Quotes about alley

A collection of quotes on the topic of alley, likeness, doing, living.

Quotes about alley

Leonardo DiCaprio photo
Charles Simic photo

“Poetry: three mismatched shoes at the entrance of a dark alley.”

Charles Simic (1938) American poet

Source: Dime-Store Alchemy

Hermann Hesse photo
Malcolm X photo
A. J. Cronin photo
Peter Ustinov photo
Barack Obama photo

“I have been a consistent and strong opponent of this war. I have also tried to act responsibly in that opposition to ensure that, having made the decision to go into Iraq, we provide our troops, who perform valiantly, the support they need to complete their mission. I have also stated publicly that I think we have both strategic interests and humanitarian responsibilities in ensuring that Iraq is as stable as possible under the circumstances. Finally, I said publicly that it is my preference not to micromanage the Commander-in-Chief in the prosecution of war. Ultimately, I do not believe that is the ideal role for Congress to play. But at a certain point, we have to draw a line. At a certain point, the American people have to have some confidence that we are not simply going down this blind alley in perpetuity.
When it comes to the war in Iraq, the time for promises and assurances, for waiting and patience is over. Too many lives have been lost and too many billions have been spent for us to trust the President on another tried-and-failed policy, opposed by generals and experts, opposed by Democrats and Republicans, opposed by Americans and even the Iraqis themselves. It is time to change our policy. It is time to give Iraqis their country back, and it is time to refocus America's effort on the wider struggle against terror yet to be won.”

Barack Obama (1961) 44th President of the United States of America

Floor Statement on President's Decision to Increase Troops in Iraq (19 January 2007)
2007

Jennifer Aniston photo
Edgar Allan Poe photo
Babur photo
Al Capone photo
Rick Riordan photo
Joss Whedon photo
Jack Kerouac photo

“The air was soft, the stars so fine, the promise of every cobbled alley so great, that I thought I was in a dream.”

Jack Kerouac (1922–1969) American writer

Source: On the Road: The Original Scroll

Kelley Armstrong photo
Jack Kerouac photo

“That cup of tea is definately not down your alley”

Jean Ferris (1939–2015) American children's writer

Source: Once Upon a Marigold

Cassandra Clare photo
Rick Riordan photo
T.S. Eliot photo
Arthur Conan Doyle photo
Khaled Hosseini photo
Betty Friedan photo
Anthony Burgess photo
Ossip Zadkine photo
Camille Paglia photo
Ogden Nash photo

“Oh, sometimes I sit around and think, what would you do if you were up a dark alley and there was Caesar Borgia,
And he was coming torgia…”

Ogden Nash (1902–1971) American poet

"How Now, Sirrah? Oh, Anyhow"
I'm a Stranger Here Myself (1938)

George Holyoake photo

“This was the angerless philosophy of Owen, which inspired him with a forbearance that never failed him, and gave him that regnant manner which charmed all who met him. We shall see what his doctrine of environment has done for society, if we notice what it began to do in his day, and what it has done since.
Men perished by battle, by tempest, by pestilence, Faith might comfort, but it did not save them. In every town, nests of pestilence co-existed with the churches, who were concerned alone with worship. Disease was unchecked by devotion. Then Owen asked, "Might not safety come by improved material condition?" As the prayer of hope brought no reply, as the scream of agony, if heard, was unanswered, as the priest, with the holiest intent, brought no deliverance, it seemed prudent to try the philosopher and the physician.
Then Corn Laws were repealed, because prayers fed nobody. Then parks were multiplied because fresh air was found to be a condition of health. Alleys and courts, were begun to be abolished-since deadly diseases were bred there. Streets were widened, that towns might be ventilated. Hours of labour were shortened, since exhaustion means liability to epidemic contagion. Recreation was encouraged, as change and rest mean life and strength. Temperance — thought of as self-denial — was found to be a necessity, as excess of any kind in diet, or labour, or pleasure means premature death. Those who took dwellings began to look, not only to drainage and ventilation, but to the ways of their near neighbours, as the most pious family may poison the air you breathe unless they have sanitary habits.”

George Holyoake (1817–1906) British secularist, co-operator, and newspaper editor

Memorial dedication (1902)

Lauren Bacall photo
John Fante photo
Pete Doherty photo
Kathy Griffin photo
Joseph Strutt photo
Constant Lambert photo
Mirkka Rekola photo
Will Eisner photo
Fred Astaire photo
Joe Strummer photo
Shane Claiborne photo
Tom Robbins photo
Yogi Berra photo
Mark Rathbun photo

“I had the No. 2 position from 1998 until I left. I answered to no one but David Miscavige, who was chairman of the board. I was the personal counselor for Tom Cruise, Lisa Marie Presley, John Travolta and Kirstie Alley.”

Mark Rathbun (1957) American whistleblower

Coastal town now is awash in 'Squirrel Busters', John MacCormack, July 11, 2011, San Antonio Express-News, San Antonio, Texas http://www.mysanantonio.com/default/article/Scientologists-behind-harassment-campaign-in-1459662.php,

Amit Chaudhuri photo
El Lissitsky photo
Joseph Strutt photo
Peter Kropotkin photo

“Practised for centuries, repression has so badly succeeded that it has but led us into a blind alley from which we can only issue by carrying torch and hatchet into the institutions of our authoritarian past.”

Peter Kropotkin (1842–1921) Russian zoologist, evolutionary theorist, philosopher, scientist, revolutionary, economist, activist, geogr…

Anarchism: Its Philosophy and Ideal (1896)

Henry James photo
John Fante photo
Letitia Elizabeth Landon photo
Jesse Ventura photo
Calvin Coolidge photo
Samuel R. Delany photo
Ben Hecht photo
Dylan Moran photo
Richard Feynman photo
Harlan Ellison photo
Vincent Van Gogh photo

“To stroll on wharves, and in alleys and in streets and in the houses, waiting-rooms, even saloons, that is not a pleasant pastime unless for an artist. As such, one would rather be in the dirtiest place where there is something to draw, than at a tea party with charming ladies. Unless one wants to draw ladies, then a tea party is all right even for an artist.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

quote in his letter to brother Theo, from The Hague, The Netherlands in Spring 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 34 (letter 190)
1880s, 1882

Richard Feynman photo

“Do not keep saying to yourself, if you can possibly avoid it, "But how can it be like that?" because you will get "down the drain", into a blind alley from which nobody has yet escaped. Nobody knows how it can be like that.”

Concerning the apparent absurdities of quantum behavior.
chapter 6, “Probability and Uncertainty — the Quantum Mechanical View of Nature,” p. 129
The Character of Physical Law (1965)

Amit Chaudhuri photo
John Fante photo
T. H. White photo
Ursula K. Le Guin photo
Mickey Spillane photo

“I was thinking too damn much to be careful. When I stabbed my key in the lock and turned it there was a momentary catch in the tumblers before it went all the way around and I swore out loud as I rammed the door with my shoulder and hit the floor. Something swished through the air over my head and I caught an arm and pulled a squirming, fighting bundle of muscle down on top of me.
If I could have reached my rod I would have blown his guts out. His breath was in my face and I brought my knee up, but he jerked out of the way bringing his hand down again and my shoulder went numb after a split second of blinding pain. He tried again with one hand going for my throat, but I got one foot loose and kicked out and up and felt my toe smash onto his groin. The cramp of the pain doubled him over on top of me, his breath sucking in like a leaky tire.
Then I got cocky. I thought I had him. I went to get up and he moved. Just once. That thing in his hand smashed against the side of my head and I started to crumple up piece by piece until there wasn't anything left except the sense to see and hear enough to know that he had crawled out of the room and was falling down the stairs outside. Then I thought about the lock on my door and how I had a guy fix it so that I could tell if it had been jimmied open so I wouldn't step into any blind alleys without a gun in my hand, but because of a dame who lay naked and smiling on a bed I wouldn't share, I had forgotten all about it.”

The Big Kill (1951)

Gloria Estefan photo

“Research is the process of going up alleys to see if they are blind.”

Marston Bates (1906–1974) American entomologist

The Nature of Natural History (1950)

Van Morrison photo
Terry Eagleton photo

“Ivory towers are as rare as bowling alleys in tribal cultures.”

Terry Eagleton (1943) British writer, academic and educator

Source: 2010s, Why Marx Was Right (2011), Chapter 6, p. 134

Jopie Huisman photo

“One afternoon I went to visit him. [Jacob, an older and close friend of Jopie - a real freebooter]. I knew he was home, I took pen, ink and my sketchbook with me and did half a liter of gin in my pocket. He lived in the back of an alley and was sitting in his chair by the window.... I told him, 'You will get the whole bottle, but one condition. I want to make a beautiful drawing of you, so first you have to sit still for twenty minutes and look at me closely. If I look at you and you don't look at me, the deal is over....'Okay', he said. I never had a model like him before... Stock-still he sat.... and looked at me without a single blink of his eyes. Within half an hour he was there on the paper - razor-sharp... While I am writing this down, it is as if he is sitting in front of me again..”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Op een middag ging ik bij hem op bezoek. [bij Jacob, een oudere en hechte vriend van Jopie en een echte vrijbuiter]. Ik wist dat hij thuis was, nam pen en inkt en mijn schetsboek mee en deed een halve liter jenever in mijn zak. Hij woonde achter in een steegje en zat in zijn stoel bij het raam.. .Ik zei: 'Je krijgt de hele fles van me, onder één voorwaarde. Ik wil een prachtige tekening van je maken en daarvoor moet je eerst twintig minuten doodstil zitten en me strak aankijken. Als ik naar jou kijk en jij kijkt niet naar mij, dan gaat het over.. ..'Afgesproken', zei hij. Ik heb nog nooit zo’n model gehad!.. .Doodstil zat hij.. ..en keek me zonder ook maar één keer met zijn ogen te knipperen strak in mijn gezicht. Binnen een half uur stond hij haarscherp op het papier.. .Terwijl ik dit opschreef was het net alsof hij weer voor me zat.
Source: Jopie de Verteller' (2010) - postumous, p. 58

Karl Kraus photo
Phil Ochs photo

“Show me an alley, show me a train
Show me a hobo who sleeps out in the rain
And I'll show you a young man
With many reasons why
There but for fortune, go you or I”

Phil Ochs (1940–1976) American protest singer and songwriter

"There but for Fortune" (1963)
Lyrics

John Buchan photo
William Foote Whyte photo
Saki photo

“The cat of the slums and alleys, starved, outcast, harried, still keeps amid the prowlings of its adversity the bold, free, panther-tread with which it paced of yore the temple courts of Thebes, still displays the self-reliant watchfulness which man has never taught it to lay aside.”

Saki (1870–1916) British writer

"The Achievement of the Cat"
The Square Egg (1924)
Context: The animal which the Egyptians worshipped as divine, which the Romans venerated as a symbol of liberty, which Europeans in the ignorant Middle Ages anathematised as an agent of demonology, has displayed to all ages two closely blended characteristics — courage and self-respect. No matter how unfavourable the circumstances, both qualities are always to the fore. Confront a child, a puppy, and a kitten with a sudden danger; the child will turn instinctively for assistance, the puppy will grovel in abject submission to the impending visitation, the kitten will brace its tiny body for a frantic resistance. And disassociate the luxury-loving cat from the atmosphere of social comfort in which it usually contrives to move, and observe it critically under the adverse conditions of civilisation — that civilisation which can impel a man to the degradation of clothing himself in tawdry ribald garments and capering mountebank dances in the streets for the earning of the few coins that keep him on the respectable, or non-criminal, side of society. The cat of the slums and alleys, starved, outcast, harried, still keeps amid the prowlings of its adversity the bold, free, panther-tread with which it paced of yore the temple courts of Thebes, still displays the self-reliant watchfulness which man has never taught it to lay aside.

Vitruvius photo

“Let the directions of your streets and alleys be laid down on the lines of division between the quarters of two winds. On this principle of arrangement the disagreeable force of the winds will be shut out from dwellings and lines of houses.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter VI, Sec. 7-8
Context: Let the directions of your streets and alleys be laid down on the lines of division between the quarters of two winds. On this principle of arrangement the disagreeable force of the winds will be shut out from dwellings and lines of houses. For if the streets run full in the face of the winds, their constant blasts rushing in from the open country, and then confined by narrow alleys, will sweep through them with great violence. The lines of houses must therefore be directed away from the quarters from which the winds blow, so that as they come in they may strike against the angles of the blocks and their force thus be broken and dispersed.

John Buchan photo

“I gathered from Hollond that he was always conscious of corridors and halls and alleys in Space, shifting, but shifting according to inexorable laws.”

John Buchan (1875–1940) British politician

Space (1912)
Context: I gathered from Hollond that he was always conscious of corridors and halls and alleys in Space, shifting, but shifting according to inexorable laws. I never could get quite clear as to what this consciousness was like. When I asked he used to look puzzled and worried and helpless.

“Two a.m. in a dark alley or on a mountainside is not the time to discover your unit is missing a key piece of equipment, or that you are not sure of the radio frequencies of an adjacent unit.”

Wheeler L. Baker (1938) President of Hargrave Military Academy

Source: Crisis Management: A Model For Managers (1993), p. 76
Context: Two a. m. in a dark alley or on a mountainside is not the time to discover your unit is missing a key piece of equipment, or that you are not sure of the radio frequencies of an adjacent unit. The procedural check lists created in training will prevent those critical and unacceptable mistakes. This is the time to benefit from those "lessons learned". But leaders must schedule the time to train, do it right, critique, and move on. It is an investment that will bring the most return.

Joss Whedon photo

“The first thing I ever thought of when I thought of Buffy, the movie, was the little…blonde girl who goes into a dark alley and gets killed, in every horror movie. The idea of Buffy was to subvert that idea, that image, and create someone who was a hero where she had always been a victim.”

Joss Whedon (1964) American director, writer, and producer for television and film

Welcome to the Hellmouth (1997) DVD Commentary
Context: The first thing I ever thought of when I thought of Buffy, the movie, was the little... blonde girl who goes into a dark alley and gets killed, in every horror movie. The idea of Buffy was to subvert that idea, that image, and create someone who was a hero where she had always been a victim. That element of surprise … genre-busting is very much at the heart of both the movie and the series.

James Branch Cabell photo

“Yes, there was Edgar, whom I starved and hunted until I was tired of it: then I chased him up a back alley one night, and knocked out those annoying brains of his. And there was Walt, whom I chivvied and battered from place to place, and made a paralytic of him: and him, too, I labelled offensive and lewd and lascivious and indecent. Then later there was Mark, whom I frightened into disguising himself in a clown's suit, so that nobody might suspect him to be a maker of literature: indeed, I frightened him so that he hid away the greater part of what he had made until after he was dead, and I could not get at him. That was a disgusting trick to play on me, I consider.”

James Branch Cabell (1879–1958) American author

The Judging of Jurgen (1920)
Context: In Philistia to make literature and to make trouble for yourself are synonyms,… the tumblebug explained. — I know, for already we of Philistia have been pestered by three of these makers of literature. Yes, there was Edgar, whom I starved and hunted until I was tired of it: then I chased him up a back alley one night, and knocked out those annoying brains of his. And there was Walt, whom I chivvied and battered from place to place, and made a paralytic of him: and him, too, I labelled offensive and lewd and lascivious and indecent. Then later there was Mark, whom I frightened into disguising himself in a clown's suit, so that nobody might suspect him to be a maker of literature: indeed, I frightened him so that he hid away the greater part of what he had made until after he was dead, and I could not get at him. That was a disgusting trick to play on me, I consider. Still, these are the only three detected makers of literature that have ever infested Philistia, thanks be to goodness and my vigilance, but for both of which we might have been no more free from makers of literature than are the other countries.…

Hunter S. Thompson photo

“A man who has blown all his options can't afford the luxury of changing his ways. He has to capitalize on whatever he has left, and he can't afford to admit — no matter how often he's reminded of it — that every day of his life takes him farther and farther down a blind alley…”

Hunter S. Thompson (1937–2005) American journalist and author

1960s, Hell's Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs (1966)
Context: A man who has blown all his options can't afford the luxury of changing his ways. He has to capitalize on whatever he has left, and he can't afford to admit — no matter how often he's reminded of it — that every day of his life takes him farther and farther down a blind alley... Very few toads in this world are Prince Charmings in disguise. Most are simply toads... and they are going to stay that way... Toads don't make laws or change any basic structures, but one or two rooty insights can work powerful changes in the way they get through life. A toad who believes he got a raw deal before he even knew who was dealing will usually be sympathetic to the mean, vindictive ignorance that colors the Hell's Angels' view of humanity. There is not much mental distance between a feeling of having been screwed and the ethic of total retaliation, or at least the random revenge that comes with outraging the public decency.

Naguib Mahfouz photo
Vincent Van Gogh photo

“To stroll on wharves, and in alleys and in streets and in the houses, waiting-rooms, even saloons, that is not a pleasant pastime unless for an artist.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

As such, one would rather be in the dirtiest place where there is something to draw, than at a tea party with charming ladies. Unless one wants to draw ladies, then a tea party is all right even for an artist.
quote in his letter to brother Theo, from The Hague, The Netherlands in Spring 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 34 (letter 190)
1880s, 1882