Quotes about bar
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Craig Ferguson photo

“I knew that I had been partially right in the storeroom above the bar on Christmas Day.

Whoever I had become had to die.”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

Source: American on Purpose: The Improbable Adventures of an Unlikely Patriot

Edward R. Murrow photo

“Just because your voice reaches halfway around the world doesn't mean you're any wiser than when it reached only to the end of the bar.”

Edward R. Murrow (1908–1965) Television journalist

Variant: Just because your voice reaches halfway around the world doesn't mean you are wiser than when it reached only to the end of the bar.

Charles Bukowski photo

“I was their bar freak, they needed me
to make themselves feel
better.
just like, at times, I needed that
graveyard.”

Charles Bukowski (1920–1994) American writer

Source: You Get So Alone at Times That it Just Makes Sense

Raymond Chandler photo
Charles Bukowski photo
Robert A. Heinlein photo
Michael Badnarik photo
Robert Olmstead photo

“I was brought up in a very logical place," said Linz, who had his bar mitzvah at Wilshire Boulevard Temple. "But I think they would”

Alex D. Linz (1989) American actor, filmmaker

happen
His attitude to miracles.
Article in Jewishjournal.com November 20, 2003

George William Russell photo
Julie Newmar photo
John Rogers Searle photo
Patrick Buchanan photo
Ben Croshaw photo
Fali Sam Nariman photo
Aldo Leopold photo
Maurice Ravel photo
Mike Oldfield photo

“The writings on the wall at North Point
Speak to a silent room
They shut the bars down, leave you to the gloom…”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Islands (1987)

Francis Thompson photo
Robin Williams photo
Arlo Guthrie photo

“If you're in a situation like that there's only one thing you can do and that's walk into the shrink wherever you are, just walk in say "Shrink, You can get anything you want, at Alice's restaurant." And walk out. You know, if one person, just one person does it they may think he's really sick and they won't take him. And if two people, two people do it, in harmony, they may think they're both faggots and they won't take either of them. And three people do it, three, can you imagine, three people walking in singing a bar of Alice's Restaurant and walking out. They may think it's an organization. And can you, can you imagine fifty people a day, I said fifty people a day walking in singing a bar of Alice's Restaurant and walking out. And friends they may thinks it's a movement. And that's what it is, the Alice's Restaurant Anti-Massacre Movement, and all you got to do to join is sing it the next time it come's around on the guitar!”

Arlo Guthrie (1947) American folk singer

Arlo has repeatedly updated this part through the years to help it match modern life more. He has updated to say that if only one person does it, they say the person in question is a certain amount of years too late. He also referenced the Don't Ask, Don't Tell policy during the 40th anniversary recording. He has also started adding the phrase, "And most of them would be too young to know what a movement was." once he says, "Friends they may think it's a movement."
Alice's Restaurant Massacree

Letitia Elizabeth Landon photo
Robert Seymour Bridges photo
Algis Budrys photo
Eric Foner photo

“Dancing and singing are legitimate professions, not new to women. Banning such bars, would violate the right of these women to earn a livelihood, as laid down under Article 21 of the Constitution, as well as the right to carry on a legitimate profession under Article 19.”

Flavia Agnes (1947) Indian activist and lawyer

On Maharashtra government's ban on dancing girls in bars, as quoted in " Razing the Bar http://www.tribuneindia.com/2005/20050430/saturday/main1.htm" The Tribune (30 April 2005)

Robert Oppenheimer photo
Cory Doctorow photo
Stephen Vincent Benét photo
Orson Scott Card photo
Winston S. Churchill photo
Simon Singh photo

“We are 13.7 billion light-years from the edge of the observable universe; that's a good estimate with well-defined error bars and with the available information, I predict that I will always be with you.”

Simon Singh (1964) British author

Nine Million Bicycles, alternative lyrics. http://www.guardian.co.uk/g2/story/0,3604,1581445,00.html http://www.youtube.com/watch?v=21iUUe-W8L4

Sandra Bullock photo

“Women should do a lot more fighting. I don't think it's fair that we can't get into a good bar fight once in a while. We'd get out a lot of stuff we're supposed to repress.”

Sandra Bullock (1964) American actress and producer

As quoted in "Calling Her Own Shots" by Karen S. Schneider in People, Vol. 63, No. 13 (4 April 2005) http://www.people.com/people/archive/article/0,,20147269,00.html

William Ernest Henley photo
Katie Melua photo

“We are 13.7 billion light-years from the edge of the observable universe; that's a good estimate with well-defined error bars and with the available information, I predict that I will always be with you.”

Katie Melua (1984) British singer-songwriter

Nine Million Bicycles, alternative lyrics, written by scientist Simon Singh.
[Singh, Simon, Katie Melua's Bad Science, The Guardian, Guardian News and Media Limited, 30 September 2005, http://www.theguardian.com/education/2005/sep/30/highereducation.uk]
[12 or 13.7 billion light years?, 10 January 2007, http://www.youtube.com/watch?v=21iUUe-W8L4, video]
Lyrics

John Green photo
Fred Astaire photo
Parmenides photo

“Never will this prevail, that the things that are not are — bar your thought from this road of inquiry.”

Parmenides (-501–-470 BC) ancient Greek philosopher

Frag. B 7.1-2, quoted by Plato, Sophist, 237a

Calvin Coolidge photo
C. V. Raman photo

“The pages of Euclid are like the opening bars of the music of the Grand Opera of Nature's great drama. So to say, they lift the veil and show to our vision a glimpse of a vast world of natural knowledge awaiting study.”

C. V. Raman (1888–1970) Indian physicist

Chandrasekhara Venkata Raman:A Legend of Modern Indian Science, 22 November 2013, Official Government of India's website Vigyan Prasar http://www.vigyanprasar.gov.in/scientists/cvraman/raman1.htm,

Thomas Hardy photo

“And meadow rivulets overflow,
And drops on gate bars hang in a row,
And rooks in families homeward go,
And so do I.”

Thomas Hardy (1840–1928) English novelist and poet

"Weathers", lines 15-18

Emily Dickinson photo
Yuval Noah Harari photo
Michel Foucault photo
Frank McCourt photo
Richard Holbrooke photo
Anthony Burgess photo
Burkard Schliessmann photo

“The trends that produced Schumann’s early piano works started out not so much from Weber’s refined brilliance as from Schubert’s more intimate and deeply soul-searching idiom. His creative imagination took him well beyond the harmonic sequences known until his time. He looked at the fugues and canons of earlier composers and discovered in them a Romantic principle. In the interweaving of the voices, the essence of counterpoint found its parallel in the mysterious relationships between the human psyche and exterior phenomena, which Schumann felt impelled to express. Schubert’s broad melodic lyricism has often been contrasted with Schumann’s terse, often quickly repeated motifs, and by comparison Schumann is often erroneously seen as short-winded. Yet it is precisely with these short melodic formulae that he shone his searchlight into the previously unplumbed depths of the human psyche. With them, in a complex canonic web, he wove a dense tissue of sound capable of taking in and reflecting back all the poetical character present. His actual melodies rarely have an arioso form; his harmonic system combines subtle chromatic progressions, suspensions, a rapid alternation of minor and major, and point d’orgue. The shape of Schumann’s scores is characterized by contrapuntal lines, and can at first seem opaque or confused. His music is frequently marked by martial dotted rhythms or dance-like triple time signatures. He loves to veil accented beats of the bar by teasingly intertwining two simultaneous voices in independent motion. This highly inde-pendent instrumental style is perfectly attuned to his own particular compositional idiom. After a period in which the piano had indulged in sensuous beauty of sound and brilliant coloration, in Schumann it again became a tool for conveying poetic monologues in musical terms.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Robin Maugham photo
Basil of Caesarea photo
Thomas Hardy photo

“Yes; quaint and curious war is!
You shoot a fellow down
You'd treat if met where any bar is,
Or help to half-a-crown.”

Thomas Hardy (1840–1928) English novelist and poet

" The Man He Killed http://www.illyria.com/hardyman.html" (1902), lines 17-20, from Time's Laughingstocks (1909)

Ray Comfort photo
Thomas Eakins photo
Chris Cornell photo

“I remember seeing how Layne [Staley] reacted to Andy [Andrew Wood] dying from drugs, and I think that he was scared possibly. And I think he also reacted the same way when Kurt [Cobain] shot himself. They were really good friends. And yet it didn’t stop him. But for me, if I think about the evolution of my life as it appears in songs for example, Higher Truth is a great example of a record I wouldn’t have been able to write [when I was younger], and part of that is in essence because there was a period of time there where I didn’t expect to be here. And now not only do I expect to be here, and I’m not going anywhere, but I’ve had the last 12 years of my life being free of substances to kind of figure out who the substance-free guy is, because he’s a different guy. Just by brain chemistry, it can’t be avoided. I’m not the same, I don’t think the same, I don’t react the same. And my outlook isn’t necessarily the same. My creative endeavours aren’t necessarily the same. And one of the great things about that is it enabled me to kind of keep going artistically and find new places and shine the light into new corners where I hadn’t really gone before. And that feels really good. But it’s also bittersweet because I can’t help but think, what would Jeff be doing right now, what would Kurt be doing right now, what would Andy be doing? Something amazing, I’m sure of it. And it would be some music that would challenge me to lift myself up, something that would be continually raising the bar so that I would work harder too, in the same way they affected me when they were alive basically.”

Chris Cornell (1964–2017) American singer-songwriter, musician

When asked if there was a lesson to be learned from his friends' deaths caused by substance abuse and if it was not enough to scare everyone ** The Life & Times of Chris Cornell, Rolling Stone Australia, 17 September 2015 https://rollingstoneaus.com/music/post/the-life-and-times-of-chris-cornell/2273,
Solo career Era

Robert Fisk photo

“Terrorism' is a word that has become a plague on our vocabulary, the excuse and reason and moral permit for state-sponsored violence - our violence - which is now used on the innocent of the Middle East ever more outrageously and promiscuously. Terrorism, terrorism, terrorism. It has become a full stop, a punctuation mark, a phrase, a speech, a sermon, the be-all and end-all of everything that we must hate in order to ignore injustice and occupation and murder on a mass scale. Terror, terror, terror, terror. It is a sonata, a symphony, an orchestra tuned to every television and radio station and news agency report, the soap-opera of the Devil, served up on prime-time or distilled in wearyingly dull and mendacious form by the right-wing 'commentators' of the America east coast or the Jerusalem Post or the intellectuals of Europe. Strike against Terror. Victory over Terror. War on Terror. Everlasting War on Terror. Rarely in history have soldiers and journalists and presidents and kings aligned themselves in such thoughtless, unquestioning ranks. In August 1914, the soldiers thought they would be home by Christmas. Today, we are fighting for ever. The war is eternal. The enemy is eternal, his face changing on our screens. Once he lived in Cairo and sported a moustache and nationalised the Suez Canal. Then he lived in Tripoli and wore a ridiculous military uniform and helped the IRA and bombed American bars in Berlin. Then he wore a Muslim Imam's gown and ate yoghurt in Tehran and planned Islamic revolution. Then he wore a white gown and lived in a cave in Afghanistan and then he wore another silly moustache and resided in a series of palaces around Baghdad. Terror, terror, terror. Finally, he wore a kuffiah headdress and outdated Soviet-style military fatigues, his name was Yassir Arafat, and he was the master of world terror and then a super-statesman and then again, a master of terror, linked by Israeli enemies to the terror-Meister of them all, the one who lived in the Afghan cave.”

Robert Fisk (1946) English writer and journalist

The Great War for Civilization (2005)

Miguna Miguna photo
George Steiner photo
Willie Nelson photo

“When I was out in the bars drinking and fighting I was a little bit less of a peacemaker than I would be if I'd had a coupla hits of a joint and gone and laid down somewhere.”

Willie Nelson (1933) American country music singer-songwriter.

Willie Nelson: 'If We Made Marijuana Legal, We'd Save a Whole Lotta Money and Lives', Michael, Hann, May 17, 2012, May 20, 2012, The Guardian, Guardian News and Media Ltd. http://www.guardian.co.uk/music/2012/may/17/30-minutes-with-willie-nelson,

James Thomson (poet) photo
Stephen Fry photo

“I think faith in each other is much harder than faith in God or faith in crystals. I very rarely have faith in God; I occasionally have little spasms of it, but they go away, if I think hard enough about it. I am incandescent with rage at the idea of horoscopes and of crystals and of the nonsense of 'New Age', or indeed even more pseudo-scientific things: self-help, and the whole culture of 'searching for answers', when for me, as someone brought up in the unashamed Western tradition of music and poetry and philosophy, all the answers are there in the work that has been done by humanity before us, in literature, in art, in science, in all the marvels that have created this moment now, instead of people looking away. The image to me... is gold does exist, and for 'gold' say 'truth', say 'the answer', say 'love', say 'justice', say anything: it does exist. But the only way in this world you can achieve gold is to be incredibly intelligent about geology, to learn what mankind has learnt, to learn where it might lie, and then break your fingers and blister your skin in digging for it, and then sweat and sweat in a forge, and smelt it. And you will have gold, but you will never have it by closing your eyes and wishing for it. No angel will lean out of the bar of heaven and drop down sheets of gold for you. And we live in a society in which people believe they will. But the real answer, that there is gold, and that all you have to do is try and understand the world enough to get down into the muck of it, and you will have it, you will have truth, you will have justice, you will have understanding, but not by wishing for it.”

Stephen Fry (1957) English comedian, actor, writer, presenter, and activist

From Radio 4's Bookclub http://www.bbc.co.uk/programmes/p00f8l3b
2000s

Lewis Black photo
Calvin Coolidge photo
Henry Adams photo
The Edge photo
Khushwant Singh photo
Edwin Thompson Jaynes photo
Bernard Mandeville photo
Joaquin Miller photo

“I count the columned waves at war
With Titan elements; and they,
In martial splendor, storm the bar
And shake the world, these bits of spray.”

Joaquin Miller (1837–1913) American judge

The Building of the City Beautiful (1905), Ch. V : How Beautiful!, p. 48.

Recep Tayyip Erdoğan photo

“In other words, the bar should be maintained at the level of a pluralistic and participatory democracy.”

Recep Tayyip Erdoğan (1954) 12th President of Turkey from 2014

As quoted in Erdogan: "Democracy in the Middle East, PluralIism in Europe: Turkish View" http://www.turkishweekly.net/article/8/erdogan-democracy-in-the-middle-east-pluraliism-in-europe-turkish-view-.html, The Turkish Weekly (October 12, 2004)

Doug Stanhope photo

“Complaining that a comic is drunk is like going to a titty bar and complaining because your lapdancer is a communist.”

Doug Stanhope (1967) American stand-up comedian, actor, and author

Deadbeat Hero (2004)

Kate Bush photo

“Four strings across the bridge,
Ready to carry me over,
Over the quavers, drunk in the bars,
Out of the realm of the orchestra…”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Never for Ever (1980)

Lewis Black photo
Richard K. Morgan photo
Meat Loaf photo

“Karaoke bars are devil worship!”

Meat Loaf (1947) American musician, singer, songwriter, record producer and actor

A chat with Meat Loaf (2006)

Sean Penn photo

“Every day, this elected leader is called a dictator here, and we just accept it, and accept it. And this is mainstream media. There should be a bar by which one goes to prison for these kinds of lies.”

Sean Penn (1960) American actor, screenwriter, and film director

Referring to Venezuelan president Hugo Chavez, in an appearance on the HBO show Real time with Bill Maher http://www.foxnews.com/entertainment/2010/03/08/sean-penn-wants-reporters-jailed-calling-chavez-dictator/ (March, 2010)

Ornette Coleman photo

“The producer orders a certain title.
The musical director orders a certain rhythm.
The dance director orders a certain number of bars.
And the composer orders a certain number… of aspirin.”

Frank Loesser (1910–1969) American songwriter

on working in Hollywood
Reported by musician Michael Feinstein, transcript of * Fresh Air Celebrates Frank Loesser's 100th Birthday
http://www.npr.org/2010/06/29/128169934/fresh-air-celebrates-frank-loesser-s-100th-birthday
Fresh Air
http://www.npr.org/programs/fresh-air/
Host: Terry Gross, Guest: Michael Feinstein
NPR
WHYY
Philadelphia
2009-06-29
2:34
http://www.npr.org/templates/transcript/transcript.php?storyId=128169934

Michael Elmore-Meegan photo
H. G. Wells photo
Gustav Stresemann photo

“I hope that you will be in agreement with me when I beg you to do everything possible to prevent Hindenburg's retirement. We must under no circumstances bear the responsibility before the bar of history for having overthrown Hindenburg. I feel that even the abdication of the Kaiser would be easier to bear than the retirement of Hindenburg.”

Gustav Stresemann (1878–1929) German politician, statesman, and Nobel Peace Prize laureate

Letter to the Chief of the National Liberal Party in Prussia, quoted in W. M. Knight-Patterson, Germany. From Defeat to Conquest 1913-1933 (London: George Allen and Unwin, 1945), p. 208, n. 2
1910s

Luigi Russolo photo
Leonard Cohen photo
H. G. Wells photo

“"You don't understand," he said, "who I am or what I am. I'll show you. By Heaven! I'll show you." Then he put his open palm over his face and withdrew it. The centre of his face became a black cavity. "Here," he said. He stepped forward and handed Mrs. Hall something which she, staring at his metamorphosed face, accepted automatically. Then, when she saw what it was, she screamed loudly, dropped it, and staggered back. The nose—it was the stranger's nose! pink and shining—rolled on the floor.Then he removed his spectacles, and everyone in the bar gasped. He took off his hat, and with a violent gesture tore at his whiskers and bandages. For a moment they resisted him. A flash of horrible anticipation passed through the bar. "Oh, my Gard!" said some one. Then off they came.It was worse than anything. Mrs. Hall, standing open-mouthed and horror-struck, shrieked at what she saw, and made for the door of the house. Everyone began to move. They were prepared for scars, disfigurements, tangible horrors, but nothing! The bandages and false hair flew across the passage into the bar, making a hobbledehoy jump to avoid them. Everyone tumbled on everyone else down the steps. For the man who stood there shouting some incoherent explanation, was a solid gesticulating figure up to the coat-collar of him, and then—nothingness, no visible thing at all!”

Source: The Invisible Man (1897), Chapter 7: The Unveiling of the Stranger

Steven Erikson photo
H. Rider Haggard photo
Ahmed Shah Durrani photo
Samuel R. Delany photo
Janeane Garofalo photo