchill, a highly regarded M. P. in England…so, I need hardly remind you that it will take strong evidence to prove the “Protocols” ‘’’a fake!’’’
Raslovlev: At an old bookshop I got a copy of “The Dialogue in Hell between Machiavelli and Montesquieu,” by Maurice Joly, 1864.
I examined what I had. It was obvious that the “Protocols of Zion” was copied from it.
Graves: How did you get this?
Raslovlev: I bought this book from a friend, formerly of the Okhrana, our secret agents in France. They ordered the plagiarism!
When the Bolsheviks came in, we left with what we could take out with us.
How much is it worth to you, or your paper, Mr. Graves?
Graves: Hmm…can’t say yet! …Is Geneva really the place of publication??
Raslovlev: I do know that the “Protocols of Zion: was intended to prove to the Tsar that the Revolt in Russia was a Jewish Plot…it was written by an Okhrana agent…a plagiarist, Mathieu Golovinski!
When it was first published in Russia round 1902, its publisher, Dr. Nilus, claimed it to be notes stolen from an 1897 Zionist congress by French agents!
Graves: But that congress was convened by Theodore Herzl to promote a Jewish state. It was not a secret meeting…Dr. Nilus’s claim is a lie!
Raslovlev: Yes, it is indeed! Let me show you…we will compare the “Protocols” with Joly’s Book.
Raslovlev: Set them side by side Graves, and you will see obvious plagiarism of Joly’s “dialogue!”
Graves: I see…be patient while I go through it…yes! Yes! Yes!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 70-73

Amber Benson photo
Richard Stallman photo

“You see, some people have a talent for programming. At ten to thirteen years old, typically, they're fascinated, and if they use a program, they want to know: “How does it do this?” But when they ask the teacher, if it's proprietary, the teacher has to say: “I'm sorry, it's a secret, we can't find out.” Which means education is forbidden. A proprietary program is the enemy of the spirit of education. It's knowledge withheld, so it should not be tolerated in a school, even though there may be plenty of people in the school who don't care about programming, don't want to learn this. Still, because it's the enemy of the spirit of education, it shouldn't be there in the school.
But if the program is free, the teacher can explain what he knows, and then give out copies of the source code, saying: “Read it and you'll understand everything.” And those who are really fascinated, they will read it! And this gives them an opportunity to start to learn how to be good programmers.
To learn to be a good programmer, you'll need to recognize that certain ways of writing code, even if they make sense to you and they are correct, they're not good because other people will have trouble understanding them. Good code is clear code that others will have an easy time working on when they need to make further changes.
How do you learn to write good clear code? You do it by reading lots of code, and writing lots of code. Well, only free software offers the chance to read the code of large programs that we really use. And then you have to write lots of code, which means you have to write changes in large programs.
How do you learn to write good code for the large programs? You have to start small, which does not mean small program, oh no! The challenges of the code for large programs don't even begin to appear in small programs. So the way you start small at writing code for large programs is by writing small changes in large programs. And only free software gives you the chance to do that.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

A Free Digital Society - What Makes Digital Inclusion Good or Bad? http://www.gnu.org/philosophy/free-digital-society.html#education; Lecture at Sciences Po in Paris (19 October 2011)]
2010s

Amir Taheri photo

“De Bellaigue is at pains to portray Mossadegh as — in the words of the jacket copy — “one of the first liberals of the Middle East, a man whose conception of liberty was as sophisticated as any in Europe or America.” But the trouble is, there is nothing in Mossadegh’s career — spanning half a century, as provincial governor, cabinet minister, and finally prime minister — to portray him as even remotely a lover of liberty. De Bellaigue quotes Mossadegh as saying that a trusted leader is “that person whose every word is accepted and followed by the people.” To which de Bellaigue adds: “His understanding of democracy would always be coloured by traditional ideas of Muslim leadership, whereby the community chooses a man of outstanding virtue and follows him wherever he takes them.” Word for word, that could have been the late Ayatollah Khomeini’s definition of a true leader. Mossadegh also made a habit of appearing in his street meetings with a copy of the Koran in hand. According to de Bellaigue, Mossadegh liked to say that “anyone forgetting Islam is base and dishonourable, and should be killed.” During his premiership, Mossadegh demonstrated his dictatorial tendency to the full: Not once did he hold a full meeting of the council of ministers, ignoring the constitutional rule of collective responsibility. He dissolved the senate, the second chamber of the Iranian parliament, and shut down the Majlis, the lower house. He suspended a general election before all the seats had been decided and chose to rule with absolute power. He disbanded the high council of national currency and dismissed the supreme court. During much of his tenure, Tehran lived under a curfew while hundreds of his opponents were imprisoned. Toward the end of his premiership, almost all of his friends and allies had broken with him. Some even wrote to the secretary general of the United Nations to intervene to end Mossadegh’s dictatorship. But was Mossadegh a man of the people, as de Bellaigue portrays him? Again, the author’s own account provides a different picture. A landowning prince and the great-great-grandson of a Qajar king, Mossadegh belonged to the so-called thousand families who owned Iran. He and all his children were able to undertake expensive studies in Switzerland and France. The children had French nannies and, when they fell sick, were sent to Paris or Geneva for treatment. (De Bellaigue even insinuates that Mossadegh might have had a French sweetheart, although that is improbable.) On the one occasion when Mossadegh was sent to internal exile, he took with him a whole retinue, including his cook… As a model of patriotism, too, Mossadegh is unconvincing. According to his own memoirs, at the end of his law studies in Switzerland, he had decided to stay there and acquire Swiss citizenship. He changed his mind when he was told that he would have to wait ten years for that privilege. At the same time, Farmanfarma secured a “good post” for him in Iran, tempting him back home.”

Amir Taheri (1942) Iranian journalist

"Myths of Mossadegh" https://www.nationalreview.com/nrd/articles/302213/myths-mossadegh/page/0/1, National Review (June 25, 2012).

John Ferriar photo

“The princeps copy, clad in blue and gold.”

John Ferriar (1761–1815) British writer and physician

Illustrations of Sterne, Bibliomania, line 6, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Joanna MacGregor photo
Cory Doctorow photo

“One form of math denial is the belief in the ability to make computers that prevent copyright infringement. Computers only ever work by making copies: restricting copying on the internet is like restricting wetness in water.”

Cory Doctorow (1971) Canadian-British blogger, journalist, and science fiction author

The FBI wants a backdoor only it can use – but wanting it doesn't make it possible http://theguardian.com/technology/2016/feb/24/the-fbi-wants-a-backdoor-only-it-can-use-but-wanting-it-doesnt-make-it-possible in The Guardian (24 February 2016)

Samuel Johnson photo
Robert G. Ingersoll photo
Viktor Schauberger photo

“You must look at the processes of motion in the macrocosmos and microcosmos accurately, and copy them!”

Viktor Schauberger (1885–1958) austrian philosopher and inventor

Implosion Magazine, No. 14, p. 19 (Callum Coats: Energy Evolution (2000))
Implosion Magazine

Edward St. Aubyn photo
Robert G. Ingersoll photo
Kevin Barry photo
Benjamín Netanyahu photo
Bart D. Ehrman photo

“We don't even have copies of the copies of the originals, or copies of the copies of the copies of the originals. What we have are copies made later—much later.”

Introduction
Misquoting Jesus (2005)
Context: It is one thing to say that the originals were inspired, but the reality is that we don't have the originals—so saying they were inspired doesn't help me much, unless I can reconstruct the originals. Moreover, the vast majority of Christians for the entire history of the church have not had access to the originals, making their inspiration something of a moot point. Not only do we not have the originals, we don't have the first copies of the originals. We don't even have copies of the copies of the originals, or copies of the copies of the copies of the originals. What we have are copies made later—much later. In most instances, they are copies made many centuries later. And these copies all differ from one another, in many thousands of places. As we will see later in this book, these copies differ from one another in so many places that we don't even know how many differences there are. Possibly it is easiest to put it in comparative terms: there are more differences among our manuscripts than there are words in the New Testament.

Alan Watts photo
James Branch Cabell photo

“I do not seek to copy nature. I, on the contrary, create to divert me such faith and dreams as living among men would tend to destroy.”

James Branch Cabell (1879–1958) American author

The Gander, in Book Seven : What Saraïde Wanted, Ch. XLV : The Gander Also Generalizes
The Silver Stallion (1926)
Context: I do not seek to copy nature. I, on the contrary, create to divert me such faith and dreams as living among men would tend to destroy. But as it is, my worshipers depart from me heartedly, in this grey corridor, and they are devoid of fear and parvanimity; for the effect of my singing, like that of all great singing, is to fill my hearers with a sentiment of their importance as moral beings and the greatness of their destinies.

Marco Girolamo Vida photo

“Be sure, from nature never to depart;
To copy nature is the task of art.”

Praeterea haud lateat te nil conarier artem, Naturam nisi ut assimulet, propiusque sequatur. Hanc unam vates sibi proposuere magistram: Quicquid agunt, hujus semper vestigia servant.

Marco Girolamo Vida (1485–1566) Italian bishop

Book II, line 455
De Arte Poetica (1527)
Context: Be sure, from nature never to depart;
To copy nature is the task of art.
The noblest poets own her sovereign sway,
And ever follow where she leads the way.

Robert H. Jackson photo
Alan Watts photo

“There is no formula for generating the authentic warmth of love. It cannot be copied.”

Alan Watts (1915–1973) British philosopher, writer and speaker

The Wisdom of Insecurity (1951)
Context: There is no formula for generating the authentic warmth of love. It cannot be copied. You cannot talk yourself into it or rouse it by straining at the emotions or by dedicating yourself solemnly to the service of mankind. Everyone has love, but it can only come out when he is convinced of the impossibility and the frustration of trying to love himself. This conviction will not come through condemnations, through hating oneself, through calling self love bad names in the universe. It comes only in the awareness that one has no self to love.

Richard Stallman photo

“Well, Geoff forwarded me a copy of the DEC message, and I eat my words. I sure would have minded it!”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

Reaction to the first spam, after receiving a copy of it (9 May 1978) as quoted in "Reaction to the DEC Spam of 1978"
1970s
Context: Well, Geoff forwarded me a copy of the DEC message, and I eat my words. I sure would have minded it! Nobody should be allowed to send a message with a header that long, no matter what it is about.

P. J. O'Rourke photo
Marie-Louise von Franz photo

“Always at bottom there is a divine revelation, a divine act, and man has only had the bright idea of copying it.”

Marie-Louise von Franz (1915–1998) Swiss psychologist and scholar

Creation Myths (1972), Deus Faber
Context: Always at bottom there is a divine revelation, a divine act, and man has only had the bright idea of copying it. That is how the crafts all came into existence and is why they all have a mystical background. In primitive civilizations one is still aware of it, and this accounts for the fact that generally they are better craftsmen than we who have lost this awareness. If we think that every craft, whether carpenter's or smith's or weaver's, was a divine revelation, then we understand better the mystical process which certain creation myths characterize as God creating the world like a craftsman. By creating the world through such a craft he manifests a secret of his own mysterious skill.

Mikhail Gorbachev photo

“No one is in a position to describe in detail what perestroika will finally produce. But it would certainly be a self-delusion to expect that perestroika will produce "a copy" of anything.”

Mikhail Gorbachev (1931) General Secretary of the Communist Party of the Soviet Union

Nobel Address (1991)
Context: I began my book about perestroika and the new thinking with the following words: "We want to be understood". After a while I felt that it was already happening. But now I would like once again to repeat those words here, from this world rostrum. Because to understand us really — to understand so as to believe us — proved to be not at all easy, owing to the immensity of the changes under way in our country. Their magnitude and character are such as to require in-depth analysis. Applying conventional wisdom to perestroika is unproductive. It is also futile and dangerous to set conditions, to say: We'll understand and believe you, as soon as you, the Soviet Union, come completely to resemble "us", the West.
No one is in a position to describe in detail what perestroika will finally produce. But it would certainly be a self-delusion to expect that perestroika will produce "a copy" of anything.

George Pólya photo

“In those days editions did not run to thousands or hundreds of thousands of copies as modern books—especially, bad books—do.”

George Pólya (1887–1985) Hungarian mathematician

Mathematical Methods in Science (1977)
Context: The volume of the cone was discovered by Democritus... He did not prove it, he guessed it... not a blind guess, rather it was reasoned conjecture. As Archimedes has remarked, great credit is due to Democritus for his conjecture since this made proof much easier. Eudoxes... a pupil of Plato, subsequently gave a rigorous proof. Surely the labor or writing limited his manuscript to a few copies; none has survived. In those days editions did not run to thousands or hundreds of thousands of copies as modern books—especially, bad books—do. However, the substance of what he wrote is nevertheless available to us.... Euclid's great achievement was the systematization of the works of his predecessors. The Elements preserve several of Eudoxes' proofs.

Nina Paley photo

“Making more of a thing
That is what we call copying
Sharing ideas with everyone
That's why copying…
…Is fun!”

Nina Paley (1968) US animator, cartoonist and free culture activist

"Copying Is Not Theft - let the re-recording begin! (15 December 2009) https://www.youtube.com/watch?v=djVaJN0f0VQ ; also quoted in "Calling All Musicians: Can You Arrange This Song?" at QuestionCopyright.org http://questioncopyright.org/copying_isnt_theft ·  "We Are Creators Too: Nina Paley " (2009) — introduced by Paley singing a variant of the first stanza of her song https://www.youtube.com/watch?v=4uN7upUXSFk · "Copying Is Not Theft - Official Version" (1 April 2010) https://www.youtube.com/watch?v=IeTybKL1pM4
Context: Copying is not theft
Stealing a thing leaves one less left
Copying it makes one thing more
That's what copying's for.
Copying isn't theft
If I copy yours, you have it too
One for me and one for you
That's what copies can do.
If I steal your bicycle,
You have to take the bus
But if I just copy it,
There's one for each of us!
Making more of a thing
That is what we call copying
Sharing ideas with everyone
That's why copying...
... Is fun!

Richard Francis Burton photo

“Haply the Law that rules the world allows to man the widest range;
And haply Fate's a Theist-word, subject to human chance and change.
This "I" may find a future Life, a nobler copy of our own,
Where every riddle shall be ree'd, where every knowledge shall be known;
Where 'twill be man's to see the whole of what on Earth he sees in part;”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

The Kasîdah of Hâjî Abdû El-Yezdî (1870)
Context: Haply the Law that rules the world allows to man the widest range;
And haply Fate's a Theist-word, subject to human chance and change.
This "I" may find a future Life, a nobler copy of our own,
Where every riddle shall be ree'd, where every knowledge shall be known;
Where 'twill be man's to see the whole of what on Earth he sees in part;
Where change shall ne'er surcharge the thought; nor hope defer'd shall hurt the heart.

John Hicks photo

“Investment of capital, to yield its fruit in the future, must be based on expectations, of opportunities in the future. When I put this to Hayek, he told me that this was indeed the direction in which he had been thinking. Hayek gave me a copy of a paper on 'intertemporal equilibrium', which he had written some years before his arrival in London; the conditions for a perfect foresight equilibrium were there set out in a very sophisticated manner.”

John Hicks (1904–1989) British economist

Source: Money, Interest and Wages, (1982), p. 6
Context: I remember Robbins asking me if I could turn the Hayek model into mathematics... it began to dawn on me that... the model must be better specified. It was claimed that, if there were no monetary disturbance, the system would remain in 'equilibrium'. What could such an equilibrium mean? This, as it turned out, was a very deep question; I could do no more, in 1932, than make a start at answering it. I began by looking at what had been said by... Pareto and Wicksell. Their equilibrium was a static equilibrium, in which neither prices nor outputs were changing... That, clearly, would not do for Hayek. His 'equilibrium' must be progressive equilibrium, in which real wages, in particular, would be rising, so relative prices could not remain unchange … The next step in my thinking, was … equilibrium with perfect foresight. Investment of capital, to yield its fruit in the future, must be based on expectations, of opportunities in the future. When I put this to Hayek, he told me that this was indeed the direction in which he had been thinking. Hayek gave me a copy of a paper on 'intertemporal equilibrium', which he had written some years before his arrival in London; the conditions for a perfect foresight equilibrium were there set out in a very sophisticated manner.

Jerome photo

“We are always ready to imitate what is evil; and faults are quickly copied where virtues appear inattainable.”
Proclivis est enim malorum aemulatio, et quorum virtutes assequi nequeas, cito imitaris vitia.

Jerome (345–420) Catholic saint and Doctor of the Church

Leter 107
Letters

Nina Paley photo

“Copying is not theft
Stealing a thing leaves one less left
Copying it makes one thing more
That's what copying's for.”

Nina Paley (1968) US animator, cartoonist and free culture activist

"Copying Is Not Theft - let the re-recording begin! (15 December 2009) https://www.youtube.com/watch?v=djVaJN0f0VQ ; also quoted in "Calling All Musicians: Can You Arrange This Song?" at QuestionCopyright.org http://questioncopyright.org/copying_isnt_theft ·  "We Are Creators Too: Nina Paley " (2009) — introduced by Paley singing a variant of the first stanza of her song https://www.youtube.com/watch?v=4uN7upUXSFk · "Copying Is Not Theft - Official Version" (1 April 2010) https://www.youtube.com/watch?v=IeTybKL1pM4
Context: Copying is not theft
Stealing a thing leaves one less left
Copying it makes one thing more
That's what copying's for.
Copying isn't theft
If I copy yours, you have it too
One for me and one for you
That's what copies can do.
If I steal your bicycle,
You have to take the bus
But if I just copy it,
There's one for each of us!
Making more of a thing
That is what we call copying
Sharing ideas with everyone
That's why copying...
... Is fun!

TotalBiscuit photo

“This is a developer who has repeatedly acted in an underhanded way, and continues to do so to this very day. A developer that not only cannot take criticism, but actively goes out to censor it with the sole purpose of selling as many copies of their wretched disaster of a game as possible.”

TotalBiscuit (1984–2018) British game commentator

Other videos, This video is no longer available: The Day One[:<nowiki>]</nowiki> Garry's Incident Incident
Context: I think you can see this is not an innocent developer being attacked and abused by some YouTuber out to profiteer from their hard work. This is a developer who has repeatedly acted in an underhanded way, and continues to do so to this very day. A developer that not only cannot take criticism, but actively goes out to censor it with the sole purpose of selling as many copies of their wretched disaster of a game as possible.

Alain photo

“Every boat is copied from another boat…”

Alain (1868–1951) French philosopher

Propos d’un Normand (1908); as quoted in "Natural selection and cultural rates of change" by D. S. Rogers and P. R. Ehrlich (2008) Proceedings of the National Academy of Sciences 105:3416–3420
Context: Every boat is copied from another boat... Let’s reason as follows in the manner of Darwin. It is clear that a very badly made boat will end up at the bottom after one or two voyages, and thus never be copied... One could then say, with complete rigor, that it is the sea herself who fashions the boats, choosing those which function and destroying the others.

David Hume photo

“If we survey a ship, what an exalted idea must we form of the ingenuity of the carpenter who framed so complicated, useful, and beautiful a machine? And what surprise must we feel, when we find him a stupid mechanic, who imitated others, and copied an art, which, through a long succession of ages, after multiplied trials, mistakes, corrections, deliberations, and controversies, had been gradually improving? Many worlds might have been botched and bungled, throughout an eternity, ere this system was struck out; much labour lost; many fruitless trials made; and a slow, but continued improvement carried on during infinite ages in the art of world-making.”

Philo to Cleanthes, Part V<!--pp. 106-107-->
Dialogues Concerning Natural Religion (1779)
Context: But were this world ever so perfect a production, it must still remain uncertain, whether all the excellencies of the work can justly be ascribed to the workman. If we survey a ship, what an exalted idea must we form of the ingenuity of the carpenter who framed so complicated, useful, and beautiful a machine? And what surprise must we feel, when we find him a stupid mechanic, who imitated others, and copied an art, which, through a long succession of ages, after multiplied trials, mistakes, corrections, deliberations, and controversies, had been gradually improving? Many worlds might have been botched and bungled, throughout an eternity, ere this system was struck out; much labour lost; many fruitless trials made; and a slow, but continued improvement carried on during infinite ages in the art of world-making. In such subjects, who can determine, where the truth; nay, who can conjecture where the probability, lies; amidst a great number of hypotheses which may be proposed, and a still greater number which may be imagined?

Adolphe Quetelet photo

“Their successors have not devoted themselves to such serious studies, and hence it so frequently happens that they are reduced to content themselves, either with copying from those who went before them, or with working after individual models, whose proportions they modify according to mere caprice, without having any just or proper ideas of the beautiful.”

Adolphe Quetelet (1796–1874) Belgian astronomer, mathematician, statistician and sociologist

Preface of M. Quetelet
A Treatise on Man and the Development of His Faculties (1842)
Context: The principal artists of the era of the revival of letters, such as Leon Baptista Alberti, Michael Angelo, Leonardo da Vinci, Albert Durer, with many others who what art ought to borrow from science, felt the necessity of resorting to observation, in order to rebuild in some sort the ruined monument of ancient artistical skill. They studied nature in a philosophical manner; sought to strike out the limits within which they ought to confine themselves in order to be truthlike... and from those profound studies which kept them ever before the face of nature, they deduced original views and new models, destined to distinguish for ever that celebrated age. The proportions of the human body did not alone attract their attention: anatomy, perspective, and chemistry, formed parts of their studies; nothing was neglected; and some of these great artists even gained for themselves a first place among the geometers of their day. Their successors have not devoted themselves to such serious studies, and hence it so frequently happens that they are reduced to content themselves, either with copying from those who went before them, or with working after individual models, whose proportions they modify according to mere caprice, without having any just or proper ideas of the beautiful.

Billy Wilder photo
William Godwin photo
China Miéville photo
Derek Parfit photo
Wendy Doniger photo

“My mother had rubbings from the temple at Angkor Watt on the walls-that was the first thing that interested me. But it really began when I was in my teens, when my mother gave me a copy of A Passage to India.”

Wendy Doniger (1940) American Indologist

I really came into it from literature-only later did I turn to religious literature. I read Rumer Godden's Mooltiki, and other stories and poems of India(1957) and I read Kipling's Jungle Books. Then I read the Upanishads, and it was just so fascinating to me. I was raised by atheist and communist parents, so we had no religion whatsoever.
About her first introduction to India.
Q&A with Wendy Doniger, the Mircea Eliade Distinguished Service Professor and author of The Hindus

Thomas Jefferson photo
Charles Stross photo

“A religious college in Cairo is considering issues of nanotechnology: If replicators are used to prepare a copy of a strip of bacon, right down to the molecular level, but without it ever being part of a pig, how is it to be treated?”

If the mind of one of the faithful is copied into a computing machine’s memory by mapping and simulating all its synapses, is the computer now a Moslem? If not, why not? If so, what are its rights and duties?
Source: Accelerando (2005), Chapter 4 (“Halo”), pp. 146-147

Mary McCarthy photo
Alhazen photo

“He moved to Egypt and supported himself by teaching and by copying Arabic translations of Greek mathematical classics such as Euclid’s Elements and Ptolemy’s Almagest.”

Alhazen (965–1038) Arab physicist, mathematician and astronomer

Abdelhamid I. Sabra, in “Ibn al-Haytham Brief life of an Arab mathematician: died circa 1040 (September-October 2003)”

Seneca the Younger photo
Tucker Carlson photo

“Tucker Carlson began at The Weekly Standard. Tucker Carlson was a great young reporter. He was one of the most gifted 24-year-olds I’ve seen in the 20 years that I edited the magazine. His copy was sort of perfect at age 24.He had always a little touch of Pat Buchananism, I would say, paleo-conservativism.”

Tucker Carlson (1969) American political commentator

But that’s very different from what he’s become now. I mean, it is close now to racism, white — I mean, I don’t know if it’s racism exactly — but ethno-nationalism of some kind, let’s call it. A combination of dumbing down, as you said earlier, and stirring people’s emotions in a very unhealthy way.
Bill Kristol, January 25, 2018 ([Bill Kristol takes on Fox News, Tucker Carlson: ‘I don’t know if it’s racism exactly – but ethno-nationalism of some kind’, w:John Harwood, John, Harwood, January 25, 2018, NBC News, https://www.cnbc.com/2018/01/24/bill-kristol-takes-on-fox-news-tucker-carlson.html, CNBC])

Jeet Thayil photo
Rajinikanth photo
Richard Rodríguez photo
Antony Flew photo
Sinclair Lewis photo
China Miéville photo

“Abomination from one perspective, it was advertising copy from another.”

The 9th Technique (p. 102)
Short Fiction, Three Moments of an Explosion (2015)

Marilyn Ferguson photo
E.M. Forster photo
Karl Pearson photo
Thomas Babington Macaulay, 1st Baron Macaulay photo

“At last I have attained true glory. As I walked through Fleet Street the day before yesterday, I saw a copy of Hume at a bookseller's window with the following label: “Only 2l. 2s. Hume's History of England in eight volumes, highly valuable as an introduction to Macaulay.””

Thomas Babington Macaulay, 1st Baron Macaulay (1800–1859) British historian and Whig politician

I laughed so convulsively that the other people who were staring at the books took me for a poor demented gentleman. Alas for poor David!
Journal entry (8 March 1849), quoted in George Otto Trevelyan, The Life and Letters of Lord Macaulay, Volume II (1876), p. 253
1840s

Donna Tartt photo
Umair Ahmad photo

“Competition reduces people's creativity. And the trend of copying is increasing. Ungratefulness comes from comparison, and comparison comes from competition.”

Umair Ahmad (1997) Businessman

Speaking to journalist Iftikhar Ahmad (December 2017) as quoted in Media Imperialism in India and Pakistan (2019) by Farooq Sulehria, p. 59

Sören Kierkegaard photo
Ma Huateng photo

“But copying others can't make you great. So the key is how to localize a great idea and create domestic innovation.”

Ma Huateng (1971) Chinese internet entrepreneur

"A mysterious message millionaire" in China Daily (12 January 2009) http://www.chinadaily.com.cn/business/2009-01/12/content_7388202.htm

Frank Herbert photo