
Two excellent Persian translations are available.
When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).
Two excellent Persian translations are available.
When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).
as quoted by Mikhail Guerman, in Albert Marquet – The Paradox of Time, Parkstone Aurora Publishers, Bournemouth England, 1995, p. 11
Juicy J Interview Rubba band Business Wiz Khalifa Juicy J https://www.billboard.com/articles/columns/hip-hop/8070920/juicy-j-interview-rubba-band-business-wiz-khalifa
Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 411
Life 3.0: Being Human in the Age of Artificial Intelligence (2017)
in Henry Moore on Sculpture, James, Philip, New York: Viking Press, (1967), p. 68
1955 - 1970
"Why I Wrote The Yellow Wallpaper" in The Forerunner (October 1913) http://www.library.csi.cuny.edu/dept/history/lavender/whyyw.html
Introduction
Whose Word Is It?: The Story Behind Who Changed the New Testament and Why (2006)
The Art of Doing Science and Engineering: Learning to Learn (1991)
Hindu Temples – What Happened to Them, Volume II (1993)
Blue Like Jazz (2003, Nelson Books)
“Great poets are great copy editors.”
Life Is Poetry http://www.poemhunter.com/poem/life-is-poetry/
From the poems written in English
"The intolerance of diversity" (22 December 2011) http://youtube.com/watch?v=IolHgMf_nbw
2011
In a report in 1792 - Goya wrote to the Academy of San Fernando, on 'teaching art'; as quoted in Francisco Goya y Licientis, Janis Tomlinson, Phaodon 1999, p. 70
1790s
"The Artist of the Beautiful" (1844)
Talk at Seattle University, March 13 2009 http://www.youtube.com/watch?v=tbcy_ZxXLl8
“The morning after I die. And the first 12 copies go to the Inland Revenue”
Financial Times. November 23, 2004
Bernie Ecclestone's response from a tongue in cheek interview question that asked: “So when’s your autobiography going to be published, Bernie?”
Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 70-73
A Free Digital Society - What Makes Digital Inclusion Good or Bad? http://www.gnu.org/philosophy/free-digital-society.html#education; Lecture at Sciences Po in Paris (19 October 2011)]
2010s
"Myths of Mossadegh" https://www.nationalreview.com/nrd/articles/302213/myths-mossadegh/page/0/1, National Review (June 25, 2012).
“The princeps copy, clad in blue and gold.”
Illustrations of Sterne, Bibliomania, line 6, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
The FBI wants a backdoor only it can use – but wanting it doesn't make it possible http://theguardian.com/technology/2016/feb/24/the-fbi-wants-a-backdoor-only-it-can-use-but-wanting-it-doesnt-make-it-possible in The Guardian (24 February 2016)
Implosion Magazine, No. 14, p. 19 (Callum Coats: Energy Evolution (2000))
Implosion Magazine
Interview with Kevin Barry (c. 2012)
than the Holocaust."
Speech at AIPAC Policy Conference in March 2012 http://www.aipac.org/pc/videos/2012/monday-gala-plenary/prime-minister-benjamin-netanyahu
2010s, 2012
Introduction
Misquoting Jesus (2005)
Context: It is one thing to say that the originals were inspired, but the reality is that we don't have the originals—so saying they were inspired doesn't help me much, unless I can reconstruct the originals. Moreover, the vast majority of Christians for the entire history of the church have not had access to the originals, making their inspiration something of a moot point. Not only do we not have the originals, we don't have the first copies of the originals. We don't even have copies of the copies of the originals, or copies of the copies of the copies of the originals. What we have are copies made later—much later. In most instances, they are copies made many centuries later. And these copies all differ from one another, in many thousands of places. As we will see later in this book, these copies differ from one another in so many places that we don't even know how many differences there are. Possibly it is easiest to put it in comparative terms: there are more differences among our manuscripts than there are words in the New Testament.
Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 53-54
The Gander, in Book Seven : What Saraïde Wanted, Ch. XLV : The Gander Also Generalizes
The Silver Stallion (1926)
Context: I do not seek to copy nature. I, on the contrary, create to divert me such faith and dreams as living among men would tend to destroy. But as it is, my worshipers depart from me heartedly, in this grey corridor, and they are devoid of fear and parvanimity; for the effect of my singing, like that of all great singing, is to fill my hearers with a sentiment of their importance as moral beings and the greatness of their destinies.
“Be sure, from nature never to depart;
To copy nature is the task of art.”
Praeterea haud lateat te nil conarier artem,
Naturam nisi ut assimulet, propiusque sequatur.
Hanc unam vates sibi proposuere magistram:
Quicquid agunt, hujus semper vestigia servant.
Book II, line 455
De Arte Poetica (1527)
Context: Be sure, from nature never to depart;
To copy nature is the task of art.
The noblest poets own her sovereign sway,
And ever follow where she leads the way.
Here, for every German to hearken to, were the "ancestral voices prophesying war."
Summation for the Prosecution, July 26, 1946
Quotes from the Nuremberg Trials (1945-1946)
“There is no formula for generating the authentic warmth of love. It cannot be copied.”
The Wisdom of Insecurity (1951)
Context: There is no formula for generating the authentic warmth of love. It cannot be copied. You cannot talk yourself into it or rouse it by straining at the emotions or by dedicating yourself solemnly to the service of mankind. Everyone has love, but it can only come out when he is convinced of the impossibility and the frustration of trying to love himself. This conviction will not come through condemnations, through hating oneself, through calling self love bad names in the universe. It comes only in the awareness that one has no self to love.
Reaction to the first spam, after receiving a copy of it (9 May 1978) as quoted in "Reaction to the DEC Spam of 1978"
1970s
Context: Well, Geoff forwarded me a copy of the DEC message, and I eat my words. I sure would have minded it! Nobody should be allowed to send a message with a header that long, no matter what it is about.
"Putting Words in the President's Mouth" (12 October 2004)
Creation Myths (1972), Deus Faber
Context: Always at bottom there is a divine revelation, a divine act, and man has only had the bright idea of copying it. That is how the crafts all came into existence and is why they all have a mystical background. In primitive civilizations one is still aware of it, and this accounts for the fact that generally they are better craftsmen than we who have lost this awareness. If we think that every craft, whether carpenter's or smith's or weaver's, was a divine revelation, then we understand better the mystical process which certain creation myths characterize as God creating the world like a craftsman. By creating the world through such a craft he manifests a secret of his own mysterious skill.
Nobel Address (1991)
Context: I began my book about perestroika and the new thinking with the following words: "We want to be understood". After a while I felt that it was already happening. But now I would like once again to repeat those words here, from this world rostrum. Because to understand us really — to understand so as to believe us — proved to be not at all easy, owing to the immensity of the changes under way in our country. Their magnitude and character are such as to require in-depth analysis. Applying conventional wisdom to perestroika is unproductive. It is also futile and dangerous to set conditions, to say: We'll understand and believe you, as soon as you, the Soviet Union, come completely to resemble "us", the West.
No one is in a position to describe in detail what perestroika will finally produce. But it would certainly be a self-delusion to expect that perestroika will produce "a copy" of anything.
Mathematical Methods in Science (1977)
Context: The volume of the cone was discovered by Democritus... He did not prove it, he guessed it... not a blind guess, rather it was reasoned conjecture. As Archimedes has remarked, great credit is due to Democritus for his conjecture since this made proof much easier. Eudoxes... a pupil of Plato, subsequently gave a rigorous proof. Surely the labor or writing limited his manuscript to a few copies; none has survived. In those days editions did not run to thousands or hundreds of thousands of copies as modern books—especially, bad books—do. However, the substance of what he wrote is nevertheless available to us.... Euclid's great achievement was the systematization of the works of his predecessors. The Elements preserve several of Eudoxes' proofs.
"Copying Is Not Theft - let the re-recording begin! (15 December 2009) https://www.youtube.com/watch?v=djVaJN0f0VQ ; also quoted in "Calling All Musicians: Can You Arrange This Song?" at QuestionCopyright.org http://questioncopyright.org/copying_isnt_theft · "We Are Creators Too: Nina Paley " (2009) — introduced by Paley singing a variant of the first stanza of her song https://www.youtube.com/watch?v=4uN7upUXSFk · "Copying Is Not Theft - Official Version" (1 April 2010) https://www.youtube.com/watch?v=IeTybKL1pM4
Context: Copying is not theft
Stealing a thing leaves one less left
Copying it makes one thing more
That's what copying's for.
Copying isn't theft
If I copy yours, you have it too
One for me and one for you
That's what copies can do.
If I steal your bicycle,
You have to take the bus
But if I just copy it,
There's one for each of us!
Making more of a thing
That is what we call copying
Sharing ideas with everyone
That's why copying...
... Is fun!
Source: How the Irish Saved Civilization (1995), Ch. VI What Was Found
The Kasîdah of Hâjî Abdû El-Yezdî (1870)
Context: Haply the Law that rules the world allows to man the widest range;
And haply Fate's a Theist-word, subject to human chance and change.
This "I" may find a future Life, a nobler copy of our own,
Where every riddle shall be ree'd, where every knowledge shall be known;
Where 'twill be man's to see the whole of what on Earth he sees in part;
Where change shall ne'er surcharge the thought; nor hope defer'd shall hurt the heart.
Source: Money, Interest and Wages, (1982), p. 6
Context: I remember Robbins asking me if I could turn the Hayek model into mathematics... it began to dawn on me that... the model must be better specified. It was claimed that, if there were no monetary disturbance, the system would remain in 'equilibrium'. What could such an equilibrium mean? This, as it turned out, was a very deep question; I could do no more, in 1932, than make a start at answering it. I began by looking at what had been said by... Pareto and Wicksell. Their equilibrium was a static equilibrium, in which neither prices nor outputs were changing... That, clearly, would not do for Hayek. His 'equilibrium' must be progressive equilibrium, in which real wages, in particular, would be rising, so relative prices could not remain unchange … The next step in my thinking, was … equilibrium with perfect foresight. Investment of capital, to yield its fruit in the future, must be based on expectations, of opportunities in the future. When I put this to Hayek, he told me that this was indeed the direction in which he had been thinking. Hayek gave me a copy of a paper on 'intertemporal equilibrium', which he had written some years before his arrival in London; the conditions for a perfect foresight equilibrium were there set out in a very sophisticated manner.
“We are always ready to imitate what is evil; and faults are quickly copied where virtues appear inattainable.”
Proclivis est enim malorum aemulatio, et quorum virtutes assequi nequeas, cito imitaris vitia.
Leter 107
Letters
"Copying Is Not Theft - let the re-recording begin! (15 December 2009) https://www.youtube.com/watch?v=djVaJN0f0VQ ; also quoted in "Calling All Musicians: Can You Arrange This Song?" at QuestionCopyright.org http://questioncopyright.org/copying_isnt_theft · "We Are Creators Too: Nina Paley " (2009) — introduced by Paley singing a variant of the first stanza of her song https://www.youtube.com/watch?v=4uN7upUXSFk · "Copying Is Not Theft - Official Version" (1 April 2010) https://www.youtube.com/watch?v=IeTybKL1pM4
Context: Copying is not theft
Stealing a thing leaves one less left
Copying it makes one thing more
That's what copying's for.
Copying isn't theft
If I copy yours, you have it too
One for me and one for you
That's what copies can do.
If I steal your bicycle,
You have to take the bus
But if I just copy it,
There's one for each of us!
Making more of a thing
That is what we call copying
Sharing ideas with everyone
That's why copying...
... Is fun!
Other videos, This video is no longer available: The Day One[:<nowiki>]</nowiki> Garry's Incident Incident
Context: I think you can see this is not an innocent developer being attacked and abused by some YouTuber out to profiteer from their hard work. This is a developer who has repeatedly acted in an underhanded way, and continues to do so to this very day. A developer that not only cannot take criticism, but actively goes out to censor it with the sole purpose of selling as many copies of their wretched disaster of a game as possible.
“Every boat is copied from another boat…”
Propos d’un Normand (1908); as quoted in "Natural selection and cultural rates of change" by D. S. Rogers and P. R. Ehrlich (2008) Proceedings of the National Academy of Sciences 105:3416–3420
Context: Every boat is copied from another boat... Let’s reason as follows in the manner of Darwin. It is clear that a very badly made boat will end up at the bottom after one or two voyages, and thus never be copied... One could then say, with complete rigor, that it is the sea herself who fashions the boats, choosing those which function and destroying the others.
Philo to Cleanthes, Part V<!--pp. 106-107-->
Dialogues Concerning Natural Religion (1779)
Context: But were this world ever so perfect a production, it must still remain uncertain, whether all the excellencies of the work can justly be ascribed to the workman. If we survey a ship, what an exalted idea must we form of the ingenuity of the carpenter who framed so complicated, useful, and beautiful a machine? And what surprise must we feel, when we find him a stupid mechanic, who imitated others, and copied an art, which, through a long succession of ages, after multiplied trials, mistakes, corrections, deliberations, and controversies, had been gradually improving? Many worlds might have been botched and bungled, throughout an eternity, ere this system was struck out; much labour lost; many fruitless trials made; and a slow, but continued improvement carried on during infinite ages in the art of world-making. In such subjects, who can determine, where the truth; nay, who can conjecture where the probability, lies; amidst a great number of hypotheses which may be proposed, and a still greater number which may be imagined?
Preface of M. Quetelet
A Treatise on Man and the Development of His Faculties (1842)
Context: The principal artists of the era of the revival of letters, such as Leon Baptista Alberti, Michael Angelo, Leonardo da Vinci, Albert Durer, with many others who what art ought to borrow from science, felt the necessity of resorting to observation, in order to rebuild in some sort the ruined monument of ancient artistical skill. They studied nature in a philosophical manner; sought to strike out the limits within which they ought to confine themselves in order to be truthlike... and from those profound studies which kept them ever before the face of nature, they deduced original views and new models, destined to distinguish for ever that celebrated age. The proportions of the human body did not alone attract their attention: anatomy, perspective, and chemistry, formed parts of their studies; nothing was neglected; and some of these great artists even gained for themselves a first place among the geometers of their day. Their successors have not devoted themselves to such serious studies, and hence it so frequently happens that they are reduced to content themselves, either with copying from those who went before them, or with working after individual models, whose proportions they modify according to mere caprice, without having any just or proper ideas of the beautiful.
The Enquirer : Reflections on Education, Manners, and Literature (1797), Essay XV : Of Choice In Reading, p. 130, (1823 edition)
I really came into it from literature-only later did I turn to religious literature. I read Rumer Godden's Mooltiki, and other stories and poems of India(1957) and I read Kipling's Jungle Books. Then I read the Upanishads, and it was just so fascinating to me. I was raised by atheist and communist parents, so we had no religion whatsoever.
About her first introduction to India.
Q&A with Wendy Doniger, the Mircea Eliade Distinguished Service Professor and author of The Hindus
Letter to a Mr. Hazard (18 February 1791) published in The Writings of Thomas Jefferson (1853), Vol. 2, edited by Henry Augustine Washington, p. 211
1790s
"Epistle from Mother Carey's Chicken"
Birds of America (1971)
Abdelhamid I. Sabra, in “Ibn al-Haytham Brief life of an Arab mathematician: died circa 1040 (September-October 2003)”
But that’s very different from what he’s become now. I mean, it is close now to racism, white — I mean, I don’t know if it’s racism exactly — but ethno-nationalism of some kind, let’s call it. A combination of dumbing down, as you said earlier, and stirring people’s emotions in a very unhealthy way.
Bill Kristol, January 25, 2018 ([Bill Kristol takes on Fox News, Tucker Carlson: ‘I don’t know if it’s racism exactly – but ethno-nationalism of some kind’, w:John Harwood, John, Harwood, January 25, 2018, NBC News, https://www.cnbc.com/2018/01/24/bill-kristol-takes-on-fox-news-tucker-carlson.html, CNBC])
Rajini acts in front of the camera, never behind it' (22 December 1999)
Helpfully, my copy of The Oxford Dictionary defines a bigot as ‘an obstinate or intolerant adherent of a point of view’
Flew's review of The God Delusion
Dorothy Thompson, his ex-wife, in "The Boy From Sauk Center" in The Atlantic (November 1960)
“Abomination from one perspective, it was advertising copy from another.”
The 9th Technique (p. 102)
Short Fiction, Three Moments of an Explosion (2015)
The Aquarian Conspiracy (1980), Chapter Five, The American Matrix for Transformation
I laughed so convulsively that the other people who were staring at the books took me for a poor demented gentleman. Alas for poor David!
Journal entry (8 March 1849), quoted in George Otto Trevelyan, The Life and Letters of Lord Macaulay, Volume II (1876), p. 253
1840s
On how writers should avoid analyzing their own work in “Donna Tartt on The Goldfinch, Inspiration, and the Perils of Literary Fame” https://www.townandcountrymag.com/leisure/arts-and-culture/a29022016/donna-tartt-goldfinch-interview/ in Town & Country (2019 Sep 12)
Speaking to journalist Iftikhar Ahmad (December 2017) as quoted in Media Imperialism in India and Pakistan (2019) by Farooq Sulehria, p. 59
"A mysterious message millionaire" in China Daily (12 January 2009) http://www.chinadaily.com.cn/business/2009-01/12/content_7388202.htm