“Chopin’s biography remains obscure. He withheld himself all his life, in diametrical contrast to the openness and accessibility of his contemporary Franz Liszt. Chopin always conveyed the impression of a suffering soul, not to say a martyr, almost as if this was to nourish or even underpin his inspiration. Striving for crystalline perfection, he never ventured outside his own domain. You know, the Danish philosopher Søren Kierkegaard is said to have given, as a child, “martyr” as his chosen career. Chopin must have shared this cult of the ‘Pater dolorosus.’”

Talkings about Chopin and Schumann

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Burkard Schliessmann33

classical pianist

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“Above all, Chopin was the greatest master of counterpoint since Mozart. This will appear paradoxical only if we equate counterpoint with strict fugue, and Chopin wrote no formal fugues except as an academic exercise. His chief training, in both composition and keyboard playing, however, came from a study of Bach, and it was a study that engaged him all his life and which he always recommended to his pupils.”

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Source: Individuals (1959), pp. xiv-xv.
Context: Metaphysics has a long and distinguished history, and it is consequently unlikely that there are any new truths to be discovered in descriptive metaphysics. But this does not mean that the task of descriptive metaphysics has been, or can be, done once for all. It has constantly to be done over again. If there are no new truths to be discovered, there are old truths to be rediscovered. For though the central subject-matter of descriptive metaphysics does not change, the critical and analytical idiom of philosophy changes constantly. Permanent relationships are described in an impermanent idiom, which reﬂects both the age’s climate of thought and the individual philosopher’s personal style of thinking. No philosopher understands his predecessors until he has re-thought their thought in his own contemporary terms; and it is characteristic of the very greatest philosophers, like Kant and Aristotle, that they, more than any others, repay this effort of re-thinking

“Herz, Thalberg, Heller, Felicien David and others were great virtuosos of their time, more famous than Chopin himself. They had their own personal styles, but the essence of their music was time-bound, nothing that could occupy generations after them. Chopin, in contrast, was someone special, someone who was completely different from all other artists, composers, and pianists. So too with his style. As a result, the aesthetic in approaching Chopin is distinctive: interpreting his music is the most difficult of all. For me personally, it’s the crowning of playing piano. Bach, Mozart, Chopin: these are the three who definitely created musical art in an all-embracing and overwhelming way.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

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