
The castle of Kmita and Lubomirski at Wiśnicz Nowy, "Aura" 2, 1991-02, p. 18-20. http://agro.icm.edu.pl/agro/element/bwmeta1.element.agro-bd5a073d-07bd-4353-9edc-6bf8ea3d43c5?q=de70f1df-826d-4538-9cee-535aa9902521$5&qt=IN_PAGE
A collection of quotes on the topic of artist, art, work, working.
The castle of Kmita and Lubomirski at Wiśnicz Nowy, "Aura" 2, 1991-02, p. 18-20. http://agro.icm.edu.pl/agro/element/bwmeta1.element.agro-bd5a073d-07bd-4353-9edc-6bf8ea3d43c5?q=de70f1df-826d-4538-9cee-535aa9902521$5&qt=IN_PAGE
“What an artist dies in me!”
Qualis artifex pereo.
Variant translations:
What an artisan I am in dying!
So great an artist, I die!
Like an artist, I die.
Truly... an artist is about to perish.
Quoted in ""Nero"" - Page 51 by Edward Champlin - History - 2003
“Learn the rules like a pro, so you can break them like an artist.”
Quote in Vincent's letter, from Arles, Tuesday, 18 September 1888; as cited in Van Gogh : The Self-portraits (1969) by Fritz Erpel, p. 17
Variant translations: The more I think about it, the more I realize there is nothing more artistic than to love others.
As quoted in Mary Engelbreit's Words To Live By (1999) by Mary Engelbreit
I tell you the more I think, the more I feel that there is nothing more truly artistic than to love people.
1880s, 1888
Variant: There is nothing more truly artistic than to love people.
“The artist sees what others only catch a glimpse of.”
“Every child is an artist. The problem is how to remain an artist once he grows up.”
Quote attributed to Picasso in TIME, October 4, 1976, Modern Living: Ozmosis in Central Park http://quoteinvestigator.com/2015/03/07/child-art/ http://content.time.com/time/magazine/article/0,9171,918412,00.html
Disputed
Variant: All children are artists. The problem is how to remain an artist once he grows up.
This quote was actually composed by Louis Nizer, and published in his book, Between You and Me (1948).
Misattributed
Variant: He who works with his hands is a laborer. He who works with his hands and his head is a craftsman. He who works with his hands and his head and his heart is an artist.
“I don't believe in art. I believe in artists.”
“Every production of an artist should be the expression of an adventure of his soul.”
Source: The Summing Up (1938), p. 310
Quoted in Albert Jay Nock, Memoirs of a Superfluous Man (1943), p. 175.
Attributed
http://artdistricts.com/clandestine-culture-between-street-art-and-social-activism/
Source: I Sonetti Di Michelangelo: The 78 Sonnets of Michelangelo with Verse Translation
“Sorrowful and great is the artist's destiny.”
As quoted in Joseph Machlis, The Enjoyment of Music: An Introduction to Perceptive Listening (1963) Page 107.
“To be an artist, you need to exist in a world of silence.”
<span class="plainlinks"> Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/</span>
From Prose
“If the artist has outer and inner eyes for nature, nature rewards him by giving him inspiration.”
Source: 1916 -1920, Autobiography', 1918, p. 14
"Roentgen Rays or Streams", Electrical Review (12 Aug 1896). Reprinted in The Nikola Tesla Treasury (2007), 307. By Nikola Tesla
“If they think that an artist can destroy their faith, then their faith is rather fragile.”
As quoted in BBC News http://news.bbc.co.uk/2/hi/entertainment/4175850.stm (23 August 2005)
2000s
Quote in a letter from Giverny to Gustave Geffroy, 23 November 1894; as cited in: P. Michael Doran (2001), Art Conversations with Cézanne, p. 3
1890 - 1900
Attributed to Rodin in H. Read (1964), as cited in: Karl H. Pfenninger, Valerie R. Shubik, Bruce Adolphe (2001). The Origins of Creativity. p. 50
1950s-1990s
Interviewed by David Ewen in The Etude, 1941; cited from Josiah Fisk and Jeff Nichols (eds.) Composers on Music (Boston, MA: Northeastern Universities Press, 1997) pp. 235-6
2010s
As quoted in Writers on Writing (1986) by Jon Winokur.
Variant: If you ask me what I came into this life to do, I will tell you: I came to live out loud.
Source: Out of Africa (1937)
Context: People who dream when they sleep at night know of a special kind of happiness which the world of the day holds not, a placid ecstasy, and ease of heart, that are like honey on the tongue. They also know that the real glory of dreams lies in their atmosphere of unlimited freedom. It is not the freedom of the dictator, who enforces his own will on the world, but the freedom of the artist, who has no will, who is free of will. The pleasure of the true dreamer does not lie in the substance of the dream, but in this: that there things happen without any interference from his side, and altogether outside his control. Great landscapes create themselves, long splendid views, rich and delicate colours, roads, houses, which he has never seen or heard of...
Source: 1920s, "Picasso Speaks" (1923), p. 315.
Picasso quoted in 'TIME'; quoted in: The Atlantic, Vol. 214 (1964), p. 97.
Picasso commented on his ambiguous style, or use of multiple styles.
1960s
Source: Man's Search for Ultimate Meaning
“The artist is nothing without the gift, but the gift is nothing without work.”
As quoted in Wisdom for the Soul : Five Millennia of Prescriptions for Spiritual Healing (2006) by Larry Chang , p. 55.
Quote from The Writings of Marcel Duchamp (Marchand du Sel) e.d. Michel Sanouille and Elmer Peterson, New York 1973, pp. 139-140
posthumous
Context: The spectator experiences the phenomenon of transmutation; through the change from inert matter into a work of art, an actual transubstantiation has taken place... All in all, the creative act is not performed by the artist alone; the spectator brings the work into contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.
“Bad artists copy. Good artists steal.”
Compare: "Immature poets imitate; mature poets steal." T. S. Eliot, in Philip Massinger, in The Sacred Wood (1920)
Disputed
Variant: Good artists copy, great artists steal.
“You can't help it. An artist's duty, as far as I'm concerned, is to reflect the times.”
“A true artist is not one who is inspired, but one who inspires others.”
Source: We Make the Road by Walking: Conversations on Education and Social Change
“All artists are willing to suffer for their work. But why are so few prepared to learn to draw?”
Existencilism (2002)
Source: Wall and Piece
Quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 258 (translation Daphne Woodward)
1960s
“I don’t see myself as a dissident artist. I see them as a dissident government!”
Ai Weiwei Twitter feed: @AiWW (January 25, 2012)
2010-, Twitter feeds, 2010-12
“What artists call posterity is the posterity of the work of art.”
Ce qu'on appelle la postérité, c'est la postérité de l'œuvre.
Source: In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol II: Within a Budding Grove (1919), Ch. I: "Madame Swann at Home"
Empire magazine interview, 1994.
In an interview (1956); published in Conversations with Artists, by Seldon Rodman, New York, Capricorn Books, 1961, pp. 84-85
1950's
http://www.popmonk.com/actors/leonardo-dicaprio/quotes-leonardo-dicaprio.htm
On musical influences
Ebony interview (2007)
Io…vorrei che il giovane quando si mette a scrivere, non pensasse mai ad essere né melodista, né realista, né idealista, né avvenirista, né tutti i diavoli che si portino queste pedanterie. La melodia e l’armonia non devono essere che mezzi nella mano dell'artista per fare della Musica, e se verrà un giorno in cui non si parlerà più né di melodia né di armonia né di scuole tedesche, italiane, né di passato né di avvenire ecc. ecc. ecc. allora forse comincierà il regno dell'arte.
Letter to Opprandino Arrivabene, July 14, 1875, cited from Julian Budden Le opere di Verdi (Torino: E.D.T., 1986) vol. 2, p. 60; translation from Josiah Fisk and Jeff Nichols (eds.) Composers on Music (Boston: Northeastern University Press, 1997) p. 126
As quoted in Paul Robeson, The Whole World in His Hands (1981) by Susan Robeson, p. 60
on the topic of hand-drawn animation (2005) The Guardian article http://www.theguardian.com/film/2005/sep/14/japan.awardsandprizes
On Animation
Remarks at National Action Network headquarters (6 July 2002)
Quote from 'Max Ernst im Gesprach mit Eduard Roditi' (1967), as cited in Max Ernst, Écritures Paris, 1970, p. 416
1951 - 1976
Reported by Dick Richards in "Ginger: Salute to a Star", quoting Rogers from Francis Wyndham's story about Ginger Rogers, in London's "Sunday Times Magazine".
Inside the Painter's Studio, Joe Fig, Princeton Architectural Press, 2009, p. 42
He could only write it because he was not dependent on State aid.
"As I Please" column in The Tribune (13 October 1944)<sup> http://alexpeak.com/twr/orwell/quotes/ http://alexpeak.com/twr/ooc/#2</sup>
As I Please (1943–1947)
“I want to grow as an artist and I'm taking a step out, I want my music to mature.”
Radio interview to Power 106, as quoted in Daily Mail, 'I'm retiring man': Justin Bieber announces that he's quitting his career as a singer during interview on national radio http://www.dailymail.co.uk/tvshowbiz/article-2525612/Justin-Bieber-announces-hes-quitting-career-singer-interview-national-radio.html, 18 December, 2013
“The artist works out his own formulas; the interest of science lies in the art of making science.”
Moralités (1932)
Context: Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.
Nobel lecture (1970)
Context: Let us not violate the RIGHT of the artist to express exclusively his own experiences and introspections, disregarding everything that happens in the world beyond. Let us not DEMAND of the artist, but — reproach, beg, urge and entice him — that we may be allowed to do. After all, only in part does he himself develop his talent; the greater part of it is blown into him at birth as a finished product, and the gift of talent imposes responsibility on his free will. Let us assume that the artist does not OWE anybody anything: nevertheless, it is painful to see how, by retiring into his self-made worlds or the spaces of his subjective whims, he CAN surrender the real world into the hands of men who are mercenary, if not worthless, if not insane.
“If I worried about everything that everyone said, I would not be a good artist.”
Context: Grace Jones said this to me when I met her. I washed her feet, and I looked up at her and she said, "No matter what you do in your life, don’t you ever let anybody take your creative people away from you." And what my creative friends always remind me of is they say, "Only value the opinion of those that you respect. And anyone that you don’t respect, pay no mind to their opinion about you or anything else." And that’s how I live my life. If I worried about everything that everyone said, I would not be a good artist.
"Artistic Freedom"
I'm a Born Liar (2003)
Context: I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and the rest of it.
On working in webseries https://timesofindia.indiatimes.com/tv/news/hindi/sukriti-kandpal-except-for-supernatural-and-naagin-shows-i-dont-think-much-has-changed-on-tv/articleshow/70315084.cms/
http://www.metroguiltypleasures.com/metro/coldplays-chris-martin-is-a-modern-day-shakespeare-says-jay-z/ source
Statement of April 1961, as quoted in Warrior of Light : The Life of Nicholas Roerich : Artist, Himalayan explorer and visionary (2002) by Colleen Messina, p. 46
“The artist is not a different kind of person, but every person is a different kind of artist.”
Letter to Paul Cézanne (16 April 1860), as published in Paul Cézanne : Letters (1995) edited by John Rewald.
“The worst evil which can befall the artist is that his work should appear good in his own eyes.”
“No great artist ever sees things as they really are. If he did, he would cease to be an artist.”
The Decay of Lying (1889)
“Every grain of experience is food for the greedy growing soul of the artist.”
Non-Fiction, Here Comes Everybody: An Introduction to James Joyce for the Ordinary Reader (1965)
Variant: Every grain of experience is food for the greedy growing soul of the artist.
“The critic has to educate the public; the artist has to educate the critic.”
“Every artist is an unhappy lover. And unhappy lovers want to tell their story.”
Source: The Black Prince
“No artist tolerates reality.”
Fiction, The Call of Cthulhu (1926)
Context: It was from the artists and poets that the pertinent answers came, and I know that panic would have broken loose had they been able to compare notes. As it was, lacking their original letters, I half suspected the compiler of having asked leading questions, or of having edited the correspondence in corroboration of what he had latently resolved to see.
“The artist stands on the human being as a statue does on a pedestal.”
Source: Novalis: Philosophical Writings
Source: Big Sur and the Oranges of Hieronymus Bosch (1957), p. 400
“The secret to so many artists living so long is that every painting is a new adventure.”
As quoted in A Rockwell Portrait : An Intimate Biography (1978) by Donald Walton, p. 251
Context: The secret to so many artists living so long is that every painting is a new adventure. So, you see, they're always looking ahead to something new and exciting. The secret is not to look back.
“An artist should create beautiful things, but should put nothing of his own life into them.”
Source: The Picture of Dorian Gray