Quotes about copy
page 2

Auguste Rodin photo

“To produce good sculpture it is not necessary to copy the works of antiquity; it is necessary first of all to regard the works of nature, and to see in those of the classics only the method by which they have interpreted nature.”

Auguste Rodin (1840–1917) French sculptor

Attributed to Auguste Rodin by Isadora Duncan, As quoted in Modern Dancing and Dancers (1912) by John Ernest Crawford Flitch, p. 105.
1900s-1940s

Poul Anderson photo
François de La Rochefoucauld photo
Paul Gauguin photo

“I do not paint by copying nature. Everything I do springs from my wild imagination.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1890s - 1910s, The Writings of a Savage (1996), p. 22: quote in a letter to Ambroise Vollard, 1900

Aubrey Beardsley photo
Paul Gauguin photo

“Don't copy nature too closely. Art is an abstraction; as you dream amide nature, extrapolate art from it and concentrate on what you will create as a result.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1870s - 1880s, The Writings of a Savage (1996), pp. 5 & 22: Gauguin is advising a fellow painter, 1885

Max Tegmark photo
Georg Brandes photo
Charles Stross photo
David Hume photo

“That original intelligence, say the MAGIANS, who is the first principle of all things, discovers himself immediately to the mind and understanding alone; but has placed the sun as his image in the visible universe; and when that bright luminary diffuses its beams over the earth and the firmament, it is a faint copy of the glory which resides in the higher heavens. If you would escape the displeasure of this divine being, you must be careful never to set your bare foot upon the ground, nor spit into a fire, nor throw any water upon it, even though it were consuming a whole city. Who can express the perfections of the Almighty? say the Mahometans. Even the noblest of his works, if compared to him, are but dust and rubbish. How much more must human conception fall short of his infinite perfections? His smile and favour renders men for ever happy; and to obtain it for your children, the best method is to cut off from them, while infants, a little bit of skin, about half the breadth of a farthing. Take two bits of cloth, say the Roman catholics, about an inch or an inch and a half square, join them by the corners with two strings or pieces of tape about sixteen inches long, throw this over your head, and make one of the bits of cloth lie upon your breast, and the other upon your back, keeping them next your skin: There is not a better secret for recommending yourself to that infinite Being, who exists from eternity to eternity.”

Part VII - Confirmation of this doctrine
The Natural History of Religion (1757)

John James Audubon photo
Camille Pissarro photo

“What I dislike is that he [= Paul Gauguin ] copied these elements from the Japanese, the Byzantine painters and others. I criticize him for not applying his synthesis to our modern philosophy which is absolutely social, anti-authoritarian and anti-mystical. - There is where the problem becomes serious. This is a step backwards; Gauguin is not a seer, he is a schemer… The symbolists also take this line! What do you think? They must be fought like the pest!”

Camille Pissarro (1830–1903) French painter

Quote of Camille Pissarro, in a letter to his son, 20 April 1891, in Camille Pissarro - Letters to His Son Lucien, ed. John Rewald, with assistance of Lucien Pissarro – (translated from the unpublished French letters by Lionel Abel); Pantheon Books Inc. New York, second edition, 1943, p. 163
1890's

Martin Amis photo
Ingmar Bergman photo
Margaret Cho photo
William Grey Walter photo
Jack Valenti photo
Amit Chaudhuri photo
Peter Sunde photo
Richard Stallman photo
Will Eisner photo

“Graves: When copying the “Dialogues”…why would the :Protocols” alter “coups d'etat: to “revolution”?
Raslovlev: Obviously it was to address the Tsar’s concern over a Russian revolution, eh?”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), p.80

William John Macquorn Rankine photo
Daniel Dennett photo

“Evolution embodies information in every part of every organism. … This information doesn't have to be copied into the brain at all. It doesn't have to be "represented" in "data structures" in the nervous system. It can be exploited by the nervous system, however, which is designed to rely on, or exploit, the information in the hormonal systems just as it is designed to rely on, or exploit, the information embodied in your limbs and eyes. So there is wisdom, particularly about preferences, embodied in the rest of the body. By using the old bodily systems as a sort of sounding board, or reactive audience, or critic, the central nervous system can be guided — sometimes nudged, sometimes slammed — into wise policies. Put it to the vote of the body, in effect….When all goes well, harmony reigns and the various sources of wisdom in the body cooperate for the benefit of the whole, but we are all too familiar with the conflicts that can provoke the curious outburst "My body has a mind of its own!" Sometimes, apparently, it is tempting to lump together some of the embodied information into a separate mind. Why? Because it is organized in such a way that it can sometimes make independent discriminations, consult preferences, make decisions, enact policies that are in competition with your mind. At such time, the Cartesian perspective of a puppeteer self trying desperately to control an unruly body-puppet is very powerful. Your body can vigorously betray the secrets you are desperately trying to keep — by blushing and trembling or sweating, to mention only the most obvious cases. It can "decide" that in spite of your well-laid plans, right now would be a good time for sex, not intellectual discussion, and then take embarrassing steps in preparation for a coup d'etat. On another occasion, to your even greater chagrin and frustration, it can turn a deaf ear on your own efforts to enlist it for a sexual campaign, forcing you to raise the volume, twirl the dials, try all manner of preposterous cajolings to persuade it.”

Daniel Dennett (1942) American philosopher

Kinds of Minds (1996)

Alfred Korzybski photo
Hans Arp photo

“By the time I was 16, the everlasting copying of stuffed birds and withered flowers at the Strasbourg School of Applied Art not only poisoned drawing for me but destroyed my taste for all artistic activity. I took refuge in poetry.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Looking, Arp, Jean; as quoted by Soby, James Thrall. Arp: The Museum of Modern Art. Doubleday, New York, 1958, Print. p. 12
1960s

David Mumford photo
Eugène Delacroix photo
Robert Fulghum photo
Bruce Fairchild Barton photo

“I had never thought of advertising as a life work, though I had on the side, written some very successful copy.”

Bruce Fairchild Barton (1886–1967) American author, politician and advertising executive

As quoted in The Mirror Makers: A History of American Advertising and Its Creators (1984) by Steven Fox

Michael Lewis photo
John D. Carmack photo

“It's nice to have a game that sells a million copies.”

John D. Carmack (1970) American computer programmer, engineer, and businessman

Quoted in John Carmack Biography http://www.biographybase.com/biography/Carmack_John.html.

Lima Barreto photo
Clive Staples Lewis photo

“Try now to answer my third riddle. By what rule to you tell a copy from an original?”

Pilgrim’s Regress 52
The Pilgrim's Regress (1933)

Isaac Barrow photo
Howard S. Becker photo
Roy Lichtenstein photo
Arthur Schopenhauer photo
André Breton photo
Paul Gauguin photo

“Copying nature — what is that supposed to mean? Follow the masters! But why should one follow them? The only reason they are masters is that they didn't follow anybody!”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1890s - 1910s, The Writings of a Savage (1996), p. 108: cited by Eugène Tardieu, 'Interview with Paul Gauguin,' in L'Écho de Paris, (13 May 1895)

Charles Babbage photo

“There are in the Exhibition some beautiful examples of such lace amongst the productions of other countries as well as of our own. They are made by the united labour of many women. The cost of a piece of lace will consist of:
# The remuneration to the artist who designs the pattern.
# The cost of the raw material.
# The cost of the labour of a large number of women working on it for many months.
Let us compare this with the cost of a piece of statuary, which is undoubtedly of a much higher class of art; it will consist of:
# The remuneration to the artist who makes the model.
# The cost of the raw material.
# The cost of labour, by assistants in cutting the block to the pattern of the model.
# Finishing the statue by the artist himself.
In lace making the skill of the artist is required only for the production of the first example. Every succeeding copy is made by mere labour: each copy may be considered as an individual, and will cost the same amount of time.
In sculpture the three first processes are quite analogous to those in lace-making. But the fourth process requires the taste and judgment of the artist. It is this which causes it to retain its rank amongst the fine arts, whilst lacemaking must still be classed amongst the industrial.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

Source: The Exposition of 1851: Views Of The Industry, The Science, and the Government Of England, 1851, p. 49-50

Dana Gioia photo
Tony Benn photo

“Workers are not going to be fobbed off with a few shares… or by a carbon copy of the German system of co-determination.”

Tony Benn (1925–2014) British Labour Party politician

Speech in Southampton (25 May 1971).
1970s

Jacques Lipchitz photo

“Copy nature and you infringe on the work of our Lord. Interpret nature and you are an artist.”

Jacques Lipchitz (1891–1973) American and French sculptor

Jacques Lipchitz cited in: Bernard S. Raskas (1976). Living thoughts: inspiration, insight, and wisdom from sources throughout the ages. p. 22; Quoted in: William Safire, ‎Leonard Safir (1990). Words of Wisdom. p. 34

John Wallis photo
Little Richard photo

“I used to carry a copy of Ulysses with me everywhere just in case I was knocked down by a bus. It seemed more important than having clean underwear.”

Craig Raine (1944) Poet

The Guardian, February 10, 2004. http://www.guardian.co.uk/uk/2004/feb/10/books.booksnews2

John Clare photo
Evelyn Waugh photo
Jefferson Davis photo
Antony Flew photo
Alison Bechdel photo
Letitia Elizabeth Landon photo
Thomas Gainsborough photo

“Fools talk of imitation and copying, all is imitation.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote of Gainsborough in a Letter to John Henderson, 27th June 1773
1770 - 1788

Titian photo

“Illustrious Lord, hearing that your Excellency has gone to the court of his Imperial Majesty [Charles V], I abstain from coming to Mantua, sighing at my bad fortune in not having left Bologna soon enough to meet your Grace. At Venice I shall prepare the copy of the portrait of his Majesty, which I take home with me at your Excellency's bidding.”

Titian (1488–1576) Italian painter

In a letter to the Duke of Mantua, from Bologna, 10 March 1533; as quoted by J.A.Y. Crowe & G.B. Cavalcaselle in Titian his life and times - With some account..., publisher John Murray, London, 1877, p. 370
The portrait which Titian took home and repeated a second time he doubtless sent to Charles V. The replica was not sent to Mantua till after 1536, but there it appears to have remained. Another example besides that of the Madrid Museum came into the hands of Charles the First of England.
1510-1540
Source: https://commons.wikimedia.org/wiki/Titian#/media/File:Tizian_081.jpg
Source: https://commons.wikimedia.org/wiki/Titian#/media/File:Tizian_081.jpg

Donald J. Trump photo

“Do people notice Hillary is copying my airplane rallies - she puts the plane behind her like I have been doing from the beginning.”

Donald J. Trump (1946) 45th President of the United States of America

Tweet https://twitter.com/realDonaldTrump/status/778237485402980352 (20 September 2016), quoted in "Trump blasts Clinton for 'copying' his airplane rallies" http://www.washingtonexaminer.com/trump-blasts-clinton-for-copying-his-airplane-rallies/article/2602310 by Kelly Cohen, Washington Examiner (20 September 2016)
2010s, 2016, September

Clarence Thomas photo

“Fine Art then, records by idealised imitation the glorious works of good men, whilst it holds those of bad men up to our abhorrence — it gives to posterity their images, either on the tinted canvass or the sculptured marble — it imitates the beautiful effects of nature as seen in the glowing landscape or the rising storm, and perpetuates the appearance of those beauteous gems of the seasons — flowers and fruits, which, though fading whilst the painter catches their tints, yet live after decay by and through his genius.
Industrial Art, on the contrary, aims at the embellishment of the works of man, by and through that power which is given to the artist for the investigation of the beautiful in nature; and in transferring it to the loom, the printing machine, the potter's wheel, or the metal worker's mould, he reproduces nature in a new form, adapting it to his purpose by an intelligence arising out of his knowledge as an artist and as a workman. In short, the adaptation of the natural type to a new material compels him to reproduce, almost create, as well as imitate — invent as well as copy”

design as well as draw!
George Wallis. " Art Education for the people. No IV. The principles of Fine Art as Applied to Industrial Purposes http://books.google.com/books?id=l55GAQAAIAAJ&pg=PA231." In: People's & Howitt's Journal: Of Literature, Art, and Popular Progress, Vol. 3. John Saunders ed. 1847, p. 231.

Auguste Rodin photo
Johan Cruyff photo

“Winning is an important thing, but to have your own style, to have people copy you, to admire you, that is the greatest gift.”

Johan Cruyff (1947–2016) Dutch association football player

reported in Jonathan Wilson (Eurosport, 24 March 2016), Johan Cruyff's legacy? The whole of modern football http://www.eurosport.co.uk/football/johan-cruyff-s-legacy-the-whole-of-modern-football_sto5368491/story.shtml.

David Brewster photo
Gustave Courbet photo
Auguste Rodin photo
Helena Petrovna Blavatsky photo
Richard Stallman photo
Tommaso Campanella photo
Gaurav Sharma (author) photo
Renny Harlin photo
Eugene J. Martin photo
Leonid Kantorovich photo

“The university immediately published my pamphlet, and it was sent to fifty People’s Commissariats. It was distributed only in the Soviet Union, since in the days just before the start of the World War it came out in an edition of one thousand copies in all.
Soviet Union, since in the days just before the start of the World War it came out in an edition of one thousand copies in all. The number of responses was not very large. There was quite an interesting reference from the People’s Commissariat of Transportation in which some optimization problems directed at decreasing the mileage of wagons was considered, and a good review of the pamphlet appeared in the journal "The Timber Industry."
At the beginning of 1940 I published a purely mathematical version of this work in Doklady Akad. Nauk [76], expressed in terms of functional analysis and algebra. However, I did not even put in it a reference to my published pamphlet—taking into account the circumstances I did not want my practical work to be used outside the country
In the spring of 1939 I gave some more reports—at the Polytechnic Institute and the House of Scientists, but several times met with the objection that the work used mathematical methods, and in the West the mathematical school in economics was an anti-Marxist school and mathematics in economics was a means for apologists of capitalism. This forced me when writing a pamphlet to avoid the term "economic" as much as possible and talk about the organization and planning of production; the role and meaning of the Lagrange multipliers had to be given somewhere in the outskirts of the second appendix and in the semi Aesopian language.”

Leonid Kantorovich (1912–1986) Russian mathematician

L.V. Kantorovich (1996) Descriptive Theory of Sets and Functions. p. 41; As cited in: K. Aardal, ‎George L. Nemhauser, ‎R. Weismantel (2005) Handbooks in Operations Research and Management Science, p. 19-20

John F. Kennedy photo
Włodzimierz Ptak photo
Edgar Degas photo

“A painting is above all a product of the artist's imagination, it must never be a copy. If, at a later stage, he wants to add two or three touches from nature, of course it doesn't spoil anything.”

Edgar Degas (1834–1917) French artist

Une peinture, c'est d'abord un produit de l'imagination de l'artiste, ce ne doit jamais être une copie. Si, ensuite, on peut y ajouter deux ou trois accents de nature, evidemment ca ne fait pas de mal.
Quoted by Maurice Sérullaz, L'univers de Degas (H. Scrépel, 1979), p. 13
quotes, undated

Tom Baker photo
Thomas Eakins photo

“Strain your brain more than your eye… You can copy a thing to a certain limit. Then you must use intellect.”

Thomas Eakins (1844–1916) American painter

Advice to his art students; quoted in Lloyd Goodrich, Thomas Eakins (1933).

Thomas Jefferson photo

“It is quite likely that it is possible, yes. But what we've said all along -- speaking for both the (Roslin) Institute and the PPL staff - is that we would find it ethically unacceptable to think of doing that. We can't think of a reason to do it. If there was a reason to copy a human being, we would do it, but there isn't.”

Ian Wilmut (1944) embryologist

On human cloning, in "Dr. Frankenstein, I Presume?" by Andrew Ross in Salon February 1997) http://web.archive.org/web/20000301033550/http://www.salon.com/feb97/news/news2970224.html.

Bill Monroe photo
Will Eisner photo
Walter Ulbricht photo

“Is it truely the case that we have to copy every dirt that comes from the west? I think, comrades, with the monotonism of the yeah yeah yeah and how that all is called should we make a stop.”

Walter Ulbricht (1893–1973) German politician

Ist es denn wirklich so, dass wir jeden Dreck, der vom Westen kommt, nu kopieren müssen? Ich denke, Genossen, mit der Monotonie des Je-Je-Je, und wie das alles heißt, ja, sollte man doch Schluss machen.
In 1965 at the 11. congress of the central comitee of the SED refering to the "Yeah, Yeah, Yeah" of the Beatles and against the Rockmusic from the west in general http://home.arcor.de/a3b4v5/intro.mp3

Philip Schaff photo
Auguste Rodin photo
Charles Taze Russell photo
John R. Erickson photo
Koenraad Elst photo
Carole Morin photo
Frances Farmer photo
Johannes Grenzfurthner photo