Quotes about music
page 25

“Nature hav no music; nor would ther be for thee
any better melody in the April woods at dawn
than what an old stone-deaf labourer, lying awake
o'night in his comfortless attic, might perchance
be aware of, when the rats run amok in his thatch?”

Robert Seymour Bridges (1844–1930) British writer

Book I, lines 83-87.
The Testament of Beauty (1929-1930)

Lying, Nature

“The existence of sexual energy is such an every-day part of life. It's such a natural aspect of life. That we end up relating to without any shame.”

Anthony Kiedis (1962) American singer

Much Music 1991

Life, Nature, Parting

“Q: You seem relatively upbeat and sociable. It’s funny, because I’ve always had this idea of you, like, always crying in the dark.
A: Most people do.
Q: Do you care about that?
A: Oh, no. It doesn’t bother me. Whatever people think of me is fine, however they want to envision me. I find it curious. I’m always intrigued by who people think I am and the persona they have created for me, what they think I’m into, what they think I’m not into. But I certainly understand that consideration, that I would be a bleak and miserable person, because a lot of my lyrics are very despondent. Luckily, I have the music to use as catharsis. If I didn’t, I might spend more time sitting and crying in a corner than I need to. Also, I think manners are very important. To be a sullen rain cloud when conversing with someone, be they your friends or a journalist, I think is inappropriate.”

Davey Havok (1975) American singer

Fly magazine, November 2009

People, Idea, Understanding, Thinking

“This [Journalism] is not a profession of my choice. Nor is it family traditional occupation. God must have created this profession as a fit theater for all my struggles…Whatever I have written so far is about politics or philosophy, literature, music, poetry or even speeches I made either in the floor of assembly or from public-platforms-all these in a way touch one aspect of journalism or the other”

D. V. Gundappa (1887–1975) Indian writer

In page=18
D.V. Gundappa,Sahitya Akademi

God, Family, Way, Literature

“The Sultan is not slack in jihad. He never lets go of his spear or bridle in pursuing jihad by land and sea routes. This is his main occupation which engages his eyes and ears. He has spent vast sums for the establishment of the faith and the spread of Islam in these lands, as a result of which the light of Islam has reached the inhabitants and the flash of the true faith brightened among them. Fire temples have been destroyed and the images and idols of Budd have been broken, and the lands have been freed from those who were not included in the darul Islam, that is, those who had refused to become zimmis. Islam has been spread by him in the far east and has reached the point of sunrise. In the words of Abu Nasr al-Aini, he has carried the flags of the followers of Islam where they had never reached before and where no chapter or verse (of the Quran) had ever been recited. Thereafter he got mosques and places of worship erected, and music replaced by call to prayers (azan), and the incantations of fire-worshippers stopped by recitations of the Quran. He directed the people of Islam towards the citadels of the infidels and, by the grace of Allah, made them (the believers) inheritors of wealth and land and that country which they (the believers) had never trodden upon.”

Muhammad bin Tughluq (1290–1351) Turkic Sultan of Delhi

Tughlaq Kalina Bharata, Persian texts translated into Hindi by S.A.A. Rizvi, 2 Volumes, Aligarh, 1956-57. p. 325 ff. Vol I. (Shihabuddin Al Umari.) Also quoted (using a different translation) in Jain, Meenakshi (2011). The India they saw: Foreign accounts. 8th to 15th Centuries, p. 274.

People, Faith, Light, Sea

“I think one of the things if you look at minimalism or expressionism, there's various movements in modern composition that I think you can see really natural relations in pop music, so I mean I always look to that in pop music.”

Patrick Stump (1984) American musician

AbsolutePunk.net, Patrick Stump, Part 2 - 10.13.08

Nature, Thinking

“I've been fascinated by music for as long as I can remember. I was the kid on the playground in the third grade who would tell other kids about Paul Simon or Depeche Mode.”

Josh Groban (1981) American musician and actor

Kansas City Star, 08/16/04

“The Cubists used the figure, but they broke it up... But there was escape, too, even in those days, for there was Whistler living in the grey mists with a faded orange moon. The nocturne transformed itself into dreamy rooms with Chopin's music creating a mood that softened the hard core of self.”

Mark Tobey (1890–1976) American abstract expressionist painter

quote from conversation with Seitz
1950's
Source: 'Reminiscence and Reverie', Mark Tobey, Magazine of Art, 44, October 1951, pp. 228, 231

Quotes, Mood

“So how do you do it?
With just words and just music
Capture the feeling
That my earth is somebody's ceiling
Can I deliver in sound
The weight of the ground
of a cemetery
in the center of Queens”

Sara Bareilles (1979) American pop rock singer-songwriter and pianist

"Chasing the Sun"
Lyrics, The Blessed Unrest (2013)

Feeling

“It was the first time many of the bands had met and saw each other perform, so we were all really marveling at each other. It was just one good group of people after another. And different kinds of music — from Jimi Hendrix to Ravi Shankar, The Mamas and the Papas to The Who. They had a backstage area where there was food being served 24 hours a day, so everybody was wandering around meeting each other. It was just amazing.”

Grace Slick (1939) American musician, writer and painter

On the Monterey Pop Festival, quoted in Hippie (2004) by Barry Miles, p. 212

People, Food, Time

“I never understood music. It seemed to me to be the maximum amount of noise conveying the minimum amount of information.”

Quentin Crisp book The Naked Civil Servant

Source: The Naked Civil Servant (1968), Ch. 27

“[Anne Murray] embodies the Canadian popular music industry. She's been so successful within Canada and internationally. She's really identified with Canada, even one of her songs Snowbird, that's so Canada.”

Anne Murray (1945) Canadian singer

Brock Silversides, director of University of Toronto Libraries' Media Commons <br class="br">As quoted in Noreen Ahmed-Ullah, "'Canada's sweetheart' Anne Murray donates archives to U of T", 16 November 2017, University of Toronto, utoronto.ca https://www.utoronto.ca/news/canada-s-sweetheart-anne-murray-donates-archives-u-t

Success

“Off in his head, he solved extraordinary problems of mathematics, science, medicine, the humanities. He wrote poetry, saw music. … People have told him, with your IQ you should be a genius. I was a genius and have long since abused myself into a state of average and like it better that way. Now there comes a momentary clearing, a moment of satorial splendor, and then it goes oblique. It fades away like blown dust.”

Robert Olmstead (1954) American writer

America By Land (1993)

People, Way, Mathematics, Problem

“Music can imply the infinite if enough things depart from the norm far enough. Strange "abnormal" events can lead to the feeling that anything can happen, and you have a music with no boundaries.”

Morton Feldman (1926–1987) American avant-garde composer

Quoted in Remembrance by Tom Johnson (September 1987)

Feeling

“It interests Americans that Canada is clean and empty and unimplicating; the largest country in the world that doesn’t exist. Without distinct music or food or capacity for rudeness— less rich, less angry, less complicated, less neurotic, less dark, less brilliant.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

World, Food, Country

“I have heard
the big music
and I'll never be the same
something so pure
just called my name.”

Mike Scott (1958) songwriter, musician

"The Big Music"
This Is the Sea (1985)

“I met him Cummingham around 1953 after a performance I saw. He was teaching and making dances for his company and was already working with John Cage. What interested me initially wasn't just the movement but also the music he worked with, which was unfamiliar to me... Later Bob Rauschenberg had been doing sets and costumes for the Cunningham Company... I can't say exactly how, but for a period of time, Cage, Cunningham, Rauschenberg, and I saw each other frequently and exchanged ideas. John [Cage] was very interested in presenting his ideas to other people, so it was impossible to be around and not to learn... He could apply his ideas on space and time to painting, or music or architecture... I don't have a clear sense of cause and effect in my painting, but it is probably there.”

Jasper Johns (1930) American artist

Jasper Johns, by Bryan Robertson and Tim Marlow, Tate, in 'The Art Magazine', London, Winter 1993, pp. 40, 47
1990s

People, Idea, Sense, Learning

“The aggressive Edwardian prosperity that lends so comfortable a background to Elgar's finales is now as strange to us as the England that produced Greensleeves and The Woodes so wilde. Stranger, in fact, and less sympathetic. In consequence much of Elgar's music, through no fault of its own, has for the present generation an almost intolerable air of smugness, self-assurance and autocratic benevolence.”

Edward Elgar (1857–1934) English composer

Constant Lambert Music Ho! (London: Hogarth Press, [1934] 1985) p. 240.
Criticism

“Never, at any price, should we have put our money on France and against the peoples subjected to her yoke. On the contrary, we should have helped them to achieve their liberty and, if necessary, should have goaded them into doing so. There was nothing to stop us in 1940 from making a gesture of this sort in the Near East and in North Africa. In actual fact our diplomats instead set about the task of consolidating French power, not only in Syria, but in Tunis, in Algeria and Morocco as well. Our 'gentlemen' obviously preferred to maintain cordial relations with distinguished Frenchmen, rather than with a lot of hirsute revolutionaries, with a chorus of musical comedy officers, whose one idea was to cheat us, rather than with the Arabs, who would have been loyal partners for us.”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

14 February 1945.
Disputed, The Testament of Adolf Hitler (1945)

Money, People, Idea, Help

“I didn't plan on rock 'n' roll. I wanted to learn jazz; I got to know some people doing rock 'n' roll with jazz, and I thought I could make money playing music. In rock 'n' roll you can realize anything that you can in jazz or anything. There's no limitation other than the beat. You have more freedom than you do in anything except jazz — which is dying — as far as making any money is concerned.”

Robby Krieger (1946) American rock guitarist and songwriter

Comment posted at his official website http://www.robbykrieger.com.

Money, People, Freedom, Learning

“How many murders, suicides, robberies, criminal assaults, holdups, burglaries and deeds of maniacal insanity it causes each year, especially among the young, can only be conjectured…No one knows, when he places a marijuana cigarette to his lips, whether he will become a joyous reveller in a musical heaven, a mad insensate, a calm philosopher, or a murderer…”

Harry J. Anslinger (1892–1975) 1st Commissioner of the Federal Bureau of Narcotics

"Marijuana — Assassin of Youth" in The American Magazine, Vol. 24 (July 1937), p. 18

Suicide, Marijuana, Madness

“Since I am coming to that holy room,
Where, with thy choir of saints forevermore,
I shall be made thy music; as I come
I tune the instrument here at the door,
And what I must do then, think here before.”

John Donne (1572–1631) English poet

Hymn to God My God, in My Sickness, stanza 1

Thinking

“Me and my brother used to spend a lot of time at music festivals, running away from skinheads. Then my brother became a skinhead… I used to get excruciatingly, mind-numbingly dull guitar lessons from my father: tonic, subdominant, dominant. Yeah, but how do I play it? Tonic, subdominant, mediant. This is a seventh. Great, how do I play it?”

Sienna Guillory (1975) British actress

THIS CULTURAL LIFE: SIENNA GUILLORY Article http://findarticles.com/p/articles/mi_qn4159/is_20040523/ai_n12754898. The Independent on Sunday. May 23, 2004.

Time

“These
Are the music of meet resignation; these
The responsive, still sustaining pomps for you
To magnify, if in that drifting waste
You are to be accompanied by more
Than mute bare splendors of the sun and moon.”

Wallace Stevens book Harmonium

"On the Manner of Addressing Clouds"
Harmonium (1923)

Sun

“I have found a paper of mine among some others in which I call architecture 'petrified music.' Really there is something in this; the tone of mind produced by architecture approaches the effect of music.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Conversations with Eckermann (23 March 1829) - Often quoted as "Architecture is frozen music."

“LSD reveals the whatness of things, their quiddity, their essence. The wateriness of water is suddenly revealed to you, the carpetness of carpets, the woodness of wood, the yellowness of yellow, the fingernailness of fingernails, the allness of all, the nothingness of all, the allness of nothing. For me music gives access to every one of these essences of existence, but at a fraction of the social or financial cost of a drug and without the need to cry 'Wow!”

Stephen Fry (1957) English comedian, actor, writer, presenter, and activist

all the time, which is one of LSD's most distressing and least endearing side-effects.
1990s, Moab is My Washpot (autobiography, 1997)

Water, Time, Cry

“Women are still a relative rarity in rock bands, and studies of women's experiences with pop and rock music have indicated that girls are socialized to pop and rock music differently from boys: boys and young men tend to learn songs by ear and talk about popular music's technical aspects, while girls and young women tend to focus on lyrics rather than on equipment and instrumentation, and to resist learning songs by ear. Miki Bernyi's experience testifies to the truthfulness of those findings:”

Holly Kruse

'Girls don't have the patience to spend six years learning someone else's music. Me and Emma [Anderson] can't jam because we only know how to play our own songs. Jamming's more of a boy's thing....I think that women play more imaginatively because they learn to play while they're writing songs, instead of waiting to be technically good first.'
Quoted in Evans, 1994, p. 44.

Women, Men, Truth, Girl

“Me neither.
I'm glad that we agree.
Believe me,
That's a big relief.
Well, this place is awful crowded
And this music is so loud.
Would you like to go and grab a bite to eat?
Me neither.”

Brad Paisley (1972) American country music singer

Me Neither written by Brad Paisley, Chris DuBois and Frank Rogers.
Song lyrics, Who Needs Pictures (1999)

“Harry Dresden: Pain is a part of life. Sometimes it's a big part, and sometimes it isn't, but either way, it's part of the big puzzle, the deep music, the great game. Pain does two things: It teaches you, tells you that you're alive. Then it passes away and leaves you changed. It leaves you wiser, sometimes. Sometimes it leaves you stronger. Either way, pain leaves its mark, and everything important that will ever happen to you in life is going to involve it in one degree or another.”

Jim Butcher The Dresden Files

Source: The Dresden Files, White Night (2007), Chapter 31

Life, Pain, Way, Game

“Now, as discord is allowable, and even necessarily opposed to concord, why may not noise, or a seeming jargon, be opposed to fixed sounds and harmonical proportion? Some of the discords in modern music, unknown till this century, are what the ear can but just bear, but have a very good effect as to contrast. The severe laws of preparing and resolving discord, may be too much adhered to for great effect; I am convinced that provided the ear be at length made amends, there are few dissonances too strong for it.”

Charles Burney (1726–1814) English music historian

The Present State of Music in France and Italy (1771) pp. 152-3

Law, Strong

“Poetic form is an abstraction from. or residue of musical form. The ghost of oral poetry never vanishes therefrom. All poetry was originally oral.”

John Hollander (1929–2013) American poet

“Perhaps the safest thing to do at the outset, if technology permits, is to send music. This language may be the best we have for explaining what we are like to others in space, with least ambiguity. I would vote for Bach, all of Bach, streamed out into space, over and over again. We would be bragging of course, but it is surely excusable to put the best possible face on at the beginning of such an acquaintance. We can tell the harder truths later.”

Lewis Thomas book The Lives of a Cell: Notes of a Biology Watcher

"Ceti"
The Lives of a Cell: Notes of a Biology Watcher (1974)

Truth

“Religion is hard work. Its insights are not self-evident and have to be cultivated in the same way as an appreciation of art, music, or poetry must be developed.”

Karen Armstrong book The Case for God

Source: The Case for God (2009), Ch. 1 : Homo religiosus, p. 8

Religion, Art, Way

“Music is a world within itself
With a language we all understand,
With an equal opportunity
For all to sing, dance and clap their hands.”

Stevie Wonder (1950) American musician

Sir Duke
Song lyrics, Songs In The Key of Life (1976)

World, Understanding, Singing, Dance

“In those days, dances were dances and songs were songs. Film dances always had a semi-classical or folk element to them and songs were all about soul-stirring lyrics and haunting music. These days, they are more about technique and technology, often it's the camera that's dancing, the synthesiser that's singing. Not my cup of tea.”

Vyjayanthimala (1936) Indian actress, politician & dancer

Vyjayanthimala still cuts a striking figure tall

Soul, Singing, Dance, Tea

“David Tudor and I went to Hilversum in Holland to make a recording for the Dutch radio. We arrived at the studio early and there was some delay. To pass the time, we chatted with the engineer who was to work with us. He asked me what kind of music he was about to record. Since he was a Dutchman I said, 'It may remind you of the work of Mondrian.' When the session was finished and the three of us were leaving the studio, I asked the engineer what he thought of the music we had played. He said, 'It reminded me of the work of Mondrian.”

John Cage (1912–1992) American avant-garde composer

Quote from 'Lecture on Nothing', (c. 1949), in 'Silence: lectures and writings by John Cage; Publisher Middletown, Conn. Wesleyan University Press, June 1961, p. 127
this lecture had been prepared some years earlier, but was not printed until 1959, when it appeared in 'It Is', ed. Philip Pavia
1950s

Time

“Music is the best way that I know to say the things that are difficult to say in English. Words get in the way sometimes.”

Josh Homme (1973) American musician

Reported in Jay Babcock, " MUSIC IS NEVER WRONG: A visit with Josh Homme & John Paul Jones of Them Crooked Vultures http://www.arthurmag.com/2009/10/15/them-crooked-vultures/", Arthur Magazine (October 15, 2009).

Way

“Where great whales come sailing by,
Sail and sail, with unshut eye,
Round the world for ever and aye?
When did music come this way?
Children dear, was it yesterday?”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

St. 3
The Forsaken Merman (1849)

Children, World, Way

“Yesterday, on the 17th of May, we Norwegians celebrated our constitution day to mark the signing of Norway's constitution in 1814. Maybe it is because we are a small country: In Norway this is an important day. All over Norway children have paraded in their best clothes to the music of thousands of marching bands, and countless speeches have been made to remind each others, as fellow Norwegians, that freedom should never be taken for granted.”

Andreas Heldal-Lund (1964) Norwegian activist

Award Winner's Speech http://www.leipzig-award.org/englisch/rede_preistraeger_2003.htm, Leipzig Human Rights Award, 2003 Leipzig Human Rights Award of the European-American Citizens Committee for Human Rights and Religious Freedom in the USA, (May 18, 2003).

Children, Freedom, Clothes, Country

“Music when the lights go out
Love goes cold in shades of doubt
The strange face in my mind is all too clear
Music when the lights come on
The girl I thought I knew has gone
And with her my heart has disappeared”

Pete Doherty (1979) English musician, writer, actor, poet and artist

"Music When the Lights Go Out" (with Carl Barat)
Lyrics and poetry

Love, Girl, Light, Heart

“One of the first people I met outside of the group [Pearl Jam] was this next human and I had no idea how he would affect my life and my views on music and my views on friendship and what a big impact he would have. These guys [the other members of Pearl Jam] know him much longer than me and his impact is profound. I'd like to introduce with great pleasure my old neighbor, Chris Cornell.”

Eddie Vedder (1964) musician, songwriter, member of Pearl Jam

Eddie Vedder introducing Cornell during a Pearl Jam concert on September 4, 2011
Source: https://www.youtube.com/watch?v=GbG9CNCettk, PEARL JAM Chris Cornell *Hunger Strike* PJ20 night 2 @ Alpine Valley Temple of the Dog 9/4/2011, YouTube, 5 September 2011

Life, Friendship, People, Pleasure

“There is current in our land (and several European countries) at this moment a kind of nit-picking worship of historic im-po-tence. They say, they say, that Bach must not be interpreted and that he must have no emotion, his notes speak for themselves. You want know what that is? Pure unadulterated rot! Bach has the red blood. He has the communion with the people! He has all of this amazing spirit and imagine that you could put all the music on one side of the agenda with his great interpretation and great feeling and put the greatest man of all right up on top of a dusty shelf underneath some glass case in a museum and say that he must not be interpreted! They're full of you know what and they are so untalented that they had to hide behind this thing 'cause they couldn't get in the House of Music any other way!”

Virgil Fox (1912–1980) American musician

Heavy Organ (introduction to the Bach Toccata and Fugue in Dm, BWV 565)

People, Way, Feeling, Imagination

“On live performance: "Yes. l’d really like to do some concerts of completely improvised music, but one of the reasons for doing a concert is to experience the enjoyment of the people there, so you have to include excerpts of music from previous albums because they want to hear something they already know and like. There’s nothing wrong with limiting your spontaneous playing to just improvising around old themes, but what is wrong is playing a concert solely to promote a certain record. I’ve never done a concert tour just to promote Heaven and Hell or Chariots or anything like that. That sort of thing seems pointless to me."”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

http://www.nemostudios.co.uk/vangelis/interviews/covermag/interviews.htm
Soil Festivities Vangelis Speaks
Dan Goldstein
November 1984
Electronics & Music Maker
1984

People, Hell

“For a long time one school of players favored the technique of stating side by side, developing in counterpoint, and finally harmoniously combining two hostile themes or ideas, such as law and freedom, individual and community. In such a Game the goal was to develop both themes or theses with complete equality and impartiality, to evolve out of thesis and antithesis the purest possible synthesis. In general, aside from certain brilliant exceptions, Games with discordant, negative, or skeptical conclusions were unpopular and at times actually forbidden. This followed directly from the meaning the Game had acquired at its height for the players. It represented an elite, symbolic form of seeking for perfection, a sublime alchemy, an approach to that Mind which beyond all images and multiplicities is one within itself — in other words, to God. Pious thinkers of earlier times had represented the life of creatures, say, as a mode of motion toward God, and had considered that the variety of the phenomenal world reached perfection and ultimate cognition only in the divine Unity. Similarly, the symbols and formulas of the Glass Bead Game combined structurally, musically, and philosophically within the framework of a universal language, were nourished by all the sciences and arts, and strove in play to achieve perfection, pure being, the fullness of reality. ”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

Life, God, Hostility, World

“Is it not our duty to find the symphonic formula which fits our time, one which progress, daring and modern victory demand? The century of airplanes has a right to its own music.”

Claude Debussy (1862–1918) French composer

As quoted in Music in History : The Evolution of an Art (1957) by Howard Decker McKinney and William Robert Anderson, p. 640
As quoted in An Encyclopedia of Quotations About Music (1981) by Nat Shapiro, p. 69
Variant: The century of aeroplanes deserves its own music. As there are no precedents, I must create anew.

Time, Victory

“…The tragedy of music is that it begins with perfection.”

Morton Feldman (1926–1987) American avant-garde composer

Quoted in a May 1976 interview, published in Studio International (November 1976) pp 244-248.

Perfection

“Music, being identical with heaven, isn't a thing of momentary thrills, or even hourly ones. It's a condition of eternity.”

Gustav Holst (1874–1934) English composer

Letter to W G Whittaker, 1914, quoted in Paul Holmes Holst p. 62.

“Enthusiasm is achieved chiefly by means of provocations. In these cases, something inside of us resonates vibrantly with something outside. / The form of the provocation—be it book, music, sporting event, conversation—matters insofar as it might help to us find these sources of resonance.”

Carson Cistulli (1979) American poet and writer

A Century of Enthusiasm (2007)

Books, Sport, Help

“Sitting and writing music on your own makes you think a lot about your life. Who are you? Would you change anything about yourself? This is where it comes from. It is like having a mirror held up in front of you, looking into yourself and asking these questions.”

Enya (1961) Irish singer, songwriter, and musician

Women's Weekly interview (2006)

Life, Question, Thinking, Change

“Winter Light — suppose we discuss that now?… The film is closely connected with a particular piece of music: Stravinski's A Psalm Symphony. I heard it on the radio one morning during Easter, and it struck me I'd like to make a film about a solitary church on the plains of Uppland. Someone goes into the church, locks himself in, goes up to the altar, and says: 'God, I'm staying here until in one way or another You've proved to me You exist. This is going to be the end either of You or of me!' Originally the film was to have been about the days and nights lived through by this solitary person in the locked church, getting hungrier and hungrier, thirstier and thirstier, more and more expectant, more and more filled with his own experiences, his visions, his dreams, mixing up dream and reality, while he's involved in this strange, shadowy wrestling match with God.
We were staying out on Toro, in the Stockholm archipelago. It was the first summer I'd had the sea all around me. I wandered about on the shore and went indoors and wrote, and went out again. The drama turned into something else; into something altogether tangible, something perfectly real, elementary and self-evident.
The film is based on something I'd actually experienced. Something a clergyman up in Dalarna told me: the story of the suicide, the fisherman Persson. One day the clergyman had tried to talk to him; the next, Persson had hanged himself. For the clergyman it was a personal catastrophe.”

Ingmar Bergman (1918–2007) Swedish filmmaker

Jonas Sima interview 
Bergman on Bergman (1970)

God, Dreams, Way, Reality

“Music is one of the very few things left in this world, which has an amazing power of healing. I really hope that these songs will set your imagination free, enrich your emotions and help your heart and mind feel happier.”

Edyta Górniak (1972) Polish singer

Invisible (cd), 2002

World, Hope, Feeling, Imagination

“My dear Pratella, I submit to your futurist genius these new ideas, and I invite you to discuss them with me. I am not a musician, so that I have no acoustic preferences, nor works to defend. I am a futurist painter who projects on a profoundly loved art his will to renew everything. This is why, bolder than the bolder professional musician, totally unpreoccupied with my apparent incompetence, knowing that audacity gives all prerogatives and all possibilities, I have conceived the renovation of music through the Art of Noise.
Luigi Russolo
Painter
Milano, March 11, 1913.”

Luigi Russolo (1885–1947) Electronic music pioneer and Futurist painter

Source: 1910's, The Art of Noise', 1913, p. 12

Love, Art, Idea

“Through instrumental music, I’m allowed to come up with musical ideas that allow the listener to create their own impression of my song. If you add lyrics about a girl in the song, the listener doesn’t have a choice of what the song is about, it’s told to them. My musical writings allow me to express anything. It’s easier for me to tell a story of something I’ve encountered this way then to verbalize it. And my feelings are explored more in my compositions compared to what I could ever say in a few sentences.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

[Janus, Cicily, Radinsky, Ned, http://newfaceofjazz.com/?page_id=594, New Faces of Jazz: Bradley Joseph, (newfaceofjazz.com), 2010-08-01]

Way, Feeling, Girl, Idea

“I think of the Ramones when I think of music that can save your life, but I’m not so sure about a band like Fall Out Boy who appears to make music in vein or that, at least, doesn’t sound like something they would die for.”

Shingai Shoniwa (1981) British musician

When asked: Is music more of a product today, or seen as something that can save your life? http://www.popmatters.com/pm/features/article/33984/one-of-those-bands-an-interview-with-the-noisettes/

Life, Boy, Thinking, Appearance

“In 2002, if you asked me to make a wish? I simply would've wished that my music would be a hit.”

50 Cent (1975) American rapper, actor, businessman, investor and television producer

I'm Supposed to Die Tonight
Song lyrics, The Massacre (2005)

“Dance can reveal everything mysterious that is hidden in music, and it has the additional merit of being human and palpable. Dancing is poetry with arms and legs.”

Charles Baudelaire book La Fanfarlo

La danse peut révéler tout ce que la musique recèle de mystérieux, et elle a de plus le mérite d'être humaine et palpable. La danse, c'est la poésie avec des bras et des jambs, ... <br class="br">"La Fanfarlo" (1847) http://fr.wikisource.org/wiki/La_Fanfarlo

Dance

“Andre [Recke] and I and my mom worked very hard to really get good music that I related to and was age-appropriate for me and wasn't just cheesy pop stuff.”

Hilary Duff (1987) American actress and singer

Age, Moms

“In the late 1950s, experiments such as the cybernetic sculptures of Nicolas Schöffer or the programmatic music compositions of John Cage and Iannis Xenakis transposed systems theory from the sciences to the arts. By the 1960s, artists as diverse as Roy Ascott, Hans Haacke, Robert Morris, Sonia Sheridan, and Stephen Willats were breaking with accepted aesthetics to embrace open systems that emphasized organism over mechanism, dynamic processes of interaction among elements, and the observer’s role as an inextricable part of the system. Jack Burnham’s 1968 Artforum essay “Systems Aesthetics” and his 1970 “Software” exhibition marked the high point of systems-based art until its resurgence in the changed conditions of the twenty-first century.”

Edward A. Shanken (1964) American art historian

Edward A. Shanken. Systems https://books.google.nl/books?id=Ip_0rQEACAAJ, 2015. Overview

Art, Science, Change, Parting

“No other language than some soft sweet sounds
She had caught from the voices of the birds
When singing to the morning, and the notes
Sent from the waterfall, when, like a harp,
It held discourse in music with the wind.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette, 1823

Bird, Singing

“Now you hung with me when all the others turned away turned up their nose.
We liked the same music, we liked the same bands, we liked the same clothes.
We told each other that we were the wildest, the wildest things we'd ever seen.
Now I wished you would have told me, I wished I could have talked to you.
Just to say goodbye Bobby Jean.”

Bruce Springsteen (1949) American singer and songwriter

"Bobby Jean"
Song lyrics, Born in the U.S.A. (1984)

Clothes

“Rhythm and blues used to be called race music. … This music was going on for years, but nobody paid any attention to it.”

Ray Charles (1930–2004) American musician

Pop Chronicles: Show 55 - Crammer: A lively cram course on the history of rock and some other things http://digital.library.unt.edu/ark:/67531/metadc19838/m1/, interview recorded 3.8.1968 http://web.archive.org/web/20100116003442/http://www.library.unt.edu/music/special-collections/john-gilliland/index-to-interviews.

“Musically I try to connect a common bridge between such exhilarating feelings as performing at the Acropolis, to the emotions each and every one of us feel everyday. In the end, a good melody will always stand the test of time.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

Indie Journal Interview http://web.archive.org/web/20041101084648/http://www.indiejournal.com/indiejournal/interviews/bradleyjoseph.htm

Feeling, Time

“Somebody asked me the question not too long ago: 'Dave, do you think the music business has turned corrupt'. I said: 'Absolutely not - it has always been corrupt.”

David Lee Roth (1954) Rock vocalist; lead singer with Van Halen

Brett Thomas (October 16, 1988) "Roth 'N' Roll: Flashy - But David's A Shrewd Businessman", The Sun-Herald, Section: News and Features, p. 25.

Question, Business, Thinking

“I can spot a musical type. I can tell by looking at a woman whether she is a contralto or a soprano.”

Walther Funk (1890–1960) German economist and politician

To Leon Goldensohn, April 7, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004 - Page 83

“At some point I thought that, as I got older, I’d come to terms with a lot of things. I’d solve some big problems, and eventually I’d become content. It’s almost more depressing to think that the older you get, the more your problems multiply. When I’m old, I’d like to wake up in the morning and not really do anything — just be happy to exist. I’d like to look at my accomplishments and sit back and revel in my own achievement. But I don’t think that’ll ever happen.
Before I made a living playing music, I used to work shitty job after shitty job and think “Man, as soon as I’m able to make a living in music, it’s really going to come together then, it’s really going be amazing.” I remember hoping there’d be 10 people at a show in 1998 when there was an incredible write-up in the local weekly. I don’t want to go back to that period of being obscure and having nobody know who I am, let alone have to struggle to get people to come to the show. I remember what it was like, and it was shitty.”

Ben Gibbard (1976) American singer, songwriter and guitarist

Source: The Meaning Of Life, II

Happiness, People, Hope, Problem

“For me this career and that I am privileged to do a job I love to do, means really, really much. I would never change any moment from my life. When making music I sink myself into the process as deeply as I can and forget all of the success.”

Enya (1961) Irish singer, songwriter, and musician

Anna interview (2005)

Love, Life, Change, Success

“Certainly there are songs out there that are massively popular, and you can use some reverse analysis to see how they're put together, but it's difficult to reliably engineer a "hit". Add to this the constantly swirling winds of cultural taste, and you can see that the music industry is more akin to playing the lottery than anything else. Having some talent or taste can give you a bit of an edge, but it's still a huge roulette wheel..”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

“{Music symbolizes the loss of faith, of common belief. ] The small, intimate church is closed, the organs are dead, it is sadder than before. Only those whom fate designs for the eternal mass of infinite love remain. They compose only a very small chapel of clarity in space and time.”

Louis-ferdinand Céline (1894–1961) French writer

45
Mea culpa; suivi de la vie et l'oeuvre de Semmelweis (1937)

Love, Fate, Faith, Loss

“All you can usually say about a poem or a picture is, 'Look at it, listen to it.' Whether you listen to a piece of music or a poem, or look at a picture or a jug or a piece of sculpture, what matters about it is not what it has in common with others of its kind, but what is singularly its own.”

Basil Bunting (1900–1985) Poet

Basil Bunting on Poetry ed Peter Makin, The Johns Hopkins University Press; New edition (1 Oct 2003) ISBN 978-0801877506

“I am not speaking, obviously, to the laughing hyenas who enjoy seeing images of the wreckage and snicker good–it–serves–the–Americans–right. I am speaking to those who, though not stupid or evil, are wallowing in prudence and doubt. And to them I say: "Wake up, people. Wake up!!" Intimidated as you are by your fear of going against the current—that is, appearing racist (a word which is entirely inapt as we are speaking not about a race but about a religion)—you don’t understand or don’t want to understand that a reverse–Crusade is in progress. Accustomed as you are to the double–cross, blinded as you are by myopia, you don’t understand or don’t want to understand that a war of religion is in progress. Desired and declared by a fringe of that religion, perhaps, but a war of religion nonetheless. A war which they call Jihad. Holy War. A war that might not seek to conquer our territory, but that certainly seeks to conquer our souls. That seeks the disappearance of our freedom and our civilization. That seeks to annihilate our way of living and dying, our way of praying or not praying, our way of eating and drinking and dressing and entertaining and informing ourselves. You don’t understand or don’t want to understand that if we don’t oppose them, if we don’t defend ourselves, if we don’t fight, the Jihad will win. And it will destroy the world that for better or worse we’ve managed to build, to change, to improve, to render a little more intelligent, that is to say, less bigoted—or even not bigoted at all. And with that it will destroy our culture, our art, our science, our morals, our values, our pleasures… Christ! Don’t you realize that the Osama Bin Ladens feel authorized to kill you and your children because you drink wine or beer, because you don’t wear your beard long or a chador, because you go to the theater or the movies, because you listen to music and sing pop songs, because you dance in discos or at home, because you watch TV, wear miniskirts or short–shorts, because you go naked or half naked to the beach or the pool, because you *** when you want and where you want and who you want? Don’t you even care about that, you fools? I am an atheist, thank God. And I have no intention of letting myself be killed for it.”

Oriana Fallaci book The Rage and the Pride

"Rage and the Pride">Oriana Fallaci - The Rage and the Pride http://www.amazon.co.uk/Rage-Pride-Oriana-Fallaci/dp/084782599X - Universe Publishing; Intl edition, 2002, ISBN 9780847825998

God, War, Children, People

“Vangelis has been writing and performing electronic music for three decades and suggests that it is perhaps the only genre - with the exception of "pure" classical music - that can comunicate universally.”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

https://books.google.hr/books?id=_hMEAAAAMBAJ
Vangelis Prepares For Blastoff On Musical Mission To Mars
Maria Paravantes
August 25, 2001
Billboard
113
34
50
0006-2510
2001

Universe

“I had an apartment and I had a neighbor, and whenever he would knock on my wall, I knew he wanted me to turn my music down, and that made me angry 'cause I like loud music… So when he knocked on the wall, I'd mess with his head. I'd say "Go around! I cannot open the wall! I don't know if you have a door on your side, but over here there's nothin.'”

Mitch Hedberg (1968–2005) American stand-up comedian

It's just flat." <br class="br">Comedy Central Presents, S01E06: Mitch Hedberg https://www.youtube.com/watch?v=iAHiHJ2AhYE&feature=youtu.be (5 January 1999)

“Whereas it might be erroneous to claim that the literature, art, and music of the Harlem Renaissance revolutionized the practice of democracy in the United States, it would not be an error to point out that the ideas they championed did impact America's understanding, and subsequently its application, of democracy.”

Aberjhani (1957) author

(Author's Note, p. xvii).
Book Sources, Encyclopedia of the Harlem Renaissance (2003)

Art, Error, Democracy, Literature

“As a teenager I had already arranged pieces for the school band in exchange for music lessons. I also played cello, clarinet, and some other instruments regularly. Thanks to that experience, as an arranger I was able to understand the specific sound and tuning of an instrument and to work intuitively.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Clare Fischer: The Best Kept Secret in Jazz" http://www.artistinterviews.eu/?page_id=5&parent_id=22/ by Maarten De Haan, in Artist Interview (1998)

School, Understanding

“Passion is something which very few of us have really felt. What we may have felt is enthusiasm, which is being caught up in an emotional state over something. Our passion is for something: for music, for painting, for literature, for a country, for a woman or a man; it is always the effect of a cause. When you fall in love with someone, you are in a great state of emotion, which is the effect of that particular cause; and what I am talking about is passion without a cause. It is to be passionate about everything, not just about something, whereas most of us are passionate about a particular person or thing. I think one must see this distinction very clearly. In the state of passion without a cause, there is intensity free of all attachment; but when passion has a cause, there is attachment, and attachment is the beginning of sorrow.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

Vol. XIII, p. 251
Posthumous publications, The Collected Works

Love, Literature, Thinking, Passion

“It’s very difficult to make them understand the importance of a Guruji. In India, it’s kind of more than gods and goddesses. We revere our Gurujis more than our parents, more than our family members, more than gods and goddesses. But they’ll never understand. Never understand who a Guru is. There are so many differences. But when I am teaching at Rotterdam in Netherlands (He heads the World Music Department at the Rotterdam Music Conservatory), I tell each and every student-“keep your shoe out, you have to sit down. If you want to learn Indian music, you have to treat me- not like your teacher, not like your Guru, you treat me as a friend and we share our willing.”

Hariprasad Chaurasia (1938) Indian bansuri player

On Guru-Shishya Parampara (tradition of Teacher and Student) and Modern world.
Melodies of Brindavan: Pandit Hariprasad Chourasia

God, World, Family, Shoe

“When his veering gait
And every motion of his starry train
Seem governed by a strain
Of music, audible to him alone.”

William Wordsworth (1770–1850) English Romantic poet

The Triad.
Bartlett's Familiar Quotations, 10th ed. (1919)

Training

“Music is a means capable of expressing dark dramatism and pure rapture, suffering and ecstasy, fiery and cold fury, melancholy and wild merriment – and the subtlest nuances and interplay of these feelings which words are powerless to express and which are unattainable in painting and sculpture.”

Dmitri Shostakovich (1906–1975) Russian composer and pianist

"The Power of Music" (1964), translated in Music Journal, September 1965, p. 37.

Feeling, Suffering, Painting

“Collective music making… may have historically served to promote feelings of group togetherness and synchrony, and may have been an exercise for other social acts…”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Feeling, Exercises

“The existence of antagonistic "conspiracies" was recognized by the defenders of religious and political views. Iconoclasts knew that images might distort the basic message of their creed (which consisted of words and resided in Holy Books). Church architecture and church music were adapted to the needs of the Holy Faith. Alternative styles were either fought or made part of religious PR. I conclude that our 'field of experience' is molded, overlaid, and 'conspired' against not just by language, but by numerous other patterns and institutions, many of them in mutual conflict. An inference from a style, a particular linguistic apparatus, or, more recently, from scientific beliefs, to a cosmology, corresponding ways of life and an all-embracing "spirit of the age therefore needs special support; it cannot be made as a matter of course.”

Paul Karl Feyerabend (1924–1994) Austrian-born philosopher of science

pg 28.
Conquest of Abundance (2001 [posthumous])

Life, Books, Age, Faith

“Learn by heart the forms to be found in nature, so that you can use them like the notes in a musical composition. That is what these forms are for. Nature is a marvelous chaos, and it is our job and our duty to bring order into that chaos and – to perfect it.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

Beckmann's lecture 'Drei Briefe an eine Malerin' ('Three letters to a Woman-painter'), New York and Boston, Spring 1948; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 214
1940s

Nature, Learning, Heart, Perfection

“The idea that beauty is revolution is a revelation to me. I once believed that the concept of the music was more important than the sound, that the politics of the notation was more important than the time limits of the rehersals and therefore, more important than the sound of the performance”

Beth Anderson (1950) American neo-romantic composer

Cited (earlier) in: American Women Composers (1979) AWC news. Volumes 2-3. p. 41
Beauty is Revolution (1980)

Beauty, Idea, Time

“Examining the musical language of Prokofiev in a more detailed way, we must acknowledge that for him melody was always the most important element of music, one that determined the quality of the composition”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev: His Life and the Evolution of His Musical Language

Way

“It's funny how people are pickin' up on our music now, you know? I think it's wonderful that people like our music.”

Brian Wilson (1942) American musician, singer, songwriter and record producer

Caroline Now! interview (20 April 2000)

People, Thinking

“Critics of visual arts and of music describe in words — that is to say, a system of signs other than those made by brushes on canvas or chisels into stone or notes of music — those characteristics of painting or sculpture or music which can be described or analysed. Visual artists and composers can disregard critics on the ground that the medium of verbal criticism bears so indirect a relation to the medium in which they make something. Poets are in a different situation. With the development of so-called scientific methods of criticism they are made ever conscious that criticism of poetry is in the same medium of work as the art which they practise. “Close analysis” is useful to critics and readers. But for the poet there is the danger of disintegration of poetry into paraphrase, examination of technique, influences, all analysed in the language of criticism.”

Stephen Spender (1909–1995) English poet and man of letters

"Tradition-Bound Literature and Traditionless Painting"
The Struggle of the Modern (1963)

Art, Painting

“I hear noises which others don't hear and which disturb for me the music of the spheres, which others don't hear either.”

Karl Kraus (1874–1936) Czech playwright and publicist

Half-Truths and One-And-A-Half Truths (1976)

“Do we really have to wander around apologizing for enjoying plot, just because James Wood and a few dozen other arch-aesthetes sniff at it? It's like being careful not to sing pop songs in the shower because some guy in the local alt-weekly is a music snob.”

Patrick Nielsen Hayden (1959) American science fiction editor, fanzine publisher, essayist, reviewer, anthologist, and teacher

"Oh No Lev Grossman No", in Making Light (30 August 2009)

Guy, Singing

“The rhetorical process functioned in many areas other than speech: Curtius wrote about 'rhetorical landscape representations' while Serpieris speaks of 'la retorica al teatro' (the rhetorical use of theatrical space), and music historians have learned that the language and approach of musical theory in the Middle Ages were borrowed directly from medieval grammar and rhetoric.”

Thomas Binkley (1931–1995) lutenist

"The work is not the performance", Companion to Medieval & Renaissance Music. (1997). Oxford University Press. ISBN 0198165404.

Age, Learning

“My father was a wrestler and though everyone liked music in the family, it was a taboo to even think of a musical career. I used to wrestle to keep him happy. When I was about nine years old, I started learning vocal music from Pandit Rajaram, secretly! At the age of fifteen, I heard the flute for the first time on Allahabad radio. It was as if I was being transported to heaven. The flautist was Pt. Bholanath and that was the major turning point in my life. Soon after, while I was still in my teens I got an offer to work as a staff artist on Cuttack radio in Odisha/ and I accepted. It was then that my father found out that I was a musician. It was a major shock for him.”

Hariprasad Chaurasia (1938) Indian bansuri player

On Parents and Passion.
Melodies of Brindavan: Pandit Hariprasad Chourasia

Life, Happiness, Age, Family

“You’ve seen the refugees heading nowhere,
you’ve heard the executioners sing joyfully.
You should praise the mutilated world.
Remember the moments when we were together
in a white room and the curtain fluttered.
Return in thought to the concert where music flared.
You gathered acorns in the park in autumn
and leaves eddied over the earth’s scars.
Praise the mutilated world
and the gray feather a thrush lost,
and the gentle light that strays and vanishes
and returns.”

Adam Zagajewski (1945) Poet

Try to Praise the Mutilated World, Try to Praise the Mutilated World, September 11, 2011, Adam Zagajewski, The New Yorker, September 24, 2001 http://www.newyorker.com/archive/2001/09/24/010924po_poem_zagajewski,

World, Autumn, Light, Singing

“If music is implemented in the best possible way and the music is good and interesting, then it is going to make a good game great.”

Jesper Kyd (1972) musician

Amiga Music Preservation interview, 2006

Way, Game

“Two lovers, here at the corner, by the steeple,
Two lovers blow together like music blowing:
And the crowd dissolves about them like a sea.
Recurring waves of sound break vaguely about them,
They drift from wall to wall, from tree to tree.”

Conrad Aiken (1889–1973) American novelist and poet

The House of Dust (1916 - 1917)

Lovers, Tree, Sea

“Listen, when I arrived in Los Angeles in the early '40s, there were just 640,000 people. Every loser in the world headed there because there was no competition. The keynote was mediocrity because the film, radio and music businesses had defined that the average mental age of the audience was 12. They handed me the bloodstained hat of a guy who'd fallen off his horse and suddenly I was in the movies—in a Hopalong Cassidy picture. I give hope to the hopeless. People say, "If he can make it, I can be Queen of England.”

Robert Mitchum (1917–1997) American film actor, author, composer and singer

As quoted in "Roberto Mitchum: After all these years, still one of a kind"

People, Age, World, Hope

“I used to see songwriting like editing a film or something. You can edit music like you can edit a film. Or if I was painting or making a picture or something, that night I could sit down and write a song. I think it really helps to break things up. Sometimes when you sit down to write songs, you write three or four songs in a row feeling the same sort of vibe. But if you stop in-between that time and change something, you break the pattern – you prevent yourself from unconsciously falling into a format.”

M.I.A. (1975) British recording artist, songwriter, painter and director

Interview http://blogs.westword.com/backbeat/2008/05/qa_with_mia.php to Westword (2008) <br class="br">Sourced quotes

Feeling, Thinking, Change, Time

“I love musical theatre and my dream is to do Once On This Island.”

Syesha Mercado (1987) American actor, model and musician

Rebecca Lynne Tan, "Swan song for Syesha", The Straits Times (Singapore), May 17, 2008.
On her future plans

Love, Dreams

“I'm becoming very interested in non-Western things, and in Europe a lot of what's offered to me is the Western tradition I've grown up with. Now I've got to find a way out, but the problem is that the piano is just about as Western as you can get. The piano's my instrument, and I wouldn't want it any other way, but I'm gravitating quite naturally towards things that have developed my sense of rhythm. "I've come to all this incredible Indian classical music and its more modern formations late in the day; the Messiaen I've played has led me down that road, and I've been following my nose all the time.”

Joanna MacGregor (1959) British musician

The Times, 15/12/1998
Musician's life

Way, Nature, Problem, Sense

“Perhaps the music that some call 'background' music can tranquilize by turning under-thoughts from bad to neutral, leaving the surface thoughts free of affect by diverting the unconscious.”

Marvin Minsky (1927–2016) American cognitive scientist

Music, Mind, and Meaning (1981)

“Oh, could you view the melody
Of every grace
And music of her face,
You'd drop a tear;
Seeing more harmony
In her bright eye
Than now you hear.”

Richard Lovelace (1617–1658) English writer and poet

Orpheus to Beasts. Compare: "There is music in the beauty, and the silent note which Cupid strikes, far sweeter than the sound of an instrument; for there is music wherever there is harmony, order, or proportion; and thus far we may maintain the music of the spheres", Thomas Browne, Religio Medici, Part ii, Section ix; "The mind, the music breathing from her face", Lord Byron, Bride of Abydos (1813), canto i, stanza 6.
Lucasta (1649)

Tear

“I have closely studied the figured documents of all ages and of all the great masters, but I have never seen in them any representations of human beings walking on the extremity of the toes or raising the leg higher than the head. These ugly and false positions in no way express that state of unconscious Dionysiac delirium which is necessary to the dancer. Moreover movèments, just like harmonies in music, are not invented; they are discovered.”

Isadora Duncan (1877–1927) American dancer and choreographer

As quoted in Modern Dancing and Dancers (1912) by John Ernest Crawford Flitch, p. 106.

Age, Way, Study, Falseness

“On my Fleischmann Hour from Rochester I went into a "rave" about the Victor record of ["It Must Be True"] as played by Gus Arnheim and his Cocoanut Grove Orchestra. From all reports that drift back to me, and from people that I know in California, Arnheim has the finest dance aggregation on the West Coast, and to my way of thinking, perhaps the finest in the entire world. It may sound like a rather broad statement, but I would be willing to back his organization against any other in any other part of the world. Although I have never seen them perform on the stage to what they have in the way of showmanship, from a pure musical standpoint I feel that they are unexcelled.
Perhaps my great admiration for them is increased by the presence of Bing Crosby, formerly the lead in Paul Whiteman's "Rhythm Boys", who, in my humble opinion, has the finest recording voice to which it has ever been my pleasure to listen. If he doesn't capture all the feminine hearts in America through his records, no one ever will. He has the most unique style of singing I have ever listened to since I used to enjoy the records of Charlie Kaley.”

Rudy Vallée (1901–1986) American singer, actor, bandleader, and entertainer

"Tuneful Topics", Radio Digest, June 1931. https://archive.org/stream/radiodigest2627unse#page/n869/mode/2up

People, Pleasure, World, Way

Quotes about music page 25

Quotes about music
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