Quotes about audience
page 7

“We have respect for our audience. … We operate on the conviction that it is composed of young children of potentially good taste, and that this taste should be developed.”

Bob Keeshan (1927–2004) United States Marine

Interview with Steven V. Roberts in The New York Times (1965); as quoted in "Bob Keeshan, Creator and Star of TV's 'Captain Kangaroo,' Is Dead at 76" in The New York Times (24 January 2004)

Children

“I became aware of Louise Bourgeois in my first or second year at Brighton Art College. One of my teachers, Stuart Morgan, curated a small retrospective of her work at the Serpentine, and both he and another teacher, Edward Allington, saw something in her, and me, and thought I should be aware of her. I thought the work was wonderful. It was her very early pieces, The Blind Leading the Blind, the wooden pieces and some of the later bronze works. Biographically, I don't really think she has influenced me, but I think there are similarities in our work. We have both used the home as a kind of kick-off point, as the space that starts the thoughts of a body of work. I eventually got to meet Louise in New York, soon after I made House. She asked to see me because she had seen a picture of House in the New York Times while she was ironing it one morning, so she said. She was wonderful and slightly kind of nutty; very interested and eccentric. She drew the whole time; it was very much a salon with me there as her audience, watching her. I remember her remarking that I was shorter than she was. I don't know if this was true but she was commenting on the physicality of making such big work and us being relatively small women. When you meet her you don't know what's true, because she makes things up. She has spun her web and drawn people in, and eaten a few people along the way.”

Louise Bourgeois (1911–2010) American and French sculptor

Rachel Whiteread, " Kisses for Spiderwoman http://www.theguardian.com/artanddesign/2007/oct/14/art2," The Guardian, 14 Oct. 2007:

Women, People, Art, Way

“after throwing the defendant and his witness out of the courtroom: I have other things to do today. I have to get home! [points to her wristwatch] JUDGE JUDY IS ON!!! [audience laughs]”

Judith Sheindlin (1942) American lawyer, judge, television personality, and author

http://www.youtube.com/watch?v=kt3L8c0Dv_M&feature=related
Quotes from Judge Judy cases, Being funny

Home

“[Malipiero's advice to Casanova. ] If you wish your audience to cry, you must shed tears yourself, but if you wish to make them laugh you must contrive to look as serious as a judge.”

Giacomo Casanova (1725–1798) Italian adventurer and author from the Republic of Venice

Memoirs (trans. Machen 1894), book 1 (Venetian Years), chap. 14 http://etext.library.adelaide.edu.au/c/casanova/c33m/chapter14.html Referenced

Tear, Cry

“Jack Cardiff once asked Powell "Michael, do you make films for all types of audiences, or just for yourself?" Michael shook his head vigorously. "I make films for myself. What I express I hope most people will understand. For the rest, well, that's their problem."”

Michael Powell (1905–1990) English film director

Attributed

People, Hope, Understanding, Problem

“I would say people will want to watch the younger lot rather than me. We need to give them more time. It will be a little harsh to put them aside. They are working in a much more competitive climate. They are working with many more disadvantages than perhaps we were. The audiences too, are not as tolerant as they were in my time. I think the audience gave me a lot of breathing space. I made mistakes and kept trying to rectify them in film after film. It takes a while to do away with the soiled laundry.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

People, Thinking, Time

“It's obvious that in an intelligent educated audience such as this university, I stress this university. Who saw fit to give them accreditation?”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

At Randolph-Macon Woman's College, Broadcasted by C-SPAN2 http://richarddawkins.net/home

Education, Intelligence, Universe

“He [somebody at Carnegie Mellon University] had betrayed us. But he didn't just do it to us. Chances are he did it to you too. [Pointing at member of audience. ] And I think, mostly likely, he did it to you too. [Pointing at another member of audience. ][Laughter] And he probably did it to you as well. [Pointing to third member of audience. ] He probably did it to most of the people here in this room — except a few, maybe, who weren't born yet in 1980. Because he had promised to refuse to cooperate with just about the entire population of the Planet Earth. He had signed a non-disclosure agreement.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

2000s, Free Software: Freedom and Cooperation (2001)

People, Thinking, Laughter, Universe

“We're no longer a once-a-day text medium for a predominantly domestic audience. Increasingly - around the clock - we use a combination of media in telling stories, and in commentary, to millions of users around the globe.”

Alan Rusbridger (1953) British newspaper editor

Alan Rusbridger. " We're all doomed to be surprised http://www.theguardian.com/media/2007/aug/20/mondaymediasection3" The Guardian, Monday 20 August 2007; Partly cited in: Peter English. "Caught by the Web: The Case of Guardian News & Media's Sports Desk." Journal of Sports Media 7.1 (2012): 133-148. 2000s

“My basic rule is to speak slowly and simply so that my audience has an opportunity to follow and think about what I am saying.”

Margaret Chase Smith (1897–1995) Member of the United States Senate from Maine

As quoted in The Teacher's Quotation Book : Little Lessons On Learning‎ (1986) by Murray I. Suid and Wanda Lincoln

Thinking

“Suppose you went back to Ada Lovelace and asked her the difference between a script and a program. She'd probably look at you funny, then say something like: Well, a script is what you give the actors, but a program is what you give the audience. That Ada was one sharp lady…”

Larry Wall (1954) American computer programmer and author, creator of Perl

Public Talks, The State of the Onion 11

“Being in the position I am, I should know better. I know I can't keep messing up like this, and I owe it to my audience and to myself to do better than this, because I know I'm better than this. I really want to improve myself and better myself, not just for me, but for anyone that looks up to me or anyone that's influenced by me, and that's how I want to move forward away from this. That's all I had to say. Thank you for watching. Bye.”

PewDiePie (1989) Swedish YouTuber and video game commentator

My Response https://www.youtube.com/watch?v=cLdxuaxaQwc (12 September 2017) 2017, My Response (September)

“I often sneak into the cinema and watch how the audience are reacting to my movie. It teaches me so much.”

Jamie Uys (1921–1996) South African film director

Sunday Times interview (1979)

“It's bad to use words like 'genius' unless you are talking about the late Jean-Michel Basquiat, the black Chatterton of the 80s who, during a picturesque career as sexual hustler, addict and juvenile art-star, made a superficial mark on the cultural surface by folding the conventions of street graffiti into those of art brut before killing himself with an overdose at the age of twenty-seven. The first stage of Basquiat's fate, in the mid-80s, was to be effusively welcomed by an art industry so trivialized by fashion and blinded by money that it couldn't tell a scribble from a Leonardo. Its second stage was to be dropped by the same audience, when the novelty of his work wore off. The third was an attempt at apotheosis four years after his death, with a large retrospective at the Whitney Museum designed to sanitise his short, frantic life and position him as a kind of all-purpose, inflatable martyr-figure, thus restoring the dollar value of his oeuvre in a time of collapsing prices for American contemporary art. One contributor to the catalogue proclaimed that "Jean remains wrapped in the silent purple toga of immortality"; another opined that "he is as close to Goya as American painting has ever produced." A third, not to be outdone, extolled Basquiat's "punishing regime of self-abuse" as part of "the disciplines imposed by the principle of inverse ascetism to which he was so resolutely committed."”

Robert Hughes (1938–2012) Australian critic, historian, writer

These disciplines of inverse ascetism, one sees, mean shooting smack until you drop dead.
Page 195
Culture of Complaint (1993)

Life, Death, Money, Fate

“I don't know who my audience is. People have said there is an integrity about me, and I think there is. I don't try to follow a trend. I have my own little path, and although I delve into things, I stay with what I am. I'm quite natural with it. Maybe people feel comfortable with that and they trust it, so they buy it. They'll come and see me in concert. I think I always do a good job in that area.”

Sarah Brightman (1960) British soprano, musical theatre actress, and dancer

The Irish Times (1999)

People, Feeling, Nature, Thinking

“Listen, when I arrived in Los Angeles in the early '40s, there were just 640,000 people. Every loser in the world headed there because there was no competition. The keynote was mediocrity because the film, radio and music businesses had defined that the average mental age of the audience was 12. They handed me the bloodstained hat of a guy who'd fallen off his horse and suddenly I was in the movies—in a Hopalong Cassidy picture. I give hope to the hopeless. People say, "If he can make it, I can be Queen of England.”

Robert Mitchum (1917–1997) American film actor, author, composer and singer

As quoted in "Roberto Mitchum: After all these years, still one of a kind"

People, Age, World, Hope

“Hence the ancient architects, following in the footsteps of nature, perfected the ascending rows of seats in theatres from their investigations of the ascending voice, and by means of the canonical theory of the mathematicians and that of the musicians, endeavoured to make every voice uttered on the stage come with greater clearness and sweetness to the ears of the audience. For just as musical instruments are brought to perfection of clearness in the sound of their strings by means of bronze plates or horn, so the ancients devised methods of increasing the power of the voice in theatres through the application of harmonics.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter IV, Sec. 8

Music, Nature, Perfection

“Humor is the most honest of emotions. Applause for a speech can be insincere, but with humor, if the audience doesn't like it there's no faking it.”

Robert Orben (1928) American magician and writer

Leslie Berger (January 28, 1982) "A Little Night Humor", The Washington Post, C1.

“Some of the acting is better than the film deserves. Make that all of the acting. Actually, the film stock itself is better than the film deserves. You know when sometimes a film catches fire inside a projector? If it happened with this one, I suspect the audience might cheer.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/revolver-2007 of Revolver (7 December 2007) Reviews, Half-star reviews

“I don't think that American audiences would accept the tonal character of my music.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)

Music, Thinking

“I do not often attribute motives to audience members, nor do I try to read their minds, but the people who were sitting around me on Monday morning made it easy for me to know what they were thinking. They talked out loud. And if they seriously believed the things they were saying, they were vicarious sex criminals.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/i-spit-on-your-grave-1980 of I Spit on Your Grave (16 July 1980) Reviews, Zero star reviews

People, Sex, Motivation, Thinking

““When you’re on the chariot this time, no waving, no smiling. I just want you to look straight ahead, as if the entire audience is beneath your notice.”
“Finally something I’ll be good at,” I say.”

Suzanne Collins (1962) American television writer and novelist

Cinna and Katniss, p. 207
The Hunger Games trilogy, Catching Fire (2009)

Smile, Time

“The promotion of dairy products in schools is especially troubling, where children are a captive audience and greatly influenced by the foods served there. That’s why the dairy industry wants to maintain its strong presence in schools, despite local and federal efforts to improve the nutritional quality of school food.”

Michele Simon (1965) public health lawyer

Whitewashed (2014)

Children, School, Food, Effort

“I wanted to write about school because most of my audience at the particular time was of a school element.”

Chuck Berry (1926–2017) American rock-and-roll musician

Introducing "School Days" on The History of Rock and Roll, (1978), Hour 1: "The Birth of Rock & Roll"

School, Time

“I cry all the time. In fact, I cried when we were at the Islington Academy. I got a bit teary-eyed at the crowd's reaction to our show. We were playing a song called On My Own and the response from the audience just got to me. Sometimes the love in the room is so overwhelming that I just cry. I'm not ashamed of that.”

Bert McCracken (1982) American musician

WENN staff (October 17, 2007) "McCracken: 'I Cry All the Time'", World Entertainment News Network.

Love, Time, Cry

“I have sometimes thought that all professional lectures on rationality should be delivered while wearing a clown suit, to prevent the audience from confusing seriousness with solemnity.”

Eliezer Yudkowsky (1979) American blogger, writer, and artificial intelligence researcher

In reply to a comment on his The Proper Use of Doubt http://lesswrong.com/lw/ib/the_proper_use_of_doubt/ejw

“A good storyteller minces words to entertain or inspire the audience. The politicians and religious leaders do much the same, but for a different purpose - to turn otherwise normal people to nutcases.”

Vinko Vrbanić (1951)

Storyteller

People

“We want our sound to go into the soul of the audience, and see if it can awaken some little thing in their minds… 'Cause there are so many sleeping people.”

Jimi Hendrix (1942–1970) American musician, singer and songwriter

Dick Cavett interview (1969)

People, Soul, Sleep

“Come, on, EMPTY-V!! [As] far as I'm concerned, Beavis and Butt-head and Dora (sic) are the only two good things you ever DID! [wild applause from audience] But can't you think of a better way to raise audience awareness of domestic violence, than to make it look COOL?”

Jello Biafra (1958) singer and activist

On the "Irene Getting Smashmouthed" incident on The Real World)"Become the Media" (Track 10)
Become the Media (2000)

Way, Thinking

“What matters,” he said earnestly, “is the display of skill, not the manners of the audience.”

Robert Silverberg book Lord Valentine's Castle

Book 1, Chapter 10 (p. 71)
Lord Valentine's Castle (1980)

“The proverbial German phenomenon of the verb-at-the-end about which droll tales of absentminded professors who would begin a sentence, ramble on for an entire lecture, and then finish up by rattling off a string of verbs by which their audience, for whom the stack had long since lost its coherence, would be totally nonplussed, are told, is an excellent example of linguistic recursion.”

Douglas Hofstadter book Gödel, Escher, Bach: an Eternal Golden Braid

"Recursive Structures and Processes"
Gödel, Escher, Bach: an Eternal Golden Braid (1979)

“Print also created new literary forms and altered ideas of literary style. Medieval poetry was conceived for the ear, and each poem had to stand the test of recitation. In addition, medieval audiences were not always interested in the poet himself, since his work was known to them only through the interpretations of minstrels, who frequently rephrased poems to suit their own image and images. The printed page changed these conditions. Slowly, the printed poet came into a new relationship with his reader. He learned not to be so repetitive as his predecessors since a reader could be depended upon to return as often as needed to uncompromised passages. …After the flowering of dramatic poetry during the Elizabethan Age, the printed page substituted for the theater, and millions of children came to know Shakespeare only through this form.”

Neil Postman (1931–2003) American writer and academic

Teaching as a Subversive Activity (1969)

Children, Age, Flowers, Idea

“This isn't a picture filled with wonder and a sense of fun; it's so jaded and crass that I almost wonder if it's a highly unscientific experiment designed to gauge how little audiences will settle for these days. Manic and multicolored, Speed Racer is an excess of nothingness.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/review/2008/05/09/speed_racer/ of Speed Racer (2008)

Gauge, Sense, Speed

“ One is reminded of the actor, playing the role of a villain in a traveling theatrical troupe, who, at a particularly tense moment in the play, was shot by an excited cowpuncher in the audience. But this kind of confusion does not seem to be confined to unsophisticated theatergoers. […] Paul Muni, after playing the part of Clarence Darrow in Inherit the Wind, was invited to address the American Bar Association; Ralph Bellamy, after playing the role of Frankin D. Roosevelt in Sunrise at Campobello, was invited by several colleges to speak on Roosevelt. Also, there are those astonishing patriots who rushed to the recruiting offices to help defend the nation when, on October 30, 1938, the United States was "invaded" by an "army from Mars" in a radio dramatization. ”

S. I. Hayakawa book Language in Thought and Action

Source: Language in Thought and Action (1949), The Pitfalls of Drama, p. 28

Travel, Help, Parting

“Glenn Beck: How many people here identify themselves as African Americans?
[audience raises hands]
Glenn Beck: Why?
Panelist: It's interchangeable.
Glenn Beck: Why not identify yourself as Americans?
Panelist: But people can look at you and tell you're black, you can't escape that.
Glenn Beck: Yeah, but I don't identify myself as white or a white American.”

Glenn Beck (1964) U.S. talk radio and television host

Glenn Beck
Television
Fox News
2009-11-13
Beck: I don't identify as white, why do black people identify as black?
Media Matters for America
2009-11-13
http://mediamatters.org/mmtv/200911130029
2000s, 2009

People

“(To audience members who were arriving late) You haven't missed a thing, I was just killing time 'til you got here.”

Billy Connolly (1942) British comedian

An Audience With Billy - 1985

Time

“During the thirty years I have spent abroad I have felt I was more privileged than my Western colleagues, whether writers or teachers of literature, for events both recent and long past took in my mind a sharply delineated, precise form. Western audiences confronted with poems or novels written in Poland, Czechoslovakia or Hungary, or with films produced there, possibly intuit a similarly sharpened consciousness, in a constant struggle against limitations imposed by censorship. Memory thus is our force, it protects us against a speech entwining upon itself like the ivy when it does not find a support on a tree or a wall.”

Czeslaw Milosz (1911–2004) Polish, poet, diplomat, prosaist, writer, and translator

Nobel lecture (8 December 1980)

Literature, Support, Tree, Teachers

“The fact that Pinhead is a character that audiences want to watch, that women find sexy, that people have tattooed on their own bodies, I think, is perfectly extraordinary, and I'm incredibly pleased about it. I don't think an analysis of what he does in the movies ever completely illuminates the charm that the guy has.”

Clive Barker (1952) author, film director and visual artist

"A Living 'Hellraiser'", The Daily Bruin, Thursday, May 7, 1992

Women, People, Guy, Thinking

“Gordon Strachan is as he is. He can be a prickly character to interview. I just think that, just occasionally, we all need to take a step back. This isn’t done for a national audience or for national television - this is the opportunity the manager has to speak to supporters of his club. If that’s how you want to address fans it is entirely Strachan’s responsibility, but I think he needs to revisit that a bit.”

Gordon Strachan (1957) Scottish footballer and manager

Alastair Brownlee, Evening Gazette, Oct 5 2010 http://www.gazettelive.co.uk/news/teesside-news/2010/10/05/strachan-s-words-too-much-for-boro-fans-84229-27404292/ About

Support, Thinking

“Live Free or Die Hard may work better for an audience that doesn't know much about the series is than it will for Die Hard die hards, who will be wondering who that impersonator is and what he did with the real John McClane. The original Die Hard came out of nowhere to blitz the 1988 summer box office. The fourth installment arrives with a weight of expectations that Atlas would have trouble shouldering and, when the dust settles in September, it's unlikely that Live Free or Die Hard will be one of this year's big success stories.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=310 of Live Free or Die Hard (2007). Two-and-a-half star reviews

Success, Summer, Box

“In my collection, to me at least, the theatre of the past lives again and those long-dead playwrights and actors have in me an enthralled audience of one, and I applaud them across the centuries.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

How to Be a Collector (1995).

Past, Dead

“My friends liked it. My family liked it. I thought, 'If they all like it why can't everyone like it?' I knew I could get an audience.”

Craig Benzine (1980) Filmmaker, comedian, presenter

In response of the question: "After years and 100 videos you only had 32 subscribers? Wasn't that frustrating? What kept you going? Didn't you feel like giving up?"

Family

“The lecturer should give the audience full reason to believe that all his powers have been exerted for their pleasure and instruction.”

Michael Faraday (1791–1867) English scientist

As quoted in A Random Walk in Science (1973) by Robert L. Weber, p. 76

Pleasure

“The art of eloquence belongs to the realm of probability because it constantly directs its glance at the specific, variable psychic state of the audience.”

Ernesto Grassi (1902–1991) Italian philosopher

Source: Rhetoric as Philosophy (1980), p. 40

Art

“Bad boys have long fascinated audiences as well as storytellers, whatever the medium. Such rebels, often without causes beyond self-gratification, have been at the center of much of contemporary popular culture. One of the paradigms for such dramatized morality tales is Mozart's magnificent "Don Giovanni," whose musical and theatrical turns evoked awe and laughter and terror from the more that 1,500 music fans who on Saturday night flocked to Lawrence's Lied Center for the Mozart Festival Opera production. The libertine is thoroughly disreputable. Nonetheless, we look on in fascination because of his devilish smile, dashing good looks, ready wit, and the audacity of his hyper-inflated ego. If you can imagine a young Jack Nicholson with mustache, cape and a flair for sword play, you've got it. Lithuanian baritone Vytautas Juozapaitis gave the Don appropriate swagger and voice. He also brought a comic twist that gave the roué a touch of the trickster. Stepping out of character for a second in the midst of a briskly paced recitative, he paused, turned, and looked up at the supertitled English translation as if to check his lines. It was a joke shared by all. The pleasure of performing, even in the opera's most dramatic moments, was evident.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Chuck Berg, "Mozart's 'Don Giovanni' triumphs", Topeka Capital Journal (February, 2007) http://www.jennykellyproductions.com/prod_mozart_review.htm

Pleasure, Smile, Music, Imagination

“It just seems like the most successful, iconic love stories are not so easy or escapist. I think the ones that stay with us and resonate are full of conflict, discord and misunderstandings 'cause that's what makes drama happen or tension even if it's a comedy. I think people who make movies and have invested a lot of money in them, get frightened that if they challenge an audience they are going to repel them. And I think the opposite, it's really true. It takes confidence and courage to know that and then commit to it.”

Claire Danes (1979) American actress

"Interview: Steve Martin and Claire Danes" by Jeff Otto at IGN.com (19 October 2005) http://movies.ign.com/articles/659/659752p1.html

Love, Money, People, Confidence

“I’m gonna miss the old sith lord. He was the best pope atheists could hope for. He started out as a Hitler youth actually wearing a Nazi uniform. As a Cardinal, he famously conspired to conceal sex crimes against children for the sake of the church. As pope, he addressed an audience in an AIDS ravaged area of Africa, and told them that use of condoms actually increased risk of STDs. His objection to birth-control took precedence over human life. That is how evil he is.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"Pope Palpatine" http://www.patheos.com/blogs/reasonadvocates/2013/02/12/pope-palpatine/, Patheos (February 12, 2013) Patheos

Life, Children, Youth, Hope

“Like an audience entertained by a magician, we allow ourselves to be deceived by those with a stake in persuading us to ignore reality.”

Al Gore (1948) 45th Vice President of the United States

"Without a Trace" (review of The Sixth Extinction by Elizabeth Kolbert), New York Times Sunday Book Review, 10 February 2014, page BR1 http://www.nytimes.com/2014/02/16/books/review/the-sixth-extinction-by-elizabeth-kolbert.html?_r=0

Reality

“To me, my approach is the most sensible. You're a comic. Therefore you want to get laughs. How do you get the most laughs in an hour? Tell short jokes. And don't say boom boom at the end. Just let the audience laugh then tell another joke. It's the shortest route to where you want to go.”

Jimmy Carr (1972) British comedian and humourist

Source: Allan Brown (August 1, 2004) "Benefits of being game for a laugh - Edinburgh Festival", The Sunday Times.

“Contented, unambitious people are all very well in their way. They form a neat, useful background for great portraits to be painted against, and they make a respectable, if not particularly intelligent, audience for the active spirits of the age to play before. I have not a word to say against contented people so long as they keep quiet.”

Jerome K. Jerome book Idle Thoughts of an Idle Fellow

"On Getting On in the World".
Idle Thoughts of an Idle Fellow (1886)

People, Age, Way, Intelligence

“I would like to hear more of the consummate melodic master, but I feel that big business and his record company have had a corrupting influence on his material. The rock and pop thing certainly draws a wider audience. It happens more and more these days, that unqualified people with executive positions try to tell musicians what is good and what is bad music. It’s tempting for the musician to prejudice his own views when recording opportunities are so infrequent but I for one am determined to resist the temptation.”

Miles Davis (1926–1991) American jazz musician

Bill Evans, on about Miles Davis's change of style to jazz fusion.
http://jazztimes.com/articles/20128-miles-davis-and-bill-evans-miles-and-bill-in-black-white.
Quotes by others

People, Music, Feeling, Business

“Vytas Juozapaitis is simply terrific as the Don; lean, agile, and the possessor of a Zorro-like sexiness, he seemed part old fashioned matinee idol, yet firmly rooted in the here and now a la Johnny Depp. Like the singer, the voice is attractive, lean and powerful. His seduction of Zerlina, smooth as silk. He had the audience in the palm of his hand.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Paulo Padillo, Opera - L (September 24, 2003)

Fashion, Parting

“I never failed to convince an audience that the best thing they could do was to go away.”

Thomas Love Peacock book Crotchet Castle

Crotchet Castle, chapter XVIII.

“I passed by a corner office in which an employee was typing up a document relating to brand performance. … Something about her brought to mind a painting by Edward Hopper which I had seen several years before at the Museum of Modern Art in Manhattan. In New York Movie (1939), an usherette stands by the stairwell of an ornate pre-war theatre. Whereas the audience is sunk in semidarkness, she is bathed in a rich pool of yellow light. As often in Hopper’s work, her expression suggests that her thoughts have carried her elsewhere. She is beautiful and young, with carefully curled blond hair, and there are a touching fragility and an anxiety about her which elicit both care and desire. Despite her lowly job, she is the painting’s guardian of integrity and intelligence, the Cinderella of the cinema. Hopper seems to be delivering a subtle commentary on, and indictment of, the medium itself, implying that a technological invention associated with communal excitement has paradoxically succeeded in curtailing our concern for others. The painting’s power hangs on the juxtaposition of two ideas: first, that the woman is more interesting that the film, and second, that she is being ignored because of the film. In their haste to take their seats, the members of the audience have omitted to notice that they have in their midst a heroine more sympathetic and compelling than any character Hollywood could offer up. It is left to the painter, working in a quieter, more observant idiom, to rescue what the film has encouraged its viewers not to see.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), pp. 83-84.

War, Beauty, Art, Intelligence

“"… Mani Madhava Chakyar, the overarching titan of 20th-century Koodiyattam, whose histrionic powers and focused scholarship eventually gave his art world-wide audience (and a Unesco recognition)"
- "The New Indian Express (2011)"”

Mani Madhava Chakyar (1899–1990) Indian actor

Abhinaya and Netrābhinaya

World, Art

“I had just announced for the first time publicly on a radio show in San Francisco that I had done all the Keane paintings and not my ex-husband. And this, um, Bill Flang of the San Francisco Examiner thought that Walter and I should appear in Union Square and have a paint-off to decide who had done the paintings, since I was—said that I had done them. So, he arranged it, and LIFE magazine as there and all the different newspapers and t. v. stations and they, uh—some of them in the audience played "High Noon"—[laughs] And, of course, Walter didn't show up.”

Margaret Keane (1927) American artist

Interviewed https://www.youtube.com/watch?v=oMK6aBSX2QY on The Mike Douglas Show (1972). 1972

Life, Appearance, Time, Painting

“So from there on I made all their science fiction films, and the more I did of these films the more I liked it because the studio left me alone. No one at that time was an expert at making sf films so I claimed to be one. I wasn't, of course, but the studio didn't know that so they never argued with me, no matter what I did. In most of my sf films I tried to create an atmosphere because I think if you shoot an imaginative film--a film in which you ask an audience to believe things that are bizarre--you have to make them believe it. You can't do this with the story or actors alone, you have to create a kind of atmosphere while shooting it in which the audience's credibility will be suspended to the point where they don't say to themselves: "That's impossible!"”

Jack Arnold (director)

Jack Arnold in The Horror People http://eric.b.olsen.tripod.com/arnold.html (1976)

Imagination, Thinking, Science, Time

“It is my profound wish that this entire collection shall be devoted to the advancement of fine music for the continued enjoyment of music enthusiasts throughout the United States, be they students of the arts, performing artists, or members of that vast audience of music lovers among the American public.”

Leopold Stokowski (1882–1977) British conductor

From his will, in which he provided for his conducting scores, manuscript orchestral transcriptions, and recordings to archived and accessible to the public. The Stokowski Archives are now housed in the University of Pennsylvania Library.

Art, Music, Lovers

“The briefing was over, there were lots of questions that Teller handled with aplomb, knowing far more about the subject than most in the audience. Finally there came a question that had nothing to do with whether or not his bomb was feasible. Instead, it was whether it would destroy the world by causing uncontrollable thermonuclear reactions in the earth’s atmosphere that would cause it to burn up, plus you and me and everyone else. Teller was on his game, as he always was, and replied that he had estimated this terrible possibility and we were quite safe — by about a factor of ten. Now there aren’t too many people who rest comfortably with assurances that mankind’s fate, let alone their own, is on the safe side by a factor of ten, although there are millions of smokers, including myself, drug addicts, sex addicts, who take much greater chances than that with their lives, and they know it. Except that they know it won’t happen to them, which is why many soldiers, at least as stupid as they’re brave, get Congressional Medals of Honor.”

Samuel T. Cohen (1921–2010) American physicist

F*** You! Mr. President: Confessions of the Father of the Neutron Bomb (2006)

Fate, People, Stupidity, World

“This year, ladies and gentlemen, I was cool for 2 seconds of my life. I got to fly with the Air Force Thunderbirds. (Audience hoots and hollers) You betcha! They called me up out of the blue, and they go, "Hey, we want you to fly with us." And I'm like, "You got the right number?" They said, "Yeah, Bill Engvall, comedian. You stand for what America stands for. Be an honor to have you fly with us." I'm like, (dork voice) "Be an honor to fly with 'ya." He goes, "Well, we gotta get you clearance from the Pentagon."”

Bill Engvall (1957) American comedian and actor

I go, "Well, you're screwed."
15 Degrees Off Cool (2007)
15° Off Cool (2007)

Life, Flying

“A century ago it was perfectly well known that whoever had one audience of a Master in Chancery was made to pay for three, but no man heeded the enormity until it suggested to a young lawyer that it might be well to question and examine with rigorous suspicion every part of a system in which such things were done. The day on which that gleam lighted up the clear hard mind of Jeremy Bentham is memorable in the political calendar beyond the entire administration of many statesmen.”

John Dalberg-Acton, 1st Baron Acton (1834–1902) British politician and historian

p, 125
The History of Freedom in Antiquity (1877)

Question, Light, Parting

“Dr. Ramakrishnan addressing an audience of 3,000 at the university’s Centenary Auditorium.”

Venkatraman Ramakrishnan (1952) Nobel prize winning American and British structural biologist

Appreciate science for what it is: Venkatraman Ramakrishnan

Universe

“The actors feel that the music played before the curtain rises will put the audience in the wrong mood. The playwright suggests that the (purposefully lugubrious) music be played at twice-speed. This peps it up somewhat while retaining its essentially dark and gloomy character. The actors listen carefully, and are pleased.”

Donald Barthelme (1931–1989) American writer, editor, and professor

“Opening", opening
Forty Stories (1987)

Music, Feeling, Mood, Speed

“An audience member: Question is for GG. Sir, if a woman is at your concert and chooses to leave through an exit door because she didn't realize she may be getting raped are you gonna let her leave or are you gonna rape her?”

GG Allin (1956–1993) American singer-songwriter

On The Jerry Springer Show

Question

“The scientist addresses an infinitesimal audience of fellow composers. His message is not devoid of universality but it's universality is disembodied and anonymous. While the artist's communication is linked forever with it's original form, that of the scientist is modified, amplified, fused with the ideas and results of others, and melts into the stream of knowledge and ideas which forms our culture. The scientist has in common with the artist only this: that he can find no better retreat from the world than his work and also no stronger link with his world than his work.”

Max Delbrück (1906–1981) biophysicist

Nobel Prize acceptance speech (1969) http://www.nobelprize.org/nobel_prizes/medicine/laureates/1969/delbruck-lecture.html

World, Communication, Idea, Knowledge

“You find most journalists now are on all these social networks. They’re all about creating… they want a direct relationship with their audience, in a way that politicians have been very loathe to do. They don’t want to come down to the masses. They still want to be in that fortress, in that ivory tower where they can lecture down to people. They haven’t really adapted to this two-way communication.”

Heather Brooke (1970) American journalist

Attributed, Chatham House Talk (September 28, 2011)

People, Way, Communication

“Science Digest asked me to see the movie Close Encounters of the Third Kind and write an article for them on the science it contained. I saw the picture and was appalled. I remained appalled even after a doctor’s examination had assured me that no internal organs had been shaken loose by its ridiculous soundwaves. (If you can’t be good, be loud, some say, and Close Encounters was very loud.) … Hollywood must deal with large audiences, most of whom are utterly unfamiliar with good science fiction. It has to bend to them, meet them at least half-way. Fully appreciating that, I could enjoy Planet of the Apes and Star Wars. Star Wars was entertainment for the masses and did not try to be anything more. Leave your sophistication at the door, get into the spirit, and you can have a fun ride. … Seeing a rotten picture for the special effects is like eating a tough steak for the smothered onions, or reading a bad book for the dirty parts. Optical wizardry is something a movie can do that a book can’t but it is no substitute for a story, for logic, for meaning. It is ornamentation, not substance. In fact, whenever a science fiction picture is praised overeffusively for its special effects, I know it’s a bad picture. Is that all they can find to talk about?”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

"Editorial: The Reluctant Critic", in Isaac Asimov’s Science Fiction Magazine, Vol. 2, Issue 6, (12 November 1978) https://archive.org/stream/Asimovs_v02n06_1978-11-12/ General sources

War, Books, Way, Star

“For the late twentieth-century museum director there is no more certain prospect for audience acclaim and sponsor success than those Impressionist and Post-impressionist artists who were so reviled a century earlier”

Nicholas Serota (1946) British curator

The Dimbleby Lecture 2000

Success

“Animation in itself is an art form, and that's the point I think always needs clarification. True animation exists without any background, or any color, or any sound, or anything else; it exists in your hand. And you can take it and flip it. […] What makes animation is the fact that you have a series of drawings that move. You don't even have to have a camera, you see; animation exists without it. If you want to broaden your audience, or make it more colorful or add music, then you put it under a camera one frame at a time, and then you run it at the same speed as you flip it, and then you have animation. If it depends basically upon soundtrack, or basically upon music, or color, graphic design, or anything else to sustain itself, then it is not unique to animation.”

Chuck Jones (1912–2002) American animator, cartoon artist, screenwriter, producer, and director of animated films

Joe Adamson, "Witty Birds and Well-Drawn Cats: An Interview with Chuck Jones [1971]", in Chuck Jones: conversations, ed. Chuck Jones and Maureen Furniss (Univ. Press of Mississippi, 2005), 63.

Art, Music, Color, Thinking

“Jerry Springer: Ok. But the audience is sitting out here and you're up onstage. What do you do onstage?”

GG Allin (1956–1993) American singer-songwriter

On The Jerry Springer Show

“I want to say this to the television audience. I made my mistakes, but in all of my years of public life, I have never profited, never profited from public service. I have earned every cent. And in all of my years of public life, I have never obstructed justice. And I think, too, that I can say that in my years of public life, that I welcome this kind of examination because people have got to know whether or not their President is a crook. Well, I'm not a crook.”

Richard Nixon (1913–1994) 37th President of the United States of America

I've earned everything I've got. Televised press conference with 400 Associated Press Managing Editors at Walt Disney World, Florida. (17 November 1973) Often transcribed as "I am not a crook." 'I Am Not A Crook': How A Phrase Got A Life Of Its Own http://www.npr.org/templates/story/story.php?storyId=245830047, on National Public Radio 1970s

Life, People, Justice, Thinking

““At least Bharatanatyam is now world famous, with thousands of new votaries. What about Koodiyattam?….. I have done what I can. It has not been easy. One has to sacrifice a lot to learn Koodiyattam. How many persons will be ready for it these days? Will there be an audience capable of imbibing it? ”
-Shri. Māni Mādhava Chākyār to famous Bharatanatyam dancer Rukmini Dev Arundale, while latter visitited Guru at his residence”

Mani Madhava Chakyar (1899–1990) Indian actor

Source: P.T. Narendra Menon, Kulapati of Koodiyattam, Sruti- India's premier Music and Dance magazine, August 1990 issue (71), p. 27.

World, Learning, Personality

“Watching old movies is like spending an evening with those people next door. They bore us, and we wouldn't go out of our way to see them; we drop in on them because they're so close. If it took some effort to see old movies, we might try to find out which were the good ones, and if people saw only the good ones maybe they would still respect old movies. As it is, people sit and watch movies that audiences walked out on thirty years ago. Like Lot's wife, we are tempted to take another look, attracted not by evil but by something that seems much more shameful — our own innocence.”

Pauline Kael book Kiss Kiss Bang Bang

"Movies on Television".
Kiss Kiss Bang Bang (1968)

People, Way, Effort, Evil

“The greater part of the substance of the following Essays has already been published in the form of Oral Discourses, addressed to widely different audiences, during the past three years. Upon the subject of the second Essay, I delivered six Lectures to the Working Men in 1860, and two, to the members of the Philosophical Institution of Edinburgh in 1862.”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

Advertisement to the Reader, p. 7
1860s, Evidence as to Man's Place in Nature (1863)

Men, Past, Parting

“Am I going to have to use my ‘Mother of Five Voice’ to be heard?" (to an inattentive audience while campaigning)-Quoted in the October 23, 2006 issue of Newsweek”

Nancy Pelosi (1940) American politician, first female Speaker of the House of Representatives, born 1940

Quotes

“I didnt at first because horror movies scared me too much, but I really do love the genre and its a playground where you can really be artistic and create ideas in the minds of the audience and portray the unreal. Its very cool experimentation ground for a filmmaker.”

Sam Raimi (1959) American film director, producer, writer and actor

Interview: Sam Raimi on ASH VS. EVIL DEAD, DARKMAN and THE LAST OF US https://www.comingsoon.net/horror/news/747524-interview-sam-raimi-ash-vs-evil-dead-darkman-last-us#/slide/1 (October 26, 2015)

Love, Idea

“My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.”

Saul Bass (1920–1996) American graphic designer and filmmaker

Haskins, Pamela (Autumn 1996). "Saul, Can You Make Me a Title? Interview with Saul Bass". Film Quarterly. pp. 12–13.

Way, Mood

“But this time, and particularly in front of this crowd, it felt far more urgent to point out the hypocrisy of our side. How can conservative women hope to have any credibility on the subject of sexual harassment or relations between the sexes when they excuse the behavior of President Trump? And how can we participate in any conversation about sexual ethics when the Republican president and the Republican Party backed a man (Roy Moore) credibly accused of child molestation for the United States Senate? I watched my fellow panelists’ eyes widen. And then the booing began. I’d been dreading it for days, but when it came, I almost welcomed it. There is nothing more freeing than telling the truth. And it must be done, again and again, by those of us who refuse to be absorbed into this brainless, sinister, clownish thing called Trumpism, by those of us who refuse to overlook the fools, frauds and fascists attempting to glide along in his slipstream into respectability. I spoke to a hostile audience for the sake of every person who has watched this spectacle of mendacity in disbelief and misery for the past two years. Just hearing the words you know are true can serve as ballast, steadying your mind when so much seems unreal.”

Mona Charen (1957) political writer

I'm Glad I Got Booed at CPAC (2018)

Women, Hostility, Truth, Hope

“This leads to the paradox, that because the disease is only in the poor countries, there is not much investment. For example, there is more money put into baldness drugs, than are put into malaria. Now, baldness, it is a terrible thing [audience laughter] and rich men are afflicted, so that is why that priority is set.”

Bill Gates (1955) American business magnate and philanthropist

Video may be viewed here http://www.youtube.com/watch?v=ppDWD3VwxVg. TED, February (2009)

Men, Money, Disease, Laughter

“One [film] is based on the Medea myth about a woman who kills her own child -- The Love of Ruins. It is almost a technical exercise to see if I can convince an audience or make an audience sympathetic to a woman who kills her own child.”

Peter Greenaway (1942) British film director

In an interview in Film Quarterly, Winter 1991-92
Interviews

Love, Exercises

“What goes on between an actor and the audience, at its best, is a dialogue. Sometimes you watch an actor on stage and somehow the performance isn’t getting through. The fourth wall is not only closed, it’s soundproofed. That’s because the actor isn’t connecting with the living and breathing human beings in the room with him. The audience feels the distance and they react accordingly. As an actor, you have to fire up your sensors at 100 percent all the time. You have to be in touch with all those heartbeats in the audience, connect with them. Sometimes during the Grinch performances, a child will shout out something. And I’ll turn right around, look them in the eye and respond to them.”

Stefán Karl Stefánsson (1975–2018) Icelandic actor

"Industry Insider Interview: Stefan Karl" https://valenti29.wordpress.com/2013/11/20/industry-insider-interview-stefan-karl/ (20 November 2013)

Feeling, Time

“As I was writing about Grace Marks, and about her interlude in the Asylum, I came to see her in context — the context of other people's opinions, both the popular images of madness and the scientific explanations for it available at the time. A lot of what was believed and said on the subject appears like sheer lunacy to us now. But we shouldn't be too arrogant — how many of our own theories will look silly when those who follow us have come up with something better? But whatever the scientists may come up with, writers and artists will continue to portray altered mental states, simply because few aspects of our nature fascinate people so much. The so-called mad person will always represent a possible future for every member of the audience — who knows when such a malady may strike? When "mad," at least in literature, you aren't yourself; you take on another self, a self that is either not you at all, or a truer, more elemental one than the person you're used to seeing in the mirror. You're in danger of becoming, in Shakespeare's works, a mere picture or beast, and in Susanna Moodie's words, a mere machine; or else you may become an inspired prophet, a truth-sayer, a shaman, one who oversteps the boundaries of the ordinarily visible and audible, and also, and especially, the ordinarily sayable. Portraying this process is deep power for the artist, partly because it's a little too close to the process of artistic creation itself, and partly because the prospect of losing our self and being taken over by another, unfamiliar self is one of our deepest human fears.”

Margaret Atwood (1939) Canadian writer

Ophelia Has a Lot to Answer For (1997)

People, Truth, Fear, Literature

“The responsibility of the writer as a moral agent is to try to bring the truth about matters of human significance to an audience that can do something about them.”

Noam Chomsky (1928) american linguist, philosopher and activist

Source: Quotes 1990s, 1995-1999, Powers and Prospects (1996), p. 56.

Truth

“Empathy has been in short supply in our nation recently. Our leaders are quick to congratulate us on our own feelings, slow to ask us to wonder how others feel. But maybe times are changing. Every Lee film is an exercise in empathy. He is not interested in congratulating the black people in his audience, or condemning the white ones. He puts human beings on the screen, and asks his audience to walk a little while in their shoes.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/malcolm-x-1992 of Malcolm X (18 November 1992) Reviews, Four star reviews

People, Shoe, Feeling, Exercises

“As early as the sixth century a council at Macon (585) fifty-nine bishops taking part, devoted its time to a discussion of this question, ‘Does woman possess a soul?’…… Until time of Peter the Great, women were not recognized as human beings in that great division of Christendom known as the Greek church, the census of that empire counting only males, or so many ‘souls’ -no woman named. Traces of this old belief have not been found wanting in our own country within the century. As late as the Woman’s Rights Convention in Philadelphia, 1854, an objector in the audience cried out : ‘Let women first prove they have souls; both the Church and the State deny it.”

Matilda Joslyn Gage (1826–1898) American abolitionist, writer

Source: Woman, Church and State (1893), pp. 56-57

Women, Soul, Question, Time

“It is often sadly remarked that the bad economists present their errors to the public better than the good economists present their truths. It is often complained that demagogues can be more plausible in putting forward economic nonsense from the platform than the honest men who try to show what is wrong with it. But the basic reason for this ought not to be mysterious. The reason is that the demagogues and bad economists are presenting half-truths. They are speaking only of the immediate effect of a proposed policy or its effect upon a single group. As far as they go they may often be right. In these cases the answer consists in showing that the proposed policy would also have longer and less desirable effects, or that it could benefit one group only at the expense of all other groups. The answer consists in supplementing and correcting the half-truth with the other half. But to consider all the chief effects of a proposed course on everybody often requires a long, complicated, and dull chain of reasoning. Most of the audience finds this chain of reasoning difficult to follow and soon becomes bored and inattentive. The bad economists rationalize this intellectual debility and laziness by assuring the audience that it need not even attempt to follow the reasoning or judge it on its merits because it is only “classicism” or “laissez-faire,” or “capitalist apologetics” or whatever other term of abuse may happen to strike them as effective.”

Henry Hazlitt book Economics in One Lesson

Economics in One Lesson (1946), The Lesson (ch. 1)

Men, Truth, Error

“I'm all for illegal immigration in this country except for the fact that they don't have to serve on jury duty. That's horseshit. It should be the other way around, they should serve exclusively on jury duty. Yeah, then, then, it would truly be a jury of one's own peers. [Some of the audience groans] It's not a stereotype if it's always true. Yeah, then it becomes law. That joke was called, "Latinos are criminals."”

Daniel Tosh (1975) American stand-up comedian

Happy Thoughts (2011)

Law, Way, Country

“By and large, serious fiction was the work of victims who portrayed victims for an audience of victims who, it was oddly assumed, would want to see their lives realistically portrayed.”

Gore Vidal book Lincoln

Source: 1990s, Screening History (1992), Ch. 3: Lincoln, p. 78

“How do I pick a role? Well, primarily I think I would like to be part of a film that's progressive as well as entertaining, you know? Because in India we have a huge amount of audience that is not educated, and they really look up to films… So I think it's important to do a film… that's entertaining but has a message. And after that I'd like to do films that are different for me -- if I'm doing a love story then I want to do a war film, if I'm doing a war film then I want to do a story about an un-wed mother. I think variety is the spice of life.”

Preity Zinta (1975) film actress

Famous quotes

Love, Life, War, Education

“I do believe that on a whole, women are definitely smarter than men…I also believe that dogs are smarter than women. (woman in audience says “Not buying that”) No? That one, you don’t believe it? You believe that I didn’t do a series of tests? You are right to not believe it, because I’m going to go ahead and admit that I do not believe what I just said, it was what’s described as a 'joke.'”

David Cross (1964) American comedian, writer and actor

Um, I’ll be telling a bunch of them here tonight.
It's Not Funny

Women, Men, Dogs

“Feminist emphasis on "common oppression" in the United States was less a strategy for politicization than an appropriation by conservative and liberal women of a radical political white women were able to make their interests the primary focus of feminist movement and employ a rhetoric of commonality that made their condition synonymous with "oppression." Who was there to demand a change in vocabulary? What other group of women in the United States had the same access to universities, publishing houses, mass media, money? Had middle class black women begun a movement in which they had labeled themselves "oppressed," no one would have taken them seriously. Had they established public forums and given speeches about their "oppression," they would have been criticized and attacked from all sides. This was not the case with white bourgeois feminists for they could appeal to a large audience of women, like themselves, who were eager to change their lot in life. Their isolation from women of other class and race groups provided no immediate comparative base by which to test their assumptions of common oppression.”

Bell Hooks book Feminist Theory: From Margin to Center

Source: Feminist Theory: From Margin to Center (1984), Chapter 1: Black Women: Shaping Feminist Theory, p. 6.

Life, Women, Money, Universe

“Kinetic art was created by artists who pushed the boundaries of traditional, static art forms to introduce visual experiences that would engage the audience and profoundly change the course of modern art.”

Theo Jansen (1948) artist

Theo Jansen, quoted in: " 2015 International Kinetic Art Exhibit & Symposium - Boynton Beach, FL, USA http://intlkineticartevent.org/?page_id=107," 2015

Art, Change

“I write with two things in mind. I want to be right with my fellow economists. After all, I've made my life as a professional economist, so I'm careful that my economics is as it should be. But I have long felt that there's no economic proposition that can't be stated in clear, accessible language. So I try to be right with my fellow economists, but I try to have an audience of any interested, intelligent person.”

John Kenneth Galbraith (1908–2006) American economist and diplomat

Booknotes interview (1994)

Life, Intelligence, Personality

“Welcome back! If you're wondering where our good friend -- Kevin Eubanks couldn't be here. Kevin is on tour. He's in France right now. He called me today and he's over there and he wouldn't be back until next week. So if you're wondering where Kevin Eubanks is, he's with us in spirit certainly.
Okay. Boy, this is the hard part. I want to thank you, the audience. You folks have been just incredibly loyal. (emotionally) This is tricky. (laughs) We wouldn't be on the air without you people. Secondly, this has been the greatest 22 years of my life. (applause)
I am the luckiest guy in the world. I got to meet presidents, astronauts, movie stars, it's just been incredible. I got to work with lighting people who made me look better than I really am. I got to work with audio people who made me sound better than I really do. (voice breaking) And I got to work with producers! And writers! (choked pause) And just all kinds of talented people who make me look a lot smarter than I really am.
I'll tell you something. First year of this show, I lost my mom. Second year, I lost my dad. Then my brother died. And after that, I was pretty much out of family. And the folks here became my family. Consequently, when they went through rough times, I tried to be there for them. The last time we left the show, you might remember we had the 64 children that were born among all our staffers that married. That was a great moment.
And when people say to me, hey why don't you go to ABC? Why don't you go to FOX? Why don't you go…? I didn't know anybody over there. These are the only people I have ever known. I'm also proud to say this is a a union show. And I have never worked (applause) -- I have never worked with a more professional group of people in my life. They get paid good money and they do a good job.
And when the guys and women on this show would show me the new car they bought or the house up the street here in Burbank that one of the guys got, I felt I played a bigger role in their success as they played in mine. That was just a great feeling.
And I'm really excited for Jimmy Fallon. You know, it's fun to kind of be the old guy and sit back here and see where the next generation takes this great institution, and it really is. It's been a great institution for 60 years. I am so glad I got to be a part of it, but it really is time to go, hand it off to the next guy; it really is.
And in closing, I want to quote Johnny Carson, who was the greatest guy to ever do this job. And he said, I bid you all a heartfelt good night. Now that I brought the room down, hey, Garth, have you got anything to liven this party up? Give it a shot! Garth Brooks!”

Jay Leno (1950) American comedian, actor, writer, producer, voice actor and television host

Farewell speech, February 6, 2014
The Tonight Show

Life, Women, Money, Children

“One of the most difficult aspects of being an actor is trying to find the right work. Work that speaks to an audience, that you enjoy doing and that is reflective of your artistic sensibility. To be a contemporary movie actor, you have to kill people - that's basically it. If you don't cock'n'load'n'fire a Smith&Wesson at some point in your film career, you're not going to have a film career. There just aren't enough movies that I like to keep me working in movies all the time. Well, let me rephrase that: there aren't enough available parts.”

Ethan Hawke (1970) American actor and writer

The Guardian http://www.guardian.co.uk/stage/2009/may/16/ethan-hawke-cherry-orchard-old-vic-mendes (2009-05-16) 2005&ndash;2009

People, Time, Parting

“I was being chased by a giant crab. [Audience laughs] That's not funny.”

Dane Cook (1972) American actor and comedian

Harmful If Swallowed (2003)

“It always seems to someone outside the business that it is very difficult to write for a comedy show because it must be done quickly. Actually, it is much easier to write this humor than to do a joke or a show from scratch, because the audience knows the plot. Just mention what is going on and then deliver the punch line.”

Robert Orben (1928) American magician and writer

Lauren Keeport (February 3, 1998) "Scandal feeds maelstrom of Clinton jokes - 'Monicagate' a windfall for TV wits", The Washington Times, p. A2.

Business

“Never treat your audience as customers, always as partners.”

Jimmy Stewart (1908–1997) American film and stage actor

As quoted in The Ultimate Writer's Guide to Hollywood (2004) by Skip Press, p. 199

“A good talker, even more than a good orator, implies a good audience. Modern society is too vast and too restless to give a conversationalist a fair chance.”

Leslie Stephen (1832–1904) British author, literary critic, and first editor of the Dictionary of National Biography

Samuel Johnson (1878), repr. In John Morley (ed.) English Men of Letters (New York: Harper, 1894) vol. 6, p. 60

Chance

“The audience, as ground, shapes and controls the work of art.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 48

Art

Quotes about audience page 7

Quotes about audience
page 7