Quotes about summer
page 5

William Binney photo
Letitia Elizabeth Landon photo

“I've thought upon thy brow when Night
Threw o'er my pallet her summer moonlight,
And I have looked on the midnight sky
To catch the depth and light of thy eye;
I painted from these and from memory,
For I could not paint when I looked on thee.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

28th April 1824) Raphael Showing his Mistress her Portrait By Mr. Brockedon. (British Gallery.
The London Literary Gazette, 1824

Tom Petty photo
Stephen King photo
Koichi Tohei photo
Jonathan Swift photo
Henry Adams photo

“Even in America, the Indian Summer of life should be a little sunny and a little sad, like the season, and infinite in wealth and depth of tone — but never hustled.”

Ch. 35 http://books.google.com/books?id=-ThaAAAAMAAJ&q=%22Even+in+America+the+Indian+Summer+of+life+should+be+a+little+sunny+and+a+little+sad+like+the+season+and+infinite+in+wealth+and+depth+of+tone+but+never+hustled%22&pg=PA502#v=onepage.
The Education of Henry Adams (1907)

Edouard Manet photo
John Major photo

“Summers simply won't be the same without him.”

John Major (1943) Former Prime Minister of the United Kingdom

Frank Keating, "Tributes flow as Johnners, voice of English cricket, dies at 81", The Guardian, 6 January 1994.
Tribute on the death of cricket commentator Brian Johnston.
1990s, 1994

Jozef Israëls photo

“Isaac [his son, also a painter] and Liebermann had a lot of hassle with horses at the beach during the summer [in Katwijk ] and I also got a wipe of it.. (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls (1824–1911) Dutch painter

version in original Dutch (citaat van Jozef Israëls in Nederlands): hadden van de zomer veel gedoe met paarden aan het strand [van Katwijk] en ik heb er ook een veeg van mee gekregen..
Quote from Jozef Israëls' letter to Jan Veth, 12 Nov. 1900; from RPK - collection, letters of Jozef Israëls, nr. 29
Quotes of Jozef Israels, 1871 - 1900

Amy Hempel photo
Gloria Estefan photo
John Keats photo
Letitia Elizabeth Landon photo
William Morris photo
Theodore Roszak photo
Roy Blount Jr. photo

“Many a person has been saved from summer alcoholism, not to mention hypertoxicity, by Dostoyevsky.”

Roy Blount Jr. (1941) American writer

“Reading and Nothingness, Of Proust in the Summer Sun,” New York Times (June 2, 1985).

Thomas Moore photo

“Tis the last rose of Summer,
Left blooming alone;
All her lovely companions
Are faded and gone.”

The Last Rose of Summer, st. 1.
Irish Melodies http://www.musicanet.org/robokopp/moore.html (1807–1834)

Jack London photo
Peter L. Berger photo

“The same processes that generate consensus can be manipulated by a social group worker in a summer camp in the Adirondacks and by a Communist brainwasher in a prison camp in China.”

Peter L. Berger (1929–2017) Austrian-born American sociologist

Source: Invitation to Sociology (1963), Chapter 1, "Sociology as an Individual Pastime."

Francis Picabia photo
Rudolf Höss photo

“When he finished packing, he walked out on to the third-floor porch of the barracks brushing the dust from his hands, a very neat and deceptively slim young man in the summer khakis that were still early morning fresh.”

First line. "Jones packs a hell of a lot into that first line. He tells you it's summer, he tells you it's morning, he tells you you're on an Army post with a soldier who's obviously leaving for someplace, and he gives you a thumbnail description of his hero. That's a good opening line." ~ Ed McBain (Evan Hunter) in Killer's Payoff (1958)
From Here to Eternity (1951)

William Cullen Bryant photo

“Glorious are the woods in their latest gold and crimson,
Yet our full-leaved willows are in the freshest green.
Such a kindly autumn, so mercifully dealing
With the growths of summer, I never yet have seen.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

The Third of November, 1861. Thirty Poems. Appleton, New York. pp. 112-115. (1864)

Kate Bush photo

“Who knows who wrote that song of summer,
That blackbirds sing at dusk,
This is a song of colour,
Where sands sing in crimson, red and rust,
Then climb into bed and turn to dust.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Aerial (2005), A Sky of Honey (Disc 2)

Bryan Adams photo
Jeannette Piccard photo

“If we do not add something to the knowledge of cosmic rays by our trip to the stratosphere this summer, we had better not go. We had better stay on the ground, be hewers of wood and drawers of water.”

Jeannette Piccard (1895–1981) American balloonist, scientist, teacher and priest

Quoted in [Oakes, Claudia M., United States Women in Aviation: 1930-1939, Smithsonian Studies in Air and Space, 1985, http://www.sil.si.edu/smithsoniancontributions/AirSpace/text/SSAS-0006.txt]

Thomas Gray photo

“Far from the sun and summer-gale,
In thy green lap was Nature's Darling laid.”

Thomas Gray (1716–1771) English poet, historian

III. 1, Line 1
The Progress of Poesy http://www.thomasgray.org/cgi-bin/display.cgi?text=pppo (1754)

Thomas Eakins photo
Camille Pissarro photo
Bertolt Brecht photo

“When evil-doing comes like falling rain, nobody calls out "stop!"When crimes begin to pile up they become invisible. When sufferings become unendurable the cries are no longer heard. The cries, too, fall like rain in summer.”

Bertolt Brecht (1898–1956) German poet, playwright, theatre director

"When evil-doing comes like falling rain" [Wenn die Untat kommt, wie der Regen fällt] (1935), trans. John Willett in Poems, 1913-1956, p. 247
Poems, 1913-1956 (1976)

Samuel Taylor Coleridge photo

“Summer has set in with his usual severity.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

Letter to Charles Lamb (1826)
Letters

John Constable photo

“My observations on clouds and skies are on scraps and bits of paper, and I have never yet put them together so as to form a lecture, which I shall do.... next summer.”

John Constable (1776–1837) English Romantic painter

1836
Quoted in Leslie Parris and Ian Fleming-Williams, Constable, (Tate Gallery Publications, London, 1993), p. 37
1830s

Curtis Mayfield photo
Robert Spencer photo
Clarence Thomas photo
Carole King photo
Mark Hopkins (educator) photo

“The movement has indeed been slow, and not such as man would have expected; but it has been analogous to the great movements of God in His providence and in His works. So, if we may credit the geologists, has this earth reached its present state. So have moved on the great empires. So retribution follows crime. So rise the tides. So grows the tree with long intervals of repose and apparent death. So comes on the spring, with battling elements and frequent reverses, with snowbanks and violets, and, if we had no experience, we might be doubtful what the end would be. But we know that back of all this, beyond these fluctuations, away in the serene heavens, the sun is moving steadily on; that these very agitations of the elements and seeming reverses, are not only the sign, but the result of his approach, and that the full warmth and radiance of the summer noontide are sure to come. So, O Divine Redeemer, Sun of Righteousness, come Thou! So will He come. It may be through clouds and darkness and tempest; but the heaven where He is, is serene; He is "traveling in the greatness of His strength; "and as surely as the throne of God abides, we know He shall yet reach the height and splendor of the highest noon, and that the light of millennial glory shall yet flood the earth.”

Mark Hopkins (educator) (1802–1887) American educationalist and theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 418.

Halldór Laxness photo
Emil Nolde photo

“It was in mid-summer [1906]. The colors of the flowers attracted me irresistibly and almost sudden I was painting. My first small gardens paintings were born.”

Emil Nolde (1867–1956) German artist

Quote of Nolde, 1906 in Jahre der Kämpfe (The years of struggles); as cited by Francesco Mazzaferro in 'The Diaries of Paul Klee' - Part Three: Klee as a Secessionist and a Neo-Impressionist Artist http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev.html
1900 - 1920

John Kenneth Galbraith photo
Winston S. Churchill photo
Helen Garner photo
George Eliot photo

“Perhaps the wind
Wails so in winter for the summers dead,
And all sad sounds are nature's funeral cries
For what has been and is not.”

George Eliot (1819–1880) English novelist, journalist and translator

Book 1
The Spanish Gypsy (1868)

P.G. Wodehouse photo
Helen Hunt Jackson photo
Haruki Murakami photo
Nelson Algren photo
Thomas Haynes Bayly photo

“Surely 't is better, when summer is over
To die when all fair things are fading away.”

Thomas Haynes Bayly (1797–1839) English poet, songwriter, dramatist, and writer

I'd be a Butterfly, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Don McLean photo

“Starry starry night,
Paint your palette blue and grey
Look out on a summer's day with eyes that know the darkness in my soul…”

Don McLean (1945) American Singer and songwriter

Song lyrics, American Pie (1971), Vincent

David Baboulene photo
Miklós Horthy photo

“It is the fashion to talk of our changing climate and bewail the hot summers and hard winters of tradition, but how seldom we pause to marvel at the remarkable constancy of the weather from year to year.”

Flora Thompson (1876–1947) English author and poet

November Chapter The Peverel Papers - A yearbook of the countryside ed Julian Shuckburgh Century Hutchinson 1986
The Peverel Papers

Patrick Modiano photo
Samuel Johnson photo

“Catch then, O! catch the transient hour,
Improve each moment as it flies;
Life's a short Summer — man a flower,
He dies — alas! how soon he dies!”

Samuel Johnson (1709–1784) English writer

Winter, An Ode. The works of Samuel Johnson, LL.D. (1787), p. 355

Vincent Van Gogh photo

“I have [drawings of] about twelve figures of diggers and men who are working in a potato field, and I wonder if I could not make something of it, you have still a few, for instance, a man who fills a bag with potatoes. Well, I do not know for sure, but sooner or later I shall accomplish that, for I looked at it so attentively this summer, and here in the dunes I could make a good study of the earth and the sky, and then boldly put in the figures.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in letter 169, from The Hague, January, 1882; as cited in Vincent van Gogh, Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, catalog-page: Dutch Period: - 4. Potato Diggers
1880s, 1882

Aleksis Kivi photo
George W. Bush photo
Kate Clinton photo
Arthur Hugh Clough photo
Nancy Pelosi photo
Henry Adams photo
Leonid Kantorovich photo

“Once some engineers from the veneer trust laboratory came to me for consultation with a quite skilful presentation of their problems. Different productivity is obtained for veneer-cutting machines for different types of materials; linked to this the output of production of this group of machines depended, it would seem, on the chance factor of which group of raw materials to which machine was assigned. How could this fact be used rationally?
This question interested me, but nevertheless appeared to be quite particular and elementary, so I did not begin to study it by giving up everything else. I put this question for discussion at a meeting of the mathematics department, where there were such great specialists as Gyunter, Smirnov himself, Kuz’min, and Tartakovskii. Everyone listened but no one proposed a solution; they had already turned to someone earlier in individual order, apparently to Kuz’min. However, this question nevertheless kept me in suspense. This was the year of my marriage, so I was also distracted by this. In the summer or after the vacation concrete, to some extent similar, economic, engineering, and managerial situations started to come into my head, that also required the solving of a maximization problem in the presence of a series of linear constraints.
In the simplest case of one or two variables such problems are easily solved—by going through all the possible extreme points and choosing the best. But, let us say in the veneer trust problem for five machines and eight types of materials such a search would already have required solving about a billion systems of linear equations and it was evident that this was not a realistic method. I constructed particular devices and was probably the first to report on this problem in 1938 at the October scientific session of the Herzen Institute, where in the main a number of problems were posed with some ideas for their solution.
The universality of this class of problems, in conjunction with their difficulty, made me study them seriously and bring in my mathematical knowledge, in particular, some ideas from functional analysis.
What became clear was both the solubility of these problems and the fact that they were widespread, so representatives of industry were invited to a discussion of my report at the university.”

Leonid Kantorovich (1912–1986) Russian mathematician

L.V. Kantorovich (1996) Descriptive Theory of Sets and Functions. p. 39; As cited in: K. Aardal, ‎George L. Nemhauser, ‎R. Weismantel (2005) Handbooks in Operations Research and Management Science, p. 15-26

Elizabeth Barrett Browning photo
Letitia Elizabeth Landon photo
Fred Weatherly photo

“Oh, Danny Boy, the pipes, the pipes are calling
From glen to glen, and down the mountain side,
The summer's gone, and all the roses falling,
It's you, it's you must go, and I must bide.”

Fred Weatherly (1848–1929) English lawyer, author, lyricist and broadcaster

Song Danny Boy http://www.recmusic.org/lieder/get_text.html?TextId=22729

John Galsworthy photo

“Summer — summer — summer! The soundless footsteps on the grass!”

John Galsworthy (1867–1933) English novelist and playwright

Indian Summer of a Forsyte (1918)

Eric Hoffer photo
Du Fu photo

“Clear waters wind
Around our village,
With long summer days
Full of loveliness;
Fluttering in and out
From the house beams
The swallows play;
Waterfowl disport together
As everlasting lovers; …
What more could I wish for?”

Du Fu (712–770) Chinese poet of the Tang Dynasty

"The River by Our Village", as translated by Rewi Alley in Du Fu: Selected Poems (1962), p. 100

“A time will come, a time will come,
(Though the world will never be quite the same),
When the people sit in the summer sun,
Watching, watching the beautiful game.”

Arnold Wall (1869–1966) university professor, philologist, poet, mountaineer, botanist, writer, radio broadcaster

Poem: A Time Will Come (1915); Cited in: John Arlott, ‎Fred Trueman (1971) Arlott and Trueman on cricket. p. 173
He is referring to cricket; later, "the beautiful game" was used to describe football.

Henry Temple, 3rd Viscount Palmerston photo
Anne Sexton photo

“Fact: death too is in the egg.
Fact: the body is dumb, the body is meat.
And tomorrow the O. R. Only the summer was sweet.”

Anne Sexton (1928–1974) poet from the United States

"The Operation"
All My Pretty Ones (1962)

Richard Rodríguez photo

“His name was William Saroyan. He was the first writer I fell in love with, boyishly in love. I was held by his unaffected voice, his sentimentality, his defiant individualism. I found myself in the stories he told… I learned from Saroyan that you do not have to live in some great city — in New York or Paris — in order to write… When I was a student at Stanford, a generation ago, the name of William Saroyan was never mentioned by any professor in the English Department. William Saroyan apparently was not considered a major American talent. Instead, we undergraduates set about the business of psychoanalyzing Hamlet and deconstructing Lolita. In my mind Saroyan belongs with John Steinbeck, a fellow small town Californian and of the same generation. He belongs with Thornton Wilder, with those writers whose aching love of America was formed by the Depression and the shadow of war. … Saroyan's prose is as plain as it is strong. He talks about the pleasure of drinking water from a hose on a summer afternoon in California's Central Valley, and he holds you with the pure line. My favorite is his novel The Human Comedy… In 1943, The Human Comedy became an MGM movie starring Mickey Rooney, but I always imagined Homer Macaulay as a darker, more soulful boy, someone who looked very much like a young William Saroyan…”

Richard Rodríguez (1944) American journalist and essayist

"Time Of Our Lives" (26 May 1997) http://www.cilicia.com/armo22_william_saroyan_6.html

Gerard Manley Hopkins photo

“Summer ends now; now, barbarous in beauty, the stooks arise
Around; up above, what wind-walks! what lovely behaviour
Of silk-sack clouds! has wilder, wilful-wavier
Meal-drift moulded ever and melted across skies?”

Gerard Manley Hopkins (1844–1889) English poet

" Hurrahing in Harvest http://www.bartleby.com/122/14.html", lines 1-4
Wessex Poems and Other Verses (1918)

Letitia Elizabeth Landon photo
Willa Cather photo
Wilt Chamberlain photo
Halldór Laxness photo
Letitia Elizabeth Landon photo
Halldór Laxness photo

“Maybe because I had been out very late the night before and was not able to put up my usual resistance, but it seemed to me, sitting there with the sound of his voice dying in my ears, that I could fall in love with him.
And then, as unexpected as a hidden step, I felt myself actually stumble and fall. And there it was, I was in love with him! As simple as that.
He was the first real person I’d ever been in love with. I couldn’t get over it. What I was trying to figure out was why I had never been in love with him before. I mean I’d had plenty of chance to. I’d seen him almost daily that summer in Maine two years ago when we were both in a Summer Stock company. … He was always rather nice to me in his insolent way, but there was also, I now remembered with a passing pang, an utterly ravishing girl, a model, the absolute epitome of glamour, called Lila. She used to come up at week ends to see him.
Then I heard from someone that he’d quit college the next winter and gone abroad to become a genius. I’d met him again when I first landed in Paris. He’d been very nice, bought me a drink, taken down my telephone number and never called me.
You’re a dead duck now, I told myself, as I relaxed back into my coma. You’re gone. I looked at him, smiling idly. I tried to imagine what was going on in his mind.”

Elaine Dundy (1921–2008) American journalist, actress

Part One, One
The Dud Avocado (1958)

Franz Halder photo
Basil of Caesarea photo
Anton Chekhov photo

“Country acquaintances are charming only in the country and only in the summer. In the city in winter they lose half of their appeal.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

The Story of Mme. NN or Lady N—'s Story or A Lady's Story (1887)

Julian Assange photo

“Every time we witness an injustice and do not act, we train our character to be passive in its presence and thereby eventually lose all ability to defend ourselves and those we love. In a modern economy it is impossible to seal oneself off from injustice. If we have brains or courage, then we are blessed and called on not to frit these qualities away, standing agape at the ideas of others, winning pissing contests, improving the efficiencies of the neocorporate state, or immersing ourselves in obscuranta, but rather to prove the vigor of our talents against the strongest opponents of love we can find. If we can only live once, then let it be a daring adventure that draws on all our powers. Let it be with similar types whos hearts and heads we may be proud of. Let our grandchildren delight to find the start of our stories in their ears but the endings all around in their wandering eyes. The whole universe or the structure that perceives it is a worthy opponent, but try as I may I can not escape the sound of suffering. Perhaps as an old man I will take great comfort in pottering around in a lab and gently talking to students in the summer evening and will accept suffering with insouciance. But not now; men in their prime, if they have convictions are tasked to act on them.”

Julian Assange (1971) Australian editor, activist, publisher and journalist

[Witnessing, 2007-01-03, 2012-08-16, http://web.archive.org/web/20071020051936/http://iq.org/#Witnessing]

Thomas Hood photo
Camille Paglia photo
Jacoba van Heemskerck photo

“Again I only gave numbers [of her art-works, she sent for the next Sturm-exhibition]. I stick to my idea of not giving titles... Titles are really disgusting romantic, and now in a while people will have hundreds of Spring's, Summers, Trees [paintings], to Liebknecht, Eberts, etc.. Above everything color and line have their own specific language, which doesn't want to be captured in a title.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Ich habe wieder nur Nummern gegeben. Ich bleibe bei meiner Idee, keine Titel zu geben. .. ..Titel sinds o widerlich romantisch, und jetz wird man in einiger Zeit hunderte Frühlings, Sommer, Bäume, an Liebknechts, Eberts und so weiter haben. Farbe und Linien haben für alle eine verschiedene eigene Sprache, die nicht im Titel festgelegt werden woll.
in a letter to Herwarth Walden, 14 Jan. 1920; as cited in the catalogue Der Sturm, Herwarth Walden und die Europäische Avantgarde, Berlin 1912-1932 Taschenbuch – 1961
Already in 1914 Jacoba started to number her paintings and drawings
1920's

Evelyn Waugh photo
Ulysses S. Grant photo

“I propose to fight it out on this line, if it takes all summer.”

Ulysses S. Grant (1822–1885) 18th President of the United States

Dispatch to Washington, during the Battle of Spotsylvania Court House (11 May 1864).
1860s

Hunter S. Thompson photo
William L. Shirer photo
Woody Allen photo

“In addition to our summer and winter estate, he owned a valuable piece of land. True, it was a small piece, but he carried it with him wherever he went.”

Woody Allen (1935) American screenwriter, director, actor, comedian, author, playwright, and musician

Love and Death (1975)

Thomas More photo
Anthony Bourdain photo