Quotes about angle
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Sharron Angle photo
Amir Taheri photo
Augustus De Morgan photo
Maurice Wilkes photo
Roberto Mangabeira Unger photo
Alexander Calder photo
Joseph Strutt photo
Sienna Guillory photo
James Bradley photo

“Hitherto we have considered the apparent motion of the star about its true place, as made only in a plane parallel to the ecliptic, in which case it appears to describe a circle in that plane; but since, when we judge of the place and motion of a star, we conceive it to be in the surface of a sphere, whose centre is our eye, 'twill be necessary to reduce the motion in that plane to what it would really appear on the surface of such a sphere, or (which will be equivalent) to what it would appear on a plane touching such a sphere in the star's true place. Now in the present case, where we conceive the eye at an indefinite distance, this will be done by letting fall perpendiculars from each point of the circle on such a plane, which from the nature of the orthographic projection will form an ellipsis, whose greater axis will be equal to the diameter of that circle, and the lesser axis to the greater as the sine of the star's latitude to the radius, for this latter plane being perpendicular to a line drawn from the centre of the sphere through the star's true place, which line is inclined to the ecliptic in an angle equal to the star's latitude; the touching plane will be inclined to the plane of the ecliptic in an angle equal to the complement of the latitude. But it is a known proposition in the orthographic projection of the sphere, that any circle inclined to the plane of the projection, to which lines drawn from the eye, supposed at an infinite distance, are at right angles, is projected into an ellipsis, having its longer axis equal to its diameter, and its shorter to twice the cosine of the inclination to the plane of the projection, half the longer axis or diameter being the radius.
Such an ellipse will be formed in our present case…”

James Bradley (1693–1762) English astronomer; Astronomer Royal

Miscellaneous Works and Correspondence (1832), Demonstration of the Rules relating to the Apparent Motion of the Fixed Stars upon account of the Motion of Light.

Hans Freudenthal photo
Joseph Beuys photo

“Fat' traverses the path from a chaotically dispersed, undirected energy form to a form. Then it appears in the famous fat corner.... now [a wedge of fat in the angle between seat and back of the wooden old Chair, Beuys used in the fat-sculpture, like 'Stuhl mit Fett' (Fet Chair), 1964] intersects the human body in the region that houses certain emotional forces”

Joseph Beuys (1921–1986) German visual artist

Beuys laughed, and so did everyone else of the public
In a public debate at the Kunstring (Artcircle) Folkwang in Essen, 1972; (Stachelhaus 1991, p. 71); as quoted in Joseph Beuys and the Celtic Wor(l)d: A Language of Healing, Victoria Walters, LIT Verlag Münster, 2012, p. 29
1970's

Calvin Coolidge photo
E. W. Hobson photo
Albert Gleizes photo
Husayn ibn Ali photo

“Two signs of learned person are: acceptance of other people's criticism, and being knowledgeable about the angles and dimensions of rhetoric and debate.”

Husayn ibn Ali (626–680) The grandson of Muhammad and the son of Ali ibn Abi Talib

Ibn Shu’ba al-Harrani, Tuhaf al-'Uqul, p. 252
Regarding Wisdom

Mickey Spillane photo
Eric Temple Bell photo

“The so-called obvious was repeatedly scrutinized from every angle and was frequently found to be not obvious but false. "Obvious" is the most dangerous word in mathematics.”

Eric Temple Bell (1883–1960) mathematician and science fiction author born in Scotland who lived in the United States for most of his li…

Source: Mathematics: Queen and Servant of Science (1938), p. 16

Vitruvius photo
Julius Erasmus Hilgard photo
Pierre Louis Maupertuis photo
Camille Paglia photo

“This subject of Planning in the economic sphere is discussed in a separate paper. We will here deal only with the spiritual angle.”

Peter de Noronha (1897–1970) Indian businessman

The Pageant of Life (1964), On Planning for a Better World

Andrew Marvell photo

“As lines, so loves oblique may well
Themselves in every angle greet;
But ours so truly parallel,
Though infinite, can never meet.”

Andrew Marvell (1621–1678) English metaphysical poet and politician

Stanza 7.
The Definition of Love (1650-1652)

William S. Burroughs photo
Sharron Angle photo
Carson Grant photo

“As actors, we need public relations to campaign for our next possible role, and any media promoting our work seems positive in nature; but whether in theater or on a film set, a bad unprofessional photograph at the wrong angle may not be as flattering to some actors, and may be considered a harmful exposure.”

Carson Grant (1950) American actor

Ernest Dempsey, "Camera Shy?", Digital Journal: Arts, Jan 10, 2011, p. 1
Pointing to the negative publicity factor with unsolicited photographs, article printed in Digital Journal 2011.

Edgar Cayce photo

“Forget the financial angle and consider rather which is the best outlet for the greatest contribution you can make towards making the world a better place in which to live. Efforts should never be expended purely for mercenary reasons. Pecuniary gains should come as a result of the entity's using his abilities in the direction of being helpful.”

Edgar Cayce (1877–1945) Purported clairvoyant healer and psychic

Many Mansions Chapter 20 - A Philosophy of Vocational Choice
Cayce answered this in reply to a gifted 13 year old boy's question Which of my aptitudes should I follow for the greatest success in adult life, financially?
On Vocational Choices

Yanni photo

“These changes are part of what keeps me interested and excited. Life won't let me keep coming at it from the same angle.”

Yanni (1954) Greek pianist, keyboardist, composer, and music producer

Yanni in Words. Miramax Books. Co-author David Rensin

James Jeans photo
Nancy Peters photo

“The tempest unleashes an alphabet
letters fall through the apertures of crazy angles
to spell out the future
uprooting the course of invention
and enslaving the masters”

Nancy Peters (1936) American writer and publisher

It's In the Wind (1977) "Ceremonies In A Polar Garden"
1970s

G. K. Chesterton photo

“One of his hobbies was to wait for the American Shakespeare — a hobby more patient than angling.”

G. K. Chesterton (1874–1936) English mystery novelist and Christian apologist

'The Innocence of Father Brown (1911) The Secret Garden
The Father Brown Mystery Series (1910 - 1927)

Eduardo Torroja photo
Thomas Little Heath photo
Hans Freudenthal photo

“Angles are measured by arcs, such that 360° and 2π correspond to each other.”

Hans Freudenthal (1905–1990) Dutch mathematician

Source: Mathematics as an Educational Task (1973), p. 477

Newton Lee photo
Paul Klee photo
Gunnar Myrdal photo
Archimedes photo
Aldous Huxley photo

““What about spatial relationships?” the investigator inquired, as I was looking at the books. It was difficult to answer. True, the perspective looked rather odd, and the walls of the room no longer seemed to meet in right angles. But these were not the really important facts. The really important facts were that spatial relationships had ceased to matter very much and that my mind was perceiving the world in terms of other than spatial categories. At ordinary times the eye concerns itself with such problems as Where?—How far?—How situated in relation to what? In the mescalin experience the implied questions to which the eye responds are of another order. Place and distance cease to be of much interest. The mind does its Perceiving in terms of intensity of existence, profundity of significance, relationships within a pattern. I saw the books, but was not at all concerned with their positions in space. What I noticed, what impressed itself upon my mind was the fact that all of them glowed with living light and that in some the glory was more manifest than in others. In this context position and the three dimensions were beside the point. Not, of course, that the category of space had been abolished. When I got up and walked about, I could do so quite normally, without misjudging the whereabouts of objects. Space was still there; but it had lost its predominance. The mind was primarily concerned, not with measures and locations, but with being and meaning.”

describing his experiment with mescaline, pp. 19-20
Source: The Doors of Perception (1954)

Robert Charles Wilson photo
Pierre Louis Maupertuis photo
Charles Lightoller photo
Thomas Little Heath photo
Sharron Angle photo
Sharron Angle photo

“Jon Ralston: So you're saying if people lose their jobs through no fault of their own, as many have during this recession, Sharron Angle's solution is to cut their unemployment benefits so low so they're somehow gonna go out and find jobs that don't exist? How does that make any sense?
Sharron Angle: There are jobs that do exist. That's what we're saying, is that there are jobs. But those are entry-level jobs.”

Sharron Angle (1949) Former member of the Nevada Assembly from 1999 to 2007

Face to Face
2010-06-29
Sharron Angle's Unemployment Solution: There Are Lots Of Jobs Available
2010-06-30
The Huffington Post
http://www.huffingtonpost.com/2010/06/30/sharron-angles-unemployme_n_631350.html

Oscar Niemeyer photo
Karl Mannheim photo
Sharron Angle photo
William Grey Walter photo
Edwin Abbott Abbott photo
Rachel Carson photo
Izaak Walton photo
Nelson Mandela photo

“I like friends who have independent minds because they tend to make you see problems from all angles.”

Nelson Mandela (1918–2013) President of South Africa, anti-apartheid activist

Nelson Mandela on friendship, From his unplubished autobiographical manuscript written in 1975. Source: From Nelson Mandela By Himself: The Authorised Book of Quotations © 2010 by Nelson R. Mandela and The Nelson Mandela Foundation http://www.nelsonmandela.org/content/mini-site/selected-quotes
1970s

Joanna Newsom photo
Clive Staples Lewis photo
Henry Adams photo
Walt Disney photo

“I suppose my formula might be: dream, diversify and never miss an angle.”

Walt Disney (1901–1966) American film producer and businessman

"Walt's Profit Formula: Dream, Diversity, and Never Miss an Angle" in Wall Street Journal (4 February 1958)

Stephen Leacock photo

“It is to be observed that "angling" is the name given to fishing by people who can't fish.”

Stephen Leacock (1869–1944) writer and economist

When Fellers Go Fishing http://books.google.com/books?id=I-kCAAAAMAAJ&q=%22It+is+to+be+observed+that+angling+is+the+name+given+to+fishing+by+people+who+can't+fish%22&pg=PA147#v=onepage, The Leacock Roundabout, (1945)

Bill Bryson photo
Joan Robinson photo

“Time, so to say, runs at right angles to the page at each point on the curve.”

Joan Robinson (1903–1983) English economist

Source: Economic Heresies (1971), Chapter VII, The Theory of the Firm, p. 104

Roger Federer photo
Richard Quest photo
Izaak Walton photo

“We may say of angling as Dr. Boteler said of strawberries: "Doubtless God could have made a better berry, but doubtless God never did"; and so, if I might be judge, God never did make a more calm, quiet, innocent recreation than angling.”

Part I, ch. 5. Referring to William Butler, styled by Dr. Fuller in his "Worthies" (Suffolk) the "Æsculapius of our age." He died in 1621. This first appeared in the second edition of "The Angler," 1655. Roger Williams, in his "Key into the Language of America," 1643, p. 98, says: "One of the chiefest doctors of England was wont to say, that God could have made, but God never did make, a better berry".
The Compleat Angler (1653-1655)

Sharron Angle photo

“Bill Manders: We have domestic enemies. We have home-born homegrown enemies in our system. And I for one think we have some of those enemies in our own, in the walls of the Senate and the Congress.
Sharron Angle: Yes. I think you're right, Bill.”

Sharron Angle (1949) Former member of the Nevada Assembly from 1999 to 2007

interview with talk radio host Bill Manders, 2009-10-21
Greg
Sargent
Sharron Angle agrees with radio host who says we have "domestic enemies" within Congress
2010-08-24
The Plum Line
Washington Post
http://voices.washingtonpost.com/plum-line/2010/08/sharron_angle_agrees_we_have_d.html

Edwin Abbott Abbott photo
Mukai Kyorai photo

“The cuckoo sings
at right angle
to the lark”

Mukai Kyorai (1651–1704) poet

BW (tr.), in: Faubion Bowers (ed.), The Classic Tradition of Haiku: An Anthology. 2012. p. 29

Otto Mueller photo

“By new style I meant mainly technical aspects. It is impossible to experience things from an entirely new angle through will-power; it has to mature in solitude.”

Otto Mueller (1874–1930) German painter and printmaker of the expressionist movement

from (letter 03 205) and (letter 03 147); as quoted in Otto Mueller: A Stand-Alone Modernist, Dieter W. Posselt; 2006 / new edition 2010, Books on Demand, GmbH, Norderstedt, Germany - ISBN:978-3-8448-6866-1, unpaged

Roger Ebert photo
Henry M. Leland photo

“On the train I was going over the problem of Sixes versus Fours and the disturbing periodic vibrations with which the 'six-cylinder manufacturers were contending. I realized the emphasis our competitors were placing on the fact that six smaller cylinders, producing the same maximum power as four larger ones, would result in smaller individual impulses, and consequent smoother action.
I knew that we were having good results with well-balanced four-cylinder motors. I first reasoned that if six light cylinders gave the same maximum power and lighter impulses than the tour, then eight still smaller cylinders would give still lighter impulses than the six cylinders. I also reasoned that, because of the lighter weight, those eight cylinder pistons could be run at higher speeds than either sixes or fours. Furthermore I did not like the six crankshaft. If made small enough to be in proportion with those light pistons, the extra length might introduce those undesirable vibrations; if made heavy enough to avoid; if made heavy enough to avoid these periodic vibrations there was the wight problem contend with.
As I lay awake pondering these factors, the idea came to me that we were having good success with four-cylinder motors; we would surely have equally good results with blocks of lighter four cylinders and pistons. Why not make up those smaller blocks of lighter four cylinders and pistons, and put two of the blocks together at an angle and avoid that troublesome long crankshaft. The more I thought of this idea on that trip, the more convinced I became that it could be worked out.”

Henry M. Leland (1843–1932) American businessman

Source: Master of Precision: Henry M. Leland, 1966, p. 147; Leland talking about his idea for a V8 engine around 1913-14. Partly cited in: Alexander Richard Crabb (1969), Birth of a giant: the men and incidents that gave America the motorcar. p. 315

Tyra Banks photo

“Smiles come naturally to me, but I started thinking of them as an art form at my command. I studied all the time. I looked at magazines, I'd practice in front of the mirror and I'd ask photographers about the best angles. I can now pull out a smile at will.”

Tyra Banks (1973) American model, author and television personality

Lynn Hirschberg (June 1, 2008) "Banksable" http://www.nytimes.com/2008/06/01/magazine/01tyra-t.html?ei=5124&en=6a5e98a9634a54f6&ex=1369972800&partner=permalink&exprod=permalink&pagewanted=all, The New York Times, The New York Times Company.

Richard Holbrooke photo
Chris Jericho photo
Barbara Hepworth photo

“It is important to recognise that comparison is not a method or even an academic technique; rather, it is a discursive strategy. There are a few important points to bear in mind when one wants to make a comparison. First of all, one has to decide, in any given work, whether one is mainly after similarities or differences. It is very difficult, for example, to say, let alone prove, that Japan and China or Korea are basically similar or basically different. Either case could be made, depending on one’s angle of vision, one’s framework, and the conclusions towards which one intends to move. (In the jingoist years on the eve of the First World War, when Germans and Frenchmen were encouraged to hate each other, the great Austro-Marxist theoretician Otto Bauer enjoyed baiting both sides by saying that contemporary Parisians and Berliners had far more in common than either had with their respective medieval ancestors.) Here I have tried, as perhaps offering a useful example, to show how the comparative works I wrote between the early 1970s and the 2000s reflected, in their real difference, changing perspectives, framings and (political) intentions.”

Benedict Anderson (1936–2015) American political scientist

Benedict Anderson, " Frameworks of Comparison: Benedict Anderson reflects on his intellectual formation http://www.lrb.co.uk/v38/n02/benedict-anderson/frameworks-of-comparison," London Review of Books, Vol. 38, No. 2. 21 January 2016, p. 15-18

Robert Hooke photo

“The Reason of the present Animadversions. …How far Hevelius has proceeded. That his instruments do not much exceed Ticho. The bigness, Sights and Divisions, not considerably differing. Ticho not ignorant of his new way of Division. …That so great curiosity as Hevelius strives for is needless without the use of Telescopic Sights, the power of the naked eye being limited. That no one part of an Instrument should be more perfect than another. …
That if Hevelius could have been prevail'd on by the Author to have used Telescopic Sights, his observations might have been 40 times more exact than they are.
That Hevelius his Objections against Telescopic sights are of no validity; but the Sights without Telescopes cannot distinguish a less angle then half a Minute.
That an Instrument of 3 foot Radius with Telescopes, will do more then one of 3 score foot Radius with common Sights, the eye being unable to distinguish. This is proved by the undiscernableness of spots in the Moon, and by an Experiment with Lines on a paper, by which a Standard is made of the power of the eye. …
A Conclusion of the Animadversions. That the learn'd World is obllig'd to Hevelius for what he hath done, but would have more, if he had used other instruments.
That the Animadvertor both contrived some hundreds of Instruments, each of very great accurateness for taking Angles, Levels, &c.; and a particular Arithmetical lnstrument for performing all Operations in Arithmetick, with the greatest ease, swiftness and certainty imaginable.
That the Reader may be the more certain of this, the Author describes an Instrument for taking Angles in the Heavens…”

Robert Hooke (1635–1703) English natural philosopher, architect and polymath

Contents, Animadversions on the First Part of the Machina Coelestis of the Astronomer Johannes Hevelius https://books.google.com/books?id=KAtPAAAAcAAJ (1674)

Georges Seurat photo
Miguel de Unamuno photo
Izaak Walton photo
Izaak Walton photo
Vladimir Tatlin photo

“The engineers made hard forms. Evil. With angles. They are easily broken. The world is round and soft..”

Vladimir Tatlin (1885–1953) Russian artist

quote, c. 1930; cited by Christina Lodder https://utopiadystopiawwi.wordpress.com/constructivism/vladimir-tatlin/letalin/, in Russian Constructivism; Yale University Press, Connecticut, 1983, p. 214
The 'Letatlin' Tatlin constructed in organic round and oval forms
Quotes, 1926 - 1954

Edwin Abbott Abbott photo
Kent Hovind photo

“A conceptual level view of an object design describes the key abstractions. While someone might think of key abstractions as being nothing more or nothing less than high-level descriptions of "candidate classes", I prefer to consider a conceptual design from a slightly different angle--I'm thinking about design at a slightly different level.
An object-oriented application is a set of interacting objects. Each object is an implementation of one or more roles. A role supports a set of related (cohesive) responsibilities. A responsibility is an obligation to perform a task or know certain information. And objects don't work in isolation, they collaborate with others in a community to perform the overall responsibilities of the application. So a conceptual view, at least to start, is a distillation of the key object roles and their responsibilities (stated at a fairly high level). More than likely (unless you form classification hierarchies and use inheritance and composition techniques) many candidates you initially model will map directly to a single class in some inheritance hierarchy. But I like to open up possibilities by think first of roles and responsibilities, and then as a second step towards a specification-level view, mapping these candidates to classes and interfaces.”

Rebecca Wirfs-Brock (1953) American software engineer

Rebecca Wirfs-Brock (2003) in " An Interview with Rebecca Wirfs-Brock Author of Object Design http://www.objectsbydesign.com/books/RebeccaWirfs-Brock.html" 2003-2005 Objects by Design, Inc: Answer to the question Can you clarify what you consider to be the essential elements of a "conceptual view".

Willem de Sitter photo

“To help us to understand three-dimensional spaces, two-dimensional analogies may be very useful… A two-dimensional space of zero curvature is a plane, say a sheet of paper. The two-dimensional space of positive curvature is a convex surface, such as the shell of an egg. It is bent away from the plane towards the same side in all directions. The curvature of the egg, however, is not constant: it is strongest at the small end. The surface of constant positive curvature is the sphere… The two-dimensional space of negative curvature is a surface that is convex in some directions and concave in others, such as the surface of a saddle or the middle part of an hour glass. Of these two-dimensional surfaces we can form a mental picture because we can view them from outside… But… a being… unable to leave the surface… could only decide of which kind his surface was by studying the properties of geometrical figures drawn on it. …On the sheet of paper the sum of the three angles of a triangle is equal to two right angles, on the egg, or the sphere, it is larger, on the saddle it is smaller. …The spaces of zero and negative curvature are infinite, that of positive curvature is finite. …the inhabitant of the two-dimensional surface could determine its curvature if he were able to study very large triangles or very long straight lines. If the curvature were so minute that the sum of the angles of the largest triangle that he could measure would… differ… by an amount too small to be appreciable… then he would be unable to determine the curvature, unless he had some means of communicating with somebody living in the third dimension…. our case with reference to three-dimensional space is exactly similar. …we must study very large triangles and rays of light coming from very great distances. Thus the decision must necessarily depend on astronomical observations.”

Willem de Sitter (1872–1934) Dutch cosmologist

Kosmos (1932)