Quotes about anything
page 38

Glenn Beck photo
Jean Cocteau photo

“The ultimate politeness in art consists of speaking only to those who are able to uncover and measure its relationships. Anything else is symbolic, and symbolism is merely transcendental imagery.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Diary of an Unknown (1988)

“Anything you do from the heart enriches you, but sometimes not till years later.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Jane Fonda photo

“In this country the only way a minority can get anything done is to make a little noise.”

Jane Fonda (1937) American actress and activist

Quotes from Women in the News, Associated Press/Gadsden Times, 15 March 1970. http://news.google.com/newspapers?id=BhIpAAAAIBAJ&sjid=mNYEAAAAIBAJ&pg=1902,1282871

Margaret Mead photo
Gerhard Richter photo
Aron Ra photo
F. Scott Fitzgerald photo

“My generation of radicals and breakers-down never found anything to take the place of the old virtues of work and courage and the old graces of courtesy and politeness.”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

Letter to his daughter Frances Scott Fitzgerald (July 1938)
Quoted, Letters

C. Northcote Parkinson photo

“The man whose life is devoted to paperwork has lost the initiative, He is dealing with things that are brought to his notice, having ceased to notice anything for himself.”

C. Northcote Parkinson (1909–1993) British naval historian

Cited in:Lionel G. Titman (1990), The Effective Office: A Handbook of Modern Office Management. p. 117
In-laws and Outlaws, (1962)

Orson Scott Card photo

“He had left home to get away, not to go toward anything. There was no greater freedom than that.”

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, Alvin Journeyman (1995), Chapter 8.

Osama bin Laden photo
Robert Rauschenberg photo
Cassie Scerbo photo
Douglas Coupland photo

“A rule to live by: I won't use anything I can't explain in five minutes.”

Philip B. Crosby (1926–2001) Quality guru

Philip B. Crosby, quoted in: Tim Oberle (2013), Process Techniques for Engineering High-Performance Materials. p. 353

Francois Rabelais photo

“He that has patience may compass anything.”

Source: Gargantua and Pantagruel (1532–1564), Fourth Book (1548, 1552), Chapter 48.

Abby Sunderland photo
Francis Escudero photo
Colin Wilson photo
Maimónides photo
Ilana Mercer photo
A.E. Housman photo
Richard Feynman photo

“I do feel strongly that this is nonsense! … So perhaps I could entertain future historians by saying I think all this superstring stuff is crazy and is in the wrong direction. I think all this superstring stuff is crazy and is in the wrong direction. … I don’t like it that they’re not calculating anything. … why are the masses of the various particles such as quarks what they are? All these numbers … have no explanations in these string theories – absolutely none! … I don’t like that they don’t check their ideas. I don’t like that for anything that disagrees with an experiment, they cook up an explanation—a fix-up to say, “Well, it might be true.” For example, the theory requires ten dimensions. Well, maybe there’s a way of wrapping up six of the dimensions. Yes, that’s all possible mathematically, but why not seven? When they write their equation, the equation should decide how many of these things get wrapped up, not the desire to agree with experiment. In other words, there’s no reason whatsoever in superstring theory that it isn’t eight out of the ten dimensions that get wrapped up and that the result is only two dimensions, which would be completely in disagreement with experience. So the fact that it might disagree with experience is very tenuous, it doesn’t produce anything.”

Richard Feynman (1918–1988) American theoretical physicist

interview published in Superstrings: A Theory of Everything? (1988) edited by Paul C. W. Davies and Julian R. Brown, p. 193-194

Aron Ra photo
Clive Staples Lewis photo
Oswald Spengler photo

“And at that point, too, in Buddhist India as in Babylon, in Rome as in our own cities, a man's choice of the woman who is to be, not mother of his children as amongst peasants and primitives, but his own "companion for life", becomes a problem of mentalities. The Ibsen marriage appears, the "higher spiritual affinity" in which both parties are "free"—free, that is, as intelligences, free from the plantlike urge of the blood to continue itself, and it becomes possible for a Shaw to say "that unless Woman repudiates her womanliness, her duty to her husband, to her children, to society, to the law, and to everyone but herself, she cannot emancipate herself." The primary woman, the peasant woman, is mother. The whole vocation towards which she has yearned from childhood is included in that one word. But now emerges the Ibsen woman, the comrade, the heroine of a whole megalopolitan literature from Northern drama to Parisian novel. Instead of children, she has soul-conflicts; marriage is a craft-art for the achievement of "mutual understanding"….
At this level all Civilizations enter upon a stage, which lasts for centuries, of appalling depopulation. The whole pyramid of cultural man vanishes. It crumbles from the summit, first the world-cities, then the provincial forms, and finally the land itself, whose best blood has incontinently poured into the towns, merely to bolster them up awhile. At the last, only the primitive blood remains, alive, but robbed of its strongest and most promising elements. This residue is the Fellah type.
If anything has demonstrated the fact that Causality has nothing to do with history, it is the familiar "decline" of the Classical, which accomplished itself long before the irruption of Germanic migrants. The Imperium enjoyed the completest peace; it was rich and highly developed; it was well organized; and it possessed in its emperors from Nerva to Marcus Aurelius a series of rulers such as the Caesarism of no other Civilization can show. And yet the population dwindled, quickly and wholesale. The desperate marriage-and-children laws of Augustus—amongst them the Lex de maritandis ordinibus, which dismayed Roman society more than the destruction of Varus's legions—the wholesale adoptions, the incessant plantation of soldiers of barbarian origin to fill the depleted country-side, the immense food-charities of Nerva and Trajan for the children of poor parents—nothing availed to check the process.”

Vol. II, Alfred A. Knopf, 1928, pp. 104–06 https://archive.org/stream/Decline-Of-The-West-Oswald-Spengler/Decline_Of_The_West#page/n573/mode/2up/search/depopulation
The Decline of the West (1918, 1923)

Nastassja Kinski photo

“I would do anything to put him behind bars for life. I am glad he is no longer alive.”

Nastassja Kinski (1961) German actress

On her father after discovering he raped her older sister, as quoted in Malta Biss, Jetzt spricht Nastassja http://www.bild.de/unterhaltung/leute/klaus-kinski/jetzt-spricht-nastassja-kinski-ueber-ihren-vater-28071840.bild.htm, Bild, January 13, 2013

“Chomsky just has not entered deeply into what he is talking about and he is not greatly interested in anything except digging out material for anti-American invective.”

Adrian Hastings (1929–2001) Roman Catholic priest, historian and author

Adrian Hastings (June 2001) " Chomsky and Kosova - book review http://www.bosnia.org.uk/bosrep/report_format.cfm?articleid=802&reportid=151" in Human Rights Review.

Jeremy Taylor photo
Chaim Soutine photo
Robert Grosseteste photo
Gertrude Stein photo
Pauline Kael photo

“At the movies, we are gradually being conditioned to accept violence as a sensual pleasure. The directors used to say they were showing us its real face and how ugly it was in order to sensitize us to its horrors. You don't have to be very keen to see that they are now in fact desensitizing us. They are saying that everyone is brutal, and the heroes must be as brutal as the villains or they turn into fools. There seems to be an assumption that if you're offended by movie brutality, you are somehow playing into the hands of the people who want censorship. But this would deny those of us who don't believe in censorship the use of the only counterbalance: the freedom of the press to say that there's anything conceivably damaging in these films — the freedom to analyze their implications. If we don't use this critical freedom, we are implicitly saying that no brutality is too much for us — that only squares and people who believe in censorship are concerned with brutality. Actually, those who believe in censorship are primarily concerned with sex, and they generally worry about violence only when it's eroticized. This means that practically no one raises the issue of the possible cumulative effects of movie brutality. Yet surely, when night after night atrocities are served up to us as entertainment, it's worth some anxiety. We become clockwork oranges if we accept all this pop culture without asking what's in it. How can people go on talking about the dazzling brilliance of movies and not notice that the directors are sucking up to the thugs in the audience?”

"Stanley Strangelove" (January 1972) http://www.visual-memory.co.uk/amk/doc/0051.html, review of A Clockwork Orange
Deeper into Movies (1973)

Vanna Bonta photo

“Earth is in space, too, so really sex in space isn't anything new.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks Sex in Space (Interview - Femail magazine)

Ken Wilber photo
Joseph Smith, Jr. photo
Bram van Velde photo

“The most difficult thing is when you can’t do anything. When you just have to wait.”

Bram van Velde (1895–1981) Dutch painter

short quotes, 9 November 1965; p. 54
1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)

Harold Macmillan photo
Sun Myung Moon photo
Timothy Leary photo
Ernst Gombrich photo
Mike Patton photo

“It's (RV) about a slob sitting around who doesn't do anything. I kind of identify with it.”

Mike Patton (1968) American singer

Guitar Magazine, September 1992.

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo
Michael Jordan photo

“I've reached the pinnacle of my career. I just feel that I don't have anything else to prove. When I lose the sense of motivation and the sense of 'to prove something' as a basketball player, it's time for me to move away from the game of basketball.”

Michael Jordan (1963) American retired professional basketball player and businessman

Announcing his retirement from the Bulls (1993-10-06) Classic NBA Quotes: Michael Jordan, 2006-11-24, NBA Encyclopedia, NBA Media Ventures http://www.nba.com/history/Classic_NBA_Quotes_Jordan.html,

Anthony Trollope photo
William Henry Vanderbilt photo

“The public be damned. What does the public care for railroads except to get as much out of them for as small a consideration as possible? I don't take any stock in this silly nonsense about working for anybody's good but our own, because we are not. When we make a move, we do it because it is in our interest to do so, and not because we expect to do somebody else good. Of course, we like to do everything possible for the benefit of humanity in general, but when we do, we first see that we are benefiting ourselves. Railroads are not run on sentiment, but on business principles and to pay, and I don't mean to be egotistic when I say that the roads which I have had anything to do with have generally paid pretty well.”

William Henry Vanderbilt (1821–1885) American philanthropist

Quoted in Clarence P. Dresser, "Vanderbilt in the West" New York Times (9 October 1882). Dresser's account has Vanderbilt denying that he ran a particular passenger express service for the public benefit, but rather to drive down prices of a competing Pennsylvania Railroad service. By some accounts Dresser fabricated the interview except for the first sentence, which Vanderbilt said in refusing to give an interview. See "Reporter C. P. Dresser Dead", New York Times (25 April 1891).
Disputed

Colette Dowling photo
Morton Feldman photo

“A prisoner mentality is anything that blames anything outside of you for the pain you have.”

Guy Finley (1949) American self-help writer, philosopher, and spiritual teacher, and former professional songwriter and musician

Secrets of Being Unstoppable

Amir Taheri photo
Hank Green photo

“The way that we look does not have anything to do with the way that we sound, or the way that we are.”

Hank Green (1980) American vlogger

Homeless Man with a Golden Voice Gets a Job http://www.youtube.com/watch?v=N-7Qb0rzmno
Youtube

David Gilmour photo

“Syd's story is a sad story romanticised by people who don't know anything about it. They've made it fashionable but it's just not that way.”

David Gilmour (1946) guitarist, singer, best known as a member of Pink Floyd

As quoted in Musician (December 1982)

Arthur James Balfour photo
Khaled Hosseini photo
Thomas Henry Huxley photo
Glenn Beck photo

“Health care, yesterday was one of the more incredible things I have ever seen, this health care speech with the doctors behind him. I don't think I've ever seen anything quite like it. I don't understand how the rest of the nation doesn't see this. Or how they don't understand our nation, as we know it, is in peril. Today is the first day that I actually feel like Paul Revere. The British are coming. The British are coming.”

Glenn Beck (1964) U.S. talk radio and television host

The Glenn Beck Program
Premiere Radio Networks
2010-03-04
After raising fears that our nation is "in peril" because of health care reform, Beck compares himself to Paul Revere
Media Matters for America
2010-03-04
http://mediamatters.org/mmtv/201003040003
2010s, 2010

Ingmar Bergman photo

“He's done two masterpieces, you don't have to bother with the rest. One is Blow-Up, which I've seen many times, and the other is La Notte, also a wonderful film, although that's mostly because of the young Jeanne Moreau. In my collection I have a copy of Il Grido, and damn what a boring movie it is. So devilishly sad, I mean. You know, Antonioni never really learned the trade… He concentrated on single images, never realising that film is a rhythmic flow of images, a movement. Sure, there are brilliant moments in his films. But I don't feel anything for L'Avventura, for example. Only indifference. I never understood why Antonioni was so incredibly applauded. And I thought his muse Monica Vitti was a terrible actress.”

Ingmar Bergman (1918–2007) Swedish filmmaker

On Michelangelo Antonioni
Variant translation: Antonioni has never properly learnt his craft. He's an aesthete. If, for example, he needs a certain kind of road for The Red Desert, then he gets the houses repainted on the damned street. That is the attitude of an aesthete. He took great care over a single shot, but didn't understand that a film is a rhythmic stream of images, a living, moving process; for him, on the contrary, it was such a shot, then another shot, then yet another. So, sure, there are some brilliant bits in his films... I can't understand why Antonioni is held in such high esteem.
Jan Aghed interview (2002)

Joshua Casteel photo
John Banville photo
Baba Amte photo
Elijah Wood photo
Archibald Macleish photo

“What is more important in a library than anything else — is the fact that it exists.”

Archibald Macleish (1892–1982) American poet and Librarian of Congress

"The Premise Of Meaning" in American Scholar (5 June 1972)

Philip Stanhope, 4th Earl of Chesterfield photo
Michael Savage photo

“I intend to make this day forward the first day of the rest of my life. We can change our lives. You say, 'Well, what's wrong with your life, Michael?' Well, it's not that there's anything wrong with my life, but it's not what I want it to be. I don't feel that I'm inspiring people in the way I want to inspire them. You see, you can inspire through hate; you can inspire through love, hope, humor – the positives. I look at the history of the world, and I look at the world today, and I realize that if we don't inspire each other through positive attributes – love, hope and humor – we're gonna descend into the barbarism of the Left and the barbarism of ISIS. You like me to be hard, you like me to be tough, you like me to give you the breaking news, you like me to be cynical, you like me to analytical, you like me to give you stuff that you don't hear anywhere else – I get that. But there's a limit to that. There's a lot of area beyond all that.I think of Christmas. Christianity is the religion of peace. Christianity is the true religion of peace. 'Turn the other cheek.' 'Do unto others as you would have them do unto you.' These are messages that come from Christianity. What can you do in an age of deceit and lies and terror? You can go to church again. However un-needing you think you really are, you know in your heart that there's something missing in you. You know that you crave something greater. Because the human being is not a dog. We are unique creatures. And we need something different than the bear, the dog, the snake and the eagle. What is that thing that we need? It's that 'thing' called God.The media has promulgated the idea, and promoted the idea, that we only need food and fornication. And so when people are empty that's what they seek. And when they are really empty, what happens? They become drug addicts. They start with marijuana, they end up with heroin, crack, you name it. As God has been driven out of America, drugs have entered America. What does an empty soul look to do? An empty soul looks to fill itself. Just as an empty vessel needs to be filled with a liquid to be complete, an empty human being needs to fill itself to be complete. And how does it fill itself? I know, again, many of you will laugh because you're cynical; it's through those things I'm talking about – inspiration. Do you think a musician can play one day without inspiration from somewhere? The greatest artists in the history of the world were not drug-addicts. They were usually God-addicts. Look at the greatest art in history, you'll find most of them were super religious people, who literally saw God in their living room, and they took the power of God and that was transmitted through the paintbrush, or through that piece of marble. How could a man like Rodin take a piece of inert stone, and inside that stone see the essence of the human form, and sculpt from that block of inert stone, a marble, the portrait of a human being that looks so real – a hundred years later I go and look at them in the museum, and literally inside that carved eye I can see the person; how is that possible? How? It's a different show than I've ever done in my 21 years, because each day to me – I must tell you – I see as my last day, my last day on Earth.”

Michael Savage (1942) U.S. radio talk show host, Commentator, and Author

The Savage Nation (1995- ), 2015

Georg Christoph Lichtenberg photo

“Once you’re head of a public company you are expected to perform; you’re like an unpaid greyhound on a racetrack called the stock market. They’d take bets on us, but not add anything at all.”

Alec Reed (1934) British businessman

The Business Times Online https://www.reedglobal.com/documents/110470/280381/Talent+tapper/ed157555-fdc6-4665-a265-70b2d407abd4, 2012.

John Pilger photo
Julius Malema photo
Robert M. Pirsig photo
Halldór Laxness photo
David Graeber photo
Étienne de La Boétie photo

“Men accept servility in order to acquire wealth; as if they could acquire anything of their own when they cannot even assert that they belong to themselves.”

Ils veulent servir pour amasser des biens: comme s'ils pouvaient rien gagner qui fût à eux, puisqu'ils ne peuvent même pas dire qu'ils sont à eux-mêmes.
Part 3
Discourse on Voluntary Servitude (1548)

Hillary Clinton photo
C. J. Cherryh photo
Revilo P. Oliver photo
Rajinikanth photo
Peter Gabriel photo
Alastair Reynolds photo
Bernard Lewis photo
Marlene Dietrich photo
Vladimir Lenin photo

“A few months ago I read an interview with a critic; a well-known critic; an unusually humane and intelligent critic. The interviewer had just said that the critic “sounded like a happy man”, and the interview was drawing to a close; the critic said, ending it all: “I read, but I don’t get any time to read at whim. All the reading I do is in order to write or teach, and I resent it. We have no TV, and I don’t listen to the radio or records, or go to art galleries or the theater. I’m a completely negative personality.”
As I thought of that busy, artless life—no records, no paintings, no plays, no books except those you lecture on or write articles about—I was so depressed that I went back over the interview looking for some bright spot, and I found it, one beautiful sentence: for a moment I had left the gray, dutiful world of the professional critic, and was back in the sunlight and shadow, the unconsidered joys, the unreasoned sorrows, of ordinary readers and writers, amateurishly reading and writing “at whim”. The critic said that once a year he read Kim, it was plain, at whim: not to teach, not to criticize, just for love—he read it, as Kipling wrote it, just because he liked to, wanted to, couldn’t help himself. To him it wasn’t a means to a lecture or an article, it was an end; he read it not for anything he could get out of it, but for itself. And isn’t this what the work of art demands of us? The work of art, Rilke said, says to us always: You must change your life. It demands of us that we too see things as ends, not as means—that we too know them and love them for their own sake. This change is beyond us, perhaps, during the active, greedy, and powerful hours of our lives, but during the contemplative and sympathetic hours of our reading, our listening, our looking, it is surely within our power, if we choose to make it so, if we choose to let one part of our nature follow its natural desires. So I say to you, for a closing sentence: Read at whim! read at whim!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Poets, Critics, and Readers”, pp. 112–113
A Sad Heart at the Supermarket: Essays & Fables (1962)

Morton Feldman photo

“Do we have anything in music for example that really wipes everything out? That just cleans everything away?”

Morton Feldman (1926–1987) American avant-garde composer

Quoted from a 1982 lecture

Clarence Darrow photo
Georgia O'Keeffe photo

“Today I walked into the sunset — to mail some letters —... But some way or other I didn't seem to like the redness much so after I mailed the letters I walked home — and kept walking - The Eastern sky was all grey blue — bunches of clouds — different kinds of clouds — sticking around everywhere and the whole thing — lit up — first in one place — then in another with flashes of lightning — sometimes just sheet lightning — and some times sheet lightning with a sharp bright zigzag flashing across it -. I walked out past the last house — past the last locust tree — and sat on the fence for a long time — looking — just looking at — the lightning — you see there was nothing but sky and flat prairie land — land that seems more like the ocean than anything else I know — There was a wonderful moon. Well I just sat there and had a great time by myself — Not even many night noises — just the wind —... I wondered what you were doing - It is absurd the way I love this country — Then when I came back — it was funny — roads just shoot across blocks anywhere — all the houses looked alike — and I almost got lost — I had to laugh at myself — I couldn't tell which house was home - I am loving the plains more than ever it seems — and the SKY — Anita you have never seen SKY — it is wonderful”

Georgia O'Keeffe (1887–1986) American artist

Canyon, Texas (September 11, 1916), pp. 183-184
1915 - 1920, Letters to Anita Pollitzer' (1916)

Joyce Grenfell photo
David Graeber photo
Michel De Montaigne photo

“In true education, anything that comes to our hand is as good as a book: the prank of a page-boy, the blunder of a servant, a bit of table talk— they are all part of the curriculum.”

Michel De Montaigne (1533–1592) (1533-1592) French-Occitan author, humanistic philosopher, statesman

The Autobiography of Michel de Montaigne, Chapter III, pg. 24 (Translated by Marvin Lowenthal
Attributed

Ken MacLeod photo

“I’m sure they’ll come up with all kinds of rationalizations, if the human precedent is anything to go by.”

Source: Learning the World (2005), Chapter 17 “Fire in the Sky” (p. 284)

Georges Braque photo
Zbigniew Brzeziński photo
Prakash Javadekar photo

“This is a machine and anything can go wrong with it.”

Prakash Javadekar (1951) Indian politician

Responding to allegations that an inferior rath was given to Rajnath Singh for his rath-yatra, as quoted in " Rajnath Singh will get new rath: BJP http://www.rediff.com/news/2006/apr/08yatra6.htm", Rediff (8 April 2006)

Jack McDevitt photo