Quotes about camera

A collection of quotes on the topic of camera, doing, likeness, people.

Quotes about camera

“Life ain't a rehearsal, the camera's always rolling”

Drake (1986) Canadian rapper, singer, songwriter, record producer, and actor

"Miss Me", Thank Me Later, Lil Wayne (2010)
2010s

“I would have been dead now, but the camera is the only weapon I have.”

NasserTone (1994) Nasser Ali Albahrani is a director, cinematographer, photographer, producer, & YouTuber, who was born on April 3…

I'm a Loser (September 8, 2018)

Dead

“The camera is an instrument that teaches people how to see without a camera.”

Dorothea Lange (1895–1965) American photojournalist

Dorothea Lange (1978) Dorothea Lange: A Photographer's Life. p. vii
Context: You put your camera around your neck in the morning, along with putting on your shoes, and there it is, an appendage of the body that shares your life with you. The camera is an instrument that teaches people how to see without a camera.

People

“I think that I'm really, I was a reactionary, and now I don't do that any more. Same person, but I don't react. Before, I reacted. I didn't like the cameras, I split.”

Tupac Shakur (1971–1996) rapper and actor

1990s, MTV interview with Tabitha Soren (1995)

Thinking, Personality

“For me, the camera is a sketch book, an instrument of intuition and spontaneity.”

Henri Cartier-Bresson (1908–2004) French photographer

Books

“Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director. Everything after that you're just negotiating your budget and your fee.”

James Cameron (1954) Canadian film director

Star, Sister

Shahrukh Khan (1965) Indian actor, producer and television personality

From interview with Komal Nahta

“There are two kinds of bathing suits, those that are adapted for use in the water, and those that are unfit for use except on dry land. If you are going to swim, wear a water bathing suit. But if you are merely going to play on the beach and pose for your camera friends, you may safely wear the dry land variety.”

Annette Kellerman (1886–1975) Australian swimmer, vaudeville star, film actress and writer

How to Swim (1918), pp. 47–48

Water

“The single most important component of a camera is the twelve inches behind it!”

Ansel Adams (1902–1984) American photographer and environmentalist

“You don't make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.”

Ansel Adams (1902–1984) American photographer and environmentalist

Love, People, Books, Music

“How can a society that exists on instant mashed potatoes, packaged cake mixes, frozen dinners, and instant cameras teach patience to its young?”

Paul Sweeney (1989) Scottish politician

Patience

“If someone falls down, pick them back up. Just because there's not a frickin camera in your face doesn't mean you don't have to look out for each other.”

Green Day

“Ron's funnier than Robin Williams. The hard thing is not to laugh when the camera is rolling.”

Daniel Radcliffe (1989) English actor

on Rupert Grint

“Kodachrome,
They give us those nice bright colours,
Give us the greens of summers,
Makes you think all the world's a sunny day,
Oh, yeah, I got a Nikon camera,
I love to take a photograph,
So Mama, don't take my Kodachrome away.”

Paul Simon (1941) American musician, songwriter and producer

Kodachrome
Song lyrics, There Goes Rhymin' Simon (1973)

Love, World, Thinking, Summer

“Whether I’m in front of the camera, behind the camera, at my computer writing a novel or a screenplay, as long as I get to entertain someone out there, I’m happy.”

Chris Colfer (1990) actor, singer, book author

Interview Quotes, Random Quotes

Happiness

“I’m camera shy. But I had to do a portfolio for my world tour. So Karthik of Dreamcast and I worked in tandem and conceptualised the shoot. I wanted a rock star look. Possibly, with just a bit of the face showing. Since the show is full of surprises, I wanted the promo photos too to kindle curiosity.”

Yuvan Shankar Raja (1979) Indian musician

Yuvan Unplugged (2009)

World, Photo, Star

“The first really important book I read about filmmaking was The Film Technique by Pudovkin. This was some time before I had ever touched a movie camera and it opened my eyes to cutting and montage.”

Stanley Kubrick (1928–1999) American film director, screenwriter, producer, cinematographer and editor

Interviewed by Charles Reynolds, Popular Photography (1960)

Books, Time, Reading

“From his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly,
Folded into nearly nothing;

But he opened out the hinges,
Pushed and pulled the joints and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid.”

Lewis Carroll (1832–1898) English writer, logician, Anglican deacon and photographer

Hiawatha's Photographing st. 1 & 2
Rhyme? and Reason? (1883)

Books

“I don't think there are very many people that will have the experience of sitting in this room, doing a job, and the next thing you know you've been on every television camera around the world, and people are' they're frightened of you. They don't know what to make of you. I think people seemed to believe when they saw me that they might be becoming possessed. That is the look in their eyes. They were frightened of me. And no matter what I said or did, it didn't change. And the fact that it was a job in film, it just never came across. And I really' I wish that things had been different back then, but people couldn't see that it was entertainment.”

Linda Blair (1959) actress, producer, animal rights activist

Linda Blair Interview http://www.horrorgalore.com/interview/linda-blair (March 24, 2015)

People, World, Thinking, Change

“I may not be walking with you all the way, or even much of the way, as I walk with you now. Don’t be angry with me if I am not there in person, alive and well, when you need me. I would like nothing more than to be with you always. Do not feel sorry for me if I am gone. When we were together, I loved you deeply and you gave me so much happiness I can never repay you. Camera, wherever I am when you feel sick at heart and weary of life, or when you stumble and fall and don’t know if you can get up again, think of me. I will be watching and smiling and cheering you on.”

Arthur Ashe (1943–1993) American tennis player

Message to his daughter Camera, p. 341
Days of Grace: A Memoir (1994)

Love, Life, Happiness, Smile

“In the theater, while you recognized that you were looking at a house, it was a house in quotation marks … on screen, the quotation marks tend to be blotted out by the camera. The problem was to sustain at any cost the feeling you had in the theater that you were watching a real person, yes, but an intense condensation of his experience, not simply a realistic series of episodes. It isn't easy to do in the theater, but it's twice as hard in film.”

Arthur Miller (1915–2005) playwright from the United States

On filming a television production of Death of a Salesman, as quoted in The New York Times (15 September 1985) http://query.nytimes.com/gst/fullpage.html?res=9805E2DE133BF936A2575AC0A963948260&sec=&spon=&pagewanted=all

Feeling, Problem, Housing, Personality

“The modern artist is living in a mechanical age and we have a mechanical means of representing objects in nature such as the camera and photograph. The modern artist, it seems to me, is working and expressing an inner world – in other words – expressing the energy, the motion and the other inner forces.... the modern artist is working with space and time, and expressing his feelings rather than illustrating.”

Jackson Pollock (1912–1956) American artist

Source: 1950's, Interview by William Wright, Summer 1950, pp. 139-140

Age, World, Feeling, Nature

“There are dignified stupidities, and there are heroic stupidities, and there is such a thing as stupid stupidities, and that would be a stupid stupidity not to have a camera on board.”

Werner Herzog (1942) German film director, producer, screenwriter, actor and opera director

"The White Diamond" (2004)

Stupidity

“"I wasn't surprised that Jamie got the award. But I knew that cameras would be stuffed up my face so I had my response ready. Anyone who says they don't practice is a liar." -on losing out on the Oscar to Jamie Foxx during the 2005 Academy Awards.”

Leonardo DiCaprio (1974) American actor and film producer

“None of us can or should expect a transformation in race relations overnight. Every time something like this happens, somebody says we have to have a conversation about race. We talk a lot about race. There’s no shortcut. And we don’t need more talk. None of us should believe that a handful of gun safety measures will prevent every tragedy. It will not. People of goodwill will continue to debate the merits of various policies, as our democracy requires -- this is a big, raucous place, America is. And there are good people on both sides of these debates. Whatever solutions we find will necessarily be incomplete. But it would be a betrayal of everything Reverend Pinckney stood for, I believe, if we allowed ourselves to slip into a comfortable silence again. Once the eulogies have been delivered, once the TV cameras move on, to go back to business as usual -- that’s what we so often do to avoid uncomfortable truths about the prejudice that still infects our society. To settle for symbolic gestures without following up with the hard work of more lasting change -- that’s how we lose our way again. It would be a refutation of the forgiveness expressed by those families if we merely slipped into old habits, whereby those who disagree with us are not merely wrong but bad; where we shout instead of listen; where we barricade ourselves behind preconceived notions or well-practiced cynicism.”

Barack Obama (1961) 44th President of the United States of America

2015, Eulogy for the Honorable Reverend Clementa Pinckney (June 2015)

People, Truth, Family, Way

“The photogram, image formation outside the camera is the real key to photography, it embodies the essence… that allows us to capture light on light sensitive material without the use of any camera.”

László Moholy-Nagy (1895–1946) Hungarian artist

Art of the 20th century, Part 1 by Karl Ruhrberg, Klaus Honnef, Manfred Schneckenburger, Ingo F. Walther, Christiane Fricke (2000) p. 627.

Light

“When I made my first film, I think the thing was probably helped me the most was that it was such an unusual thing to do in the early 50s for someone who actually go and make a film. People thought it was impossible. It really is terribly easy. All anybody needs is a camera, a tape recorder, and some imagination.”

Stanley Kubrick (1928–1999) American film director, screenwriter, producer, cinematographer and editor

Interviewed by Charles Kohler, East Village Eye (1968)

People, Imagination, Thinking, Help

“Most actors possess an intuitive side. Actually, the further away I am from the character, the less work I have to do. It takes so much more energy to detach yourself from your own life references that might cross wires with your character's. I think it's cheating for me to ever use my life references in conjunction with my characters. It's my reaction transferred to the character, which isn't good. What I have to do is erase those things and then find something else. I can't stand in front of a camera and let anything of myself come through or I'm betraying the character's complete trueness. There are some actors who just use themselves. They can wear their ego on their sleeve and it looks great. I can't do that.”

River Phoenix (1970–1993) American actor, musician, and activist

US Magazine (1991)

Life, Thinking, Cheating

“The camera is as subjective as we are.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

An Outline of Philosophy Ch.15 The Nature of our Knowledge of Physics (1927)
1920s

“He stuck a camera down my throat…. ewwww, I gagged!!! It was kinda funny though….. he said I have "Acute Laryngitis."”

Avril Lavigne (1984) Canadian singer-songwriter and actress

Avril's Official Blog (1 May 2008), on her cancelled tour dates

“I am full of doubts … Each new film is like a trial. Before I step in front of the camera, I do not know whether I am going to fall or whether I am going to fly — and that is exactly the way I want it to stay.”

Juliette Binoche (1964) French actress

As quoted in "How did I survive my childhood?" in The Telegraph (16 December 2005)

Way, Flying

“If in all ideology men and their circumstances appear upside down as in a camera obscura, this phenomenon arises just as much from their historical life-process as the inversion of objects on the retina does from their physical life-process.”

Karl Marx book The German Ideology

The German Ideology (1845/46)
Context: The fact is, therefore, that definite individuals who are productively active in a definite way enter into these definite social and political relations. Empirical observation must in each separate instance bring out empirically, and without any mystification and speculation, the connection of the social and political structure with production. The social structure and the state are continually evolving out of the life-process of definite individuals, but of individuals, not as they appear in their own or other people's imagination, but as they really are; i. e. as they are effective, produce materially, and are active under definite material limits, presuppositions and conditions independent of their will.
The production of ideas, of conceptions, of consciousness, is at first directly interwoven with the material activity and the material intercourse of men, the language of real life. Conceiving, thinking, the mental intercourse of men, appear at this stage as the direct efflux of their material behaviour. The same applies to mental production as expressed in the language of the politics, laws, morality, religion, metaphysics of a people. Men are the producers of their conception, ideas, etc. — real, active men, as they are conditioned by a definite development of their productive forces and of the intercourse corresponding to these, up to its furthest forms. Consciousness can never be anything else than conscious existence, and the existence of men is their actual life-process. If in all ideology men and their circumstances appear upside down as in a camera obscura, this phenomenon arises just as much from their historical life-process as the inversion of objects on the retina does from their physical life-process.

Life, Men, Appearance

“Perhaps it sounds ridiculous, but the best thing that young filmmakers should do is to get hold of a camera and some film and make a movie of any kind at all.”

Stanley Kubrick (1928–1999) American film director, screenwriter, producer, cinematographer and editor

“Life is your art. An open, aware heart is your camera. A oneness with your world is your film. Your bright eyes and easy smile is your museum.”

Ansel Adams (1902–1984) American photographer and environmentalist

Life, World, Smile, Art

“Shame works like the zoom lens on a camera. When we are feeling shame, the camera is zoomed in tight and all we see is our flawed selves, alone and struggling.(page 68)”

Brené Brown (1965) US writer and professor

Source: The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are

Feeling

“My dream is to walk around the world. A smallish backpack, all essentials neatly in place. A camera. A notebook. A traveling paint set. A hat. Good shoes. A nice pleated (green?) skirt for the occasional seaside hotel afternoon dance.”

Maira Kalman (1949) Israeli American artist and creator of children's books

Source: The Principles of Uncertainty

World, Dreams, Shoe, Travel

“Why don't I just pretend I'm on camera, Plutarch?" I say.
"Yes! Perfect. One is always much braver with an audience," he says. "Look at the courage Peeta just displayed!"
It's all I can do not to slap him.”

Suzanne Collins book Mockingjay

Source: Mockingjay

Courage, Perfection

“I take his hand, holding on tightly, preparing for the cameras, and dreading the moment when I will finally have to let go.”

Suzanne Collins The Hunger Games

Katniss Everdeen and Peeta Mellark, pp. 373-374 (closing words)
Source: The Hunger Games trilogy, The Hunger Games (2008)
Context: "One more time? For the audience?" he says. His voice wasn't angry. It's hollow, which is worse. Already the boy with the bread is slipping away from me.
I take his hand, holding on tightly, preparing for the cameras, and dreading the moment when I finally have to let go.

“Sean O'Connell: Sometimes I don't. If I like a moment, for me, personally, I don't like to have the distraction of the camera. I just want to stay in it.”

James Thurber (1894–1961) American cartoonist, author, journalist, playwright

Personality

“I just think it's bad when a boy looks at a girl and thinks that the way he sees her is better than she actually is. And I think it's bad when the most honest way a boy can look at a girl is through a camera.”

Stephen Chbosky book The Perks of Being a Wallflower

Source: The Perks of Being a Wallflower

Way, Girl, Boy, Thinking

“There are cameras nowadays that have been developed to tell the difference between a squirrel and a bomb.”

George W. Bush (1946) 43rd President of the United States

“Shigure: "What's in the camera? Huh? Huh? What is it?"

Hatori: "Quiet, you hack.”

Natsuki Takaya (1973) Manga artist

Source: Fruits Basket, Vol. 2

“It's your own fault for being so camera-ready," I tell Gale. If looks could kill.”

Suzanne Collins book Mockingjay

Source: Mockingjay

“Insane means fewer cameras!”

Ally Carter book Only the Good Spy Young

Source: Only the Good Spy Young

“If I had a camera,' I said, 'I'd take a picture of you every day. That way I'd remember how you looked every single day of your life.”

Nicole Krauss (1974) American novelist

Life, Way, Cute

“Rape is a crime against sleep and memory; it's afterimage imprints itself like an irreversible negative from the camera obscura of dreams.”

Pat Conroy book The Prince of Tides

Source: The Prince of Tides

Dreams, Sleep, Memory

“He understands now why kisses in movies are filmed the way they are, with the camera endlessly circling, circling: the ground is unsteady under his.”

Cassandra Clare book City of Bones

Source: City of Bones

Way, Understanding, Kiss

“Rape is a crime against sleep and memory; it's after image imprints itself like an irreversible negative from the camera obscure of dreams. Though their bodies would heal, their souls had sustained a damage beyond compensation”

Pat Conroy book The Prince of Tides

Source: The Prince of Tides

Dreams, Soul, Sleep, Memory

“I am a camera with its shutter open, quite passive, recording, not thinking.”

Christopher Isherwood book Goodbye to Berlin

Source: "Berlin Diary" (1930) from Goodbye to Berlin (1939)

Thinking

“I am a camera, with its shutter open. Someday, all of this will be developed, printed, fixed.”

Christopher Isherwood (1904–1986) English novelist

“The camera will never compete with the brush and palette until such time as photography can be taken to Heaven or Hell.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

Hell, Time

“The camera makes everyone a tourist in other people's reality, and eventually in one's own.”

Susan Sontag book On Photography

"Melancholy Objects", p. 57
On Photography (1977)

People, Reality

“I hate cameras. They are so much more sure than I am about everything.”

John Steinbeck (1902–1968) American writer

Hate

“If you walk across my camera I will flash the world your story.”

Woody Guthrie (1912–1967) American singer-songwriter and folk musician

World

“I had rescued the moment by using my camera and in that way had found how to stop time and hold it. No one could take that image away from me because I owned it.”

Alice Sebold book The Lovely Bones

Source: The Lovely Bones

Way, Time

“Behind the camera, I was invisible. When I lifted it up to my eye it was like I crawled into the lens, losing myself there. and everything else fell away.”

Sarah Dessen book Dreamland

Source: Dreamland (2000)

“I don't use a crap camera, I don't eat junk, and I'm not going to a dance where the boys are bores”

Adriana Trigiani (1970) American film director

Source: Viola in Reel Life

Boy, Dance

“I was always a reluctant actor! I continue to be that. I announce a project, the camera rolls and I'm happy. I'm fortunate to be doing leading parts even now. Except for my mentor K. Balachander, for whom I can do even a walk-on part. When he directed his 100th film, I just walked in to do a small role. I just clowned around on camera.”

Kamal Haasan (1954) Indian actor

Aamir's choice of films makes Kamal Haasan happy

Happiness, Parting

“One thing that always bothers me is the attention the iPhone camera gets. The latest will have image stabilization, advanced phase focus, 4K video, 60 fps video, 240 fps slo-mo, and all sorts of features. That said — these are still just pinhole cameras on steroids. The only good thing they do is allow citizens to take more and more videos of crimes.”

John C. Dvorak (1952) US journalist and radio broadcaster

Apple's Travesty of a 'Live' Event http://pcmag.com/article2/0,2817,2468228,00.asp in PC Magazine (9 September 2014) 2010s

“I'd hear, "Because they paid the man, there's no money for the woman." How many times do you think I heard this? Over and over. Then I became a sex symbol. Now, how the hell did that happen? I don't exactly know the moment when it happened, but all of a sudden I'm a bombshell. The way I discovered this was I did Desperado. I had a very hard time with the love scene. I cried throughout the love scene. That's why you never see long pieces of the love scene — it's little pieces cut together. I'm crying most of the time so they have to take little pieces. It took eight hours instead of an hour. I nearly got fired. … Because I didn't want to be naked in front of a camera. The whole time, I'm thinking of my father and my brother… And then when the movie comes out, I read the first review. What do they say about me. "Salma Hayek is a bombshell." I had heard that when a movie does badly here, they say it bombs. So I'm crying. Thinking they're saying, "That terrible actress! It's a bomb! Salma Hayek is the worst part of the movie!" I called my friend and said, "The critics are destroying me!" She says, "No, they're saying you're very sexy." And then I look at all the reviews, and everybody said I was very sexy. So I'm very confused. I said, "I wonder if that's good or bad." I hear, "Yes, that's good." Then I do Fools Rush In, and I'm a pregnant woman. And they say I'm sexy again! I go, "But I'm pregnant!"”

Salma Hayek (1966) Mexican-American actress and producer

I'm not even naked in this movie, and they still say I'm sexy. And then it became very depressing — I thought, I guess I'm reduced to that now. That's all I am in the perception of these people.
O interview (2003)

Love, Money, People, Fools

“Every day, we hear Western leaders repeat the sickening mantra that Islam is a religion of peace. Whenever an atrocity is committed in the name of Islam, whenever somebody is beheaded in Syria or Iraq, Barack Obama, David Cameron, my own Dutch Prime Minister Mark Rutte and many of their colleagues rush to television cameras to tell the world that it has nothing whatsoever to do with Islam. How stupid can you be?”

Geert Wilders (1963) Dutch politician

Speech http://www.pvv.nl/index.php/36-fj-related/geert-wilders/7981-geert-wilders-speech-danish-free-press-society-copenhagen-2-11-2014.html at the 10 years memorial conference for Theo Van Gogh arranged by the Danish Free Press Society (Copenhagen, 2 November 2014). 2010s

Stupidity, World, Peace, Religion

“Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Newsweek (22 October 1984)

“I made, for a London television company a programme called 26 Bathrooms … which was about the ways in which people behaved in their bathrooms. It was about where people put the soap on one level, or the colour of the bathroom curtains, the acoustics, about whether you sang in the bath, and it was structured very simply on the alphabet. We had a man and a woman who arrived one by bus, one by bike, to come and demonstrate for me, in front of the camera, how a jacuzzi operated. I asked both of them to take their clothes off because obviously you don't get into a bath with your clothes on. They hesitate, but eventually their dressing gowns came off and they got into the bath. They had never met one another before. Six weeks later I got an invitation from these people that I had brought together so peculiarly in this jacuzzi -- they were planning to get married! I understand that now they have three children.”

Peter Greenaway (1942) British film director

From an interview in Art and Design, no. 49
Interviews

Children, People, Way, Understanding

“The cine-camera and television set allow us to perceive slow motion. The concept of anything other than real time had never occurred to anybody until the first slow-motion movies were shown, and this radically altered people's perceptions of nature.”

J. G. Ballard (1930–2009) British writer

As quoted in "some ideas for free from time recording" by Emit Records (1995) https://archive.is/20130628060534/www.emit.cc/img/catalog-page9.jpg

People, Nature, Time

“I bought a new camera. It's very advanced. You don't even need it.”

Steven Wright (1955) American actor and author

When the Leaves Blow Away (2006), I Still Have a Pony (2007)

“There was a cable-TV program that documented how Peeps are made, and it showed unlimited hordes of Peeps bouncing merrily down a conveyor belt, right toward the camera. I came.”

Paul Rudnick book I Shudder

Source: I Shudder (2009), p. 106

“Bob Hope will go to the opening of a phone booth in a gas station in Anaheim, providing they have a camera there and three people. He'll go to the opening of a market to receive an award. He'd get an award from Thom McCan for wearing their shoes. It's pathetic. It's a bottomless pit. A barrel that has no floor. He must be a man who has an ever-crumbling estimation of himself. He's constantly filling himself up. He's like a junkie – an applause junkie. What happens to those people when they can't get up and do their shtick, God only knows. Bob Hope, Christ, instead of growing old gracefully or doing something with his money, be helpful, all he does is he has an anniversary with the President looking on. It's sad. He gets on an airplane every two minutes always going someplace. It didn't bother him at all to work the Vietnam War. Oh, he took that in his stride. He did his World War II and Korean War act. "Our boys" and all that. He’s a pathetic guy.”

Marlon Brando (1924–2004) American screen and stage actor

Money, God, War, People

“At the base of the plane, Styles freelance photographer is down on one knee, going handheld, still in the same Hawaiian shirt. The famously reclusive R. Vaughn Corliss is nowhere in view. Doug Llewellyn’s wardrobe furnished by Hugo Boss. The Malina blanket for the artist’s lap and thighs, however, is the last minute fix of a production oversight, retrieved from the car of an apprentice gaffer whose child is still nursing, and is not what anyone would call an appropriate color or design, and appears unbilled. There’s also some eleventh hour complication involving the ground level camera and the problem of keeping the commode’s special monitor out of its upward shot, since video capture of a camera’s own monitor causes what is known in the industry as feedback glare — the artist in such a case would see, not his own emergent Victory, but a searing and amorphous light.”

David Foster Wallace (1962–2008) American fiction writer and essayist

"The Suffering Channel", Oblivion: Stories
Short stories

Cars, Color, Problem, Light

“[When beginning the cold open with another person] Please state your name for the camera.”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

citation needed
The Late Late Show with Craig Ferguson (2005–2014), Commonly repeated

Personality

“If we're going to consider failure to comply with UN directives a good reason for wrecking a country with cruise missiles, hey, I can think of a country in the Middle East which is in violation of a lot more UN directives than Iraq is. Israel has consistently thumbed its nose at UN directives, and no one in Washington has ever told Israel, "Comply or get hit." Let's understand one fundamental fact. This crusade against Iraq isn't about the United Nations or international security or stopping the proliferation of weapons of mass destruction. It's about making the Middle East safe for Israel to continue bullying its neighbors and stealing from them. Every other explanation is lies and hypocrisy. And we really can expect a bigger dose of lies and hypocrisy than usual as the warmongers work to get this war against Iraq started. The media bosses will trot more generals and politicians in front of the TV cameras and have them bluster patriotically about how we're not going to let Saddam Hussein get away with it any longer, by god, and they'll show groups of military personnel cheering when they're told that they're being shipped out to the Persian Gulf to kick Saddam Hussein's behind and keep him from getting away with whatever it is he's getting away with, which mainly seems to be running his country the way he wants to instead of the way the United Nations tells him. They will work overtime at convincing the couch potatoes and the mindless yahoos who like to wave flags and shout patriotic slogans that destroying Iraq really is an act of American patriotism. And as long as the number of Americans killed in a Jewish war against Iraq remains small, the flag-waving yahoos and the bought politicians ought to be able to drown out any dissent from Americans like me who believe that we don't have any reasonable justification for waging such a war. And keeping casualties small ought to be easy, so long as it remains strictly a high-tech war, with us launching missiles against defenseless targets from many miles away. Of course, sometimes wars get out of hand, and unexpected things happen. If the Jews manage to get Iran involved in the war also -- and that's what they really want to do, what they really need to do -- then I think we stand a pretty good chance of seeing some major terrorist activity in the United States. I know that if I were Osama bin Laden, I'd have been spending my time getting ready for just such a development ever since Bill Clinton blew up that pharmaceutical factory in Sudan. I'd be putting my teams into place in the United States, assembling materials, choosing targets, and waiting for the Jews to provide justification for me to begin killing Americans on a significant scale. Of course, whether Osama bin Laden is as resourceful and as capable as he's said to be remains to be seen. Personally, I have very little faith in the ability of these flea-bitten Muslims to get things done. But we'll see.”

William Luther Pierce (1933–2002) American white nationalist

Why War? (November 21, 1998) http://web.archive.org/web/20070324011124/http://www.natvan.com/pub/1998/112198.txt, American Dissident Voices Broadcast of November 21, 1998 http://archive.org/details/DrWilliamPierceAudioArchive308RadioBroadcasts. 1990s, 1990

God, War, Faith, Way

“It was on tiny wheels with a mount for the camera that put the lens about two feet above the ground. On it rode the camera operator and the assistant who changed the focus and that's all. Fred always wanted to keep the camera in as tight as possible, and they used to shoot with a 40 millimetre lens, which doesn't give you too much leeway. So every time Fred and Ginger moved toward us, the camera had to go back, and every time they went back, the camera went in. The head grip who was in charge of pushing this thing was a joy to watch. He would maintain a consistent distance, and when they were in the midst of a hectic dance that's quite a stunt.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

H.C. Potter describing the "The Astaire dolly", as quoted in Croce, Arlene. The Fred Astaire and Ginger Rogers Book, W.H. Allen, London, 1974. p. 127. ISBN 0491001592.

Change, Time, Joy, Dance

“You said the war would pay for itself in fruit baskets. You said that our soldiers would march in the streets of Havana and people would shower them with bananas and cigars. That didn’t happen. Would you like to look into the camera and apologize to the American people?”

Stephen Colbert (1964) American political satirist, writer, comedian, television host, and actor

One of his questions to President Theodore Roosevelt in his series Better Know A President on The Colbert Report http://www.nofactzone.net/?p=1788 (17 May 2006)

War, People

“It’s really a home. It’s not like the White House because there aren’t tours of the vice president’s residence. You don’t really go there unless someone invites you to go there. It’s really a warm kind of home. It’s like a Victorian home. It has a wrap-around porch. You can sit out on the porch and feel like you have some privacy. We’re pretty private and we’ve been living on Meridian Street where it’s right there. So I think we’re kind of looking forward to having a little bit of privacy there, or as much as you can get with cameras all around.”

Karen Pence (1958) First Lady of Indiana, schoolteacher

Karen Pence focuses on moving family forward amid hoopla http://www.indystar.com/story/news/politics/2017/01/20/karen-pence-focuses-moving-family-forward-amid-hoopla/96828962/ (January 20, 2017)

Feeling, Home, Thinking, Housing

“In one famous episode, members of the Congressional Black Caucus walked through a crowd of tea party protesters seeking a provocation. Subsequently they claimed the attendants screamed the N-word and other epithets at them. The press reported it all as fact. Andrew, noting the sea of cameras and iPhones at the event, offered a $10,000 reward to anyone who could provide proof of the CBC's claims. No one came forward. That was the Andrew Breitbart I was proud to call my friend.”

Jonah Goldberg (1969) American political writer and pundit

2010s, 2018, Andrew Breitbart would tell Steve Bannon to stay in Europe (2018)

Tea, Sea

“I don't know if the member of Prince Edward-Hastings thinks he's on camera, but he's not.”

Pierre Trudeau (1919–2000) 15th Prime Minister of Canada

Comment in the House of Commons in response to the heckling of George Hees, October 17, 1977 (this particular Question Period was the first to be televised, prompting Trudeau's remark. In actuality, John Raymond Ellis was the Prince Edward-Hastings MP.) http://www.youtube.com/watch?v=f2kRv0kW5Oc#t=6m51s

Thinking

“Bangladeshi people, given our nature and surroundings, are courageous. The same can be said for our photographers. We have learned to shoot with minimal equipment, broken and archaic cameras and lens.”

Prito Reza (1984) Photographer

People, Courage, Nature, Learning

“I think the case is so strong that I can tell you the day you see a camera come into our courtroom, it's going to roll over my dead body.”

David Souter (1939) Judge of the United States of America

On Cameras in Supreme Court, Souter Says, 'Over My Dead Body' https://query.nytimes.com/gst/fullpage.html?res=9A00E6D71539F933A05750C0A960958260, The New York Times, March 30, 1996

Thinking, Strong, Dead

“If you want to do a film, steal a camera, steal raw stock, sneak into a lab and do it!”

Werner Herzog (1942) German film director, producer, screenwriter, actor and opera director

Werner Herzog Eats His Shoe (1980)

“People here always want to grab a simple camera and a table light, get their cousin and shoot a movie. You can’t say that’s wrong, but it’s not cinema.”

Usama Mukwaya (1989) Ugandan screenwriter

Source: " camera, action: Uganda’s film scene http://www.bahighlife.com/articles/uganda-africa-s-film-capital/:Lights," at British Airways Highlife Magazine. 08 June 2015 written by Elizabeth Mcsheffrey

People, Light

“No, I thing that's the worst f**king thing. I mean, can you imagine having to get up at 4am and sit in a trailer while someone puts makeup on you? Then stand in front of a camera and say the same lines 60 times. I feel sorry for actors and I never want to do it. I stood in front of a camera in Singles and that's about it.”

Chris Cornell (1964–2017) American singer-songwriter, musician

When asked if he ever considered acting as a career ** Kerrang! Magazine, March 1, 1997 http://web.stargate.net/soundgarden/articles/kerr_3-1-97.shtml, Soundgarden Era

Feeling, Imagination, Time

“An eye from another world; a smell-detector, investigating the path ahead. We don't often see a snail that way, and that's because we've only recently had the tiny lenses and electronic cameras that we need to explore this miniature world. But when we meet its inhabitants face to face, we suddenly realise that their behaviour can be just as meaningful to us as the behaviour of many animals more our own size.”

David Attenborough (1926) British broadcaster and naturalist

Opening narration
Life in the Undergrowth (2005)

World, Way, Animals

“The expression of satisfaction at the acts of torture one is inflicting on helpless, trussed, naked victims is only part of the story. There is the primal satisfaction of being photographed, to which one is more inclined to respond not with a stiff, direct gaze (as in former times) but with glee. The events are in part designed to be photographed. The grin is a grin for the camera. There would be something missing if, after stacking the naked men, you couldn't take a picture of them.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

Regarding the Torture of Others (2004)

Men, Time, Parting

“Either the camera will dance, or I will.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Fred Astaire in Winge, John. "How Astaire Works." Film and Theatre Today, January 1950, pp. 7-9. (M).

Dance

“I think I can pinpoint the one moment when the American style of dressing first appeared. It was in an appalling 1933 movie called Dancing Lady during an otherwise forgettable dance number. It also just happened to be Fred Astaire's first on-camera dance. But don't look at the steps. Look at the outfit: Astaire is wearing a single-breasted, soft flannel suit with two-tone spectator shoes and a turtleneck. You wish you could look that stylish! Later that year, in Flying Down to Rio, we get the full Astaire impact. The muted plaid suit is not all that striking, but Fred is wearing it with a soft button-down shirt, a pale woven tie, silk pocket square, bright horizontally striped hose and white bucks. Whoa! Now that's different. This melange of the classic and the sporty was an American innovation. As we approach the impeccable Astaire's 100th birthday on May 10, it's worth remembering that he remains the greatest exemplar of that style.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

G. Bruce Boyer in "Shall We Dress?" Forbes, May 3rd, 1999.

Shoe, Birthday, Thinking, Appearance

“[While filming 'Ashes to Ashes'] So we're on the beach shooting this scene with a giant bulldozer. The camera was on a very long lens. [The camera is along way away, but the artist fills the frame] In this video I'm dressed from head to toe in a clown suit. Why not. I hear playback and the music starts. So off I go, I start singing and walking, but as soon as I do this old geezer with an old dog walk right between me and the camera… Well, knowing this is gonna take a while I walked past the old guy and sat next to camera in my full costume waiting for him to pass. As he is walking by camera the director said, excuse me Mr do you know who this is? The old guy looks at me from bottom to top and looks back to the director and said… "Of course I do!!!! its some cunt in a clown suit."”

David Bowie (1947–2016) British musician, actor, record producer and arranger

That was a huge moment for me, It put me back in my place and made me realize, yes I'm just a cunt in a clown suit. I think about that old guy all the time.
http://tonythegigguy.com/queen-bitch-beat-city-bowie-special-sleeve-notes

Dogs, Music, Way, Guy

“With good behavior I'll be out in seven years
Don't worry over me or shed any tears
I've learned a lot in here and I know what a chance I blew
The next time I won't make the same mistake
I'll shoot the camera out too
I'm learning all kinds of things you can do
When you're broke”

Todd Snider (1966) American singer

Broke.
Near Truths and Hotel Rooms (2003)

Behavior, Tear, Learning, Chance

“The camera hound of the future wears on his forehead a lump a little larger than a walnut. It takes pictures 3 millimeters square, later to be projected or enlarged, which after all involves only a factor of 10 beyond present practice.”

Vannevar Bush book As We May Think

As We May Think (1945)

Future

“The eye projects and focuses the inner image (idea) onto the physical world in the same manner that a motion picture camera transfers an image onto a screen. The mouth creates words. The ears create sound. The difficulty in understanding this principle is due to the fact that we’ve taken it for granted that the image and sound already exist for the senses to interpret. Actually the senses are the channels of creation by which idea is projected into material expression.”

Jane Roberts (1929–1984) American Writer

Source: The Seth Material (1970), p. 13

World, Idea, Understanding, Sense

“Though she came from the theatre, Barbara Stanwyck seemed to have an intuitive understanding of the fluid physical movements that work best on camera; perhaps she had been an unusually "natural" actress even onstage. This was her first big hit in the movies. Under Frank Capra's direction, she plays a tough "party" girl (euphemism for call girl) who poses for a wealthy young artist (Ralph Graves); he sees in her the spirituality that she attempts to deny. The story is a museum piece of early-talkies sentimentality, but, in a way, that only emphasizes Stanwyck's remarkable modernism.”

Pauline Kael (1919–2001) American film critic

"Ladies of Leisure," p. 403
5001 Nights at the Movies (1982)

Way, Girl, Understanding, Nature

“A movie camera is like having someone you have a crush on watching you from afar— you pretend it's not there.”

Tom Stoppard (1937) British playwright

Misattributed Source: Darryl Hannah http://www.idolpleasures.com/daryl_hannah.shtml.

“Then there are the phones designed for East Asian sensibilities. The same region that brought us the selfie stick also brought us Oppo, a company whose phone’s principal selling points include a high-quality camera and custom software that automatically airbrushes photos with faces in them. The ad campaigns emphasize a particularly performative form of femininity, since, in a nice touch, the software makes a guess about the gender of the subject—everyone gets smoother skin, but only the ladies get their lips reddened. Despite successful rollouts in Thailand and Korea, Oppo has not made much of a dent in markets outside East Asia. Their U. S. launch was a bust.”

Clay Shirky (1964) American technology writer

Little Rice: Smartphones, Xiaomi, and the Chinese Dream (2015)

Photo, Success

“I had one little glimpse in the mirror and it was like an electric shock. Horrifying. It took me three or four days to get over it. On air, the plastic surgeon said: "Would you have anything done?" Oh no, I said. "Do you smoke?" No, never. Soon as the camera was off I took his card and had a cigarette.”

Susannah Constantine (1962) British fashion designer and journalist

Reaction to being aged to a 70-year-old by prosthetics.
God's gift to women (2007)

“I find myself in situations that I know would be unbelievable pictures and I have to gauge, Is this worth taking the camera out? Am I gonna lose the moment? Am I gonna get a dirty look from Sting?”

John Mayer (1977) guitarist and singer/songwriter

On the split-hair decisions of photography Ellwood, Mark (2007). "Nikon Podcast #3: Exclusive Interview with John Mayer" http://press.nikonusa.com/2007/09/nikon_podcast_3_exclusive_inte.php ( listen http://press.nikonusa.com/podcasts/Nikon_John_Mayer_Podcast_3.mp3) NikonUSA.com. Retrieved September 10, 2007

Gauge

“Self-painting is a further development of the art of painting. The surface of an image has lost its function as the sole means of conveying expression. It was taken back to its roots, to the wall, to the object, to the living being, to the human body. By using my body as a means of conveying expression, the result created is a happening captured by a camera as it progresses, and an experience which viewers can share.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 140 (1985)

Art, Painting

“Be so kind and write me by return, with drawing and explanation, how I can make a [photo] camera. - as I then saw at your home. (translation from the original Dutch: Fons Heijnsbroek)”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Wees zoo goed en meld me per omgaande, met teekening en uitleg, hoe ik een [foto]-camera kan maken. - zooals ik toen bij jou gezien heb.
Quote of Breitner's letter to his friend H. van der Weele, 14 July 1883 or 1889; as cited by R. Bergsma, & P.H. Hefting, in George Hendrik Breitner 1857-1923, Bussum 1994, p. 21
There are different opinions about the year Breitner started using a photo-camera; they all differ between 1883 and 1889
before 1890

Home, Photo, Drawing

“We may compare this sum of the life forces, which we call heredity, to the character of a sensitive plate in the camera. Outside pictures impress themselves more or less distinctly on the sensitive plate… Stored within heredity are all joys, sorrows, loves, hates, music, art, temples, palaces, pyramids, hovels, kings, queens, paupers, bards, prophets and philosophers, oceans, caves, volcanoes, floods, earthquakes, wars, triumphs, defeats, reverence, courage, wisdom, virtue, love and beauty, time, space, and all the mysteries of the universe. The appropriate environments will bring out and intensify all these general human hereditary experiences and quicken them again into life and action, thus modifying for good or evil, character—heredity—destiny.”

Luther Burbank (1849–1926) American botanist, horticulturist and pioneer in agricultural science

p, 125
The Training of the Human Plant (1907)

Love, Life, Wisdom, Hate

“When in public, Hillary smiles and acts graciously. As soon as the cameras are gone, her angry personality, nastiness, and imperiousness become evident … Hillary Clinton can make Richard Nixon look like Mahatma Gandhi.”

Ronald Kessler (1943) American journalist

Ronald Kessler, describing interviews with Secret Service agents serving Secretary Clinton, in First Family Detail (2015)

Smile, Personality

“There are other difficulties in the way of accepting imperialism as an explanation of Muslim hostility, even if we define imperialism narrowly and specifically, as the invasion and domination of Muslim countries by non-Muslims. If the hostility is directed against imperialism in that sense, why has it been so much stronger against Western Europe, which has relinquished all its Muslim possessions and dependencies, than against Russia, which still rules, with no light hand, over many millions of reluctant Muslim subjects and over ancient Muslim cities and countries? And why should it include the United States, which, apart from a brief interlude in the Muslim-minority area of the Philippines, has never ruled any Muslim population? The last surviving European empire with Muslim subjects, that of the Soviet Union, far from being the target of criticism and attack, has been almost exempt. Even the most recent repressions of Muslim revolts in the southern and central Asian republics of the USSR incurred no more than relatively mild words of expostulation, coupled with a disclaimer of any desire to interfere in what are quaintly called the "internal affairs" of the USSR and a request for the preservation of order and tranquillity on the frontier.
One reason for this somewhat surprising restraint is to be found in the nature of events in Soviet Azerbaijan. Islam is obviously an important and potentially a growing element in the Azerbaijani sense of identity, but it is not at present a dominant element, and the Azerbaijani movement has more in common with the liberal patriotism of Europe than with Islamic fundamentalism. Such a movement would not arouse the sympathy of the rulers of the Islamic Republic. It might even alarm them, since a genuinely democratic national state run by the people of Soviet Azerbaijan would exercise a powerful attraction on their kinsmen immediately to the south, in Iranian Azerbaijan.
Another reason for this relative lack of concern for the 50 million or more Muslims under Soviet rule may be a calculation of risk and advantage. The Soviet Union is near, along the northern frontiers of Turkey, Iran, and Afghanistan; America and even Western Europe are far away. More to the point, it has not hitherto been the practice of the Soviets to quell disturbances with water cannon and rubber bullets, with TV cameras in attendance, or to release arrested persons on bail and allow them access to domestic and foreign media. The Soviets do not interview their harshest critics on prime time, or tempt them with teaching, lecturing, and writing engagements. On the contrary, their ways of indicating displeasure with criticism can often be quite disagreeable.”

Bernard Lewis (1916–2018) British-American historian

Books, The Roots of Muslim Rage (1990)

Hostility, People, Way, Exercises

“In a war the normal codes of civilized behavior are suspended. It would be unthinkable in so-called normal life to go into someone's home where a family is grieving over the death of a loved one and spend long moments photographing them. It simply wouldn't be done. Those picture could not have been made unless I was accepted by the people I'm photographing. It's simply impossible to photograph moments such as those…without the complicity of the people I'm photographing…without the fact that the welcomed me, that they accepted me, that they wanted me to be there. They understand that a stranger who's come there with a camera to show the rest of the world what is happening to them…gives them a voice in the outside world that they otherwise wouldn't have. I try my best to approach people with respect. I want them to see that I have respect for them and the situation they're in. I want to be very open in my approach…feel open in my own heart towards them. I want them to be aware of that. People do sense it…with very few words…sometimes with no words at all.”

James Nachtwey (1948) American photographer

War Photographer, documentary, 2001

Love, Life, Death, War

“The demolition of the Babri Masjid was the last straw. Naseem (1995) was almost like an epitaph. After the film, I had really nothing to say. I needed to regain my faith and retain my sanity. So I decided to travel around India and document it on a video camera”

Saeed Akhtar Mirza (1943) Indian film director

‘Once again, I feel I have something to say’, Interview, Page 1 http://www.indianexpress.com/news/-Once-again--I-feel-I-have-something-to-say-/471304 Indian Express, Jun 07, 2009.

Faith, Travel