Quotes about audience
page 5

“If Coca-Cola accidentally created 100 million cans of faulty Coke, you know for sure the entire 100 million cans would be dropped in the Atlantic or Pacific Ocean, without a second thought and irrespective of what that did to the year's profits. What do we do with a crappy movie? We double its advertising budget and hope for a big opening weekend. What have we done for the audience as they walk out of the cinema? We've alienated them. We've sold audiences a piece of junk; we just took twelve dollars away from a couple and we think we've done ourselves no long-term damage.”

David Puttnam (1941) British film producer

GQ magazine, April 1987

Hope, Thinking

“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”

Helen Hayes (1900–1993) actress

Source: On Reflection (1968), Ch. 4

Star, Housing

“It seems to me that dominant cinema seems to require an empathy or a sympathy between the film and the audience which is basically to do with the manipulation of the emotions and it seems to me again -- and this is a very subjective position -- that most cinema seems to trivialise the emotions, sentimentalising or romanticising them.”

Peter Greenaway (1942) British film director

From an interview in Art and Design, no. 49
Interviews

“One of my biggest heroes in music has been David Bowie. He's said, `I'm going to be a painter now, or I'm going to do some films,' and his audience is very forgiving, because they understand him as an artist. Whether you agree or like the result, you respect that he's expressing his artistic feelings.”

Maynard James Keenan (1964) musician

The Record staff (March 22, 2000) "Music News & Notes", The Record, p. Y4.

Music, Feeling, Forgiveness, Understanding

“We are getting carried away by the on-the-move musicians. Most of the Carnatic concerts abroad are being organised by NRIs. The defining moment is when an artist is invited to a foreign land and applauded by the foreign nationals. They should forge artistic alliances and find new audiences by introducing people of other nationalities to our arts.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Source: Chitra Swaminathan "He defines ‘style’ as tradition".

People, Art

“I certainly know that [A] comedian can only last till he either takes himself serious or his audience takes him serious and I don't want either of those to happen to me til I am dead”

Will Rogers (1879–1935) American humorist and entertainer

if then
Daily Telegram #1538, The First Good News of the 1928 Campaign! Mr. Rogers Says He Will Not Run For Anything (28 June 1931) <ref name=telegram3>
Daily telegrams

Dead

“I don't think I need to tell you that there are jobs that Americans will not do. I don't think I have to tell you that there are. … [audience response] Now, my friends, I'll offer anybody here fifty dollars an hour if you'll go pick lettuce in Yuma this season and pick for the whole season. [audience response] So, OK, sign up! Ok, when you sign up, you sign up, and you'll be there for the whole season, the whole season, OK, not just one day. Because you can't do it, my friend.”

John McCain (1936–2018) politician from the United States

Declaring at an AFL-CIO convention in April 2006 that no Americans would be willing to do agricultural work for as little as $50/hour http://www.msnbc.msn.com/id/12155322/. <br class="br">2000s, 2006

Thinking, Season

“Go tell Mankind, that there are Devils and Witches; and that tho those night-birds least appear where the Day-light of the Gospel comes, yet New-Engl. has had Exemples of their Existence and Operation; and that no only the Wigwams of Indians, where the pagan Powaws often raise their masters, in the shapes of Bears and Snakes and Fires, but the House of Christians, where our God has had his constant Worship, have undergone the Annoyance of Evil spirits. Go tell the world, What Prays can do beyond all Devils and Witches, and What it is that these Monsters love to do; and through the Demons in the Audience of several standers-by threatned much disgrace to thy Author, if he let thee come abroad, yet venture That, and in this way seek a just Revenge on Them for the Disturbance they have given to such as have called on the Name of God.”

Cotton Mather (1663–1728) American religious minister and scientific writer

Memorable providence, relating to witchcraft's and possessions. (1689) http://law2.umkc.edu/faculty/projects/ftrials/salem/ASA_MATH.HTM

Love, God, World, Way

“I love Slim-Jims so much, I once called their hotline. I swear to God. I told them, "I got your next billion-dollar idea." And the lady on the other end goes, "Oh, do tell." I said, "Alright. Men love beer and Slim-Jims. So, what you need to do, is drill a hole in the middle of that Slim-Jim… so we can suck beer through it and take a bite of Slim Jim! [Audience cheers] Yeah. GENIUS!… She hung up on me.”

Bill Engvall (1957) American comedian and actor

15° Off Cool (2007)

Love, Men, God, Idea

“In the winter of 1841 Schelling gave his famous series of lectures at the University of Berlin before a distinguished audience including Kierkegaard, Burckhardt, Engels, Bakunin. Schelling set out to overthrow Hegel, whose vast rationalist system including the identification of abstract truth with reality and the bringing of all history into an “absolute whole,” held immense and dominant popularity in the Europe of the middle of the nineteenth century. – 1844 Kierkegaard published Philosophical Fragments, and two years later he wrote the declaration of independence for existentialism, Concluding Unscientific Postscript to Philosophical Fragments. Also in 1844 there appeared the second edition of Schopenhauer’s The world as will and idea,.. central emphasis “will” along with “idea” -- two related works by Marx 1844-45 – “attacked abstract truth’ as “ideology” “using Hegel as his whipping boy” “men and groups bring truth into being” “money economy turns people into things””

Rollo May (1909–1994) US psychiatrist

Source: The Discovery of Being (1983), p. 54

Men, Money, People, Truth

“The original story that I sold [Morgan Creek] (and that I shot) ended with Kinderman blowing away Patient X. There was no exorcism. But it was a Mexican stand-off between me and the studio. I was entitled to one preview, then they could go and do what they wanted with the picture. They gave me a preview but it was the lowest end preview audience I have ever seen in my life. They dragged in zombies from Haiti to watch this film. It was unbelievable. But I decided, better I should do it than anyone else. I foolishly thought: I can do a good exorcism, I’ll turn this pig’s ear into a silk purse. So I did it”

William Peter Blatty book The Exorcist

The Exorcist: Out of the Shadows (Omnibus Press, 1999)

Life

“"Whaa, I'm Brad Pitt. I'll crush you." [audience laughs] "With my hand!"”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

The Late Late Show with Craig Ferguson (2005–2014)

“The vast majority of the members of all religions, I believe and would argue, don't want to kill anybody. They want to love and care for their families, find decent work that sustains life and comfort, live in peace and get along with their neighbors. It is a deviant streak in some humans, I suspect, that drives them toward self-righteous violence, and uses religion as a convenient alibi… I am trying as hard as I can to imagine the audience for this movie. Every time I make any progress, it scares me.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/september-dawn-2007 of September Dawn (24 August 2007) <br class="br">Reviews, Zero star reviews

Love, Life, Family, Peace

“(After Houston asks the audience in Central Park to sing along to a new, un-aired song) And the poor gays with the signs are like "We don't know that song yet…. it's not even (on the radio)…go Diva…. I mean, we don't know that song. I would like to…I don't…??"”

Kathy Griffin (1960) American actress and comedian

Balls of Steel (2009)

Singing

“You don't psych yourself up for these things, you do them… I'm acting for the audience, not for myself, and I do it as directly as I can.”

James Cagney (1899–1986) American actor and dancer

Cagney by Cagney, his autobiography (1976)

“To misperceive the DPRK as a communist state – either of the Stalinist or indigenized kind – is therefore to misunderstand and miscalculate its behavior. I often encounter resistance to this point when lecturing to American audiences. Conservatives do not want communism let off the hook for creating this state, and liberals do not want Washington let off the hook for bullying it. Politically correct college students object to the attribution of racism to non-whites.”

Brian Reynolds Myers (1963) American professor of international studies

2010s, North Korea's State Loyalty Advantage (December 2011)

Behavior, Communication

“With all that’s been written about Temple of the Dog recently, it’s reminded me of the original meanings of those songs. Say Hello 2 Heaven, for example, was one of the songs I wrote directly for Andy Wood and the amount of times someone has requested I play that song for someone else who’s died have been numerous. That’s great that it’s become this anthem that makes somebody feel some comfort when they’ve lost someone, but recently I’ve become a little more possessive of the idea that this song was actually written for a specific guy and I haven’t forgotten that person. So I’ve been reminding myself and those in the audience where that song came from.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Chris Cornell Interview: ‘There’s always been a desire in me to keep the attention of a room full of people with just one stupid guitar and nothing else’, The Independent, 20 May 2016 http://www.independent.co.uk/arts-entertainment/music/features/chris-cornell-interview-there-s-always-been-a-desire-in-me-to-keep-the-attention-of-a-room-full-of-a7039831.html, <br class="br">Temple of the Dog Era

Dogs, Guy, Feeling, Idea

“The most important thing was the notion of information presentation and the notion of the integration of the audience into the information. One sees oneself exiting form the elevator. If one stands there for 8 seconds, one sees oneself entering the gallery from the elevator again. Now at the same time one is apt to be seeing oneself standing there watching Wipe Cycle. You can watch yourself live watching yourself 8 seconds ago, watching yourself 16 seconds ago, eventually feeling free enough to interact with this matrix realizing one's own potential as an actor.”

Ira Schneider (1939) American artist

Ira Schneider (1969), , Arts Magazine, Vol. 44, p. 21; As cited in: David Antin. Radical Coherency: Selected Essays on Art and Literature, 1966 to 2005. 2012, p. 81-82: On the Wipe Cycle

Feeling, Time

“I just heard what was said, it isn't strictly accurate by any means, I'm a man who's just been lucky on having wonderful partners, Schoedsack alot more than I did on Grass and Chang, and right down the line I've only had John Ford as a partner, Thomas is a great friend on technicolor, and for cinerama, Fred Waller invented it, Thomas picked up the ball and ran with it, and there's a young man in this audience, Bob Bendick, that most of you have never heard, that did far more of the production then I did. I want to thank all the great partners I've had in my life, thank you. I just want to add I'm still John Ford's partner.”

Merian C. Cooper (1893–1973) American aviator, actor, director and producer

Speech after receiving an Honorary Academy Award at the 25th Academy Awards (March 19, 1953)

Life, Grass, Change

“Yesterday, I was sitting on a beanbag chair naked, eating Cheetos and… [audience cheers], I was flippin' through the television and I saw Robert Tilton. He's a televangelist from Dallas, and uh, he was staring at me. And he said this. He said, "Are you lonely?" [shrugs] Yeah. "Have you spent half your life in bars, pursuing sins of the flesh?" [Takes a sip of his drink]This guy's good! "Are you sitting in a beanbag chair, naked, eating Cheetos?" [shocked look] YES, SIR! "Do you feel the urge to get up and send me a thousand dollars?" Close! I thought he was talking about me there for a second! Apparently, I'm ain't the only cat on the block that digs Cheetos.”

Ron White (1956) American comedian

They Call Me Tater Salad

Life, Guy, Feeling, Cats

“Knowing that his audiences are capable of forming bad impressions of him, the individual may come to feel ashamed of a well-intentioned honest act merely because the context of its performance provides false impressions that are bad. Feeling this unwarranted shame, he may feel that his feelings can be seen; feeling that he is thus seen, he may feel that his appearance confirms these false conclusions concerning him. He may then add to the precariousness of his position by engaging in just those defensive maneuvers that he would employ were he really guilty. In this way it is possible for all of us to become fleetingly for ourselves the worst person we can imagine that others might imagine us to be.”

Erving Goffman book The Presentation of Self in Everyday Life

Source: 1950s-1960s, The Presentation of Self in Everyday Life, 1959, p. 236

Way, Feeling, Imagination, Appearance

“That the sweetly intoxicating three-four rhythm which took hold of hand & foot, necessarily eclipsed great & serious music & made the audience unfit for any intellectual effort goes without saying.”

Eduard Hanslick (1825–1904) austrian musician and musicologist

Quoted by Long Beach Opera Co. http://www.longbeachopera.org/index.php4?id=200403

Music, Effort

“Hitchens: I've got another question for you, which is this: How many religions in the world do you believe to be false?
Craig: I don't know how many religions in the world there are, so I can’t answer.
Hitchens: Well, could you name... fair enough. I'll see if I can't narrow that down. That was a clumsily asked question, I admit. Do you regard any of the world's religions to be false?
Craig: Excuse me?
Hitchens: Do you regard any of the world's religions to be false preaching?
Craig: Yes, I think—yes, certainly.
Hitchens: Would you name one, then?
Craig: Islam.
Hitchens: That's quite a lot.
Craig: Pardon me?
Hitchens: That's quite a lot.
Craig: Yes.
Hitchens: Do you, therefore—do you think it's moral to preach false religion?
Craig: No.
Hitchens: So religion is responsible for quite a lot of wickedness in the world right there?
Craig: Certainly.
Hitchens: Right.
Craig: I'd be happy to concede (laughs) that. I would agree with that.
Hitchens: So if I was a baby being born in Saudi Arabia today, would you rather it was me or a Wahhabi Muslim?
Craig: Would I be—you rather be what?
Hitchens: Would you rather it was me—it was an atheist baby or a Wahhabi baby?
(Audience and Dr. Craig laugh):
Craig: I-I don't have any preference as to whether you would be... (laughing)
Hitchens: You don’t? As bad as that, O. K. Are there any—I'm sorry. I've only got a few seconds. It's a serious question. I shouldn't squander it. Are there any Christian denominations you regard as false?
Craig: Certainly.
Hitchens: Could I know what they are?
Craig: Well, I am not a Calvinist, for example. I think that certain tenets of Reformed Theology are incorrect. I would be more in the Wesleyan Camp myself. But these are differences among brethren. These are not differences on which we need to put one another in some sort of a cage. So within the Christian camp, there's a large diversity of perspectives. I'm sure there are views that I hold that are probably false, but I'm trying my best to get my theology straight, trying to do the best job. But I think all of us would recognize that none of us agree on every point of Christian doctrine, on every dot and tittle.”

William Lane Craig (1949) American Christian apologist and evangelist

Craig vs Christopher Hitchens debate, Biola University, La Mirada, California, 4th April 2009 http://www.reasonablefaith.org/does-god-exist-craig-vs-hitchens-apr-2009#section_6

World, Religion, Question, Thinking

“Well, you know when you're the opening act for large groups? Sometimes you feel like a rectal thermometer, you're going out there taking the temperature of the audience.”

Tom Waits (1949) American singer-songwriter and actor

Interview on "Late Show" (2002).

Feeling

“Donald Conroy is the only person I have ever known whose self-esteem was absolutely unassailable. There was not one thing about himself that my father did not like, nor was there one thing about himself that he would change. He simply adored the man he was and walked with perfect confidence through every encounter in his life. Dad wished everyone could be just like him. His stubbornness was an art form. The Great Santini did what he did, when he wanted to do it, and woe to the man who got in his way. Once I introduced my father before he gave a speech to an Atlanta audience. I said at the end of the introduction, "My father decided to go into the Marine Corps on the day he discovered his IQ was the temperature of this room."”

Pat Conroy (1945–2016) American novelist

My father rose to the podium, stared down at the audience, and said without skipping a beat, "My God, it's hot in here! It must be at least 180 degrees".
Eulogy for a Fighter Pilot (1998)

Life, God, Art, Way

“She shows herself to the audience like the Host to the congregation.”

Kenneth Tynan (1927–1980) English theatre critic and writer

"Marlene Dietrich," p. 217
Profiles (1990)

“[On Las Vegas audiences] Those audiences are wonderful. Talk about the most bitter group of people on the planet Earth! For one brief shining moment, I am Mr. Happy!”

Lewis Black (1948) American stand-up comedian, author, playwright, social critic and actor

Anticipation (2008)

People, Happiness

“Too many Japanese believe that they can say whatever they like in Japanese ('that statement was for a domestic audience' is very often an excuse for gaffes), as though Japanese is some secret code.”

Debito Arudou (1965) Author/activist with Japanese citizenship born in the USA

Debito Arudou on defending the Japanese weeklies, as well as Ryann Connell and his collaborators, by suggesting that the Mainichi Shimbuns now defunct WaiWai column was "an essential guide to Japanese attitudes and editorial directives." Justin Norrie, "Japan rails at Australian's tabloid trash" http://www.brisbanetimes.com.au/news/world/japan-rails-at-australians-tabloid-trash/2008/07/04/1214951041660.html?page=2, Brisbane Times (2008-07-05)

Secret

“Every time I perform, I work really hard to give part of myself to the audience. Then I do an interview and I read some story that just isn't true, or someone draws a crazy conclusion about my life, and it's such a betrayal. It hasn't happened here, but in Croatia, I've had to stop reading about myself. I don't think actors mean to be secretive - they just don't want strangers looking through their kitchen window.”

Goran Višnjić (1972) Croatian actor

Goran Visnjic on why he doesn't give many interviews.

Life, Secret, Thinking, Betrayal

“I certainly wouldn't compare the rewards of watching one's children grow and mature with that of money piling up at the box office. Both are pleasant, but to varying degrees. As the old saying goes, you can't take an audience home with you. You can't depend on the loyalty of fans, who, after all is said and done, are just faceless people one seldom sees. And few stars have their fans forever. But a child is forever. That bond and relationship is timeless and doesn't depend on your looks, age or popularity at the moment.”

Julie Andrews (1935) British actress, singer, author, theatre director, and dancer

Saturday Evening Post (February 1980)

Money, Children, People, Age

“.. for most painters nowadays [1954] examination is self-examination – this is all that we are accustomed to – while the relation to the audience is a social matter. And it is our pictures, not ourselves, that live the social life and meet the public.”

Robert Motherwell (1915–1991) American artist

Source: 1950s, The painter and the audience' (1954), p. 106

Life

“Early on, presenter Mark Evans observes that a snake is essentially just "one massive tube with a head at the end", which, coincidentally, is also how he might describe his genitals to an audience of blind women in a hypothetical situation I've just invented in which hen nights for the visually impaired are held in special strip clubs where naked men describe their bodies in time to disco music. For what it's worth, I don't know what I'm going on about, either”

Charlie Brooker (1971) journalist, broadcaster and writer from England

Discussing Inside Nature's Giants 12 jUNE 2010 http://www.guardian.co.uk/tv-and-radio/2010/jun/12/charlie-brooker-screen-burn <br class="br">Guardian columns, Screen Burn

Women, Men, Music, Time

“If you want to make an audience laugh, you dress a man up like an old lady and push her down the stairs. If you want to make comedy writers laugh, you push an actual old lady down the stairs.”

Tina Fey (1970) American comedian, writer, producer and actress

On Comedy
Source: https://www.newyorker.com/magazine/2003/11/03/anchor-woman

Funny

“An audience is just a mirror of what's happening on stage, and if what's happening on stage has love in it—real feeling and conviction and strength and purity—then we are truly reflecting them, because it is their own nature that is coming back. Everything is. The music is. For me, the only barriers in music are the barriers in the musician and in the equipment he has to use. If a musician has no barriers within himself, then there are no barriers within his music. His only battle is with the problems of expressing his true nature against the difficulties of the real world—the limits of his amplifiers and his guitar or his piano or whatever, the limits the outer world places upon the natural perfection of the spirit.”

John McLaughlin (1942) guitarist, founder of the Mahavishnu Orchestra

When describing the sources of his music
New York Times interview (1972)

Love, World, Music, Feeling

“[Professionals] define the problems of their art similarly and agree on criteria for an acceptable solution. They know the history of previous attempts to solve those problems, or some of it, and the new problems those attempts generated. They know the history of work like theirs, so that they, their support personnel, and their audiences can understand what they have attempted and how and to what degree it works.”

Howard S. Becker (1928) American sociologist

Source: Art Worlds (1982), p. 230.

Art, History, Understanding, Support

“We have found that our great philosophers and our great men of action are optimists. So, too, our most potent men of letters have been optimists in their books and in their lives. No pessimist ever won an audience commensurately wide with his genius, and many optimistic writers have been read and admired out of all measure to their talents, simply because they wrote of the sunlit side of life.”

Helen Keller book Optimism

Optimism (1903)

Life, Men, Books, Reading

“The ultimate high for me is being onstage in front of an audience. Nothing else can compare.”

Sarah Chang (1980) violinist

NEWSWEEK 1999 http://www.jeremycaplan.com/SarahChangInterview.htm

“It’s very uncomfortable to hear them used when I don’t agree with what’s being said. But I recognize that those songs have entered into a bigger life, a life all their own. They belong to the audience. How they’re used isn’t always something I can control.”

Tom Petty (1950–2017) American musician

Commenting on his music being used in political campaigns
Interview with Warren Zanes (2008)

Life

“Don't you love it when people in school are like, "I'm a bad test taker?" You mean, you're stupid. Oh, you struggle with that part where we find out what you know? Oh. No, no, I can totally relate. See, because I'm a brilliant painter, minus my God-awful brushstrokes. Oh, how the masterpiece is crystal up here[points to head], but once paint hits canvas, I develop Parkinson's. I apologize if there's a Parkinson's painter in the audience. I assume your best work is in the A. M. Probably gets a bit abstract by noon.”

Daniel Tosh (1975) American stand-up comedian

Happy Thoughts (2011)

Love, God, People, Stupidity

“to a young woman suing a former friend for a broken toilet: The toilet broke while she was using it - that doesn't mean that she broke it, and it doesn't mean that she's responsible for it! Toilets break - I had one just break in my apartment last week! Cost me $650 to put in a new toilet! You think I went around to try to find the last person who sat on it? [audience breaks into laughter] Don't be STUPID! GROW UP! That's all.”

Judith Sheindlin (1942) American lawyer, judge, television personality, and author

http://www.youtube.com/watch?v=STuOR7RE5Oo
Quotes from Judge Judy cases, Dismissing a statement or case

Stupidity, Thinking, Laughter, Personality

“The best thing about writing fiction is that moment where the story catches fire and comes to life on the page, and suddenly it all makes sense and you know what it's about and why you're doing it and what these people are saying and doing, and you get to feel like both the creator and the audience. Everything is suddenly both obvious and surprising ("but of course that's why he was doing that, and that means that…") and it's magic and wonderful and strange.”

Neil Gaiman (1960) English fantasy writer

Neil Gaiman's Journal (15 October 2007)

Life, People, Feeling, Sense

“I like Halloween, you people like Halloween? [Audience cheers] I love it, too. My brother got in trouble last Halloween for toilet-papering people's houses. He said, "Dude, I didn't know that was illegal!" I said, "It ain't, but you are supposed to use fresh toilet paper. Pull your pants up and stop pooping in those pumpkins, too! For God's sake, you're the sheriff!"”

Larry the Cable Guy (1963) American stand-up comedian, actor, country music artist, voice artist

Tailgate Party (2009)

Love, God, People, Housing

“I've learned things about myself through singing. I used to have a certain dislike of the audience, not as individual people, but as a giant body who was judging me. Of course, it wasn't really them judging me. It was me judging me. Once I got past that fear, it freed me up, not just when I was performing but in other parts of my life.”

Julie Andrews (1935) British actress, singer, author, theatre director, and dancer

Milwaukee Journal Sentinel {February 2000)

Life, People, Fear, Learning

“The only difference [between promoting a book and a CD] is when I do the readings. My fans are out there in full force, but it's nice to have all the kids there as well. I really love this evolution of writing. Writing is my core, and writing the book was like writing a really long love song. I have 31 pages to elaborate instead of three minutes. And my target audience, although it is children, I don't talk down to them. I want the parents to find it interesting. [Children] sit in my lap. I love it. I've always tried to turn an arena into an intimate setting. So, if I'm already in an intimate setting... You get to talk to a few hundred people, and you get to really bring them in, to have an exchange with them that often doesn't occur on the stage.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Reuters (November 17, 2006)
2007, 2008

Love, Children, People, Books

“You can be the most artistically perfect performer in the world, but an audience is like a broad — if you're indifferent, Endsville.”

Frank Sinatra (1915–1998) American singer and film actor

As quoted in Moment of Grace: The American City in the 1950s (2002) by Michael Johns.

World, Perfection, Indifference

“An award means a lot to me. It brings happiness along with a kind of fear. It brings fear because the award is the responsibility which audiences have put on us. So a singer winning an award should always try to give best of him to the audiences.”

Shreya Ghoshal (1984) Indian playback singer

Ghoshal's thoughts about winning awards http://www.timesofindia.com/entertainment/hindi/music/news/I-am-not-a-competitive-person-Shreya-Ghoshal/articleshow/18400625.cms

Fear, Happiness

“Musical theater had become very predictable. I think Andrew felt that Bollywood musicals could be a new treat for the Western audience.”

A. R. Rahman (1966) Indian singer and composer

Original Score

Music, Thinking

“I remember that on one occasion Mossadegh swooned in the midst of a speech to our Parliament. When a hastily summoned doctor started to loosen his clothes, Mossadegh instantly revived enough to clap his hand over his wallet. The old hypocrite had not been unconscious at all; he was merely pretending in the hope of impressing his audience. I think this incident, observed by many, illustrates one of Mossadegh's cardinal characteristics- namely, his insincerity.”

Mohammad Reza Pahlavi (1919–1980) Shah of Iran

Page 109
Publications, Mission for my Country (1961)

Hope, Thinking, Clothes

“The actual poetry of this engineering triumph was first brought stunningly upon me in 1915 when I sat in an audience in San Francisco and heard the breaking of the surf upon the far Atlantic shore.”

Lee De Forest (1873–1961) American inventor

"Dawn of the Electronic Age" http://blog.modernmechanix.com/2006/03/20/dawn-of-the-electronic-age/, Popular Mechanics, January 1952

“I will be even briefer than Fabian, I thought I would creep in the back and I don’t have to say anything but what I would like to say and I came in when Eddy was 10 speaking and that was because we had a very constructive meeting with the High Commissioner yesterday and we made some decisions which is always good. Where I disagree sometimes with the Greek Cypriots is that I wanted to vote for Turkey never to be in the European Union! I have no interest in Turkey being in the EU until all, a whole host of problems are resolved and it is of course the Cyprus problem for me first on the agenda, but it is the Kurdish problem, its the military backing barracks, and all the rest of that, you know there are no human rights and many human rights violations in Turkey. So whether it takes 20 years or longer that makes me think that Turkey is using Cyprus as a lever to get as much out of it as is possible and of course the longer it takes for them not to be a member the longer that lever takes and the longer we will have 200,000 or 300,000 Turks settled in Cyprus and that becomes a very much bigger problem than it is now already and I think that I have said that at three or four meetings before rather than us talking about the problem of Cyprus which makes that it becomes a problem for the Republic as it is worldwide known we ought to talk about the problem of Turkey, it is really a 100% Turkish problem that they're not acting in the way in which they should be acting and if that’s the case well shove it to them! And I saw about 50 Turkish … [(A Turkish Cypriot member of the audience accused him saying "You are racist!" and returns his comments…. Many interruptions and heckling from the audience, some Greek Cypriots shouted for the Turkish Cypriot to get out if he didn’t like what he was hearing and three or four police officers arrived in the room.)] Well, it has certainly allocated my speech time and I would only say to the gentleman that we have nothing against honest straightforward Turkish Cypriots but Turkey is using the occupied territory to settle Turkish people they don’t necessarily want in Turkey, many are unemployed, that is not racism, that is a set of true facts and I don’t know whether you are a Turkish Cypriot or a Turkish person I have no disrespect for anybody in the world, but I have deep disrespect for the Turkish Government and the Turkish military and that is my last word on that!”

Rudi Vis (1941–2010) British politician

[At the Friends of Cyprus meeting in the Jubilee Room at the House of Commons, 3rd July 2007] (see External links for transcript)

People, World, Way, Problem

“You gotta make your own fun (Audience member cheers). That's right, listen to that mother of two, she knows what I'm talking about.”

Dave Attell (1965) comedian

Comedy Central Presents: Dave Attell

“Those audiences are my critics. They tell me right away! I learnt very early on how far I can go, what I can and can’t say on stage. They inspire the stories that I tell, and how I tell them. It has to be something that the core can relate to. And what I’m finding is that if you serve the core, it grows, and you find a whole new audience.”

Tyler Perry (1966) American actor, director, screenwriter, playwright, producer, author, and songwriter

Interview: Tyler Perry, movie mogul, 21 August 2010

“The Administration says then, there are no downsides or upsides to treating terrorists like civilian criminal defendants.But a lot of us would beg to differ. For example, there are questions we would've liked this foreign terrorist to answer before he lawyered up and invoked our US constitutional right to remain silence. Our US constitutional rights. Our rights that you, sir [addressing veteran in audience], fought and were willing to die for to protect in our Constitution. The rights that my son, as an infantryman in the United States Army, is willing to die for. The protections provided — thanks to you, sir! — we're gonna bestow them on a terrorist who hates our Constitution?! And tries to destroy our Constitution and our country. This makes no sense because we have a choice in how we're going to deal with a terrorist — we don't have to go down that road.There are questions that we would have liked answered before he lawyered up, like, "Where exactly were you trained and by whom? You—you're braggin' about all these other terrorists just like you — uh, who are they? When and where will they try to strike next?" The events surrounding the Christmas Day plot reflect the kind of thinking that led to September 11th. That threat — the threat, then, as the U. S. S. Cole was attacked, our embassies were attacked, it was treated like an international crime spree, not like an act of war. We're seeing that mindset again settle into Washington. That scares me, for my children and for your children. Treating this like a mere law enforcement matter places our country at grave risk. Because that's not how radical Islamic extremists are looking at this. They know we're at war. And to win that war, we need a commander-in-chief, not a perfesser of law standing at the lectern!”

Sarah Palin (1964) American politician

National Tea Party Convention keynote speech, Nashville, Tennessee, , quoted in
regarding President Obama
2014

Hate, War, Children, Law

“A fundamental problem in such studies stems from the long tradition that has regarded artistic productions as social facts. By regarding such productions as social facts the analyst is relieved of the burden of demonstrating what meanings these productions have for the artist and his audience. It is too frequently assumed that such meanings can be identified by a capable analyst, independent of the interpretations brought to such works by the artist or his audiences. In my judgement artist productions must be seen as interactional creations; the meanings of which arise out of the interactions directed to them by the artist and his audience.”

Norman K. Denzin (1941) American sociologist

Problem, Study

“They wanted to know how I succeeded in getting so much publicity, I said by having a small audience, I said if you have a big audience you have no publicity, this did seem to worry them and naturally it would worry them they wanted the publicity and the big audience, and really to have the biggest publicity you have to have a small one, yes all right the biggest publicity comes from the realest poetry and the realest poetry has a small audience not a big one, but it is really exciting and therefore it has the biggest publicity, all right that is it.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

Source: Everybody’s Autobiography (1937), Ch. 4

Nature

“GG Allin: How many Christians are in this audience? How many of you go to church on sunday? You're the biggest hypocrites that I've ever seen, because you'll kneel at an alter and you worship a false god, the real god is up here $#%@^&*. When they come to my shows, you eat the body of Christ, They're gonna' eat the body of GG Allin!”

GG Allin (1956–1993) American singer-songwriter

GG Allin on The Jerry Springer Show, May 5. 1993.
On The Jerry Springer Show

God, Christ, Falseness

“You can see that there were no strong characters surrounding Hitler. There were only weaklings like Ribbentrop, Funk, and so forth. Hitler wanted a silent audience. Even Goering, who superficially gives the appearance of a strong man, was in reality a childlike, weak character who was known as a dope addict in the inner circles.”

Paul Schmidt (1899–1970) German translator, Nazi

To Leon Goldensohn (13 March 1946). Quoted in "The Nuremberg Interviews" - by Leon Goldensohn, Robert Gellately - History - 2004

Reality, Strong, Appearance

“If speaking to nonscientific audiences is something that interests you or will likely be asked of you, keep in mind three overriding requirements: first, you must be a human being, an interesting one if at all possible; second, you must be accurate in what you say, that is, tell the truth (about what is known and what isn't; about issues, debates, controversies); and third, if your subject is scientific knowledge, you must remain a scientist and not slip into the role of advocate or activist.”

Scott L. Montgomery (1951) American geologist and writer

The Chicago Guide to Communicating Science, second edition, University of Chicago press, 2017, page 302 ISBN 978-0-226-14450-4.

Truth, Knowledge

“After acting for so many years, do you know who you are anymore? Because actors are liars basically, you lie about who you are to an audience.”

Stephen Colbert (1964) American political satirist, writer, comedian, television host, and actor

Stephen Colbert to Viggo Mortensen, The colbert Report September 18, 2014

Lie

“I got my wife breast implants for her birthday. I've never been a big fan of plastic surgery, but I gotta admit, I've had a lot of fun playing with these things. I haven't given them to her yet…[Audience cheers] I just keep 'em on my tour bus and just rub 'em in my face…I'm glad they clean up easy. [Audience groans] WHAT?! I'm just glad they are not made out of corduroy, that's all I'm saying! I'd have to have 'em Scotchgarded. [imitates spraying Scotchgard on implants] I find it a little ironic that the product that I use to keep from ruining my sofa should spill my drink on it is actually called…Scotch-guard. [Audience cheers] Sometimes, things just work out perfect, don't they? "Yeah, I'm looking for a product that'll protect my sofa should I spill my Scotch on it. What'd ya have?" [imitates clerk turning to look at stock] "We've got Scotch-guard." "Yeah, let's go with that. Do you have Vodka-guard? How about Sperm-guard?"”

Ron White (1956) American comedian

It's a busy couch.
Behavioral Problems

Birthday, Drink, Business, Perfection

“In 1957, James Vicary, a market researcher, conducted a six week test in a New Jersey movie theatre. A high-speed projector repeatedly and subliminally flashed the slogans ‘drink Coke’ and ‘eat popcorn’ over the film. I thought I’d make my own cinema ad to try something similar. According to Vicary, popcorn sales went up by 57.5% and Coke sales by 18.1%… Whether Vicary’s results were due to the subliminals can never be shown and the experiment has become shrouded in urban myth. This is the Genesis Cinema in East London, which kindly agreed to include our ad amongst the trailers for a screening of Ocean's Twelve, a carefully chosen film which, if the ad works, the audience will not be able to remember. Not a bad thing.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Trick of the Mind (2004–2006)

Drink, Speed

“If I've got a talent, it's for picking the right song at the right time for the right audience. And I can always seem to get people to sing with me.”

Pete Seeger (1919–2014) American folk singer

"A Minstrel with a Mission", Life magazine, 1964.

People, Singing, Time

“Today's conventional cinema, or mass cinema, doesn't take the receiver seriously as a partner. It sees the audience member as a bank machine, whose only function is to spit out money.”

Michael Haneke (1942) Austrian film director and screenwriter

as interviewed by Richard Porton, "Collective Guilt and Individual Responsibility: An Interview with Michael Haneke," Cineaste, Vol. 31, No. 1 (Winter 2005), pp. 50-51

Money

“They came to me and said, 'Would you want to do the U. S., talk to an American audience?' Yeah, of course. So that’s kind of how I ended up being the commentator that day calling the Landon Donovan goal. It just fell into place.”

Ian Darke (1950) British association football and boxing commentator

2010s, 2014, Voice of the Americans (2014)

“There's nothing better than going out there and performing and making that connection with audiences. Even after all this time I get the biggest buzz from that.”

Seal (musician) (1963) British singer-songwriter

As quoted in "Seal: Still Crazy After All These Years" by Fiona Sturges in The Independent (11 October 2003) http://www.arabnews.com/?page=9&section=0&article=33431&d=11&m=10&y=2003&pix=community.jpg&category=Features

Time

“With all of our differences, we [members of the audience] all have one thing in common, we’re all gay. Now there are people out there [in audience] going “Do they think we’re gay because we’re here? Do we look gay? I told you this would happen. We’re not going to understand a word of this.” Seriously, though, if you're here you're probably gay. I mean, you have tendencies, you've thought about it. Now there are people [in audience] going “I have thought about it. Does that mean I'm gay? I'm not gay. Is that how they get us?””

Ellen DeGeneres (1958) American stand-up comedian, television host, and actress

Here and Now

People, Understanding, Thinking

“We're really not very good about putting music in a social and political context, particularly classical music. It's all sort of above everything. But in South Africa, everything is politicised. You play a piece of classical music out there and you are making a real cultural statement. Or you play with a marimba band and you are saying something else. I think that's the way things should be. The way people write about music makes it seem completely devoid of social context. And audiences drift away as a result.”

Joanna MacGregor (1959) British musician

Financial Times, 11/11/1999
On Classical Music

People, Music, Way, Thinking

“SPAN ID=In_the_case> In the case of drama (stage, movies, television ), there appear to be people in almost every audience who never quite fully realize that a play is a set of fictional, symbolic representations. An actor is one who symbolizes other people, real or imagined. […] Also some years ago it was reported that when Edward G. Robinson, who used to play gangster roles with extraordinary vividness, visited Chicago, local hoodlums would telephone him at his hotel to pay their professional respects.

S. I. Hayakawa book Language in Thought and Action

Source: Language in Thought and Action (1949), The Pitfalls of Drama, pp. 27-28

People, Imagination, Appearance

“It is an award for American excellence that excludes and sometimes gracefully includes some other countries. It is an institution or brand created by Hollywood to promote itself, an award decided by 15 people. How nice it would have been if Satyajit Ray, instead of all his awards, got a few more audiences?”

Kamal Haasan (1954) Indian actor

On Oscar Awards that they are not the epitome of the cinematic world.
Kamal Hassan: A universal legend

People, Country

“Women watched for the spectacular performances of the men, and there can be no reasonable doubt that the presence of an audience is a very important factor in shaping the men's behavior. In fact, it is probable that the men are more exhibitionistic because the women admire their performances. Conversely, there can be no doubt that the spectacular behavior is a stimulus which summons the audience together, promoting in the women the appropriate behavior.”

Gregory Bateson (1904–1980) English anthropologist, social scientist, linguist, visual anthropologist, semiotician and cyberneticist

Bateson as cited in: David Lipset (1982) Gregory Bateson: the legacy of a scientist. p. 143

Women, Men, Behavior

“At first, I felt this thing coming up in myself, just really physically growing in myself and happening, but it was a jungle, so I couldn't distinguish things so much. I knew there were, in myself, the souls of millions of people who lived centuries ago - not just people but animals, plants, the elements, things, even, matter - that all of these exist in me, and I felt this. OK, this pushed and pushed and pushed. OK, that was the beginning… And through the years it became clearer and clearer, this thing; it started to separate itself. I could make it come when I had to concentrate on, let's say, a person I had to become - this thing became stronger. And took more of me. In this moment, I let it do it, because I wanted, I had to be this person. And as I was led to doing it, there was then no way back. And the more I tried to do it, the more I hated it. But there was no way back anymore; it was always going farther and farther and farther. Until one day, when I was walking through the streets of Paris, I started crying, because I could look at a man, a woman, a dog, anything, and receive it, anything, everything; there was no difference between physical and psychological. I felt like I was breaking out, breaking up, receiving everything, every moment, even things I did not see. There is no turning back from this. But this danger is the power you have. It is this same power that lets you hold an audience when you are on a stage. Then it is a concentration, the same concentration that in kung fu is used for the kick that kills or to break a table with your hand. It means that you are sure of the power and that you relinquish yourself to it”

Klaus Kinski (1926–1991) German actor

Playboy interview

Hate, People, Dogs, Way

“During the years I was on the board of directors of the National Organization for Women [chapter] in New York City, the most resistant audiences I ever faced in the process of doing corporate workshops on equality in the workplace were not male executives—they were the wives of male executives. As long as her income came from her husband, she was not feeling generous when affirmative action let another woman have a head start vying for her husband’s (her) income.”

Warren Farrell book The Myth of Male Power

Source: The Myth of Male Power (1993), Part 1: The Myth of Male Power, p. 46.

Women, Feeling

“If you’re doing it right, you’re not asking the audience to buy into your point of view at all. If you’re doing it right, you’re asking the audience to accept the character’s point of view as the character’s point of view. That can be anything. We’ve all watched hundreds of movies from characters’ points of view that are not our own. That’s part of the gift movies give us.”

Scott Derrickson (1966) American screenwriter and film director

Interview: Filmmaker Scott Derrickson on Horror, Faith, Chesterton and His New Movie http://www.ncregister.com/daily-news/interview-scott-derrickson (July 1, 2014)

Parting

“No one was allowed to leave the theatre during his recitals, however pressing the reason. We read of women in the audience giving birth, and of men being so bored with listening and applauding that they furtively dropped down from the wall at the rear, since the gates were kept barred, or shammed dead and were carried away for burial.”
Cantante eo ne necessaria quidem causa excedere theatro licitum est. Itaque et enixae quaedam in spectaculis dicuntur et multi taedio audendi laudandique clausis oppidorum portis aut furtim desiluisse de muro aut morte simulata funere elati.

Sueton book The Twelve Caesars

Of Nero's public performances in musical competitions.
Source: The Twelve Caesars, Nero, Ch. 23

Women, Men, Birth, Reading

“We went to Kyoto -- back to Japan -- to work in the Matsuo Tiasha shrine which Sei Shonagon had visited regularly. I couldn't give up such an opportunity. I was also a little homesick. We didn't finish walking the cat-walk until midnight when all the audience had gone. I didn't mind -- Sei Shonagon had watched the moon rise in that garden a thousand years ago -- I could have walked up and down that path all night long.”

Peter Greenaway (1942) British film director

Nagiko's journal for Nov 9 1997
The Pillow Book

Cats, Night

“I take care not to remind my audience that I am Shah Rukh Khan. The better thing to do is to hold a mirror for them and to tell them, ‘This is you.”

Shahrukh Khan (1965) Indian actor, producer and television personality

From interview with Komal Nahta

“I definitely think this is the best time to be in the industry. Earlier, films were made on a set pattern- love story, family drama, one is rich and other is poor type formulas. But today there are different kinds of films being made and accepted by the audience. I wish I was there in the industry today…I wish I was born in today's time.”

Waheeda Rehman (1938) Indian actress

Quote, Waheeda Rehman not in favour of biopics and remakes

Love, Family, Thinking, Time

“The best part about acting is reacting. Audiences don't know that they mustn't sit back and observe and say, "I will watch this." Whether it's my play or anybody's play, they must become participants. Too many people today are observing life instead of participating in it.”

Pat Carroll (actress) (1927) American actress

"Pat Carroll; Gertrude Stein was never a bore" (January 8, 1981)

Life, People, Parting

“It is in this matter that I fall foul of so many American writers on writing; they seem to think that writing is a confidence game by means of which the author cajoles a restless, dull-witted, shallow audience into hearing his point of view. Such an attitude is base, and can only beget base prose.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Elements of Style (1959).

Confidence, Game, Thinking

“To the troops. [Audience cheers as he drinks scotch]”

Ron White (1956) American comedian

Behavioral Problems

Drink

“Autism is a neuro-developmental disorder affecting so many around the world. Autism is not mental illness, these children and adults think differently. Albert Einstein they say was autistic. How many in the audience know that there are 38,000 autistic people in Sri Lanka? So we as entertainers, urge you all to ‘speak up for those who cannot speak up for themselves.’ Lets spread awareness of autism, particularly when numbers of autistic children are rising and we urge our government to also provide public services – who knows we may even produce Albert Einsteins if we provide education, health, specialist speech therapy for autistic children in our lovely island….”

Desmond de Silva Sri Lankan singer

Clickpress release http://www.clickpress.com/releases/Detailed/3033005cp.shtml (9 August 2009).

Love, Children, People, Health

“Few speeches which have produced an electrical effect on an audience can bear the colorless photography of a printed record.”

Archibald Primrose, 5th Earl of Rosebery (1847–1929) British politician

Life of Pitt (1891), reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“He ambles along the platform."Lots of times people say about systems analysis, why don't you guys do an experiment? What the hell are you sitting here figuring things? Why don't you go out and run an experiment? Well we'd love to run experiments, but there are two difficulties. One, in realistic experiments, people get shot down. That's not the major difficulty. We're willing to do it." The audience laughs. "We are. The real difficulty is we're talking weapons which aren't in existence yet."”

Herman Kahn (1922–1983) American futurist

pg: 12
The Worlds of Herman Kahn: the intuitive science of thermonuclear war.

Love, People, Guy, Hell

“One of the early presidents of Harvard College wrote a dissertation on the question, "Whether angels speak any language; if so, whether it is Hebrew." Much futile discussion on such questions has at various times brought debating into ill repute. A question should offer something more than an ingenious exercise; it should offer the chance of arriving at some conclusion regarded by the particular audience or disputants as of some practical importance. It should be discarded if, like the proposition, "The pen is mightier than the sword/' it offers no possibility of arriving at reasonably sound conclusions through the process of argument.”

William Trufant Foster (1879–1950) American economist

Source: Argumentation and debating, 1908, p. 4-5; as cited in: Branham (2013, p. 32-33)

Angels, Exercises, Question, Chance

“Believe me, I am still very surprised that I managed to make that film [Close-Up]. When I actually look back on that film, I really feel that I was not the director but instead just a member of the audience. Because the film made itself, to a large extent. The characters involved were very real, I wasn't directing the actors so much as being directed by them. So it was a very particular film.”

Abbas Kiarostami (1940–2016) Iranian film director, screenwriter, photographer and film producer

https://www.theguardian.com/film/2005/apr/28/hayfilmfestival2005.guardianhayfestival

Feeling

“I am convinced that the decisive factor in dramatic effect will be a smaller orchestra, which does not drown out the human voice as does a large orchestra…The orchestra of the opera of the future is the chamber orchestra which, by painting in the background of the action on the stage with crystalline clearness, can alone realise precisely the intention of the composer with regard to the vocal parts. It is after all an important desideratum that the audience should not only hear the sounds but should also be able to follow the words closely.”

Richard Strauss (1864–1949) German composer and orchestra director

On composing and conducting (page 39-40) (1929).
Recollections and Reflections

Decision, Future, Parting, Painting

“You see, you could never do a sketch like that these days. The audience is too uninformed. I blame the Americans. Nation of obese, violent, pig-ignorant, bible-thumping morons contaminating world culture. That’s why I spend most of my time here in France. … Beautiful, isn’t it? Just look at those olive trees.”

John Cleese (1939) actor from England

Interviewer: This is Santa Barbara.
From PBS series Monty Python's Personal Best: John Cleese's Personal Best (2006), playing role of senile old man.

World, Beauty, Tree, Time

“I have become cautious. There is no fixed formula. Today audience's sensibilities are sharp. You can't feed them rubbish. They want to watch good films. The script has to be appealling. Even if it is larger than life, it has to be realistic. Audiences have to identify with what you are showing.”

Rani Mukerji (1978) Indian film actress

citation needed
Famous Quotes

Life

“A musical event in Münich has brought me a great dolt.... an evening of chamber-music by Arnold Schoenberg (Vienna).... the audience behaved loutishly, like school brats, sneezing and clearing their throats, when not tittering and scraping their chairs, so it was hard to follow the music. Can you imagine a music in which tonality (that is, the adherence to any key) is completely suspended? I was constantly reminded of Kandinsky's large composition which also permits no trace of tonality.... and also of Kandinsky's 'jumping spots' in hearing this music [of Schoenberg], which allows each tone sounded to stand on its own (a kind of white canvas between the spots of color). Schönberg proceeds from the principle that the concepts of consonance and dissonance do not exist at all. A so-called dissonance is only a mere remote consonance – an idea which now occupies me constantly while painting..”

Franz Marc (1880–1916) German painter

In a letter to August Macke (14 January 1911); as quoted in August Macke; Franz Marc: Briefwechsel, Cologne 1965; as quoted in Boston Modern - Figurative Expressionism as Alternative Modernism, Judith Bookbinder, University Press of New England, Hanover and England, 2005, p. 35
Franz Marc visited a concert with music of the composer Arnold Schönberg on 11 Jan. 1911 with Wassily Kandinsky, Alexej von Jawlensky, Gabriele Münter and others; they played there compositions of Schönberg he wrote in 1907 and 1909: his second string quartet and the 'Three piano pieces'
1911 - 1914

School, Music, Color, Imagination

“It was my agenda — value our faith, value our opportunity to grow and better ourselves as believers and citizens of the world. Singing to and for myself and Muslims, I can be more explicate in my lyrics, drawing directly from Islamic sources. Some of my music is naturally a little bit more sensitive to the opinions and feelings of a broader audience — still Islamic in its essence, but more "holistic" and "organic" than dogmatic.”

Dawud Wharnsby (1972) Canadian musician

Beating the drums of hope and faith (2004)

World, Faith, Music, Feeling

“Shocking, absolutely shocking – they [the German w:Fluxus artists] pissed in the tub, snag the German national anthem, covered the audience with paper, poured laundry detergent into the piano, attached microphones to fountain pens.... it was all very cynical and destructive; it was a signal for us and we (the German artists Lueg and Polke and Gerhard Richter himself] became [also] cynical and cocky.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), p. 47

“My greatest fear is giving performances. I feel I am responsible for the audience BUT I am also scared of them.”

M. S. Subbulakshmi (1916–2004) singer,Carnatic vocalist

Quotations by 60 Greatest Indians, Dhirubhai Ambani Institute of Information and Communication Technology http://resourcecentre.daiict.ac.in/eresources/iresources/quotations.html,

Fear, Feeling

“Earlier one person would do a sam and the audience ten feet away knew that a new tukda was about to begin but now fifty of us did the same movement with the same precision; the audience even two hundred feet away knew and understood. Yes, we connected to many because we were many presenting one. We simply enlarged ourselves by being many more of us and we engulfed the stage.”

Birju Maharaj (1938) Indian dancer

When he changed over from solo form to group ballet of synchronized action and rhythm thus creating a dynamic impact on the audience in [Raksha Bharadia, Me A Handbook For Life, http://books.google.com/books?id=J3BwcatTTZIC&pg=PT179, 2006, Rupa & Company, 978-81-291-1058-9, 179–]

Personality