Quotes about pleasure

page 20

Preface
The History and Present State of Electricity (1767)
Context: The history of philosophy enjoys, in some measure, the advantages both of civil and natural history, whereby it is relieved from what is most tedious and disgusting in both. Philosophy exhibits the powers of nature, discovered and directed by human art. It has, therefore, in some measure, the boundless variety with the amazing uniformity of the one, and likewise every thing that is pleasing and interesting in the other. And the idea of continual rise and improvement is conspicuous in the whole study, whether we be attentive to the part which nature, or that which men are acting in the great scene.
It is here that we see the human understanding to its greatest advantage, grasping at the noblest objects, and increasing its own powers, by acquiring to itself the powers of nature, and directing them to the accomplishment of its own views; whereby the security, and happiness of mankind are daily improved. Human abilities are chiefly conspicuous in adapting means to ends, and in deducing one thing from another by the method of analogy; and where may we find instances of greater sagacity, than in philosophers diversifying the situations of things, in order to give them an opportunity of showing their mutual relations, affections, and influences; deducing one truth and one discovery from another, and applying them all to the useful purposes of human life.
If the exertion of human abilities, which cannot but form a delightful spectacle for the human imagination, give us pleasure, we enjoy it here in a higher degree than while we are contemplating the schemes of warriors, and the stratagems of their bloody art.

To the Right Reverend J. Bouvier, Bishop of Le Mans, Saint Mary-of-the-Woods, 1850-07-10.
Context: We have gone out several times this summer to gather simples and linden blossoms, etc. In each excursion we discover something marvelous, beautiful, and useful in the magnificent forests of Indiana. At each step we can admire the grandeur, the power, the goodness of God. How bountifully He provides for all our wants -- I would even say for our pleasures! I love our woods and solitude very much; …

Foreword
LSD : My Problem Child (1980)
Context: Deliberate provocation of mystical experience, particularly by LSD and related hallucinogens, in contrast to spontaneous visionary experiences, entails dangers that must not be underestimated. Practitioners must take into account the peculiar effects of these substances, namely their ability to influence our consciousness, the innermost essence of our being. The history of LSD to date amply demonstrates the catastrophic consequences that can ensue when its profound effect is misjudged and the substance is mistaken for a pleasure drug. Special internal and external advance preparations are required; with them, an LSD experiment can become a meaningful experience. Wrong and inappropriate use has caused LSD to become my problem child.

Source: The Revolt of the Angels (1914), Ch. XXXV
Context: Satan found pleasure in praise and in the exercise of his grace; he loved to hear his wisdom and his power belauded. He listened with joy to the canticles of the cherubim who celebrated his good deeds, and he took no pleasure in listening to Nectaire's flute, because it celebrated nature's self, yielded to the insect and to the blade of grass their share of power and love, and counselled happiness and freedom. Satan, whose flesh had crept, in days gone by, at the idea that suffering prevailed in the world, now felt himself inaccessible to pity. He regarded suffering and death as the happy results of omnipotence and sovereign kindness. And the savour of the blood of victims rose upward towards him like sweet incense. He fell to condemning intelligence and to hating curiosity. He himself refused to learn anything more, for fear that in acquiring fresh knowledge he might let it be seen that he had not known everything at the very outset. He took pleasure in mystery, and believing that he would seem less great by being understood, he affected to be unintelligible. Dense fumes of Theology filled his brain. One day, following the example of his predecessor, he conceived the notion of proclaiming himself one god in three persons. Seeing Arcade smile as this proclamation was made, he drove him from his presence. Istar and Zita had long since returned to earth. Thus centuries passed like seconds. Now, one day, from the altitude of his throne, he plunged his gaze into the depths of the pit and saw Ialdabaoth in the Gehenna where he himself had long lain enchained. Amid the ever lasting gloom Ialdabaoth still retained his lofty mien. Blackened and shattered, terrible and sublime, he glanced upwards at the palace of the King of Heaven with a look of proud disdain, then turned away his head. And the new god, as he looked upon his foe, beheld the light of intelligence and love pass across his sorrow-stricken countenance. And lo! Ialdabaoth was now contemplating the Earth and, seeing it sunk in wickedness and suffering, he began to foster thoughts of kindliness in his heart. On a sudden he rose up, and beating the ether with his mighty arms, as though with oars, he hastened thither to instruct and to console mankind. Already his vast shadow shed upon the unhappy planet a shade soft as a night of love.
And Satan awoke bathed in an icy sweat.
Nectaire, Istar, Arcade, and Zita were standing round him. The finches were singing.
"Comrades," said the great archangel, "no — we will not conquer the heavens. Enough to have the power. War engenders war, and victory defeat.
"God, conquered, will become Satan; Satan, conquering, will become God. May the fates spare me this terrible lot; I love the Hell which formed my genius. I love the Earth where I have done some good, if it be possible to do any good in this fearful world where beings live but by rapine.
Now, thanks to us, the god of old is dispossessed of his terrestrial empire, and every thinking being on this globe disdains him or knows him not. But what matter that men should be no longer submissive to Ialdabaoth if the spirit of Ialdabaoth is still in them; if they, like him, are jealous, violent, quarrelsome, and greedy, and the foes of the arts and of beauty? What matter that they have rejected the ferocious Demiurge, if they do not hearken to the friendly demons who teach all truths; to Dionysus, Apollo, and the Muses? As to ourselves, celestial spirits, sublime demons, we have destroyed Ialdabaoth, our Tyrant, if in ourselves we have destroyed Ignorance and Fear."
And Satan, turning to the gardener, said:
"Nectaire, you fought with me before the birth of the world. We were conquered because we failed to understand that Victory is a Spirit, and that it is in ourselves and in ourselves alone that we must attack and destroy Ialdabaoth."

The Age for Love
Context: I bore with the ill-humor of my chief. What would he have said if he had known that I had in my pocket an interview and in my head an anecdote which were material for a most successful story? And he has never had either the interview or the story. Since then I have made my way in the line where he said I should fail. I have lost my innocent look and I earn my thirty thousand francs a year, and more. I have never had the same pleasure in the printing of the most profitable, the most brilliant article that I had in consigning to oblivion the sheets relating my visit to Nemours. I often think that I have not served the cause of letters as I wanted to, since, with all my laborious work I have never written a book. And yet when I recall the irresistible impulse of respect which prevented me from committing toward a dearly loved master a most profitable but infamous indiscretion, I say to myself, "If you have not served the cause of letters, you have not betrayed it." And this is the reason, now that Fauchery is no longer of this world, that it seems to me that the time has come for me to relate my first interview. There is none of which I am more proud.

Achilles' Loves, only surviving fragment, often quoted as "Love is like ice in the hands of children".

The Pleasures of Love (1961).
Context: The pleasures of love are for those who are hopelessly addicted to another living creature. The reasons for such addiction are so many that I suspect they are never the same in any two cases. It includes passion but does not survive by passion; it has its whiffs of the agreeable vertigo of young love, but it is stable more often than dizzy; it is a growing, changing thing, and it is tactful enough to give the addicted parties occasional rests from strong and exhausting feeling of any kind.

The Decorative Arts (1877)
Context: To give people pleasure in the things they must perforce use, that is one great office of decoration; to give people pleasure in the things they must perforce make, that is the other use of it.
Does not our subject look important enough now? I say that without these arts, our rest would be vacant and uninteresting, our labour mere endurance, mere wearing away of body and mind.

"Body Pleasure and the Origins of Violence" (1975)
Context: Laboratory experiments show that... When the brain's pleasure circuits are 'on,' the violence circuits are 'off,' and vice versa.

Source: 1910's, The Art of Noise', 1913, p. 6
Context: Each sound carries with it a nucleus of foreknown and foregone sensations predisposing the auditor to boredom, in spite of all the efforts of innovating composers. All of us have liked and enjoyed the harmonies of the great masters. For years, Beethoven and Wagner have deliciously shaken our hearts. Now we are fed up with them. This is why we get infinitely more pleasure imagining combinations of the sounds of trolleys, autos and other vehicles, and loud crowds, than listening once more, for instance, to the heroic or pastoral symphonies.

Letter to Lucy Webb Hayes (25 August 1861)
Diary and Letters of Rutherford Birchard Hayes (1922 - 1926)
Context: I never enjoyed any business or mode of life as much as I do this. I really feel badly when I think of several of my intimate friends who are compelled to stay at home. These marches and campaigns in the hills of western Virginia will always be among the pleasantest things I can remember. I know we are in frequent perils, that we may never return and all that, but the feeling that I am where I ought to be is a full compensation for all that is sinister, leaving me free to enjoy as if on a pleasure tour.

Source: The Yellow Book, 1974, p.65

Source: Success! (1977), p. 145
Context: Your chances of success are directly proportional to the degree of pleasure you derive from what you do. If you are in a job you hate, face the fact squarely and get out. You may earn a good living, you may have a safe career, but you will never be a success. Find out what you enjoy doing, and your chances of succeeding will be dramatically better. We play the game every day, sometimes without even recognizing that we're doing it. We compete with other people, or other teams, or other companies, not only because it is essential to business survival, but because we frankly enjoy competition. It's fun to be in the game, and it's even more fun to win.

and I've found, during my admittedly limited experience in political reporting, that power & honesty very rarely coincide.
Comments on Pat Buchanan in a letter to Garry Wills (17 October 1973); published in Fear and Loathing in America (2000) ISBN 0747549648
1970s

Love is Enough (1872), Song V: Through the Trouble and Tangle

Letter to Giovanni Boccaccio (28 April 1373) as quoted in Petrarch : The First Modern Scholar and Man of Letters (1898) edited by James Harvey Robinson and Henry Winchester Rolfe, p. 426
Context: Continued work and application form my soul's nourishment. So soon as I commenced to rest and relax I should cease to live. I know my own powers. I am not fitted for other kinds of work, but my reading and writing, which you would have me discontinue, are easy tasks, nay, they are a delightful rest, and relieve the burden of heavier anxieties. There is no lighter burden, nor more agreeable, than a pen. Other pleasures fail us or wound us while they charm, but the pen we take up rejoicing and lay down with satisfaction, for it has the power to advantage not only its lord and master, but many others as well, even though they be far away — sometimes, indeed, though they be not born for thousands of years to come. I believe I speak but the strict truth when I claim that as there is none among earthly delights more noble than literature, so there is none so lasting, none gentler, or more faithful; there is none which accompanies its possessor through the vicissitudes of life at so small a cost of effort or anxiety.

Quoted in An Encyclopedia of Quotations About Music (1981) by Nat Shapiro, p. 268
Unsourced variant: There is no theory. You have only to listen. Fantasy is the law.
Context: There is no theory. You have only to listen. Pleasure is the law. I love music passionately. And because l love it, I try to free it from barren traditions that stifle it. It is a free art gushing forth — an open-air art, boundless as the elements, the wind, the sky, the sea. It must never be shut in and become an academic art.

Myth at the end of Julian's oration to the cynic Heracleios, as translated in The Emperor Julian : Paganism and Christianity (1879) http://www.third-millennium-library.com/MedievalHistory/Julian_the_Emperor/CHAPTER_VI.html by Gerald Henry Rendall, Ch. VI : Julian's Personal Religion, p. 138
General sources
Context: "Suppose that I and Athene, at the behest of Zeus", said Helios, "were to make you steward of all these in the room of him that hath the inheritance." Then the young man clung to him once more, and besought him greatly that he might remain there. But he said, "Be not very rebellious, lest the excess of my love be turned to the fierceness of hatred."
So the young man answered, "Most mighty Helios, and thee Athene, and Zeus himself, I do adjure, do with me what ye will."
After this Hermes, suddenly reappearing, filled him with new courage, for now he thought he had found a guide for his return journey, and his sojourn on earth. And Athene said, "Listen, most goodly child of mine and of this good sire divine! This heir, you see, finds no pleasure in the best of his shepherds, while the flatterers and rogues have made him their subject and slave. Consequently the good love him not, while his supposed friends wrong and injure him most fatally. Take heed therefore when you return, not to put the flatterer before the friend. Give ear, my son, to yet a second admonition. Yon sleeper is habitually deceived; do you therefore be sober and watch, that the flatterer may never deceive and cheat you by a show of friendly candor, just as some sooty and grimy smith by dressing in white and plastering his cheeks with enamel might finally induce you to give him one of your daughters to wife. List now to a third admonition. Set a strong watch upon yourself: reverence us and us alone, and of men him that is like us and none other. You see what tricks self-consciousness and dumb-foundering faint-heartedness have played with yonder idiot." Great Helios here took up the discourse and said, "Choose your friends, then treat them as friends; do not regard them like slaves or servants, but associate with them frankly and simply and generously; not saying one thing of them and thinking something else. See how distrust towards friends has damaged yonder heritor. Love your subjects as we love you. Let respect toward us take precedence of all goods: for we are your benefactors and friends and saviours."
At these words the young man's heart was full, and he made ready there and then to obey the Gods implicitly always. "Away, then", said Helios, "and good hope go with you. For we shall be with you everywhere, I and Athene and Hermes here, and with us all the Gods that are in Olympus, and Gods of the air and of the earth, and all manner of deities everywhere, so long as you are holy toward us, loyal to your friends, kindly to your subjects, ruling and guiding them for their good. Never yield yourself a slave to your own desires or theirs. …"

1900s, The Moral Equivalent of War (1906)
Context: I look forward to a future when acts of war shall be formally outlawed as between civilized peoples.
All these beliefs of mine put me firmly into the anti-military party. But I do not believe that peace either ought to be or will be permanent on this globe, unless the states, pacifically organized, preserve some of the old elements of army-discipline. A permanently successful peace-economy cannot be a simple pleasure-economy. In the more or less socialistic future toward which mankind seems drifting we must still subject ourselves collectively to those severities which answer to our real position upon this only partly hospitable globe. We must make new energies and hardihoods continue the manliness to which the military mind so faithfully clings.

Srimad Bhagavad Gita, Ch. I-VI, 2013
Context: In this verse Lord Krishna advises Arjuna how to fight the battle he is trying to avoid. Life in the world functions by ego, attachment and desire, which gives the rise to the idea of “likes” and “dislikes”. In this way the mind starts identifying all experiences in the world in terms of opposites, such as pleasure and pain, gain and loss, victory and defeat... Here, Sri Krishna is saying that if Arjuna has neither desire for heaven nor for sovereignty over the earth, then he should achieve equanimity of the mind. With equanimity of the mind one can achieve success in the war of life. Without it, one cannot remain unaffected by the pairs of opposites and will be continually tossed about by the waves of egocentric likes and dislikes.

Beyond the Blue Event Horizon (1980)
Context: When my mother died and left me it hurt, but I was poor and confused and used to hurting. When the love of my life, or at any rate the woman who seemed to come to be the love of my life after she was safely gone, also left me — without quite dying, because she was stuck in some awful astrophysical anomaly and far out of reach forever — that also hurt. But I was hurting all over anyway then. I wasn't used to happiness, hadn't formed the habit of it. There is a Carot's law to pain. It is measured not by absolutes, but the difference between source and ambience, and my ambience had been too safe and too pleasurable for too long to equip me for this. I was in shock.

God Is An Iron (1977)
Context: Call it… joy. The thing like pleasure that you feel when you've done a good thing or passed up a real tempting chance to do a bad thing. Or when the unfolding of the universe just seems especially apt. It's nowhere near as flashy and intense as pleasure can be. Believe me! But it's got something going for it. Something that can make you do without pleasure, or even accept a lot of pain, to get it.

Statement accepting the Screen Actors Guild Achievement Award, read by Julia Roberts, because of Audrey's failing health. (January 1993)
Context: I am more than ever awed and overwhelmed by the monumental talents it was my great, great privilege to work for and with. There is therefore no way I can thank you for this beautiful award without thanking all of them, because it is they who helped and honed, triggered and taught, pushed and pulled, dressed and photographed — and with endless patience and kindness and gentleness, guided and nurtured a totally unknown, insecure, inexperienced, skinny broad into a marketable commodity. I am proud to have been in a business that gives pleasure, creates beauty, and awakens our conscience, arouses compassion, and perhaps most importantly, gives millions a respite from our so violent world. Thank you, Screen Actors Guild and friends, for this huge honor — and for giving me this unique opportunity to express my deepest gratitude and love to all of those who have given me a career that has brought me nothing but happiness.

Love is Enough (1872), Song VIII: While Ye Deemed Him A-Sleeping
Context: All wonder of pleasure, all doubt of desire,
All blindness, are ended, and no more ye feel
If your feet treat his flowers or the flames of his fire,
If your breast meet his balms or the edge of his steel.
Change is come, and past over, no more strife, no more learning:
Now your lips and your forehead are sealed with his seal,
Look backward and smile at the thorns and the burning.
— Sweet rest, O my soul, and no fear of returning!

As quoted in "Husayn ibn Mansur al-Hallaj" at Sidi Muhammad Press http://www.sufimaster.org/teachings/husayn.htm
Context: Love is in the pleasure of possession, but in the Love of Allah there is no pleasure of possession, because the stations of the Reality are wonderment, the cancelling of the debt which is owed, and the blinding of vision. The Love of the human being for God is a reverence which penetrates the very depths of his being, and which is not permitted to be given except to Allah alone. The Love of Allah for the human being is that He Himself gives proof of Himself, not revealing Himself to anything that is not He.

Nature's Nobleman (1844)
Context: Away with false fashion, so calm and so chill,
Where pleasure itself cannot please;
Away with cold breeding, that faithlessly still
Affects to be quite at its ease;
For the deepest in feeling is highest in rank,
The freest is first of the band,
Nature's own Nobleman, friendly and frank,
Is a man with his heart in his hand!

The Chinese Novel (1938)
Context: I grew up believing that the novel has nothing to do with pure literature. So I was taught by scholars. The art of literature, so I was taught, is something devised by men of learning. Out of the brains of scholars came rules to control the rush of genius, that wild fountain which has its source in deepest life. Genius, great or less, is the spring, and art is the sculptured shape, classical or modern, into which the waters must be forced, if scholars and critics were to be served. But the people of China did not so serve. The waters of the genius of story gushed out as they would, however the natural rocks allowed and the trees persuaded, and only common people came and drank and found rest and pleasure. For the novel in China was the peculiar product of the common people. And it was solely their property.

Book I, ch. 7 http://avalon.law.yale.edu/18th_century/blackstone_bk1ch7.asp: Of the King's Prerogative.
Commentaries on the Laws of England (1765–1769)
Context: In this distinct and separate existence of the judicial power, in a peculiar body of men, nominated indeed, but not removable at pleasure, by the crown, consists one main preservative of the public liberty; which cannot subsist long in any state, unless the administration of common justice be in some degree separated both from the legislative and the also from the executive power. Were it joined with the legislative, the life, liberty, and property of the subject would be in the hands of arbitrary judges, whose decisions would be then regulated only by their own opinions, and not by any fundamental principles of law; which, though legislators may depart from, yet judges are bound to observe. Were it joined with the executive, this union might soon be an overbalance for the legislative. For which reason... effectual care is taken to remove all judicial power out of the hands of the king's privy council; who, as then was evident from recent instances might soon be inclined to pronounce that for law, which was most agreeable to the prince or his officers. Nothing therefore is to be more avoided, in a free constitution, than uniting the provinces of a judge and a minister of state.

Krishnamurti to Himself (1987) http://www.jkrishnamurti.com/krishnamurti-teachings/view-text.php?tid=16&chid=609 - 1993 edition; J.Krishnamurti Online. Serial No. 60039
1980s
Context: Desire, which has been the driving force in man, has created a great many pleasant and useful things; desire also, in man's relationships, has created a great many problems and turmoil and misery — the desire for pleasure. The monks and the sannyasis of the world have tried to go beyond it, have forced themselves to worship an ideal, an image, a symbol. But desire is always there like a flame, burning. And to find out, to probe into the nature of desire, the complexity of desire, its activities, its demands, its fulfilments — ever more and more desire for power, position, prestige, status, the desire for the unnameable, that which is beyond all our daily life — has made man do all kinds of ugly and brutal things. Desire is the outcome of sensation the outcome with all the images that thought has built. And this desire not only breeds discontent but a sense of hopelessness. Never suppress it, never discipline it but probe into the nature of it — what is the origin, the purpose, the intricacies of it? To delve deep into it is not another desire, for it has no motive; it is like understanding the beauty of a flower, to sit down beside it and look at it. And as you look it begins to reveal itself as it actually is — the extraordinarily delicate colour, the perfume, the petals, the stem and the earth out of which it has grown. So look at this desire and its nature without thought which is always shaping sensations, pleasure and pain, reward and punishment. Then one understands, not verbally, nor intellectually, the whole causation of desire, the root of desire. The very perception of it, the subtle perception of it, that in itself is intelligence. And that intelligence will always act sanely and rationally in dealing with desire.

Source: LSD : My Problem Child (1980), Ch. 1 : How LSD Originated
Context: This self-experiment showed that LSD-25 behaved as a psychoactive substance with extraordinary properties and potency. There was to my knowledge no other known substance that evoked such profound psychic effects in such extremely low doses, that caused such dramatic changes in human consciousness and our experience of the inner and outer world.
What seemed even more significant was that I could remember the experience of LSD inebriation in every detail. This could only mean that the conscious recording function was not interrupted, even in the climax of the LSD experience, despite the profound breakdown of the normal world view. For the entire duration of the experiment, I had even been aware of participating in an experiment, but despite this recognition of my condition, I could not, with every exertion of my will, shake off the LSD world. Everything was experienced as completely real, as alarming reality; alarming, because the picture of the other, familiar everyday reality was still fully preserved in the memory for comparison.
Another surprising aspect of LSD was its ability to produce such a far-reaching, powerful state of inebriation without leaving a hangover. Quite the contrary, on the day after the LSD experiment I felt myself to be, as already described, in excellent physical and mental condition.
I was aware that LSD, a new active compound with such properties, would have to be of use in pharmacology, in neurology, and especially in psychiatry, and that it would attract the interest of concerned specialists. But at that time I had no inkling that the new substance would also come to be used beyond medical science, as an inebriant in the drug scene. Since my self-experiment had revealed LSD in its terrifying, demonic aspect, the last thing I could have expected was that this substance could ever find application as anything approaching a pleasure drug.

A rant about stupidity... and the coming civil war... (2009)
Context: Step back for a minute and note an important piece of psychohistory — that every generation of Americans faced adversaries who called us "decadent cowards and pleasure-seeking sybarites (wimps), devoid of any of the virtues of manhood."
Elsewhere, I mark out this pattern, showing how every hostile nation, leader or meme had to invest in this story, for a simple reason. Because Americans were clearly happier, richer, smarter, more successful and far more free than anyone else. Hence, either those darned Yanks must know a better way of living (unthinkable!)... or else they must have traded something for all those surface satisfactions.
Something precious. Like their cojones. Or their souls. A devil's bargain. And hence — (our adversaries told themselves) — those pathetic American will fold up, like pansies, as soon as you give them a good push.
It is the one uniform trait shown by every* vicious, obstinate and troglodytic enemy of the American Experiment. A wish fantasy that convinced Hitler and Stalin and the others that urbanized, comfortable New Yorkers and Californians and all the rest cannot possibly have any guts, not like real men. A delusion shared by the King George, the plantation-owners, the Nazis, Soviets and so on, down to Saddam and Osama bin Laden. A delusion that our ancestors disproved time and again, decisively — though not without a lot of pain.

Hyoi, p. 73 <!-- 1965 edition -->
Out of the Silent Planet (1938)
Context: A pleasure is full grown only when it is remembered. You are speaking, Hmān, as if the pleasure were one thing and the memory another. It is all one thing. The séroni could say it better than I say it now. Not better than I could say it in a poem. What you call remembering is the last part of the pleasure, as the crah is the last part of a poem. When you and I met, the meeting was over very shortly, it was nothing. Now it is growing something as we remember it. But still we know very little about it. What it will be when I remember it as I lie down to die, what it makes in me all my days till then–that is the real meeting. The other is only the beginning of it.

Golden Sayings of Epictetus
Context: A Philosopher's school is a Surgery: pain, not pleasure, you should have felt therein. For on entering none of you is whole. One has a shoulder out of joint, another an abscess: a third suffers from an issue, a forth pains in the head. And am I then to sit down and treat you to pretty sentiments and empty fluourishes, so that you may applaud me and depart, with neither shoulder, nor head, nor issue, nor abscess a whit the better for your visit? Is it then for this that young men are to quit their homes, and leave parents, friends, kinsmen and substance to mouth out Bravo to your empty phrases! (121).

A Voice from the Attic (1960)
Context: Complementary to his is Thurber's remark that "humour is a kind of emotional chaos, told about quietly and calmly in retrospect". Emotional chaos is not pleasant; distillation of that chaos afterward may perhaps be pleasant in some of its aspects, and undoubtedly gives pleasure to others.

Saturday Evening Post (27 September 1958); also in Adventures of the Mind : From the Saturday Evening Post (1962), by Richard Thruelsen and John Kobler
Context: It has always seemed strange to me that in our endless discussions about education so little stress is laid on the pleasure of becoming an educated person, the enormous interest it adds to life. To be able to be caught up into the world of thought — that is to be educated.

"Learning and Science", speech at a dinner of the Harvard Law School Association in honor of Professor C. C. Langdell (June 25, 1895); reported in Speeches by Oliver Wendell Holmes (1896). p. 67-68.
1890s

Essay as "Mr. X" (1969)
Context: There's a part of me making, creating the perceptions which in everyday life would be bizarre; there's another part of me which is a kind of observer. About half of the pleasure comes from the observer-part appreciating the work of the creator-part. I smile, or sometimes even laugh out loud at the pictures on the insides of my eyelids. In this sense, I suppose cannabis is psychotomimetic, but I find none of the panic or terror that accompanies some psychoses. Possibly this is because I know it's my own trip, and that I can come down rapidly any time I want to.

Outline of a Morality Without Obligation or Sanction https://www.marxists.org/archive/guyau/1885/morality.htm (1885).
Context: A third equivalent of duty is borrowed from sensibility and not, like the preceding, from intelligence and activity. It’s the growing fusion of sensibilities, and the ever increasing sociable character of elevated pleasures, from which results a kind of duty or superior necessity which pushes us naturally and rationally towards others. By virtue of evolution, our pleasures grow and become increasingly impersonal; we cannot experience enjoyment within our selves as if on a deserted isle. Our milieu, to which we better adapt ourselves every day, is human society, and we can no more be happy outside of this milieu than we can breathe outside the air. The purely selfish happiness of certain Epicureans is a chimera, an abstraction, an impossibility; the true human pleasures are all more or less social. Pure egoism, rather than being an affirmation of the self, is a mutilation of the self.

The Golden Ass (1999)
Context: They live and laugh who know the better part —
Count length of pleasure not by dial or glass
But by the heart;
What are our fears
When Time's slow footfall, fall, fall
Falling
Turns lovers' hours to years?

Kathy Acker: Where does she get off?
Context: I think writing is basically about time and rhythm. Like with jazz. You have your basic melody and then you just riff off of it. And the riffs are about timing. And about sex.
Writing for me is about my freedom. When I was a kid, my parents were like monsters to me, and the world extended from them. They were horrible. And I was this good little girl — I didn't have the guts to oppose them. They told me what to do and how to be. So the only time I could have any freedom or joy was when I was alone in my room. Writing is what I did when I was alone with no one watching me or telling me what to do. I could do whatever I wanted. So writing was really associated with body pleasure — it was the same thing. It was like the only thing I had.

"The Mass Psychology of Terrorism" from Implicating Empire, edited by Stanley Aronowitz, Heather Gautney and Clyde W. Barrow (2003) http://journalism.nyu.edu/faculty/files/Willis-The%20Mass%20Psychology%20of%20Terrorism.pdf
Context: Can the high level of violence in patriarchal cultures be attributed to people's chronic, if largely unconscious, rage over the denial of their freedom and pleasure? To what extent is sanctioned or officially condoned violence — from war and capital punishment to lynching, wife-beating and the rape of "bad" women to harsh penalties for "immoral" activities like drug-taking and nonmarital sex to the religious and ideological persecution of totalitarian states — in effect a socially approved outlet for expressing that rage, as well as a way of relieving guilt by projecting one's own unacceptable desires onto scapegoats?

Source: Aeneid (29–19 BC), Book I, Line 203 (tr. Robert Fitzgerald)

Source: Something More, A Consideration of the Vast, Undeveloped Resources of Life (1920), p. 29
Context: Ethically and morally, man has also made progress. From the earliest dawn of recorded history strong men made slaves of the weak. Primitive man regarded woman much as he did a slave or an animal, an instrument through which his comfort and pleasure might be increased. Contrast the former custom of exposing infants, the aged, and the helpless to the elements or to wild beasts, when their presence became a burden, with the present practice of erecting orphans' homes, homes for the aged, and asylums for the helpless.

Section 2, member 3, subsection 7, Envy, Malice, Hatred, Causes.
The Anatomy of Melancholy (1621), Part I
Context: Every other sin hath some pleasure annexed to it, or will admit of an excuse; envy alone wants both. Other sins last but for awhile; the gut may be satisfied, anger remits, hatred hath an end, envy never ceaseth.

"Kiss from a Rose"
Seal (1994)

Visions
Context: At that time I also had, for a short while, the strength to bear it. But all too soon I lost external sight of the shape of that beautiful man, and I saw him disappear to nothing, so quickly melting away and fusing together that I could not see or observe him outside of me, nor discern him within me. It was to me at that moment as if we were one without distinction. All of this was external, in sight, in taste, in touch, just as people may taste and see and touch receiving the external sacrament, just as a beloved may receive her lover in the full pleasure of seeing and hearing, with the one becoming one with the other. After this I remained in a state of oneness with my Beloved so that I melted into him and ceased to be myself. And I was transformed and absorbed in the spirit, and I had a vision about the following hours.

World Wildlife Fund: British National Appeal Banquet, London (1962)
The Environmental Revolution: Speeches on Conservation, 1962–77 (1978)
Context: For conservation to be successful it is necessary to take into consideration that it is a characteristic of man that he can only be relied upon to do anything consistently which is in his own interest. He may have occasional fits of conscience and moral rectitude but otherwise his actions are governed by self-interest. It follows then that whatever the moral reasons for conservation it will only be achieved by the inducement of profit or pleasure.

Government (1820)
Context: Of the laws of nature on which the condition of man depends, that which is attended with the greatest number of consequences is the necessity of labor for obtaining the means of subsistence, as well as the means of the greatest part of our pleasures. This is no doubt the primary cause of government; for if nature had produced spontaneously all the objects which we desire, and in sufficient abundance for the desires of all, there would have been no source of dispute or of injury among men, nor would any man have possessed the means of ever acquiring authority over another.
The results are exceedingly different when nature produces the objects of desire not in sufficient abundance for all. The source of dispute is then exhaustless, and every man has the means of acquiring authority over others in proportion to the quantity of those objects which he is able to possess. In this case the end to be obtained through government as the means, is to make that distribution of the scanty materials of happiness which would insure the greatest sum of it in the members of the community taken altogether, preventing every individual or combination of individuals from interfering with that distribution or making any man to have less than his share.

6th Public Talk, Saanen (28 July 1970) 'The Mechanical Activity of Thought" http://www.jiddu-krishnamurti.net/en/the-impossible-question/1970-07-28-jiddu-krishnamurti-the-impossible-question-the-mechanical-activity-of-thought in The Impossible Question (1972) http://www.jkrishnamurti.org/krishnamurti-teachings/view-text.php?tid=9&chid=57009, Part I, Ch. 6], p. 63 J.Krishnamurti Online, Serial No. 330
1970s
Context: What does it mean to be compassionate? Not merely verbally, but actually to be compassionate? Is compassion a matter of habit, of thought, a matter of the mechanical repetition of being kind, polite, gentle, tender? Can the mind which is caught in the activity of thought with its conditioning, its mechanical repetition, be compassionate at all? It can talk about it, it can encourage social reform, be kind to the poor heathen and so on; but is that compassion? When thought dictates, when thought is active, can there be any place for compassion? Compassion being action without motive, without self-interest, without any sense of fear, without any sense of pleasure.

Classical Japanese Database, Translation #41 http://carlsensei.com/classical/index.php/translation/view/41 of a Saga Diary excerpt (Translation: Robert Hass)
Statements
Context: It rains during the morning. No visitors today. I feel lonely and amuse myself by writing at random. These are the words:
Who mourns makes grief his master.
Who drinks makes pleasure his master.

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 22. How I Then Tried to Diffuse the Theory of Three Dimensions by Other Means, and of the Result
Context: I devoted several months in privacy to the composition of a treatise on the mysteries of Three Dimensions. Only, with the view of evading the Law, if possible, I spoke not of a physical Dimension, but of a Thoughtland whence, in theory, a Figure could look down upon Flatland and see simultaneously the insides of all things, and where it was possible that there might be supposed to exist a Figure environed, as it were, with six Squares, and containing eight terminal Points. But in writing this book I found myself sadly hampered by the impossibility of drawing such diagrams as were necessary for my purpose... my life was under a cloud. All pleasures palled upon me; all sights tantalized and tempted me to outspoken treason, because I could not but compare what I saw in Two Dimensions with what it really was if seen in Three, and could hardly refrain from making my comparisons aloud.' I neglected my clients and my own business to give myself to the contemplation of the mysteries which I had once beheld, yet which I could impart to no one, and found daily more difficult to reproduce even before my own mental vision.

Source: Armance (1827), Ch. 10
Context: I no longer find such pleasure in that preeminently good society, of which I was once so fond. It seems to me that beneath a cloak of clever talk it proscribes all energy, all originality. If you are not a copy, people accuse you of being ill-mannered. And besides, good society usurps its privileges. It had in the past the privilege of judging what was proper, but now that it supposes itself to be attacked, it condemns not what is irredemably coarse and disagreeable, but what it thinks harmful to its interest.

Book X, 1172a.17
Nicomachean Ethics

Solitude
Poetry quotes
Context: Rejoice, and men will seek you;
Grieve, and they turn and go.
They want full measure of all your pleasure,
But they do not need your woe.
Be glad, and your friends are many;
Be sad, and you lose them all.
There are none to decline your nectared wine,
But alone you must drink life's gall.

"Fast and Furious" (14 October 2003)
2000s
Context: I take no pleasure in being Right in my dark predictions about the fate of our military intervention in the heart of the Muslim world. It is immensely depressing to me. Nobody likes to be betting against the Home team.

Japan, the Beautiful and Myself (1969)
Context: Dr. Yashiro Yukio, internationally known as a scholar of Botticelli, a man of great learning in the art of the past and the present, of the East and the West, has summed up one of the special characteristics of Japanese art in a single poetic sentence: "The time of the snows, of the moon, of the blossoms — then more than ever we think of our comrades." When we see the beauty of the snow, when we see the beauty of the full moon, when we see the beauty of the cherries in bloom, when in short we brush against and are awakened by the beauty of the four seasons, it is then that we think most of those close to us, and want them to share the pleasure. The excitement of beauty calls forth strong fellow feelings, yearnings for companionship, and the word "comrade" can be taken to mean "human being". The snow, the moon, the blossoms, words expressive of the seasons as they move one into another, include in the Japanese tradition the beauty of mountains and rivers and grasses and trees, of all the myriad manifestations of nature, of human feelings as well.

God Is An Iron (1977)
Context: Man has historically devoted much more subtle and ingenious thought to inflicting cruelty than to giving others pleasure — which, given his gregarious nature, would seem a much more survival-oriented behavior. Poll any hundred people at random and you'll find at least twenty or thirty who know all there is to know about psychological torture and psychic castration — and maybe two who know how to give a terrific back-rub.

Context: To draw up in advance an exact and detailed plan is to deprive our minds of the pleasures of the encounter and the novelty that comes from executing the work. It is to make the execution insipid for us and consequently impossible in works that depends on enthusiasm and imagination. Such a plan is itself a half-work. It must be left imperfect if we want to please ourselves. We must say it cannont be finished. In fact, it must not be for a very good reason: it is impossible. We can, however, draw up such plans for works whose execution and accomplishment are a mechanical thing, a thing that depends above all others on the hand. This is suitable and even very useful for painters, for sculptors. Their senses, with each stroke of the brush or chisel, will find this novelty that did not exist for their minds. Forms and colors, which the imagination cannot represent to us as perfectly as the eye can, will offer the artist a horde of these encounters which are indispensable to giving genius pleasure in work. But the orator, the poet, and the philosopher will not find the same encouragement in writing down what they have already thought. Everything is one for them. Because the words they use have beauty only for the mind and, having been spoken in their head in the same way they are written on the page, the mind no longer has anything to discover in what it wants to say. A plan, however is necessary, but a plan that is vague, that has not been pinned down. We must have above all the notion of the beginning, the end, and the middle of our work. That is to say, we must choose its pitch and range, its pauses, and its objectives. The first word must give the color, the beginning determines the tone; the middle rules the measure, the time, the space, and the proportions.

Notes from Devotional Authors of the Middle Ages (1873-1874)
Context: These old Mystics whom we call superstitious were far before us in their ideas of God and of prayer (that is of our communion with God). "Prayer," says a mystic of the 16th century, "is to ask not what we wish of God, but what God wishes of us." "Master who hast made and formed the vessel of the body of Thy creature, and hast put within so great a treasure, the Soul, which bears the image of Thee": so begins a dying prayer of the 14th century. In it and in the other prayers of the Mystics there is scarcely a petition. There is never a word of the theory that God's dealings with us are to show His "power"; still less of the theory that "of His own good pleasure" He has " predestined" any souls to eternal damnation. There is little mention of heaven for self; of desire of happiness for self, none. It is singular how little mention there is either of "intercession " or of " Atonement by Another's merits." True it is that we can only create a heaven for ourselves and others "by the merits of Another," since it is only by working in accordance with God's Laws that we can do anything. But there is nothing at all in these prayers as if God's anger had to be bought off, as if He had to be bribed into giving us heaven by sufferings merely "to satisfy God's justice." In the dying prayers, there is nothing of the "egotism of death." It is the reformation of God's church—that is, God's children, for whom the self would give itself, that occupies the dying thoughts. There is not often a desire to be released from trouble and suffering. On the contrary, there is often a desire to suffer the greatest suffering, and to offer the greatest offering, with even greater pain, if so any work can be done. And still, this, and all, is ascribed to God's goodness. The offering is not to buy anything by suffering, but — If only the suppliant can do anything for God's children!
These suppliants did not live to see the " reformation" of God's children. No more will any who now offer these prayers. But at least we can all work towards such practical " reformation." The way to live with God is to live with Ideas — not merely to think about ideals, but to do and suffer for them. Those who have to work on men and women must above all things have their Spiritual Ideal, their purpose, ever present. The "mystical " state is the essence of common sense.

The Abolition of Work (1985)
Context: No one can say what would result from unleashing the creative power stultified by work. Anything can happen. The tiresome debater's problem of freedom vs. necessity, with its theological overtones, resolves itself practically once the production of use-values is co-extensive with the consumption of delightful play activity. Life will become a game, or rather many games, but not—as it is now — a zero/sum game. An optimal sexual encounter is the paradigm of productive play. The participants potentiate each other's pleasures, nobody keeps score, and everybody wins. The more you give, the more you get. In the ludic life, the best of sex will diffuse into the better part of daily life. Generalized play leads to the libidinization of life. Sex, in turn, can become less urgent and desperate, more playful.
If we play our cards right, we can all get more out of life than we put into it; but only if we play for keeps.
No one should ever work.
Workers of the world... relax! </center

Book III, lines 843–860 (tr. John Dryden)
De Rerum Natura (On the Nature of Things)

О себе

"Summary of Principles" 1.3
Enquiry Concerning Political Justice (1793)

Source: A Vindication of the Rights of Woman (1792), Ch. 1

Devdutt Pattanaik, in "Myth = Mithya (2008)", p. 146-147.

Manucci, Storia do Mogor, I

No. 225
The Tatler (1711–1714)

Part I, Essay 18: The Sceptic
Essays, Moral, Political, and Literary (1741-2; 1748)

Volume 1, Introduction
The Greek Myths (1955)

On choosing a notebook for each novel that she writes in “An Interview with Tracy Chevalier” https://fictionwritersreview.com/interview/an-interview-with-tracy-chevalier/ in Fiction Writers Review (2019 Sep 23)

Source: Reasons and Persons (1984), p. 255

Cutting Through Spiritual Materialism

Refuge Recovery (2014)

The Heart of the Revolution (2011)

Against the Stream (2007)

Correspondence between Viceroy Lord Minto’s private secretary, Colonel Dunlop Smith, and Muslim leaders. quoted in Vikram Sampath - Savarkar, Echoes from a Forgotten Past, 1883–1924 (2019)

On Subsistence, (2 December 1792)

Introduction
Autobiography of Swami Sivananda

Source: Scoundrel Time (1976), p. 150

Un être à demi stupide, mais attentif, mais prudent tous les jours, goûte très-souvent le plaisir de triompher des hommes à imagination.
Source: La Chartreuse de Parme (The Charterhouse of Parma) (1839), Ch. 10

On interview with Wall Street Journal, 2015. source http://www.wsj.com/amp/articles/coldplay-and-chris-martin-open-up-for-new-album-1447868383

On including sexual themes in his writings in “Samuel R. Delany, The Art of Fiction No. 210” https://www.theparisreview.org/interviews/6088/samuel-r-delany-the-art-of-fiction-no-210-samuel-r-delany in The Paris Review (Summer 2011)

First published in The Southern Review (Spring 1939)
Source: The Company She Keeps (1942), Ch. 1 "Cruel and Barbarous Treatment", p. 5, first lines of novel.

Source: Ethics and Education (1912), Contents of Ethics, pp. 54–55

Source: Ethics and Education (1912), Contents of Ethics, p. 53

Source: Ethics and Education (1912), Contents of Ethics, pp. 52–53

Universal ethics is a corollary of universal kinship. Moral obligation is as boundless as feeling.
Source: Ethics and Education (1912), Ethical Anxiety, p. 42

"The Psychology of Altruism", p. 308–309
The Universal Kinship (1906), The Ethical Kinship

Source: Better-World Philosophy: A Sociological Synthesis (1899), The Social Ideal, pp. 158–159

Source: Better-World Philosophy: A Sociological Synthesis (1899), The Social Ideal, pp. 157–158

Source: Better-World Philosophy: A Sociological Synthesis (1899), The Social Problem, pp. 87–88

1940s, Why Socialism? (1949)

Source: Demon Princes (1964-1981), The Palace of Love (1967), Chapter 12 (p. 415)

Vol. II, ch. 10
History of England (1849–1861)