Quotes about angle

A collection of quotes on the topic of angle, right, likeness, other.

Quotes about angle

“Sometimes, I sit back and look at life from a different angle. Don't know if I'm God's child, or I'm Satan's angel.”

50 Cent (1975) American rapper, actor, businessman, investor and television producer

I'm Supposed to Die Tonight
Song lyrics, The Massacre (2005)

“We must preserve the sense of unity and the sense of diversity and multiplicity. We must recognize that the One and the Many are the same thing viewed from different angles. The One is the Many. The One is manifested only in and through the Many. It has no separate existence apart from the Many. Equally the Many are the One. Even during their temporary separation, they are always part of the One, and always united with the One. Every one of us is always part of the One, and can unite with the One at any time we choose”

Alexis Karpouzos (1967)

Source: https://www.goodreads.com/author/quotes/14108295.alexis_karpouzos?page=2

Sense, Time, Parting

“I want to ask you, to use some empathy right now. And when I say 'empathy', what I'm saying is: place yourself in the position of the animals, and start to view this issue from the animals' point of view. From the victims' point of view. When you examine any form of injustice, whether humans are victims or animals are victims, please remember the victim's point of view. If you are not the victim, don't examine it entirely from your point of view because when you're not the victim, it becomes pretty easy to rationalize and excuse cruelty, injustice, inequality, slavery, and even murder. But when you're the victim, things look a lot differently from that angle.”

Gary Yourofsky (1970) animal rights activist

Part of the speech to the students of the Georgia Institute of Technology (Summer 2010)

Animals

“Any segment of a right-angled conoid (i. e., a paraboloid of revolution) cut off by a plane at right angles to the axis is 1½ times the cone which has the same base and the same axis as the segment”

Archimedes book The Method of Mechanical Theorems

Proprosition 4.
The Method of Mechanical Theorems

Time

“Today's world, as we all know, is faced with multiple threats. From whichever angle I look at this menace, I always come to the conclusion that salvation can only come through a profound awakening of man to his own personal responsibility, which is at the same time a global responsibility.”

Václav Havel (1936–2011) playwright, essayist, poet, dissident and 1st President of the Czech Republic

The Onassis Prize For Man and Mankind (1993)
Context: Today's world, as we all know, is faced with multiple threats. From whichever angle I look at this menace, I always come to the conclusion that salvation can only come through a profound awakening of man to his own personal responsibility, which is at the same time a global responsibility. Thus, the only way to save our world, as I see it, lies in a democracy that recalls its ancient Greek roots: democracy based on an integral human personality personally answering for the fate of the community.

World, Time, Personality

“One must bear in mind the odd angle or slant that the rays of love have to take in order to reach a heart like mine.”

Saul Bellow book Humboldt's Gift

Source: Humboldt's Gift

Love, Heart

“I do differ from you radically in respect to familiar things & scenes; for I always demand close correlation with the landscape & historic stream to which I belong, & would feel completely lost in infinity without a system of reference-points based on known & accustomed objects. I take complete relativity so much for granted, that I cannot conceive of anything as existing in itself in any recognisable form. What gives things an aspect & quasi-significance to us is the fact that we view things consistently from a certain artificial & fortuitous angle. Without the preservation of that angle, coherent consciousness & entity itself becomes inconceivable. Thus my wish for freedom is not so much a wish to put all terrestrial things behind me & plunge forever into abysses beyond light, matter, & energy. That, indeed, would mean annihilation as a personality rather than liberation. My wish is perhaps best defined as a wish for infinite visioning & voyaging power, yet without loss of the familiar background which gives all things significance. I want to know what stretches Outside, & be able to visit all the gulfs & dimensions beyond Space & Time. I want, too, to juggle the calendar at will; bringing things from the immemorial past down into the present, & making long journeys into the forgotten years. But I want the familiar Old Providence of my childhood as a perpetual base for these necromancies & excursions—& in a good part of these necromancies & excursions I want certain transmuted features of Old Providence to form part of the alien voids I visit or conjure up. I am as geographic-minded as a cat—places are everything to me. Long observation has shewn me that no other objective experience can give me even a quarter of the kick I can extract from the sight of a fresh landscape or urban vista whose antiquity & historic linkages are such as to correspond with certain fixed childhood dream-patterns of mine. Of course my twilight cosmos of half-familiar, fleetingly remembered marvels is just as unattainable as your Ultimate Abysses—this being the real secret of its fascination. Nothing really known can continue to be acutely fascinating—the charm of many familiar things being mainly resident in their power to symbolise or suggest unknown extensions & overtones.”

H.P. Lovecraft (1890–1937) American author

Letter to Clark Ashton Smith (7 November 1930), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 214
Non-Fiction, Letters

Secret, Dreams, Feeling, Cats

“He therefore again asked, what was the name of that nation? and was answered, that they were called Angles. "Right", said he, for they have an Angelic face, and it becomes such to be co-heirs with the Angels in heaven. What is the name", proceeded he, "of the province from which they are brought?" It was replied, that the natives of that province were called Deiri. "Truly are they De ira", said he, "withdrawn from wrath, and called to the mercy of Christ. How is the king of that province called?" They told him his name was Ælla: and he, alluding to the name said, "Hallelujah, the praise of God the Creator must be sung in those parts."”
Rursus ergo interrogavit quod esset vocabulum gentis illius. Responsum est quod Angli vocarentur. At ille: "Bene", inquit, "nam et angelicam habent faciem et tales angelorum in caelis decet esse cohaeredes. Quod habet nomen ipsa provincia, de qua isti sunt adlati?" Responsum est quod Deiri vocarentur idem provinciales. At ille: "Bene", inquit, "Deiri; de ira eruti, et ad misericordiam Christi vocati. Rex provinciae illius quomodo apellatur?" Responsum est quod Aelli diceretur. At ille adludens ad nomen ait: "Alleluia, laudem Dei creatoris illis in partibus oportet cantari".

Bede book Ecclesiastical History of the English People

Rursus ergo interrogavit quod esset vocabulum gentis illius. Responsum est quod Angli vocarentur. At ille: "Bene", inquit, "nam et angelicam habent faciem et tales angelorum in caelis decet esse cohaeredes. Quod habet nomen ipsa provincia, de qua isti sunt adlati?" Responsum est quod Deiri vocarentur idem provinciales. At ille: "Bene", inquit, "Deiri; de ira eruti, et ad misericordiam Christi vocati. Rex provinciae illius quomodo apellatur?"
Responsum est quod Aelli diceretur. At ille adludens ad nomen ait: "Alleluia, laudem Dei creatoris illis in partibus oportet cantari".
Book II, chapter 1
Historia Ecclesiastica Gentis Anglorum (Ecclesiastical History of the English People)

God, Angels, Christ, Parting

“If we suppose the distance of the fixed stars from the sun to be so great that the diameter of the earth's orbit viewed from them would not subtend a sensible angle, or which amounts to the same, that their annual parallax is quite insensible; it will then follow that a line drawn from the earth in any part of its orbit to a fixed star, will always, as to sense, make the same angle with the plane of the ecliptic, and the place of the star, as seen from the earth, would be the same as seen from the sun placed in the focus of the ellipsis described by the earth in its annual revolution, which place may therefore be called its true or real place.
But if we further suppose that the velocity of the earth in its orbit bears any sensible proportion to the velocity with which light is propagated, it will thence follow that the fixed stars (though removed too far off to be subject to a parallax on account of distance) will nevertheless be liable to an aberration, or a kind of parallax, on account of the relative velocity between light and the earth in its annual motion.
For if we conceive, as before, the true place of any star to be that in which it would appear viewed from the sun, the visible place to a spectator moving along with the earth, will be always different from its true, the star perpetually appearing out of its true place more or less, according as the velocity of the earth in its orbit is greater or less; so that when the earth is in its perihelion, the star will appear farthest distant from its true place, and nearest to it when the earth is in its aphelion; and the apparent distance in the former case will be to that in the latter in the reciprocal proportion of the distances of the earth in its perihelion and its aphelion. When the earth is in any other part of its orbit, its velocity being always in the reciprocal proportion of the perpendicular let fall from the sun to the tangent of the ellipse at that point where the earth is, or in the direct proportion of the perpendicular let fall upon the same tangent from the other focus, it thence follows that the apparent distance of a star from its true place, will be always as the perpendicular let fall from the upper focus upon the tangent of the ellipse. And hence it will be found likewise, that (supposing a plane passing through the star parallel to the earth's orbit) the locus or visible place of the star on that plane will always be in the circumference of a circle, its true place being in that diameter of it which is parallel to the shorter axis of the earth's orbit, in a point that divides that diameter into two parts, bearing the same proportion to each other, as the greatest and least distances of the earth from the sun.”

James Bradley (1693–1762) English astronomer; Astronomer Royal

Miscellaneous Works and Correspondence (1832), Demonstration of the Rules relating to the Apparent Motion of the Fixed Stars upon account of the Motion of Light.

Star, Sense, Light, Distant

“Very broadly, I think one writes and rewrites the same book. I lead a character from book to book, I continue along with the same ideas. Only the angle of vision, the method, the lighting, change.”

Françoise Sagan (1935–2004) French writer

Paris Review interview (1956)

Books, Idea, Thinking, Light

“You & James Ferdinand simply can't learn to distinguish betwixt intellectual opinion & irrelevant instinctive emotion... For instance, he has the idea that I place an exaggerated intellectual valuation on the 18th century merely because my chance emotions have given me a strong but irrational subjective sense of belonging to it. I've told that bird dozens of times that I have no especial intellectual brief for Georgian days... He can't understand my ability to class as merely one period among others an age to which random early impressions have so closely bound my emotions & sense of identity... the point is that my own personal mess of subjective emotions has nothing whatever to do with my intellectual opinions. I have freely declared myself at all times (like everybody else in his respective way) a mere product of my background, & do not consider the values of that background as applicable to outsiders. The only way for the individual to achieve any contentment or harmonic relationship to a pattern is to adhere to the background naturally his; & that is what I am doing. Others I urge to adhere to their own respective backgrounds & traditions, however remote from mine these may be. When I venture now & then to suggest values of a more general kind, I approach the problem in an entirely different way—speaking not as Old Theobald of His Majesty's Rhode-Island Colony, but as the cosmic & impersonal Ec'h-Pi-El, denizen of the invisible world 'Ui-ulh in the second zone of curved space outside angled space... If there is any approach to an absolute value in the cosmos—or at least on this planet—then this is it. Sincerity—is-or-isn't-ness—technical perfection—harmony—coherence—consistency—symmetry—all these things are obviously aspects of one single property of space, energy, & general mathematical harmonics whose universality gives it the deepest possible significance. I have thought this all my life, & that is why to me one Newton or Einstein, one M. Atilius Regulus, M. Porcius Cato, or P. Cornelius Scipio, seems to me in certain ways worth a full dozen of your prattling little Keatses & Baudelaires.”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 312
Non-Fiction, Letters, to Frank Belknap Long

Life, Age, World, Way

“It follows at once from the last proposition that the centre of gravity of any triangle is at the intersection of the lines drawn from any two angles to the middle points of the opposite sides respectively.”

Archimedes book On the Equilibrium of Planes

Book 1, Proposition 14.
On the Equilibrium of Planes

“In any triangle the centre of gravity lies on the straight line joining any angle to the middle point of the opposite side.”

Archimedes book On the Equilibrium of Planes

Book 1, Proposition 13.
On the Equilibrium of Planes

“As a square number is known to be the product of a number multiplied by itself, so every polygonal number, multiplied by one number and added to another, both of which depend upon the number of its angles, produces a square number. I shall prove this, and shall show also how from a given side to find its polygon and conversely. Some auxiliary propositions must first be proved.”

Diophantus Arithmetica

As quoted by James Gow, A Short History of Greek Mathematics https://books.google.com/books?id=9d8DAAAAMAAJ (1884) Arithmetica (c. 250 AD)

Dependency

“Fly fishing may be a very pleasant amusement; but angling or float fishing I can only compare to a stick and a string, with a worm at one end and a fool at the other.”

Samuel Johnson (1709–1784) English writer

Attributed in Instructions to Young Sportsmen (1824) by Colonel Peter Hawker

Fools, Fish, Flying

“The concept of rotation led to geometrical exponential magnitudes, to the analysis of angles and of trigonometric functions, etc. I was delighted how thorough the analysis thus formed and extended, not only the often very complex and unsymmetric formulae which are fundamental in tidal theory, but also the technique of development parallels the concept.”

Hermann Grassmann (1809–1877) German polymath, linguist and mathematician

Ausdehnungslehre (1844)

“The very sun of heaven seemed distorted when viewed through the polarising miasma welling out from this sea-soaked perversion, and twisted menace and suspense lurked leeringly in those crazily elusive angles of carven rock where a second glance shewed concavity after the first shewed convexity.
Something very like fright had come over all the explorers before anything more definite than rock and ooze and weed was seen.”

H.P. Lovecraft (1890–1937) American author

Fiction, The Call of Cthulhu (1926)

Sun, Sea

“When earth meets with fire and is dissolved by the keenness of it, it would drift about, whether it were dissolved in fire itself, or in some mass of air or water, until the parts of it meeting and again being united became earth once more; for it never could pass into any other kind. But when water is divided by fire or by air, it may be formed again and become one particle of fire and two of air: and the divisions of air may become for every particle broken up two particles of fire. And again when fire is caught in air or in waters or in earth, a little in a great bulk, moving amid a rushing body, and contending with it is vanquished and broken up, two particles of fire combine into one figure of air: and when air is vanquished and broken small, from two whole and one half particle one whole figure of water will be composed. Let us also reckon it once again thus: when any of the other kinds is intercepted in fire and is divided by it through the sharpness of its angles and its sides, if it forms into the shape of fire, it at once ceases from being divided…”

Plato book Timaeus

Section 57a, Tr. R. D. Archer-Hind, The Timaeus of Plato (1888) pp. 203-205. https://books.google.com/books?id=q2YMAAAAIAAJ&pg=PA203 Timaeus

Water, Parting

“They stand not aloof with the gaping vacuity of vulgar ignorance, nor bend with the cringe of sycophantic insignificance. The graceful pride of truth knows no extremes, and preserves, in every latitude of life, the right-angled character of man.”

Thomas Paine book Rights of Man

Part 1.3 Rights of Man
1790s, Rights of Man, Part I (1791)

Life, Truth

“The pilgrims were human beings. Otherwise they would have acted differently. They had come a long and difficult journey, and now when the journey was nearly finished, and they learned that the main thing they had come for had ceased to exist, they didn't do as horses or cats or angle-worms would probably have done — turn back and get at something profitable — no, anxious as they had before been to see the miraculous fountain, they were as much as forty times as anxious now to see the place where it had used to be. There is no accounting for human beings.”

Mark Twain book A Connecticut Yankee in King Arthur's Court

Ch. 22 http://www.literature.org/authors/twain-mark/connecticut/chapter-22.html A Connecticut Yankee in King Arthur's Court (1889)

Cats, Learning, Time, Horse

“All causes of natural effects have to be given through lines, angles and figures, for otherwise it is impossible for the reason why”

Robert Grosseteste (1175–1253) English bishop and philosopher

De Lineas, Anguilis et Figuris (On Lines, Angles and Figures) as quoted in Neil Lewis, "Robert Grosseteste" http://plato.stanford.edu/entries/grosseteste/ Stanford Encyclopedia of Philosophy (2007, 2013) citing Baur, Ludwig (ed.) Die Philosophischen Werke des Robert Grosseteste, Bischofs von Lincoln (1912) pp.59–60 Context: The consideration of lines, angles and figures is of the greatest utility since it is impossible for natural philosophy to be known without them... All causes of natural effects have to be given through lines, angles and figures, for otherwise it is impossible for the reason why (propter quid) to be known in them.

Nature

“The religious geniuses of all times have been distinguished by this cosmic religious sense, which recognizes neither dogmas nor God made in man's image. Consequently there cannot be a church whose chief doctrines are based on the cosmic religious experience. It comes about, therefore, that we find precisely among the heretics of all ages men who were inspired by this highest religious experience; often they appeared to their contemporaries as atheists, but sometimes also as saints. Viewed from this angle, men like Democritus, Francis of Assisi, and Spinoza are near to one another.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Wording in Ideas and Opinions: Common to all these types is the anthropomorphic character of their conception of God. In general, only individuals of exceptional endowments, and exceptionally high-minded communities, rise to any considerable extent above this level. But there is a third stage of religious experience which belongs to all of them, even though it is rarely found in a pure form: I shall call it cosmic religious feeling. It is very difficult to elucidate this feeling to anyone who is entirely without it, especially as there is no anthropomorphic conception of God corresponding to it. The individual feels the futility of human desires and aims and the sublimity and marvelous order which reveal themselves both in nature and in the world of thought. Individual existence impresses him as a sort of prison and he wants to experience the universe as a single significant whole. The beginnings of cosmic religious feeling already appear at an early stage of development, e.g., in many of the Psalms of David and in some of the Prophets. Buddhism, as we have learned especially from the wonderful writings of Schopenhauer, contains a much stronger element of this. The religious geniuses of all ages have been distinguished by this kind of religious feeling, which knows no dogma and no God conceived in man's image; so that there can be no church whose central teachings are based on it. Hence it is precisely among the heretics of every age that we find men who were filled with this highest kind of religious feeling and were in many cases regarded by their contemporaries as atheists, sometimes also as saints. Looked at in this light, men like Democritus, Francis of Assisi, and Spinoza are closely akin to one another.
1930s, Religion and Science (1930)
Context: Common to all these types is the anthropomorphic character of the idea of God. Only exceptionally gifted individuals or especially noble communities rise essentially above this level; in these there is found a third level of religious experience, even if it is seldom found in a pure form. I will call it the cosmic religious sense. This is hard to make clear to those who do not experience it, since it does not involve an anthropomorphic idea of God; the individual feels the vanity of human desires and aims, and the nobility and marvelous order which are revealed in nature and in the world of thought. He feels the individual destiny as an imprisonment and seeks to experience the totality of existence as a unity full of significance. Indications of this cosmic religious sense can be found even on earlier levels of development—for example, in the Psalms of David and in the Prophets. The cosmic element is much stronger in Buddhism, as, in particular, Schopenhauer's magnificent essays have shown us. The religious geniuses of all times have been distinguished by this cosmic religious sense, which recognizes neither dogmas nor God made in man's image. Consequently there cannot be a church whose chief doctrines are based on the cosmic religious experience. It comes about, therefore, that we find precisely among the heretics of all ages men who were inspired by this highest religious experience; often they appeared to their contemporaries as atheists, but sometimes also as saints. Viewed from this angle, men like Democritus, Francis of Assisi, and Spinoza are near to one another.

Men, God, Age, Sense

“History is not melodrama, even if it usually reads like that. It was real blood, not tomato catsup or the pale ectoplasm of statistics, that wet the ground at Bloody Angle and darkened the waters of Bloody Pond.”

Robert Penn Warren (1905–1989) American poet, novelist, and literary critic

The Legacy of the Civil War (1961), pp. 49–50
Context: We are right to see power prestige and confidence as conditioned by the Civil War. But it is a very easy step to regard the War, therefore, as a jolly piece of luck only slightly disguised, part of our divinely instituted success story, and to think, in some shadowy corner of our mind, of the dead at Gettysburg as a small price to pay for the development of a really satisfactory and cheap compact car with decent pick-up and road-holding capability. It is to our credit that we survived the War and tempered our national fiber in the processs, but human decency and the future security of our country demand that we look at the costs. What are some of the costs?
Blood is the first cost. History is not melodrama, even if it usually reads like that. It was real blood, not tomato catsup or the pale ectoplasm of statistics, that wet the ground at Bloody Angle and darkened the waters of Bloody Pond. It modifies our complacency to look at the blurred and harrowing old photographs — the body of the dead sharpshooter in the Devil's Den at Gettysburg or the tangled mass in the Bloody Lane at Antietam.

History, Water, Reading

“As you get older, you have to force yourself to have new dreams. For instance, I've been flying for 37 years, but now teaching others to fly is interesting for me. Sometimes you have to find new angles on life to keep you interested, like sharing successes and inspiring and helping others. ”

John Travolta (1954) American actor, dancer and singer

Life, Dreams, Success, Help

“The line of cleavage drawn on principle and conduct in public affairs is never in any healthy community identical with the line of cleavage between creed and creed or between class and class. On the contrary, where the community life is healthy, these lines of cleavage almost always run nearly at right angles to one another. It is eminently necessary to all of us that we should have able and honest public officials in the nation, in the city, in the state. If we make a serious and resolute effort to get such officials of the right kind, men who shall not only be honest but shall be able and shall take the right view of public questions, we will find as a matter of fact that the men we thus choose will be drawn from the professors of every creed and from among men who do not adhere to any creed.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1910s, Address to the Knights of Columbus (1915)

Life, Men, Making love, Communication

“Mama, your son in the red hat
Had suffered set-backs, had 'shouldn't-have-said-thats'
Had made everyone mad Give 'em enough of they own rope to hang 'em with
The paparazzi never really got what my angle is
They treat my married life like some type of entanglement.”

Kanye West (1977) American rapper, singer and songwriter

Life of the Party
Lyrics, Donda (2021)

Life, Suffering, Madness

“I was made at right angles to the world
and I see it so. I can only see it so.”

Elizabeth Bishop (1911–1979) American poet

Source: Elizabeth Bishop: Poems, Prose, and Letters

World

“I hated labels anyway. People didn’t fit in slots—prostitute, housewife, saint—like sorting the mail. We were so mutable, fluid with fear and desire, ideals and angles, changeable as water.”

Janet Fitch book White Oleander

Variant: I hated labels anyway. People didn't fit in slots--prostitute, housewife, saint--like sorting the mail. We were so mutable, fluid with fear and desire, ideals and angles, changeable as water.
Source: White Oleander

Hate, People, Fear, Water

“If there is any one secret of success, it lies in the ability to get the other person's point of view and see things from that person's angle as well as from your own.”

Henry Ford book My Life and Work

My Life and Work (1922)

Secret, Success, Personality, Success

“Every journey conceals another journey within its lines: the path not taken and the forgotten angle.”

Jeanette Winterson book Sexing the Cherry

Source: Sexing the Cherry (1989)

“Murder? You mean he's dead?"
"No. He's resting comfortably," I said. "People always sleep best with their heads at a ninety-degree angle. He looks comfortable, doesn't he?"
(Paige & Elena)”

Kelley Armstrong book Stolen

Source: Stolen

People, Sleep, Dead

“There is no single face in nature, because every eye that looks upon it, sees it from its own angle. So every man's spice-box seasons his own food.”

Zora Neale Hurston (1891–1960) American folklorist, novelist, short story writer

Food, Nature, Box, Season

“I've come to believe errors, especially written errors, are often the only markers left by a solitary life: to sacrifice them is to lose the angles of personality, the riddle of a soul. In this case a very old soul. A very old riddle.”

Mark Z. Danielewski book House of Leaves

Source: House of Leaves

Life, Error, Soul, Personality

“Creativity arises from our ability to see things from many different angles.”

Keri Smith Canadian writer

Source: How to Be an Explorer of the World: Portable Life Museum

“I was starting to see that what looks like garbage from one angle might be art from another. Maybe it did take a crisis to get to know yourself; maybe you needed to get whacked hard by life before you understood what you wanted out of it.”

Jodi Picoult book Handle With Care

Variant: What looks like garbage from one angle might be art from another. Maybe ittake a crisis to get to know yourself; maybe you needed to get whacked hard by life before you understood what you wanted out of it.
Source: Handle with Care

Life, Art

“One of the things I've always liked about science fiction is the way it makes you think about things, and look at things from angles you'd never have thought about before.”

Jo Walton book Among Others

Source: Among Others

Way, Thinking, Science

“His books are kept on freestanding shelves hung at different angles on a sea-green wall. They defy gravity, as good books should.”

David Levithan Boy Meets Boy

Source: Boy Meets Boy

Books, Sea

“Limited by the world, which I oppose, jagged by it, I shall be all the more handsome and sparkling as the angles which wound me and give me shape are more acute and the jagging more cruel.”

Jean Genet book The Thief's Journal

Source: The Thief's Journal

World

“You’ve been good to me, Inigo. But I really am like the weather. You can admire me, even love me, in your way, but I can’t love you back. To me you’re like a photograph. I can see right through you, examine you from all angles. You amuse me. But you don’t have enough depth ever to fascinate me.”

Alastair Reynolds (1966) British novelist and astronomer

Weather (p. 159)
Short fiction, Galactic North (2006)

Love, Way, Weather

“The signs on Bell’s door read “J. Bell” and “M. Bell.” I knocked and was invited in by Bell. He looked about the same as he had the last time I saw him, a couple of years ago. He has long, neatly combed red hair and a pointed beard, which give him a somewhat Shavian figura. On one wall of the office is a photograph of Bell with something that looks like a halo behind his head, and his expression in the photograph is mischievous. Theoretical physicists’ offices run the gamut from chaotic clutter to obsessive neatness; the Bells’ is somewhere in between. Bell invited me to sit down after warning me that the “visitor’s chair” tilted backward at unexpected angles. When I had mastered it, and had a chance to look around, the first thing that struck me was the absence of Mary. “Mary,” said Bell, with a note of some disbelief in his voice, “has retired.” This, it turned out, had occurred not long before my visit. “She will not look at any mathematics now. I hope she comes back,” he went on almost plaintively; “I need her. We are doing several problems together.” In recent years, the Bells have been studying new quantum mechanical effects that will become relevant for the generation of particle accelerators that will perhaps succeed the LEP. Bell began his career as a professional physicist by designing accelerators, and Mary has spent her entire career in accelerator design. A couple of years ago Bell, like the rest of the members of CERN theory division, was asked to list his physics speciality. Among the more “conventional” entries in the division such as “super strings,” “weak interactions,” “cosmology,” and the like, Bell’s read “quantum engineering.””

Jeremy Bernstein (1929) American physicist

Quantum Profiles (1991), John Stewart Bell: Quantum Engineer

Hope, Mathematics, Problem, Study

“Had the acute-angled rabble been all, without exception, absolutely destitute of hope and of ambition, they might have found leaders in some of their many seditious outbreaks, so able as to render their superior numbers and strength too much even for the wisdom of the Circles. But a wise ordinance of Nature has decreed that, in proportion as the working-classes increase in intelligence, knowledge, and all virtue, in that same proportion their acute angle (which makes them physically terrible) shall increase also and approximate to the comparatively harmless angle of the Equilateral Triangle. Thus, in the most brutal and formidable of the soldier class — creatures almost on a level with women in their lack of intelligence — it is found that, as they wax in the mental ability necessary to employ their tremendous penetrating power to advantage, so do they wane in the power of penetration itself.

How admirable is this Law of Compensation! And how perfect a proof of the natural fitness and, I may almost say, the divine origin of the aristocratic constitution of the States in Flatland! By a judicious use of this Law of Nature, the Polygons and Circles are almost always able to stifle sedition in its very cradle, taking advantage of the irrepressible and boundless hopefulness of the human mind. Art also comes to the aid of Law and Order. It is generally found possible — by a little artificial compression or expansion on the part of the State physicians — to make some of the more intelligent leaders of a rebellion perfectly Regular, and to admit them at once into the privileged classes; a much larger number, who are still below the standard, allured by the prospect of being ultimately ennobled, are induced to enter the State Hospitals, where they are kept in honourable confinement for life; one or two alone of the more obstinate, foolish, and hopelessly irregular are led to execution.”

Edwin Abbott Abbott book Flatland

Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 3. Concerning the Inhabitants of Flatland

Life, Wisdom, Women, Law

“Assuming her most gracious manner, my Wife advanced towards the Stranger, "Permit me, Madam, to feel and be felt by— " then, suddenly recoiling, "Oh! it is not a Woman, and there are no angles either, not a trace of one. Can it be that I have so misbehaved to a perfect Circle?" "I am indeed, in a certain sense a Circle," replied the Voice, "and a more perfect Circle than any in Flatland; but to speak more accurately, I am many Circles in one."”

Edwin Abbott Abbott book Flatland

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 15. Concerning a Stranger from Spaceland

Feeling, Sense, Perfection

“Wouldn't it be wonderful to paint a nude here? [along the river near Aix ] There are innumerable motifs here on the banks of the river; the same spot viewed from a different angle offers a subject of the utmost interest. It is so varied that I think I could keep busy for months without changing my place, simply turning now tot the right and now to the left.”

Paul Cézanne (1839–1906) French painter

Quote in a conversation with Vollard, along the river near Aix, 1896; as quoted in Cezanne, by Ambroise Vollard, Dover publications Inc. New York, 1984, p. 74
Quotes of Paul Cezanne, 1880s - 1890s

Business, Thinking, Change, Painting

“These formulae [in (1) and (2) above] may be shown to be valid for a circle or a triangle in the hyperbolic plane… for which K < 0. Accordingly here the perimeter and area of a circle are greater, and the sum of the three angles of a triangle are less, than the corresponding quantities in the Euclidean plane. It can also be shown that each full line is of infinite length, that through a given point outside a given line an infinity of full lines may be drawn which do not meet the given line (the two lines bounding the family are said to be "parallel" to the given line), and that two full lines which meet do so in but one point.”

Howard P. Robertson (1903–1961) American mathematician and physicist

Geometry as a Branch of Physics (1949)

Family

“One needs a medium. The best is, one is his own medium. But don't be serious because seriousness belongs to a passed time. This medium, called you yourself will tell you to take absolutely the wrong material. That is very good, because only the wrong material used in the wrong way, will give the right picture, when you look at it from the right angle. Or the wrong angle. That leads us to the new ism: Anglism. The first art starting from England [the country of Schwitters' forced stay, when he wrote this quote], except the former shapes of art.”

Kurt Schwitters (1887–1948) German artist

Source: 1940s, I is Style (2000), pp. 100-101 : in: 'That is my confession I have to make MERZ' (1940 – 1946), Kurt Schwitters.

Art, Way, Quotes, Time

“As soon as the sound of the Peace-cry of my departing Wife had died away, I began to approach the Stranger with the intention of taking a nearer view and of bidding him be seated: but his appearance struck me dumb and motionless with astonishment. Without the slightest symptoms of angularity he nevertheless varied every instant with gradations of size and brightness scarcely possible for any Figure within the scope of my experience. The thought flashed across me that I might have before me a burglar or cut-throat, some monstrous Irregular Isosceles, who, by feigning the voice of a Circle, had obtained admission somehow into the house, and was now preparing to stab me with his acute angle.”

Edwin Abbott Abbott book Flatland

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 16. How the Stranger Vainly Endeavoured to Reveal to Me in Words the Mysteries of Spaceland

Peace, Appearance, Housing, Cry

“In order to receive in the eye all the light diffracted through a narrow opening, and to see the phenomena strongly magnified; still more in order to directly measure the inflection of the light, I placed in front of the objective of a theodolite-telescope a screen in which there was a narrow vertical opening which could be made wider or narrower by means of a screw. By means of a heliostat I threw sunlight into a darkened room through a narrow slit so that it fell upon this screen, through whose opening the light was therefore diffracted. I could then observe through the telescope the phenomena produced by the diffraction, magnified, and yet seen with sufficient brightness; and at the same time I could measure the angles of inflection of the light by means of the theodolite.”

Joseph von Fraunhofer (1787–1826) German optical physicist

Prismatic and Diffraction Spectra: Memoirs (1899) Tr. & Ed. J. S. Ames p. 14-15

Light, Time

“The naked body is an altogether suitable object. In art classes I have gradually learned something of it from every angle. But now I will no more project some plan of it: I will proceed so that all its essentials, even those hidden by optical perspective, will appear upon the paper. And thus a little uncontested personal property has already been discovered, a style has been created.”

Paul Klee (1879–1940) German Swiss painter

Quote (June 1902), as cited in Artists on Art, from the 14th – 20th centuries, ed. Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 443
1895 - 1902

Art, Learning, Appearance, Personality

“She looked down a slope, needing to squint for the sunlight, onto a vast sprawl of houses which had grown up all together, like a well-tended crop, from the dull brown earth; and she thought of the time she’d opened a transistor radio to replace a battery and seen her first printed circuit. The ordered swirl of houses and streets, from this high angle, sprang at her now with the same unexpected, astonishing clarity as the circuit card had. Though she knew even less about radios than about Southern Californians, there were to both outward patterns a hieroglyphic sense of concealed meaning, of an intent to communicate. There’d seemed no limit to what the printed circuit could have told her (if she had tried to find out); so in her first minute of San Narciso, a revelation also trembled just past the threshold of her understanding.”

Thomas Pynchon book The Crying of Lot 49

Source: The Crying of Lot 49 (1966), Chapter 1

Communication, Understanding, Sense, Time

“Proposition 1. Two equal spheres are comprehended by one and the same cylinder, and two unequal spheres by one and the same cone which has its vertex in the direction of the lesser sphere; and the straight line drawn through the centres of the spheres is at right angles to each of the circles in which the surface of the cylinder, or of the cone, touches the spheres.”

Aristarchus of Samos ancient Greek astronomer and mathematician

p, 125
On the Sizes and Distances of the Sun and the Moon (c. 250 BC)

“Fairly early in life, I noticed my brain was weird. By that I mean that I noticed it had a way of looking at normal things from a slightly twisted angle--just twisted enough that it often made me chuckle.”

Phil Vischer (1966) American puppeter

Source: Me, Myself, & Bob (2006), p. 9-10

Life, Way

“It may be noted that in Neo-Plastic art the crucial thing is the right angel, that is, the right-angle lines. And not whether the position of the lines is vertical or horizontal... So it is possible to make very beautiful things while placing the lines in a diagonal position.”

Piet Mondrian (1872–1944) Peintre Néerlandais

In 'Neo-Plasticism: Home – Street – City', Piet Mondriaan, 'i 10', Jan. 1927
1920's

Beauty, Art, Angels

“They (fans) respond mostly to what WWE trains them to respond to. An ankle lock gets over because Kurt Angle does the ankle lock and everyone submits to it. A triangle by Undertaker doesn't get over because WWE has never trained the fans to accept that as a finish because no one ever taps to it. And it was the same thing when Shamrock was in WWE.”

Bryan Alvarez (1975) Professional wrestler, editor and publisher

Quoted by Corey David LaCroix, " The Fight Network bridging MMA/wrestling gap http://web.archive.org/web/20060113150444/http://slam.canoe.ca/Slam/Wrestling/2005/11/24/1321324.html", SLAM! Wrestling, (2005-11-24)

Training

“Sharron Angle: I feel that the Second Amendment is the right to keep and bear arms for our citizenry. This not for someone who's in the military. This not for law enforcement. This is for us. And in fact when you read that Constitution and the founding fathers, they intended this to stop tyranny. This is for us when our government becomes tyrannical…
Bill Manders: If we needed it at any time in history, it might be right now.
Sharron Angle: Well it's to defend ourselves. And you know, I'm hoping that we're not getting to Second Amendment remedies. I hope the vote will be the cure for the Harry Reid problems.”

Sharron Angle (1949) Former member of the Nevada Assembly from 1999 to 2007

interview with talk radio host Bill Manders early in senatorial campaign
Sharron Angle Floated '2nd Amendment Remedies' As 'Cure' For 'The Harry Reid Problems'
2010-06-06
The Huffington Post
http://www.huffingtonpost.com/2010/06/16/sharron-angle-floated-2nd_n_614003.html

Law, Hope, Feeling, History

“The unerring signs of truth and falsehood are clear, distinct consistency and contradiction. This is also the case with revelation, in so far as that it must, in common with other truths, be free from contradiction. And just as little as miracles can prove that twice two are five or that a triangle has four angles, can a contradiction lying in the history and dogmas of Christianity be removed by any number of miracles.”

Hermann Samuel Reimarus (1694–1768) German philosopher

Source: Fragments from Reimarus: Consisting of Brief Critical Remarks on the Object of Jesus and His Disciples as Seen in the New Testament, p. 75

Truth, History, Lying

“Computer programming is like the ability or skill to see what Picasso saw from all the different angles at once. If it is an art, the crucial element of art is to look at things from an angle that produces new insight or at least has that potential.”

Erik Naggum (1965–2009) Norwegian computer programmer

Re: Guide to Lisp, v1.20 http://groups.google.com/group/comp.lang.lisp/msg/f7bc99564506e851 (Usenet article). Usenet articles, Miscellaneous

Art

“The idea for [his sculpture] 'The Warrior' came to me at the end of 1952 or very early in 1953. It was evolved from a pebble I found on the seashore in the summer of 1952, and which reminded me of the stump of a leg, amputated at the hip. Just as Leonardo says somewhere in his notebooks that a painter can find a battle scene in the lichen marks on a wall, so this gave me the start of The Warrior idea. First I added the body, leg and one arm and it became a wounded warrior, but at first the figure was reclining. A day or two later I added a shield and altered its position and arrangement into a seated figure and so it changed from an inactive pose into a figure which, though wounded, is still defiant... The head has a blunted and bull-like power but also a sort of dumb animal acceptance and forbearance of pain... The figure may be emotionally connected (as one critic has suggested) with one’s feelings and thoughts about England during the crucial and early part of the last war. The position of the shield and its angle gives protection from above. The distance of the shield from the body and the rectangular shape of the space enclosed between the inside surface of the shield and the concave front of the body is important... This sculpture is the first single and separate male figure that I have done in sculpture and carrying it out in its final large scale was almost like the discovery of a new subject matter; the bony, edgy, tense forms were a great excitement to make... Like the bronze 'Draped Reclining Figure' of 1952-3 I think 'The Warrior' has some Greek influence, not consciously wished…”

Henry Moore (1898–1986) English artist

Quote from Moore's letter, (15 Jan. 1955); as cited in Henry Moore on Sculpture: a Collection of the Sculptor's Writings and Spoken Words, ed. Philip James, MacDonald, London 1966, p. 250
1940 - 1955

Pain, War, Feeling, Idea

“We have merely (!) to measure the volume V of a sphere of radius r or the sum \sigma of the angles of a triangle of measured are \delta, and from the results to compute the value of K.”

Howard P. Robertson (1903–1961) American mathematician and physicist

Geometry as a Branch of Physics (1949)

“In Wing Chun we hit the larger part of the face, usually at an angle, so the butt of the chin is avoided. In Wing Chun, the main target area is from the mouth upward…”

Wong Shun Leung (1935–1997) martial artist

Wong Shun Leung Comments on Where to Hit on the Human Head Practical Fighting Concepts Source: Interview with Wong Shun Leung, by: Erle Montaigue http://www.vingtsunupdate.com/index.php?option=com_content&task=view&id=44&Itemid=77

Parting

“The life of the spirit may be fairly represented in diagram as a large acute-angled triangle divided horizontally into unequal parts with the narrowest segment uppermost. The lower the segment the greater it is in breadth, depth, and area.”

Wassily Kandinsky (1866–1944) Russian painter

III. The Movement of the Triangle
1910 - 1915, Concerning the Spiritual in Art, 1911

Life, Parting

“You will find angling to be like the virtue of humility, which has a calmness of spirit and a world of other blessings attending upon it.”

Izaak Walton book The Compleat Angler

Part I, ch. 1.
The Compleat Angler (1653-1655)

World

“Some… agreeing with Philolaus, believe that the proportion is called harmonic because it attends upon all geometric harmony, and they say that 'geometric harmony' is the cube because it is harmonized in all three dimensions, being the product of a number thrice multiplied together. For in every cube this proportion is mirrored; there are in every cube 12 sides, 8 angles and 6 faces; hence 8, the [harmonic] mean between 6 and 12, is according to harmonic proportion…”

Nicomachus (60–120) Ancient Greek mathematician

this harmonic proportion may be expressed as <math>\frac{12}{6}=\frac{12-8}{8-6}</math> or inversely.
Nicomachus of Gerasa: Introduction to Arithmetic (1926)

“Procedure, properly applied, allows specialization to be carried to its optimum degree and effects the most efficient division of labor. Procedure not only divides labor; it also divides-and fixes-responsibility. Procedure thus is a means of maintaining order and of achieving regularity, continuity, predictability, control, and accountability. It is a means of maximizing control of the subjective drives of an organization's members, of assuring that their official actions contribute-and, if possible, that their private loyalties conform-to the organization's objectives. From a general political angle, procedure ensures equality of treatment-a value of great significance to the citizen.”

Dwight Waldo (1913–2000) American political scientist

Source: "Government by Procedure", 1946, p. 381-82; As cited in: Albert Lepawsky (1949), Administration, p. 595

Loyalty

“On the whole we get on pretty smoothly in our domestic relations, except in the lower strata of the Military Classes. There the want of tact and discretion on the part of the husbands produces at times indescribable disasters. Relying too much on the offensive weapons of their acute angles instead of the defensive organs of good sense and seasonable simulation, these reckless creatures too often neglect the prescribed construction of the women's apartments, or irritate their wives by ill-advised expressions out of doors, which they refuse immediately to retract. Moreover a blunt and stolid regard for literal truth indisposes them to make those lavish promises by which the more judicious Circle can in a moment pacify his consort. The result is massacre; not, however, without its advantages, as it eliminates the more brutal and troublesome of the Isosceles; and by many of our Circles the destructiveness of the Thinner Sex is regarded as one among many providential arrangements for suppressing redundant population, and nipping Revolution in the bud.

Yet even in our best regulated and most approximately Circular families I cannot say that the ideal of family life is so high as with you in Spaceland. There is peace, in so far as the absence of slaughter may be called by that name, but there is necessarily little harmony of tastes or pursuits; and the cautious wisdom of the Circles has ensured safety at the cost of domestic comfort.”

Edwin Abbott Abbott book Flatland

Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 4. Concerning the Women

Life, Wisdom, Women, Truth

“Both the Republican and Tea Party nominees are listed side by side on the Nevada ballot and, ironically, the difference in the race could be the handful of points secured by the Tea Party candidate Scott Ashjian, at the expense of Republican Sharron Angle.”

Scott Ashjian (1963) American businessman

David Paleologos — reported in [Bruce, Drake, http://www.politicsdaily.com/2010/10/13/scott-ashjians-tea-party-candidacy-still-a-factor-in-nevada-sen/, Scott Ashjian's Tea Party Candidacy Still a Factor in Nevada Senate Contest, Politics Daily, AOL News, October 13, 2010, 2010-10-14]
About

Tea

“No.3 Commando was very anxious to be chums with Lord Glasgow, so they offered to blow up an old tree stump for him and he was very grateful and said don't spoil the plantation of young trees near it because that is the apple of my eye and they said no of course not we can blow a tree down so it falls on a sixpence and Lord Glasgow said goodness you are clever and he asked them all to luncheon for the great explosion.
So Col. Durnford-Slater DSO said to his subaltern, have you put enough explosive in the tree?. Yes, sir, 75lbs. Is that enough? Yes sir I worked it out by mathematics it is exactly right. Well better put a bit more. Very good sir.
And when Col. D Slater DSO had had his port he sent for the subaltern and said subaltern better put a bit more explosive in that tree. I don't want to disappoint Lord Glasgow. Very good sir.
Then they all went out to see the explosion and Col. DS DSO said you will see that tree fall flat at just the angle where it will hurt no young trees and Lord Glasgow said goodness you are clever.
So soon they lit the fuse and waited for the explosion and presently the tree, instead of falling quietly sideways, rose 50 feet into the air taking with it ½ acre of soil and the whole young plantation.
And the subaltern said Sir, I made a mistake, it should have been 7½ not 75. Lord Glasgow was so upset he walked in dead silence back to his castle and when they came to the turn of the drive in sight of his castle what should they find but that every pane of glass in the building was broken.
So Lord Glasgow gave a little cry and ran to hide his emotions in the lavatory and there when he pulled the plug the entire ceiling, loosened by the explosion, fell on his head.
This is quite true.”

Evelyn Waugh (1903–1966) British writer

Letter to his wife (31 May 1942)

Disappointment, Mathematics, Tree, Silence

“Kapila's arguments are listed [by Dr. Ambedkar], and the last one introduces yet another fundamental concept of Buddhism: suffering (dukkha). It is brought in from an unusual angle: 'Kapila argued that the process of development of the unevolved is through the activities of three constituents of which it is made up, Sattva, Rajas and Tamas. These are called three Gunas. [Sattva is] light in nature, which reveals, which causes pleasure to men; [Rajas is] what impels and moves, what produces activity; [Tamas is] what is heavy and puts under restraint, what produces the state of indifference or inactivity (') When the three Gunas are in perfect balance, none overpowering the other, the universe appears static (achetan) and ceases to evolve. When the three Gunas are not in balance, one overpowers the other, the universe becomes dynamic (sachetan) and evolution begins. Asked why the Gunas become unbalanced, the answer which Kapila gave was that this disturbance in the balance of the three Gunas was due to the presence of Dukkha (suffering).”

Kapila Vedic sage, of the Samkhya school of Hindu philosophy

Buddhism is quite close to the Samkhya-Yoga viewpoint: to Samkhya for its philosophical framework, to Yoga for its methods of meditation.
Quoted in Elst, Koenraad (2002). Who is a Hindu?: Hindu revivalist views of Animism, Buddhism, Sikhism, and other offshoots of Hinduism. ISBN 978-8185990743, with quote from Ambedkar: The Buddha and his Dhamma, 1:5:2.

Men, Pleasure, Nature, Light

“Everybody has certain preoccupations they return to. What looks like an obsession, is often something more modest, namely a return to the fray through a somewhat different angle of vision.. from a different stage of your experience.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Other Quotes

“The chief thing was to select a name totally different from those under which he had hitherto written: so that when he used the name, he would feel like a different person, and in consequence write from a somewhat different angle. I have been told - by men who do not write - that this is all fanciful. This only means that they don't understand.”

Charles Hamilton (writer) (1876–1961) English writer of school stories

Explaining why he used many different pseudonyms.
Oxford Companion to Children's Literature: "Charles Hamilton" (pages 235-7)

Men, Feeling, Understanding, Personality

“No human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice.”

Shirley Jackson book The Haunting of Hill House

Source: The Haunting of Hill House (1959), Ch. 2

Evil, Chance, Housing, Despair

“Note that the ball falls at a rather large angle at the end of its flight; the trajectories are not symmetric.”

Robert Adair (physicist) (1924) Physicist and author

Source: The Physics Of Baseball (Second Edition - Revised), Chapter 2, The Flight Of The baseball, p. 15

“In this world laws are written for the lofty aim of "the common good" and then acted out in life on the basis of the common greed. In this world irrationality clings to man like his shadow so that the right things get done for the wrong reasons—afterwards, we dredge up the right reasons for justification. It is a world not of angels but of angles, where men speak of moral principles but act on power principles; a world where we are always moral and our enemies always immoral; a world where "reconciliation" means that when one side gets the power and the other side gets reconciled to it, then we have reconciliation.”

Saul D. Alinsky (1909–1972) American community organizer and writer

Source: Rules for Radicals: A Practical Primer for Realistic Radicals (1971), p. 13

Life, Men, World, Law

“The trisection of an angle was effected by means of a curve discovered by Hippias of Elis, the sophist, a contemporary of Hippocrates as well as of Democritus and Socrates. The curve was called the quadratrix because it also served (in the hands, as we are told, of Dinostratus, brother of Menæchmus, and of Nicomedes) for squaring the circle. It was theoretically constructed as the locus of the point of intersection of two straight lines moving at uniform speeds and in the same time, one motion being angular and the other rectilinear.”

Thomas Little Heath (1861–1940) British civil servant and academic

p, 125
Achimedes (1920)

Time, Speed

“And I can guarantee that Kirk Angel (Kurt Angle) and Mr Roboto (Chris Benoit) are gonna walk out of this match with bumps and bruises and a t-shirt that reads ‘I visited Anaheim and all I got was this lousy t-shirt and a Y2J beating that I will never eeeeeeeever forget again’.”

Chris Jericho (1970) American professional wrestler, musician, television host, podcast host and author

April 2, 2000 - WrestleMania 2000

Angels, Reading, Forgetting

“There are many modes of thinking about the world around us and our place in it. I like to consider all the angles from which we might gain perspective on our amazing universe and the nature of existence.”

John Archibald Wheeler Geons

[John Archibald Wheeler, Kenneth William Ford, Geons, Black Holes, and Quantum Foam: A Life in Physics‎, W. W. Norton & Company, 2000, 0393319911, 153]

World, Nature, Thinking, Universe

“The Opera House is a splendid edifice, and I wish to take nothing away from it, but my heart belongs to the Harbour Bridge. It's not as festive, but it is far more dominant – you can see it from every corner of the city, creeping into frame from the oddest angles, like an uncle who wants to get into every snapshot. From a distance it has a kind of gallant restraint, majestic but not assertive, but up close it is all might. It soars above you, so high that you could pass a ten-storey building beneath it, and looks like the heaviest thing on earth. Everything that is in it – the stone blocks in its four towers, the latticework of girders, the metal plates, the six-million rivets (with heads like halved apples) – is the biggest of its type you have ever seen. This is a bridge built by people who have had an Industrial Revolution, people with mountains of coal and ovens in which you could melt down a battleship. The arch alone weighs 30,000 tons. This is a great bridge.”

Bill Bryson (1951) American author

Pages 80-81
In a Sunburned Country (US), Down Under (UK) (2000)

People, Mountain, Heart, Housing

“The alien stood in shadow and he looked, Enoch thought, more than ever like the cruel clown. His lithe, flowing body had the look of smoked, tanned buckskin. The patchwork color of his hide seemed to shine with a faint luminescence and the sharp, hard angles of his face, the smooth baldness of his head, the flat, pointed ears pasted tight against the skull lent him a vicious fearsomeness.
If one did not know him for the gentle character that he was, Enoch told himself, he would be enough to scare a man out of seven years of growth.”

Clifford D. Simak book Way Station

Source: Way Station (1963), Ch. 19

Color, Past

“I was sitting on the seashore, half listening to a friend arguing violently about something which merely bored me. Unconsciously to myself, I looked at a film, of sand I had picked up on my hand, when I suddenly saw the exquisite beauty of every little grain of it; instead of being dull, I saw that each particle was made up on a perfect geometrical pattern, with sharp angles, from each of which a brilliant shaft of light was reflected, while each tiny crystal shone like a rainbow.... The rays crossed and recrossed, making exquisite patterns of such beauty that they left me breathless. … Then, suddenly, my consciousness was lighted up from within and I saw in a vivid way how the whole universe was made up of particles of material which, no matter how dull and lifeless they might seem, were nevertheless filled with this intense and vital beauty. For a second or two the whole world appeared as a blaze of glory. When it died down, it left me with something I have never forgotten and which constantly reminds me of the beauty locked up in every minute speck of material around us.”

Aldous Huxley book Heaven and Hell

Source: Heaven and Hell (essay) (1954), p. 77-78

World, Beauty, Way, Light

“Angling may be said to be so like the mathematics that it can never be fully learnt.”

Izaak Walton book The Compleat Angler

Epistle to the Reader.
The Compleat Angler (1653-1655)

Mathematics

“Forensic procedure is an art form, nothing less. No, I'll go further: it's higher, more refined, than any art form. Why? Because it's real. Take just one aspect of it—say the diagrams: with all their outlines, arrows and shaded blocks they look like abstract paintings, avant-garde ones from the last century—dances of shapes and flows as delicate and skilful as the markings on butterflies' wings. But they're not abstract at all. They're records of atrocities. Each line, each figure, every angle—the ink itself vibrates with an almost intolerable violence, darkly screaming from the silence of white paper: something has happened here, someone has died.”

Tom McCarthy (writer) book Déjà vu

Source: Remainder (2005), Ch. 11.

Art, Silence, Dance, Painting

“The doctrine of Right and Wrong, is perpetually disputed, both by Pen and the Sword: Whereas the doctrine of Lines, and Figures, is not so; because men care not, in that subject what be truth, as a thing that crosses no mans ambition, profit, or lust. For I doubt not, but if it had been a thing contrary to any mans right of dominion, or to the interest of men that have dominion, That the three Angles of a Triangle, should be equall to two Angles of a Square; that doctrine should have been, if not disputed, yet by the burning of all books of Geometry, suppressed, as far as he whom it concerned was able.”

Thomas Hobbes book Leviathan

The First Part, Chapter 11, p. 80-81
Leviathan (1651)

Men, Truth, Books

“Q: Why is it that in all of your commercials you have the image of Latinos? What do you see when you hear, and I quote, "illegal aliens?"
Sharron Angle: I think that you're misinterpreting those commercials. I'm not sure that those are Latinos in that commercial. What it is, is a fence and there are people coming across that fence. What we know is that our northern border is where the terrorists came through. That's the most porous border that we have. We cannot allow terrorists; we cannot allow anyone to come across our border if we don’t know why they're coming. So we have to secure all of our borders and that's what that was about, is border security. Not just our southern border, but our coastal border and our northern border.”

Sharron Angle (1949) Former member of the Nevada Assembly from 1999 to 2007

speaking to Rancho High School's Hispanic Student Union
Jon
Ralston
Video: Angle tells Hispanic kids “I’m not sure those are Latinos” in her ad (!), says really about northern border (!!)
2010-10-17
Las Vegas Sun
http://www.lasvegassun.com/blogs/ralstons-flash/2010/oct/17/video-angle-tells-hispanic-kids-im-not-sure-those-/
2010-10-20
Quinn
Bowman
Terence
Burlij
Angle Caught on Tape Again, Tells Latino Students They 'Look a Little More Asian'
2010-10-19
The Rundown
PBS
http://www.pbs.org/newshour/rundown/2010/10/the-morning-line-angle-caught-on-tape-again.html
2010-10-20

People, Quotes, Thinking

“My observation of the flight of buzzards leads me to believe that they regain their lateral balance when partly overturned by a gust of wind, by a torsion of the tips of the wings. If the rear edge of the right wing tip is twisted upward and the left downward the bird becomes an animated windmill and instantly begins to turn, a line from its head to its tail being the axis. It thus regains its level even if thrown on its beam’s end, so to speak, as I have frequently seen them. I think the bird also in general retains its lateral equilibrium, partly by presenting its two wings at different angles to the wind, and partly by drawing in one wing, thus reducing its area. I incline to the belief that the first is the more important and usual method….
My business requires that my experimental work be confined to the months between September and January and I would be particularly thankful for advice as to a suitable locality where I could depend on winds of about 15 miles per hour without rain or too inclement weather. I am certain that such localities are rare.”

Wilbur Wright (1867–1912) American aviation pioneer

Letter to Octave Chanute (13 May 1900)

Business, Bird, Thinking, Animals

“Beside my own intense, multiple impressions of him, I also had to contend with his 'world image' created by the endless newspaper photographs, TV appearances, caricatures. Realizing this, I began to collect hundreds of photographs torn from newspapers and magazines and never missed an opportunity to draw him when he appeared on TV. These snapshots covered every angle, from above, below, profile, back, standing, sitting, walking, close-up, off in the distance. I particularly liked tiny shots where the features were indistinct yet unmistakable. Covering my walls with my own sketches and these photographs, I worked from canvas to canvas (the smallest 2 feet high, the largest, 11) always striving for a composite image.”

Elaine de Kooning (1918–1989) American painter

n.p.
1950 - 1971, Painting a Portrait of the President', Elaine de Kooning (1964)

World, Appearance, Drawing

“I consider that Curie's Principle has two major consequences:
First: It shows that the class of processes which can be isolated for causal representation, not requiring the inference of external causes, is wider than the class of energetically closed systems. One-way processes in which the system loses energy can be isolable, in the sense that they can be given complete representation without taking their environment into account.
Second: It suggests the possibility of a geometrical physics treating 3D spatial relations, i. e., angles or lengths, as primary. Just as statistical mechanics, the theory of crystal symmetry, and Group theory in quantum mechanics, are useful without assumptions about forces, so Curie's principle, with an appropriate model, can determine the path of a one-way process without such assumptions…”

Lancelot Law Whyte (1896–1972) Scottish industrial engineer

Pierre Curie's Principle of One Way-Process (1970)

Way, Sense

“There's no doubt that my forehand and backhand can match anyone, it's about the place that they're put in. I can hit the ball as hard as anyone can, but I think it's more about where I'm hitting the ball. Instead of 90 mph it can just be a 50 mph forehand, but the placement is more important. So I've been working on that a lot more. When you're working on things, maybe your performance drops a little bit or you're trying new things in every tournament you're going in so that's just a process of being an athlete because you're learning, you're adding new things to your game. When I sit with my notes, for instance, instead of hitting a hard forehand return, I would like to hit an angled forehand return instead.”

Sania Mirza (1986) Indian tennis player

Source: Tennis Week The Tennis Week Interview: Sania Mirza http://www.tennisforum.com/showthread.php?t=148586&page=98

Game, Thinking, Learning

“Artists encounter the landscape they propose to paint — they look at it, observe it from this angle and that. They are, as we say, absorbed in it. Or, in the case of abstract painters, the encounter may be with an idea, an inner vision, that in turn may be led off by the brilliant colors on the palette or the inviting rough whiteness of the canvas.”

Rollo May (1909–1994) US psychiatrist

Ch 2 : The Nature of Creativity, p. 41
The Courage to Create (1975)

Color, Idea, Painting

“It is not the right angle that attracts me, nor the straight line, hard and inflexible, created by man. What attracts me is the free and sensual curve — the curve that I find in the mountains of my country, in the sinuous course of its rivers, in the body of the beloved woman.”

Oscar Niemeyer (1907–2012) Brazilian architect

As quoted in Plans, Sections and Elevations : Key Buildings of the Twentieth Century (2004) by Richard Weston Variant translations: It is not the right angle that attracts me, Nor the hard, inflexible straight line, man-made. What attracts me are free and sensual curves. The curves in my country’s mountains, In the sinuous flow of its rivers, In the beloved woman’s body. As quoted in "Architect of Optimism" http://www.ft.com/cms/s/0/db740a7a-e897-11db-b2c3-000b5df10621.html?nclick_check=1, Angel Gurria-Quintana, Financial Times (2007-04-13) It is not the right angle that attracts me. nor the straight line, tough, inflexible, created by man. what attracts me is the free, sensual curve. the curve I find in the mountains of my country, in the sinuous course of its rivers, in the waves of the sea, in the clouds of the sky, in the body of the favourite woman. Of curves is made all the universe. As quoted on a Photo page on the Museum of Contemporary Art over Baia da Guanabara http://app.tabblo.com/studio/stories/view/122423/?nextnav=favs&navuser=1

Mountain, Country

“I'm always trying to understand myself, but it's like there's a point in the centre of the room, and there's a hundred windows to look at the same point from. All I can do is give you different angles on the same thing. God, you know, if I could find one conclusive thing in anything I would probably have something to put an anchor down on. But I can't, and I haven't met anyone that can. You can pick out anything you like in my lyrics, I don't seek to be cryptic. I love words for the sake of words, for me they're kind of free standing, and they don't really need to be explained. I think every word has its own character and colour and picture and the result you get with lyrics just depends how you put them together.”

KatieJane Garside (1968) English singer

On writing, Repeat https://web.archive.org/web/20031101121528/https://www.repeatfanzine.co.uk/interviews/queen%20adreena.htm fanzine (2003)

Love, God, Understanding, Thinking

“The backlash is not a conspiracy, with a council dispatching agents from some central control room, nor are the people who serve its ends often aware of their role; some even consider themselves feminists. For the most part, its workings are encoded and internalized, diffuse and chameleonic. Not all of the manifestations of the backlash are of equal weight or significance, either; some are mere ephemera, generated by a culture machine that is always scrounging for a “fresh” angle. Taken as a whole, however, these codes and cajolings, these whispers and threats and myths, move overwhelmingly in one direction: they try to push women back into their “acceptable” roles — whether as Daddy's girl or fluttery romantic, active nester or passive love object.”

Susan Faludi book Backlash: The Undeclared War Against American Women

Page 16.
Backlash (1992)

Love, Women, People, Girl

“I am, sir, a Brother of the Angle.”

Izaak Walton book The Compleat Angler

Part I, ch. 1.
The Compleat Angler (1653-1655)

“It is difficult to describe how it feels to gaze at living human beings whom you’ve seen perform in hard-core porn. To shake the hand of a man whose precise erectile size, angle, and vasculature are known to you. That strange I-think-we’ve-met-before sensation one feels upon seeing any celebrity in the flesh is here both intensified and twisted. It feels intensely twisted to see reigning industry queen Jenna Jameson chilling out at the Vivid booth in Jordaches and a latex bustier and to know already that she has a tattoo of a sundered valentine with the tagline HEART BREAKER on her right buttock and a tiny hairless mole just left of her anus.”

David Foster Wallace book Consider the Lobster

Big Red Son, p. 16
Consider the Lobster (2007)

Feeling, Thinking, Heart, Tattoo

“What the newer landscape artists see in a circle of a hundred degrees in Nature they press together unmercifully into an angle of vision of only forty-five degrees. And furthermore, what is in Nature separated by large spaces, is compressed into a cramped space and overfills and oversatiates the eye, creating an unfavorable and disquieting effect on the viewer.”

Caspar David Friedrich (1774–1840) Swedish painter

cited by Timothy Mitchell, (September 1984), in 'Caspar David Friedrich's Der Watzmann: German Romantic Landscape Painting and Historical Geology', 'The Art Bulletin', 66 (3), p. 452–464, doi:10.2307/3050447, JSTOR 3050447
undated

Nature

“I find, Andrew Keen's, his whole pitch, I think he was just pure and simple looking for an angle, to create some controversy and sell a book, I don't think there's any substance whatever to his rants.”

Tim O'Reilly (1954) Irish computer programmer

The Truth According to the Wikipedia- IJsbrand van Veelen

Books, Thinking

“Well, I still don't get it,' she said. 'The way you talk, it sounds calculating or something. Too cold. Planning every tiny detail.' 'And that's bad?' 'No. Not exactly.' 'What then?' She made a shifting motion with her shoulders. 'I don't know, it just seem strange, sort of. How you've figured everything out, all the angles, except what it's for.' 'For us,' he said. 'I love you, Kath.' 'But it feels — I shouldn't say this — it feels manipulating.'… He talked about leading a good life, doing good things for the world. Yet even as he spoke, John realized he was not telling the full truth. Politics was manipulation. (p. 35)”

Tim O'Brien (1946) American novelist

In the Lake of The Woods (1994)

Love, Life, Truth, World

“It seems that the first consideration of a painter who stands before the white canvas should be to decide what curves and arabesques should cut the surface, what tints and tones should cover it... Following the precepts of Delacroix he would not begin a composition until he had first determined its organization. Guided by tradition and by science, he would adjust the composition to his conception, that is to say he would adapt the lines (directions and angles), the chiaroscuro (tones), the colors (tints), to the traits he wished to make dominant.”

Paul Signac (1863–1935) French painter

Chapt. III.; as quoted by John Rewald, in Georges Seurat', a monograph https://ia800607.us.archive.org/23/items/georges00rewa/georges00rewa.pdf; Wittenborn and Compagny, New York, 1943. p. 21 From Delacroix to Neo-Impressionism, 1899

Color, Science

“For angling-rod he took a sturdy oake;
For line, a cable that in storm ne'er broke;
His hooke was such as heads the end of pole
To pluck down house ere fire consumes it whole;
The hook was baited with a dragon's tale,—
And then on rock he stood to bob for whale.”

William Davenant (1606–1668) English poet and playwright

Britannia Triumphans (1637; licensed Jan. 8, 1638; printed 1638), p. 15.
Compare:
"For angling rod he took a sturdy oak; / For line, a cable that in storm ne'er broke;... His hook was baited with a dragon's tail,— / And then on rock he stood to bob for whale."
From The Mock Romance, a rhapsody attached to The Loves of Hero and Leander, published in London in 1653 and 1677, republished in Chambers's Book of Days, vol. i. p. 173; Samuel Daniel, Rural Sports, Supplement, p. 57.
"His angle-rod made of a sturdy oak;
His line, a cable which in storms ne'er broke;
His hook he baited with a dragon’s tail,—
And sat upon a rock, and bobb'd for whale"
William King (1663–1712), Upon a Giant’s Angling (in Chalmers's British Poets, ascribed to King).

Housing

“Proposition 13. The straight line subtending the portion intercepted within the earth's shadow of the circumference of the circle in which the extremities of the diameter of the circle dividing the dark and the bright portions in the moon move is less than double of the diameter of the moon, but has to it a ratio greater than that which 88 has to 45; and it is less than 1/9th part of the diameter of the sun, but has to it a ratio greater than that which 22 has to 225. But it has to the straight line drawn from the centre of the sun at right angles to the axis and meeting the sides of the cone a ratio greater than that which 979 has to 10125.”

Aristarchus of Samos ancient Greek astronomer and mathematician

p, 125
On the Sizes and Distances of the Sun and the Moon (c. 250 BC)

Sun, Parting

“Visiting a museum is a matter of going from void to void. Hallways lead the viewer to things once called 'pictures' and 'statues." Anachronisms hang and protrude from every angle. Themes without meaning press on the eye. Multifarious nothings permute into false windows (frames) that open up into a variety of blanks. Stale images cancel one's perception and deviate one's motivation. Blind and senseless, one continues wandering around the remains of Europe, only to end in that massive deception 'the art history of the recent past'”

Robert Smithson (1938–1973) American artist

Smithson, Robert. " Some void thoughts on museums http://www.robertsmithson.com/essays/void.htm." Flam, Robert Smithson 42 (1996).

Art, History, Motivation, Past

“Take the case of a famous problem which plays a great part in the history of Greek geometry, the doubling of the cube, or its equivalent, the finding of two mean proportionals in continued proportion between two given straight lines. …if all the recorded solutions are collected together, it is much easier to see the relations, amounting in some cases to substantial identity, between them, and to get a comprehensive view of the history of the problem. I have therefore dealt with this problem in a separate section of the chapter devoted to 'Special Problems,' and I have followed the same course with the other famous problems of squaring the circle and trisecting any angle.”

Thomas Little Heath (1861–1940) British civil servant and academic

A History of Greek Mathematics (1921) Vol. 1. From Thales to Euclid

History, Problem, Parting