Quotes about artificer

A collection of quotes on the topic of artificer, nature, time, use.

Quotes about artificer

“The ancients considered mechanics in a twofold respect; as rational, which proceeds accurately by demonstration, and practical. To practical mechanics all the manual arts belong, from which mechanics took its name. But as artificers do not work with perfect accuracy, it comes to pass that mechanics is so distinguished from geometry, that what is perfectly accurate is called geometrical; what is less so is called mechanical. But the errors are not in the art, but in the artificers. He that works with less accuracy is an imperfect mechanic: and if any could work with perfect accuracy, he would be the most perfect mechanic of all; for the description of right lines and circles, upon which geometry is founded, belongs to mechanics. Geometry does not teach us to draw these lines, but requires them to be drawn; for it requires that the learner should first be taught to describe these accurately, before he enters upon geometry; then it shows how by these operations problems may be solved.”

Isaac Newton book Philosophiae Naturalis Principia Mathematica

Preface (8 May 1686)
Philosophiæ Naturalis Principia Mathematica (1687)

Art, Error, Problem, Drawing

“We need another and a wiser and perhaps a more mystical concept of animals. Remote from universal nature, and living by complicated artifice, man in civilization surveys the creature through the glass of his knowledge and sees thereby a feather magnified and the whole image in distortion. We patronize them for their incompleteness, for their tragic fate of having taken form so far below ourselves. And therein we err, and greatly err. For the animal shall not be measured by man. In a world older and more complete than ours they moved finished and complete, gifted with extensions of the senses we have lost or never attained, living by voices we shall never hear. They are not brethren, they are not underlings; they are other nations, caught with ourselves in the net of life and time, fellow prisoners of the splendour and travail of the earth.”

Henry Beston book The Outermost House

Source: The Outermost House, 1928, p. 25: Ch 2

Life, Fate, World, Nature

“He was still too young to know that the heart's memory eliminates the bad and magnifies the good, and that thanks to this artifice we manage to endure the burden of the past.”

Gabriel García Márquez book Love in the Time of Cholera

Variant: .. the heart's memory eliminates the bad and magnifies the good, and [that] thanks to this artifice we manage to endure the burden of the past
Source: Love in the Time of Cholera

Memory, Past, Heart

“Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.”

W.B. Yeats book The Tower

St. 3 <br class="br">The Tower (1928), Sailing to Byzantium http://poetry.poetryx.com/poems/1575/

Heart, Animals

“Freedom exalts power; and, as is always the collateral effect of increasing strength, tends to induce a spirit of liberality. Coercion stifles power, and engenders all selfish desires, and all the mean artifices of weakness. Coercion may prevent many transgressions; but it robs even actions which are legal of a portion of their beauty. Freedom may lead to many transgressions, but it lends even to vices a less ignoble form.”

Wilhelm Von Humboldt (1767–1835) German (Prussian) philosopher, government functionary, diplomat, and founder of the University of Berlin

Source: The Limits of State Action (1792), Ch. 8

Beauty, Freedom, Selfishness

“The very object of an art, the principle of its artifice, is precisely to impart the impression of an ideal state in which the man who reaches it will be capable of spontaneously producing, with no effort of hesitation, a magnificent and wonderfully ordered expression of his nature and our destinies.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Remarks on Poetry in The Art of Poetry (1958)

Art, Nature, Effort

“So art lies hid by its own artifice.”

Ovid Metamorphoses

Book X, 252
Metamorphoses (Transformations)

Art

“What grace of light, what pure toil goes to form
The manifold diamond of the elusive foam!
What peace I feel begotten at that source!
When sunlight rests upon a profound sea,
Time's air is sparkling, dream is certainty —
Pure artifice both of an eternal Cause.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Quel pur travail de fins éclairs consume
Maint diamant d'imperceptible écume,
Et quelle paix semble se concevoir!
Quand sur l'abîme un soleil se repose,
Ouvrages purs d'une éternelle cause,
Le temps scintille et le songe est savoir.
As translated by by C. Day Lewis
Charmes ou poèmes (1922)

Peace, Dreams, Feeling, Light

“The rude, discursive Thinker is the Scholastic (Schoolman Logician). The true Scholastic is a mystical Subtlist; out of logical Atoms he builds his Universe; he annihilates all living Nature, to put an Artifice of Thoughts (Gedankenkunststuck, literally Conjuror's-trick of Thoughts) in its room. His aim is an infinite Automaton. Opposite to him is the rude, intuitive Poet: this is a mystical Macrologist: he hates rules and fixed form; a wild, violent life reigns instead of it in Nature; all is animate, no law; wilfulness and wonder everywhere. He is merely dynamical. Thus does the Philosophic Spirit arise at first, in altogether separate masses. In the second stage of culture these masses begin to come in contact, multifariously enough; and, as in the union of infinite Extremes, the Finite, the Limited arises, so here also arise "Eclectic Philosophers" without number; the time of misunderstanding begins. The most limited is, in this stage, the most important, the purest Philosopher of the second stage. This class occupies itself wholly with the actual, present world, in the strictest sense. The Philosophers of the first class look down with contempt on those of the second; say, they are a little of everything, and so nothing; hold their views as the results of weakness, as Inconsequentism. On the contrary, the second class, in their turn, pity the first; lay the blame on their visionary enthusiasm, which they say is absurd, even to insanity.”

Novalis (1772–1801) German poet and writer

Pupils at Sais (1799)

Life, Hate, World, Law

“We may employ artifice to deceive a rival, anything against our enemies.”

Cardinal Richelieu (1585–1642) French clergyman, noble and statesman

Pour tromper un rival l'artifice est permis; on peut tout employer contres ses ennemis.
As quoted in Dictionary of Quotations from Ancient and Modern English and Foreign Sources (1899) by James Wood
Variant translation: To mislead a rival, deception is permissible; one may use all means against his enemies.

“He was bookish, she was not; he was theoretical, she political. She called a rose a rose. He called it an accumulation of cultural and biological constructions circulating around the mutually attracting binary poles of nature/artifice.”

Zadie Smith On Beauty

Unspecified edition, p. 225.
Source: On Beauty (2005)

Nature

“Wisdom consists partly in not pretending anymore, in discarding artifice.”

Julian Barnes (1946) English writer

Wisdom

“It makes you a different person, to not have a past. It eats away at who you are, until what’s left is all construct, all artifice.”

Holly Black book Black Heart

Source: Black Heart

Past, Personality

“Life connects us, Benjamin, not artifice.”

Chaim Potok (1929–2002) American rabbi

Old Men At Midnight

Life

“The school of art which Hulme started and Pound established.. diction, rhythm and metre were fully emancipated from formal artifice and the poet was free to act creatively under the laws of his own origination.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Form in Modern Poetry(1932)

School, Law, Art

“Maurice Joly: Your honor, I have not written a lampoon here…this book’s delineations are applicable to all governments!
Prosecutor: No, your honor.. this man has written a tract that barely conceals a horrid defamation of our emperor!!
Maurice Joly: No! No! No! This book provides a call to conscience…a perspective for citizens concerned about the harsh realities of the conditions in which they live…
Furthermore, my book shows how the despotism taught by Machiavelli in “The Prince” could, by artifice and evil ways, impose itself on our society.
Prosecutor: No, your honor. It does more than that… for by ‘’’using’’’ the despotism of Machiavelli’’’ asa comparison, Joly seeks to show that Bonaparte, our sovereign, and an evil Italian are ‘’’the same’’’ in thought and deed!
Maurice Joly: If the reader sees a relationship to the infamy of the emperor, am I to blame?
Judge: Maurice Joly, I charge you with the crime of defamation! Of suggesting through shameful means that our sovereign has led the public astray, degraded our nation and corrupted our morals! This is an infamy, sir!!
Judge: Therefore, Maurice Joly, this court sentences you to 15 months imprisonment.
Maurice Joly: This is unfair and an example of this despotic society under Louis Bonaparte!
Balif: Quiet! You’ve had your say!
Judge: The emperor’s police will immediately confiscate all copies of this book they can find!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp.16-19

Books, Way, Reality, Evil

“Perception creates behavior. Perception encourages behavior. And because this institution--this artifice--continues to socially reinforce patterns of perception and behavior, if this behavior is destructive, it may not be a bad idea to eliminate or curtail the institution.”

Derrick Jensen book The Culture of Make Believe

Source: The Culture of Make Believe (2003), p. 50

Behavior, Idea

“From these causes united, the mere separation of the occupation of the cultivator, from that of the Artificer, has the effect of augmenting the productive powers of labour, and with them, the total mass of the produce or revenue of a Country. In this single view of the subject, therefore, the utility of Artificers or Manufacturers, towards promoting an increase of productive industry, is apparent.”

Alexander Hamilton Report on Manufactures

Report on Manufactures (1791)

Country

“The picture story fantasy cuts loose the hampering debris of art and artifice and touches the tender spots of universal human desires and aspirations. Comics speak, without qualm or sophistication to the innermost ears of the wishful self.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

"Why 100,000,000 Americans Read Comics", The American Scholar, 13.1 (1943): pp 35-44. as quoted in The Ages of Wonder Woman: Essays on the Amazon Princess in Changing Times, edited by Joeph J Darowski, p.9; in the essay "William Marston's Feminist Agenda" by Michelle R. Finn,

Art, Universe

“The Class of 1858, to which Henry Adams belonged, was a typical collection of young New Englanders, quietly penetrating and aggressively commonplace; free from meannesses, jealousies, intrigues, enthusiasms, and passions; not exceptionally quick; not consciously skeptical; singularly indifferent to display, artifice, florid expression, but not hostile to it when it amused them; distrustful of themselves, but little disposed to trust any one else; with not much humor of their own, but full of readiness to enjoy the humor of others; negative to a degree that in the long run became positive and triumphant. Not harsh in manners or judgment, rather liberal and open-minded, they were still as a body the most formidable critics one would care to meet, in a long life exposed to criticism.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Life, Hostility, Jealousy, Passion

“We all wear some disguise — make some professions — use some artifice to set ourselves off as being better than we are; and yet it is not denied that we have some good intentions and praiseworthy qualities at bottom, though we may endeavour to keep some others that we think less to our credit as much as possible in the background…”

William Hazlitt (1778–1830) English writer

"On Cant and Hypocrisy"
Men and Manners: Sketches and Essays (1852)

Thinking

“The most offensive egotist is he that fears to say "I" and "me." "It will probably rain "—that is dogmatic. "I think it will rain"—that is natural and modest. Montaigne is the most delightful of essayists because so great is his humility that he does not think it important that we see not Montaigne. He so forgets himself that he employs no artifice to make us forget him.”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Source: Epigrams, p. 364

Fear, Nature, Thinking, Forgetting

“The Stolen and Perverted Writings of Homer & Ovid, of Plato & Cicero, which all men ought to contemn, are set up by artifice against the Sublime of the Bible”

William Blake (1757–1827) English Romantic poet and artist

Preface
1800s, Milton (c. 1809)

Men

“Muhammad Kasim marched from Dhalila, and encamped on the banks of the stream of the Jalwali to the east of Brahmanabad. He sent some confidential messengers to Brahmanabad to invite its people to submission and to the Muhammadan faith, to preach to them Islam, to demand the Jizya, or poll-tax, and also to inform them that if they would not submit, they must prepare to fight…
They sent their messengers, and craved for themselves and their families exemption from death and captivity. Muhammad Kasim granted them protection on their faithful promises, but put the soldiers to death, and took all their followers and dependents prisoners. All the captives, up to about thirty years of age, who were able to work, he made slaves, and put a price upon them…
When the plunder and the prisoners of war were brought before Kasim, and enquiries were made about every captive, it was found that Ladi, the wife of Dahir, was in the fort with two daughters of his by his other wives. Veils were put on their faces, and they were delivered to a servant to keep them apart. One-fifth of all the prisoners were chosen and set aside; they were counted as amounting to twenty thousand in number, and the rest were given to the soldiers. Protection was given to the artificers, the merchants, and the common people, and those who had been seized from those classes were all liberated. But he (Kasim) sat on the seat of cruelty, and put all those who had fought to the sword. It is said that about six thousand fighting men were slain, but, according to some, sixteen thousand were killed, and the rest were pardoned.”

Muhammad bin Qasim (695–715) Umayyad general

Source: The Chach Nama, in: Elliot and Dowson, History of India as told by its own Historians, Volume I, p. 176-181. ( also quoted in Bostom, A. G. M. D., & Bostom, A. G. (2010). The Legacy of Jihad: Islamic Holy War and the Fate of Non-Muslims. Amherst: Prometheus.) note: Quotes from The Chach Nama

Death, Men, War, People

“Love is naked, and loves not beauty gained by artifice.”
Nudus Amor formam non amat artificem.

Propertius (-47–-16 BC) Latin elegiac poet

I, ii, 8; translation by G.P. Goold
Elegies

Love, Beauty

“Flaming torches arching from hand to hand, the silken rolling of flesh on flesh, tautened wire vibrating to the human word, ideogrammatic gestures of fear, love, and rage, the mathematical grace of bodies moving through space—all seemed revealed as shadows on the void, the pauvre panoply of man’s attempt to transcend the universe of space and time through the transmaterial purity of abstract form.
Yet beyond this noble dance of human art, the highest expression of our spirit’s striving to transcend the realm of time and form, lay that which could not be encompassed by the artifice of man. From nothing are we born, to nothing do we go; the universe we know is but the void looped back upon itself, and form is but illusion’s final veil.
We touch that which lies beyond only in those fleeting rare moments when the reality of form dissolves—through molecule and charge, the perfection of the meditative trance, orgasmic ego-loss, transcendent peaks of art, mayhap the instant of our death.
Vraiment, is not the history of man from pigments smeared on the walls of caves to our present starflung age, our sciences and arts, our religions and our philosophies, our cultures and our noble dreams, our heroics and our darkest deeds, but the dance of spirit round this central void, the striving to transcend, and the deadly fear of same?”

Norman Spinrad book The Void Captain's Tale

Source: The Void Captain's Tale (1983), Chapter 10 (p. 117)

Love, Death, Age, Fear

“The butchering of harmless animals cannot fail to produce much of that spirit of insane and hideous exultation in which news of a victory is related altho' purchased by the massacre of a hundred thousand men. If the use of animal food be in consequence, subversive to the peace of human society, how unwarrantable is the injustice and barbarity which is exercised toward these miserable victims. They are called into existence by human artifice that they may drag out a short and miserable existence of slavery and disease, that their bodies may be mutilated, their social feelings outraged. It were much better that a sentient being should never have existed, than that it should have existed only to endure unmitigated misery.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

"On the Vegetable System of Diet" (c. 1815; published in the 1920s), in Complete Works, ed. Roger Ingpen and Walter E. Peck, Volume 6 (New York: Gordian Press, 1965), pp. 343-344, original emphasis

Men, Disease, Peace, Food

“religion is the artifice, you know, the building, after God has left it sometimes, like Elvis has left the building. You hold onto religion, you know, rules, regulations, traditions. I think what God is interested in is people's hearts, and that's hard enough.”

Bono (1960) Irish rock musician, singer of U2

CNN Larry King Weekend (2002)

God, People, Religion, Thinking

“In the midst of the disguises and artifices that reign among men, it is only attention and vigilance that can save us from surprises.”

Jacques-Bénigne Bossuet (1627–1704) French bishop and theologian

Politics Drawn from the very words of Holy Scripture edited by Patrick Riley (1990) http://books.google.com/books?id=3jiGsoP_ExgC&pg=PA132&lpg=PA132&dq=%22In+the+midst+of+the+disguises+and+artifices+that+reign+among+men,+it+is+only+attention+and+vigilance+that+can+save+us+from+surprises.%22&source=bl&ots=4D_c7UqG_l&sig=22Djfz_VN-rbiENWgWqpn4s93KI&hl=en&ei=mDZ7S-vRHqX20wSg8t2pCQ&sa=X&oi=book_result&ct=result&resnum=1&ved=0CAcQ6AEwAA#v=onepage&q=%22In%20the%20midst%20of%20the%20disguises%20and%20artifices%20that%20reign%20among%20men%2C%20it%20is%20only%20attention%20and%20vigilance%20that%20can%20save%20us%20from%20surprises.%22&f=false <br class="br">Politics Drawn from the Very Words of Holy Scripture (1709)

Men

“We feel that we are surrounded by the congregated bones of the great men of past times, who have filled history with their deeds, and the earth with their renown. And yet it almost provokes a smile at the vanity of human ambition to see how they are crowded together and jostled in the dust; what parsimony is observed in doling out a scanty nook, a gloomy corner, a little portion of earth, to those whom, when alive, kingdoms could not satisfy, and how many shapes and forms and artifices are devised to catch the casual notice of the passenger, and save from forgetfulness for a few short years a name which once aspired to occupy ages of the world's thought and admiration.”

Washington Irving book The Sketch Book of Geoffrey Crayon, Gent.

"Westminster Abbey".
The Sketch Book of Geoffrey Crayon (1819–1820)

Men, Age, World, Smile

“In every part of the universe we observe means adjusted with the nicest artifice to the ends which they are intended to produce; and in the mechanism of a plant, or animal body, admire how every thing is contrived for advancing the two great purposes of nature, the support of the individual, and the propagation of the species.”

Adam Smith book The Theory of Moral Sentiments

Section II, Chap. III.
The Theory of Moral Sentiments (1759), Part II

Support, Nature, Universe, Animals

“The mingling of object and image in collage, of given fact and conscious artifice, corresponds to the illusion-producing processes of contemporary civilization. In advertisements, news stories, films, and political campaigns, lumps of unassailable data are implanted in preconceived formats in order to make the entire fabrication credible. Documents waved at hearings by Joseph McCarthy to substantiate his fictive accusations were a version of collage, as is the corpse of Lenin, inserted by Stalin into the Moscow mausoleum to authenticate his own contrived ideology. Twentieth-century fictions are rarely made up of the whole cloth, perhaps because the public has been trained to have faith in "information."”

Harold Rosenberg (1906–1978) American writer and art critic

Collage is the primary formula of the aesthetics of mystification developed in our time.
Source: Art on the Edge, (1975), p. 178, "Collage: Philosophy of Put-Togethers"

Faith, Time, Training, Clothes

“What is missing to our civilisation, is the soul, the spiritual unity, the basis. That is why everything in it is pretence and contrivance ("façade et artifice", Fr.); why also, in spite of the progress and marvellous improvement they have accomplished in the external realm ("domaine extérieur", Fr.) men have, in general, become themselves neither better, nor happier. They have neglected too much the essential; their own perfecting”

African Spir (1837–1890) Russian philosopher

or improvement - "perfectionnement", Fr.
Source: Words of a Sage : Selected thoughts of African Spir (1937), p. 36 -First thought of the book, - the translator.

Men, Soul, Perfection

“My purpose is, by Gods assistance, to set forth the Art of painting, as in old times it hath begun, as it was promoted, as it came to that wonderfull perfection mentioned in ancient Authors. The first booke toucheth the first beginnings of Picture. The second booke propoundeth diverse meanes tending to the advancement of this Art. The third booke speaketh of the maine grounds of Art, the which being well observed by the old Artificers, made them come neerer to the height of perfection.”

Franciscus Junius (the younger)

[The painting of the ancients, in three bookes, London, Printed by R. Hodgkinsonne, 1638, 1–2, https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t7hq5gq92;view=1up;seq=13]

God, Books, Art, Time

“Frank sincerity is a quality much extolled among men and pleasing to every one, while simulation, on the contrary, is detested and condemned. Yet for a man's self, simulation is of the two by far the more useful; sincerity tending rather to the interest of others. But since it cannot be denied that it is not a fine thing to deceive, I would commend him whose conduct is as a rule open and straightforward, and who uses simulation only in matters of the gravest importance and such as very seldom occur; for in this way he will gain a name for honesty and sincerity, and with it the advantages attaching to these qualities. At the same time, when, in any extreme emergency, he resorts to simulation, he will draw all the greater advantage from it, because from his reputation for plain dealing his artifice will blind men more.”

Francesco Guicciardini (1483–1540) Italian writer, historian and politician

Number 104.
Counsels and Reflections (1857)

Men, Way, Time, Drawing

“Trusty, dusky, vivid, true,
With eyes of gold and bramble-dew,
Steel-true and blade-straight,
The great artificer
Made my mate.”

Robert Louis Stevenson book Songs of Travel and Other Verses

No. XXVI, My Wife.
Songs of Travel and Other Verses (1896)

“So vivid is my recollection of the birth of Benjamin Black that surely, I feel, a cunning artificer has been at work, fashioning a surreally realistic picture of something that happened quite differently from what I seem to remember. Consider that light falling on the sea, how effulgent and steady it is; consider the trees, improbably full-leafed for the time of year – and look at those birds! Has Madam Memory really such a piercing eye for detail, are her powers of recall so comprehensive?”

John Banville (1945) Irish writer

John Banville on the birth of his dark twin, Benjamin Black (2011)

Feeling, Fashion, Birth, Bird

“Such is the common process of marriage. A youth and maiden meeting by chance, or brought together by artifice, exchange glances, reciprocate civilities, go home, and dream of one another. Having little to divert attention, or diversify thought, they find themselves uneasy when they are apart, and therefore conclude that they shall be happy together. They marry, and discover what nothing but voluntary blindness had before concealed; they wear out life in altercations, and charge nature with cruelty.”

Samuel Johnson book The History of Rasselas, Prince of Abissinia

Source: The History of Rasselas, Prince of Abissinia (1759), Chapter 29

Life, Marriage, Happiness, Youth

“I have begun drafting a memorandum for the prosecuting authorities, together with all evidence necessary to establish not only the existence of numerous specific instances of scientific or economic fraud in relation to the official "global warming" storyline but also the connections between these instances, and the overall scheme of deception that the individual artifices appear calculated to reinforce.”

Christopher Monckton (1952) British public speaker and hereditary peer

Making the police state work for you http://www.climatedepot.com/2011/12/15/fmr-thatcher-advisor-lord-monckton-to-pursue-fraud-charges-against-climategate-scientists-will-present-to-police-the-case-for-numerous-specific-instances-of-scientific-or-economic-fraud/ climatedepot.com, December 15, 2011.

Fraud, Appearance

“The fashionable ideology that "artificial" lacks the inherent goodness of "natural" is an appealing, but hopelessly simplistic notion of the intellectually chic. Artifice is the result of a deliberate intent to make. Nature also "makes" things, using a set of basic building blocks common throughout the universe. Exchanging infinite time for deliberate design, nature has ingeniously built plants, planets, galaxies and unimaginable constructs which seem to structure the universe itself. What we call "natural" is simply the result of whatever set of rules nature has followed in fashioning our observable reality. On planet Earth, nature has manipulated the common elements to fashion everything from bacteria to the molten core of the planet. Discoveries in the "nano" technologies of bio, molecular, and micro engineering will re-edit the nomenclature of "natural" versus "unnatural", blurring if not erasing the line of distinction between "machine" and "organism", "natural" and "unnatural", "God-given" and "man-made."”

Syd Mead (1933–2019) American concept artist

Future Concepts: The World of Syd Mead, p.15, Car Styling Magazine 088, May 1992

God, Fashion, Nature, Reality

“All art is a form of artifice. For in art there can be no prejudices.”

Arthur Symons (1865–1945) British poet

Preface to Silhouettes kindle ebook 2012 ASIN B0082UH208.

Art

“There can be no doubt that Tsai's phenomena (whether they be works of art in the strict sense, or whether they be fantastic artifices) are extremely important. They show what promises and dangers may be in here in a "play," if it is proposed by a great artist. Because, even if Tsai's phenomena be considered artifices, there can be no doubt that Tsai is a great artist. Not because what he does is pleasant, or because he proposes a play, or because he represents the spirit of our times, but because he reveals to us, through artifice or works of art, the concrete experience of a future full of promise or abysmal danger.”

Vilém Flusser (1920–1991) Czech philosopher and photographer

Vilem Flusser, Aspects and Prospects of Tsai's Work, Art International, March 1974

Art, Sense, Time, Future

“Although many of the artifices employed in the works before mentioned are remarkable for their elegance, it is easy to see they are adapted only to particular objects, and that some general method, capable of being employed in every case, is still wanting.”

George Green (mathematician)

introducing his mathematical methods for the description of electricity and magnetism, [George Green, An essay on the application of mathematical analysis to the theories of electricity and magnetism, T. Wheelhouse, 1828, vi]

“When I came to faith, I thought I would have to stop being an actor, because it’s all about artifice and manipulation. But we’re living in a world where God doesn’t really have an influence, unless it’s fundamentalists, so I’ll always be an outsider because of my faith. And when you think about it, faith and acting are all about stories, so the two are not mutually exclusive.”

Tamsin Greig (1966) English actress

About being a Christian
From an interview with the Sunday Times, "The eyebrows have it."

God, World, Faith, Thinking

“Between the crowded houses of Gravesend and the monstrous red-brick pile on the Essex shore the ship is surrendered fairly to the grasp of the river. That hint of loneliness, that soul of the sea which had accompanied her as far as the Lower Hope Reach, abandons her at the turn of the first bend above. The salt, acrid flavour is gone out of the air, together with a sense of unlimited space opening free beyond the threshold of sandbanks below the Nore. The waters of the sea rush on past Gravesend, tumbling the big mooring buoys laid along the face of the town; but the sea-freedom stops short there, surrendering the salt tide to the needs, the artifices, the contrivances of toiling men. Wharves, landing-places, dock-gates, waterside stairs, follow each other continuously right up to London Bridge, and the hum of men’s work fills the river with a menacing, muttering note as of a breathless, ever-driving gale. The water-way, so fair above and wide below, flows oppressed by bricks and mortar and stone, by blackened timber and grimed glass and rusty iron, covered with black barges, whipped up by paddles and screws, overburdened with craft, overhung with chains, overshadowed by walls making a steep gorge for its bed, filled with a haze of smoke and dust.”

Joseph Conrad book The Mirror of the Sea

Tilbury / Gravesend to London Bridge
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Men, Hope, Way, Soul

“But since the Modernists (as they are commonly and rightly called) employ a very clever artifice, namely, to present their doctrines without order and systematic arrangement into one whole, scattered and disjointed one from another, so as to appear to be in doubt and uncertainty, while they are in reality firm and steadfast, it will be of advantage, Venerable Brethren, to bring their teachings together here into one group, and to point out the connexion between them, and thus to pass to an examination of the sources of the errors, and to prescribe remedies for averting the evil.”

Pope Pius X (1835–1914) Catholic Pope and saint

Papal encyclical letter "Pascendi dominici gregis" ("Feeding the Lord's Flock") promulgated by Pope Pius X on 8 September 1907.

Error, Reality, Appearance, Evil

“We could not do it in the way he meant. But from the Rue Lamarck to the Rue Ravignan, the attempt [prétention] to imitate an orb on a vertical plane, or to indicate by a horizontal straight line the circular hole of a vase placed at the height of the eyes was considered as the artifice of an illusionistic trickery that belonged to another age.”

Jean Metzinger (1883–1956) French painter

Cubism was born

Age, Way

“Scanned by the eyes of this intelligence, your path will be without pits to swallow, or snares to entangle you. Environed by the arms of this protection, all artifices will be frustration, and all malice repelled.”

Charles Brockden Brown (1771–1810) American novelist, historian and editor

Wieland; or, the Transformation (1798)

Intelligence

“Poetry, even when apparently most fantastic, is always a revolt against artifice, a revolt, in a sense, against actuality.”

James Joyce (1882–1941) Irish novelist and poet

"James Clarence Mangan" (1902) http://andromeda.rutgers.edu/~ehrlich/382/MANGAN1, a lecture on Mangan delivered at the Literary and Historical Society, University College, Dublin (1 February 1902) and printed in the college magazine St. Stephen's <br class="br">Context: Poetry, even when apparently most fantastic, is always a revolt against artifice, a revolt, in a sense, against actuality. It speaks of what seems fantastic and unreal to those who have lost the simple intuitions which are the test of reality; and, as it is often found at war with its age, so it makes no account of history, which is fabled by the daughters of memory.

Sense

“I am a harmonious one; I am a clear singer.
I am steel; I am a druid.
I am an artificer; I am a scientific one.
I am a serpent; I am love; I will indulge in feasting.”

Taliesin (534–599) Welsh bard

Book of Taliesin (c. 1275?), The Fold of the Bards
Context: I am a harmonious one; I am a clear singer.
I am steel; I am a druid.
I am an artificer; I am a scientific one.
I am a serpent; I am love; I will indulge in feasting.
I am not a confused bard drivelling,
When songsters sing a song by memory,
They will not make wonderful cries;
May I be receiving them.
Like receiving clothes without a hand,
Like sinking in a lake without swimming
The stream boldly rises tumultuously in degree.

Love

“I want to be seen here in my simple, natural, ordinary fashion, without straining or artifice; for it is myself that I portray…I am myself the matter of my book.”

Michel De Montaigne book Essays

Je veux qu'on me voit en ma façon simple, naturelle, et ordinaire, sans étude et artifice; car c'est moi que je peins...Je suis moi-même la matière de mon livre.
Book I (1580), To the Reader
Essais (1595), Book I

Books, Fashion, Nature

“The Biblical view of the law, the courts, and the state is profoundly radical. The Bible looks upon the state as a kind of rebellious artifice; it is spurious, a human creation in rebellion against God.”

Philip Berrigan (1923–2002) Priest and anti-war activist

Fighting the Lamb's War: Skirmishes with the American Empire (1996), p. 202
Context: The Biblical view of the law, the courts, and the state is profoundly radical. The Bible looks upon the state as a kind of rebellious artifice; it is spurious, a human creation in rebellion against God.
In the Old Testament, when the first state is proposed in the person of Saul, the first King of Israel, God tells the prophet Samuel that this project spells rejection of God. The state and its legislature are in rebellion against, or rejection of, God. Its courts are a human fabrication, cannot promote justice and peace; they are founded in violence, and legalize violence.
The state holds together through police power, against the citizenry.
The state, conceived in violence, and backed by violence, will never achieve true peace.

God, Law

“I wish to write down my musical dreams in a spirit of utter self-detachment. I wish to sing of my interior visions with the naïve candour of a child. No doubt, this simple musical grammar will jar on some people. It is bound to offend the partisans of deceit and artifice. I foresee that and rejoice at it.”

Claude Debussy (1862–1918) French composer

As quoted in Claude Debussy: His Life and Works (1933) by Léon Vallas, p. 226
Context: I wish to write down my musical dreams in a spirit of utter self-detachment. I wish to sing of my interior visions with the naïve candour of a child. No doubt, this simple musical grammar will jar on some people. It is bound to offend the partisans of deceit and artifice. I foresee that and rejoice at it. I shall do nothing to create adversaries, but neither shall I do anything to turn enmities into friendships. I must endeavour to be a great artist so that I may dare to be myself and suffer for my faith. Those who feel as I do will only appreciate me more. The others will shun and hate me. I shall make no effort to appease them. On that distant day — I trust it is still very far off — when I shall no longer be a cause of strife, I shall feel bitter self-reproach. For that odious hypocrisy which enables one to please all mankind will inevitably have prevailed in those last works.

People, Dreams, Music, Singing

“Being blonde is definitely a different state of mind. I can't really put my finger on it, but the artifice of being blonde has some incredible sort of sexual connotation. Men really respond to it. I love blonde hair but it really does something different to you. I feel more grounded when I have dark hair, and I feel more ethereal when I have light hair. It's unexplainable. I also feel more Italian when my hair is dark. ”

Madonna (1958) American singer, songwriter, and actress

Love, Men, Feeling, Light

“Limited liability should not be sacrosanct. Like property rights—including intellectual property—it is a creation of man, to provide appropriate incentives; when that artifice fails to fulfill its social function, it needs to be modified.”

Joseph E. Stiglitz book Making Globalization Work

idem, p. 207
Making globalization work (2006)

“Hitchcock finds women captivating but dangerous. She allures by nature but she is chief artificer in civilisation, a magic fabricator of persona whose very smile is an arc of deception.”

Camille Paglia (1947) American writer

Source: The Birds, p. 7

Women, Smile, Nature

“No greater mistake can be made than to think that our institutions are fixed or may not be changed for the worse. … Increasing prosperity tends to breed indifference and to corrupt moral soundness. Glaring inequalities in condition create discontent and strain the democratic relation. The vicious are the willing, and the ignorant are unconscious instruments of political artifice. Selfishness and demagoguery take advantage of liberty. The selfish hand constantly seeks to control government, and every increase of governmental power, even to meet just needs, furnishes opportunity for abuse and stimulates the effort to bend it to improper uses... The peril of this Nation is not in any foreign foe! We, the people, are its power, its peril, and its hope!”

Charles Evans Hughes (1862–1948) American judge

Conditions of Progress in Democratic Government (1909).

People, Hope, Thinking, Effort

“The German who is still free from all Slav or Celtic alloy has a distinctive character and vies with all his equals. When he is allied with other races, provided he has the necessary patience and endurance he always succeeds in becoming, the chief, the directing will, as the husband must be in a household. I have no desire to offend the Slavs, but it is very necessary to recognise that their character has much of the feminine in it: they have charm, intelligence, artifice, address, and often the Germans appear heavy and clumsy beside them. But we always carry the day, and that is why I would like to say to you: when you are doing business with your Slav rivals, even at moments of the most violent anger and in the most critical situations, always retain the profound conviction, the most profound but secret conviction, that you are fundamentally their superiors, and that you always will be so.”

Otto von Bismarck (1815–1898) German statesman, Chancellor of Germany

Speech to a Deputation from Syria (15 April 1895), quoted in W. W. Coole (ed.), Thus Spake Germany (London: George Routledge & Sons, 1941), p. 104
1890s

Secret, Intelligence, Business, Appearance

“Because so many of our writers were born in ugly environments, in monstrous poverty and humilitation, they continue to assert that this is the natural environment, reality, and that beauty is artifice. Why should the natural state be ugliness? Natural to whom? We may be born in ugliness, but the natural consequences should be a thirst for its opposite. To mistake ugliness for reality is one of the frauds of the realistic school. A hunger for the unknown, and an aspiration towards beauty were inseparable from civilization. In America the word art was distorted to mean artificial.
We are born with the power to alter what we are given at birth.
When the Japanese paint flowers or the sea on a kimono they mean to establish a link with nature. But they select only what is beautiful in nature to maintain their love of life.
The creative personality never remains fixed on the first world it discovers. It never resigns itself to anything. That is the deepest meaning of rebellion, not the wearing of different clothes, haircuts, or the adopting of other cultures.”

Anaïs Nin book The Novel of the Future

The Novel of the Future (1969)

Love, Life, Hunger, World