Quotes about summer
page 6

Roberto Clemente photo
Kakinomoto no Hitomaro photo

“Gossip grows like weeds
In a summer meadow.
My girl and I
Sleep arm in arm.”

Kakinomoto no Hitomaro (662–710) Japanese poet

XIX, p. 21
Kenneth Rexroth's translations, One Hundred Poems from the Japanese (1955)

William Blake photo

“How sweet I roamed from field to field,
And tasted all the summer's pride,
Till I the prince of love beheld,
Who in the sunny beams did glide!”

William Blake (1757–1827) English Romantic poet and artist

Song (How Sweet I Roamed), st. 1
1780s, Poetical Sketches (1783)

John Greenleaf Whittier photo
George Eliot photo
Dinah Craik photo
Alfred P. Sloan photo

“I had taken up the question of interdivisional relations with Mr. Durant [president of GM at the time] before I entered General Motors and my views on it were well enough known for me to be appointed chairman of a committee "to formulate rules and regulations pertaining to interdivisional business" on December 31, 1918. I completed the report by the following summer and presented it to the Executive Committee on December 6, 1919. I select here a few of its first principles which, though they are an accepted part of management doctrine today, were not so well known then. I think they are still worth attention.
I stated the basic argument as follows:
The profit resulting from any business considered abstractly, is no real measure of the merits of that particular business. An operation making $100,000.00 per year may be a very profitable business justifying expansion and the use of all the additional capital that it can profitably employ. On the other hand, a business making $10,000,000 a year may be a very unprofitable one, not only not justifying further expansion but even justifying liquidation unless more profitable returns can be obtained. It is not, therefore, a matter of the amount of profit but of the relation of that profit to the real worth of invested capital within the business. Unless that principle is fully recognized in any plan that may be adopted, illogical and unsound results and statistics are unavoidable …”

Alfred P. Sloan (1875–1966) American businessman

Source: My Years with General Motors, 1963, p. 49

Richard Rodríguez photo
William Morris photo

“To happy folk
All heaviest words no more of meaning bear
Than far-off bells saddening the Summer air.”

William Morris (1834–1896) author, designer, and craftsman

"The Hill of Venus".
The Earthly Paradise (1868-70)

Lois Duncan photo
Victor Villaseñor photo
Jimmy Buffett photo
Thomas Bailey Aldrich photo
Kate Chopin photo
Arthur Hugh Clough photo
James Comey photo

“Every man makes his own summer. The season has no character of its own, unless one is a farmer with a professional concern for the weather.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Three Worlds, Three Summers — But Not the Summer Just Past.

John Constable photo

“And however one's mind may be elevated, and kept us to what is excellent, by the works of the Great Masters — still Nature is the fountain's head, the source from whence all originally must spring — and should an artist continue his practice without referring to nature he must soon form a manner, & be reduced to the same deplorable situation as the French painter mentioned by Sir J. Reynolds, who told him that he had long ceased to look at nature for she only put him out.For the last two years I have been running after pictures, and seeking the truth at second hand. I have not endeavoured to represent nature with the same elevation of mind — but have neither endeavoured to make my performances look as if really executed by other men….. There is room enough for a natural painter. The great vice of the present day is bravura, an attempt to do something beyond the truth.I am come to a determination to make no idle visits this summer, nor to give up my time to common-place people. I shall return to Bergholt, where I shall make some laborious studies from nature — and I shall endeavour to get a pure and unaffected manner of representing the scenes that may employ me.”

John Constable (1776–1837) English Romantic painter

3 quotes in Constable's letter to John Dunthorne (29 May 1802), from John Constable's Correspondence, ed. R.B. Beckett (Ipswich, Suffolk Records Society, 1962-1970), part 2, pp. 31-32
1800s - 1810s

Cesare Pavese photo
Han-shan photo
James Macpherson photo

“Then rose the strife of kings about the hill of night; but it was soft as two summer gales, shaking their light wings on a lake.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

"Cathlin of Clutha"
The Poems of Ossian

Enoch Powell photo
William Cullen Bryant photo

“Heed not the night; a summer lodge amid the wild is mine -
'Tis shadowed by the tulip-tree, 'tis mantled by the vine.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

The Strange Lady, st. 6

Sarah Dessen photo
Richard Rodríguez photo
William Cowper photo

“By the waters of Life we sat together,
Hand in hand, in the golden days
Of the beautiful early summer weather,
When skies were purple and breath was praise.”

Thomas Noel (poet) (1799–1861) English poet

An old Man’s Idyll, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

John Banville photo
Noel Gallagher photo
Henry Adams photo
Murray Bookchin photo
Tanith Lee photo
Robert Frost photo
Isaac Rosenberg photo
Albert Speer photo
Eric Schmidt photo

“By the summer of 2012, the majority of the televisions you see in stores will have Google TV embedded.”

Eric Schmidt (1955) software engineer, businessman

Eric Schmidt: Google TV on 'majority' of new TVs by summer 2012 http://theverge.com/2011/12/7/2618225/eric-schmidt-le-web-paris-google-tv-majority-all-tvs in The Verge (7 December 2011).

William Henry Davies photo

“A happy soul, that all the way
To heaven hath a summer’s day.”

Richard Crashaw (1612–1649) British writer

In Praise of Lessius’s Rule of Health, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Hendrik Werkman photo

“Last week we made a bike ride along cornfields with the harvest ready to be brought in. Here and there it was already brought in. Heavily loaded cars rolled back home, and it sounds so nice when the car comes after you.... and what a fruit tree loaded with ripening fruit. It is all full of promises and full of mild softness. As you say, it is the late-summer melancholy.... moreover one can weep for this dying everywhere on the fields, without any mercy.”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Vorige week maakten we een fietstocht langs korenvelden met de oogst gereed om binnen gehaald te worden. Hier en daar werd ze al binnen gehaald. Zwaar beladen wagens rolden huiswaarts en wat klinkt dat gezellig wanneer zo'n wagen achter je aanrijdt. . . En wat een vruchtboomen vol beladen met het rijpende fruit. Het is alles vol beloften en vol milde zachtheid. Zooals je zegt, het is de nazomersche melancholie.. ..ook kan men wenen om dit sterven overal op de velden, zonder genade.
Quote in a letter (nr. 344) 30 August 1943, to August Henkels; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 187
1940's

Yasunari Kawabata photo
Henry Wadsworth Longfellow photo

“Stars of the summer night!
Far in yon azure deeps,
Hide, hide your golden light!
She sleeps!
My lady sleeps!”

Henry Wadsworth Longfellow (1807–1882) American poet

The Spanish Student http://www.readbookonline.net/title/3208/, Act I, sc. iii (serenade) (1843).

Robert Louis Stevenson photo
Letitia Elizabeth Landon photo

“Night came—the deep and purple time
Of summer in a southern clime.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Vow of the Peacock (1835)

“What is the purpose of houses? It is to protect us from the wind and cold of winter, the heat and rain of summer, and to keep out robbers and thieves. Once these ends have been secured, that is all. Whatever does not contribute to these ends should be eliminated.”

Mozi (-470–-391 BC) Chinese political philosopher and religious reformer of the Warring States period

6
Ch 20, as quoted in Van Norden, Bryan W. (2011). Introduction to Classical Chinese Philosophy. Hackett Publishing. p. 52. ISBN 978-1-60384-468-0.
Mozi

Vanna Bonta photo

“It was a perfect summer night. So good, it was true.”

Source: Flight: A Quantum Fiction Novel (1995), Ch. 48

Suze Robertson photo

“In Fall, October, November, I'm usually at work in Heeze, for interior studies. That is a beautiful, and the most quite time; the leaf of the trees [dropped! ], what gives in summer such a strong green light into the domestic interiors. It was in the lodging of the good Saskia [Ciska].... that I always got very special care.”

Suze Robertson (1855–1922) Dutch painter

(version in original Dutch / origineel citaat van Suze Robertson:) In 't najaar, october, November ben ik gemeenlijk in nl:Heeze aan 't werk, voor interieurstudies. Dat is een mooie, en de rustigste tijd; 't blad van de bomen [af!], waardoor zomers zoo'n groen licht in de binnenhuizen valt. In 't logement van de goede Saskia [Ciska].. ..ondervond ik dan altijd heel bizondere zorgen.
Source: 1900 - 1922, Onder de Menschen: Suze Robertson' (1912), p. 34

Richard Hovey photo

“The people blossoms armies and puts forth
The splendid summer of its noiseless might.”

Richard Hovey (1864–1900) American writer

"The Call of the Bugles", p. 5.
Along the Trail (1898)

Ayumi Hamasaki photo
Philip Oakey photo
Norman Mailer photo
Maurice de Vlaminck photo

“Surely these fine athletes, those boys of summer, have found their measure of ruin.”

Roger Kahn (1927–2020) American baseball writer

Source: The Boys Of Summer, Lines On The Transpontine Madness, p. xxi

Henri Matisse photo
Ray Bradbury photo
Letitia Elizabeth Landon photo
Richard Strauss photo

“Strauss told me about his new ballet, which he wrote in the summer. It’s called ‘Schlagobers’ (whipped cream) and he said, jokingly: ‘Oh yes, when one gets old one has ideas like that.”

Richard Strauss (1864–1949) German composer and orchestra director

In America with Richard Strauss. Elisabeth Schumann’s Travel Diary (14th October to 31st December 1921). Elisabeth Schumann was a soprano who worked with Strauss in the 1920s and 1930s. He dedicated his Brentano Lieder to her.
Other sources

George Raymond Richard Martin photo
Alexej von Jawlensky photo
John Muir photo

“The rugged old Norsemen spoke of death as Heimgang — home-going. So the snow-flowers go home when they melt and flow to the sea, and the rock-ferns, after unrolling their fronds to the light and beautifying the rocks, roll them up close again in the autumn and blend with the soil. Myriads of rejoicing living creatures, daily, hourly, perhaps every moment sink into death’s arms, dust to dust, spirit to spirit — waited on, watched over, noticed only by their Maker, each arriving at its own heaven-dealt destiny. All the merry dwellers of the trees and streams, and the myriad swarms of the air, called into life by the sunbeam of a summer morning, go home through death, wings folded perhaps in the last red rays of sunset of the day they were first tried. Trees towering in the sky, braving storms of centuries, flowers turning faces to the light for a single day or hour, having enjoyed their share of life’s feast — all alike pass on and away under the law of death and love. Yet all are our brothers and they enjoy life as we do, share heaven’s blessings with us, die and are buried in hallowed ground, come with us out of eternity and return into eternity. 'Our little lives are rounded with a sleep.”

John Muir (1838–1914) Scottish-born American naturalist and author

pages 439-440
("Trees towering … into eternity" are the next-to-last lines of the documentary film " John Muir in the New World http://www.pbs.org/wnet/americanmasters/episodes/john-muir-in-the-new-world/watch-the-full-documentary-film/1823/" (American Masters), produced, directed, and written by Catherine Tatge.)
John of the Mountains, 1938

John Lubbock, 1st Baron Avebury photo
Oliver Sacks photo
Meat Loaf photo

“You gotta understand that people attach me and Jim Steinman. But you really have to attach Todd Rundgren to that. … you really have to credit Todd Rundgren for the initial mark. Yes, Steinman had things in his head. And, yes, I had some things in my head; I had how “All Revved Up with No Place to Go” should sound in my head. Jim had how “You Took the Words Right Out of My Mouth (Hot Summer Night)” should sound in his head. But pulling things out of your head and accomplishing them, and somebody else trying to accomplish them, is a remarkable feat. … So not taking anything away from Jim, ‘cause Jim is an absolute genius and one of the smartest people that I’ve ever known, and I consider him one of my best friends. But, y’know, sometimes, people just… they pigeonhole things, and they go, “Jim Steinman and Meat Loaf.” And my thing is, no, stop it! Because the Bat Out of Hell records are this: it’s a big wheel, and everybody is a spoke in that wheel… and, at different times as that wheel’s turning, different people have more input than others. It’s, like, as a wheel turns, the bottom spokes take more than the top spokes…but, pretty soon, those are gonna be the bottom spokes, and their import is more. And, so, that’s how that goes with the Bat Out of Hell records… and that’s exactly Bat Out of Hell III.”

Meat Loaf (1947) American musician, singer, songwriter, record producer and actor

On credit for the Bat out of Hell albums.
A chat with Meat Loaf (2006)

Alfred Noyes photo
Walter Scott photo
Percy Bysshe Shelley photo
Luís de Camões photo

“No more the summer of my life remains,
My autumn's lengthening evenings chill my veins;
Down the black stream of years by woes on woes
Winged on, I hasten to the tomb's repose…”

Luís de Camões (1524–1580) Portuguese poet

Vão os anos decendo, e já do Estio
Há pouco que passar até o Outono;
A Fortuna me faz o engenho frio,
Do qual já não me jacto nem me abono;
Os desgostos me vão levando ao rio
Do negro esquecimento e eterno sono...
Stanza 9, lines 1–6 (tr. William Julius Mickle)
Epic poetry, Os Lusíadas (1572), Canto X

Edouard Manet photo
Norman Mailer photo
Thomas De Witt Talmage photo
Ayumi Hamasaki photo
Letitia Elizabeth Landon photo

“Beautiful language! Love's peculiar, own,
But only to the spring and summer known.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Oriental Nosegay. By Pickersgill
The Troubadour (1825)

John Cage photo
Dwight D. Eisenhower photo

“When I was a small boy in Kansas, a friend of mine and I went fishing and as we sat there in the warmth of the summer afternoon on a river bank, we talked about what we wanted to do when we grew up. I told him that I wanted to be a real major league baseball player, a genuine professional like Honus Wagner. My friend said that he'd like to be President of the United States. Neither of us got our wish.”

Dwight D. Eisenhower (1890–1969) American general and politician, 34th president of the United States (in office from 1953 to 1961)

As quoted in Baseball's Greatest Quotes (1992) by Paul Dickson; cited in "Game Day in the Majors" at the Library of Congress http://memory.loc.gov/ammem/collections/robinson/jrgmday.html

Vangelis photo
Curtis Mayfield photo
Elia Kazan photo

“The Group was the best thing professionally that ever happened to me. I met two wonderful men. Lee Strasberg and Harold Clurman, both of whom were around thirty years old. They were magnetic, fearless leaders. During the summer I was an apprentice, they were entertaining in a Jewish summer camp… At the end of the summer they said to me: "You may have talent for something, but it's certainly not acting.”

Elia Kazan (1909–2003) Greek-American film and theatre director, film and theatrical producer, screenwriter, novelist

Interview by Michel Ciment in Kazan on Kazan (Viking, 1974), pp. 15 ff. Originally published 1973 by Secker and Warburg, London.
Quote about the Group Theatre

Joan Miró photo
Thomas Gray photo
Letitia Elizabeth Landon photo

“TO-MORROW, to-morrow, thou loveliest May,
To-morrow will rise up thy first-born day;
Bride of the summer, child of the spring,
To-morrow the year will its favourite bring:”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Golden Violet - title poem - introduction
The Golden Violet (1827)

Anna Akhmatova photo

“I hear always the sad voices
of summer
passing like red winged birds
over the high grass”

Anna Akhmatova (1889–1966) Russian modernist poet

Red Winged Birds (1917)

Narcisse Virgilio Díaz photo

“You cannot imagine the pleasure you are giving me. This woman and this infant [of an old picture, made in his early years] are my own family. The baby was in its cradle one fine summer day; the mother had fallen asleep beside it. In one hour I did the sketch from nature. It used to hang over my bed, and it cheered my awakening every day for years. Then arrived a morning when we were more in want of necessaries than usual. A dealer came along and offered me a hundred and fifty francs.... he insisted on taking that one in particular. As ill luck would have it, my rent was due next day. I was not in a position to be too particular. He gave me a bank note of one hundred francs, and ten hundred-sous pieces. I made him out a receipt, and he never perceived that he was carrying off a bit of my heart. Ah!, it was hard.”

Narcisse Virgilio Díaz (1807–1876) French painter

Quote of Diaz, late 1860's, recorded by Albert Wolff, in Notes upon certain masters of the XIX century, - printed not published MDCCCLXXXVI (1886), The Art Age Press, 400 N.Y. (written after the exhibition 'Cent Chefs-d'Oeuvres: the Choiche of the French Private Galleries', Petit, Paris / Baschet, New York, 1883, p. 45-46
Albert Wolff, the interviewer, owned this little panel, painted by a young Diaz. It was fifteen centimeters big, and presented a baby lying in a cradle with the mother, guarding it. Wolff returned it to the old Diaz
Quotes of Diaz