Quotes about contrast (542 quotes, page 2)

“From the day that the impressionists liberated painting, the modern picture set out at once the structure itself on contrasts; instead of submitting to a subject, the painter makes an insertion and uses a subject in the service of purely plastic means.... [the contemporary painter] must prepare himself in order to confer a maximum of plastic effect on means that have not yet been used. He must not become an imitator of the new visual objectivity, but be a sensibility completely subject to the new state of things.”

Fernand Léger (1881–1955) French painter

Quote, 1914, in 'Functions of Painting by Fernand Leger'; p. 14
Quotes of Fernand Leger, 1910's, Contemporary Achievements in Painting, 1914

Painting

“Why do I paint? In my work as a mathematician, form, structure, and economy of expression are important. In music, add tone quality, balance and harmony. And now in painting, these aesthetic values are enhanced by color, contrast, and composition.”

Robin Hartshorne (1938) American mathematician

Robin Hartshorne Fine Art, fineartstudioonlione.com http://robinfaso.fineartstudioonline.com/about

Music , Color , Painting

“There is, however, no doubt that the various races, when carefully compared and measured, differ much from each other,—as in the texture of the hair, the relative proportions of all parts of the body,2 the capacity of the lungs, the form and capacity of the skull, and even in the convolutions of the brain.3 But it would be an endless task to specify the numerous points of structural difference. The races differ also in constitution, in acclimatisation, and in liability to certain diseases. Their mental characteristics are likewise very distinct; chiefly as it would appear in their emotional, but partly in their intellectual, faculties. Every one who has had the opportunity of comparison, must have been struck with the contrast between the taciturn, even morose, aborigines of S. America and the light-hearted, talkative negroes. There is a nearly similar contrast between the Malays and the Papuans,4 who live under the same physical conditions, and are separated from each other only by a narrow space of sea.”

Charles Darwin book The Descent of Man, and Selection in Relation to Sex

volume I, chapter VII: "On the Races of Man", page 216 http://darwin-online.org.uk/content/frameset?pageseq=238&itemID=F937.1&viewtype=image
The Descent of Man (1871)

Disease , Light , Appearance , Heart

“Innovation plans, by contrast, are loaded with assumptions. Sure, some hard facts are available, but more is unknown than known. The past is no longer precedent. Thus, the innovator's job cannot be to deliver a proven result; it must be to discover what is possible, that is, to learn, by converting assumptions into knowledge as quickly and inexpensively as possible.”

Vijay Govindarajan (1949) American academic

Vijay Govindarajan, ‎Chris Trimble (2013), The Other Side of Innovation: Solving the Execution Challenge. p. 18

Knowledge , Learning , Past

“Even the slave owner is restricted in his ability to manipulate his labor supply, for he must protect his investment in slaves by feeding them during times when they do not labor. In contrast, capitalist entrepreneurs can hire and fire laborers or very their wages in response to changing circumstances.”

Eric Wolf (1923–1999) American anthropologist

Source: Europe and the People Without History, 1982, Chapter 12 The New Laborers, p. 356.

Change , Time

“But contrast the attitude of the Socialist Government towards their Bolshevist friends and their attitude to the great self-governing Dominions of the Crown. To the enemies of Britain, of civilization, of freedom, to those who deserted us in the crises of the war—smiles, compliments, caresses, cash. But for Canada, Australia, New Zealand, South Africa, who sent their brave men to fight and die by scores of thousands, who never flinched and never wearied, who are bone of our bone and flesh of our flesh—to them nothing but frigid repulsion. Our bread for the Bolshevist serpent; our aid for the foreigner of every country; our favours for the Socialists all over the world who have no country; but for our own daughter States across the oceans, on whom the future of the British island and nation depends, only the cold stones of indifference, aversion, and neglect. (Cheers.) That is the policy with which the Socialist Government confronts us, and against that policy we will strive to marshal the unconquerable might of Britain.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Speech in Edinburgh (25 September 1924), quoted in The Times (26 September 1924), p. 14
Early career years (1898–1929)

Men , War , World , Smile

“I have always disliked being a man. The whole idea of manhood in America is pitiful, in my opinion. This version of masculinity is a little like having to wear an ill-fitting coat for one's entire life (by contrast, I imagine femininity to be an oppressive sense of nakedness).”

Paul Theroux (1941) American travel writer and novelist

"Being a Man" (1983), from Sunrise with Seamonsters: Travels and Discoveries, 1964-84 (Houghton Mifflin, 1986, , 384 pages), p. 309.

Life , Imagination , Idea , Sense

“The beauty of the democratic system of thought control, as contrasted with their clumsy totalitarian counterparts, is that they operate by subtly establishing on a voluntary basis – aided by the forces of nationalism and media control by substantial interests – presuppositions that set the limits of debate, rather than by imposing beliefs with a bludgeon. Then let the debate rage; the more lively and vigorous it is, the better the propaganda system is served, since the presuppositions (U. S. benevolence, lack of rational imperial goals, defensive posture, etc.) are more firmly established. Those who do not accept the fundamental principles of state propaganda are simply excluded from the debate”

Edward S. Herman (1925–2017) American journalist

or if noticed, dismissed as “emotional,” “irresponsible,” etc.
Source: After the Cataclysm: Postwar Indochina and the Reconstruction of Imperial Ideology, with Noam Chomsky, 1979, p. 30.

Beauty , Rage

“And for me Michelangelo's greatest work is one that was in his studio partly finished, partly unfinished when he died 'The Rondanini Pietà'. I don't know of any other single work of art by anyone that is more poignant, more moving. It isn't the most powerful of Michelangelo's works – it's a mixture, in fact, of two styles…. the changing became so drastic that I think he knocked the head off the sculpture… So the figure must originally have been a good deal taller. And if we see also the proportion of the length of the body of Christ compared with the length of the legs, there's no doubt that the whole top of the original sculpture has been cut away. Now this to me is a great question. Why should I and other sculptors I know, my contemporaries – I think that Giacometti feels this, I know Marino Marini feels it – find this work one of the most moving and greatest works we know of when it's a work which has such disunity in it?… But that's so moving, so touching: the position of the heads, the whole tenderness of the top part of the sculpture, is in my opinion more what it is by being in contrast with the rather finished, tough, leathery, typical Michelangelo legs. The top part is Gothic and the lower part is sort of Renaissance.”

Henry Moore (1898–1986) English artist

Quote of Henri Moore in his interview with David Silvester, in 'The Sunday Times Magazine', 16 Febr. 1964, pp. 18, 20-22
1955 - 1970

Art , Feeling , Question , Thinking

“Material production - the production, for example, or cars, televisions, clothing, and food - creates the means of social life. … Immaterial production, by contrast, including the production of ideas, knowledges, communication, cooperation, and affective relations, tends to create not the means of social life but social life itself.”

Antonio Negri book Multitude: War and Democracy in the Age of Empire

146
Multitude: War and Democracy in the Age of Empire

Life , Food , Cars , Communication

“To understand this radiation [ cosmic microwave background ], it is easier to begin thinking about the radiation from a very hot gas like that inside a neon light. The same neon… is, at room temperature, utterly transparent… The character of matter in general changes abruptly when it gets heated above 3,000 degrees or so. Below this temperature, matter is electrically neutral… At high temperatures in a neon light, the electrically charged pieces of atoms become unstuck. Frequent and violent collisions break down neutral atoms into electrons and unbalanced nuclei. Matter in this state is called plasma, and it radiates much of its collision energy in the form of light. …a gas of neutral atoms (like air) is virtually transparent. The free [charged] nuclei and electrons of plasma, by contrast, couple to light's electromagnetic fields and absorb it very efficiently. …You …see light only from the borderline layer of neon between opaque plasma and transparent neutral atoms.”

Frank Wilczek (1951) physicist

Longing for the Harmonies: Themes and Variations from Modern Physics (1987)

Understanding , Thinking , Light , Change

“Our time has produced a need for contrast. This has been achieved not only in the external appearance of plastic expressions of coulor and matter, but also, and chiefly, in the tempo of life and in the techniques related to the daily, mechanical functions of life; namely standing, walking, driving, to lying and sitting – in short, every action which determines the content of architecture.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

1926 – 1931
Source: 'Painting: from composition towards counter-composition'; in 'Painting and plastic art', De Stijl, series XIII, 73-4, 1926, pp. 17–18

Life , Lying , Appearance , Time

“For decades the basic message has been, "Dump the leadership, because it lives high on the hog while you toil and starve." That’s the sort of sloganeering that might help undermine a communist state. It won’t work in a far-right, ultra-nationalist state. The pomp that surrounds Kim Jong Un is the whole nation’s pomp, as it were. I have urged American officials who ask me about propaganda to encourage a nationalist approach to it, stressing the North’s disgraceful dependence on China, contrasting the North with an internationally respected South that has really put Korea on the map.I’m not sure this will be enough though. The crucial issue, from a nationalist North Korean’s perspective, is likely to be: Which of the two states is more intent on righting the wrongs foreigners have done to us? Which state wants to unify the peninsula, the nation? And the South all too obviously allows the North to play the heroic role of the sole unifying force. Park Geun-hye made efforts to rectify that neglect but it was too little, too late. And now a very different president is in power.”

Brian Reynolds Myers (1963) American professor of international studies

2010s, Interview with Joshua Stanton (August 2017)

Effort , Help , Dependency

“In contrast to “Blessed are they who do not see and still believe,” he speaks of “seeing and still not believing.””

Martin Heidegger (1889–1976) German philosopher

Source: Nietzsche (1961), p. 30

“The trends that produced Schumann’s early piano works started out not so much from Weber’s refined brilliance as from Schubert’s more intimate and deeply soul-searching idiom. His creative imagination took him well beyond the harmonic sequences known until his time. He looked at the fugues and canons of earlier composers and discovered in them a Romantic principle. In the interweaving of the voices, the essence of counterpoint found its parallel in the mysterious relationships between the human psyche and exterior phenomena, which Schumann felt impelled to express. Schubert’s broad melodic lyricism has often been contrasted with Schumann’s terse, often quickly repeated motifs, and by comparison Schumann is often erroneously seen as short-winded. Yet it is precisely with these short melodic formulae that he shone his searchlight into the previously unplumbed depths of the human psyche. With them, in a complex canonic web, he wove a dense tissue of sound capable of taking in and reflecting back all the poetical character present. His actual melodies rarely have an arioso form; his harmonic system combines subtle chromatic progressions, suspensions, a rapid alternation of minor and major, and point d’orgue. The shape of Schumann’s scores is characterized by contrapuntal lines, and can at first seem opaque or confused. His music is frequently marked by martial dotted rhythms or dance-like triple time signatures. He loves to veil accented beats of the bar by teasingly intertwining two simultaneous voices in independent motion. This highly inde-pendent instrumental style is perfectly attuned to his own particular compositional idiom. After a period in which the piano had indulged in sensuous beauty of sound and brilliant coloration, in Schumann it again became a tool for conveying poetic monologues in musical terms.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Love , Beauty , Music , Color

“A sharp contrast existed between the upper classes who constantly moved from manor to manor and the peasants who were tied to the land and lived in agricultural villages outside the castle walls. Yet economic opportunities expanded for both groups.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 3 : The Castle as Headquarters : The Political and Economic Role of the Castle

“Furthermore, we are instructed, when we do come across instances of temple destruction, as in the case of Aurangzeb, we have to be circumspect in inferring what has happened and why…. the early monuments – like the Quwwat-ul-Islam mosque in Delhi – had to be built in ‘great haste’, we are instructed…Proclamation of political power, alone! And what about the religion which insists that religious faith is all, that the political cannot be separated from the religious? And the name: the Quwwat-ul-Islam mosque, the Might of Islam mosque? Of course, that must be taken to be mere genuflection! And notice: ‘available materials were assembled and incorporated’, they ‘clearly came from Hindu sources’ – may be the materials were just lying about; may be the temples had crumbled on their own earlier; may be the Hindus voluntarily broke their temples and donated the materials? No? After all, there is no proof they didn’t! And so, the word ‘plundered’ is repeatedly put within quotation marks!
In fact, there is more. The use of such materials – from Hindu temples – for constructing Islamic mosques is part of ‘a process of architectural definition and accommodation by local workmen essential to the further development of a South Asian architecture for Islamic use’. The primary responsibility thus becomes that of those ‘local workmen’ and their ‘accommodation’. Hence, features in the Qutb complex come to ‘demonstrate a creative response by architects and carvers to a new programme’. A mosque that has clearly used materials, including pillars, from Hindu temples, in which undeniably ‘in the fabric of the central dome, a lintel carved with Hindu deities has been turned around so that its images face into the rubble wall’ comes ‘not to fix the rule’. ‘Rather, it stands in contrast to the rapid exploration of collaborative and creative possibilities – architectural, decorative, and synthetic – found in less fortified contexts.’ Conclusions to the contrary have been ‘misevaluations’. We are making the error of ‘seeing salvaged pieces’ – what a good word that, ‘salvaged ’: the pieces were not obtained by breaking down temples; they were lying as rubble and would inevitably have disintegrated with the passage of time; instead they were ‘salvaged ’, and given the honour of becoming part of new, pious buildings – ‘seeing salvaged pieces where healthy collaborative creativity was producing new forms’.”

Arun Shourie (1941) Indian journalist and politician

Eminent Historians: Their Technology, Their Line, Their Fraud

Faith , Religion , Error , Lying

“In European thought in general, as contrasted with American, vigor, life and originality have a kind of easy, professional utterance. American — on the other hand, is expressed in an eager amateurish way. A European gives a sense of scope, of survey, of consideration. An American is strained, sensational. One is artistic gold; the other is bullion.”

Wallace Stevens (1879–1955) American poet

Journal entry (9 April 1906); as published in Letters of Wallace Stevens (1966) edited by Holly Stevens

Life , Way , Sense

“TV is unbalanced—if I own a TV station, and you own a television, I can speak to you, but you can’t speak to me. Phones, by contrast, are balanced; if you buy the means of consumption, you automatically own the means of production. When you purchase a phone, no one asks if you just want to listen, or if you want to talk on it too. Participation is inherent in the phone, and it’s the same for the computer. When you buy a machine that lets you consume digital content, you also buy a machine to produce it. Further, you can share material with your friends, and you can talk about what you consumed or produced or shared. These aren’t additional features; they are part of the basic package.”

Clay Shirky (1964) American technology writer

Cognitive Surplus : Creativity and Generosity in a Connected Age (2010)

Parting

“The Preservationist holds that, to save others from suffering truly serious losses, like the loss of life or limb, often it's wrong to lie, and to cheat, and to steal, even though nobody will ever suffer much from your doing any of that. By contrast, the Liberationist holds that, when necessary to lessen serious suffering, then, provided nobody suffers seriously in consequence of your so doing, it's always morally good to do all those unruly things and more.”

Peter Unger (1942) American philosopher

Source: Living High and Letting Die: Our Illusion of Innocence (1996), p. 13

Life , Lie , Suffering , Loss

“What had already been done for music by the end of the eighteenth century has at last been begun for the pictorial arts. Mathematics and physics furnished the means in the form of rules to be followed and to be broken. In the beginning it is wholesome to be concerned with the functions and to disregard the finished form. Studies in algebra, in geometry, in mechanics characterize teaching directed towards the essential and the functional, in contrast to apparent. One learns to look behind the façade, to grasp the root of things. One learns to recognize the undercurrents, the antecedents of the visible. One learns to dig down, to uncover, to find the cause, to analyze.”

Paul Klee (1879–1940) German Swiss painter

1921 - 1930
Source: 'Bauhaus prospectus 1929'; as quoted in Artists on Art, from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 444

Art , Music , Mathematics , Study

“By contrast to the thesis which sets science against ideology, another thesis is presented here contrasting that which sets science against ideology. It maintains that not only are the propositions of science and ideology linked, in some cases they are even identical.”

Adam Schaff (1913–2006) Polish Marxist philosopher and theorist

Source: Essays in the Philosophy of Language, 1967, p. 51

Science

“In my figures [of his famous painting 'Vision After the Sermon'] I have achieved a great simplicity, which is both rustic and superstitious….. In this picture the landscape and the struggle [between Jacob wrestling with the angel ] exist only in the imagination of the people whom the sermon has moved to prayer. That's why there is a contrast between the people, depicted naturally, and the struggle in its unnatural and dis-proportioned landscape.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1870s - 1880s, The Writings of a Savage (1996), p. 24: quote in his letter to Vincent van Gogh, c. 1888

People , Angels , Imagination , Nature

“There is much that is lacking in the political education of American troops, for which army policy cannot be criticized in view of the similar apathy on the home front. Late in the struggle the army became aware of this weakness among our soldiers. The Information and Education Division was then organized to repair this gap in the psychological preparation for combat. Some progress in the face of considerable resistance has been made by this service, but at the time of writing the men still have only a dim comprehension of the meaning of the fascist political state and its menace to our liberal democratic government. The war is generally regarded as a struggle between national states for economic empires. The men are not fully convinced that our country was actually threatened, or, if so, only remotely, or because of the machinations of large financial interests. In such passive attitudes lie the seeds of disillusion, which could prove very dangerous in the postwar period. Certainly they stand in startling contrast with the strong political and national convictions of our Axis enemies, which can inspire their troops, when the occasion demands, with a fanatical and religious fervor. Fortunately, strong intellectual motivation has not proved to be of the first importance to good morale in combat. The danger of this lack seems to be less to the prospect of military success than to success in the peace and to stability in the postwar period.”

Roy R. Grinker, Sr. (1900–1993) American psychiatrist and neurologist

Source: Men Under Stress, 1945, p. 38-39 cited in: The Clare Spark Blog (2009) Strategic Regression in “the greatest generation” http://clarespark.com/2009/12/09/strategic-regression-in-the-greatest-generation/ December 9, 2009

Men , War , Lie , Education

“In the Mahabharata, the ceremony for the oath of a new king includes the admonition: 'Be like a garland-maker, O king, and not like a charcoal burner.' The garland symbolizes social coherence; it is a metaphor for dharmic diversity in which flowers of many colors and forms are strung harmoniously for the most pleasing effect. In contrast, the charcoal burner is a metaphor for the brute-force reduction of diversity into homogeneity, where diverse living substances are transformed into uniformly lifeless ashes.”

Rajiv Malhotra book Indra's Net

Indra's Net (2014)

Color , Flowers

“How all becomes clear and simple when one opens an eye on the within, having of course previously exposed it to the without, in order to benefit by the contrast.”

Samuel Beckett book The Unnamable

The Unnamable (1954)

“In contrast to earlier gay law reform and equality-oriented movements, the 1970s LGBT liberation movement did not seek to ape heterosexual values or secure the acceptance of sexual orientation and gender identity minorities within the existing sexual conventions. Indeed, it repudiated the prevailing sexual morality and institutions - rejecting not only heterosexism (heterosexual supremacism) but also male machismo, with its oppressive predisposition to rivalry, toughness and aggression; the extreme expressions of which are the rapist, queer-basher, racist murderer and war criminal.
The "radical drag" and "gender-bender" politics of the Gay Liberation Front (GLF) in the early 1970s glorified and promoted male gentleness. A conscious, if sometimes exaggerated, attempt to renounce the oppressiveness of masculinity and male privilege, it rejected straight macho values; identifying them with the subordination of women and LGBT people. The GLF was truly revolutionary because it attempted to subvert male-female gender roles and straight patriarchy. It denounced the ethos of masculine competitiveness, domination and violence; instead affirming the worthwhileness of male sensitivity and affection between men and, in the case of lesbians, the intrinsic value of an eroticism and love independent of maleness.
These ideas led me to propose that without the construction of a cult of machismo and a mass of aggressive male egos, neither sexual, gender, class, racial, speciesist nor imperialist oppression are possible.”

Peter Tatchell (1952) British gay rights activist

Machismo Underpins War and Tranny http://www.petertatchell.net/masculinity/machismo-underpins-war-and-tyranny.htm, Official Website

Love , Women , Men , War

“Most male gorillas either have a harem or do not have a mate; in contrast, most men who have more than zero mates have only one. This means that, whereas only harem-holding male gorillas contribute to the gene pool of the next generation, most human males who contribute to the gene pool do so in the context of a pair bond. Consequently, our evolved sexual nature has been shaped more by pair bonding than by harem polygyny.”

Steve Stewart-Williams (1971)

Source: The Ape that Thought It Was a Peacock: Does Evolutionary Psychology Exaggerate Human Sex Differences? (2013), p. 150

Men , Nature

“The concept of need is often looked upon rather unfavorably by economists, in contrast with the concept of demand. Both, however, have their own strengths and weaknesses. The need concept is criticized as being too mechanical, as denying the autonomy and individuality of the human person, and as implying that the human being is a machine which "needs" fuel in the shape of food, engine dope in the shape of medicine, and spare parts provided by the surgeon.”

Kenneth E. Boulding (1910–1993) British-American economist

Kenneth Boulding (1967) "The Concept of Need for Health Services" in: The Milbank Memorial Fund Quarterly. Vol. 44, No. 4, Part 2, pp. 202
1960s

Food , Parting , Personality

“Sociologists and anthropologists have long been concerned with how individuals are linked to one another and how these bonds of affiliation serve as both a lubricant for getting things done and a glue that provides order and meaning to social life. The attention to networks of association, which began in earnest in the 1970s, provided welcome texture and dynamism to portraits of social life. This work stood in stark contrast to the reigning approaches in the social sciences. In contrast to deterministic cultural (oversocialized) accounts, network analysis afforded room for human agency, and in contrast to individualist, atomized (undersocialized) approaches, networks emphasized structure and constraint (Granovetter, 1985). Network studies offered a middle ground, a third way, even if no one was quite sure whether networks were a metaphor, a method, or a theory (Barnes 1979). But the sociologists and anthropologists who initially studied networks did not pay sustained attention to economic activity, although some industrial sociologists (Roy, 1954; Dalton, 1959) had long stressed the role of informal networks as an antidote to formal organization practices and structures.”

Walter W. Powell (1948) American sociologist

Walter W. Powell and Laurel Smith-Doerr. "Networks and economic life." The handbook of economic sociology. (1994). p. 368-380; introduction.

Life , Way , Study , Science

“By contrast, as Hayek explained in The Road to Serfdom—in his famous chapter ‘Why’ the worst get on top—centralized government power attracts aggressive, domineering personalities. They are the most likely to gain power. And the more power they have, naturally the less subject they are to restraint. The greater the likelihood such a country will pursue aggressive policies. The highest risks of war occur when two dictators face each other. There’s likely to be a struggle for supremacy.”

Rudolph Rummel (1932–2014) American academic

War , Nature , Personality , Country

“The third dimension of three-dimensional economics, change, suggests that studying economics also means studying history. The process of change in society cannot be understood without considering the past and how it changed, eventually becoming the present. Change in political economy may be contrasted with the static approach of conventional economics that freezes time at a moment.”

Samuel Bowles (1939) American economist

Source: Understanding Capitalism: Competition, Command, and Change, 2005, p. 57

History , Study , Change , Time

“The whole system of symbolism impressed on the art and the life of the Middle Ages must awaken the admiration of poets in all times. In reality, what colossal unity there is in Christian art, especially in its architecture! These Gothic cathedrals, how harmoniously they accord with the worship of which they are the temples, and how the idea of the Church reveals itself in them! Everything about them strives upwards, everything transubstantiates itself; the stone buds forth into branches and foliage, and becomes a tree; the fruit of the vine and the ears of corn become blood and flesh; the man becomes God; God becomes a pure spirit. For the poet, the Christian life of the Middle Ages is a precious and inexhaustibly fruitful field. Only through Christianity could the circumstances of life combine to form such striking contrasts, such motley sorrow, such weird beauty, that one almost fancies such things can never have had any real existence, and that it is all a vast fever-dream the fever-dream of a delirious deity. Even Nature, during this sublime epoch of the Christian religion, seemed to have put on a fantastic disguise; for oftentimes though man, absorbed in abstract subtilties, turned away from her with abhorrence, she would recall him to her with a voice so mysteriously sweet, so terrible in its tenderness, so powerfully enchanting, that unconsciously he would listen and smile, and become terrified, and even fall sick unto death.”

Heinrich Heine (1797–1856) German poet, journalist, essayist, and literary critic

Religion and Philosophy in Germany, A fragment https://archive.org/stream/religionandphilo011616mbp#page/n5/mode/2up, p. 26

Life , Death , God , Age

“These two characteristics make revenge the most suitable source for the formation of ressentiment. The nuances of language are precise. There is a progression of feeling which starts with revenge and runs via rancor, envy, and impulse to detract all the way to spite, coming close to ressentiment. Usually, revenge and envy still have specific objects. They do not arise without special reasons and are directed against definite objects, so that they do not outlast their motives. The desire for revenge disappears when vengeance has been taken, when the person against whom it was directed has been punished or has punished himself, or when one truly forgives him. In the same way, envy vanishes when the envied possession becomes ours. The impulse to detract, however, is not in the same sense tied to definite objects—it does not arise through specific causes with which it disappears. On the contrary, this affect seeks those objects, those aspects of men and things, from which it can draw gratification. It likes to disparage and to smash pedestals, to dwell on the negative aspects of excellent men and things, exulting in the fact that such faults are more perceptible through their contrast with the strongly positive qualities. Thus there is set a fixed pattern of experience which can accommodate the most diverse contents. This form or structure fashions each concrete experience of life and selects it from possible experiences. The impulse to detract, therefore, is no mere result of such an experience, and the experience will arise regardless of considerations whether its object could in any way, directly or indirectly, further or hamper the individual concerned. In “spite,” this impulse has become even more profound and deep-seated—it is, as it were, always ready to burst forth and to betray itself in an unbridled gesture, a way of smiling, etc. An analogous road leads from simple *Schadenfreude* to “malice.””

Max Scheler (1874–1928) German philosopher

The latter, more detached than the former from definite objects, tries to bring about ever new opportunities for *Schadenfreude*.
Das Ressentiment im Aufbau der Moralen (1912)

Life , Men , Smile , Way

“Stakeholder theory regards the firm as a nexus of stakeholders, commonly defined as groups or individuals who can affect or are affected by the achievement of the firm's goals (Freeman 1984). Depending on the ground for examining a firm's stakeholders, we can differentiate three approaches (Jones 1995):
The descriptive approach proposes an examination of firm-stakeholder relationships to provide an understanding of how the firm deals with different stakeholders.
The normative approach proposes an examination of firm-stakeholder relationships to discem stakeholders' interests and offer guidance on how to account for them using moral or philosophical principles.
The instrumental approach also proposes an examination of firm-stakeholder relationships to discem stakeholders' interests. However, in contrast to the normative approach, the instrumental approach involves the organizational performance consequences that stem from accounting for these interests.
The distinctive aspect of the instrumental approach to stakeholder theory is that it explicitly suggests linking stakeholder-directed activities (means) to corporate performance outcomes (ends) (Donaldson and Preston 1995; Freeman 1999).”

Christian Homburg (1962) German academic

Source: "Corporate social responsibility in business-to-business markets", 2013, p. 56; On Instrumental stakeholder theory

Understanding , Dependency

“One of the great weaknesses of the progressive, as distinct from the religious, mind, is that it has no awareness of truth as such; only of truth in terms of enlightened expediency. The contrast is well exemplified in two exact contemporaries — Simone Weil and Simone de Beauvoir; both highly intelligent and earnestly disposed. In all the fearful moral dilemmas of our time, Simone Weil never once went astray, whereas Simone de Beauvoir, with I am sure the best of intentions, has found herself aligned with apologists for some of the most monstrous barbarities and falsehoods of history.”

Malcolm Muggeridge (1903–1990) English journalist, author, media personality, and satirist

"A Knight of the Woeful Countenance" in The World of George Orwell (1972) edited by Miriam Gross, p. 167

Truth , Fear , History , Intelligence

“When taken as a way of modeling cognitive architecture, connectionism really does represent an approach that is quite different from that of the classical cognitive science that it seeks to replace. Classical models of the mind were derived from the structure of Turing and Von Neumann machines. They are not, of course, committed to the details of these machines as exemplified in Turing's original formulation or in typical commercial computers—only to the basic idea that the kind of computing that is relevant to understanding cognition involves operations on symbols.. In contrast, connectionists propose to design systems that can exhibit intelligent behavior without storing, retrieving, or otherwise operating on structured symbolic expressions. The style of processing carried out in such models is thus strikingly unlike what goes on when conventional machines are computing some function.”

Jerry Fodor (1935–2017) American philosopher

Jerry A. Fodor, and Zenon W. Pylyshyn. "Connectionism and cognitive architecture: A critical analysis." Cognition 28.1-2 (1988): 3-71.

Way , Behavior , Intelligence , Idea

“It is no coincidence, I am sure, that those who have the most to say about the Project are the ones who have had no direct contact with it. Which is similar to the attitude physicists have regarding gravitation or electrons — as opposed to that of the "well-informed" who read popular science. The "well-informed" think they know something about matters that the experts are reluctant to even to speak of. Information at second hand always gives an impression of tidiness, in contrast with the data at the scientist's disposal, full of gaps and uncertainties.”

Stanisław Lem book His Master's Voice

Source: His Master's Voice (1968), Ch. 1

Thinking , Science , Reading

“The contrast between the morals at the centre of power and those practiced by wide communities in many subject lands presented problems of ever growing unrest.”

Winston S. Churchill book A History of the English-Speaking Peoples

On the last years of Rome and Roman Britain; Vol I; The Birth of Britain.
A History of the English-Speaking Peoples (1956–58)

Communication , Problem

“The imperative of plasticity requires that advances in productive or destructive powers be achieved through the subversion of fixed plans of social division and hierarchy and of stark contrasts between task setting and task following. All possible combinations have to be tried out, as quickly and as freely as possible. The only structure that can be allowed to subsist is one that offers the fewest obstacles to this principle of pitiless recombination.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: Plasticity Into Power: Comparative-Historical Studies on the Institutional Conditions of Economic and Military Success (1987), p. 208

“I suspect that in the beginning Maurice hoped that Rosy would calm down. Yet mere inspection suggested that she would not easily bend. By choice she did not emphasize her feminine qualities. Though her features were strong, she was not unattractive and might have been quite stunning had she taken even a mild interest in clothes. This she did not. There was never lipstick to contrast with her straight black hair, while at the age of thirty-one her dresses showed all the imagination of English blue-stocking adolescents. So it was quite easy to imagine her the product of an unsatisfied mother who unduly stressed the desirability of professional careers that could save bright girls from marriages to dull men. But this was not the case. Her dedicated austere life could not be thus explained — she was the daughter of a solidly comfortable, erudite banking family.
Clearly Rosy had to go or be put in her place. The former was obviously preferable because, given her belligerent moods, it would be very difficult for Maurice to maintain a dominant position that would allow him to think unhindered about DNA. Not that at times he'd didn't see some reason for her complaints — King's had two combination rooms, one for men, the other for women, certainly a thing of the past. But he was not responsible, and it was no pleasure to bear the cross for the added barb that the women's combination room remained dingily pokey whereas money had been spent to make life agreeable for him and his friends when they had their morning coffee.
Unfortunately, Maurice could not see any decent way to give Rosy the boot. To start with, she had been given to think that she had a position for several years. Also there was no denying that she had a good brain. If she could keep her emotions under control, there was a good chance she could really help him. But merely wishing for relations to improve was taking something of a gamble, for Cal Tech's fabulous chemist Linus Pauling was not subject to the confines of British fair play. Sooner or later Linus, who had just turned fifty, was bound to try for the most important of all scientific prizes. There was no doubt he was interested. … The thought could not be avoided that the best home for a feminist was in another person's lab.”

James D. Watson book The Double Helix

Description of Rosalind Franklin, whose data and research were actually key factors in determining the structure of DNA, but who died in 1958 of ovarian cancer, before the importance of her work could be widely recognized and acknowledged. In response to these remarks her mother stated "I would rather she were forgotten than remembered in this way." As quoted in "Rosalind Franklin" at Strange Science : The Rocky Road to Modern Paleontology and Biology by Michon Scott http://www.strangescience.net/rfranklin.htm
The Double Helix (1968)

Life , Women , Men , Money

“I mentioned at the outset that I dislike the term “.” This is because the phrase seems to suggest that our identities (rather than the marginalization we face) is the most salient feature of our activism. Indeed, this is probably why those who oppose IP-umbrella activism seem so fond of calling it “identity politics” in the first place…. In contrast, within IP circles, the term is often reserved for a specific brand of single-issue activism that completely precludes perspectives from those who do not share the identity in question.”

Julia Serano (1967) transsexual American writer, spoken-word performer, trans-bi activist, and biologist

Leftist Critiques of Identity Politics (2018)

Question

“Fortunately, the first Islamic invasion of Europe was stopped at Poitiers in 732; the second in Vienna in 1683. [L]et us ensure that the third Islamic invasion, which is currently in full spate, will be stopped too in spite of its insidious nature and notwithstanding the fact that, in contrast to the 8th and 17th centuries, it has no need for an Islamic army because the scared "dhimmis" in the West, also those in Dutch politics, have left their doors wide open to Islam and Muslims.”

Geert Wilders (1963) Dutch politician

Mr Wilders's contribution to the parliamentary debate on Islamic activism, 2007-09-06, Speech before the Dutch Parliament, Internet Archive http://web.archive.org/web/20080614074737/http://www.groepwilders.com/website/details.aspx?ID=44,
2000s

Nature

“Europe is the smallest continent. It is not really even a continent—just a subcontinental annexe to Asia. The whole of Europe (excluding Russia and Turkey) comprises just five and a half million square kilometers: less than two thirds the area of Brazil, not much more than half the size of China or the US. It is dwarfed by Russia, which covers seventeen million square kilometers. But in the intensity of its internal differences and contrasts, Europe is unique.”

Tony Judt book Postwar: A History of Europe Since 1945

Preface & Acknowledgements
Postwar: A History of Europe Since 1945 (2005)

“Remembrance makes the poet; 'tis the past
Lingering within him, with a keener sense
Than is upon the thoughts of common men
Of what has been, that fills the actual world
With unreal likenesses of lovely shapes,
That were and are not; and the fairer they,
The more their contrast with existing things,
The more his power, the greater is his grief.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

A History of the Lyre
The Venetian Bracelet (1829)

Love , Men , World , Sense

“One of the most interesting things about business to me is that I find so many business men who are willing to try experiments. I should like to tell you about two evenings I spent last winter and the contrast between them. I went one evening to a drawing-room meeting where economists and M. Ps. talked of current affairs, of our present difficulties. It all seemed a little vague to me, did not seem really to come to grips with our problem. The next evening it happened that I went to a dinner of twenty business men who were discussing the question of centralization and decentralization. Each one had something to add from his own experience of the relation of branch firms to the central office, and the other problems included in the subject. There I found L hope for the future. There men were not theorizing or dogmatizing; they were thinking of what they had actually done and they were willing to try new ways the next morning, so to speak. Business, because it gives us the opportunity of trying new roads, of blazing new trails, because, in short, it is pioneer work, pioneer work in the organized relations of human beings, seems to me to offer as thrilling an experience as going into a new country and building railroads over new mountains. For whatever problems we solve in business management may help towards the solution of world problems, since the principles of organization and administration which are discovered as best for business can be applied to government or international relations. Indeed, the solution of world problems must eventually be built up from all the little bits of experience wherever people are consciously trying to solve problems of relation. And this attempt is being made more consciously and deliberately in industry than anywhere else.”

Mary Parker Follett (1868–1933) American academic

Source: Dynamic administration, 1942, p. xxi-xxii

Men , People , World , Hope

“The most beautiful conception of immortality of which I know, and certainly one that by contrast shows the utter vulgarity of Christian ideas, is set forth in Pindar's second Olympian: after three or six lives in which a man has lived with strict justice and perfect integrity, he passes beyond the tower of Cronus to the fair realm that cannot be reached by land or sea, where gentle breezes from a placid ocean blow forever on the fields of asphodel. For a description, see Pindar. If the beauty of great poetry can commend a religion, here you have it.”

Revilo P. Oliver (1908–1994) American philologist

"Afterthoughts on Afterlife", Instauration magazine (August 1980)
1970s, 1980s

Religion , Justice , Beauty , Idea

“But the problem of a Chief of Staff in Washington is not that simple. In the military service, an officer is not hailed before an outside authority and therefore required to indicate the advice which he had originally given his commanding general and to explain his reasons therefore. This is the position of the Chief of Staff before a Congressional committee. No sooner has he read his prepared statement supporting the position of the Defense Department than he must face a battery of interrogators bent on bringing forth his original views and contrasting them with the ultimate position of the Secretary of Defense and of the President. Very shortly a Chief of Staff will find himself in the position either of appearing to oppose his civilian superiors or of withholding facts from the Congress. Personally, I have found no way of coping with the situation other than by replying frankly to questions and letting the chips fall where they may.”

Maxwell D. Taylor (1901–1987) United States general

Source: The Uncertain Trumpet (1960), p. 112-113

Way , Question , Support , Problem

“The work organization of the new seam was, to us, a novel phenomenon consisting of relatively autonomous groups interchanging roles and shifts and regulating their affairs with a minimum of supervision. Cooperation between task groups was everywhere in evidence, personal commitment obvious, absenteeism low, accidents infrequent, productivity high. The contrast was large between the atmosphere and arrangements on these faces and those in the conventional areas of the pit, where the negative features characteristic of the industry were glaringly apparent. The men told us that in order to adapt with best advantage to the technical conditions in the new seam, they had evolved a form of work organization based on practices common in the unmechanized days when small groups, who took responsibility for the entire cycle, had worked autonomously.”

Eric Trist (1909–1993) British scientist

Source: The evolution of socio-technical systems, (1981), p. 8

Men , Personality

“The portrait I have to paint is of…an ambiguous character, a mixture of virtues and vices, a perpetual contrast between good impulses and bad actions.”

Antoine François Prévost (1697–1763) French novelist

J'ai à peindre…un caractère ambigu, un mélange de vertus et de vices, un contraste perpétuel de bons sentiments et d'actions mauvaises.
Avis de l'auteur, p. 30; translation p. 3.
L'Histoire du chevalier des Grieux et de Manon Lescaut (1731)

Painting

“No contrast is greater than a man on the pinnacle, erect in stature, confident, supercilious; and the same man in the pit, bent, irresolute, and servile. Some observers insist that, in the pit, a man usually loses his moral principles; but, on the pinnacle, is virtuously inclined, sensitive of reputation, faithful of trusts.”

Alexander Bryan Johnson (1786–1867) United States philosopher and banker

The Philosophical Emperor, a Political Experiment, or, The Progress of a False Position: (1841)

Faith , Confidence

“Chopin’s biography remains obscure. He withheld himself all his life, in diametrical contrast to the openness and accessibility of his contemporary Franz Liszt. Chopin always conveyed the impression of a suffering soul, not to say a martyr, almost as if this was to nourish or even underpin his inspiration. Striving for crystalline perfection, he never ventured outside his own domain. You know, the Danish philosopher Søren Kierkegaard is said to have given, as a child, “martyr” as his chosen career. Chopin must have shared this cult of the ‘Pater dolorosus.’”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Life , Soul , Suffering , Perfection

“Earl Grey rose, and said, that the motion of the noble lord had his most entire and full assent…he could not sit silent on the occasion, impressed as he was with feelings of gratitude and admiration towards that great commander who was the subject of this vote, and deriving a just national pride from the consideration, that the honour of the country had been so greatly exalted by the conduct of that distinguished general and his brave army…the apparent contrast, or contradiction, as some might call it, between the sentiments which he had now delivered, and the opinions which he had expressed on former occasions…upon the whole it appeared manifest, that by the most exemplary and patient perseverance under unfavourable circumstances, and at the moment of action by the skilful combination of force and the most determined courage, a great success had been achieved, and as much honour done to the British army as any victory could have accomplished.”

Charles Grey, 2nd Earl Grey (1764–1845) Prime Minister of the United Kingdom of Great Britain and Ireland

Speech http://hansard.millbanksystems.com/lords/1811/apr/26/vote-of-thanks-to-lord-wellington-and in the House of Lords (26 April 1811) on the Vote of Thanks to Lord Wellington, and the British and Portuguese Armies.
1810s

Feeling , Courage , Appearance , Success

“The dullest was struck by the contrast between the harsh, taciturn, gloomy commander, and the pirate whose laugh was gusty and ready, who roared ribald songs in a dozen languages, guzzled ale like a toper, and—apparently—had no thought for the morrow.”

Robert E. Howard (1906–1936) American author

"The Pool of the Black One" (1933)

“If Darwin's discovery had been made in a Taoist or Shinto, Hindu or animist culture it would very likely have become just one more strand in its intertwining mythologies. In these faiths humans and other animals are kin. By contrast, arising among Christians who set humans beyond all other living things, it triggered a bitter controversy that rages on to this day.”

John Gray book Straw Dogs: Thoughts on Humans and Other Animals

The Human: Science versus Humanism (p. 3-4)
Straw Dogs: Thoughts on Humans and Other Animals (2002)

Faith , Rage , Animals

“I was perversely delighted to see the Catholic Church and the Vatican go after nuns because I think they made a major error. People are quite clear in viewing nuns as the servants and the teachers and the supporters of the poor. You contrast that with the fact that the Vatican did virtually nothing about long-known pedophiles, and it’s just too much.
Their stance on abortion is also quite dishonest historically, because as the Jesuits (who always seem to be more honest historians of the Catholic Church) point out, the Church approved of and even regulated abortion well into the mid-1800s. The whole question of ensoulment was determined by the date of baptism. But after the Napoleonic Wars there weren’t enough soldiers anymore and the French were quite sophisticated about contraception. So Napoleon III prevailed on Pope Pius IX to declare abortion a mortal sin, in return for which Pope Pius IX got all the teaching positions in the French schools and support for the doctrine of papal infallibility. … My favorite line belongs to an old Irish woman taxi driver in Boston. Flo Kennedy and I were in the backseat talking about Flo’s book, Abortion Rap (1971), and the driver turned around and said, “Honey, if men could get pregnant, abortion would be a sacrament.” I wish I’d gotten her name so we could attribute it to her.”

Gloria Steinem (1934) American feminist and journalist

The Humanist interview (2012)

Men , War , People , Books

“Whereas moral courage is the righting of wrongs, creative courage, in contrast, is the discovering of new forms, new symbols, new patterns on which a new society can be built.”

Rollo May (1909–1994) US psychiatrist

Source: The Courage to Create (1975), Ch. 1 : The Courage to Create, p. 21

Courage

“So, is “Caliph Ibrahim” of the Islamic State an extremist, a militant, a terrorist or an Islamic fighter? None of the above. All those labels imply behavior that makes some sort of sense in terms of human reality and normal ideologies. Yet the Islamic State and its kindred have broken out of the entire conceivable range of political activity, even its extreme forms. A “militant” spends much of his time promoting an idea or a political program within acceptable rules of behavior. The neo-Islamists, by contrast, recognize no rules apart from those they themselves set; they have no desire to win an argument through hard canvassing. They don’t even seek to impose a point of view; they seek naked and brutal domination. A “terrorist,” meanwhile, tries to instill fear in an adversary from whom he demands specific concessions. Yet the Islamic State et al. use mass murder to such ends. They don’t want to persuade or cajole anyone to do anything in particular; they want everything. “Islamic fighter” is equally inapt. An Islamic fighter is a Muslim who fights a hostile infidel who is trying to prevent Muslims from practicing their faith. That was not the situation in Mosul. No one was preventing the city’s Muslim majority from practicing their faith, let alone forcing them to covert to another religion. Yet the Islamic State came, conquered and began to slaughter. The Islamic State kills people because it can. And in both Syria and Iraq it has killed more Muslims than members of any other religious community. How, then, can we define a phenomenon that has made even al Qaeda, the Taliban and the Khomeinist gangs appear “moderate” in comparison? The international community faced a similar question in the 18th century when pirates acted as a law onto themselves, ignoring the most basic norms of human interaction. The issue was discussed in long negotiations that led to the Treaty of Utrecht (1713) and the Treaty of Rastadt (1714) and developed a new judicial concept: the crime against humanity. Those who committed that crime would qualify as “enemies of mankind” — in Latin, hostis generis humanis. Individuals and groups convicted of such a crime were no longer covered by penal codes or even the laws of war. They’d set themselves outside humanity by behaving like wild beasts… Neo-Islamist groups represent a cocktail of nihilism and crimes against humanity. Like the pirates of yesteryear, they’ve attracted criminals from many different nationalities… Having embarked on genocide, the neo-Islamists do not represent an Iraqi or Syrian or Nigerian problem, but a problem for humanity as a whole. They are not enemies of any particular religion, sect or government but enemies of mankind. They deserve to be treated as such (as do the various governments and semi-governmental “charities” that help them). To deal with these enemies of mankind, we need much more than frozen bank accounts and visa restrictions.”

Amir Taheri (1942) Iranian journalist

"Beyond terrorism: ISIS and other enemies of humanity" http://nypost.com/2014/08/20/beyond-terrorism-isis-and-other-enemies-of-humanity/, New York Post (August 20, 2014).
New York Post

Hostility , War , People , Fear

“I was surprised, while preparing this lecture, to notice how, among my friends who had read the book, a division into two groups appeared. Both groups are equally discerning and educated, and as far as I can tell, equal in numbers. One group is eager to say that they don't understand a word of it, and there are artists and historians among them. Those of the other group claim that they understood it all on first reading, without difficulty. Of course I believe them both, without understanding the combination that separates them so sharply. Perhaps distinctive and contrasting features in the comprehension of works of art are responsible. What I say speaks to some, but not to others. Some are ready, and others are not. But when both someday find that they agree in understanding it, that day may be its last as a book alive in the dissension over its intelligibility.”

George Kubler (1912–1996) American art historian

George Kubler (1982)"The Shape of Time, Reconsidered," in: Perspecta (Volume 19, MIT Press)

Books , Education , Art , Intelligence

“Europe' in anything other than the geographical sense is a wholly artificial construct. It makes no sense at all to lump together Beethoven and Debussy, Voltaire and Burke, Vermeer and Picasso, Notre Dame and St Paul's, boiled beef and bouillabaisse, and portray them as elements of a 'European' musical, philosophical, artistic, architectural or gastronomic reality. If Europe charms us, as it has so often charmed me, it is precisely because of its contrasts and contradictions, not its coherence and continuity.”

Margaret Thatcher book Statecraft: Strategies for a Changing World

Source: Statecraft: Strategies for a Changing World, p. 328

Music , Reality , Sense

“Though the war ended forever the possibility of disunion, there still remain problems between State and Federal authority. There are divisions of interest, perhaps more apparent than real, among geographical sections or social groups. The seaboard thinks it has interests in maritime transportation and overseas commerce which differ greatly from those of the interior, which is peculiarly dependent upon railroads. Difference in climate and physical conditions throughout so great a territory tend to varied social habits and modes of living which react upon the economic and political attitudes. The industrial development of some sections contrasts with the agricultural character of others. Obviously, these differences give rise to many problems in government, which must always be recognized. But it is hardly conceivable that a really menacing contest between the sovereignty of the States and of the Union could ever again arise.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Reign of Law (1925)

War , Problem , Thinking , Dependency

“Totalitarian rule marks the sharpest contrast imaginable with political rule, and ideological thinking is an explicit and direct challenge to political thinking.”

Bernard Crick (1929–2008) British political theorist and democratic socialist

Source: In Defence Of Politics (Second Edition) – 1981, Chapter 2, A Defence Of Politics Against Ideology, p. 34.

Imagination , Thinking

“I was a Yorkshire miner's son, the youngest of seven, and my mother was no longer so very young. She suffered from bad rheumatism in the back and would often say to me in winter, when I came home from school: 'Henry, boy, come and rub my back.' Then I would massage her back with liniment. When I came to model this figure [for his sculpture 'Seated Woman', 1957] which represents a fully mature woman, I found that I was unconsciously giving to its back the long-forgotten shape of the one that I had so often rubbed as a boy. Not just her shoulder but her whole back down from the shoulder blades with the skin close to the bone, to the fleshy lower parts. I had a strong sense of contrast between bone and flesh. I was seven or eight at the time [c. 1906].”

Henry Moore (1898–1986) English artist

Quote of Moore, 1978; as cited in Henry Moore writings and Conversations, ed. Alan Wilkinson, University of California Press, California 2002, pp. 32-33
1970 and later

School , Home , Boy , Sense

“[Michel Foucault] argues, prison resembles the factory, which resembles the school, which resembles the barracks, which resembles the hospital and so forth. They all share a common form that Foucault links to the disciplinary paradigm. Today, by contrast, we see network everywhere we look.”

Antonio Negri book Multitude: War and Democracy in the Age of Empire

142
Multitude: War and Democracy in the Age of Empire

School

“Unlike philosophy, art does not search for islands of security from which other experiences can be expelled as fantastic or imaginary, or rejected as a world of secondary qualities or enjoyment, of pleasure or common sense. Art radicalizes the difference between the real and the merely possible in order to show through works of its own that even in the realm of possibility there is order after all. Art opposes, to use a Hegelian formulation, “the prose of the world,” but for precisely this reason it needs this contrast.”

Niklas Luhmann (1927–1998) German sociologist, administration expert, and social systems theorist

Source: Art As a Social System (2000), p. 146 as cited in: Astonishment And Recognition http://unrealnature.wordpress.com/2012/01/26/astonishment-and-recognition/ on unrealnature.wordpress.com, January 26, 2012.

Pleasure , World , Art , Search

“The means of expression is the optical mixture of tones, of tints (of local color and the illuminating color: sun, oil lamp, gas, etc.), that is, of the lights and of their reactions (shadows) following the laws of contrast, of gradation, of irradiation.”

Georges Seurat (1859–1891) French painter

Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890

Law , Color , Light , Sun

“I compared meat to tobacco as a killer, but to be fair, in one way alone tobacco outshines meat as an evil: it is physically addictive. As we all know, tobacco companies have a history of trying to target their ads to teenagers in the frequently fulfilled hope that these young people will be in their thrall for the rest of their lives. Meat, by contrast, is in no way physically addictive. Eating it is merely a habit, one that people are socially conditioned to believe is normal, even healthy. Whether you choose to phase meat out of your diet slowly, over time, or to stop on a dime and become a vegetarian overnight, you won't suffer any real symptoms of “withdrawal.””

Howard F. Lyman (1938) American activist

But you probably will feel more energy, and enjoy a longer and healthier life.
Source: Mad Cowboy (1998), Ch. 2: The Simple Facts, pp. 40-41

Life , People , Hope , Way

“The true dualism I take to be the contrast between two wills, one of which is felt as vital impulse (élan vital) and the other as vital control”

Irving Babbitt (1865–1933) American academic and literary criticism

frein vital
Representative Writings (1981), p. xvi

“Capitalism has created the highest standard of living ever known on earth. The evidence is incontrovertible. The contrast between West and East Berlin is the latest demonstration, like a laboratory experiment for all to see. Yet those who are loudest in proclaiming their desire to eliminate poverty are loudest in denouncing capitalism. Man’s well-being is not their goal.”

Ayn Rand book Capitalism: The Unknown Ideal

Capitalism: The Unknown Ideal (1966)

“Palestinians living in the Yarmouk refugee camp in Syria have been massacred both by Bashar al-Assad’s troops and throat-cutting mujahideen from ISIS. The massacre of Christians, Yazidis and Druze minorities by Islamist groups in Syria and Iraq contrasts with the safety those groups enjoy in Israel.”

Amir Taheri (1942) Iranian journalist

Forget the Palestinians: Arab states have too much else to worry about http://nypost.com/2015/07/12/forget-the-palestinians-arab-states-have-too-much-else-to-worry-about/, New York Post (July 12, 2015).
New York Post

“The Malays are spiritually inclined, tolerant and easy-going. The non-Malays, and especially the Chinese, are materialistic, aggressive and have an appetite for work. For equality to come about, it is necessary that these strikingly contrasting races adjust to each other.”

Mahathir bin Mohamad book The Malay Dilemma

1970 book, "The Malay Dilemma."

“So far from holding God to be finite, I hold, and in the book clearly teach, that all minds are infinite (in the true qualitative sense of the word), and God preeminently so. (See my pp. 330 seq., 363, and 373). Eternity, self-existence, self-activity, freedom, and infinity are to me all interchangeable terms, and are so treated wherever they turn up in the course of the book. My reviewer falls into a non sequitur when he concludes that I make God finite because I make him one of a community of spirits, each absolutely real; not God's finitude, but his definiteness, is what follows from that. This confusion of the definite with the finite is very common, and is the explanation of two tendencies in sceptical thinking — the tendency to deny the personality of God, whose infinity is supposed to mean his utter indefiniteness, and the tendency, in recoil from the former, to assert God's finitude in order to save his personality, which of course must be definite. But the true infinite, as distinguished from the pseudo-infinite, the infinite of quality in contrast to the infinite of quantity, is entirely definite; more definite, indeed, than any finite can be.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), Appendix E: Reply to Criticisms of Mr. J.M.E. McTaggert, p.421-2

God , Books , Communication , Thinking

“Game theory concepts were first explicitly applied in evolutionary biology by Lewontin (1961). His approach, however, was to picture a species as playing a game against nature, and to seek strategies which minimised the probability of extinction. A similar line has been taken by Slobodkin & Rapoport (1974). In contrast, here we picture members of a population as playing games against each other, and consider the population dynamics and equilibria which can arise.”

John Maynard Smith book Evolution and the Theory of Games

Source: Evolution and the Theory of Games (1973), p. 2.

Game , Nature

“That I started [in the creation of his art] from my immediate environment was extremely important to me. Only the things I knew, with which I was familiar, which I had caught on their reality value, I could approach free of extra-pictorial aesthetics and pale romanticism. Of course the question remained how I - who wanted to involve modern life in my art - could continue to seek my inspiration at Machelen-aan-de-Leie, a village in the countryside, far from the city and the crowds. Where can one sense better the infiltration of modern life than in a village in the countryside? In the city everything gets integrated immediately, you can't see clearly the insulating and contrasting-alienating effect of publicity, the gas-station, the concrete, the car, etc. On the other hand, I keep saying that we must continue to see the grass, the corn and the cows. Not within an animistic unity, but from a mentality that has the courage to approach these things freely and ruthless in our era. What ordinary people make out of life is fascinating me.”

Roger Raveel (1921–2013) painter

Dat ik [met het maken van mijn kunst] vertrok uit mijn onmiddellijke omgeving vond ik uiterst belangrijk. Alleen de dingen die ik kende, waarmee ik vertrouwd was, die ik op hun werkelijkheidswaarde had betrapt konden vrij van extra-picturale esthetiek en van bleek romantisme door mij benaderd worden. De vraag bleef natuurlijk hoe ik, die het moderne leven in mijn kunst wou betrekken, mijn inspiratie kon blijven zoeken te Machelen-aan-de-Leie, een dorp op het platteland, ver van de stad en van de drukte. Waar kan men beter het infiltreren van het moderne leven gewaar worden dan in een dorp op het platteland? In de stad wordt alles onmiddellijk geïntegreerd, ziet men niet zo scherp de isolerende en tevens contrasterend-bevreemdende werking van de publiciteit, het benzinestation, het beton, de auto, enz. Aan de andere kant blijf ik ervan overtuigd dat ook het gras, het koren en de koe nog moeten gezien worden. Niet binnen een animistische eenheid, maar wel vanuit een mentaliteit die vrij en meedogenloos deze dingen in ons tijdperk nog zou durven benaderen. Wat de gewone man van het leven maakt, dat boeit mij.
Quote of Raveel, 1969, in the text 'In gesprek met mezelf' ('In conversation with myself'), in the exhibition-catalog of his exhibition in 'De Hallen' (museum in Haarlem, The Netherlands; as cited by Ludo Bekkers in 'Roger Raveel en zijn keuze uit het Museum voor Schone Kunsten in Gent' http://www.tento.be/sites/default/files/tijdschrift/pdf/OKV1975/Roger%20Raveel%20en%20zijn%20keuze%20uit%20het%20Museum%20voor%20Schone%20Kunsten%20in%20Gent.pdf, Dutch art-magazine 'Openbaar Kunstbezit', Jan/Maart 1975, p. 3-4
1960's

Life , People , Art , Cars

“The individual who is subordinate to an objective law feels himself determined by it, while he, in turn, in no way determines the law, and has no possibility of reacting to it in a manner which could influence it—quite in contrast to even the most miserable slave, who, in some fashion at last, can still in this sense react to his master.”

Georg Simmel (1858–1918) German sociologist, philosopher, and critic

“Domination” (1908), in On Individuality and Social Forms (1971), pp. 113-114

Law , Way , Feeling , Fashion

“India has its own full-fledged brand of negationism: a movement to deny the large-scale and long-term crimes against humanity committed by Islam. This movement is led by Islamic apologists and Marxist academics, and followed by all the politicians, journalists and intellectuals who call themselves secularists. In contrast to the European negationism regarding the Nazi acts of genocide, but similar to the Turkish negationism regarding the Armenian genocide, the Indian negationism regarding the terrible record of Islam is fully supported by the establishment. It has nearly full control of the media and dictates all state and government parlance concerning the communal problem”

Koenraad Elst (1959) orientalist, writer

more properly to be called the Islam problem
1990s, Negationism in India, (1992)

Communication , Support , Problem

“If the inner psychic ground of our individual appearance were not always the same, there could be no science of psychology, which qua science relies on a psychic “inside we are all alike,” just as the science of physiology and medicine relies on the sameness of our inner organs. […] The monstrous sameness and pervasive ugliness so highly characteristic of the findings of modern psychology, and contrasting so obviously with the enormous variety and richness of overt human conduct, witness to the radical difference between the inside and the outside of the human body.”

Hannah Arendt book The Life of the Mind

Source: The Life of the Mind (1971/1978), pp. 34-35.

Appearance , Science

“Perhaps it was his return to Paris [In June 1919 Piet Mondrian returned to Paris] that was needed to provide him with fresh new possibilities in his work. Invigoration. His most recent work is without composition. The division of the picture plane is modular. That means ordinary rectangles, all the same size. The only contrast is in the colour. In my view, this runs counter to his theory concerning the abolition of position and dimension. This is in effect equality of position and dimension.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from his letter to the Dutch modern architect Oud, 24 June 1919; as quoted in Mondrian, -The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 126
1912 – 1919

“The idealist seeks the security of a static harmony, and therefore considers every tension evil. Unitary man recognizes tension as an essential feature of the formative process operating in man. Man creates in resolving tensions, but never brings them to an end. The contrasts of past, present and future forms provide an inexhaustible source of tension.”

Lancelot Law Whyte (1896–1972) Scottish industrial engineer

Source: The Next Development in Man (1948), p. 274

Evil , Past , Future

“The “old maid” with her repressed cravings for tenderness, sex, and propagation, is rarely quite free of ressentiment. What we call “prudery,” in contrast with true modesty, is but one of the numerous variants of sexual ressentiment. The habitual behavior of many old maids, who obsessively ferret out all sexually significant events in their surroundings in order to condemn them harshly, is nothing but sexual gratification transformed into ressentiment satisfaction. Thus the criticism accomplishes the very thing it pretends to condemn.”

Max Scheler (1874–1928) German philosopher

Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1973), pp. 61-62

Sex , Behavior

“Herz, Thalberg, Heller, Felicien David and others were great virtuosos of their time, more famous than Chopin himself. They had their own personal styles, but the essence of their music was time-bound, nothing that could occupy generations after them. Chopin, in contrast, was someone special, someone who was completely different from all other artists, composers, and pianists. So too with his style. As a result, the aesthetic in approaching Chopin is distinctive: interpreting his music is the most difficult of all. For me personally, it’s the crowning of playing piano. Bach, Mozart, Chopin: these are the three who definitely created musical art in an all-embracing and overwhelming way.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Art , Music , Way , Time

“When taken as a way of modeling cognitive architecture, connectionism really does represent an approach that is quite different from that of the classical cognitive science that it seeks to replace. Classical models of the mind were derived from the structure of Turing and Von Neumann machines. They are not, of course, committed to the details of these machines as exemplified in Turing's original formulation or in typical commercial computers—only to the basic idea that the kind of computing that is relevant to understanding cognition involves operations on symbols.. In contrast, connectionists propose to design systems that can exhibit intelligent behavior without storing, retrieving, or otherwise operating on structured symbolic expressions. The style of processing carried out in such models is thus strikingly unlike what goes on when conventional machines are computing some function.”

Zenon Pylyshyn (1937) Canadian philosopher

Jerry A. Fodor, and Zenon W. Pylyshyn. "Connectionism and cognitive architecture: A critical analysis." Cognition 28.1-2 (1988): 3-71.

Way , Behavior , Intelligence , Idea

“The open system approach to organizations is contrasted with common-sense approaches, which tend to accept popular names and stereotypes as basic organizational properties and to identify the purpose of an organization in terms of the goals of its founders and leaders.
The open system approach, on the other hand, begins by identifying and mapping the repeated cycles of input, transformation, output, and renewed input which comprise the organizational pattern. This approach to organizations represents the adaptation of work in biology and in the physical sciences by von Bertalanffy and others.”

Daniel Katz (1903–1998) American psychologist

Source: The Social Psychology of Organizations (1966), p. 33

Sense , Science

“Tyrannosaurus rex did not have 6-to-8-inch serrated teeth and an arc of D-cross-sectioned teeth set in a massive, powerful skull just to consume rotting carcasses! These were killing tools. In sharp contrast are the weak beaks and feet of vultures and condors- the only true living scavengers.”

Gregory Scott Paul (1954) U.S. researcher, author, paleontologist, and illustrator

Gregory S. Paul (1988) Predatory Dinosaurs of the World, Simon and Schuster, p. 33
Predatory Dinosaurs of the World

“The spiraling shapes, and the beautiful contrasts of yellow and blue, that are intuitively felt one evening while living the movements of a girl dancing may be found again later, through a process of plastic preferences or aversions, or through combination of both, in the concentric circling of an aeroplane or in the onrush of an express train”

Gino Severini (1883–1966) Italian painter

In his manifesto 'The Plastic Analogies of Dynamism', c. 1914; as quoted in Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 218

Beauty , Girl , Dance , Training

“The world of their [the bourgeois’] predecessors was a backward, pre-technological world, a world with the good conscience of inequality and toil, in which labor was still a fated misfortune; but a world in which man and nature were not yet organized as things and instrumentalities. With its code of forms and manners. with the style and vocabulary of its literature and philosophy. this past culture expressed the rhythm and content of a universe in which valleys and forests, villages and inns, nobles and villains, salons and courts were a part of the experienced reality. In the verse and prose of this pre-technological culture is the rhythm of those who wander or ride in carriages. who have the time and the pleasure to think, contemplate, feel and narrate. It is an outdated and surpassed culture, and only dreams and childlike regressions can recapture it. But this culture is, in some of its decisive elements. also a post-technological one. Its most advanced images and positions seem to survive their absorption into administered comforts and stimuli; they continue to haunt the consciousness with the possibility of their rebirth in the consummation of technical progress. They are the expression of that free and conscious alienation from the established forms of life with which literature and the arts opposed these forms even where they adorned them. In contrast to the Marxian concept, which denotes man's relation to himself and to his work in capitalist society, the artistic alienation is the conscious transcendence of the alienated existence—a “higher level” or mediated alienation. The conflict with the world of progress, the negation of the order of business, the anti-bourgeois elements in bourgeois literature and art are neither due to the aesthetic lowliness of this order nor to romantic reaction—nostalgic consecration of a disappearing stage of civilization. “Romantic” is a term of condescending defamation which is easily applied to disparaging avant-garde positions, just as the term “decadent” far more often denounces the genuinely progressive traits of a dying culture than the real factors of decay. The traditional images of artistic alienation are indeed romantic in as much as they are in aesthetic incompatibility with the developing society. This incompatibility is the token of their truth. What they recall and preserve in memory pertains to the future: images of a gratification that would dissolve the society which suppresses it”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 59-60

Life , Fate , Pleasure , Truth

“The new vision…. does not proceed from a fixed point. Its viewpoint is everywhere, and not limited to any one position [in space]. Nor is it bound by space or time (in accordance with the theory of relativity) [of Einstein ]. In practice, the viewpoint is in front of the plane… Thus this new vision sees architecture as a multiplicity of planes; again flat. This multiplicity composes itself (in an abstract sense) into a flat image [in contrast to Theo van Doesburg who emphasized the dynamic position of the viewer – a central idea of Futurism in 1919].”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote, 1919, as cited in Mondrian, -The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 148
1910's

Idea , Sense , Time , Future

“From the time when Guldberg and Waage gave quantitative form to the speculations of the physicist Berthollet, a clear conception of chemical equilibrium, in sharp contrast to an anthropomorphic theory of affinity dating back to Hippocrates and Barchausen, has yielded rich and abundant fruit.”

J. R. Partington (1886–1965) British chemist

Introduction Note: Johann Conrad Barchusen was the author of Pyrosophia http://books.google.com/books?id=pwRAAAAAcAAJ (1698)
Higher Mathematics for Chemical Students (1911)

Time

“Pissarro wants to achieve delicacy by means of adjustments of nearly like tones; he keeps from juxtaposing two distant tones and does without the vibrant note which such contrast gives, but strives on the contrary to diminish the distance between two tints by introducing into each one of them intermediate elements which he calls 'passage'. But the neo-impressionist technique is based precisely on this type of contrast, for which he feels no need, and on the violent purity of tints which hurts his eye. He has kept of divisionism only the technique, the little dot, whose raison d'etre is exactly that it enables the transcription of this contrast and the conservation of this purity. So it is easy to understand why he [Pissarro] gave up this means, insufficient as it is by itself.”

Paul Signac (1863–1935) French painter

As quoted by John Rewald, in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, pp. 135
Signac, in his book De Delacroix au Neo-impressionnisme, tried to explain in this way Camille Pissarro's desertion from Neo-Impressionism around 1890
From Delacroix to Neo-Impressionism, 1899

Feeling , Understanding , Distant , Hurt

“Their [antiwar movement] mantra was: "Afghanistan, where the world's richest country rains bombs on the world's poorest country." Poor fools. They should never have tried to beat me at this game. What about, "Afghanistan, where the world's most open society confronts the world's most closed one"? "Where American women pilots kill the men who enslave women." "Where the world's most indiscriminate bombers are bombed by the world's most accurate ones." "Where the largest number of poor people applaud the bombing of their own regime." I could go on. (I think No. 4 may need a little work.) But there are some suggested contrasts for the "doves" to paste into their scrapbook. Incidentally, when they look at their scrapbooks they will be able to reread themselves saying things like, "The bombing of Kosovo is driving the Serbs into the arms of Milosevic."”

Christopher Hitchens (1949–2011) British American author and journalist

2000s, 2001

Women , Men , People , World

“In contrast to the pride of those who deny their guilt to escape self-criticism is the humility of God, who made a world which added not to His glory and then made man to criticize Him.”

Fulton J. Sheen (1895–1979) Catholic bishop and television presenter

Source: Peace of Soul (1949), Ch. 5, p. 85

God , World

“Windows 95 and MacOS are products, contrived by engineers in the service of specific companies. Unix, by contrast, is not so much a product as it is a painstakingly compiled oral history of the hacker subculture. It is our Gilgamesh epic.”

Neal Stephenson (1959) American science fiction writer

"The Oral Tradition"
In the Beginning... was the Command Line (1999)

History

“.. adding Space perception to the perception of Masses, emphasizing it and forming it, we enrich the expression of Mass.... through the contrast between them whereby Mass retains its solidity and Space its extension.”

Naum Gabo (1890–1977) Russian sculptor

Quoted in: 'Naum Gabo, Construction: Stone with a Collar', by Jacky Klein, Aug. 2002; Tate, London http://www.tate.org.uk/art/artworks/gabo-construction-stone-with-a-collar-t06975
1936 - 1977, Sculpture: Carving and Construction in Space' (1937)