Quotes about bottling
page 3

Anthony Burgess photo
T.I. photo

“You can have Whatever You Like
Stacks on deck, patron on ice
can pop bottles all night
And baby you can have Whatever You Like
Said you can have Whatever You Like, yeahh”

T.I. (1980) American rapper, record producer, actor, and businessman from Georgia

"Whatever You Like".

John Zerzan photo
Julius Nyerere photo

“Democracy is not a bottle of Coca-Cola which you can import. Democracy should develop according to that particular country. I never went to a country, saw many parties and assumed that it is democratic. You cannot define democracy purely in terms of multi-partist parties.”

Julius Nyerere (1922–1999) Tanzanian politician and writer, first Prime Minister and President of Tanzania

When asked about Single and Multi Party Democracy, June 1991 in Rio De Janeiro, Brazil. ...Before Mandela there was Nyerere http://web.archive.org/20071206052629/freddymacha.blogspot.com/2007/08/photo-from-past_5408.html/

José Mourinho photo
John Fante photo
Peter Greenaway photo
Martin Luther King, Jr. photo

“Now, we are poor people, individually, we are poor when you compare us with white society in America. We are poor. Never stop and forget that collectively, that means all of us together, collectively we are richer than all the nations in the world, with the exception of nine. Did you ever think about that? After you leave the United States, Soviet Russia, Great Britain, West Germany, France, and I could name the others, the Negro collectively is richer than most nations of the world. We have an annual income of more than thirty billion dollars a year, which is more than all of the exports of the United States, and more than the national budget of Canada. Did you know that? That's power right there, if we know how to pool it.
We don't have to argue with anybody. We don't have to curse and go around acting bad with our words. We don't need any bricks and bottles, we don't need any Molotov cocktails, we just need to go around to these stores, and to these massive industries in our country, and say, "God sent us by here, to say to you that you're not treating his children right. And we've come by here to ask you to make the first item on your agenda — fair treatment, where God's children are concerned. Now, if you are not prepared to do that, we do have an agenda that we must follow. And our agenda calls for withdrawing economic support from you."”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, I've Been to the Mountaintop (1968)

Jean-Baptiste-Camille Corot photo
Johnny Marr photo
Michael Swanwick photo
George Mikes photo

“Continental people have sex life; the English have hot-water bottles.”

George Mikes (1912–1987) Hungarian-born British author

How to Be an Alien: A Handbook for Beginners and More Advanced Pupils (1946)

Jonathan Franzen photo

“An ink bottle, which now seems impossibly quaint, was still thinkable as a symbol in 1970.”

Jonathan Franzen (1959) novelist

Voices in the Wilderness The Guardian (Saturday 28 September 2002).

Andy Warhol photo
Peter Greenaway photo
Ossip Zadkine photo
Dylan Moran photo
Doug Stanhope photo
Avner Strauss photo

“A cup of kindness is better than a whole bottle of mercy can be.”

Avner Strauss (1954) Israeli musician

Song

M. K. Hobson photo
Anthony Burgess photo
David Dixon Porter photo

“He has a profound respect for old age. Especially when it's bottled.”

Gene Fowler (1890–1960) American journalist

Attributed without citation in Judy Valon (2009) In Your 60s.

James Taylor photo
Jeff Foxworthy photo
Camille Paglia photo
Michael Flanders photo

“The bottle-nosed whale is a furlong long,
And likewise wise
But headstrong strong”

Michael Flanders (1922–1975) English writer and performer

The Whale

Anthony Burgess photo
Josh Homme photo

“Yeah, I can make all the tequila in a bottle disappear. It’s a talent. Nothing comes easy and talent is something you get but, if you don’t develop it, it becomes like an apple; you keep taking bites of it until it’s gone. So you have to plant the seeds. Then you have the orchard. And then you have Jonestown.”

Josh Homme (1973) American musician

Reported in Eddy Lawrence, " Josh Homme: Interview http://www.timeout.com/london/music/features/4199/Josh_Homme-interview.html", Time Out London (February 5, 2008).

Cesare Pavese photo
Henry Charles Beeching photo

“Here am I, the often sat on
Dancing don; my name is T-TT-N;
Like old wine in a new bottle
Is my talk on Aristotle.”

Henry Charles Beeching (1859–1919) English clergyman, author and poet

The Masque of Balliol http://rpo.library.utoronto.ca/poem/2735.html (1880)

“Nothing in the world was more terrible than an empty bottle! Unless it was an empty glass.”

Source: Under the Volcano (1947), Ch. III (p. 86)

Mickey Spillane photo

“To treat a poor wretch with a bottle of Burgundy, and fill his snuff-box, is like giving a pair of laced ruffles to a man that has never a shirt on his back.”

Thomas Brown (1662–1704) English translator and writer of satire

Laconics, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Like sending them ruffles, when wanting a shirt", Sorbienne (1610–1670); also used in Oliver Goldsmith, The Haunch of Venison.
Source: Brown, Thomas, 1663-1704. Laconics, Or, New Maxims of State And Conversation: Relating to the Affairs And Manners of the Present Times : In Three Parts. London: Printed for Thomas Hodgson ..., 1701. https://hdl.handle.net/2027/mdp.39015013771368?urlappend=%3Bseq=117

Alan Sugar photo

“Robert, I don't like people who bottle out. So Robert - You're fired. (to Robert Goodwin when he was fired before the final boardroom in the second task)”

Alan Sugar (1947) British business magnate, media personality, and political advisor

The Apprentice, Series 10

Nick Cave photo
Willem de Kooning photo
Pete Doherty photo
Alan Moore photo
Craig David photo
Christopher Titus photo
Jean-François Millet photo

“I work like a gang of slaves; the day seems five months long. My wish to make a winter landscape has become a fixed idea. I want to do a sheep picture and have all sorts of projects in my head. If you could see how beautiful the forest is! I rush there at the end of the day, after my work, and I come back every time crushed. It is so calm, such a terrible grandeur, that I find myself really frightened. I don't know what those fellows, the trees, are saying to each other.... we don't know their language, that is all; but I am quite sure of this - they do not make puns!.... Send [me] 3 burnt sienna, 2 raw ditto, 3 Naples's yellow, 1 burnt Italian earth, 2 yellow ocher, 2 burnt umber, 1 bottle of raw oil.”

Jean-François Millet (1814–1875) French painter

Quote of Millet, in his letter from Barbizon, c. 1850 to fr:Alfred_Sensier in Paris; as cited by Arthur Hoeber in The Barbizon Painters – being the story of the Men of thirty https://ia902205.us.archive.org/30/items/barbizonpainters00hoeb/barbizonpainters00hoeb.pdf – associate of the National Academy of Design; publishers, Frederick A. Stokes Company, New York 1915, p. 38
In 1850 Millet entered into an arrangement with Alfred Sensier, who provided him with materials and money in return for drawings and paintings (source: Murphy, Alexandra R. Jean-François Millet. Museum of Fine Arts, Boston, 1984, p. xix), see: Wikipedia, Millet
1835 - 1850

Ian McEwan photo

“Nearby, where the main road forked, stood an iron cross on a stone base. As the English couple watched, a mason was cutting in half a dozen fresh names. On the far side of the street, in the deep shadow of a doorway, a youngish woman in black was also watching. She was so pale they assumed at first she had some sort of wasting disease. She remained perfectly still, with one hand holding an edge of her headscarf so that it obscured her mouth. The mason seemed embarrassed and kept his back to her while he worked. After a quarter of an hour an old man in blue workman's clothes came shuffling along in carpet slippers and took her hand without a word and led her away. When the propriétaire came out he nodded at the other side of the street, at the empty space and murmured, 'Trois. Mari et deux frères,' as he set down their salads.This sombre incident remained with them as they struggled up the hill in the heat, heavy with lunch, towards the Bergerie de Tédenat. They stopped half way up in the shade of a stand of pines before a long stretch of open ground. Bernard was to remember this moment for the rest of his life. As they drank from their water bottles he was struck by the recently concluded war not as a historical, geopolitical fact but as a multiplicity, a near-infinity of private sorrows, as a boundless grief minutely subdivided without diminishment among individuals who covered the continent like dust, like spores whose separate identities would remain unknown, and whose totality showed more sadness than anyone could ever begin to comprehend; a weight borne in silence by hundreds of thousands, millions, like the woman in black for a husband and two brothers, each grief a particular, intricate, keening love story that might have been otherwise. It seemed as though he had never thought about the war before, not about its cost. He had been so busy with the details of his work, of doing it well, and his widest view had been of war aims, of winning, of statistical deaths, statistical destruction, and of post-war reconstruction. For the first time he sensed the scale of the catastrophe in terms of feeling; all those unique and solitary deaths, all that consequent sorrow, unique and solitary too, which had no place in conferences, headlines, history, and which had quietly retired to houses, kitchens, unshared beds, and anguished memories. This came upon Bernard by a pine tree in the Languedoc in 1946 not as an observation he could share with June but as a deep apprehension, a recognition of a truth that dismayed him into silence and, later, a question: what possible good could come of a Europe covered in this dust, these spores, when forgetting would be inhuman and dangerous, and remembering a constant torture?”

Page 164-165.
Black Dogs (1992)

J.M.W. Turner photo

“Chantrey [good friend of Turner] is as gay and as good as ever, ready to serve: he requests, for my benefit, that you bottle up all the yellows which may be found straying out of the right way; but what you may have told him about the old masters which you did not tell me, I can't tell, but we expected to hear a great deal from each other, but the stormy brush of Tintoretto was only to make the 'Notte' more visible.”

J.M.W. Turner (1775–1851) British Romantic landscape painter, water-colourist, and printmaker

Quote from Turner's letter, London Feb. 1830, to his friend George Jones in Rome; as cited in 'The life of J.M.W. Turner', Volume II, George Walter Thornbury; https://ia801207.us.archive.org/18/items/lifeofjmwturnerr02thor/lifeofjmwturnerr02thor.pdf Hurst and Blackett Publishers, London, 1862, p. 234
1821 - 1851

Paul Scofield photo

“Oh, I suppose my wife and I will open a bottle of champagne with another couple.”

Paul Scofield (1922–2008) English actor

On being told that he had won an Oscar for Best Actor (1967)
Quoted in Robert Simonson, "Paul Scofield, Commanding Actor of the British Stage, Is Dead at 86" http://www.playbill.com/news/article/116080.html, Playbill (2008-03-20)

Jopie Huisman photo

“One afternoon I went to visit him. [Jacob, an older and close friend of Jopie - a real freebooter]. I knew he was home, I took pen, ink and my sketchbook with me and did half a liter of gin in my pocket. He lived in the back of an alley and was sitting in his chair by the window.... I told him, 'You will get the whole bottle, but one condition. I want to make a beautiful drawing of you, so first you have to sit still for twenty minutes and look at me closely. If I look at you and you don't look at me, the deal is over....'Okay', he said. I never had a model like him before... Stock-still he sat.... and looked at me without a single blink of his eyes. Within half an hour he was there on the paper - razor-sharp... While I am writing this down, it is as if he is sitting in front of me again..”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Op een middag ging ik bij hem op bezoek. [bij Jacob, een oudere en hechte vriend van Jopie en een echte vrijbuiter]. Ik wist dat hij thuis was, nam pen en inkt en mijn schetsboek mee en deed een halve liter jenever in mijn zak. Hij woonde achter in een steegje en zat in zijn stoel bij het raam.. .Ik zei: 'Je krijgt de hele fles van me, onder één voorwaarde. Ik wil een prachtige tekening van je maken en daarvoor moet je eerst twintig minuten doodstil zitten en me strak aankijken. Als ik naar jou kijk en jij kijkt niet naar mij, dan gaat het over.. ..'Afgesproken', zei hij. Ik heb nog nooit zo’n model gehad!.. .Doodstil zat hij.. ..en keek me zonder ook maar één keer met zijn ogen te knipperen strak in mijn gezicht. Binnen een half uur stond hij haarscherp op het papier.. .Terwijl ik dit opschreef was het net alsof hij weer voor me zat.
Source: Jopie de Verteller' (2010) - postumous, p. 58

Frank Sinatra photo
P.G. Wodehouse photo
Ernest Hemingway photo
Russell Brand photo
William Empson photo

“Hours before dawn we were woken by the quake.
My house was on a cliff. The thing could take
Bookloads off shelves, break bottles in a row.
Then the long pause and then the bigger shake.
It seemed the best thing to be up and go.”

William Empson (1906–1984) English literary critic and poet

"Aubade" (1937), line 1; cited from John Haffenden (ed.) The Complete Poems (London: Allen Lane, 2000) p. 69.
The Complete Poems

Frank Sinatra photo

“[On religion] I'm for anything that gets you through the night, be it prayer, benzedrine or a bottle of Jack Daniel's.”

Frank Sinatra (1915–1998) American singer and film actor

The Way You Wear Your Hat (1997)

W. H. Auden photo
Ben Kowalewicz photo

“You get bored on the road and even a bottle, of water can be fun, if you're bored enough.”

Ben Kowalewicz (1975) musician

From "The Diary of Billy Talent":

Alan Watts photo
Richard Wright photo
John Galsworthy photo

“It is an age of stir and change, a season of new wine and old bottles. Yet, assuredly, in spite of breakages and waste, a wine worth the drinking is all the time being made.”

John Galsworthy (1867–1933) English novelist and playwright

Vague Thoughts On Art (1911)
Context: I cannot help thinking that historians, looking back from the far future, will record this age as the Third Renaissance. We who are lost in it, working or looking on, can neither tell what we are doing, nor where standing; but we cannot help observing, that, just as in the Greek Renaissance, worn-out Pagan orthodoxy was penetrated by new philosophy; just as in the Italian Renaissance, Pagan philosophy, reasserting itself, fertilised again an already too inbred Christian creed; so now Orthodoxy fertilised by Science is producing a fresh and fuller conception of life — a love of Perfection, not for hope of reward, not for fear of punishment, but for Perfection's sake. Slowly, under our feet, beneath our consciousness, is forming that new philosophy, and it is in times of new philosophies that Art, itself in essence always a discovery, must flourish. Those whose sacred suns and moons are ever in the past, tell us that our Art is going to the dogs; and it is, indeed, true that we are in confusion! The waters are broken, and every nerve and sinew of the artist is strained to discover his own safety. It is an age of stir and change, a season of new wine and old bottles. Yet, assuredly, in spite of breakages and waste, a wine worth the drinking is all the time being made.

P. J. O'Rourke photo
Ogden Nash photo

“I'll pepper his powder, and salt his bottle,
And give him readings from Aristotle.
Sand for his spinach I'll gladly bring,
And Tabasco sauce for his teething ring.
Then perhaps he'll struggle through fire and water
To marry somebody else's daughter.”

Ogden Nash (1902–1971) American poet

Many Long Years Ago (1945), Song To Be Sung by the Father of Infant Female Children
Context: A fig for embryo Lohengrins!
I'll open all his safety pins,
I'll pepper his powder, and salt his bottle,
And give him readings from Aristotle.
Sand for his spinach I'll gladly bring,
And Tabasco sauce for his teething ring.
Then perhaps he'll struggle through fire and water
To marry somebody else's daughter.

Robert Louis Stevenson photo

“Fifteen men on the dead man's chest —
Yo-ho-ho, and a bottle of rum!”

Source: Treasure Island (1883), Ch. 1, The Old Sea-dog at the Admiral Benbow.
Context: Fifteen men on the dead man's chest —
Yo-ho-ho, and a bottle of rum!
Drink and the devil had done for the rest —
Yo-ho-ho, and a bottle of rum!

Kenneth Grahame photo

“This is an evil world, and sometimes I begin to think that all the wickedness in it is not entirely bottled up inside the dragons”

Dream Days (1898), The Reluctant Dragon
Context: "Our villagers are the biggest story-tellers in all the country round. It's a known fact. You're a stranger in these parts, or else you'd have heard it already. All they want is a fight. They're the most awful beggars for getting up fights — it's meat and drink to them. … I've no doubt they've been telling you what a hero you were, and how you were bound to win, in the cause of right and justice, and so on; but let me tell you, I came down the street just now, and they were betting six to four on the dragon freely!"
"Six to four on the dragon!" murmured St. George sadly, resting his cheek on his hand. "This is an evil world, and sometimes I begin to think that all the wickedness in it is not entirely bottled up inside the dragons..."

Thea Gilmore photo

“I like to provoke a response, whether that's someone telling me they love what I do or throwing a bottle at me.”

Thea Gilmore (1979) British singer-songwriter

Context: I constantly get people telling me I should be selling as much as Katie Melua... but there's a reason she sells that many and I don't - she makes music that's easy on the ear and even easier on the brain. She's the perfect good girl in the middle of the road. I'm not keen to make things too easy for anyone. I like to provoke a response, whether that's someone telling me they love what I do or throwing a bottle at me. The trouble is that the bottle-throwing faction won't buy the album. You've immediately limited your audience.

Bono photo

“The Glass is cut,The Bottle run dry.Our love runs cold in the caverns of the night”

Bono (1960) Irish rock musician, singer of U2

"Red Hill Mining Town"
Lyrics, The Joshua Tree (1987)
Context: The Glass is cut, The Bottle run dry. Our love runs cold in the caverns of the night

Alan Watts photo

“It's like you took a bottle of ink and you threw it at a wall. Smash! And all that ink spread. And in the middle, it's dense, isn't it? And as it gets out on the edge, the little droplets get finer and finer and make more complicated patterns, see? So in the same way, there was a big bang at the beginning of things and it spread. And you and I, sitting here in this room, as complicated human beings, are way, way out on the fringe of that bang. We are the complicated little patterns on the end of it. Very interesting. But so we define ourselves as being only that. If you think that you are only inside your skin, you define yourself as one very complicated little curlique, way out on the edge of that explosion. Way out in space, and way out in time. Billions of years ago, you were a big bang, but now you're a complicated human being. And then we cut ourselves off, and don't feel that we're still the big bang. But you are. Depends how you define yourself. You are actually—if this is the way things started, if there was a big bang in the beginning— you're not something that's a result of the big bang. You're not something that is a sort of puppet on the end of the process. You are still the process. You are the big bang, the original force of the universe, coming on as whoever you are. When I meet you, I see not just what you define yourself as—Mr so-and- so, Ms so-and-so, Mrs so-and-so—I see every one of you as the primordial energy of the universe coming on at me in this particular way. I know I'm that, too. But we've learned to define ourselves as separate from it.”

Alan Watts (1915–1973) British philosopher, writer and speaker

The Nature of Consciousness http://www.erowid.org/culture/characters/watts_alan/watts_alan_article1.shtml; also published as What Is Reality? (1989)

“Beautiful wine and sour vinegar come from exactly the same source. Curiously if one leaves a bottle of wine open for long enough it will become vinegar”

Source: Rigante series, Stormrider, Ch. 7
Context: No need for confusion, my dear Mulgrave [... ] Beautiful wine and sour vinegar come from exactly the same source. Curiously if one leaves a bottle of wine open for long enough it will become vinegar. Happily in this house wine never survives long enough to go bad.

Ingmar Bergman photo

“I am so 100 percent Swedish… Someone has said a Swede is like a bottle of ketchup — nothing and nothing and then all at once — splat. I think I'm a little like that.”

Ingmar Bergman (1918–2007) Swedish filmmaker

As quoted in """"Ingmar Bergman: Summing Up A Life In Film"""" by Michiko Kakutani in The New York Times Magazine (26 June 1983).
Context: I am so 100 percent Swedish... Someone has said a Swede is like a bottle of ketchup — nothing and nothing and then all at once — splat. I think I'm a little like that. And I think I'm Swedish because I like to live here on this island. You can't imagine the loneliness and isolation in this country. In that way, I'm very Swedish — I don't dislike to be alone

William S. Burroughs photo

“So we pour it in a Pernod bottle and start for New Orleans past iridescent lakes and orange gas flares, and swamps and garbage heaps, alligators crawling around in broken bottles and tin cans, neon arabesques of motels, marooned pimps scream obscenities at passing cars from islands of rubbish …”

Opening Chapter
Naked Lunch (1959)
Context: Shooting PG is a terrible hassle, you have to burn out the alcohol first, then freeze out the camphor and draw this brown liquid off with a dropper—have to shoot it in the vein or you get an abscess, and usually end up with an abscess no matter where you shoot it. Best deal is to drink it with goof balls … So we pour it in a Pernod bottle and start for New Orleans past iridescent lakes and orange gas flares, and swamps and garbage heaps, alligators crawling around in broken bottles and tin cans, neon arabesques of motels, marooned pimps scream obscenities at passing cars from islands of rubbish … New Orleans is a dead museum. We walk around Exchange Place breathing PG and find The Man right away. It’s a small place and the fuzz always knows who is pushing so he figures what the hell does it matter and sells to anybody. We stock up on H and backtrack for Mexico. Back through Lake Charles and the dead slot-machine country, south end of Texas, nigger-killing sheriffs look us over and check the car papers. Something falls off you when you cross the border into Mexico, and suddenly the landscape hits you straight with nothing between you and it, desert and mountains and vultures; little wheeling specks and others so close you can hear wings cut the air (a dry husking sound), and when they spot something they pour out of the blue sky, that shattering bloody blue sky of Mexico, down in a black funnel … Drove all night, came at dawn to a warm misty place, barking dogs and the sound of running water.

H.L. Mencken photo

“Thus the ideal of democracy is reached at last: it has become a psychic impossibility for a gentleman to hold office under the Federal Union, save by a combination of miracles that must tax the resourcefulness even of God. The fact has been rammed home by a constitutional amendment: every office-holder, when he takes oath to support the Constitution, must swear on his honour that, summoned to the death-bed of his grandmother, he will not take the old lady a bottle of wine.”

H.L. Mencken (1880–1956) American journalist and writer

1920s, Notes on Democracy (1926)
Context: Thus the ideal of democracy is reached at last: it has become a psychic impossibility for a gentleman to hold office under the Federal Union, save by a combination of miracles that must tax the resourcefulness even of God. The fact has been rammed home by a constitutional amendment: every office-holder, when he takes oath to support the Constitution, must swear on his honour that, summoned to the death-bed of his grandmother, he will not take the old lady a bottle of wine. He may say so and do it, which makes him a liar, or he may say so and not do it, which makes him a pig. But despite that grim dilemma there are still idealists, chiefly professional Liberals, who argue that it is the duty of a gentleman to go into politics—that there is a way out of the quagmire in that direction. The remedy, it seems to me, is quite as absurd as all the other sure cures that Liberals advocate. When they argue for it, they simply argue, in words but little changed, that the remedy for prostitution is to fill the bawdyhouses with virgins. My impression is that this last device would accomplish very little: either the virgins would leap out of the windows, or they would cease to be virgins.

Stephen King photo

“I would imagine that the inside of a bottle of cleaning fluid is… fucking… clean.”

Mitch Hedberg (1968–2005) American stand-up comedian

Do You Believe in Gosh?

Marilyn Ferguson photo
Alastair Reynolds photo
James K. Morrow photo
Paulo Coelho photo
Eminem photo