Quotes about audience (845 quotes, page 6)

“Bob Hope: Put your head back through there, or I'll start handing out baseballs to the audience.”

Jack Benny (1894–1974) comedian, vaudeville performer, and radio, television, and film actor

The Jack Benny Program (Radio: 1932-1955), The Jack Benny Program (Television: 1950-1965)

Hope

“I am not going to enter into this chapter, but you all know that this which is called—I do not much like the name, but I confess I have not a better name—"State Socialism" is what has protected us from revolutionary socialism, which is much a worse thing. Probably a considerable portion of this audience consists of men who live on weekly wages; but I ask you not to rush at the first thing that is offered you, not to believe that because a thing sounds very pleasant—like compulsory reduction, for example, of the hours of labour—do not be quite sure until you have looked round it that it may not end in leaving your condition worse than it found it. I should deplore the advance of State Socialism, though I believe much may be hoped from it. I should regard it as a great disaster, the greatest disaster that could befall this great population, if it did anything to take away your self-reliance, the control of the individual over his own appetites and passions, his own idleness and self-indulgence, and make you look to anything but self-reliance. This, in the long run, would do more harm than good.”

John Morley, 1st Viscount Morley of Blackburn (1838–1923) British Liberal statesman, writer and newspaper editor

Speech at Rochdale town hall (23 April 1890), quoted in 'Mr. Morley At Rochdale', The Times (24 April 1890), p. 6.

Men , Hope , Passion

“The career of Marian Anderson, the world-class contralto who was denied permission to sing in Constitution Hall because of her race, symbolizes the achievements of so many black American musicians. Performing instead at the Lincoln Memorial in 1939, she drew an audience of 75,000 and inspired the world not only with her rich musical gifts, but also with her determination and courage.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, Black Music (June 2001)

World , Music , Courage , Memory

“October 14, 1972: that date should become a landmark in movie history comparable to May 29, 1913 — the night Le Sacre du Printemps was first performed — in music history. There was no riot, and no one threw anything at the screen, but I think it’s fair to say that the audience was in a state of shock, because Last Tango in Paris has the same kind of hypnotic excitement as the Sacre, the same primitive force, and the same thrusting, jabbing eroticism. […] Bertolucci and Brando have altered the face of an art form. Who was prepared for that?”

Pauline Kael (1919–2001) American film critic

From "The Current Cinema" http://www.criterion.com/current/posts/834-last-tango-in-paris. The New Yorker. October 28, 1972.

Art , Music , History , Thinking

“Always hold your sales meetings in rooms too small for the audience, even if it means holding them in the WC. 'Standing room only' creates an atmosphere of success, as in theatres and restaurants, while a half-empty auditorium smells of failure.”

David Ogilvy (1911–1999) Advertising executive

Ogilvy on Advertising, p. 172

Failure , Success

“Avoid the crowd, avoid mass audiences, keep your own counsel, which is the counsel of philosophy—of wisdom you can acquire and make your own.”

Zygmunt Bauman (1925–2017) Polish philosopher and sociologist

[paraphrasing the view of Seneca], p. 34.
The Art of Life (2008)

Wisdom

“Charismatic Lithuanian baritone Vytautas Juozapaitis was a spirited, energetic Don Giovanni who held the audience's rapt attention whenever he was on stage. He had an authoritative sound that could be romantically enticing in an attempt to seduce a lady, but could change instantly into a commanding tone when anyone attempted to thwart his will.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Maria Nokin, "Mozart's 'Don Giovanni'". Ensemble (November 26, 2006) http://www.mvdaily.com/articles/2006/11/don-giovanni3.htm

Change

“If it weren’t for the masters we wouldn’t have audiences for Indian classical music across the world. As for taking their mission forward, we have a long way to go.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I've never wanted to fit in Abbaji's shoes: Ustad Zakir Hussain

World , Music , Way

“[unenthusiastically at the beginning of every show in response to audience applause] "Thanks."”

Steven Wright (1955) American actor and author

Catchphrase

“Well! A general invasion: Hamlet rears his hideous head, Othello is preparing his dagger, that essentially murderous weapon, subversive of all good theatrical government. What more, who knows... King Lear is to tear his eyes before a French audience. It should be a point of dignity for the Academy to declare that all imports of this kind are incompatible with public morals. Farewell good taste! In any case, equip yourself with a stout coat of mail under your evening dress. Beware of the Classicist's daggers, or rather, sacrifice yourself valiantly for our barbarian pleasure..”

Eugène Delacroix (1798–1863) French painter

quote on Hamlet, in a letter to Victor Hugo, 1828; as quoted in Letters of the great artists – from Blake to Pollock -, Richard Friedenthal, Thames and Hudson, London, 1963, p. 67
1815 - 1830

Pleasure , Tear

“Meyerbeer's approach to opera may seem cynical. His music is not, like Donizetti's, an immediate expression of the sentiments of his characters but a calculated manipulation of the audience.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 11 : Romantic Opera: Politics, Trash, and High Art

Music

“I've come out here tonight to challenge you… challenge you, the WWE Universe, into seeing things my way and to learn how to just say "no." See, because the people who cheer for Jeff Hardy are just slaves to the vices associated with his (with quote fingers) "living in the moment." I feel bad for you, I really do. You walk around almost blind and you wear your prescriptions proudly on your sleeves like they were badges of honor. What was it the doctor told you? 'Just take one… every four hours,' right? Aside from myself, there's not a person in this arena who hasn't abused prescription medication or taken a recreational drug. And I know, trust me, it's hard being straight-edge, it's hard to live a straight-edge lifestyle. It's extremely difficult to be me, but what concerns me now is that none of you realize how much more difficult it is to live the life… that you all live. I'm positive nobody in here takes into account the long-term consequences of alcohol on your liver. (Smattering of cheers from audience) See, and you cheer that. That's nothing to cheer. You drink because it's fun, right? (Audience cheers a little louder) Eventually, it's not gonna be fun anymore when it spirals out of control and its no longer… it's no longer fun. Sooner or later, you're just drinking to feel normal. And then there's the smokers. You know, I don't know what's more disgusting–is watching a smoker pollute his/her lungs with over 4,000 foreign chemicals, or having to listen to the smoker convince themselves that they can quit whenever they want to. It's… it's hard to quit, I know, it takes a very strong person to quit, but an even stronger person never would've started smoking in the first place. (Audience boos and chants "Hardy") I didn't want to come out here and be the bearer of bad news, but let's face facts: chances are pretty slim that any of you here will ever get the monkey off your back. You'll never be able to pry the cigarette from your lips, or find the self-control to pour your drink from your glass, or the self-respect to take the pill out of your mouth. See, it starts, and it can't happen without learning how to say "no" to temptation, and that's why I'm out here. I'm out here to challenge you before it's too late. Please, learn how to say "no" to temptation, learn how to say "no" to your vices, learn how to control yourself.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

July 24, 2009
Friday Night SmackDown

Life , People , Alcohol , Way

“The role of a comedian is to make the audience laugh, at a minimum of once every fifteen seconds.”

Lenny Bruce (1925–1966) comedian and social critic

referred to by Paul Krassner in Lenny Bruce: Swear to tell the truth 1998 http://www.imdb.com/title/tt0175844/

“At the dawn of a worldwide religious war that Americans prefer to name a war against terror, I feel myself drawn to Islam, drawn to read the Koran, even to kiss the Koran—melodramatically, but sincerely—as I did one evening recently in front of a university audience. I meant to honor Islam. I meant to convey that, as a Christian, I consider myself a loving brother to the Muslim, as I am to the Jew, by the favor of Father Abraham.”

Richard Rodríguez (1944) American journalist and essayist

Darling: A Spiritual Autobiography (2013)

Love , War , Feeling , Kiss

“As far as the sensory experience of the spectator goes, the most outstanding American kinetic artist is unquestionably the Chinese-born Wen-Ying Tsai. His pieces, which are perfect on the technological level, serve the primary purpose of giving a complete visual experience to the spectator, whose sound solicitations provoke a choreographic, chromatic and rhythmic response in the ‘cybernetic sculptures’. […]
György Kepes has commented enthusiastically on the ‘magic rhythms emanating from this swaying, dancing steel trembling with life’, and he has also noted the sense of ‘an instant fellowship, a spontaneous celebration’ which is re-created in their presence. As he concludes: ‘Rhythm is friendship and in Tsai’s work there is friendship of light, sound and our own heart-beats.’
If this appraisal testifies to the success with which Tsai affects the sensory and emotional responses of the spectator, we must not neglect the fact that he is also addressing himself to reason and the scientific element in his audience. In effect, the observer can enter an almost mathematical relationship with these works, and sharpen his perceptual powers through the exact assessment of the various aesthetic parameters of vibration, sound, colour, wave movement, etc.”

Frank Popper (1918) French art historian

Frank Popper, Art--Action and Participation, New York University Press, 1975, p. 214

Life , Friendship , Mathematics , Sense

“Well sure, my sculptures are floor pieces. Each one, like any area on the surface of the earth, supports a column of air that weighs – what is it? – 14.7 pounds per square inch. So in a sense, that might represent a column. It's not an idea, it's a sense of something you know, a demarked place. Somehow I think I always thought of it going that way, rather than an idea of a narrowing triangle going to the center of the earth… I have nothing to do with Conceptual art [in contrast to his Physical Art, as Carl Andre called his sculpture art already in 1969]]. I'm not interested in ideas. If I were interested in ideas, I'd be in a field where what we think in is ideas… I don't really know what an idea is. One thing for me is that if I can frame something in language, I would never make art out of it. I make art out of things which cannot be framed in any other way. [quote from a talk with the audience, December 1969]”

Carl Andre (1935) American artist

Source: Artists talks 1969 – 1977, p. 12

Art , Way , Quotes , Idea

“My favourite memories involve the actual process of writing sketches - just a few guys lounging around in a room talking nonsense, until suddenly an idea would start to coalesce, and you'd start nudging it toward fruition. I've never laughed so much before or since. Also, there were those very, very few nights where you'd be on a stage and some strange contract developed between performers and audience, and everything you did was funny. That was magical - and a direct visceral experience that you never really get from writing prose.”

Michael Marshall Smith (1965) British novelist, screenwriter and short story writer

On his time with the Cambridge Footlights
Associated Content Interview (October 23, 2006)

Guy , Idea , Memory , Night

“A politician's words reveal less about what he thinks about his subject than what he thinks about his audience.”

George Will (1941) American newspaper columnist, journalist, and author

Quoted in A Ford Not A Lincoln (1975), Richard Reeves, Harcourt Brace Jovanovich, ch, 1 ; as cited by The Columbia Dictionary of Quotations (1993), ed. Robert Andrews, Columbia University Press, p. 707 ISBN 0231071949
1970s

Thinking

“Donald Trump has built his campaign on prejudice and paranoia. He’s taking hate groups mainstream and helping a radical fringe take over one of America’s two major political parties. His disregard for the values that make our country great is profoundly dangerous. In just the past week, under the guise of "outreach" to African Americans, Trump has stood up in front of largely white audiences and described black communities in insulting and ignorant terms.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Presidential campaign (April 12, 2015 – 2016), Speech in (August 25, 2016)

Hate , Communication , Past , Help

“Starting on a large scale towards the end of the 1960s in the United States and expanding rapidly ever since, corporate funding has spread during the last five years to Britain and the Continent. Ambitious exhibition programs that could not be financed through traditional sources led museums to turn to corporations for support. The larger, more lavishly appointed these shows and their catalogues became, however, the more glamour the audiences began to expect.”

Hans Haacke (1936) conceptual political artist

1980s, "Museums, Managers of Consciousness," 1983

Support

“Men fall, roughly speaking, into two flocks: Those whose intelligence is uninquiring in the face of Art, and does not demand to be appeased before their emotions can be stirred; and those who, having a speculative bent of mind, must first be satisfied by an enlightening quality in a work of Art, before that work of Art can awaken in them feeling. The audience of the realist is drawn from this latter type of man; the much larger audience of the romantic artist from the former; together with, in both cases, those fastidious few for whom all Art is style and only style, and who welcome either kind, so long as it is good enough.”

John Galsworthy (1867–1933) English novelist and playwright

Vague Thoughts On Art (1911)

Men , Art , Feeling , Intelligence

“Mainstream films have occupied Hollywood but you can get bored very easily. It can be very repetitive and I think now we want something fresh and something inspiring and different, daring. The mainstream film is very expensive to make and it scares people. It's made for the worldwide audience, you have to please so many people, and the business men start running the movies rather than artists. This is back to the oldest way of Hollywood filmmaking, creating a fantasy, but it has been lost. It seems to take a foreign language film to recoup that ultimate movie viewing experience.”

Ang Lee (1954) Taiwanese-born American film director, screenwriter and film producer

On Crouching Tiger, Hidden Dragon http://www.imdb.com/news/wenn/2001-03-12#celeb4, quoted at IMDb Movie/TV News (12 March 2001).

Men , People , Way , Business

“I’ve noticed, the wealthy part of my audience is unable to take in classical Romance for more than 40 minutes, one hour for them is maximum. The Art is to be apportioned for them in small doses. Like vitamins which are good for you in tiny portions but could be poisonous when taken in a bulk. Intelligentsia is prepared for such vitamins, while nouve riches are not. They have to begin with homeopathic doses.”

Nina Shatskaya (1966) Russian singer

Ogonyok interview. Нина Шацкая, Огонек, 2011-01-01 http://www.ogoniok.com/4977/25/,

Art , Parting

“Hitchcock said a movie should play the audience like a piano. Death Race played me like a drum. It is an assault on all senses, including common. Walking out, I had the impression I had just seen the video game and was still waiting for the movie.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/death-race-2008 of Death Race (22 August 2008)
Reviews, Half-star reviews

Death , Game , Sense , Waiting

“Do you remember when you were young, and you’d stare at someone on-stage and think ‘Oh my God—he looked right at me?’ I do, so I have this kind of rescue-fantasy thing. When I see kids in the audience I think, ‘Okay, that’s me, and it would be kind of cool if the person on-stage would come down and save me.’ I’m not going to be able to save every one of them, but I’ll do my best, because I genuinely like kids. If I didn’t have my lust for my art, I probably would have ended up working with them.”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

On her teenaged fans, interview with The Georgia Straight (1999)
1996–2005

God , Art , Thinking , Personality

“What all this posturing and fake glamor results in is a vast detachment and cynicism on the part of the artists. Since it's impossible to have respect for an audience that'll take just about anything you care to dish out, and the impassive demeanor is so central to the role, a general numbnose is all that can be expected.”

Lester Bangs (1948–1982) American music critic and journalist

"James Taylor Marked for Death" (1971), p. 70
Psychotic Reactions and Carburetor Dung (1988)

Parting

“Today, Keynesian theorizing does not inspire whispers and giggles from the audience. There are many economists under the age of forty who do not take offense when their work is called ‘Keynesian’, and I count myself as one of them. If Keynesian economics was dead in 1980, then today it has been reincarnated.”

N. Gregory Mankiw (1958) American economist

N. Gregory Mankiw, "The reincarnation of Keynesian economics", European Economic Review (1992).
1990s

Age , Dead

“The music is one of the beautiful things that has survived the Castro regime. I have played for audiences all over the world but I've never played for a Cuban audience. For [husband] Emilio and me, the music is the one tie to our homeland.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

news.bostonherald.com (March 12, 2008)
2007, 2008

World , Beauty , Music

“Each play worth seeing should be watched a second time on the faces of the audience.”

Elizabeth Bibesco (1897–1945) writer, actress; Romanian princess

Haven (1951)

Time

“And finally, to my husband, who understands so well the awesome responsibilities resting on the shoulders of President Obama and Vice President Biden and all of us who serve with them. I am so grateful to him for a lifetime of… all kinds of experiences – (audience laughter) – which have given me a – (applause) – which have given me an extraordinary richness that I am absolutely beholden to and grateful for.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Official Swearing-in Ceremony http://web.archive.org/web/20090204230553/http://www.state.gov/secretary/rm/2009a/02/115841.htm, February 2, 2009
Secretary of State (2009–2013)

Understanding , Laughter

“Monckton Milnes was a social power in London, and of course he himself affected social eccentricity, challenging ridicule with the indifference of one who knew himself to be the first wit in London, and a maker of men — of a great many men. A word from him went far. An invitation to his breakfast-table went farther. Behind his almost Falstaffian mask and laugh of Silenus, he carried a fine, broad, and high intelligence which no one questioned. As a young man he had written verses, which some readers thought poetry, and which were certainly not altogether prose. Later, in Parliament he made speeches, chiefly criticised as too good for the place and too high for the audience. Socially, he was one of two or three men who went everywhere, knew everybody, talked of everything.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Men , Intelligence , Question , Indifference

“I have not played the cello in front of an audience since long years but I think I must do it this time. I am going to play a melody from the Catalonian folklore: The singing of the Birds. Birds, when in the sky, go singing: Peace, peace, peace. And this is a melody that Bach, Beethoven and all great people would have admired and loved. And, in addition, it springs up from the soul of my country: Catalonia.”

Pablo Casals (1876–1973) Catalan cellist and conductor

Medal of Peace acceptance

Love , People , Peace , Soul

“Glad my name came up. Thank audience, mentor, all who made my workplace enjoyable.”

Kamal Haasan (1954) Indian actor

On getting the Padma Bhushan Award, the third highest civilian award of India for his five decades in the film industry, in Glad my name came up', Kamal Hassan on Padma Bhushan (26 January 2014) http://zeenews.india.com/entertainment/celebrity/glad-my-name-came-up-kamal-hassan-on-padma-bhushan_149777.html

“African audiences cannot accept our passive consumer role in the presence of film.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 44

“When Sharon Stone asks you to do something, you just just do it. If Sharon Stone asked me to eat her poo, I'd be like "yeah, what's a good time for you?".(Pretending to eat poo) "This is really good poo Sharon, thanks".(To the audience) Stop picturing it……….. and come back!”

Kathy Griffin (1960) American actress and comedian

The D-list (2004)

Time

“A liberal public is interesting to have as an audience. It is for that very reason that corporations make such an effort to ally themselves with cultural institutions.”

Hans Haacke (1936) conceptual political artist

Deborah Solomon " The Way We Live Now: 3-26-00: Questions for Hans Haacke; School for Scandal http://www.nytimes.com/2000/03/26/magazine/the-way-we-live-now-3-26-00-questions-for-hans-haacke-school-for-scandal.html," in: The New York Times Biographical Service, Vol. 31 (2000), p. 588
2000s

Effort

“Boobs are the center of power. Boobs can make a 6-month old baby and a 65 year old man both act the same way. And I'm a big fan. Oh, man, I love 'em! And I ain't picky neither. I hate when I hear guys go "I don't like little boobs." I don't care! Big boobs, little boobs, saggy boobs, perky boobs. You could have boobs that look like nanners, I don't give a damn! They're the perfect toy! You squish them, mush them, POOF! They come right back out! You can't even break 'em! Oh, they're amazing. Boobs can make a long trip seem short, make a bad day seem great. [Points to member of the audience] Bud, let's say you had a bad day at work. Boss been chewing you out all day long. Little girl sitting next to you shows you her boobs, you're like, "This day was GREAT!"”

Bill Engvall (1957) American comedian and actor

15° Off Cool (2007)

Love , Hate , Way , Guy

“Find one person in the audience and sing to them with all of your heart. And then cast a spell over them. Hoss, if you can't do it with feeling — don't.”

Patsy Cline (1932–1963) American country music singer

On singing and performing
Attributed by Dottie West in [Nassour, Ellis, Patsy Cline, 1980, unidentified edition, unidentified pages]
Quoted in The Real Patsy Cline (1986 documentary film)
Attributed

Feeling , Singing , Heart , Personality

“He is a theater animal who is ignited by his synergy with an audience. Audiences are only beginning to see the tip of the iceberg of what Nathan can do.”

Nathan Lane (1956) American actor

Lynne Meadow — reported in Michael Sommers (May 26, 1996) "Nathan In The Fast Lane, From Broadway to `Birdcage' to hosting - the Tonys, 'Forum' star rules", The Star-Ledger, p. 12.
About

Animals

“Women are actresses, tuning their part to each little audience.”

John Updike book Rabbit at Rest

Rabbit at Rest (1990)

Women , Parting

“For many of the stories told the final form resulted from a sort of informal psychological experiment. I discussed the subject with several different classes… Several passages… have been suggested by answers of my students, or… modified… by the reaction of my audience.”

George Pólya (1887–1985) Hungarian mathematician

Induction and Analogy in Mathematics (1954)

“When an individual appears before others, he wittingly and unwittingly projects a definition of the situation, of which a conception of himself is an important part. When an event occurs which is expressively incompatible with this fostered impression, significant consequences are simultaneously felt in three levels of social reality, each of which involves a different point of reference and a different order of fact.
First, the social interaction, treated here as a dialogue between two teams, may come to an embarrassed and confused halt; the situation may cease to be defined, previous positions may become no longer tenable, and participants may find themselves without a charted course of action…
Secondly, in addition to these disorganizing consequences for action at the moment, performance disruptions may have consequences of a more far-reaching kind. Audiences tend to accept the self projected by the individual performer during any current performance as a responsible representative of his colleague-grouping, of his team, and of his social establishment…
Finally, we often find that the individual may deeply involve his ego in his identification with a particular role, establishment, and group and in his self-conception as someone who does not disrupt social interaction or let down the social units which depend upon that interaction.”

Erving Goffman book The Presentation of Self in Everyday Life

Source: 1950s-1960s, The Presentation of Self in Everyday Life, 1959, p. 155-6

Reality , Appearance , Parting , Dependency

“People have expected less of movies and have been willing to settle for less. Some have even been willing to settle for Kramer vs. Kramer and other pictures that seem to be made for an audience of over-age flower children. These pictures express the belief that if a man cares about anything besides being at home with the kids, he’s corrupt. Parenting ennobles Dustin Hoffman and makes him a better person in every way, while in The Seduction of Joe Tynan we can see that Alan Alda is a weak, corruptible fellow because he wants to be President of the United States more than he wants to stay at home communing with his daughter about her adolescent miseries. Pictures like these should all end with the fathers and the children sitting at home watching TV together.”

Pauline Kael (1919–2001) American film critic

Taking It All In (1983), Why Are Movies So Bad? Or, The Numbers (1980-06-23)

Children , People , Age , Way

“Any kind of recognition for the work that you've done is a terrific thing. As a film actor, you don't often get that opportunity to meet with your audience and take your applause on stage. It's quite nice to meet people and hear them say, "I really enjoyed your work in this." I really enjoyed the Leprechaun films, and people who enjoy Leprechaun are quite obsessed.”

Warwick Davis (1970) English actor and television presenter

Warwick Davis Interview http://www.ign.com/articles/2012/04/11/warwick-davis-interview (April 11, 2012)

People

“My routines come out of total unhappiness. My audiences are my group therapy.”

Joan Rivers (1933–2014) American comedian, actress, and television host

Joan Rivers on BBC 2 (23 February 1990), as reported in The Quotable Jewish Woman (2004), by E. Partnow, p. 179

“I live in Scotland, have you been to Scotland? [a few of the audience whoop and cheer] See that's the exact same number of people, as answered that question in the affirmative when I asked it in England… and erm, people… English people, don't go up there, it's nearly half the country, and you say "Why don't you go?" and they go "Ahh, well, you know, it's very dark and dreary"… 'cos they get so used to the crocodiles and the tropical storms down there in England. "Dark and dreary, you can't understand the accents, the food's disgusting, and a lot of violence, a lot of drugs, people injecting temazepam into each other's stumps… other wise I'd go, you know?"”

Dylan Moran (1971) Irish actor and comedian

What It Is (2009)

People , Food , Understanding , Question

“(about concerts)"I love the adrenaline rush you get from having a live audience in front of you. There's nothing like performing live. I like to categorize classical music as one of those really beautiful, glamorous gems from the old era. The men are in tails onstage, the women are in beautiful dresses and the soloist comes out in a gorgeous evening gown. I really, really love that old-school glamour. For me, concert days are always exciting. It doesn't matter if I give 100 concerts or 150 concerts that season. Every concert is magical. Every concert has a sparkle to it. The challenge is to keep myself fresh and to give a spontaneous performance every single night while maturing and growing as a musician every day. The whole art form of being onstage is so mysterious and magical, it fascinates me. "”

Sarah Chang (1980) violinist

Newsweek September 2006 http://www.msnbc.msn.com/id/14870541/site/newsweek/?page=6

Love , Women , Men , School

“This commitment to end world hunger, and my music and story songs, are ways of dealing with the world as I see it. I'm playing 200 concerts per year-- half of them benefits-- all of them attempts at getting across the footlights to people I would enjoy spending time with in non-concert situations. And over the past 4 years of musical fun, millions of dollars have been raised for things I believe in. Telling stories of our time, building a lasting body of work, new songs, new records, new audiences, new challenges, and still that painfully exciting process of growth that can make one's life into a richly woven tapestry.”

Harry Chapin (1942–1981) American musician

All My Life's a Circle, Autobiographical statement on a concert program, circa 1980 http://harrychapin.com/articles/bio.shtml

Life , Hunger , People , World

“For a competent audience, uncommon men must have other uncommon men.”

Henry S. Haskins (1875–1957)

Source: Meditations in Wall Street (1940), p. 146

Men

“Growing has no connection with audience.
Audience has no connection with identity.
Identity has no connection with a universe.
A universe has no connection with human nature.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

The Geographical History of America (1936)

Nature , Universe

“It was W. C. Fields who hated to appear in the same scene with a child, a dog, or a plunging neckline - because nobody in the audience would be looking at him. Jennifer Aniston has the same problem in this movie even when she's in scenes all by herself.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/picture-perfect-1997 of Picture Perfect (1 August 1997)
Reviews, Two star reviews

Hate , Dogs , Problem , Appearance

“Let me get a sip of water here…you figure this stuff is safe to drink? [audience yells "No"] Actually, I don't care, I drink it anyway. You know why? 'Cause I'm an American and I expect a little cancer in my food and water. I'm a loyal American and I'm not happy unless I let government and industry poison me a little bit every day.”

George Carlin (1937–2008) American stand-up comedian

Doin' It Again, Parental Advisory: Explicit Lyrics (1990)

Food , Drink , Water , Happiness

“I remember when hard-core first became commonplace, and there were discussions about what it would be like if a serious director ever made a porn movie. The answer, judging by Anatomy of Hell, is that the audience would decide they did not require such a serious director after all.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/anatomy-of-hell-2004 of Anatomy of Hell (12 November 2004)
Reviews, One-star reviews

Hell

“The trope was eminently Oakeshottian. Politics was not a battle of interests, or a quest for truth, or a voyage of progress – it was an aesthetic performance, to captivate an audience. But it was not high theatre (Oakeshott had also insisted that politics was a second-rate activity). It was more like commercial theatre, the drama of the boulevards that plays to our emotions or embarrassments – Rattigan rather than Racine, he explained. On this stage, Mount has certainly given us a stylish production. We might call it the comedy of reform.”

Perry Anderson (1938) British historian

Source: Spectrum: From Right to Left in the World of Ideas (2005), Ch. 2. "Constitutional Theatre, Ferdinand Mount" (1992), p. 48

Truth

“I liked Truffaut a lot, I've felt a lot of admiration for his way to address the audience, and his storytelling…. La nuit américaine is adorable, and another film I like to see is L'enfant sauvage, with its fine humanism.”

Ingmar Bergman (1918–2007) Swedish filmmaker

On the works of filmmaker Francois Truffaut
Variant translation: I liked Truffaut enormously, I admired him. His way of relating with an audience, of telling a story, is both fascinating and tremendously appealing. It's not my style of storytelling, but it works wonderfully well in relation to the film medium.
Jan Aghed interview (2002)

Way

“Music completely overpowers me. Love it when I can experience it with my live audience.”

Shreya Ghoshal (1984) Indian playback singer

Concert at Auckland Sydney New Jersey Dallas https://www.facebook.com/shreyaghoshal/photos/a.10150127795216484.302690.11541726483/10154457107311484/

Love , Music

“He's a hope to Latin America and I would like if that philosophy came to Brazil. I think he's unique. I intend to go to Venezuela and to try to meet him. I want to pass a week there and to try to schedule an audience. I think he'll do what the militaries did in Brazil in 1964, with much more strength. I just hope the opposition doesn't go into a guerrilla warfare like they did here.”

Jair Bolsonaro (1955) Brazilian president elect

About Hugo Chávez. "É uma esperança para a AL" http://acervo.estadao.com.br/pagina/#!/19990904-38672-nac-0007-pol-a7-not/busca/Bolsonaro. O Estado de S. Paulo (4 September 1999).

Hope , Thinking

“Wild Things is lurid trash, with a plot so twisted they're still explaining it during the closing titles. It's like a three-way collision between a softcore sex film, a soap opera and a B-grade noir. I liked it. Movies such as this either entertain or offend audiences; there's no neutral ground. Either you're a connoisseur of melodramatic comic vulgarity, or you're not. You know who you are. I don't want to get any postcards telling me this movie is in bad taste. I'm warning you: It is in bad taste. Bad taste elevated to the level of demented sleaze.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/wild-things-1998 of Wild Things (20 March 1998)
Reviews, Three star reviews

Sex , Way

“There are many other ways in which language can be used to manipulate an audience. one obvious way is to simply lie.”

Randal Marlin (1938) Canadian academic

Source: Propaganda & The Ethics Of Persuasion (2002), Chapter Three, Propaganda Technique, p. 107

Lie , Way

“My father, good or bad, mistakes or no, had a direct line from his heart to the music to the people, to the audience. He played with logic and his own inner truth.”

Arthur Rubinstein (1887–1982) Polish-American classical pianist

John Rubinstein — reported in Kevin Kelly (February 22, 1981) "Rubinstein a Chip Off Rubinstein: John Says His Father's Music Shaped His Approach to Acting", Boston Globe.
About

People , Truth , Music , Heart

“There must be a lot of shy actor in puppeteering. His work is the puppeteer's statement. It's his outlet. If I had to face the audience myself, as Jim Henson, I'm sure I'd be just a bit shy. But when it's your puppets that face the audience, it's different. That I can do very easily.”

Jim Henson (1936–1990) American puppeteer

In response to Don Freeman's question: "Is the puppeteer a shy actor?"
Interview with Copley News Service (1976)

“Myself, I try to search for the new way, always trying to set up a new possibility and to find the new tools to express myself. To reach a broader audience.”

Ai Weiwei (1957) Chinese concept artist

2010-, Ai Weiwei, interview by Christiane Amanpour, 2010

Way , Search

“The audience is requested not to refrain from talking during the overture. Otherwise they will know all the tunes before the opera begins.”

Ralph Vaughan Williams (1872–1958) English composer

Note in the score to The Poisoned Kiss (1936).

“I like to play any character that allows me the freedom to explore it and teach the audience something they didn't know, and show them a journey they identify with … or be inspired, or moved. Anything that touches someone's heart is important for me.”

Alicia Witt (1975) American actress

Filmcritic.com interview (2000)

Freedom , Heart

“Mr. Hodge plays with his accustomed ease, even carrying the thing so far as to repeat many of his lines with his eyes shut; and in a pretty spirit of reciprocity, many members of the audience sit through the play with their eyes shut. p. 175”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 3: 1920

“Hans Haacke's "Visitor's Profile" encouraged visitors to interact with a computer by inputting personal information, which was then tabulated to output statistical data on the exhibition's audience. Such demographic research - as art - opened up a critical discourse, following Foucault and others, on the exclusivity of cultural institutions and their patrons, revealing the myth of public service as a thin veneer justifying the hierarchical values that reify extant social relations. Similarly, "Interactive Paper Systems" by Sonia Sheridan, engaged museum-goers in a creative exchange with the artist and 3M's first commercially available color photocopying machine, dissolving conventional artist-viewer-object relations. In "The Seventh Investigation (Art as Idea as Idea)" Joseph Kosuth utilized multiple forms of mass media and distribution (a billboard, an newspaper advertisement, a banner, and a museum installation) to question the conceptual and contextual boundaries between art, philosophy, commerce, pictures, and texts.”

Edward A. Shanken (1964) American art historian

Edward A. Shanken. " The House That Jack Built: Jack Burnham's Concept of "Software" as a Metaphor for Art http://www.artexetra.com/House.html" in Leonardo Electronic Almanac 6:10 (November, 1998)

Art , Color , Idea , Question

“Star Trek never really caught on with audiences, ran for three seasons, and was canceled. I wish I had taken notes at the time, because you people sure do have a lot of questions about it.”

William Shatner (1931) Canadian actor, musician, recording artist, author, and film director

Shatner Rules: Your Guide to Understanding the Shatnerverse and the World at large, by William Shatner and Chris Regan (2011), "Shatner Rules Deluxe: Your Guide to Understanding the Shatnerverse and the World at Large" https://books.google.com/books?isbn=1101564148 William Shatnerwith Chris Regan

People , Star , Question , Time

“I told all four [congressional leaders] that I felt like this election happened for a reason; that it pointed out — the delay in the outcome should make it clear to all of us — that we can come together to heal whatever wounds may exist, whatever residuals there may be. And I really look forward to the opportunity. I hope they've got my sense of optimism about the possible, and enthusiasm about the job. I told all four that there are going to be some times where we don't agree with each other, but that's okay. If this were a dictatorship, it would be a heck of a lot easier… [Bush laughs out loud, audience laughs out loud] …just so long as I'm the dictator”

George W. Bush (1946) 43rd President of the United States

more laughter
Online NewsHour http://www.pbs.org/newshour/bb/politics/july-dec00/trans_12-18.htm interview, Washington, D.C., (December 18, 2000)' during his first trip to Washington as President-elect. The last sentence is also included in Fahrenheit 9/11.
2000s, 2000

Hope , Optimism , Sense , Laughter

“At Black Mountain College in 1952, I organized an event that involved the paintings of Bob Rauschenberg, the dancing of Merce Cunningham, films, slides, phonograph records, radios, the poetries of w:Charles Olson and M. C. Richards recited from the tops of ladders, and the pianism of David Tudor, together with my 'Juilliard lecture', which ends: 'A piece of string, a sunset, each acts.' The audience was seated in the center of all this activity. Later that summer, vacationing in New England, I visited America's first synagogue, to discover that the congregation was there seated precisely the way I had arranged the audience at Black Mountain.”

John Cage (1912–1992) American avant-garde composer

Quote in: 'Silence: lectures and writings by John Cage'; publisher Middletown, Conn. Wesleyan University Press, June 1961, Foreword/ix
1960s

Way , Mountain , Dance , Summer

“When we play the fool, how wide
The theatre expands! beside,
How long the audience sits before us!
How many prompters! what a chorus!”

Walter Savage Landor (1775–1864) British writer

Plays, st. 2 (1846).

Fools

“Unlike many of my contemporaries, I never write books for my fellow professors to read. I have no interest in the academic audience at all. I'm interested in Joe Doakes. A general audience can read any book I write – and they do.”

Mortimer J. Adler (1902–2001) American philosopher and educator

Source: F.N. D'Alession. " Philosopher, reformer Mortimer Adler, father of 'Great Books' program, dies at 98 http://lubbockonline.com/stories/062901/upd_075-4286.shtml#.VVHE0_ntmko." at lubbockonline.com, June 29, 2001.

Books , Reading

“Gay marriage… I'm a traditionalist. I'm older than most people in the audience. I kind of like tradition, and it's always been a man and a woman. I'm thinking, 'I don't quite get it.”

Bruce Jenner (1949) American reality television personality and retired Olympic decathlete champion

On The Ellen Degeneres Show http://www.foxnews.com/entertainment/2016/02/19/caitlyn-jenner-have-gotten-more-flack-for-being-republican-than-have-for-being/.

Marriage , People , Thinking

“Play with joy, with a smile. If you aren't enjoying it—stop. Never practice—that's just the brain. Always play, even if the audience is afar. That's the heart as well. Don't judge your playing—for then it is not play, but hard work. Just aim to refine your intention.”

John Diamond (doctor) (1934) Australian doctor

Source: The Way of the Pulse: Drumming with Spirit (1999), pp. 89-90

Smile , Heart , Joy

“Think about whatever you want to say in the first place. Do not talk only with your lips. Use your eyes, ears and body language to talk as well. If you see what you are talking about, audience can also visualize and feel it.”

Elia M. Ramollah (1973) founder and leader of the El Yasin Community

The Great Master of Thought (Amen- Vol.3), Observing management

Feeling , Thinking

“[T]his film offers a nightmare image: the "Black Rebels," an outlaw motorcycle gang — a leather-jacketed pack who resemble storm troopers — terrorize a town. Their emblem is a death's head and crossed pistons and rods, and Marlon Brando, in his magnetic, soft-eyed youth, is their moody leader. The picture seemed to be frightened of its subject — the young nihilists who say "no" to American blandness and conformity — and reduced it as quickly as possible to the trivial meaninglessness of misunderstood boy meets understanding girl (Mary Murphy), but the audience savored the possibilities, and this clumsy, naive film was banned and argued about in so many countries that it developed a near-legendary status.”

Pauline Kael (1919–2001) American film critic

"The Wild One," p. 838.
5001 Nights at the Movies (1982)

Death , Youth , Girl , Boy

“When an orchestra of the Journeyers first publicly performed a suite from the time before Handel completely without crescendi and diminuendi, with the naïveté and chasteness of another age and world, some among the audience are said to have been totally uncomprehending, but others listened with fresh attention and had the impression that they were hearing music for the first time in their lives. In the League's concert hall between Bremgarten and Morbio, one member built a Bach organ as perfectly as Johann Sebastian Bach would have had it built had he had the means and opportunity.”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

Age , World , Music , Time

“Poetry is an art form that demands heightened attention and retention. It both invites and rewards more intense involvement than we normally give to other kinds of speech. Poetic technique, therefore, is never esoteric but eminently practical. It serves at least two purposes. First, it announces that a poem differs from other kinds of speech, that it requires the audience's special attention. A poem begins by attracting our attention through its sound, shape, typography, syntax, texture, or tone. Second, the technique maintains the audience's involvement. All poetic form is a way of keeping the audience's attention beyond what ordinary language requires. Meter, for example, creates a gentle trance state in the auditor. Since poetry is more intense, condensed, and expressive than ordinary language, it needs these techniques to carry the burden of its message.”

Dana Gioia (1950) American writer

"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
Interviews

Art , Way

“Some people think it's got a double meaning, but as my mum's in the audience tonight, it doesn't.”

Katie Melua (1984) British singer-songwriter

About "Halfway Up The Hindu Kush"
[André Paine, Katie comes of age, http://www.thisislondon.co.uk/music/gig-21588201-details/Katie+Melua,+The+Storys/gigReview.do?reviewId=23376920, Evening Standard, 2006-12-04]

People , Thinking

“Minors are an intended audience for the highly profitable sex industry. Impressionable teenagers are easily persuaded to have abortions, and homosexual clubs in high school are designed for the young.”

Phyllis Schlafly (1924–2016) American activist

[Schlafly, Phyllis, 2004, September, Activist Judges Rule for Special Interests, Phyllis Schlafly Report, 38, 2, http://www.eagleforum.org/psr/2004/sept04/psrsept04.html, 2007-03-30]

School , Sex

“Now my life is pretty much bliss. I have two healthy children and a great marriage (Emilio and I have been together for 28 years). I still have one ambition: to do a concert in Cuba. It's the beginning of the end for Castro and, well, I've performed for every audience of practically every nationality except my own. Performing there would be one ot the highlights of my life.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Telegraph Magazine November 14, 2006
2007, 2008

Life , Marriage , Children

“On the project The Celts I was asked to … to write a song. And, at the time I was … arranging with Nicky, and writing the music and performing … so, no desire whatsoever to write lyrics!… But Roma was actually writing poetry at the time, and she was involved, with listening in the studio … being the audience in the studio … so she was involved with the project. So, it was very obvious that she would write the lyrics.”

Enya (1961) Irish singer, songwriter, and musician

KSCA interview (1996)

Music , Time

“The subject that interests most writers is, of course, themselves and it is easy subject to talk about. But you know it is always easier if you are a poet or a novelist because you are used to talking in your voice. You suspend your whole life talking as writer directly to the audience. The problem is being playwright is that everything that you write is for someone else to say.”

Girish Raghunath Karnad (1938–2019) Indian playwright

Expressed to R.K.Dhavan, quoted here [Sahu, Nandini title=The Post-colonial Space: Writing the Self and the Nation, http://books.google.com/books?id=xs_tj0tDnnwC&pg=PA59, 2007, Atlantic Publishers & Dist, 978-81-269-0777-9, 116]

Life , Problem

“But while at the bottom of the national life the slime was thus constantly accumulating more and more deleteriously and deeply, so much the more smooth and glittering was the surface, overlaid with the varnish of polished manners and universal friendship. All the world interchanged visits; so that in the houses of quality it was necessary to admit the persons presenting themselves every morning for the levee in a certain order fixed by the master or occasionally by the attendant in waiting, and to give audience only to the more notable one by one, while the rest were more summarily admitted partly in groups, partly en masse at the close—a distinction which Gaius Gracchus, in this too paving the way for the new monarchy, is said to have introduced. The interchange of letters of courtesy was carried to as great an extent as the visits of courtesy; "friendly" letters flew over land and sea between persons who had neither personal relations nor business with each other, whereas proper and formal business-letters scarcely occur except where the letter is addressed to a corporation. In like manner invitations to dinner, the customary new year's presents, the domestic festivals, were divested of their proper character and converted almost into public ceremonials; even death itself did not release the Roman from these attentions to his countless "neighbours," but in order to die with due respectability he had to provide each of them at any rate with a keepsake. Just as in certain circles of our mercantile world, the genuine intimacy of family ties and family friendships had so totally vanished from the Rome of that day that the whole intercourse of business and acquaintance could be garnished with forms and flourishes which had lost all meaning, and thus by degrees the reality came to be superseded by that spectral shadow of "friendship," which holds by no means the least place among the various evil spirits brooding over the proscriptions and civil wars of this age.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Pt. 2, Translated by W.P. Dickson.
On Roman Friendship in the last ages of the Republic.
The History of Rome - Volume 4: Part 2

Life , Death , Friendship , War

“I think Yvonne De Carlo was more famous than Lily. But I gained the younger audience through The Munsters.”

Yvonne De Carlo (1922–2007) Canadian-American actress, dancer, and singer

And it was a steady job.
"Yvonne De Carlo Reminds The World There Was Life Before Lily Munster" (1987)

Thinking

“Good writers indulge their audience; great writers know better.”

Tom Heehler American author

The Well-Spoken Thesaurus (2011)

“Bin Laden's real audience is the Middle East, his other Muslims. I think he thought that, by this act, he would win large numbers of converts to his cause … [to] bring Arab regimes down. He would perhaps even take power in this or that country, preferably Saudi Arabia. That is where he is looking to; that is who is the audience. That is who his symbols are directed towards. So this is unlike anything else in the history of Islam. Early Muslims, when they left the Arabian Peninsula and entered the [Fertile Crescent], were conquerors. They converted peoples, and they gave them time to convert. So they didn't force them sometimes, and they were perfectly happy ruling over them. They were setting up a state, and then people converted over time. Syria remained Christian for hundreds of years after the Muslim conquest. So something different is going on here. The obvious sense in which the United States is evil is in the cultural icons that are seen everywhere. They are seemingly trivial things, the influence of the America culture, which is everywhere: TV, how women dress, the lack of importance of religion. So these are the senses in which they are rejecting the United States. But you're right; they don't see Americans as people. … They block that out. They only see as people the Muslims they want to convert to their side, and that's terrifying.”

Kanan Makiya (1949) American orientalist

"Faith and Doubt at Ground Zero" http://www.pbs.org/wgbh/pages/frontline/shows/faith/interviews/makiya.html, PBS Frontline (2002)

Women , People , Religion , History

“Is a museum
Peace? I asked. Am I the keeper
Of the heart's relics, blowing the dust
In my own eyes? I am a man;
I never wanted the drab role
Life assigned me, an actor playing
To the past's audience upon a stage
Of earth and stone; the absurd label
Of birth, of race hanging askew
About my shoulders. I was in prison
Until you came; your voice was a key
Turning in the enormous lock
Of hopelessness. Did the door open
To let me out or yourselves in?”

R.S. Thomas (1913–2000) Welsh poet

"A Welsh Testament"
Tares (1961)

Life , Peace , Birth , Past

“The reviewers of fifty years ago knew that their primary loyalty must lie not with their fellow poets or publishers but with the reader. Consequently they reported their reactions with scrupulous honesty even when their opinions might lose them literary allies and writing assignments. In discussing new poetry they addressed a wide community of educated readers. Without talking down to their audience, they cultivated a public idiom. Prizing clarity and accessibility they avoided specialist jargon and pedantic displays of scholarship. They also tried, as serious intellectuals should but specialists often do not, to relate what was happening in poetry to social, political, and artistic trends. They charged modern poetry with cultural importance and made it the focal point of their intellectual discourse.”

Dana Gioia (1950) American writer

Essays, Can Poetry Matter? (1991)

Lie , Education , Communication , Loyalty

“I'm not a teetotaler. People know that I like to have my drinks. Specially when I go to work. I don't like to get drunk. I don't go out drunk. I never would, for respect to the audience. But sometimes I have a drink. I am a very nervous person, extremely nervous. So to calm me down, I like having a drink before going on stage.”

Alejandro Fernández (1971) Mexican singer

Television interview (air date should be found) http://www.youtube.com/watch?v=_X8Oq_AQVPo.

People , Drink , Personality

“I usually put on 6 or 8 public lectures a year and as long as no paid admissions were asked I could easily get out an audience of 1,000. In time, however, we decided that a lot of these people who occupied chairs in my audiences were what is called in New York simply floaters. They drifted in and out of every free lecture, no matter what the subject was, and never really benefited from anything they heard. The time, therefore, came when we decided to charge admission to my lectures even if it was only 25 cents. The audiences immediately dropped about half and this pleased us greatly. Those who came did so because they wanted to hear and learn and it was worth while talking to them.”

Alice A. Bailey (1880–1949) esoteric, theosophist, writer

Source: The Unfinished Autobiography (1951), Chapter V - Part 2

People , Learning , Time

“It's so interesting to watch it – every Republican debate – Mitt Romney deny Romneycare. Deny the one great thing he did in his life. But when he's on the stage with those other Republicans in front of a Republican audience: "How dare you?! How dare you accuse me of helping people!? I am as much of a cold-hearted bastard as any of the pricks on this stage!"”

Bill Maher (1956) American stand-up comedian

Crazy Stupid Politics (2012)

Life , People , Help , Heart

“A few days ago in a Berlin theatre the audience burst into spontaneous applause merely because the orchestra began to play an old military march—not a German march, either, but an Austrian one, the Radetzky march. Do not think that this meant a demonstration in favour of a war of revenge—not a bit of it. But the army and all that goes with it has been in the tradition of the German people for a hundred years and it would betray a very poor knowledge of men to believe that such a tradition could be uprooted when people is bidden by the terms of a treaty to give up compulsory military service.”

Gustav Stresemann (1878–1929) German politician, statesman, and Nobel Peace Prize laureate

Remarks to representatives of the foreign press in Berlin (23 November 1923), quoted in W. M. Knight-Patterson, Germany. From Defeat to Conquest 1913-1933 (London: George Allen and Unwin, 1945), p. 341
1920s

Men , War , People , Revenge

“Perhaps it's good you're not going to write anymore: you'd have to start considering all those dull things like your relation to your audience, the relation between your personality and your poetry, the relation between your poetry and all the poetry before it.”

Samuel R. Delany book Dhalgren

Ernest Newboy in Part IV, "In Time of Plague" (p. 357)
Dhalgren (1975)

Personality

“I am frightened by the imbalance, the constant striving to reach the largest possible audience for everything; by the absence of a sustained study of the state of the nation.”

Edward R. Murrow (1908–1965) Television journalist

RTNDA Convention Speech (1958)

Study

“I believe it is appropriate to have an over-representation of factual presentations on how dangerous it is, as a predicate for opening up the audience to listen to what the solutions are, and how hopeful it is that we are going to solve this crisis.”

Al Gore (1948) 45th Vice President of the United States

On global warming, as quoted in "Al Revere: An interview with accidental movie star Al Gore" by David Roberts in Girst.org (9 May 2006) http://www.grist.org/news/maindish/2006/05/09/roberts/.

Hope

“The repeat run of Fawlty Towers (BBC2) drew bigger audiences than ever and deservedly so. Statistical surveys reveal that only the television critic of the Spectator is incapable of seeing the joke, which is that Basil Fawlty has the wrong temperament to be a hotel proprietor, just as some other people have the wrong temperament to be television critics.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Bovis and Basil'
Essays and reviews, Glued to the Box (1983)

People