translation from original Dutch, Fons Heijnsbroek, 2018
version in original Dutch / citaat van J. H. Weissenbruch, in het Nederlands: Ik heb verleden jaar een beetje te veel van mijn krachten gevergd, ik kan dat niet volhouden, het was mij niet mogelijk, ik moest weder terug, ik heb niets zitten maken als steenen [over zijn schilderijen?].. .Zij hebben van mij mooie schilderijen willen zien en ik heb ze nog niet kunnen maken, de eene illusie verdwijnt voor de andere, ik heb de koude werkelijkheid gemaakt, en ik heb de Waarheid gemaakt. Is er een waarheid, de koude werkelijkheid is ook een waarheid. Wat daartusschen ligt was baroque conventie. Ik heb alles in de kachel gestopt.. ..ik zit er mijn tijd op te verknoeien; wat materieel is, is voor mij geen kunst. Ik heb die er niet uit kunnen brengen.
in a letter to E. Goossens van Eijndhoven, c. 1886, published in Onze Kunst, 1918, p. 136; as cited in 'Matthijs Maris' in Palet serie; een reeks monografieën over Hollandsche en Vlaamsche schilders https://archive.org/details/paletserieeenree4amstuoft, dr. H. E. v. Gelder; H. J. W. Becht, Amsterdam, pp. 13-14
Matthijs was that year painting his famous work 'The Bride, or Novice taking the Veil / De Kerkbruid' https://en.wikiquote.org/wiki/Matthijs_Maris#/media/File:Matthijs_Maris_The_Bride,_or_Novice_taking_the_Veil,_c_1887.jpg
Quotes about reality
page 19
5. The Rules of Probability. p. 78.
Understanding Uncertainty (2006)
1990s, An Exchange With a Civil War Historian (June 1995)
“You’re out of touch with reality in that regard.”
In response to "I believe that given the opportunity, most people could do most anything." from interviewer Deborah Solomon.
Questions for Charles Murray: Head of the Class http://www.nytimes.com/2008/09/21/magazine/21wwln-Q4-t.html, New York Times Magazine, September 19, 2008.
Review http://www.salon.com/ent/movies/review/2008/06/06/zohan/ of You Don't Mess with the Zohan (2008)
“When you’re young you try to be methodical and philosophical, but reality keeps breaking in.”
“Reflections on Wallace Stevens”, p. 129
Poetry and the Age (1953)
Source: Self-Consciousness : Memoirs (1989), Ch. 6
Astronomy and Geophysics: Vol. 46, No. 4: "Aliens like us?"
Miscellaneous
Internet Encyclopedia of Philosophy
Source: Why Stock Markets Crash - Critical Events in Complex Systems (2003), Chapter 5, Modeling Financial Bubbles And Market Crashes, p. 138.
'Search for the Real in the Visual Arts', p. 49
Search for the Real and Other Essays (1948)
Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Harmony of Determinism and Freedom, p.353-4
A Theory of Roughness (2004)
Anarchism: Its Philosophy and Ideal (1896)
On New Democracy (1940)
Original: (zh-CN) 国体——各革命阶级联合专政。政体——民主集中制。这就是新民主主义的政治,这就是新民主主义的共和国,这就是抗日统一战线的共和国,这就是三大政策的新三民主义的共和国,这就是名副其实的中华民国。我们现在虽有中华民国之名,尚无中华民国之实,循名责实,这就是今天的工作。
Source: Classification and indexing in science (1958), Chapter 1: The need for classification, p. 8; Partly cited in Nigerian Library and Information Science Review (1987). Vol 5-8. p. 44.
Speech in Upminster http://www.margaretthatcher.org/archive/displaydocument.asp?docid=110604 (22 June 1974)
1970s
Quote of Severine 1913, from the opening paragraphs of his text 'Art du fantastique dans le sacre', as cited in Gino Severini Ecrits sur l'art, (1913-1962), with a preface by Serge Fauchereau, (Paris: Editions Cercle d'Art, 1987), p. 47
Severini opens 'Art du fantastique' with a theoretical explanation of the concept, form and content of a Futurist work
Heures, http://fr.wikisource.org/wiki/Heures third stanza, from Les arountia tyinse (1865).
Modern Muslim Intellectuals and the Qur'an, OUP, Oxford 2004
Strategy as an Art and a Science http://www.au.af.mil/au/awc/awcgate/theorists/brodie1.htm,1959
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 602.
As quoted by the interviewer from the introduction to an Italian publlication of Antonioni's screenplays.
Encountering Directors interview (1969)
Synchronicity: Science, Myth, and The Trickster (1990) by Allan Combs & Mark Holland
Context: The universe according to Bohm actually has two faces, or more precisely, two orders. One is the explicate order, corresponding to the physical world as we know it in day-to-day reality, the other a deeper, more fundamental order which Bohm calls the implicate order. The implicate order is the vast holomovement. We see only the surface of this movement as it presents or "explicates" itself from moment to moment in time and space. What we see in the world — the explicate order — is no more than the surface of the implicate order as it unfolds. Time and space are themselves the modes or forms of the unfolding process. They are like the screen on the video game. The displays on the screen may seem to interact directly with each other but, in fact, their interaction merely reflects what the game computer is doing. The rules which govern the operation of the computer are, of course, different from those that govern the behavior of the figures displayed on the screen. Moreover, like the implicate order of Bohm's model, the computer might be capable of many operations that in no way apparent upon examination of the game itself as it progresses on the screen.
“No piece of art can depict feelings if a piece of reality is not included in it.”
Ruhrberg, Karl. 2000. “The Paris–New York Shift.” Art of the 20th Century. Ed. Ingo F. Walter. Cologne: Benedikt Taschen Verlag GmbH. 269–344.
“Reality is always kinder than the story we tell about it.”
Loving What Is: Four Questions That Can Change Your Life (2002)
"Platonic Justice", Ethics, April 1938. Translated by Glenn Negley from "Die platonische Gerechtigkeit," Kantstudien, 1933. (The author corrected the translation in 1957), published in What is Justice? (1957)
2002-11-07
Machiavelli in Mesopotamia
Slate
1091-2339
http://www.slate.com/articles/news_and_politics/fighting_words/2002/11/machiavelli_in_mesopotamia.html: On the 2003 invasion of Iraq
2000s, 2002
Mario Bunge, The myth of simplicity, 1963, p, 86-87; As cited in: Colin E. Gunton (1993), The One, the Three and the Many, p. 44
1960s-1990s
Facebook statement https://www.facebook.com/mittromney/posts/10154652303536121 (18 August 2017)
2017
Source: Answering Jihad: A Better Way Forward (2016), p. 11, Preface
Walter Robinson. " Joe Lewis: Clairvoynace http://www.artnet.com/magazineus/features/robinson/robinson8-16-07.asp" at artnet.com, 2015.
Fourth measure “Lords and Ladies” (p. 170)
Pavane (1968)
Source: Art on the Edge, (1975), p. 58, "Newman: Meaning in Abstract Art II" : On Barnett Newman
Review http://www.rogerebert.com/reviews/the-sleepy-time-gal-2002 of The Sleepy Time Gal (22 November 2002)
Reviews, Three-and-a-half star reviews
Gameplay magazine
Source: Violence and the Labor Movement (1914), p.xii
The Man Without Qualities (1930–1942)
Variant: If there is a sense of reality, there must also be a sense of possibility. To pass freely through open doors, it is necessary to respect the fact that they have solid frames. This principle, by which the old professor had lived, is simply a requisite of the sense of reality. But if there is a sense of reality, and no one will doubt that it has its justifications for existing, then there must also be something we can call a sense of possibility. Whoever has it does not say, for instance: Here this or that has happened, will happen, must happen; but he invents: Here this or that might, could, or ought to happen. If he is told that something is the way it is, he will think: Well, it could probably just as well be otherwise. So the sense of possibility could be defined outright as the ability to conceive of everything there might be just as well, and to attach no more importance to what is than to what is not.
Improvisation for the Theater 1963), page 4
quote, 1937; last lines of Mondrian's publication in 'Circle'; as cited in Abstract Art, Anna Moszynska; Thames and Hudson, London 1990, p. 117
1930's
?
The Journey Home: Autobiography of an American Swami (Tulsi Books, 2010)
Page 222, Cambridge University Press, ISBN 9780521291514.
Space and Time in the Modern Universe (1977)
Time and Individuality (1940)
http://scienceblogs.com/pharyngula/2008/07/the_great_desecration.php
The Great Desecration
Pharyngula
2008-07-24
Source: The Lightness of Being – Mass, Ether and the Unification of Forces (2008), Ch. 1, p. 9.
Smuts in Memoirs of the Boer War, p. 151, as cited in Antony Lentin, 2010, Jan Smuts – Man of courage and vision, p. 15. ISBN 978-1-86842-390-3
continuity (13) “Multiply by a Million”
Stand on Zanzibar (1968)
Speech at Moorpark College, Moorpark, California (3 December 1968).
Other
Quoted on Telegraph.co.uk (October 18, 2012), "Matthew Hayden labels England's James Anderson a 'B-Grade bowler' after dressing-room Ashes fracas" http://www.telegraph.co.uk/sport/cricket/international/england/9617137/Matthew-Hayden-labels-Englands-James-Anderson-a-B-Grade-bowler-after-dressing-room-Ashes-fracas.html
Speech http://hansard.millbanksystems.com/commons/1971/nov/25/northern-ireland-1 in the House of Commons (25 November 1971)
Leader of the Opposition
Materialism and Empirio-Criticism (1908)
“Appearance is not reality, except in Washington.”
Watching the Watchmen: The CIA’s investigation of its own inspector general is perfectly legitimate (2007)
As quoted in "Ten Reasons We Can’t, and Shouldn’t, Be Nordic" https://www.nationalreview.com/2018/03/ten-reasons-we-cant-and-shouldnt-be-nordic/ (12 March 2018), by Jim Geraghty, National Review
2000s, "Why can't we be more like Finland?" (2005)
As cited in: Marsha Blackburn (2008), Life Equity. p. 30
StrengthsFinder 2.0, 2007
“Media’s Sickening Sentimentality on Egypt,” http://www.ilanamercer.com/phprunner/public_article_list_view.php?editid1=587 WorldNetDaily.com, February 19, 2011.
2010s, 2011
J. Hanks, trans. (1985), p. 212
The Humiliation of the Word (1981)
CM Punk/John Morrison contract signing http://youtube.com/watch?v=6EUO__hwKvE
The Atheist's Guide to Reality (2011)
Lecture XXX, Atheism alone a Positive View
Lectures on the Essence of Religion http://www.marxists.org/reference/archive/feuerbach/works/lectures/index.htm (1851)
Regarding radicals of the right, “Public Policy and Military Responsibility,” speech at the opening session of the National War College and the Industrial College of the Armed Forces, Washington, D.C., August 21, 1961, Congressional Record, vol. 107, p. 16444.
Preface to the 3rd edition of Berlioz and the Romantic Century (1969)
Quote from his article 'Processo e difesa di un pittore d'oggi', L'Arte 5, Rome, September – November, 1931; as cited in Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 25
quote, referring to his painting 'Memories of a Voyage', Severini painted in 1910-1911.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 38.
“Reality, as usual, beats fiction out of sight.”
Letter (September 1915), published in The Collected Letters of Joseph Conrad, edited by Frederick R. Karl and Laurence Davies, Vol. 5, p. 509 ISBN 0521323894
Source: The Nature of Personal Reality (1974), p. 9-10, Session 613
“I‘m strictly reality oriented. I don’t indulge in make-believe. I don’t wish to be where I’m not.”
2010s, 2016
Source: Democracy Realizedː The Progressive Alternative (1998), p. 15
Igor Stravinsky and Robert Craft (1962). Expositions and Developments.
1960s
Quote of Naum Gabo (1950), cited in: Eidos: a journal of painting, sculpture and design. Nr.1, p. 32 cited in: Herbert E. Read, Sir Herbert Edward Read (1971) The philosophy of modern art: collected essays. p. 94
1936 - 1977
Source: "Some Perplexities about time: with an attempted solution" (1925), p. 149. as cited in: Jonathan Gorman, "The transmission of our understanding of historical time." Historia Social y de la Educación 1.2 (2012): 129-152.
Scorsese: No Such Thing As Pointless Violence, WENN (10 October 2004).
The Second Coming of Christ: The Resurrection of the Christ Within You, (2004) by Yogananda