Quotes about artist
page 2

“Thought that can merge wholly into feeling, feeling that can merge wholly into thought - these are the artist's highest joy.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Feeling, Joy

“Art is the only serious thing in the world. And the artist is the only person who is never serious.”

Oscar Wilde (1854–1900) Irish writer and poet

A Few Maxims for the Instruction of the Over-Educated (1894)

World, Art, Personality, Sad

“I remember growing up, saying you’re an artist it sounds pretentious but now it’s one of the only dignified things that you can call yourself.”

Marilyn Manson (1969) American rock musician and actor

“Now art should never try to be popular. The public should try to make itself artistic.”

Oscar Wilde book The Soul of Man under Socialism

The Soul of Man Under Socialism (1891)
Context: Art is this intense form of individualism that makes the public try to exercise over it an authority that is as immoral as it is ridiculous, and as corrupting as it is contemptible. It is not quite their fault. The public have always, and in every age, been badly brought up. They are continually asking Art to be popular, to please their want of taste, to flatter their absurd vanity, to tell them what they have been told before, to show them what they ought to be tired of seeing, to amuse them when they feel heavy after eating too much, and to distract their thoughts when they are wearied of their own stupidity. Now Art should never try to be popular. The public should try to make itself artistic.

Art

“When bankers get together for dinner, they discuss Art. When artists get together for dinner, they discuss Money”

Oscar Wilde (1854–1900) Irish writer and poet

Money, Art

“The artist works by locating the world in himself”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

World

“For a true artist, difficulties become opportunities and clouds become solid present.”

Alejandro Jodorowsky (1929) Filmmaker and comics writer

“My role in society, or any artist's or poet's role, is to try and express what we all feel. Not to tell people how to feel. Not as a preacher, not as a leader, but as a reflection of us all.”

John Lennon (1940–1980) English singer and songwriter

People, Feeling

“every good artist paints what he is”

Jackson Pollock (1912–1956) American artist

Painting

“One should not become an artist because he can, but because he must. It is only for those who would be miserable without it.”

Irving Stone book The Agony and the Ecstasy

Source: The Agony and the Ecstasy

“At the age of four, you were an artist. And at seven, you were a poet.”

Seth Godin (1960) American entrepreneur, author and public speaker

Source: Linchpin: Are You Indispensable?

Age

“The artist must train not only his eye but also his soul.”

Wassily Kandinsky (1866–1944) Russian painter

Soul, Training

“For the first time, we recognized a medium that takes our ordinary, everyday objects like bowls, baskets, and quilts and elevates them to art forms that rival painting and sculpture in their impact.
(From the forward to "Crafts in America: Celebrating Two Centuries of Artists and Objects.”

Jimmy Carter (1924) American politician, 39th president of the United States (in office from 1977 to 1981)

Art, Time, Painting

“Every portrait that is painted with feeling is a portrait of the artist, not of the sitter.”

Oscar Wilde book The Picture of Dorian Gray

Source: The Picture of Dorian Gray

Feeling, Painting

“The only people I would care to be with now are artists and people who have suffered: those who know what beauty is, and those who know what sorrow is: nobody else interests me.”

Oscar Wilde book De Profundis

Source: De Profundis

People, Beauty, Suffering

“Every work of art is aggressive, Isabella. And every artist's life is a small war or a large one, beginning with oneself and one's limitations. To achieve anything you must first have ambition and then talent, knowledge, and finally the opportunity.”

Carlos Ruiz Zafón book The Angel's Game

Source: The Angel's Game

Life, War, Art, Knowledge

“The worst sin that can be committed against the artist is to take him at his word, to see in his work a fulfillment instead of an horizon.”

Henry Miller (1891–1980) American novelist

“In our life there is a single color, as on an artist palette which provides the meaning of life and art. It is the color of love.”

Marc Chagall (1887–1985) French artist and painter

Love, Life, Art, Color

“We are most artistically caged.”

Vladimir Nabokov book Pale Fire

Source: Pale Fire

“The most interesting thing about artists is how they live”

Marcel Duchamp (1887–1968) French painter and sculptor

Source: The Writings of Marcel Duchamp

“Behind a remarkable scholar we not infrequently find an average human being, and behind an average artist we often find a very remarkable human being.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

“God and other artists are always a little obscure…..”

Oscar Wilde (1854–1900) Irish writer and poet

God

“The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim.”

Oscar Wilde book The Picture of Dorian Gray

Source: The Picture of Dorian Gray

Beauty, Art

“Art too is just a way of living, and however one lives, one can, without knowing, prepare for it; in everything real one is closer to it, more its neighbor, than in the unreal half-artistic professions, which, while they pretend to be close to art, in practice deny and attack the existence of all art - as, for example, all of journalism does and almost all criticism and three quarters of what is called (and wants to be called) literature.”

Rainer Maria Rilke book Letters to a Young Poet

Letter Ten (26 December 1908)
Letters to a Young Poet (1934)

Art, Way, Literature

“Anyone can write. Some people can write a bit better than others; they're called authors. Then there are some who can write better than authors; they're called artists.”

Walter Moers (1957) German comic creator and author

People

“And, after all, what is a fashion? From the artistic point of view, it is usually a form of ugliness so intolerable that we have to alter it every six months.”

Oscar Wilde The Importance of Being Earnest

The Philosophy of Dress, The New-York Tribune, 1885. For an analysis see Fashion a Form of Ugliness http://www.oscarwildeinamerica.org/quotations/fashion-a-form-of-ugliness.html <br class="br">Source: The Importance of Being Earnest

Fashion

“When critics disagree the artist is in accord with himself.”

Oscar Wilde book The Picture of Dorian Gray

Source: The Picture of Dorian Gray

“An unalterable and unquestioned law of the musical world required that the German text of French operas sung by Swedish artists should be translated into Italian for the clearer understanding of English-speaking audiences.”

Edith Wharton The Age of Innocence

Source: The Age of Innocence (1920), Ch. 1

World, Law, Music, Understanding

“All artists, whether they know it or not create from a place of inner stillness, a place of no mind.”

Eckhart Tolle (1948) German writer

Variant: All true artists, whether they know it or not, create from a place of no-mind, from inner stillness.
Source: Stillness Speaks

“The artist creates his own elite, and the elite its own artists.”

E.H. Gombrich

Source: Art and Illusion: A Study in the Psychology of Pictorial Representation

“Later I had two green ones [alligator pears] — not so perfect. I painted them several times [c. 1920] when the men [American modernist artists, a. o. Marsden Hartley ] didn't think much of what I was doing. They were all discussing Paul Cézanne, with long involved remarks about the 'plastic quality' of his form and colour. I was an outsider. My colour and form were not acceptable. It had nothing to do with Cézanne or anything else. I didn't understand what they were talking about why one colour was better than another... Years later when I finally got to Cézanne's Mont Sainte-Victoire in the south of France, I remember sitting there thinking, 'How could they attach all those analytical remarks to anything he did with that mountain?”

Georgia O'Keeffe (1887–1986) American artist

All those entire words piled on top of that poor little mountain seemed too much.
1970 - 1986, Some Memories of Drawings (1976)

Men, Mountain, Understanding, Thinking

“[on becoming an artist] It is my profession, yes [ to be an artist] but a calling.. that a little bit pathetic, a little bit bombastic. I think it was much more natural... I Thought – when I was a child – the only method to be not in the world but outside of the world is to be an artist. I feel me outside, yes..”

Anselm Kiefer (1945) German painter and sculptor

n.p.
Tim Marlow joins Anselm Kiefer to discuss his work' - 2005

World, Feeling, Nature, Thinking

“To [aunt] Marie Hill,
Dearest
Why do you tempt me? I really cannot. It's impossible! Be happy? The only thought I have in my mind is to immerse myself in my art, to merge completely with it until I can begin to express what I really feel – and after that to be consumed even more by it. Even if I wanted to, I could not leave here [Worpswede]… I want to live here. I want to 'live' – and develop further as a person and as an artist… Can you understand this? I think you can. And do you approve? I hope so. In any case, I can't do any different..”

Paula Modersohn-Becker (1876–1907) German artist

In a letter to her aunt Mary Hill, from Worpswede, June 1899; as quoted in Paula Modersohn-Becker – The Letters and Journals, ed: Günther Busch & Lotten von Reinken; (transl, A. Wensinger & C. Hoey; Taplinger); Publishing Company, New York, 1983, p. 135
1899

Happiness, Hope, Art, Feeling

“Were I called on to define, very briefly, the term "Art," I should call it "the reproduction of what the Senses perceive in Nature through the veil of the soul." The mere imitation, however accurate, of what is in Nature, entitles no man to the sacred name of "Artist".”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

Marginalia http://www.easylit.com/poe/comtext/prose/margin.shtml (November 1844)

Art, Soul, Nature, Sense

“I was already almost 30, and by then everyone was talking about the Americans. Picasso was irrelevant. He was history. I found myself in this deep pool, and there were all these figures swimming around, like Rauschenberg and Warhol and Roy Lichtenstein|Lichtenstein]]. I wanted to go where they were. Seeing Pollock and Fontana in Kassel had given me a sense of what it meant to be a modern artist and take risks, but it was a distant admiration because they were a different generation. This was my generation”

Gerhard Richter (1932) German visual artist, born 1932

on the art academy in Düsseldorf
after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)

Art, History, Sense, Distant

“However—the crucial thing is my lack of interest in ordinary life. No one ever wrote a story yet without some real emotional drive behind it—and I have not that drive except where violations of the natural order… defiances and evasions of time, space, and cosmic law… are concerned. Just why this is so I haven't the slightest idea—it simply is so. I am interested only in broad pageants—historic streams—orders of biological, chemical, physical, and astronomical organisation—and the only conflict which has any deep emotional significance to me is that of the principle of freedom or irregularity or adventurous opportunity against the eternal and maddening rigidity of cosmic law… especially the laws of time…. Hence the type of thing I try to write. Naturally, I am aware that this forms a very limited special field so far as mankind en masse is concerned; but I believe (as pointed out in that Recluse article) that the field is an authentic one despite its subordinate nature. This protest against natural law, and tendency to weave visions of escape from orderly nature, are characteristic and eternal factors in human psychology, even though very small ones. They exist as permanent realities, and have always expressed themselves in a typical form of art from the earliest fireside folk tales and ballads to the latest achievements of Blackwood and Machen or de la Mare or Dunsany. That art exists—whether the majority like it or not. It is small and limited, but real—and there is no reason why its practitioners should be ashamed of it. Naturally one would rather be a broad artist with power to evoke beauty from every phase of experience—but when one unmistakably isn't such an artist, there's no sense in bluffing and faking and pretending that one is.”

H.P. Lovecraft (1890–1937) American author

Letter to E. Hoffmann Price (15 August 1934) , quoted in Lord of a Visible World: An Autobiography in Letters edited by S.T. Joshi, p. 268
Non-Fiction, Letters, to E. Hoffmann Price

Life, Law, Beauty, Art

“There were profound reasons for his attachment to the sea: he loved it because as a hard-working artist he needed rest, needed to escape from the demanding complexity of phenomena and lie hidden on the bosom of the simple and tremendous; because of a forbidden longing deep within him that ran quite contrary to his life’s task and was for that very reason seductive, a longing for the unarticulated and immeasurable, for eternity, for nothingness. To rest in the arms of perfection is the desire of any man intent upon creating excellence; and is not nothingness a form of perfection?”

Thomas Mann book Death in Venice

Source: Death in Venice (1912), Ch. 3, as translated by David Luke

Love, Life, Lie, Perfection

“The 'value' of particular artists after Duchamp can be weighed according to how much they questioned the nature of art.”

Joseph Kosuth (1945) American conceptual artist

Art after Philosophy, 1969

Art, Question, Nature

“The artist must be in his work as God is in creation, invisible and all-powerful; one must sense him everywhere but never see him.”

Gustave Flaubert (1821–1880) French writer (1821–1880)

18 March 1857
Correspondence, Letters to Mademoiselle Leroyer de Chantepie

God, Sense

“I regard myself as an entertainer much more than an artist.”

Peter Jackson (1961) New Zealand film director, producer, actor, and screenwriter

Hobbit interview http://www.youtube.com/watch?v=u3n0fNVhADE&feature=youtu.be&t=7m25s, 2012.

“After he had gone over the mansion, his entertainer asked him what he thought of the splendours it contained; and he in reply did full justice to the riches of its owner and the skill of its decorators, but he added, "Lions would have fared better, had lions been the artists."”

John Henry Newman (1801–1890) English cleric and cardinal

Lecture I, Section 1.
Lectures on the Present Position of Catholics in England (1851)

Justice

“Dear William Shakespeare. I am a 14 year old and I’m queer like you. I’m learning art. I wanted to be a queer artist like Leonardo or Michaelangelo. But I like Francis Bacon best I read Alan Ginsberg, Rimbaud. I like Tchaikovsky, if I make films I will make them like Eisenstein, Murnau, Pasolini, Visconti. Love from Derek.”

Derek Jarman (1942–1994) British film director and artist

Letter to the Minister, 1992

Love, Art, Learning, Reading

“Whoever is completely and wholly an artist is to all eternity separated from the "real," the actual; on the other hand, one can understand how he may sometimes weary to the point of desperation of the eternal "unreality" and falsity of his innermost existence- and that then he may well attempt what ia most forbidden him, to lay hold of actuality, for once actually to be.”

Friedrich Nietzsche book On the Genealogy of Morality

Third Essay, Section 4
On the Genealogy of Morality (1887)

Understanding

“I don't believe in Jewish art. There are Jewish artists, which means, artists who are born Jewish, but that does not mean that their work is Jewish art. (translation from Dutch: Fons Heijnsbroek)”

Jozef Israëls (1824–1911) Dutch painter

version in Dutch (citaat van Israëls, in het Nederlands): Ik geloof niet in joodse kunst. Er zijn joodse kunstenaars, d.w.z. kunstenaars die joods geboren zijn, maar dat wil nog niet zeggen dat hun werk joodse kunst is.
Quote of Jozef Israëls, 9 July 1907, translated from his letter (written in German) to the committee of the Exhibition for Jewish Art in Berlin; as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 55
Jozef Israëls was Jewish himself, but refused to call his art Jewish as the Zionist movement liked to call it
Quotes of Jozef Israels, after 1900

Art

“[the task of material culture is] to shed light on the tasks of production in our country, and also to discover the place of the artist-constructor in production, in relation to improving the quality both of the manufactured product and of the organization of the new way of life in general.”

Vladimir Tatlin (1885–1953) Russian artist

Quote, May 1924; from Tatlin's lecture on 'Material Culture and Its Role in the Production of Life in the USSR'; as quoted by Larissa A. Zhadova, ed., Tatlin, trans. Paul Filotas et al; Thames and Hudson, London, 1988, p. 252
In May 1924, right in the middle of N.E.P., Tatlin offered his synoptic statement of what was still the task of material culture
Quotes, 1910 - 1925

Life, Way, Light, Country

“It is the artist's business to create sunshine when the sun fails.”

Romain Rolland (1866–1944) French author

Part I
Jean-Christophe (1904 - 1912), Jean-Christophe à Paris: The Market-Place (1908)

Business, Sun

“I've have tried to take from everybody [every artist in American Abstract Expressionism ]... I can't close my eyes or limit my experiences... Because I live now, I am more interested in art now. It's different as any art is different from period to period. But it's no better or worse.”

Joan Mitchell (1925–1992) American painter

Quote in 'Art News', September 1958, p. 41; as cited in The New York school – the painters & sculptors of the fifties, Irving Sandler, Harper & Row, Publishers, 1978, p. 69
1950 - 1975

Art

“The artist has never been a dictator, since he understands better than anybody else the variations in human personality.”

Heywood Broun (1888–1939) American sportswriter

"Bring on the Artist", New York World Telegram, June 19, 1933

Understanding, Personality

“The idea of research has often made painting go astray, and made the artist lose himself in mental lucubrations. Perhaps this has been the principal fault of modern art. The spirit of research has poisoned those who have not fully understood all the positive and conclusive elements in modern art and has made them attempt to paint the invisible and, therefore, the unpaintable.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

As quoted by Marius de Zayas, in 'The Arts', New York, May 1923
1920s, The Arts', New York, May 1923

Art, Idea, Painting

“Each state of the human mind has some parable in the physical creation by which it is shadowed forth; nor is it only artists and poets, but even the most abstract thinkers that have drawn from this source. Lively activity we name fire; time is a stream that rolls on, sweeping all before it; eternity is a circle; a mystery is hid in midnight gloom, and truth dwells in the sun. Nay, I begin to believe that even the future destiny of the human race is prefigured in the dark oracular utterances of bodily creation.”

Friedrich Schiller (1759–1805) German poet, philosopher, historian, and playwright

Letter 4: Theosophy of Julius
The Philosophical Letters

Truth, Time, Sun, Future

“In the Word is involved the unity of humanity, the wholeness of the human problem, which permits nobody to separate the intellectual and artistic from the political and social, and to isolate himself within the ivory tower of the "cultural" proper.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Letter to the dean of the Philosophical Faculty, Bonn University (January 1937)

Problem

“I have come to the conclusion that a work of art restricted to what the artist has put in it is only a part of itself. It only attains full stature with what people and time make of it. It involves the whole complex of human relation to life. It is a mode of thinking, acting, perceiving and living.”

Naum Gabo (1890–1977) Russian sculptor

Quote, 1937; in Gabo's letter to Herbert Read; cited in: Cyril Connolly (1944) Horizon: a review of literature and art. Vol 9-10. p. 58
1936 - 1977

Life, People, Art, Thinking

“I can say with truth that I have never, even in times of greatest preoccupation with carnal, worldly and egotistic pursuits, seriously doubted that our existence here is related in some mysterious way to a more comprehensive and lasting existence elsewhere; that somehow or other we belong to a larger scene than our earthly life provides, and to a wider reach of time than our earthly allotment of three score years and ten…It has never been possible for me to persuade myself that the universe could have been created, and we, homo sapiens, so-called, have, generation after generation, somehow made our appearance to sojourn briefly on our tiny earth, solely in order to mount the interminable soap opera, with the same characters and situations endlessly recurring, that we call history. It would be like building a great stadium for a display of tiddly-winks, or a vast opera house for a mouth-organ recital. There must, in other words, be another reason for our existence and that of the universe than just getting through the days of our life as best we may; some other destiny than merely using up such physical, intellectual and spiritual creativity as has been vouchsafed us. This, anyway, has been the strongly held conviction of the greatest artists, saints, philosophers and, until quite recent times, scientists, through the Christian centuries, who have all assumed that the New Testament promise of eternal life is valid, and that the great drama of the Incarnation which embodies it, is indeed the master drama of our existence. To suppose that these distinguished believers were all credulous fools whose folly and credulity in holding such beliefs has now been finally exposed, would seem to me to be untenable; and anyway I'd rather be wrong with Dante and Shakespeare and Milton, with Augustine of Hippo and Francis of Assisi, with Dr. Johnson, Blake and Dostoevsky, than right with Voltaire, Rousseau, Darwin, the Huxleys, Herbert Spencer, H. G. Wells and Bernard Shaw.”

Malcolm Muggeridge (1903–1990) English journalist, author, media personality, and satirist

Confessions of a Twentieth-Century Pilgrim (1988)

Life, Truth, Fools, Way

“How deeply the perverse Jewish spirit has penetrated German cultural life is shown in the frightening and horrifying forms of the Exhibition Of Degenerate Art in München ….. This has nothing at all to do with the suppression of artistic freedom and modem progress. On the contrary, the botched art works which were exhibited there and their creators are of yesterday and before yesterday. They are the senile representatives, no longer to be taken seriously, of a period that we have intellectually and politically overcome and whose monstrous, degenerate creations still haunt the field of the plastic arts in our time.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Von der Großmacht zur Weltmacht on the seizure of thousands of works of German art. (26 November 1937)
1930s

Life, Art, Freedom, Time

“[W]hen the President's visitors came to Guinea, we were all called on to go and entertain them. I've never seen a country that did what Sékou Touré did for artists. Even in South Africa today we are not nurtured like that.”

Miriam Makeba (1932–2008) South African singer and civil rights activist

As quoted in Denselow, Robin (16 May 2008)
Interview with Robin Denselow (May 2008)
Source: http://arts.guardian.co.uk/filmandmusic/story/0,,2280144,00.html, Robin Denselow talks to African superstar and activist Miriam Makeba, The Guardian, 15, London, 16 May 2008, 18 November 2010

Country

“What can I write about Vytautas Juozapaitis? Months ago, a singer with this same name gave one of the most Mozartean accounts of Don Giovanni I've ever experienced: a lean, yet warm sound, exciting and a little on the dangerous side - utterly (and wonderfully) self-absorbed. The man singing Giorgio Germont could not possibly have been this same artist. This was Verdi singing of the highest order - as if to the manor born. A molten, rich expressivity and attention to Verdian line that in its size, detail and musicality recalled the greats: Gorin, Merrill… you get the idea. The name may not trip off American tongues with ease… yet, but in an era often thought bereft of Verdian voices Juozapaitis is the real deal. Every moment of his Germont was filled passion and, like all of the cast members, every word of the Italian was naturally produced and understandable. Mama mia this man's got it!”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Paolo Padillo, "A Traviata of Note: Teatro Lirico d'Europa". Opera - L (March, 2004) http://listserv.cuny.edu/Scripts/wa.exe?A2=ind0403d&L=opera-l&F=&S=&P=15287

Music, Idea, Understanding, Nature

“I know I've reached the stage where other artists would bleach their hair or buy a fancy costume, but, inexcusably, I can only be me, which is a full-time occupation and causes terrible backaches.”

Morrissey (1959) English singer

From "I’ll astonish you", interview by Len Brown, Details (March 1991).
In interviews etc., About himself and his work

Time

“To be an artist you have to give up everything, including the desire to be a good artist.”

Jasper Johns (1930) American artist

as quoted in photo-exhibition 'Cy Twombly', museum Marseille Amsterdam, autumn 2008
2000s

“All kids draw and write poetry and everything, and some of us last until we're about eighteen, but most drop off at about twelve when some guy comes up and says, "You're no good." That's all we get told all our lives. "You haven't got the ability. You're a cobbler." It happened to all of us, but if somebody had told me all my life, "Yeah, you're a great artist," I would have been a more secure person.”

John Lennon (1940–1980) English singer and songwriter

Source: The Beatles Anthology (2000), p. 9

Life, Guy, Drawing, Personality

“The arts in every field — music, drama, sculpture, painting — we can learn to appreciate and enjoy. We need not be artists, but we should be able to appreciate the work of artists.”

Eleanor Roosevelt My Day

5 November 1958
My Day (1935–1962)

Art, Music, Learning, Painting

“I am Warhol. I am the number 1 most impactful artist of our generation. I am Shakespeare in the flesh. Walt Disney. Nike. Google.”

Kanye West (1977) American rapper, singer and songwriter

2013 Interview https://www.youtube.com/watch?v=S78tT_YxF_c&t=16m59s

“Did not Troyon tell me to enter the studio of Couture [in Paris]? It is needless to tell you how decided was my refusal to do so. I admit even that it cooled me, temporarily at least, in my esteem and admiration of Troyon.... and [I] after all, connected myself only with artists who were seeking.”

Claude Monet (1840–1926) French impressionist painter

Quote from an interview with Thiebault-Sisson, 1900; as cited in Monet and His Muse: Camille Monet in the Artist's Life, Mary Mathews Gedo; University of Chicago Press, Sept. 2010, p. 10
1900 - 1920

“I am distinctly opposed to visibly arrogant and arbitrary extremes of government—but this is simply because I wish the safety of an artistic and intellectual civilisation to be secure, not because I have any sympathy with the coarse-grained herd who would menace the civilisation if not placated by sops. Surely you can see the profound and abysmal difference between this emotional attitude and the attitude of the democratic reformer who becomes wildly excited over the "wrongs of the masses". This reformer has uppermost in his mind the welfare of those masses themselves—he feels with them, takes up a mental-emotional point of view as one of them, regards their advancement as his prime objective independently of anything else, and would willingly sacrifice the finest fruits of the civilisation for the sake of stuffing their bellies and giving them two cinema shows instead of one per day. I, on the other hand, don't give a hang about the masses except so far as I think deliberate cruelty is coarse and unaesthetic—be it towards horses, oxen, undeveloped men, dogs, negroes, or poultry. All that I care about is the civilisation—the state of development and organisation which is capable of gratifying the complex mental-emotional-aesthetic needs of highly evolved and acutely sensitive men. Any indignation I may feel in the whole matter is not for the woes of the downtrodden, but for the threat of social unrest to the traditional institutions of the civilisation. The reformer cares only for the masses, but may make concessions to the civilisation. I care only for the civilisation, but may make concessions to the masses. Do you not see the antipodal difference between the two positions? Both the reformer and I may unite in opposing an unworkably arrogant piece of legislation, but the motivating reasons will be absolutely antithetical. He wants to give the crowd as much as can be given them without wrecking all semblance of civilisation, whereas I want to give them only as much as can be given them without even slightly impairing the level of national culture. … He works for as democratic a government as possible; I for as aristocratic a one as possible.”

H.P. Lovecraft (1890–1937) American author

But both recognise the limitations of possibility.
Letter to Woodburn Harris (25 February-1 March 1929), in Selected Letters II, 1925-1929 edited by August Derleth and Donald Wandrei, pp. 289-290
Non-Fiction, Letters

Men, Dogs, Feeling, Motivation

“A creative artist works on his next composition because he is not satisfied with his previous one. When he loses a critical attitude toward his own work, he ceases to be an artist.”

Dmitri Shostakovich (1906–1975) Russian composer and pianist

New York Times, October 25, 1959.

“When I hear people speak of the evolution of an artist, it seems to me that they are considering him standing between two mirrors that face each other and reproduce his image an infinite number of times, and that they contemplate the successive images of one mirror as his past, and the images of the other mirror as his future, while his real image is taken as his present. They do not consider that they all are the same images in different planes…”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Paris 1923
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 311
Quotes, 1920's

People, Time, Success, Past

“good art means the ability of any one man to pin down in some permanent and intelligible medium a sort of idea of what he sees in Nature that nobody else sees. In other words, to make the other fellow grasp, through skilled selective care in interpretative reproduction or symbolism, some inkling of what only the artist himself could possibly see in the actual objective scene itself.”

H.P. Lovecraft (1890–1937) American author

Letter to Woodburn Harris (25 February-1 March 1929), quoted in "H.P. Lovecraft, a Life" by S.T. Joshi, p. 487
Non-Fiction, Letters

Art, Intelligence, Idea, Nature

“If people really stopped and realized how much art and creative people move the world versus politics and religion, I mean it’s not even up for debate. An artist at least creates things, puts things into the world. Where as these other people are destroying things, taking things out of the world.”

Marilyn Manson (1969) American rock musician and actor

Interview on The Henry Rollins Show

People, World, Religion, Art

“Morgan has the artist's mind; he says the simple things that clever people don't say; I find him the best of critics for that reason. Suddenly out comes the obvious thing that one has overlooked.”

Virginia Woolf (1882–1941) English writer

6 November 1919
A Moment's Liberty (1990)

People

“In the early days, I was writing scripts for virtually all the books, and it was very hard to keep all the artists busy; poor little frail me, doing story after story. So I'd be writing a story for Kirby, and Steve Ditko would walk in and say, 'Hey, I need some work now.' And I'd say, 'I can't give it to you now, Steve, I'm finishing Kirby's.' But we couldn't afford to keep Steve waiting, because time is money, so I'd have to say, 'Look Steve, I can't write a script for you now, but here's the plot for the next Spider-Man. Go home and draw anything you want, as long as it's something like this, and I'll put the copy in later.' So I was able to finish Jack's story. Steve in the meantime was drawing another story….. Okay, it started out as a lazy's man's device…but we realized this was absolutely the best way to do a comic….. Don't have the writer say, 'Panel one will be a long shot of Spider-Man walking down the street.”

Stan Lee (1922–2018) American comic book writer

The artist may see it differently; maybe he feels it should be a shot of Spider-Man swinging on his web, or climbing upside-down on the ceiling or something. <br class="br">On the early days of work at Marvel Comics. Interview (1975) http://www.ditko.comics.org/ditko/why/whyquote.html

Money, Books, Way, Feeling

“I'm seventeen now so I've grown in a lot of ways, artistically and vocally.”

Aaliyah (1979–2001) American singer, actress and model

Way

“Because I'm a person who always has to do something. If I cannot do anything, I'm in a very bad way. But really I'm always working on something. And I always want to work, too. Well, the few artists I know really well, they are all so... It's a really bad block when you think, right, now I've got to do art. It really is very important to learn that that is not the most important thing.”

Isa Genzken (1948) German sculptor

2001 - 2010, Isa Genzken in conversation with Wolfgang Tillmans' (2003)

Art, Way, Thinking, Learning

“Of the complete biological inferiority of the negro there can be no question—he has anatomical features consistently varying from those of other stocks, & always in the direction of the lower primates... Equally inferior—& perhaps even more so—is the Australian black stock, which differs widely from the real negro... In dealing with these two black races, there is only one sound attitude for any other race (be it white, Indian, Malay, Polynesian, or Mongolian) to take—& that is to prevent admixture as completely & determinedly as it can be prevented, through the establishment of a colour-line & the rigid forcing of all mixed offspring below that line. I am in accord with the most vehement & vociferous Alabaman or Mississippian on that point … Other racial questions are wholly different in nature—involving wide variations unconnected with superiority or inferiority. Only an ignorant dolt would attempt to call a Chinese gentleman—heir to one of the greatest artistic & philosophic traditions in the world—an "inferior" of any sort... & yet there are potent reasons, based on wide physical, mental, & cultural differences, why great numbers of the Chinese ought not to mix into the Caucasian fabric, or vice versa. It is not that one race is any better than any other, but that their whole respective heritages are so antipodal as to make harmonious adjustment impossible. Members of one race can fit into another only through the complete eradication of their own background-influences—& even then the adjustment will always remain uneasy & imperfect if the newcomer's physical aspect froms a constant reminder of his outside origin. Therefore it is wise to discourage all mixtures of sharply differentiated races—though the color-line does not need to be drawn as strictly as in the case of the negro, since we know that a dash or two of Mongolian or Indian or Hindoo or some such blood will not actually injure a white stock biologically.... As a matter of fact, most of the psychological race-differences which strike us so prominently are cultural rather than biological. If one could take a Japanese infant, alter his features to the Anglo-Saxon type through plastic surgery, & place him with an American family in Boston for rearing—without telling him that he is not an American—the chances are that in 20 years the result would be a typical American youth with very few instincts to distinguish him from his pure Nordic college-mates. The same is true of other superior alien races including the Jew—although the Nazis persist in acting on a false biological conception. If they were wise in their campaign to get rid of Jewish cultural influences (& a great deal can be said for such a campaign, when the dominance of the Aryan tradition is threatened as in Germany & New York City), they would not emphasize the separatism of the Jew but would strive to make him give up his separate culture & lose himself in the German people. It wouldn't hurt Germany—or alter its essential physical type—to take in all the Jews it now has.”

H.P. Lovecraft (1890–1937) American author

However, that wouldn't work in Poland or New York City, where the Jews are of an inferior strain, & so numerous that they would essentially modify the physical type.
Letter to Natalie H. Wooley (22 November 1934), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, p. 77
Non-Fiction, Letters

People, Youth, World, Family

“Really superior artists judge without being prejudiced by school, nationality or period. If the artists of north and south exhibit different tendencies, it is good that they are different!”

Giuseppe Verdi (1813–1901) Italian composer

Gli artisti veramente superiori giudicano senza pregiudizi di scuole, di nazionalità, di tempo. Se gli artisti del Nord e del Sud hanno tendenze diverse, è bene siano diverse.
Letter to Hans von Bülow, April 14, 1892, cited from Franco Abbiati Giuseppe Verdi (Milano: Ricordi, 1959) vol. 4, p. 440; translation from Charles Osborne (ed. and trans.) Letters of Giuseppe Verdi (London: Victor Gollancz, 1971) p. 249.

School

“No doubt the artist is the child of his time; but woe to him if he is also its disciple, or even its favorite.”

Friedrich Schiller book On the Aesthetic Education of Man

Letter 9
On the Aesthetic Education of Man (1794)

Time

“When I say that I can write nothing but weird fiction, I am not trying to exalt that medium but am merely confessing my own weakness. The reason I can't write other kinds is not that I don't value & respect them, but merely that my slender set of endowments does not enable me to extract a compellingly acute personal sense of interest & drama from the natural phenomena of life. I know that these natural phenomena are more important & significant than the special & tenuous moods which so absorb me, & that an art based on them is greater than any which fantasy could evoke—but I'm simply not big enough to react to them in the sensitive way necessary for artistic response & literary use. God in heaven! I'd certainly be glad enough to be a Shakespeare or Balzac or Turgeniev if I could!... I respect realism more than any other form of art—but must reluctantly concede that, through my own limitations, it does not form a medium which I can adequately use.”

H.P. Lovecraft (1890–1937) American author

Letter to E. Hoffman Price (29 September 1933), quoted in "H.P. Lovecraft, a Life" by S.T. Joshi, p. 579
Non-Fiction, Letters, to E. Hoffmann Price

Life, God, Art, Way

“It often happens that an old family, with traditions that are entirely practical, sober and bourgeois, undergoes in its declining days a kind of artistic transfiguration.”

Thomas Mann book Tristan

Source: Tristan (1902), Ch. 7

Family

“I speak with the Eternal through the instrument of nature, — through the world's history: I read the soul of the artist in his Apollo.”

Friedrich Schiller (1759–1805) German poet, philosopher, historian, and playwright

Letter 4: Theosophy of Julius
The Philosophical Letters

World, Soul, History, Nature

“This theory argues that artists are useful to society because they are so sensitive. They are supersensitive. They keel over like canaries in coal mines filled with poison gas, long before more robust types realize that any danger is there.”

Kurt Vonnegut (1922–2007) American writer

Wampeters, Foma & Granfalloons (1974)

“At the age of ten, twenty, a hundred, very young, a little older, and very old, an artist is always an artist. Isn't he better at some times, some moments, than at others? Never impeccable, since he is a living, human being?”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1890s - 1910s, The Writings of a Savage (1996), p. 219: quote from 1903

Age, Time

“Art is the Flower - Life is the Green Leaf. Let every artist strive to make his flower a beautiful living thing, something that will convince the world that there may be, there are, things more precious more beautiful - more lasting than life itself… you must offer real, living - beautifully coloured flowers - flowers that grow from, but above, the green leaf – flowers that are not dead – are not dying – not artificial – real flowers springing from your own soul – not even cut flowers - You must offer the flowers of the art that is in you – the symbols of all that is noble – and beautiful – and inspiring - flowers that will often change a colourless leaf - into an established and thoughtful thing.”

Charles Rennie Mackintosh (1868–1928) Scottish architect, designer, water colourist and artist

Lecture, "Seemliness" (Glasgow, 1902), as cited in: David Brett, C. R. Mackintosh: The Poetics of Workmanship, (2004), p. 56

Life, World, Beauty, Art

“Everyone wants to understand painting. Why don't they try to understand the song of the birds? Why do they love a night, a flower, everything which surrounds man, without attempting to understand them? Whereas where painting is concerned, they want to understand. Let them understand above all that the artist works from necessity; that he, too, is a minute element of the world to whom one should ascribe no more importance than so many things in nature which charm us but which we do not explain to ourselves. Those who attempt to explain a picture are on the wrong track most of the time. Gertrude Stein, overjoyed, told me some time ago that she had finally understood what my picture represented: three musicians. It was a still life!!”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Boisgeloup, winter 1934
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008
Quotes, 1930's, "Conversations avec Picasso," 1934–35

Love, Life, World, Flowers

“I don't think that either self-deprecation or self-aggrandizement is among the defining qualities of an artist…Beethoven could have been forgiven if his symphonies had gone to his head. Gretchaninoff could also be forgiven if his Dobrinya Nikititch went to his head. But neither one could be forgiven for writing a piece that was amoral, servile, the work of a flunky.”

Dmitri Shostakovich (1906–1975) Russian composer and pianist

Letter to Isaac Glikman, February 26, 1960; Josiah Fisk & Jeff Nichols (eds.) Composers on Music (1997) p. 354.

Thinking

“Did you know that I went to London to see Whistler and that I spent about twelve days, very impressed by London and also by Whistler, who is a great artist; moreover, he could not have been more charming to me, and has invited me to exhibit at his show.”

Claude Monet (1840–1926) French impressionist painter

Quote in a letter to art-critic Theodore Duret (13 August 1887, L. 794); as cited in: Katharine Jordan Lochnan, ‎Luce Abélès, ‎James McNeill Whistler (2004), Turner, Whistler, Monet, p. 179
1870 - 1890

“Each of our moral, mental, and bodily powers must have its development based upon its own nature, and not based upon artificial and outside influences. Faith must be developed by exercises in believing and cannot be developed from the knowledge and understanding, only, of what is to be believed; thought must grow from thinking, for it cannot come simply from the knowledge and understanding of what is to be thought, or the laws of thought; love must be developed by loving, for it does not arise merely from a knowledge and understanding of what love is and of what ought to be loved; art, also, can only be cultivated through doing artistic work and acquiring skill, for unending discussion of art and skill will not develop them. Such a return to the true method of Nature in the method of the development of our powers necessitates the subordination of education to the knowledge of the various laws which govern those powers.”

Johann Heinrich Pestalozzi (1746–1827) Swiss pedagogue and educational reformer

Address to his household, Yverdon, Switzerland, on his seventy-second birthday (1818-01-12)

Love, Education, Faith, Law

“It seems to me now that mathematics is capable of an artistic excellence as great as that of any music, perhaps greater; not because the pleasure it gives (although very pure) is comparable, either in intensity or in the number of people who feel it, to that of music, but because it gives in absolute perfection that combination, characteristic of great art, of godlike freedom, with the sense of inevitable destiny; because, in fact, it constructs an ideal world where everything is perfect and yet true.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Letter to Gilbert Murray, April 3, 1902
1900s

People, Pleasure, World, Art

“It is not what the artist does that counts. But what he is. Cézanne would never have interested me if he had lived and thought like Jaques-Emile Blanche, even if the apple he had painted had been ten times more beautiful. What interests us is the anxiety of Cézanne, the teaching of Cézanne, the anguish of Van Gogh, in short the inner drama of the man. The rest is false.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Boisgeloup, winter 1934
Richard Friedenthal, (1963, p. 259)
Quotes, 1930's, "Conversations avec Picasso," 1934–35

Beauty, Winter, Time, Painting

“As an artist, you should not wish to create what you don’t feel you have to create.”

Marie von Ebner-Eschenbach (1830–1916) Austrian writer

Künstler, was du nicht schaffen mußt, das darfst du nicht schaffen wollen.
Source: Aphorisms (1880/1893), p. 21.

Feeling

“I think that fashion and music go hand-in-hand, and they always should. It's the artist's job to create imagery that matches the music… I think they're very intertwined.”

Lady Gaga (1986) American singer, songwriter, and actress

Lady Gaga Interview with ARTISTdirect http://www.artistdirect.com/nad/news/article/0,,4931544,00.html.

Music, Fashion, Thinking

“Wilhelm Meister's Apprenticeship may be called throughout prosaic and modern. The Romantic sinks to ruin, the Poesy of Nature, the Wonderful. The Book treats merely of common worldly things: Nature and Mysticism are altogether forgotten. It is a poetised civic and household History; the Marvellous is expressly treated therein as imagination and enthusiasm. Artistic Atheism is the spirit of the Book. … It is properly a Candide, directed against Poetry: the Book is highly unpoetical in respect of spirit, poetical as the dress and body of it are.”

Novalis (1772–1801) German poet and writer

Ralph Waldo Emerson in "Goethe; or, the Writer" writes of this passage, and quotes a slightly different translation: The ardent and holy Novalis characterized the book as "thoroughly modern and prosaic; the romantic is completely levelled in it; so is the poetry of nature; the wonderful. The book treats only of the ordinary affairs of men: it is a poeticized civic and domestic story. The wonderful in it is expressly treated as fiction and enthusiastic dreaming:" — and yet, what is also characteristic, Novalis soon returned to this book, and it remained his favorite reading to the end of his life.
Novalis (1829)

Books, Imagination, History, Nature

“Thus it is that ideas, which grow up within the imagination and appear so lovely to it and of a value beyond whatever men call valuable, are exposed to be shattered and annihilated by contact with the practical. It is requisite for the ideal artist to possess a force of character that seems hardly compatible with its delicacy; he must keep his faith in himself while the incredulous world assails him with its utter disbelief; he must stand up against mankind and be his own sole disciple, both as respects his genius and the objects to which it is directed.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

"The Artist of the Beautiful" (1844)

Love, Men, World, Faith

“There is an artist imprisoned in each one of us. Let him loose to spread joy everywhere.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Last Essay: "1967"
1960s

Joy

“Here we allow absolute freedom to the journalist and entirely limit the artist. English public opinion, that is to say, tries to constrain and impede and warp the man who makes things that are beautiful in effect, and compels the journalist to retail things that are ugly, or disgusting, or revolting in fact, so that we have the most serious journalists in the world and the most indecent newspapers.”

Oscar Wilde book The Soul of Man under Socialism

The Soul of Man Under Socialism (1891) <br class="br">Source: Wilde, Oscar, (1891 / 1912) The Soul of Man Under Socialism, London, Arthur L. Humphreys. Retrieved from University of California Libraries Archive.org https://archive.org 13 February 2018 https://archive.org/details/soulofmanunderso00wildiala

World, Beauty, Freedom

“We know today that nothing will restore the pre-machine condition of reasonably universal employment save an artificial allocation of working hours involving the use of more men than formerly to perform a given task.... The primary function of society, in spite of all the sophistries spurred of selfishness, is to give men better conditions than they could get without it; and the basic need today is jobs for all—not for "property" for a few of the luck and the acquisitive.... In view of the urgent need for change, there is something almost obscene in the chatter of the selfish about various psychological evils allegedly inherent in a New Deal promising decent economic security and humane leisure for all instead of for a few.... What is worth answering is the kindred outcry about "regimentation", "collective slavery", "violation of Anglo-Saxon freedom", "destruction of the right of the individual to make his own way" and so on; with liberal references to Stalin, Hitler, Mustapha Kemal, and other extremist dictators who have sought to control men's personal, intellectual, and artistic lives, and traditional habits and folkways, as well as their economic fortunes. Naturally the Anglo-Saxon balks at any programme calculated to limit his freedom as a man and a thinker or to disturb his inherited perspectives and daily customs—and need we say that no plan ever proposed in an Anglo-Saxon country would conceivably seek to limit such freedom or disturb such perspectives and customs? Here we have a deliberate smoke-screen—conscious and malicious confusion of terms. A decent planned society would indeed vary to some extent the existing regulations (for there are such) governing commercial and economic life. Yet who save a self-confessed Philistine or Marxist (the plutocrat can cite "Das Kapital" for his purpose!) would claim that the details and conditions of our merely economic activities form more than a trivial fraction of our whole lives and personalities? That which is essential and distinctive about a man is not the routine of material struggle he follows in his office; but the civilised way he lives, outside his office, the life whose maintenance is the object of his struggle. So long as his office work gains him a decently abundant and undisputedly free life, it matters little what that work is—what the ownership of the enterprise, and what and how distributed its profits, if profits there be. We have seen that no system proposes to deny skill and diligence an adequate remuneration. What more may skill and diligence legitimately ask? Nor is any lessening in the pride of achievement contemplated. Man will thrill just as much at the overcoming of vast obstacles, and the construction of great works, whether his deeds be performed for service or for profit. As it is, the greatest human achievements have never been for profit. Would Keats or Newton or Lucretius or Einstein or Santayana flourish less under a rationally planned society? Any intimation that a man's life is wholly his industrial life, and that a planned economic order means a suppression of his personality, is really both a piece of crass ignorance and an insult to human nature. Incidentally, it is curious that no one has yet pointed to the drastically regulated economic life of the early Mass. Bay colony as something "American!"”

H.P. Lovecraft (1890–1937) American author

Unpublished (and probably unsent) letter to the Providence Journal (13 April 1934), quoted in Collected Essays, Volume 5: Philosophy, edited by J. T. Joshi, pp. 115-116
Non-Fiction, Letters

Life, Men, Way, Nature

“a remark of Monet, quoted by Ambroise Vollard, as quoted in Discovering Art, – The life time and work of the World’s greatest Artists, MONET'; K. E. Sullivan, Brockhamptonpress, London 2004, p. 44”

Claude Monet (1840–1926) French impressionist painter

the sun went that day too far already, to be able to finish the painting well - in Monet's opinion
after Monet's death

Life, World, Art, Quotes

“The artist’s will is secondary to the process he initiates from idea to completion.... His wilfulness may only be ego.... The process is mechanical and should not be tampered with. It should run its course.”

Sol LeWitt (1928–2007) American artist

as quoted in Gerhard Richter, Doubt and belief in painting, Robert Storr, MOMA, New York, 2003, p. 88, note 17
Quotes of Sol Lewitt

Idea

“Ideally a painter (and, generally, an artist) should not become conscious of his insights: without taking the detour through his reflective processes, and incomprehensibly to himself, all his progress should enter so swiftly into the work that he is unable to recognise them in the moment of transition. Alas, the artist who waits in ambush there, watching, detaining them, will find them transformed like the beautiful gold in the fairy tale which cannot remain gold because some small detail was not taken care of.”

Rainer Maria Rilke (1875–1926) Austrian poet and writer

Letter to his wife, reprinted in Rilke’s Letters on Cézanne (1952, trans. 1985). (October 21, 1907)
Rilke's Letters

Beauty, Waiting

“To send light into the depths of the human heart -- this is the artist's calling!”

Robert Schumann (1810–1856) German composer, aesthete and influential music critic

Quotes in: John Sullivan Dwight (1856) Dwight's Journal of Music, Vol. 7-8, p. 12
Original: Licht senden in die Tiefen des menschlichen Herzens -- des Künstlers Beruf!; Quoted in E.W. Fritzsch (1884) Musikalisches Wochenblatt, Volume 15

Light, Heart

“Most artists go potty as they get older: dafter and madder as they get more celibate. So I am consciously going to do that.”

Peter Blake (1932) British artist

Charlotte Higgins, "It was 37 years ago today &ndash; and Sgt Pepper cover has still failed to pay", http://www.guardian.co.uk/thebeatles/story/0,,1230411,00.html The Guardian, 2004-06-03 <br class="br">Life

“Jongkind.... his painting was too new and far too artistic to be appreciated in 1862 at his prices. Moreover, no one was as bad at making himself valued, as he was. He was a straight-forward and simple kind of man, who could hardly speak bad French and was very shy. But he was very outgoing that day. He asked to see my sketches, invited me to come and work with him, explained the whys and wherefores underlining his work and thereby, completed the training that I had already received from Boudin. He became from this moment my true master and it [is] to him, that I owe the definitive training of my eyes.”

Claude Monet (1840–1926) French impressionist painter

Quote from Claude Monet par lui-meme – interview by Thiébault-Sisson / translated by Louise McGlone Jacot-Descombes; published in Le Temps newspaper, 26 November 1900
about Johan Jongkind, famous pre-impressionist landscape-painter of Dutch origin, painting then in Honfleur for some years and advising Monet then.
1900 - 1920

Painting, Training

“If we are to change our world view, images have to change. The artist now has a very important job to do. He's not a little peripheral figure entertaining rich people, he's really needed.”

David Hockney (1937) British artist

Interview with Paul Joyce, New York, (September 1986) quoted in Hockney on Photography, ed. Wendy Brown (1988)
1980s

People, World, Change

Quotes about artist page 2

Quotes about artist
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