Quotes about camera
page 2

“The trouble with cameras is that people see them a mile away.”

Paul Theroux (1941) American travel writer and novelist

Picture Palace (1978)

“I started watching reality shows and being horrified at people signing up to be humiliated in front of the entire country. … I saw one show, The Amazing Race, in which people were eating spicy soup and vomiting and crying. Why would you do that? Also, I was fascinated by these actors and actresses who would sign up to be followed around by cameras in their life. You become a celebrity, not because of your work or what you do, but because you have no privacy. I've been careful to keep my life separate because it's important to me to have privacy and for my life not to be a marketing device for a movie or a TV show. It's worth more than that. I'm worth more than that.”

Lisa Kudrow (1963) American actress

Guardian interview (2006)

Life, People, Reality, Cry

“The photograph reproduces objects in a different way from the painted picture, because the camera does not apprehend objects: it sees them. In 'free-hand drawing' the object is apprehended in all it parts... By tracing the outlines with the aid of a projector you can bypass and elaborate this process of apprehension. You no longer apprehend but see and make (without design) what you have not apprehended. And when you don't know what you are making, you don't know, either, what to alter or distort.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), p. 51, note 60

Way, Parting, Drawing, Painting

“I went out the other night for the first time in ages, just because I'd been so busy. As I came out of the cinema, I ran down the street to get cigarettes, and 30 guys followed me with cameras and shouted at me. It's all so strange. It's not a life I really live or understand.”

Sienna Guillory (1975) British actress

Sienna Guillory Interview http://community.livejournal.com/siennagfan/20449.html#cutid1. Vanity Fair. December 2001.

Life, Age, Guy, Understanding

“The “natural magic” of the camera obscura anticipated Hollywood in turning the spectacle of the external world into a consumer commodity or package.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 146

World, Nature

“Just as he was an Elk, a Booster, and a member of the Chamber of Commerce, just as the priests of the Presbyterian Church determined his every religious belief and the senators who controlled the Republican Party decided in little smoky rooms in Washington what he should think about disarmament, tariff, and Germany, so did the large national advertisers fix the surface of his life, fix what he believed to be his individuality. These standard advertised wares—toothpastes, socks, tires, cameras, instantaneous hot-water heaters—were his symbols and proofs of excellence; at first sight the signs, then the substitutes, for joy and passion and wisdom.”

Sinclair Lewis book Babbitt

Babbitt (1922), Ch. 7

Life, Wisdom, Thinking, Water

“I was wrong. I am not pleased about it at all and I think all Americans should be concerned about this… What do you want me to do, go over and kiss the camera?”

Bill O'Reilly (1949) American political commentator, television host and writer

2004-02-10

Good Morning America

ABC

Television

in response to a request to make good on his 2003-03-18 promise to publicly apologize if weapons of mass destruction were not found in Iraq

Kiss, Thinking

“So there you are – you can see what it is like. The camera's hot, probing eye, these monstrous machines and their attendants – a kind of twentieth century torture chamber, that's what it is. But I must try to forget about that, and imagine that you are sitting here in the room with me.”

Harold Macmillan (1894–1986) British politician

"Call for 'A little extra effort'", The Times, 25 January 1962, p. 6.

Opening to Conservative Party political broadcast (24 January 1962), quoted in "Call for 'A little extra effort'", The Times (25 January 1962), p. 6 Macmillan decided to open by showing the television outside broadcast crew who had set up their equipment.

Ref: en.wikiquote.org - Harold Macmillan / Quotes / Prime Minister
1960s

Imagination, Forgetting

“People do what they do by choice, so I don’t really know it’s a matter of people being comfortable in front of the camera. I think it’s a matter of doing the work that’s available to you and then striving in it. If you realized how hard it is to get a job in the entertainment industry, and you were working prolifically in voice over and you can work doing on camera stuff here and there, it has nothing to do with being worried about how you look on camera. It’s about the work and you do the work that is available to you. These actors are that good that they’re able to do the voiceover stuff. It’s hard. A lot of people think that it’s easy to just go and talk in front of a microphone and that’s not the case. You’re not just talking, you’re acting. You’re acting in front of a microphone as opposed to a camera. It’s a lot more specific of a technique than most people think. It’s not, “Oh, do a silly voice!” Try doing a silly voice for four hours, then take a lunch break, and then do another silly voice for four hours. It’s not easy, especially because it’s about the acting. So I think that mindset is a little off.”

John DiMaggio (1968) American voice actor and comedian

Exclusive Interview: John DiMaggio & Lawrence Shapiro https://diaboliquemagazine.com/exclusive-interview-john-dimaggio-lawrence-shapiro/ (September 6, 2013)

People, Thinking

“At best Americans give but limited attention to history. Too much happens too rapidly, and before we can evaluate it, or exhaust its meaning or pleasure, there is something new to concern us. Ours is the tempo of the motion picture, not that of the still camera, and we waste experience as we wasted the forest.”

Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer

"The Golden Age, Time Past" (1959), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 239.

Pleasure, History

“I think my business is about people making you feel self-conscious. All eyeballs are on you when you're a model, when you're on the runway or in front of the camera, you're always looked up and down and back up, so that comes with the territory. But at the end of the day I feel like my parents gave me a good solid foundation. I know who I am and there are things I wouldn't do. I wouldn't starve myself, I also never wanted to chop my hair off when people said I should do this and I should do that. And I always knew who I was and said they're going to book me like this or not book me. I don't want to be a role model because I'm just a person too, so I can have mistakes and some people don't like what I do. People always push this role model thing on you. I just want to be a good role model for my children.”

Heidi Klum (1973) German model, television host, businesswoman, fashion designer, television producer, and actress

Interview with Huffington Post, 19 March 2010 http://www.huffingtonpost.com/2010/03/19/heidi-klum-talks-marital_n_506662.html

Children, People, Books, Feeling

“Stage is much more intimidating than going before the cameras, because you can really screw up, and can't do a retake.”

Daniel Radcliffe (1989) English actor

http://www.flixster.com/actor/daniel-radcliffe/daniel-radcliffe-quotes

“Most scripts are bad. I read a lot of them. Brick was a good script just to read. It was like, “Oh my God, these words feel so good in my mouth.” A lot of movies try to set up a world with cool sets, costumes, camera work. In Brick, the world is born from the words.”

Joseph Gordon-Levitt (1981) American actor, director, producer, and writer

Newsweek, March 31, 2006

God, World, Feeling, Reading

“Memory works like the collection glass in the Camera obscura: it gathers everything together and therewith produces a far more beautiful picture than was present originally.”

Arthur Schopenhauer book Aphorisms on the Wisdom of Life

Die Erinnerung wirkt wie das Sammlungsglas in der Camera obscura: Sie zieht alles zusammen und bringt dadurch ein viel schöneres Bild hervor, als sein Original ist.
Parerga and Paralipomena (1851), Aphorisms on the Wisdom of Life

Beauty, Memory

“My proposition is this: A vast number of Americans who oppose legalization and fear new waves of immigration would change their minds if we could radically reduce new — i. e., future — illegal immigration. Forget employer sanctions. Build a barrier. It is simply ridiculous to say it cannot be done. If one fence won't do it, then build a second 100 yards behind it. And then build a road for patrols in between. Put in cameras. Put in sensors. Put out lots of patrols.”

Charles Krauthammer (1950–2018) American journalist

"First a wall — then amnesty" in The Washington Post (7 April 2006) https://www.washingtonpost.com/archive/opinions/2006/04/07/first-a-wall-then-amnesty/3a4e0da4-653c-45fe-b651-59e0f06d34c3/?utm_term=.21a76dc8d370 <br class="br">2000s, 2006

Fear, Change, Future, Forgetting

“We wanted to figure out a way to get crank phone calls on television. Watching someone on TV talking on a phone isn't that entertaining, and obviously we couldn't send a camera crew around to the people getting the calls, so it was limited to either animation or puppets. And puppets seemed halfway between cartoons and people, so that seemed like the most real way that we could do it.”

Jimmy Kimmel (1967) American talk show host and comedian

Discussing Crank Yankers — reported in Hugh Hart (May 30, 2002) "Kimmel, Carolla Pulling The Strings On Crank Calls Show", Sun-Sentinel, p. 3E.

People, Way, Animals

“I leaned right over to kiss your stoney book
A little jealous of the ships with whom you flirt
A billion lovers with their cameras
Snap to look and in my fantasy
I sail beneath your skirt”

Andy Partridge (1953) British musician

"Statue of Liberty".
White Music (1978)

Books, Lovers, Kiss

“One should really use the camera as though tomorrow you'd be stricken blind. To live a visual life is an enormous undertaking, practically unattainable. I have only touched it, just touched it.”

Dorothea Lange (1895–1965) American photojournalist

As quoted in Dorothea Lange: A Visual Life by Elizabeth Partridge (1994)

Life

“Camera-Phones are at the root of the Citizen-Journalism revolution.”

Philippe Kahn (1952) Entrepreneur, camera phone creator

NPR Interview January 2007, regarding the use of camera phones in citizen-journalism http://weekendamerica.publicradio.org/programs/2007/01/06/father_of_the_camera.html.

“Grandma asked me to confirm if I had landed in Canada and not any other country. I just pointed my camera towards the different direction where grandma could see some Sardar roaming here and there. ‘Aa ta Kanedda hi lagda hai.’ (it is Canada, indeed) grandma said in joy. We all laughed like anything.”

Gaurav Sharma (author) (1992) Author and novelist

Gone are the Days (2016)

Grandma, Joy, Country

“You know what's hard? I want to give back. I want to do all the things that will make me feel fulfilled. But whenever I do those things, people think it's a press stunt or something. Because they do find me, and there's really no way of hiding from that. And the second that you complain about it, they say, "Well, this is what you wanted, so this is what you're going to get." That's all people see it as now. It's not, "No, I just want to have some time for myself." There are things I want to do, and people don't understand that. You know, my car accident that I got into, where I got my first charge, I wouldn't have been speeding up like I was if I didn't have people shoving cameras in my windows.”

Lindsay Lohan (1986) American actress and pop singer

Interview interview (2009)

People, Cars, Way, Feeling

“I don't want Cambodia to be a carbon copy of the Philippines, Formosa, South Vietnam or South Korea. I don't even want a Cambodia which exports cameras like Japan. I want a decent Cambodia, a Cambodia like China. If that makes it a bit too austere, too bad. If this takes away the happiness I cultivated with my films and my songs, too bad. But, they say, there's the problem of individual freedom, freedom of thought. Yes, that's true. But where's the alternative? Nowhere. Let's use our common sense here: even if there was another solution, the Cambodian communists would never relenquish power.”

Norodom Sihanouk (1922–2012) Cambodian King

Said during his exile in Peking, as quoted by Oriana Fallaci (June 1973), Intervista con la Storia (sixth edition, 2011). page 128.
Interviews

Happiness, Problem, Sense, Freedom

“Iconography becomes even more revealing when processes or concepts, rather than objects, must be depicted—for the constraint of a definite “thing” cedes directly to the imagination. How can we draw “evolution” or “social organization,” not to mention the more mundane “digestion” or “self-interest,” without portraying more of a mental structure than a physical reality? If we wish to trace the history of ideas, iconography becomes a candid camera trained upon the scholar's mind.”

Stephen Jay Gould book Eight Little Piggies

"A Tale of Three Pictures", p. 428
Eight Little Piggies (1993)

Imagination, History, Idea, Reality

“Historically speaking, the first wave of the punk/new wave (approximately 1976-1983) was primarily a movement of creative abuse of hardly-ever-used consumer media technology. Parents (usually technophile Baby boomer dads) bought expensive equipment like 8-track recorders, Super-8 and Polaroid cameras and later VHS camcorders and only used it to "document" birthday parties and other eminently boring ceremonies. But the rebellious teens found interesting new things to do with the dust-collecting media tech, and it started one of the biggest DIY revolutions of the 20th century. So punk (years before cyperpunk) was a movement of youngsters goofing around with (aka appropriating) consumer tech.”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

via Mental Floss http://mentalfloss.com/article/79393/traceroute-documentary-about-nerds-and-annihilation

Birthday, Parent, Baby

“Hitchcock was a character. In one particularly scary scene I had to sneak down a dark corridor. When I got to the end there was Mr. Hitchcock, sticking out his tongue and flapping his hands in the back of his ears. I didn't dare laugh, because the cameras were turning. But he certainly eliminated any tension I felt.”

Laraine Day (1920–2007) American actress

The Independent, Obituaries, Laraine Day, November 13, 2007.

“The most powerful thing young students with neither money nor power can do, is to do activism and use journalists and their cameras. When people learn about the problems and discuss them, things start to change.”

Oksana Shachko (1987–2018) Ukrainian artist and activist with FEMEN

Interview with Luxemburger Wort (2015)

Money, People, Problem, Learning

“The photographer’s gesture as the search for a viewpoint onto a scene takes place within the possibilities offered by the apparatus. The photographer moves within specific categories of space and time regarding the scene: proximity and distance, bird- and worm’s-eye views, frontal- and side-views, short or long exposures, etc. The Gestalt of space–time surrounding the scene is prefigured for the photographer by the categories of his camera. These categories are an a priori for him. He must ‘decide’ within them: he must press the trigger.”

Vilém Flusser (1920–1991) Czech philosopher and photographer

Flusser, Vilém (2012) [1980], "Towards a Theory of Techno-Imagination", Philosophy of Photography (POP) 2 (2), p. 198.

Search, Bird, Time

“There is a greater and thicker plot around this issue which has undermined my confidence in this relationship. The marriage has been hijacked and there is an apparent active political hand that is now driving the processes. State security agents have weighed in to force and direct proceedings, which has resulted in everything regarding this relationship now taking place on camera. The intention is clear: to inflict maximum damage on my person and character for political gain.”

Morgan Tsvangirai (1952–2018) former Prime Minister of Zimbabwe

On his divorce http://www.dailymail.co.uk/news/article-2068594/Zimbabwe-prime-minister-Morgan-Tsvangirai-divorces-wife-12-DAYS.html

Marriage, Confidence, Personality

“In practically every film you experience, you can see the director following the text. Illustrating the words first, making the pictures after, and, alas, so often not making pictures at all, but holding up the camera to do its mimetic worst.”

Peter Greenaway (1942) British film director

"105 Years of Illustrated Text" in the Zoetrope All-Story, Vol. 5 No. 1.
105 Years of Illustrated Text

“How difficult it is to learn not to see like cameras, which has had such an effect on us. The camera sees everything at once. We don't. There's a hierarchy. Why do I pick out that thing, that thing, that thing?”

David Hockney (1937) British artist

Interview with Mark Feeney, "David Hockney keeps seeking new avenues of exploration," Boston Globe (26 February 2006)
2000s

Learning

“In terms of the big decisions before the Government, he was incapable of making them. He, as a seasoned politician from the TV cameras could turn it on, but his demeanour behind closed doors was absolutely miserable, irritated. If I was going to summarise it: personally miserable, politically paralysed.”

Julia Gillard (1961) Australian politician and lawyer, 27th Prime Minister of Australia

The Killing Season, Episode two: Great Moral Challenge (2009–10)

Decision, Personality, Season

“I had just had an operation, I was totally bored and so I just took my camera and took some pictures of myself. Out of boredom. I only realised afterwards that this work was something special. Taking photos in the clinic and publishing them in a catalogue.... it suddenly took on a kind of seriousness. Everyone's scared of clinics, and no-one wants to see what a clinic looks like from the inside. Well not really. And everyone's a bit scared of having to go there themselves. And there I was in there. And I stand by it. And I used the clinic as a studio and started taking photos. And then I felt better. Just because it let me do something.”

Isa Genzken (1948) German sculptor

2001 - 2010, Isa Genzken in conversation with Wolfgang Tillmans' (2003)

Photo

“I play myself all the time… on camera and off. What else can I do?”

Harry Dean Stanton (1926–2017) American actor, musician, and singer

HBO: Big Love - Interviews - Harry Dean Stanton http://www.hbo.com/biglove/interviews/harry_dean_stanton.html

Time

“Fundamentally, the camera is nothing more than a light-tight box, having an arrangement for holding a light-sensitive substance (plate or film) and a device (lens or pinhole) for projecting on this sensitive substance an image of objects external to the camera.”

Paul Lewis Anderson (1880–1956) American photographer and writer

Source: Pictorial Photography - It's Principles and Practice (1917), Chapter I - The Camera, p. 1

Light, Box

“[to camera] Excuse me for just a second. [walks off-camera, to studio audience] Shut up!”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

2009-05-15 broadcast
The audience had collectively went "Aw…", expressing disappointment.
The Late Late Show with Craig Ferguson (2005–2014)

“On Tuesday, Mark Zuckerberg was in the hot seat. Cameras surrounded him. The energy in the room – and on Twitter – was electric. At last, the reluctant CEO is made to answer some questions! Except it failed. It was designed to fail. It was a show designed to get Zuckerberg off the hook after only a few hours in Washington DC. It was a show that gave the pretense of a hearing without a real hearing. It was designed to deflect and confuse. … The worst moments of the hearing for us, as citizens, were when senators asked if Zuckerberg would support legislation that would regulate Facebook. I don’t care whether Zuckerberg supports Honest Ads or privacy laws or GDPR. By asking him if he would support legislation, the senators elevated him to a kind of co-equal philosopher king whose view on Facebook regulation carried special weight. It shouldn’t. Facebook is a known behemoth corporate monopoly. It has exposed at least 87 million people’s data, enabled foreign propaganda and perpetuated discrimination. We shouldn’t be begging for Facebook’s endorsement of laws, or for Mark Zuckerberg’s promises of self-regulation. We should treat him as a danger to democracy and demand our senators get a real hearing.”

Zephyr Teachout (1971) American academic, political activist and candidate

Mark Zuckerberg's Facebook hearing was an utter sham https://www.theguardian.com/commentisfree/2018/apr/11/mark-zuckerbergs-facebook-hearing-sham?CMP=fb_gu (11 April 2018), The Guardian.

People, Law, Democracy, Question

“In my use of the camera, I work to make images that go beyond, and even undermine, the conventions of "point of view." Such images transcend the limitation that would seem to be inherent in the photographic mechanism (or "point-of-view machine"). They allow the viewer to see and feel the "room"—or the world, or reality—as it is, beyond the ego’s self-reference. And such images thereby become a non-verbal means of "picturing" the essential human process of ego-transcendence—going beyond the fixed "point of view" of the ego, or the core presumption of separateness”

Adi Da Samraj (1939–2008) American writer

http://www.daplastique.com/about.php?sectionID=3

World, Feeling, Reality

“Unchecked, the tourist will climb over the fence and come right into your house to take pictures of you in your habitat. Cities mindful of tourists have built elaborate “tourist traps” which, luckily, work. Tourists are kept confined to these, and few escape. There is, of course, the type known as the “intrepid tourist.” This one has to be watched carefully or he can become most annoying. Little wonder these are so often the target of terrorists. If there is an aspect of benign terror about the tourist, there is also a great deal of tourist in the terrorist. Terrorists travel with only one thing in mind, just like the tourist, and the specifics of places escape them both. Terrorists travel for the purpose of shooting unsuspecting foreigners, just as tourists travel for the purpose of shooting them with a camera.”

Andrei Codrescu (1946) American writer

“The Tourist,” Raised by Puppets (1990).

Travel, Housing

“Just like a picture is worth 1000 words, a camera phone is worth 1000 cell phones!”

Philippe Kahn (1952) Entrepreneur, camera phone creator

Speech at the firt Future Imaging conference in Monterrey, California.

“A good camera does not make a good photographer, A good pen does not make a good poet.”

Prito Reza (1984) Photographer

“Jack: (to camera) My office! (indicates mess) I'm sorry about all this, but we in the Labour Party link drabness with idealism, see. I'm a paid agent of the party, but whenever I need to know anything I have to ring up Conservative Central Office. It's a very plush place, that - carpets plucking at your bleeding ankles. You see, they link drabness with idealism, too.”

Dennis Potter (1935–1994) English television dramatist, screenwriter and journalist

Vote, vote, vote for Nigel Barton (1965)

“I don't want to become a kind of Hirohito who produces cameras, or an Elizabeth of England who cares only for horses. Even less do I want to turn out like Juan Carlos, who's just a ghost of Franco. I have no personal ambitions.”

Norodom Sihanouk (1922–2012) Cambodian King

Said during his exile in Peking, as quoted by Oriana Fallaci (June 1973), Intervista con la Storia (sixth edition, 2011). page 103.
Interviews

Horse, Personality

“Anybody can take photographs. I have seen in the Herald Tribune some taken by a monkey that managed, with a Polaroid camera, as well as some camera owners. It is precisely because our profession is open to everyone that it remains, in spite of its fascinating ease, extremely difficult.”

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, To Seize Life: Interview with Yvonne Baby (1961), p. 45

“The business I’ve found myself in for my adult life, it requires a certain amount of stereotyping. It’s just the nature of the beast. You have a limited amount of time to tell a story; in particular on camera. So you want the visual information there to provide a certain amount of background. People that look a certain way are cast in certain roles.”

Bill Fagerbakke (1957) American actor

Life, People, Way, Business

“Second, in order that a macroscopic apparatus can be influenced by the presence of a microscopic event it has to be prepared in a metastable initial state—think of the Wilson camera and the Geiger counter. The microscopic event triggers a macroscopically visible transition into the stable state. Of course this is irreversible and is accompanied by a thermodynamic increase of entropy.”

Nico van Kampen (1921–2013) Dutch theoretical physicist

The Scandal of Quantum Mechanics (2008)

Thinking

“… [Y]our observer's camera is clicking steadily. It's beautiful up above the sunlit clouds. The smooth drone of your twin motors makes you happy. You feel like singing and then you do. Then out of the corner of your eye, you see four black dots, growing larger momentarily. It's an enemy patrol of German Messerschmitts. Your gunner has seen them too. You hear the rattle of the machine gun as you put your bomber in a fast climbing turn, but the Messerschmitt fighters climb faster. They form under your tail, two on each side. One by one, they attack. A yellow light flashes in front of you. The first fighter slips away while the next comes on at you. Again that smashing yellow flame. Your observer falls over unconscious. Before you can think, the next Messerschmitt is upon you. A terrific jolt. Your port engine belches smoke. It's been hit…. You force-land on the first Allied airfield. That night, seated next to a hospital bed where your observer nurses a scalp wound, you hear an enemy communique. A British bomber was shot down over the lines today. Well, you puff a cigarette and grin.”

Larry LeSueur (1909–2003) American journalist

Woo, Elaine. " Larry LeSueur/'Murrow Boy' former war correspondant http://articles.latimes.com/2003/feb/07/local/me-lesueur7", (obituary), Los Angeles Times, February 8, 2003, accessed June 21, 2011. As quoted by Stanley W. Cloud and Lynne Olson in The Murrow Boys: Pioneers on the Front Lines of Broadcast Journalism, ISBN 0395877539. LeSueur just "after interviewing a young British pilot who had just flown a reconnaissance mission over Germany.

Happiness, Beauty, Feeling, Thinking

“Because of the tension and difficulty, I remember trying to do the silliest things when we weren't rolling cameras, anything to lift the spirits. But once on set, it was important to have full concentration. And I genuinely liked all of the cast members very much.”

Madeleine Stowe (1958) American actress

Mohican Press interview (2005)

“Fire made Joey powerful. He could cause ordinary, boring people to wake in fright. He made the alarms sound. Made the fire trucks race down the road, sirens wailing. And right behind them stampeded the television cameras and reporters. All of them eager to look upon his handiwork…. Without fire, Joey was nothing.”

Lis Wiehl (1961) American legal scholar

Source: Heart of Ice A Triple Threat Novel with April Henry (Thomas Nelson), pp. 1, 2

People

“When I finished the series, I wasn't going to do television again. I never wanted to do television to begin with, and I was so exhausted by the process that I was wary of being in front of the camera again.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

On finishing her work in the series The X-Files — reported in Steve Hedgpeth (January 22, 2006) "Gillian Anderson : TV or not TV", The Star-Ledger, p. 3.
2000s

“Isn’t this illegal? In the case of the cameras accessed using default passwords, of course. Attorney Jay Leiderman told Motherboard that Insecam “is a stunningly clear violation of the Computer Fraud and Abuse Act (CFAA) [I made it clear that the CFAA was an American law, and that this may or may not be illegal in other countries],” even if it is intended as a PSA. “You put a password on a computer to keep it private, even if that password is just ‘1.’ It’s entry into a protected computer.”

Jay Leiderman (1971) lawyer

As stated in, Jay Leiderman Quoted on the CFAA: This terrifying website lets you spy on people through 73,000 Private Security Cameras. http://jayleiderman.com/blog/jay-leiderman-quoted-this-terrifying-website-lets-you-spy-on-people-through-73000-private-security-cameras/

Law, Fraud, Country

“Citizens’ right to document cruelty to animals — wherever it occurs — is crucial in helping local, state and federal officials enforce anti-cruelty laws. Authorities can’t be everywhere at once, and funding for enforcement of anti-cruelty laws is sorely lacking in most places. What we need are more cameras on factory farms, not fewer.”

Cloris Leachman (1926) American actress

"Don’t Cover Up Animal Cruelty" https://www.huffingtonpost.com/cloris-leachman/post_1981_b_854721.html, in the HuffPost (27 April 2011).

Law, Help, Animals

“I don't feel like I want to get in front of a camera any more. I like getting, you know, just being a slob behind a camera and watching other people look good. You know, I might not hurry back. I might go and go somewhere no-one can find me. You know where that is? You know where the place is no-one can find you? I was thinking of pitching my tent right next to the weapons of mass destruction. Then no-one would find me.”

Mel Gibson (1956) American actor, film director, producer and screenwriter

Primetime interview with Diane Sawyer, February 2004. http://sixtyminutes.ninemsn.com.au/sixtyminutes/stories/2004_02_22/story_1034.asp

People, Feeling, Thinking

“Nick: I've also found someone to take an option on the photographs.
Mrs Prentice: What photographs?
Nick: I had a camera concealed in the room.
Mrs Prentice: When I gave myself to you the contract didn't include cinematic rights.
Nick: I'd like a hundred quid for the negatives. You've got until lunchtime.
Mrs Prentice: I shall complain to the manager.
Nick: It will do you no good. He took the photographs.
Mrs. Prentice: Oh, this is scandalous! I'm a married woman.
Nick: You didn't behave like a married woman last night.”

Joe Orton (1933–1967) English playwright and author

What the Butler Saw (1969), Act I

Night

“Yes, she loved him very much. Yes, he was born that way.
Yes, she was standing by the prison wall that morning.
Yes, she heard the shots.
You may regret not having brought a camera,
a tape recorder. Yes, she has seen such things.”

Wisława Szymborska (1923–2012) Polish writer

"Pietà"
Poems New and Collected (1998), No End of Fun (1967)

Love, Way

“We must account for that inheritance. And we, especially those of us who enjoy the privilege that comes with being the majority, must confront the biases that are inescapable parts of the human condition. We must speak the truth about our shortcomings as law enforcement, and fight to be better. But as a country, we must also speak the truth to ourselves. Law enforcement is not the root cause of problems in our hardest hit neighborhoods. Police officers, people of enormous courage and integrity, in the main, are in those neighborhoods, risking their lives, to protect folks from offenders who are the product of problems that will not be solved by body cameras.”

James Comey (1960) American lawyer and the seventh director of the Federal Bureau of Investigation (FBI)

2010s, Hard Truths: Law Enforcement (2015)

People, Truth, Law, Courage

“Many decry the loss of “real time” to capturing moments on-screen, claiming that the recording of memories as they happen threatens to replace the actual memories you have of that moment. I’ve read many articles in which parents bemoan the fact their kids were seeing family vacations through GoPro cameras, rather than actually living them. After a day on the ski slopes, they edit their raw footage into action-packed greatest moments and post it to social media, where it’s shared and commented on by their friends, hyperextending their time on the mountain. For a generation raised on reality TV to be able to replay those moments over and over through a mediated interface is a way of reliving an eternal present, loved for a moment then replaced by the next day’s upload. In this way, we’re simultaneously archiving and forgetting: archiving because we continuously upload media, and forgetting because we rarely go back to visit what we have uploaded. Today’s upload is the best upload and keeps us very much present and mindful in the here and now.”

Kenneth Goldsmith (1961) American writer

Wasting Time on the Internet, 2016

Love, Family, Way, Mountain

“That’s a nice little flip camera you got there? They’re good those.”

Dhani Harrison (1978) English musician

Dhani Harrison " Dhani Harrison 3/31/09 Los Angeles http://www.youtube.com/watch?v=G-nsECK3Dl8" at Youtube.com, 3 April, 2009: at a Amoeba Records in Los Angeles.

“Annette’s communiqué is anodyne; a giggling confession off camera (shower-curtain rain in the background) that the famous Manfred Macx is in Paris for a weekend of clubbing, drugging, and general hell-raising. Oh, and he’s promised to invent three new paradigm shifts before breakfast every day, starting with a way to bring about the creation of Really Existing Communism by building a state central planning apparatus that interfaces perfectly with external market systems and somehow manages to algorithmically outperform the Monte Carlo free-for-all of market economics, solving the calculation problem. Just because he can, because hacking economics is fun, and he wants to hear the screams from the Chicago School.”

Charles Stross book Accelerando

Source: Accelerando (2005), Chapter 2 (“Troubadour”), pp. 57-58

School, Way, Communication, Hell

“There is a bit of acting involved when you get in front of a camera for a video. Even when you perform onstage, you're putting on a show.”

Aaliyah (1979–2001) American singer, actress and model

Attributed

“The types of collection in the book -– microphones and video cameras, TVs that watch us –- are nothing compared to what we have available today. We have sensors in our pockets that track us everywhere we go. Think about what this means for the privacy of the average person.”

Edward Snowden (1983) American whistleblower and former National Security Agency contractor

Source: http://www.washingtonpost.com/world/national-security/edward-snowden-after-months-of-nsa-revelations-says-his-missions-accomplished/2013/12/23/49fc36de-6c1c-11e3-a523-fe73f0ff6b8d_story.html 2013 Christmas Message

26 December 2013

Books, Thinking, Personality

“He's definitely a character. But he's his own marketing tool, and he does it very well. He's real laid-back and subdued most times. Real down-to-earth guy. And when it's lights-camera-action -- different person.”

Terrell Owens (1973) former American football wide receiver

Dorsey Levens — reported in Jason Wilde (December 3, 2004) "A Perfect Fit - Shedding His Label As A Malcontent, Terrell Owens Has Transformed The Eagles With His NFL-Best 13 Receiving Tds - And Form-Fitting Tights", Wisconsin State Journal, p. D1.
About

Guy, Light, Time, Personality

“He thought a photograph was nothing; that he should blend into the surroundings and become invisible, the better to work and capture –as he said natural light. One shouldn’t even hear the click of Rolleiflex. He would have liked to conceal his camera. The death of his friend Robert Capa could in fact be explained, as he saw it, by this desire, the giddiness of blending into the surrounding once and for all.”

Patrick Modiano (1945) French writer

Suspended Sentences (1993)

Death, Nature, Light

“Because of the influence of the cinema, most reports or stories of violence are so pictorial that they lack content or meaning. The camera brings them to our eyes, but does not settle them in our minds, nor in time.”

V.S. Pritchett (1900–1997) British writer and critic

"Jorge Luis Borges: Medallions", p. 178
The Myth Makers: European and Latin American Writers (1979)

Time

“To my delight, Federico had seen Dans la ville blanche (1983) by Swiss director Alain Tanner. Enthusiastic about Bruno Ganz’s performance, he also was impressed by the film’s startling visual poetry of Lisbon achieved by transferring inferior film stock onto 35mm. It was exactly this kind of uncomplicated technical innovation that inspired Federico during the writing of Attore. Conceived in 1992, Attore focused on the craft and the psychology of actors. Having completed a film treatment with roles for Mastroianni, Giulietta Masina, and Paolo Villagio, Fellini was now wondering if he should provide Marcello with a home movie camera to be used in a loosely Shakespearian sense that all the world’s a film set. The 8mm footage of intimate memories of the theatre from his Rimini childhood would then be transferred to 35mm – a most intriguing idea that would have been a new departure for the Maestro had he lived to bring it to the screen.”

Damian Pettigrew Canadian filmmaker

On Fellini’s last film project, Attore
Federico Fellini: Sou um Grande Mentiroso (2008)

World, Home, Idea, Departure

“In a couple of decades … every public safety employee, police officers, firefighters, paramedics, everybody will have them. I think it improves behavior on both sides of the camera, which is our goal.”

Charlie Beck (1953) Chief of the Los Angeles Police Department

On usefulness of body cameras for police officers — quoted in: [December 5, 2014, http://abcnews.go.com/Technology/police-departments-buying-body-cams-officers-recording/story?id=27003287&singlePage=true, Police Departments Are Buying Body Cams, and Officers Don't Have to Tell You When They're Recording, December 18, 2014, ABC News, David Wright, Victoria Thompson, Lauren Effron]

Behavior, Thinking

“I actually got a Ugandan Minister to say, on camera— he's the Minister of Ethics and Integrity, it's the only such ministry in the world— and I said to him, "Look, even if these three utterly false supports on which you base your homophobia are true, which they aren't, there's so much more to worry about in your country than the odd gay person going to bed with the other gay person. For example, you have almost an epidemic of child rape in this country, which is just frightening."
And he said, "Ah, but it is the right kind of child rape."
I said, "That was on camera. Do you know that was on camera?"
He said, "Yes."
I said, "Can you just explain what you meant?"
"Well, it is men raping girls. Which is natural."”

Stephen Fry (1957) English comedian, actor, writer, presenter, and activist

The Late Late Show with Craig Ferguson,
Recounting an exchange with Ugandan Minister Simon Lokodo.
2010s

Men, World, Girl, Support

“[GIOCHI EROTICI DI UNA FAMIGLIA PERBENE] was one of these sex flicks where the cameraman always measures the distance between the camera and your crotch, which makes for a very strange working atmosphere.”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

Sex

“… it seems that it would take less than half a million years to evolve a good camera eye … It's no wonder "the" eye has evolved at least 40 times independently around the animal kingdom … It is a geological blink.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

River out of Eden (1995)

Time, Animals

“Two pictures painted in the year 1907 can conveniently be taken as the starting point of twentieth-century art. They are Matisse's Blue Nude and Picasso's Demoiselles d'Avignon; and both these cardinal, revolutionary pictures represent the nude. The reason is that the revolt of twentieth-century painters was not against academicism: that had been achieved by the impressionists. It was a revolt against the doctrine, with which the impressionists implicitly agreed, that the painter should be no more than a sensitive and well-informed camera. And the very elements of symbolism and abstraction that made the nude an unsuitable subject for the impressionists commended it to their successors. When art was once more concerned with concepts rather than sensations, the nude was the first concept that came to mind.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Nude: A Study in Ideal Form (1951), Ch. IX: The Nude As an End in Itself

Art, Painting

“In journalism school, what they want you to be is a camera. A trained, objective, detached professional. Accurate, polished, and observant. They want you to believe that the new and you are always two separate things. Killers and reporters are mutually exclusive. Whatever the story, this isn't about you.”

Chuck Palahniuk book Lullaby

Lullaby (2002)

School, Training

“When you use a camera, your visual concentration is intense, as it is when you draw. But if you overshoot, your contact sheet is likely to become a jumble of peelings. You need a lot of sand to discover a nugget. Shooting is a play between pickpocketing and tightrope walking; an endless play, fraught with huge tension.”

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, An Endless Play: Interview with Gilles Mora (1986), p. 102

Drawing

“What had sounded like a great idea in the newsroom, ended up being the longest and most embarrassing moment of my life. Cameras clicked away and Pricasso kept rubbing his bum with colours of purple, pink and orange against my likeness.”

Pricasso (1949) Australian painter

[The Star staff, Pricasso's the name, painting the game, 28 September 2012, 3, The Star, South Africa, Independent Online]
About

Life, Idea

“Camera-phones are like nuclear power plants: bad people will turn them into evil, good people will put them to good use.”

Philippe Kahn (1952) Entrepreneur, camera phone creator

NPR Interview January 2007, regarding current uses of the camera phone http://weekendamerica.publicradio.org/programs/2007/01/06/father_of_the_camera.html.

People, Evil

“Click. The spare camera was now focussed and working. The lead mare—Barb Nose's—saw the drop. She cut her stride and wheeled and ran along the dangerous edge. Barb Nose ran in the vanguard, protecting the rear, driving the foals ahead of him. Blaze Face had long since cut and run, taking his beaten stallion flesh off to be nursed, to wait for another day, another elder to challenge. The other mares expertly and instinctively followed the leader as she rimmed the mesa, heading for the foothills of the El Gatos. One foal, too, made the cut, on stick-like legs, frightened but blindly following. The second foal had truly been blinded by panic. He strode to the drop-off and never stopped. He was a wild horse, and he had to run, and now he would run free forever. Plunging headlong over the drop, body whirling, his legs still flailing, as he fell through the desert air and past the serrated rock walls of the mesa, he knew nothing of time. He knew nothing of the eons that had gone before him, building this mesa of bluff and sandstone and archean rock. He fell through layers of time, to timelessness, a living thing for so little time. Once a living work of art, now a broken artifact. One foal. Dead. Murdered by man. Murdered by time. The drumbeat of the earth was lessened by one horse's tiny hooves. And all of us were lessened by this new silence. Click.”

Arnold Hano (1922) American writer

From Running Wild, pp. 14-15
Other Topics

Art, Silence, Time, Waiting

“I often wished during those years that I could be a lyricist with a camera. […] I took great delight in [Edward Weston's] and many other photographers’ work. I envied them the freedom to photograph a landscape apparently without concern for the implications of its possession.”

David Goldblatt (1930–2018) South African photographer

In an interview with Okwui Enwezor, as quoted in "The Camera Is Not a Machine Gun" http://designobserver.com/article.php?id=10557, Fred Ritchin, 1998

Freedom, Envy

“Gradually, I realized that the surveillance cameras plus the email and cell phone monitoring was creating a Virtual Panopticon – a digital prison created and maintained by computer networks that enclosed all of us within its invisible walls.”

John Twelve Hawks American writer

Against Authority: Freedom and the Rise of Surveillance States (2014)

“Many so called primitives are afraid of cameras. They think it can capture their soul and take it away. There is in fact something obscene and sinister about photography, a desire to imprison, to incorporate, sexual intensity, a sexual intensity of pursuit.”

William S. Burroughs (1914–1997) American novelist, short story writer, essayist, painter, and spoken word performer

Two Years Later: Mexico City Return
Queer: A Novel (1985)

Soul, Thinking

“The TV camera has no shutter. It does not deal with aspects or facets of objects in high resolution. It is a means of direct pick-up by the electrical groping over surfaces.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Arts in society, Volume 3, 1964, p. 242
1960s

“Eighty percent of a picture is writing, the other twenty percent is the execution, such as having the camera on the right spot and being able to afford to have good actors in all parts.”

Billy Wilder (1906–2002) American filmmaker

As quoted in The New Hollywood : American Movies in the '70s (1975) by Axel Madsen

Parting

“(discussing the Alfred Hitchcock film Saboteur): …I saw when I was young that, in fact, when you got to the top or toward the top of things, you found, indeed, very flawed but glamorous people, people who were, in fact, not thinking about the kinds of problems that the blind man was thinking about in 1943, not acting intuitively and bravely and in some kind of harmony with nature as that blind man in Saboteur was acting, and certainly not taking on impossible tasks. People were acting in a kind of what I’ve come to call a deutero-Hemingway way: they were preserving their own vitality by being adventurous within the media. The James Stewart character is someone who roams the world, but with a camera, not a gun, and not like Schweitzer, setting up modes of change in impossible places. He’s touring the world adventurously in the interest of preserving his masculine independence, but he’s doing it with a camera.”

George W. S. Trow (1943–2006) American writer

My Pilgrim’s Progress (1999)

People, World, Way, Nature

“I'd had two days of training and figured it would be like playing on a PlayStation. And so it is. But can you imagine what it would be like trying to operate a PlayStation while inside a tumble dryer? Because that's what it's like trying to operate a remote-control camera in an F-15. More realistically, have your children tried to play on their Game Boys while being driven in the back of a car? And that's at 60mph in a vaguely straight line.”

Jeremy Clarkson (1960) English broadcaster, journalist and writer

Source: And Another Thing: The World According to Clarkson Volume Two (2006), p. 6

Children, Cars, Imagination, Game

“[I think] the movie is not a thing which is taken by the camera; the movie is the reality of the movie moving from reality to the camera.”

Jean-Luc Godard (1930) French-Swiss film director, screenwriter and film critic

from Los Angeles Free Press, March 22, 1968. Gene Youngblood

Thinking, Reality

“You're not gonna use the pink ball. We're not gonna let you do that. Not on camera. Friends don't let friends use pink balls.”

Rick Santorum (1958) American politician

2012-03-29
Santorum: ‘Friends don't let friends use pink balls’
Think Progress
http://thinkprogress.org/lgbt/2012/03/29/454470/santorum-friends-dont-let-friends-use-pink-balls/
2012-04-15
to a boy using a pink bowling ball, at a campaign stop in Wisconsin

“You can't blame me sure the killer was my son
but I didn't teach him to pull the trigger of the gun
It's the killing on this tv screen
you can't blame me it's those images he's seen.
Well you can't blame me says the media man
Well I wasn't the one who came up with the plan
And I just point my camera at what the people want to see
Man it's a two way mirror and you can't blame me.”

Jack Johnson (musician) (1975) American musician

Cookie Jar.
Song lyrics, On and On (2003)

People, Way

“Reporter: Would a reasonable observer say that you are potentially vulnerable to blackmail by Russia or by its intelligence agencies?
Trump: Lemme just tell you what I do. When I leave our country, I’m a very high-profile person, would you say? I am extremely careful. I’m surrounded by bodyguards. I’m surrounded by people. And I always tell them — anywhere, but I always tell them if I’m leaving this country, “Be very careful, because in your hotel rooms and no matter where you go, you’re gonna probably have cameras.” I’m not referring just to Russia, but I would certainly put them in that category. And number one, “I hope you’re gonna be good anyway. But in those rooms, you have cameras in the strangest places. Cameras that are so small with modern technology, you can’t see them and you won’t know. You better be careful, or you’ll be watching yourself on nightly television.” I tell this to people all the time. I was in Russia years ago, with the Miss Universe contest, which did very well — Moscow, the Moscow area did very, very well. And I told many people, “Be careful, because you don’t wanna see yourself on television. Cameras all over the place.”
And again, not just Russia, all over. Does anyone really believe that story? I’m also very much of a germaphobe, by the way, believe me.”

Donald J. Trump (1946) 45th President of the United States of America

Trump Press Conference at Trump Tower https://www.nytimes.com/2017/01/11/us/politics/trump-press-conference-transcript.html,Donald (11 January 2017) <br class="br">2010s, 2017, January

People, Hope, Way, Intelligence

“Arrangements to make people pay for using a program, including licensing of copies, always incur a tremendous cost to society through the cumbersome mechanisms necessary to figure out how much (that is, which programs) a person must pay for. And only a police state can force everyone to obey them. Consider a space station where air must be manufactured at great cost: charging each breather per liter of air may be fair, but wearing the metered gas mask all day and all night is intolerable even if everyone can afford to pay the air bill. And the TV cameras everywhere to see if you ever take the mask off are outrageous. It's better to support the air plant with a head tax and chuck the masks.
Copying all or parts of a program is as natural to a programmer as breathing, and as productive. It ought to be as free.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

1980s, GNU Manifesto (1985)

People, Support, Nature, Parting

“Dark underbelly to all of this. Sarajevo, where the [Olympic] Games were held in '84, is under threat. The UN and NATO have ordered the Serbs to have their big guns off the surrounding hills by midnight, February 20. All the love that is being manifested in these Games was once manifested in Sarajevo. The cameras pan across the great stadium — bombed out, an empty shell. […] Ten years ago, all that glory gleamed in the center of what is now a cemetery for the dead killed in a ferocious attack. What sense does it make?”

Marion Woodman (1928–2018) Canadian writer

Source: Bone: Dying into Life (2000), p. 94

Love, Game, Sense, Dead

“I feel the sense of possibilities
I feel the wrench of hard realities
The focus is sharp in the city
-- The Camera Eye (1981)”

Neil Peart (1952–2020) Canadian-American drummer , lyricist, and author

Rush Lyrics

Feeling, Reality, Sense

“This is Harvey Milk speaking from the camera store on the evening of Friday, November 18. This is to be played only in the event of my death by assassination. I fully realize that a person who stands for what I stand for, an activist, a gay activist, becomes a target or the potential target for somebody who is insecure, terrified, afraid, or very disturbed themselves. Knowing that I could be assassinated at any moment, any time, I feel it's important that some people know my thoughts. And so the following are my thoughts, my wishes, and my desires, whatever, and I'd like to pass them on and have them played for the appropriate people.”

Harvey Milk (1930–1978) American politician who became a martyr in the gay community

From a tape recording (1977-11-18) to be played in the event of his assassination, quoted in Randy Shilts, The Mayor of Castro Street: The Life and Times of Harvey Milk (1982, ISBN 0-31256-085-0), p. 275

Death, People, Feeling, Time

“I didn’t photograph people as an example of New York urban something or other. I don’t have a philosophy. I have a camera. I look into the camera and take pictures. My photographs are the tiniest part of what I see that could be photographed. They are fragments of endless possibilities.”

Saul Leiter (1923–2013) American photographer

Saul Leiter: The Quiet Iconoclast (2009)

People, Parting

“You think I have the responsibilty… I have the responsibility to give the fans a good time! (nods at camera, then pauses)… that just sounds… kinky.”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

Thinking, Time

“I got a scope on the barrel thats a hammer with a camera”

Lil Wayne (1982) American rapper, singer, record executive and businessman

Bottles and Rockin J's Game Featuring DJ Khaled, Busta Rhymes, Rick Ross, Fabolous, Lil Wayne, and Teyana Taylor
Official Mix tapes, Guest appearances

“Laughing on the bus, playing games with the faces,
She said the man in the gabardine suit was a spy,
I said, 'Be careful, his bowtie is really a camera.”

Paul Simon (1941) American musician, songwriter and producer

America
Song lyrics, Bookends (1968)

Game

“So successful has been the camera's role in beautifying the world that photographs, rather than the world, have become the standard of the beautiful.”

Susan Sontag book On Photography

"The Heroism of Vision", p. 85
On Photography (1977)

World, Beauty, Success

“In those days, dances were dances and songs were songs. Film dances always had a semi-classical or folk element to them and songs were all about soul-stirring lyrics and haunting music. These days, they are more about technique and technology, often it's the camera that's dancing, the synthesiser that's singing. Not my cup of tea.”

Vyjayanthimala (1936) Indian actress, politician & dancer

Vyjayanthimala still cuts a striking figure tall

Music, Soul, Singing, Dance

“I agree that it's very difficult to come to an absolute definition of what's moral and what is not. We are on our own, without a god, and we have to get together, sit down together and decide what kind of society do we want to live in. Do we want to live in a society where people steal, where people kill, where people don't pull their weight paying their taxes, doing that kind of thing? Do we want to live in a kind of society where everybody is out for themselves in a dog-eat-dog world? And we decide in conclave together that that's not the kind of world in which we want to live. It's difficult. There is no absolute reason why we should believe that that's true - it's a moral decision which we take as individuals - and we take it collectively as a collection of individuals. If you want to get that sort of value system from religion I want you to ask yourself - whereabouts in religion do you get it? Which religion do you get it from? They're all different. If you get it from the Judeo-Christian-Islamic tradition then I beg you - don't get it from your holy book! Because the morality you will get from reading your holy book is hideous. Don't get it from your holy book. Don't get it from sucking up to your god. Don't get it from saying “oh, I'm terrified of going to hell so I'd better be good” - that's a very ignoble reason to be good. Instead - be good for good reasons. Be good for the reason that's you've decided together with other people the society we want to live in: a decent humane society. Not one based on absolutism, not one based on holy books and not one based on sucking up to.. looking over your shoulder to the divine spy camera in the sky.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

http://www.youtube.com/watch?v=roFdPHdhgKQ&t=59m29s <br class="br">Richard Dawkins vs. Jonathan Sacks - BBC's RE:Think Festival (2012)

God, People, Books, World

“The FBI and the CIA, I really thought they had everything under control. I thought they knew what was going on with everybody. I thought they had a camera in the air in a satellite right now taking very accurate pictures of my prostate. I thought they had that kind of technology. I thought they knew everything about everybody, but it turns out they’re really no different than many other government bureaucracies, say, the Post Office or the Department of Motor Vehicles. Just, uh, you know, 50-60 year old men waiting for their pensions to kick in. Except for the three that let the attack [9/11] happen. They’ve been promoted.”

Marc Maron (1963) Comedian

Not Sold Out (2002)

Men, Waiting

“I have always felt that the camera hasn't liked me. I'm a stage animal. I have to be big and loud, and the camera needs you to be small and naturalistic and subtle; much more naturalistic. I'm as subtle as a buffalo stampede.”

Richard Burton (1925–1984) Welsh actor

In Richard Burton Biography http://www.imdb.com/name/nm0000009/bio, IMDb

Animals

“Between two fantasy alternatives, that Holbein the Younger had lived long enough to have painted Shakespeare or that a prototype of the camera had been invented early enough to have photographed him, most Bardolators would choose the photograph. This is not just because it would presumably show what Shakespeare really looked like, for even if the photograph were faded, barely legible, a brownish shadow, we would probably still prefer it to another glorious Holbein. Having a photograph of Shakespeare would be like having a nail from the True Cross.”

Susan Sontag book On Photography

"The Image-World", p. 154
On Photography (1977)

Painting

“There's a lot of dealings with police officers right now. I don’t think all cops are bad. You know, I think there’s some great cops out there, who do everything in their power to uphold the badge and uphold the honor and protect the people in society. But there are bad cops, and I think that also needs to be addressed. I think the police officers we have right now, you know, some of it is being brought to light, because of video cameras, everybody has a camera phone. But these are things a lot of us have dealt with our whole lives. And I think right now is a perfect time to deal with it. The climate we're in, everybody's being more accepting, you know, so I think the ignorance should stop. I think people realize that, at the end of the day, we're all human beings. So, you know, before we're black, white, Asian, Polynesian, Latino. We're humans. So, it's up to us to stop it.”

Richard Sherman (American football) (1988) American football player

Press conference (16 September 2015), as quoted in "Video: Richard Sherman speaks passionately on Black Lives Matter" https://web.archive.org/web/20150917000340/http://www.seattletimes.com/sports/seahawks/video-richard-sherman-speaks-passionately-on-black-lives-matter/ (16 September 2015), by Bob Condotta, The Seattle Times, Seattle, Washington. <br class="br">Press conference (16 September 2015)

People, Thinking, Light, Time

Quotes about camera page 2

Quotes about camera
page 2