Quotes about the soul
page 37

Johannes Tauler photo
Jonathan Arnott photo

“As a right-winger and UKIP member, I believe in immigration. That sentence might sound slightly surprising coming from the General Secretary of a Party which is perceived by the media as anti-immigration. So let me explain. I reject uncontrolled immigration. I reject immigration beyond the ability of our country’s infrastructure to cope. Recently, I’ve been listening to the Bruce Springsteen song ‘American Land’. It starts off well enough, talking about people relocating to America as it grew and helping to build the country. That’s the kind of immigration that I believe in. Those who believe that they can have a better life (in this case in the UK), who come over and are determined to see themselves as part of British culture and will put their heart and soul into improving this country for all of us. I’m talking about the kind of person who is proud to come to the United Kingdom and shows that pride at every opportunity. Such people are a real asset to the country. That’s why I’m so angry at the ‘left-wing’ in British politics, which has consistently pursued an effective open-door immigration policy. Uncontrolled mass immigration doesn’t provide any of those benefits, but instead creates huge cultural problems for us. Worse still, it creates resentment. In Sheffield, I see workers losing their jobs to immigrant workers. All that does is create resentment and fuels the kind of racism that we’ve painstakingly worked to get rid of from our nation.”

Jonathan Arnott (1981) British politician

I believe….in immigration? http://www.jonathanarnott.co.uk/2013/06/i-believe-in-immigration/ (June 23, 2013)

Thomas Wolfe photo
Francis Wayland Parker photo
John Flavel photo
Francis Bacon photo
John Ruysbroeck photo
Philip Doddridge photo
Thomas Buchanan Read photo

“My soul to-day
Is far away
Sailing the Vesuvian Bay.”

Thomas Buchanan Read (1822–1872) American artist

Drifting.

Elton John photo

“Through a glass eye your throne
Is the one danger zone.
Take me to the pilot for control;
Take me to the pilot of your soul.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Take Me to the Pilot
Song lyrics, Elton John (1970)

Fulton J. Sheen photo

“All intense interest in luxury is a mark of inner poverty. The less grace there is in the soul, the more ornament must be on the body.”

Fulton J. Sheen (1895–1979) Catholic bishop and television presenter

Source: Peace of Soul (1949), Ch. 2, p. 24

Frederick Douglass photo

“They cannot degrade Frederick Douglass. The soul that is within me no man can degrade. I am not the one that is being degraded on account of this treatment, but those who are inflicting it upon me…”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Upon being forced to leave a train car due to his color, as quoted in Up from Slavery (1901), Ch. VI: "Black Race And Red Race, the penalty of telling the truth, of telling the simple truth, in answer to a series of strange questions", by Booker T. Washington

Ernst Bloch photo

“The soul must accept guilt in order to destroy existing evil, lest it incur the greater guilt of idyllic withdrawal, of seeming to be good by putting up with wrong.”

Ernst Bloch (1885–1977) German philosopher

Aber es steht doch in der Regel so, daß die Seele schuldig werden muß, um das schlecht Bestehende zu vernichten, um nicht durch idyllischen Rückzug, scheingute Duldung des Unrechts noch schuldiger zu werden.
Source: Man on His Own: Essays in the Philosophy of Religion (1959), p. 36

Aga Khan III photo
Logan Pearsall Smith photo

“Perhaps not only in his attitude towards truth, but in his attitude towards himself, Montaigne was a precursor. Perhaps here again he was ahead of his own time, ahead of our time also, since none of us would have the courage to imitate him. It may be that some future century will vindicate this unseemly performance; in the meanwhile it will be of interest to examine the reasons which he gives us for it. He says, in the first place, that he found this study of himself, this registering of his moods and imaginations, extremely amusing; it was an exploration of an unknown region, full of the queerest chimeras and monsters, a new art of discovery, in which he had become by practice “the cunningest man alive.” It was profitable also, for most people enjoy their pleasures without knowing it; they glide over them, and fix and feed their minds on the miseries of life. But to observe and record one’s pleasant experiences and imaginations, to associate one’s mind with them, not to let them dully and unfeelingly escape us, was to make them not only more delightful but more lasting. As life grows shorter we should endeavour, he says, to make it deeper and more full. But he found moral profit also in this self-study; for how, he asked, can we correct our vices if we do not know them, how cure the diseases of our soul if we never observe their symptoms? The man who has not learned to know himself is not the master, but the slave of life: he is the “explorer without knowledge, the magistrate without jurisdiction, and when all is done, the fool of the play.””

Logan Pearsall Smith (1865–1946) British American-born writer

“Montaigne,” p. 6
Reperusals and Recollections (1936)

Alexander Maclaren photo
Lionel Richie photo

“People dancing all in the street
See the rhythm all in their feet
Life is good, wild and sweet.
Let the music play on (play on, play on)
Feel it in your heart
And feel it in your soul
Let the music take control.”

Lionel Richie (1949) American singer-songwriter, musician, record producer and actor

All Night Long (All Night).
Song lyrics, Can't Slow Down (1983)

Giordano Bruno photo

“It is manifest… that every soul and spirit hath a certain continuity with the spirit of the universe, so that it must be understood to exist and to be included not only there where it liveth and feeleth, but it is also by its essence and substance diffused throughout immensity…”

Giordano Bruno (1548–1600) Italian philosopher, mathematician and astronomer

Cause, Principle, and Unity (1584)
Context: It is manifest... that every soul and spirit hath a certain continuity with the spirit of the universe, so that it must be understood to exist and to be included not only there where it liveth and feeleth, but it is also by its essence and substance diffused throughout immensity... The power of each soul is itself somehow present afar in the universe... Naught is mixed, yet is there some presence.
Anything we take in the universe, because it has in itself that which is All in All, includes in its own way the entire soul of the world, which is entirely in any part of it.

Anne-Thérèse de Marguenat de Courcelles, marquise de Lambert photo
Gardiner Spring photo
Thomas Carlyle photo
Báb photo
William Ellery Channing photo
Susie Castillo photo
François Fénelon photo

“The presence of God calms the soul, and gives it quiet and repose.”

François Fénelon (1651–1715) Catholic bishop

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 276.

Julian of Norwich photo
Warren G. Harding photo
Vanna Bonta photo

“Joy and Sorrow have as source the very soul who planned their course.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Rewards of Passion (Sheer Poetry) (1981)

Graham Greene photo
Douglas Coupland photo
Thomas Carlyle photo
Helena Petrovna Blavatsky photo
Theodore L. Cuyler photo

“In heaven, knowledge shall be commensurate with the enlarged powers of the glorified soul.”

Theodore L. Cuyler (1822–1909) American minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 307.

Parker Palmer photo
Omar Khayyám photo
Peter Sloterdijk photo
Llewellyn Vaughan-Lee photo
Franklin D. Roosevelt photo
Howard Bloom photo

“We must build a picture of the human soul that works. …a recognition that the enemy is within us and that Nature has placed it there. …for a reason. And we must understand that reason to outwit her.”

Howard Bloom (1943) American publicist and author

Who is Lucifer?
The Lucifer Principle: A Scientific Expedition Into the Forces of History (1997)

Max Stirner photo
Michel De Montaigne photo

“Valor is stability, not of legs and arms, but of courage and the soul.”

Michel De Montaigne (1533–1592) (1533-1592) French-Occitan author, humanistic philosopher, statesman

Attributed

Vyjayanthimala photo
John of St. Samson photo
Coventry Patmore photo
Robert Sheckley photo
John Wilmot, 2nd Earl of Rochester photo

“But oh, how slowly minutes roll
When absent from her eyes,
That feed my love, which is my soul:
It languishes and dies.”

John Wilmot, 2nd Earl of Rochester (1647–1680) English poet, and peer of the realm

The Mistress: A Song, ll. 5–8.
Other

Noel Gallagher photo
Muhammad photo

“Not your flesh nor bones shall bejudge in the A'khira (Judgement day), but your brain, the centre of consciousness where you reside. You as a soul shall be judged.”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Narrated by Al-Bukhari and Muslim [citation needed]
Sunni Hadith

Annie Besant photo
Richard Blackmore photo
James Freeman Clarke photo
Thomas Carlyle photo

“For the Scepticism, as I said, is not intellectual only; it is moral also; a chronic atrophy and disease of the whole soul. A man lives by believing something; not by debating and arguing about many things.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Man of Letters

B.K.S. Iyengar photo

“As we explore the soul, it is important to remember that this exploration will take place within nature (the body), for that is where and what we are.”

B.K.S. Iyengar (1918–2014) Indian yoga teacher and scholar

Source: Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom, p. 6

John Greenleaf Whittier photo

“The windows of my soul I throw
Wide open to the sun.”

My Psalm, reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Victor Villaseñor photo
Giordano Bruno photo
Daniel Johns photo

“Lost my soul, lost my confidence in me”

Daniel Johns (1979) Australian musician

Slave
Song lyrics, Freak Show (1997)

Ella Wheeler Wilcox photo
Willie Nelson photo

“We are the same. There is no difference anywhere in the world. People are people. They laugh, cry, feel, and love, and music seems to be the commons denomination that brings us all together. Music cuts through all boundaries and goes right to the soul.”

Willie Nelson (1933) American country music singer-songwriter.

[The Facts of Life: And Other Dirty Jokes, 119, Random House Digital, 2003, 9780375758607, Nelson, Willie; McMurtry, Larry]

George Holmes Howison photo
Julian of Norwich photo
William Wordsworth photo
Neal Stephenson photo
William Hazlitt photo
Robert Burton photo
Van Morrison photo

“And it stoned me to my soul
Stoned me just like Jelly Roll
And it stoned me
And it stoned me to my soul
Stoned me just like goin' home.
And it stoned me.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

And It Stoned Me
Song lyrics, Moondance (1970)

Sarah Grimké photo
Thomas Jefferson photo
John Bartholomew Gough photo

“Intemperance weaves the winding-sheet of souls.”

John Bartholomew Gough (1817–1886) Anglo-American temperance orator

Reported in Julia B. Hoitt, Excellent Quotations for Home and School (1890), p. 115.

Baldassarre Castiglione photo

“Then the soul, freed from vice, purged by studies of true philosophy, versed in spiritual life, and practised in matters of the intellect, devoted to the contemplation of her own substance, as if awakened from deepest sleep, opens those eyes which all possess but few use, and sees in herself a ray of that light which is the true image of the angelic beauty communicated to her, and of which she then communicates a faint shadow to the body.”

Baldassarre Castiglione (1478–1529) Italian Renaissance author (1478-1529)

Però l'anima, aliena dai vicii, purgata dai studi della vera filosofia, versata nella vita spirituale ed esercitata nelle cose dell'intelletto, rivolgendosi alla contemplazion della sua propria sustanzia, quasi da profundissimo sonno risvegliata, apre quegli occhi che tutti hanno e pochi adoprano, e vede in se stessa un raggio di quel lume che è la vera imagine della bellezza angelica a lei communicata, della quale essa poi communica al corpo una debil umbra.
Bk. 4, ch. 68; p. 300.
Souced, Il Libro del Cortegiano (1528)

Matthew Arnold photo
Harvey Mansfield photo
Charles Bukowski photo
Wilhelm Reich photo
Jack Kerouac photo
Frederick William Robertson photo
George Santayana photo
Nelson Mandela photo
Matthew Arnold photo

“Who prop, thou ask'st in these bad days, my mind?
He much, the old man, who, clearest-souled of men,
Saw The Wide Prospect, and the Asian Fen,
And Tmolus hill, and Smyrna bay, though blind.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

"To a Friend" http://www.poetry-online.org/arnold_to_a_friend.htm (1849), line 1

Auguste Rodin photo

“The landscape painter, perhaps, goes even further. It is not only in living beings that he sees the reflection of the universal soul; it is in the trees, the bushes, the valleys, the hills. What to other men is only wood and earth appears to the great landscapist like the face of a great being. Corot saw kindness abroad in the trunks of the trees, in the grass of the fields, in the mirroring water of the lakes. But there Millet read suffering and resignation.
Everywhere the great artist hears spirit answer to his spirit. Where, then, can you find a more religious man?
Does not the sculptor perform his act of adoration when he perceives the majestic character of the forms that he studies? — when, from the midst of fleeting lines, he knows how to extricate the eternal type of each being? — when he seems to discern in the very breast of the divinity the immutable models on which all living creatures are moulded? Study, for example, the masterpieces of the Egyptian sculptors, either human or animal figures, and tell me if the accentuation of the essential lines does not produce the effect of a sacred hymn. Every artist who has the gift of generalizing forms, that is to say, of accenting their logic without depriving them of their living reality, provokes the same religious emotion; for he communicates to us the thrill he himself felt before the immortal verities.”

Auguste Rodin (1840–1917) French sculptor

Art, 1912, Ch. Mystery in Art

Nelson Mandela photo
John Buchan photo
Joseph Smith, Jr. photo
Thomas Fuller photo
Letitia Elizabeth Landon photo
Warren G. Harding photo
Federico García Lorca photo

“Black are the horses.
The horseshoes are black.
On the dark capes glisten
stains of ink and wax.
Their skulls are leaden,
which is why they do not weep.
With their patent leather souls
they come down the street.”

Federico García Lorca (1898–1936) Spanish poet, dramatist and theatre director

Los caballos negros son.
Las herraduras son negras.
Sobre las capas relucen
manchas de tinta y de cera.
Tienen, por eso no lloran,
de plomo las calaveras.
Con el alma de charol
vienen por la carretera.
" Romance de la Guardia Civil Española http://www.poesia-inter.net/index214.htm" from Primer Romancero Gitano (1928)

Diogenes Laërtius photo

“Xenophanes was the first person who asserted… that the soul is a spirit.”

Diogenes Laërtius (180–240) biographer of ancient Greek philosophers

Xenophanes, 3.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 9: Uncategorized philosophers and Skeptics

Theodore Dreiser photo

“Literature, outside of the masters, has given us but one idea of the mistress, the subtle, calculating siren who delights to prey on the souls of men. The journalism and the moral pamphleteering of the time seem to foster it with almost partisan zeal. It would seem that a censorship of life had been established by divinity, and the care of its execution given into the hands of the utterly conservative. Yet there is that other form of liaison which has nothing to do with conscious calculation. In the vast majority of cases it is without design or guile. The average woman, controlled by her affections and deeply in love, is no more capable than a child of anything save sacrificial thought—the desire to give; and so long as this state endures, she can only do this. She may change—Hell hath no fury, etc.—but the sacrificial, yielding, solicitous attitude is more often the outstanding characteristic of the mistress; and it is this very attitude in contradistinction to the grasping legality of established matrimony that has caused so many wounds in the defenses of the latter. The temperament of man, either male or female, cannot help falling down before and worshiping this nonseeking, sacrificial note. It approaches vast distinction in life. It appears to be related to that last word in art, that largeness of spirit which is the first characteristic of the great picture, the great building, the great sculpture, the great decoration—namely, a giving, freely and without stint, of itself, of beauty.”

Source: The Financier (1912), Ch. XXIII

Karl Wilhelm Friedrich Schlegel photo

“Through artists mankind becomes an individual, in that they unite the past and the future in the present. They are the higher organ of the soul, where the life spirits of entire external mankind meet and in which inner mankind first acts.”

Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar

Durch die Künstler wird die Menschheit ein Individuum, indem sie Vor welt und Nachwelt in der Gegenwart verknüpfen. Sie sind das höhere Seelenorgan, wo die Lebensgeister der ganzen 15 äussern Menschheit zusammentreffen und in welchem die innere zunächst wirkt.
“Selected Ideas (1799-1800)”, Dialogue on Poetry and Literary Aphorisms, Ernst Behler and Roman Struc, trans. (Pennsylvania University Press:1968) #64 [cf. Heidegger]