Quotes about the night
page 24

Jack Kerouac photo
Eugene V. Debs photo
Marc Chagall photo

“Two or three o'clock in the morning. The sky is blue. Dawn is breaking. Down there, a little way off, they slaughtered cattle, cows bellowed, and I painted them. I used to sit up like that all night long. It's already a week since the studio was cleaned out. Frames, eggshells, empty two-sou soup tins lie about higgledy-piggledy... On the shelves, reproductions of El Greco and Cézanne lay next tot the remains of a herring I had cut in two, the head for the first day, the tail for the next, and Thank God, a few crusts of bread.”

Marc Chagall (1887–1985) French artist and painter

Quote in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, pp. 29-30
Chagall describes a morning in his studio in Paris, c. 1911, in 'La Ruche' an old factory where many artists as Soutine, Archipenko, Léger and Modigliani had their studio
1920's, My life (1922)

Dafydd ap Gwilym photo

“O sea-bird, beautiful upon the tides,
White as the moon is when the night abides,
Or snow untouched, whose dustless splendour glows
Bright as a sunbeam and whose white wing throws
A glove of challenge on the salt sea-flood.”

Dafydd ap Gwilym (1320–1380) Welsh poet

Yr wylan deg ar lanw dioer
Unlliw ag eiry neu wenlloer,
Dilwch yw dy degwch di,
Darn fel haul, dyrnfol, heli.
"Yr Wylan" (To the Sea-gull), line 1; translation from Robert Gurney (ed. and trans.) Bardic Heritage (London: Chatto & Windus, 1969) p. 130.

Benjamin Harrison photo

“I knew that my staying up would not change the election result if I were defeated, while if elected I had a hard day ahead of me. So I thought a night's rest was best in any event.”

Benjamin Harrison (1833–1901) American politician, 23rd President of the United States (in office from 1889 to 1893)

As quoted in A Call to America : Inspiring and Empowering Quotations from the 43 presidents of the United States (2002) by Bryan Curtis

Jimmy Carter photo

“I thought a lot about our Nation and what I should do as President. And Sunday night before last, I made a speech about two problems of our country — energy and malaise.”

Jimmy Carter (1924) American politician, 39th president of the United States (in office from 1977 to 1981)

Remarks at a town meeting, Bardstown, Kentucky (31 July 1979), referring to his The Crisis of Confidence address (he did not actually use the word "malaise" in that earlier speech), Public Papers of the Presidents of the United States: Jimmy Carter, 1979, Book 2, p. 1340
Presidency (1977–1981), 1978

William McKinley photo

“When I next realized that the Philippines had dropped into our laps I confess I did not know what to do with them … And one night late it came to me this way…:”

William McKinley (1843–1901) American politician, 25th president of the United States (in office from 1897 to 1901)

1900s

James Bradley photo

“My Instrument being fixed, I immediately began to observe such Stars as I judged most proper to give me light into the Cause of the Motion… There was Variety enough of small ones; and not less than twelve, that I could observe through all the Seasons of the Year; they being bright enough to be seen in the Day-time, when nearest the Sun. I had not been long observing, before I perceived, that the Notion we had before entertained of the Stars being farthest North and South, when the Sun was about the Equinoxes, was only true of those that were near the solstitial Colure: And after I had continued my Observations a few Months, I discovered what I then apprehended to be a general Law, observed by all the Stars, viz. That each of them became stationary, or was farthest North or South, when they passed over my Zenith at six of the Clock, either in the Morning or Evening. I perceived likewise, that whatever Situation the Stars were in with respect to the cardinal Points of the Ecliptick, the apparent Motion of every one tended the same Way, when they passed my Instrument about the same Hour of the Day or Night; for they all moved Southward, while they passed in the Day, and Northward in the Night; so that each was farthest North, when it came about Six of the Clock in the Evening, and farthest South when it came about Six in the Morning.”

James Bradley (1693–1762) English astronomer; Astronomer Royal

A Letter from the Reverend Mr. James Bradley Savilian Proffesor of Astronomy at Oxford, and F.R.S. to Dr. Edmund Halley, Astronom. Reg. &c. giving an Account of a New Discovered Motion of the Fix'd Stars. Philosophical Transactions (Jan 1, 1727) 1727-1728 No. 406. vol. XXXV. pp. 637-661 http://rstl.royalsocietypublishing.org/content/35/399-406/637.full.pdf+html, pp.643-644

Homér photo

“Now down in the Ocean sank the fiery light of day,
drawing the dark night across the grain-giving earth.”

VIII. 485–486 (tr. Robert Fagles).
Iliad (c. 750 BC)

Attila the Stockbroker photo

“He wanted me to beat him up!
It was an open invitation!
Late at night he picked me up —
an act of open provocation!”

Attila the Stockbroker (1957) punk poet, folk punk musician and songwriter

"Contributory Negligence", from Cautionary Tales for Dead Commuters (1985)

Norman Spinrad photo
Edward Young photo
Robert Southey photo

“It's been a long day. I can't wait until the next day. I can't wait to sleep. I had two hours of sleep last night.”

Jessica Dubroff (1988–1996) American child pilot trainee

http://www.nytimes.com/1996/04/12/us/girl-7-seeking-us-flight-record-dies-in-crash.html

Konrad Zuse photo

“The rattling of the relays of the Z4 was the only interesting thing to be experienced in Zurich's night life!”

Konrad Zuse (1910–1995) German computer scientist and engineer

Attributed to Zuse in: Ra L Rojas, Ulf Hashagen (2002) The First Computers: History and Architectures. p. 270

Lucy Larcom photo

“Oh, her heart’s adrift with one
On an endless voyage gone!
Night and morning
Hannah’s at the window binding shoes.”

Lucy Larcom (1824–1893) American teacher, poet, author

"Hannah Binding Shoes".
Poems (1869)

Alfred Domett photo
Matthew Arnold photo
Paul Klee photo

“Tunis. My head is full of the impressions of last night's walk. Art-Nature-Self. Went to work at once and painted in watercolour in the Arab quarter. Began the synthesis of urban architecture and pictorial architecture. Not yet pure, but quite attractive, somewhat too much of the mood, the enthusiasm of traveling in it-the Self, in a word. Things will no doubt get more objective later, once the intoxication has worn off a bit.”

Paul Klee (1879–1940) German Swiss painter

Diary-note, 7 April 1914; # 926-f; as cited by Francesco Mazzaferro, in 'The Diaries of Paul Klee Part Four', : Klee as an Expressionist and Constructivist Painter http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev27.html
The evening of their arrival, Dr. Jaggi took the 3 artists Klee, August Macke and Louis Moilliet on 'a nocturnal walk through the Arab city' Tunis. Klee wrote this note next day.
1911 - 1914, Diary-notes from Tunisia' (1914)

Guillaume de Salluste Du Bartas photo

“Night's black mantle covers all alike.”

Guillaume de Salluste Du Bartas (1544–1590) French writer

First Week, First Day. Compare: "Come civil night,… with thy black mantle", William Shakespeare, Romeo and Juliet, act iii. sc. 2.
La Semaine; ou, Création du monde (1578)

Patrick Pearse photo

“And let us make no mistake as to what Tone sought to do, what it remains to us to do. We need to restate our programme: Tone has stated it for us:
"To break the connection with England, the never-failing source of all our political evils, and to assert the independence of my country—these were my objects. To unite the whole people of Ireland, to abolish the memory of all past dissentions, and to substitute the common name of Irishmen in place of the denominations of Protestant, Catholic and Dissenter—these were my means."
I find here implicit all the philosophy of Irish nationalism, all the teaching of the Gaelic League and the later prophets. Ireland one and Ireland free—is not this the definition of Ireland a Nation? To that definition and to that programme we declare our adhesion anew; pledging ourselves as Tone pledged himself—and in this sacred place, by this graveside, let us not pledge ourselves unless we mean to keep our pledge—we pledge ourselves to follow in the steps of Tone, never to rest either by day or night until his work be accomplished, deeming it the proudest of all privileges to fight for freedom, to fight not in despondency but in great joy hoping for the victory in our day, but fighting on whether victory seem near or far, never lowering our ideal, never bartering one jot or tittle of our birthright, holding faith to the memory and the inspiration of Tone, and accounting ourselves base as long as we endure the evil thing against which he testified with his blood.”

Patrick Pearse (1879–1916) Irish revolutionary, shot by the British Army in 1916

Address delivered at the Grave of Wolfe Tone in Bodenstown Churchyard, Co. Kildare, 22 June 1913

Letitia Elizabeth Landon photo

“Last night I by my casement leant,
And looked on the bright firmament;
And marked a group of stars, which met,
Almost as if on purpose set
Together for their loveliness,”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(30th October 1824) The Stars
The London Literary Gazette, 1824

Edward Lear photo

“On a little heap of Barley
Died my aged uncle Arly,
And they buried him one night;—
Close beside the leafy thicket;—
There, his hat and Railway-Ticket;—
There, his ever-faithful Cricket;”

Edward Lear (1812–1888) British artist, illustrator, author and poet

But his shoes were far too tight.
Incidents in the Life of my Uncle Arly http://www.nonsenselit.org/Lear/pw/arly.html, st. 7 (1895).

Bruce Springsteen photo
Sarah McLachlan photo

“Hearts are worn in these dark ages;
You're not alone in this story's pages.
Night has fallen amongst the living and the dying,
And I try to hold it in, yeah I try to hold it in.”

Sarah McLachlan (1968) Canadian musician, singer, and songwriter

World on Fire, written by Sarah McLachlan and Pierre Marchand
Song lyrics, Afterglow (2003)

Ben Jonson photo
Dave Attell photo
Mr. T photo

“I'm Mr. T and I'm a "Night Elf Mohawk"! What's YOUR game?”

Mr. T (1952) American actor and retired professional wrestler

World of Warcraft Advert (2007)

Aleksis Kivi photo
A.E. Housman photo

“Good-night; ensured release,
Imperishable peace,
Have these for yours,
While sea abides, and land,
And earth's foundations stand,
And heaven endures.”

A.E. Housman (1859–1936) English classical scholar and poet

No. 48 ("Parta Quies"), st. 1.
More Poems http://www.kalliope.org/vaerktoc.pl?vid=housman/1936 (1936)

Johnny Mercer photo
James K. Morrow photo
Pierre-Jean de Béranger photo

“In Paris a queer little man you may see,
A little man all in gray;
Rosy and round as an apple is he,
Content with the present whate'er it may be,
While from care and from cash he is equally free,
And merry both night and day!
"Ma foi! I laugh at the world." says he,
"I laugh at the world, and the world laughs at me!"”

Pierre-Jean de Béranger (1780–1857) French poet and chansonnier

What a gay little man in gray.
The Little Man all in Gray, translation by Amelia B. Edwards; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 133.

E.E. Cummings photo
Laurell K. Hamilton photo

“Nothing helps you sleep at night so much as being absolutely certain that you're right, and everyone else is evil.”

Laurell K. Hamilton (1963) Novelist

Musings of Anita Blake; p. 518
Anita Blake: Vampire Hunter series, Incubus Dreams (2004)

Carlo Carrà photo

“The idea for this picture came to me one winter's night as I was leaving La Scala. In the foreground there is a snow sweeper with a few couples, men in top hats and elegant ladies. I think that this canvas, which is totally unknown in Italy, is one of the paintings where I best represented the concept that I had the time about my art.”

Carlo Carrà (1881–1966) Italian painter

Source: 1940's, La mia Vita (1945), Carlo Carrà; as quoted in Futurism, ed. Didier Ottinger (2008), p. 154 - Carrà is refering in this quote to his painting 'Uscita dal teatro' ('Leaving the theater'), he made in 1909

Winston S. Churchill photo
Satoru Iwata photo
Du Fu photo
Mohammad Hidayatullah photo

“I was so excited to hear the Trinity College the first night of my stay in the College:
Trinity’s loquacious clock
Who never let the quarters, night and day,
Slip by him improclaimed, and told the hours
Twice over with a male and female voice…”

Mohammad Hidayatullah (1905–1992) 11th Chief Justice of India

He quoted this William Wordsworth’s poem while resident at Cambridge
Source: Law in the Scientific Era, p. 50

Giovanni Schiaparelli photo

“Mercury on its axis turns like the Moon:
One side has lasting day, the other night;
One side in everlasting fire doth swoon;
While th'other hides forever from the light.”

Giovanni Schiaparelli (1835–1910) Italian astronomer and science historian

Originally in Latin; translated by Agnes Mary Clerke (1842–1907)
Quoted in Sky and Telescope, March 2011, p. 33

Oliver Goldsmith photo

“A nightcap decked his brows instead of bay,
A cap by night — a stocking all the day!”

Oliver Goldsmith (1728–1774) Irish physician and writer

Description of an Author's Bedchamber (1760).

Sri Chinmoy photo

“The waves of hatred-night can easily be dissolved in the sea of oneness-love.”

Sri Chinmoy (1931–2007) Indian writer and guru

#170, Part 2
Twenty Seven Thousand Aspiration Plants Part 1-270 (1983)

Peter Greenaway photo
Charles Bernstein photo
Jorge Luis Borges photo
Jim Steinman photo

“I never had a girl
Looking any better than you did
And all the kids at school
They were wishing they were me that night.”

Jim Steinman (1947) American musician

Bat out of Hell (1977), Paradise by the Dashboard Light

Umberto Eco photo
Amy Schumer photo

“I'm the last person he called that night. I wonder, how many girls didn't answer before he got to fat freshman me? Am I in his phone as Schumer? Probably. But I was here, and I wanted to be held and touched and felt desired, despite everything. I wanted to be with him. I imagined us on campus together, holding hands, proving, "Look! I am lovable! And this cool older guy likes me!"”

Amy Schumer (1981) American comedian and actor

I can't be the troll doll I'm afraid I've become.
Ms. Foundation for Women’s Gloria Awards and Gala [Vulture, http://www.vulture.com/2014/05/read-amy-schumers-ms-gala-speech.html, May 2014, Read Amy Schumer’s Powerful Speech About Confidence, Jennifer, Vineyard]

Talal Abu-Ghazaleh photo
Stephenie Meyer photo
George William Russell photo
Billy Joel photo
Alfred P. Sloan photo

“In the spring of 1920, General Motors found itself, as it appeared at the moment, in a good position. On account of the limitation of automotive production during the war there was a great shortage of cars. Every car that could be produced was produced and could be sold at almost any price. So far as any one could see, there was no reason why that prosperity should not continue for a time at least. I liken our position then to a big ship in the ocean. We were sailing along at full speed, the sun was shining, and there was no cloud in the sky that would indicate an approaching storm. Many of you have, of course, crossed the ocean and you can visualize just that sort of a picture yet what happened? In September of that year, almost over night, values commenced to fall. The liquidation from the inflated prices resulting from the war had set in. Practically all schedules or a large part of them were cancelled. Inventory commenced to roll in, and, before it was realized what was happening, this great ship of ours was in the midst of a terrific storm. As a matter of fact, before control could be obtained General Motors found itself in a position of having to go to its bankers for loans aggregating $80,000,000 and although, as we look at things from today's standpoint, that isn't such a very large amount of money, yet when you must have $80,000,000 and haven't got it, it becomes an enormous sum of money, and if we had not had the confidence and support of the strongest banking interests our ship could never have weathered the storm.”

Alfred P. Sloan (1875–1966) American businessman

Source: Alfred P. Sloan in The Turning Wheel, 1934, p. 185-6; Retrospective vein President Alfred P. Sloan, Jr., addressing the automobile editors of American newspapers at the Proving Ground at Milford, Michigan in 1927.

James Salter photo
Michael Ende photo

“You were compelled to?' he repeated. 'You mean you weren't sufficiently powerful to resist?'
'In order to seize power,' replied the dictator, 'I had to take it from those that had it, and in order to keep it I had to employ it against those that sought to deprive me of it.'
The chef's hat gave a nod. 'An old, old story. It has been repeated a thousand times, but no one believes it. That's why it will be repeated a thousand times more.'
The dictator felt suddenly exhausted. He would gladly have sat down to rest, but the old man and the children walked on and he followed them.
'What about you?' he blurted out, when he had caught the old man up. 'What do you know of power? Do you seriously believe that anything great can be achieved on earth without it?'
'I?' said the old man. 'I cannot tell great from small.'
'I wanted power so that I could give the world justice,' bellowed the dictator, and blood began to trickle afresh from the wound in his forehead, 'but to get it I had to commit injustice, like anyone who seeks power. I wanted to end oppression, but to do so I had to imprison and execute those who opposed me - I became an oppressor despite myself. To abolish violence we must use it, to eliminate human misery we must inflict it, to render war impossible we must wage it, to save the world we must destroy it. Such is the true nature of power.'
Chest heaving, he had once more barred the old man's path with his pistol ready.'
'Yet you love it still,' the old man said softly.
'Power is the supreme virture!' The dictator's voice quavered and broke. 'But its sole shortcoming is sufficient to spoil the whole: it can never be absolute - that's what makes it so insatiable. The only true form of power is omnipotence, which can never be attained, hence my disenchantment with it. Power has cheated me.'
'And so,' said the old man, 'you have become the very person you set out to fight. It happens again and again. That is why you cannot die.'
The dictator slowly lowered his gun. 'Yes,' he said, 'you're right. What's to be done?'
'Do you know the legend of the Happy Monarch?' asked the old man.

'When the Happy Monarch came to build the huge, mysterious palace whose planning alone had occupied ten whole years of his life, and to which marvelling crowds made pilgrimage long before its completion, he did something strange. No one will ever know for sure what made him do it, whether wisdom or self-hatred, but the night after the foundation stone had been laid, when the site was dark and deserted, he went there in secret and buried a termites' nest in a pit beneath the foundation stone itself. Many decades later - almost a life time had elapsed, and the many vicissitudes of his turbulent reign had long since banished all thought of the termites from his mind - when the unique building was finished at last and he, its architect and author, first set foot on the battlements of the topmost tower, the termites, too, completed their unseen work. We have no record of any last words that might shed light on his motives, because he and all his courtiers were buried in the dust and rubble of the fallen palace, but long-enduring legend has it that, when his almost unmarked body was finally unearthed, his face wore a happy smile.”

Michael Ende (1929–1995) German author

"Mirror in the Mirror", page 193

Alphonse de Lamartine photo

“I say to this night: "Pass more slowly"; and the dawn will come to dispel the night.”

Alphonse de Lamartine (1790–1869) French writer, poet, and politician

The Lake (1820), st. 8

Saint Patrick photo
Jacques Delille photo

“He sees only night, and hears only silence.”

Jacques Delille (1738–1813) French poet and translator

Il ne voit que la nuit, n'entend que le silence.
Imagination, IV; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. ___? (Silence).

Sienna Guillory photo

“I said I could to get the part. It made me go slightly mad, because my brain would be spinning all night. But after my big fight scene, where it was just kick, kick, kick, turn, in a freezing graveyard at 5am, I remember coming home on fire, because my brain hadn't kicked in once. Which was really, really a relief.”

Sienna Guillory (1975) British actress

FILM: Beauty and the Beasts Article http://findarticles.com/p/articles/mi_qn4158/is_20040312/ai_n12769890/pg_1. The London Independent. March 12, 2004.
Guillory speaks about Resident Evil: Apocalypse.

David Lloyd George photo
John McCain photo
Willy Russell photo
George Meredith photo

“On a starred night Prince Lucifer uprose.
Tired of his dark dominion swung the fiend.”

George Meredith (1828–1909) British novelist and poet of the Victorian era

Lucifer in Starlight http://www.george-macdonald.com/meredith/lucifer.htm, l. 1-2 (1883).

Jerome K. Jerome photo
H. G. Wells photo
George D. Herron photo
Clement Attlee photo
John Boyle O'Reilly photo
John Steinbeck photo
Daniel Day-Lewis photo

“Once, along with The Transfigured Night, he played a class Rachmaninoff’s Isle of the Dead. Most of the class had not seen the painting, so he went to the library and returned with a reproduction of it. Then he pointed, with a sober smile, to a painting which hung on the wall of the classroom (A Representation of Several Areas, Some of Them Grey, one might have called it; yet this would have been unjust to it—it was non-representational) and played for the class, on the piano, a composition which he said was an interpretation of the painting: he played very slowly and very calmly, with his elbows, so that it sounded like blocks falling downstairs, but in slow motion. But half his class took this as seriously as they took everything else, and asked him for weeks afterward about prepared pianos, tone-clusters, and the compositions of John Cage and Henry Cowell; one girl finally brought him a lovely silk-screen reproduction of a painting by Jackson Pollock, and was just opening her mouth to—
He interrupted, bewilderingly, by asking the Lord what land He had brought him into. The girl stared at him open-mouthed, and he at once said apologetically that he was only quoting Mahler, who had also diedt from America; then he gave her such a winning smile that she said to her roommate that night, forgivingly: “He really is a nice old guy. You never would know he’s famous.””

“Is he really famous?” her roommate asked. “I never heard of him before I got here. ...”
Source: Pictures from an Institution (1954) [novel], Chapter 4, pp. 138–139

Nick Drake photo
Smokey Robinson photo
Michel Foucault photo
Garry Kasparov photo

“It's not enough to be talented. It's not enough to work hard and to study late into the night. You must also become intimately aware of the methods you use to reach your decisions.”

Garry Kasparov (1963) former chess world champion

Part I, Chapter 1, The Lesson, p. 14
2000s, How Life Imitates Chess (2007)

Mort Sahl photo
Milton Friedman photo

“Whether it is in the slums of New Delhi or in the affluence of Las Vegas, it simply isn't fair that there should be any losers. Life is unfair — there is nothing fair about one man being born blind and another man being born with sight. There is nothing fair about one man being born of a wealthy parent and one of an impecunious parent. There is nothing fair about Muhammad Ali having been born with a skill that enables him to make millions of dollars one night. There is nothing fair about Marlene Dietrich having great legs that we all want to watch. There is nothing fair about any of that. But on the other hand, don't you think a lot of people who like to look at Marlene Dietrich's legs benefited from nature's unfairness in producing a Marlene Dietrich. What kind of a world would it be if everybody was an absolute identical duplicate of anybody else. You might as well destroy the whole world and just keep one specimen left for a museum. In the same way, it's unfair that Muhammad Ali should be a great fighter and should be able to earn millions. But would it not be even more unfair to the people who like to watch him if you said that in the pursuit of some abstract idea of equality we're not going to let Muhammad Ali get more for one nights fight than the lowest man on the totem pole can get for a days unskilled work on the docks. You can do that but the result of that would be to deny people the opportunity to watch Muhammad Ali. I doubt very much he would be willing to subject himself to the kind of fights he's gone through if he were to get the pay of an unskilled docker.”

Milton Friedman (1912–2006) American economist, statistician, and writer

From Created Equal, an episode of the PBS Free to Choose television series (1980, vol. 5 transcript) http://www.freetochoosemedia.org/broadcasts/freetochoose/detail_ftc1980_transcript.php?page=5.

Ilana Mercer photo

“The night-watchman state of classical liberalism would keep murderers out of the country, not in.”

Ilana Mercer South African writer

“Jihadists: a modest libertarian proposal” https://jungefreiheit.de/kolumne/2015/dschihadisten-ein-bescheidener-libertaerer-vorschlag/ Junge Freiheit, January 29, 2015.
2010s, 2015

Thomas Guthrie photo
John Fante photo
Steve Jobs photo
Mickey Spillane photo

“When you sit at home comfortably folded up in a chair beside a fire, have you ever thought what goes on outside there? Probably not. You pick up a book and read about things and stuff, getting a vicarious kick from people and events that never happened. You're doing it now, getting ready to fill in a normal life with the details of someone else's experiences. Fun, isn't it? You read about life on the outside thinking about how maybe you'd like it to happen to you, or at least how you'd like to watch it. Even the old Romans did it, spiced their life with action when they sat in the Coliseum and watched wild animals rip a bunch of humans apart, reveling in the sight of blood and terror. They screamed for joy and slapped each other on the back when murderous claws tore into the live flesh of slaves and cheered when the kill was made. Oh, it's great to watch, all right. Life through a keyhole. But day after day goes by and nothing like that ever happens to you so you think that it's all in books and not in reality at all and that's that. Still good reading, though. Tomorrow night you'll find another book, forgetting what was in the last and live some more in your imagination. But remember this: there are things happening out there. They go on every day and night making Roman holidays look like school picnics. They go on right under your very nose and you never know about them. Oh yes, you can find them all right. All you have to do is look for them. But I wouldn't if I were you because you won't like what you'll find. Then again, I'm not you and looking for those things is my job. They aren't nice things to see because they show people up for what they are. There isn't a coliseum any more, but the city is a bigger bowl, and it seats more people. The razor-sharp claws aren't those of wild animals but man's can be just as sharp and twice as vicious. You have to be quick, and you have to be able, or you become one of the devoured, and if you can kill first, no matter how and no matter who, you can live and return to the comfortable chair and the comfortable fire. But you have to be quick. And able. Or you'll be dead.”

Mickey Spillane (1918–2006) American writer

My Gun is Quick (1950)

Eliezer Yudkowsky photo
Bill Hicks photo

“I need my sleep. I need about eight hours a day, and about ten at night.”

Bill Hicks (1961–1994) American comedian

Salvation (2005)

Christopher Lloyd photo
Charles Olson photo