Quotes about music
page 24

“Mr. Honda would always give me complete control over the score. Even though he was very knowledgeable about music, he would always say to me, "Mr. Ifukube, I know very little about music, so I'll allow you to make all of the decisions about the score." Mr. Honda was a very generous man. All of the other directors with whom I worked would stay in the control booth while the scores for their films were being recorded. Only Mr. Honda would come out of the booth and stand beside me while I was conducting. He was always very curious.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview II" http://www.davmil.org/www.kaijuconversations.com/ifukub2.htm, Kaiju Conversations (December 1993)

Knowledge, Decision

“Cosmides and Tooby argue that music's function in the developing child is to help prepare its mind for a number of complex cognitive and social activities, exercising the brain so that it will be ready for the demands placed on it by language and social interaction. …Mother-infant interactions involving music almost always entail both singing and rhythmic movement…”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Exercises, Singing, Help

“In a musical sense, it seemed like all the good intentions had gone awry, very quickly. I mean, we got back from America and Blur had made The Great Escape, which I thought was a really, truly awful album - so cheesy, like a parody of Parklife, but without the balls or the intellect. And Oasis were enormous and I always found them incredibly dreary. There was this uncritical reverence surrounding the whole thing”

Justine Frischmann (1969) English musician

On the state of Brit Pop <br class="br">Elastica Limits interview, March 10th 2002 by Andrew Smith, The Guardian http://observer.guardian.co.uk/life/story/0,6903,664759,00.html

Sense

“For me, I can still say music is God, music is the face of God. That's everybody, that's the hearts of men. And that's important to me. But that's not the way everybody sees it. And, of course, what happened in interviews, especially in collective interviews, was that people would ask me questions and I would talk about development and ideals, about which I already have talked too much this afternoon, and these questions would be posed to the other musicians and they would say, "We don't want to feel that way at all, we're not into that."”

John McLaughlin (1942) guitarist, founder of the Mahavishnu Orchestra

On the visionary differences between McLaughlin and amongst other members of the Mahavishnu Orchestra, as quoted in Fripp, Robert. "Coffee and Chocolates for Two Guitars". Musician No. 45, July 1982. https://www.elephant-talk.com/wiki/Interview_with_John_McLaughlin_by_Robert_Fripp_in_Musician

Men, God, People, Way

“Did you sleep well last night?” asked Glorian.
“Yes, I suppose,” said Dore, “although I was trouble by a strange dream.”
“Oh? Perhaps it was some sort of omen. Tell me of it.”
“Certainly,” said Dore. “I dreamed of a domino.”
“Just one?”
“Yes, just the one. All night. No people or sounds in the dream, just the domino. The five-three.”
“Wonderful!” cried Glorian. “The five-three is a lucky little devil. It presages victory after hardships. It confirms your inner ambition, but counsels you to avoid extremes, to temper pleasure with practicality. Advances in music, art, and drama are indicated. Rely on good manners and good taste. The five-three is a domino of hope and good news.”

George Alec Effinger (1947–2002) Novelist, short story writer

“Are you making that up?” said Dore suspiciously.
Source: What Entropy Means to Me (1972), Chapter 6 “A Perilous Scheme” (p. 111).

People, Pleasure, Dreams, Hope

“Physicists describe the two properties of physical laws—that they do not depend on when or where you use them—as symmetries of nature. By this usage physicists mean that nature treats every moment in time and every location in space identically—symmetrically—by ensuring that the same fundamental laws are in operation. Much in the same manner that they affect art and music, such symmetries are deeply satisfying; they highlight an order and coherence in the workings of nature. The elegance of rich, complex, and diverse phenomena emerging from a simple set of universal laws is at least part of what physicists mean when they invoke the term "beautiful."”

Brian Greene book The Elegant Universe

The Elegant Universe (1999) Ch. 7 The "Super" in Superstrings.

Law, Beauty, Art, Nature

“The album is very different from the all the other albums today. First of all, the album was one year delayed because I wasn’t happy and every time I did an album it was unofficially finished. I had some time to listen to some new songs and plug into some music programs and discovered this new song and delayed the release for a month, because I wanted to update the new tracks to these new sounds I found… so then when I did that all the other songs sounded like crap compared to the new ones! So I said f*** this I need to reproduce the other ones as well. Then I scrapped a few songs and produced new ones. So to produce this album I pretty much produced maybe about 50 tracks and picked out the best of them. You know when you buy an album from a producer/artist, you kind of hear the same sound repeating in each song, you hear the same sound repeating, but this album is like every song is individual. Like you wont find two songs which have the same sound. Each song is completely different which I think kind of represents what I do because I produce everything and I love producing everything. Sometimes I’m in the mood to produce you know a dance song, sometimes I’m in the mood to produce an R&B song, it’s just interesting because I just want to show people that I can deliver to all ears.”

Basshunter Calling Time

Guestlist interview with Ria Talsania (10 July 2013) https://guestlist.net/article/9219/catching-up-with-basshunter <br class="br">Calling Time

Love, Happiness, People, Mood

“No one ever took music away from me, but I’m damned if it ever sounds quite as good as it used to when I was twenty.”

Alastair Reynolds book Century Rain

Source: Century Rain (2004), Chapter 36 (p. 555)

“And 'speak truth unto power'? What does this mean? It means giving your best advice to superiors based on the best information available and objective analysis even when you know it may not be music to their ears.”

Anson Chan (1940) Hong Kong politician

Source: From Anson Chan's speech addressing to the Asia Society Hong Kong Center in April 2001.

Truth

“To me, music was about being accepted and escaping from this crummy existence.”

Billy Corgan (1967) American musician, songwriter, producer, and author

Smashing Pumpkins (1996)

“When she had passed, it seemed like the ceasing of exquisite music.”

Henry Wadsworth Longfellow Evangeline: A Tale of Acadie

Part I, section 1.
Evangeline: A Tale of Acadie (1847)

“To remember the loneliness, the fear and the insecurity of men who once had to walk alone in huge factories, beside huge machines—to realize that labor unions have meant new dignity and pride to millions of our countrymen—human companionship on the job, and music in the home—to be able to see what larger pay checks mean, not to a man as an employee, but as a husband and as a father—to know these things is to understand what American labor means.”

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

Speech (22 September 1952), reported in Report of Proceedings of the Annual Convention of the American Federation of Labor, Vol. 71 (1952)

Men, Fear, Home, Understanding

“We can say that the United States runs the world like the Taliban ran Afghanistan. Cuba is dealt with like a woman caught outside not wearing her burkha. Horrific sanctions are imposed on Iraq in the manner of banning music, dancing, and kite-flying in Kabul. Jean-Bertrand Aristide is banished from Haiti like the religious police whipping a man whose beard is not the right length.”

William Blum (1933–2018) American author and historian

Introduction to Freeing the World to Death

World, Dance, Flying

“The human voice may be denominated the music of the mind; language, a figurative mode of expressing our ideas and sentiments. The effects of flowing from this beneficent endowment are overwhelming in contemplation and almost infinite in extent. It is principally instrumental to all the moral and physical improvements of man, and enables him to pour forth his otherwise invisible, inaudible, unfathomable thoughts, to his fellow-man and to his God.”

David Brewster (1781–1868) British astronomer and mathematician

Philosophical Magazine and Journal Of Science (July-December 1836), p. 346

God, Idea

“I think classical music is a great, beautiful art as long as people recognize it. But first we need to calm down and listen to it with heart. In this technologically advanced time, too many things are drawing peoples' attention. Sometimes we need to slow down, look back and feel the beauty of art and life.”

Lang Lang (1982) Chinese pianist

huffingtonpost.com http://www.huffingtonpost.com/2012/09/26/lang-lang_n_1912686.html.

Life, People, Beauty, Art

“I loved the way Judaism does life cycle events. I loved the idea of having one day of the week off. (Even though, if I don’t believe, there’s no reason why it would be Saturday and not Tuesday). I related to Jewish music, to the food, and even the spirituality part, I’ll admit it.”

Abby Stein (1991) Trans activist, speaker, and educator

2016

Love, Life, Food, Way

“I believe that art has a kind of Rightness, as in music, when we hear whether or not a note is false. And that's why classical paintings, which are right in their own terms, are so necessary for me. In addition to that there's nature, which also has this rightness.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), p. 106, note 59

Art, Nature, Painting, Falseness

“The simplest way that I can understand therapy is that we're born a certain way, we're taught to be something different, and we spend our whole lives trying to unravel it and ultimately align ourselves with who we really are. Life, experiences, traumas -- whatever -- they all add up to make you some altered version of what you are. So there's this battle that goes on between what you are and what you become, and it's been very important for me to unravel what I was taught to be or what I became. and to draw a direct parallel to music -- the closer I get back to being who I really am, the stronger the music gets, because I think what talent I do have is connected to that person, it's not a manipulative process, it's intuitive. You can learn about chords and guitars, but there's a piece of you that makes it individual, and it's been a slow process for me to become whatever it is that I'm supposed to be.”

Billy Corgan (1967) American musician, songwriter, producer, and author

Smashing Pumpkins (1996)

Life, Way, Understanding, Thinking

“Nun 1: Sir, it is only a play… with music. Do not distress yourself.”

Peter Greenaway (1942) British film director

The Baby of Mâcon

“I have been fortunate to play some fantastic roles in musicals and I find it difficult to say which is my favourite. It's generally whichever I am playing at the time. However playing Eva Peron in Evita will always be particularly special to me. Being chosen to originate the role in the premiere of a much sought after and what became a ground-breaking, award-winning musical which launched my career was a great challenge and it gave me the opportunity to play more great roles in the future.”

Elaine Paige (1948) English singer and actress

As quoted in "Angie Davidson Interviews Elaine Paige" by Angie Davidson in lupus.org.uk (2005)

Time, Future

“What am I singing?
A song of seeds — The food of love. Eat the music.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Red Shoes (1993)

Love, Food, Singing

“When we were growing up, the 45 single was the heart of rock-and-roll and in many regards still is. It's the hardest thing to pull off. The surest sign that a band is growing stale and running out of creative ideas is when it turns to prog. And I well remember the 1970s when prog almost destroyed rock music. It's the mold growing on a congealed band on its last legs. Indeed, it still lurks among us in new, insidious forms like indie. The few times U2 has attempted prog, we've tempered it with good songwriting.”

Bono (1960) Irish rock musician, singer of U2

Idea, Time, Heart

“Music, also, the architect ought to understand so that he may have knowledge of the canonical and mathematical theory, and besides be able to tune ballistae, catapultae, and scorpiones to the proper key. For to the right and left in the beams are the holes in the frames through which the strings of twisted sinew are stretched by means of windlasses and bars, and these strings must not be clamped and made fast until they give the same correct note to the ear of the skilled workman.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 8

Mathematics, Understanding, Knowledge

“Even discourse which does not acknowledge "musical coherence" as "intellectual communication" does not in fact succeed in treating it as anything else; it is only by locating their concerns in domains where the "musical" aspects of music are peripherally or not at all involved that musical discourses can circumvent the fact that when the "object of thought" consists of the contents of a musical composition just the recognition of the identities of any of these contents (or even of the undivided single identity of them taken all together as a "unit") involves (to varying degrees) the same considerations that are involved in a discourse that explicitly--and hence with a better chance of cognitive particularity--regards such a composition as an instance of communicative thought.”

Benjamin Boretz (1934) American composer

from Meta-Variations: studies in the foundations of musical thought Red Hook, N.Y. : Open Space, 1995.

Communication, Chance

“And waste their music on the savage race.”

Edward Young (1683–1765) English poet

Satire V, l. 228.
Love of Fame (1725-1728)

“There are simply two kinds of music, good music and the other kind … the only yardstick by which the result should be judged is simply that of how it sounds. If it sounds good it's successful; if it doesn't it has failed.”

Duke Ellington (1899–1974) American jazz musician, composer and band leader

Where Is Jazz Going? Music Journal (1962) Reproduced in The Duke Ellington Reader, ISBN 978-0-19-509391-9.

Success

“One result of the nobility and gentry becoming more mobile and mixing more together was new kinds of parties. From the sixteenth to the early eighteenth century, whenever people decided to entertain, they did so in much the same way. They gave either a dinner on its own, or a dinner combined with dancing. The latter combination started with a meal, sometimes enlivened by music. After dinner the company retired to a withdrawing room, and passed an hour or so by taking tea or dessert, or playing cards, or listening to more music. They then returned to the room where they had dined, for dancing or as it tended to be called, a ball; in the early eighteenth century as few as seven couples dancing together could be described as a ball. After dancing there was normally some kind of light refreshment, and then everybody went home. The refreshments at the end might, according to the century, be described as a banquet or a supper, the room for dinner and dancing a great chamber or a saloon; the dances danced, the music played and the food eaten changed, but the pattern remained much the same. The guests did one thing at a time, and they all did it together.”

Mark Girouard (1931) British architectural historian

Life in the English Country House: A Social and Architectural History (1978)

People, Food, Way, Home

“It’s like I say. We used to all sit around … me and Jerry Lee Lewis and Elvis Presley and Carl Perkins and we’d talk about things. If one of us had a hit, we’d say: "That’s fabulous. It’s a damn good song." But now, the people that I meet are so damn big headed … it’s not music any more, it’s business. But now … I’ve met Jim Morrison of the Doors … a fantastic person. Really a nice guy, and he takes me back to the people I knew in the old days. Listen, a star is not a star. We never considered ourselves that. I’m always pushing, man, to get something better. And that’s the same with Jim and fellas like John Sebastian.”

Gene Vincent (1935–1971) American musician

People, Guy, Star, Business

“The moral hero, guided as he or she is by the ethical experience, who carves out an adventurous path is akin to the discoverer who brings order into the scattered elements of a science or the artist who composes a piece of music or designs buildings.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Internet Encyclopedia of Philosophy

Science

“I discovered that the most interesting music of all was made by simply lining the loops in unison, and letting them slowly shift out of phase with each other…”

Steve Reich (1936) American composer

Source: Steve Reich, ‎Paul Hillier (2002) Writings on Music, 1965-2000, p. 20

“I am SO tired of this trope. It may indeed be the case that we can’t justify a priori via philosophical lucubrations that we arrive at the truth about nature only by using the methods of science. My answer to that is increasingly becoming, “So bloody what?” The use of science is justified because it works, not because we can justify it philosophically. If we are interested in finding out what causes malaria, no amount of appeal to a deity, philosophical rumination, listening to music, reading novels, or waiting for a revelation will answer that question. We have to use scientific methods, which, of course, is how causes of disease are found.”

Jerry Coyne (1949) American biologist

" A belated reply from Francis Spufford, who defends his faith http://whyevolutionistrue.wordpress.com/2012/10/02/a-belated-reply-from-francis-spufford-who-defends-his-faith/" October 2, 2012

Truth, Disease, Question, Nature

“I was born to be an editor, I always edit everything. I edit my room at least once a week. Hotels are made for me. I can change a hotel room so thoroughly that even its proprietor doesn't recognize it… I edit people's clothes, dressing them infallibly in the right lines… I change everyone's coiffure — except those that please me — and these I gaze at with such satisfaction that I become suspect, I edit people's tones of voice, their laughter, their words. I change their gestures, their photographs. I change the books I read, the music I hear… It's this incessant, unavoidable observation, this need to distinguish and impose, that has made me an editor. I can't make things. I can only revise what has been made.”

Margaret Caroline Anderson (1886–1973) American magazine editor

My Thirty Years' War: An Autobiography (Knopf, 1930, 274 pages), p. 58.

People, Books, Laughter, Change

“For fourteen years [1966 to 1980] [my father] suffered a debilitating disease [multiple schlerosis]. I took care of him for most of that time, until he was no longer able to be taken care of at home... So, in essence, I was caring for [my father] and my younger sister [Becky], six years younger than I. It was difficult for me. It was a tough time. Music was my escape -- my catharsis. My way of just getting my emotions out. Music has always been a beautiful force in my life.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

BBC radio interview (December 13, 2006)
2007, 2008

Life, Disease, Beauty, Way

“When we're making music together, it's like five men making love-in a very platonic sense. It's very erotic, because your spirits are intermingling, you're becoming one. It's also why it can get so heated. You're tapping into this electricity that's very primal.”

Brandon Boyd (1976) American rock singer, writer and visual artist

citing reasons for the band's group therapy Spin (October 2001)

Love, Men, Making love, Sense

“The phenomenal Celia Cruz [is missing]. But although she couln't be here physically [Cruz died in 2003], I felt her presence throughout the entire recording of the album. It's still impossible for me to feel like Celia's gone, simply because she is still so alive to me through her music and the friendship we shared for so many years. There were moments during this recording that felt to me like she was directing me to a degree or giving me ideas for where to go with the song.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Reuters (July 23, 2007)
2007, 2008

Friendship, Feeling, Idea

“In many of Albrecht Dürer’s engravings there are harrowing depictions of his own melancholia; the manic wheeling stars of Van Gogh are the precursors of the artist’s plunge into dementia and the extinction of self. It is a suffering that often tinges the music of Beethoven, of Schumann and Mahler, and permeates the darker cantatas of Bach. The vast metaphor which most faithfully represents this fathomless ordeal, however, is that of Dante, and his all-too-familiar lines still arrest the imagination with their augury of the unknowable, the black struggle to come:
Nel mezzo del cammin di nostra vita
Mi ritrovai per una selva oscura,
Ché la diritta via era smarrita.
In the middle of the journey of our life
I found myself in a dark wood,
For I had lost the right path.
One can be sure that these words have been more than once employed to conjure the ravages of melancholia, but their somber foreboding has often overshadowed the last lines of the best-known part of that poem, with their evocation of hope. To most of those who have experienced it, the horror of depression is so overwhelming as to be quite beyond expression, hence the frustrated sense of inadequacy found in the work of even the greatest artists. But in science and art the search will doubtless go on for a clear representation of its meaning, which sometimes, for those who have known it, is a simulacrum of all the evil of our world: of our everyday discord and chaos, our irrationality, warfare and crime, torture and violence, our impulse toward death and our flight from it held in the intolerable equipoise of history. If our lives had no other configuration but this, we should want, and perhaps deserve, to perish; if depression had no termination, then suicide would, indeed, be the only remedy. But one need not sound the false or inspirational note to stress the truth that depression is not the soul’s annihilation; men and women who have recovered from the disease — and they are countless — bear witness to what is probably its only saving grace: it is conquerable.”

William Styron book Darkness Visible

Source: Darkness Visible (1990), X

Life, Death, Women, Men

“When the streets are paved with brilliants and the skies made of rainbows I suppose you'll be contented and satisfied with red, blue and yellow.... how to satisfy your tawdry friends while you steal back into the mild evening gleam and quiet middle term[? ]. I'll tell you, my sprightly genius, how this is to be done. Maintain all your lights, but spare the poor abused colours till the eye rests and recovers. Keep up your music by supplying the place of noise by more sound, more harmony and more tune, and split that cursed fife and drum.... he [Mr. Garrick] must feel the truth of what I am now saying, that neither our plays, paintings or music are any longer real works of invention, but the abuse of Nature's lights and what has been already invented in former times.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote in a letter of Gainbourough, 1772; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 88 <br class="br">1770 - 1788

Truth, Feeling, Nature, Light

“His musical inspiration operates in a world uncluttered by conventional bar lines, conventional chord changes, and conventional ways of blowing or fingering a saxophone. Such practical 'limitations' did not even have to be overcome in his music; they somehow never existed for him. Despite this--or more accurately, because of this--his playing has a deep inner logic. Not an obvious surface logic, it is based on subtleties of reaction, subtleties of timing and color that are, I think, quite new to jazz--at least they have never appeared in so pure and direct a form.”

Ornette Coleman (1930–2015) American jazz musician

Gunther Schuller, quoted in [All American Music: Composition in the Late Twentieth Century, 1983, Rockwell, John, New York, Alfred A. Knopf, ISBN 0394511638].
About

World, Color, Way, Thinking

“I believe in that step of not just making revolutionary music but making it in a way that challenges the system, Especially in this day and age when the tools for producing and distributing are more and more accessible to the average Joe and Josephine. The possibility of emancipation and control and independence is so much greater now.”

Ani DiFranco (1970) musician and activist

Rolling Stone interview http://www.columbia.edu/~marg/ani/articles/rolling_stone.html (1995)

Age, Way

“Music creates order out of chaos: for rhythm imposes unanimity upon the divergent, melody imposes continuity upon the disjointed, and harmony imposes compatibility upon the incongruous.”

Yehudi Menuhin (1916–1999) American violinist and conductor

Source: Jamesh A. Leit, George Whalley Symboles Dans la Vie Et Dans L'art http://books.google.co.in/books?id=pRZEKhofl_gC&pg=PA29, McGill-Queen's Press - MQUP, 1987, p. 29

“People who try to create a musical revolution do not have a chance, but those who turn their back to music can sometimes find it.”

Pierre Schaeffer (1910–1995) French musicologist

Electronic Musician magazine, December 1986
Interviews

People, Chance

“People used to say my music was too difficult or too obscure, and I never set out to be difficult or obscure. I just set out to write what I felt as honestly as I could, and I am delighted when other people feel a part of themselves in the music.”

Leonard Cohen (1934–2016) Canadian poet and singer-songwriter

As quoted in Los Angeles Times (24 September 1995)

People, Feeling, Parting

“Sundays observe; think when the bells do chime,
'T is angels' music.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

The Temple (1633), The Church Porch

Angels, Thinking

“And grant that a man read all the books of music that ever were wrote, I shall not allow that music is or can be understood out of them, no more than the taste of meats out of cookish receipt books.”

Roger North

The Musicall Grammarian (1728)

Books, Reading

“O. K., I'm a rock critic. I also write and record music. I write poetry, fiction, straight journalism, unstraight journalism, beatnik drivel, mortifying love letters, death threats to white jazz critics signed "The Mau Maus of East Harlem," and once a year my own obituary (latest entry: "He was promising…").”

Lester Bangs (1948–1982) American music critic and journalist

"An Instant Fan's Inspired Notes: You Gotta Listen" (1980), from Da Capo Best Music Writing 2000, ed. Peter Guralnick (Da Capo Press, 2000, ISBN 0306809990), p. 100

Love, Death

“Tone is light in another shape. In music, instruments perform the functions of the colours employed in painting.”

Honoré de Balzac book Gambara

Gambara (1837)

Light, Painting

“(On the prospect of Thatcher's death) Be serious - this is just a fantasy, because if she were killed, would it actually make any difference? Would things get any better? Course they wouldn't; don't kid yourself. They'd get worse, because she would become a martyr – this monetarist martyr - a cult figure, like Eva Peron. Can you imagine the televised funeral? There she'd be, laid out in a glass coffin, in the blue gear, the hair-do and all the rest of it. She'd be laying there just really life-like - just like she was in life - a bit warmer. It would be on the telly. You thought Winston Churchill was bad; you can imagine what this would be like. And then, of course, it wouldn't stop at that. There would be films - The Night Brighton Rocked. There'd be musicals. Tim Rice would be churning out the musicals about her life - Magita. There'd be Elaine Page belting out the big numbers: 'Don't Cry for Me, Barnet Finchley”

Linda Smith (1958–2006) comedian

Token Women, 1984
Stand-up

Life, Death, Women, Imagination

“When an orchestra of the Journeyers first publicly performed a suite from the time before Handel completely without crescendi and diminuendi, with the naïveté and chasteness of another age and world, some among the audience are said to have been totally uncomprehending, but others listened with fresh attention and had the impression that they were hearing music for the first time in their lives. In the League's concert hall between Bremgarten and Morbio, one member built a Bach organ as perfectly as Johann Sebastian Bach would have had it built had he had the means and opportunity.”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

Age, World, Time

“To this fine spirit our earth owes her greatest:
For the future is purchased by scorning the present,
And life is redeemed from its clay soil by fame.
* King, not a vestige remains of your palaces;
Conqueror, forgotten the fame of your battles:
But the Poet yet lives in the sweetness of music—
He appeal'd to the heart, that never forgets.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Three Brothers from The London Literary Gazette (20th June 1829) as Fame : An Apologue
The Vow of the Peacock (1835)

Life, Future, Heart, Forgetting

“It really sucks when music is so perfect you just don't need to hear it anymore.”

Joe Satriani (1956) American guitar player

Discussing his intentionally-out-of-tune intro to "Back To Shalla Bal" and contrasting it to the "perfectness" of Abba's vocals.
As quoted in Guitar Player (November 1989).

Perfection

“The editor of this selection from Chopin’s Pianoforte Studies has, however, no such intention; on the contrary. he wishes to make some of them, which owing to their difficulty have hitherto remained unpopularised, more accessible, particularly to the amateur, by pointing out the way to their correct study. And thus, on the basis of the technical facility to be acquired through these pieces, to enable even the non-professional to enjoy a more intimate acquaintance with those works of the classical romanticist, which, though representing the best and most undying side of his genius, have found till now but a small, though daily increasing circle of admirers; for the “Ladies’-Chopin”, which for forty years has blossomed in the pale and sickly rays of dilettantism; the “talented, languishing, Polish youth” to whom the most modest place on the Parnassus of musical literature was denied by the amateurish criticism of German professors, is as little the genuine entire Chopin, as is the Beethoven of “Adelaide” and the “Moonlight Sonata”, the god of Symphony. Truly a span of time must yet elapse before the matured and manly Chopin, the author of the two Sonatas, the 3rd and 4th Scherzos, the 4th Ballade, the Polonaise in F# minor, the later Mazurkas and Nocturnes etc., will be completely and generally appreciated at his full worth. At the same time much may be done by preparing and clearing the way; and one of the best means towards this end is sifting the material, and replacing favourite and unimportant works, by those less known though more important.”

Hans von Bülow (1830–1894) German musician

Preface to Instructive ausgabe. Klavier-Etuden von Fr. Chopin, 1880.

God, Youth, Way, Literature

“Contour refers to the pattern of musical pitch in a melody—the sequence of ups or downs that the melody takes—regardless of the size of the interval.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

“I'm not a big fan of asynchronicity just for its own sake - a lot of people push rhythmic variation so far that the basic pulse of the music gets lost”

Andrew Sega (1975) musician from America

and the listener is confused
Static Line interview, 1998

People

“Memory for playing a musical piece… involves a process very much like that for music listening… through establishing standard schemas and expectation. In addition, musicians use chunking… tying information together into groups, and remembering the group as a whole rather than individual pieces.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Memory

“Nothing else Chavez wrote during his life had such haunting power for me as that public prayer for a life of suffering; no utterance sounded so Mexican. Other cultures in the world assume the reality of suffering as something to be overcome. Mexico assumes the inevitability of suffering. That knowledge informs the folk music of Mexico, the bitter humor of Mexican proverb. To be a man is to suffer for others—you’re going to suffer anyway.”

Richard Rodríguez (1944) American journalist and essayist

Darling: A Spiritual Autobiography (2013)

Life, World, Knowledge, Reality

“It is so important for me to keep authentic Cuban sounds alive. All of these great artists have changed the landscape of Latin music and it's an honor to have them on this album ["90 Millas," released in September of 2007]. I believe this album will expose a new generation to the richness of Cuban music.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

news release (July 20, 2007)
2007, 2008

Change

“We can set our deeds to the music of a grateful heart, and seek to round our lives into a hymn — the melody of which will be recognized by all who come in contact with us, and the power of which shall not be evanescent, like the voice of the singer, but perenninal, like the music of the spheres.”

William Mackergo Taylor (1829–1895) American theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 290.

Heart

“If someone gave me a million dollars to run a music label, I would focus on creating a specific artistic point of view, and creating some channel to build a fanbase. Warp Records was a great example of a label that had a particular style, and many people would buy records just because the artists were associated with the label.”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

People

“Games run primarily on music loops. Each piece is composed to cycle during gameplay so it’s important to create music that doesn’t get monotonous or annoying and has very exact pacing. The use of themes, signature motifs and rhythmic passages needs to be arranged so they remain effective when played over and over. In a film, it’s a one-time-through experience. Tracks are scored tightly to picture and each track is crafted to exactly match what’s going on on-screen. Scoring in such a precise manner wouldn’t be practical in games because of the dynamic environment of gameplay. It can be different each time you revisit a level or area of a game, whereas a film is intended to play one way every time.”

Michael Wandmacher (1967) composer

Exclusive Interview: Composer Michael Wandmacher discusses his Voice from the Stone score and more https://www.flickeringmyth.com/2017/09/interview-composer-michael-wandmacher-discusses-his-voice-from-the-stone-score-more/ (September 16, 2017)

Way, Game, Time

“I was interested in making a different kind of instrument. And I wanted, of course, to make an apparatus that would be controlled in space, exploiting electrical fields, and that would use little energy. Therefore I used electronic technology to create a musical instrument that would provide greater resources.”

Léon Theremin (1896–1993) Russian inventor

Source: An Interview with Leon Theremin http://www.oddmusic.com/theremin/theremin_interview_1.html / Olivia Mattis and Leon Theremin in Bourges, France 16 June 1989.

“On working alone: "I enjoy working alone. I know myself, and I know what I want… and all this allows me to create my music before my thoughts can interrupt."”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

1979

“Serial or sex murder, like fetishism, is a perversion of male intelligence. It is a criminal abstraction, masculine in its deranged egoism and orderliness. It is the asocial equivalent of philosophy, mathematics and music. There is no female Mozart because there is no female Jack the Ripper.</b”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 247

Sex, Intelligence, Mathematics

“During the early stages of an industry, when the functionality and reliability of a product isn't yet adequate to meet customer's needs, a proprietary solution is almost always the right solution -- because it allows you to knit all the pieces together in an optimized way.
But once the technology matures and becomes good enough, industry standards emerge. That leads to the standardization of interfaces, which lets companies specialize on pieces of the overall system, and the product becomes modular. At that point, the competitive advantage of the early leader dissipates, and the ability to make money migrates to whoever controls the performance-defining subsystem.
In the modular PC world, that meant Microsoft and Intel (NASDAQ:INTC), and the same thing will happen in the iPod world as well. Apple may think the proprietary iPod is their competitive advantage, but it's temporary. In the future, what will matter will be the software inside that lets users find exactly the kind of music they want to listen to, when and where they want to, with minimal effort.”

Clayton M. Christensen (1952–2020) Mormon academic

2006 interview in Business Week, cited in: Rebutting Clayton Christensen on Apple's 'Troubled' Future http://seekingalpha.com/article/5633-rebutting-clayton-christensen-on-apples-troubled-future-aapl-msft-dell in Seeking Alpha (11 January 2006) <br class="br">2000s

Money, World, Way, Optimism

“I never realised the passing hours of evening showers.
A slip noose hanging in my darkest dreams,
I'm strangled by your haunted social scene.
Just a pawn out-played by a dominating queen.
It's four o'clock in the morning,
Damn it listen to me good.
I'm sleeping with myself tonight,
Saved in time, thank God my music's still alive.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Someone Saved My Life Tonight
Song lyrics, Captain Fantastic and the Brown Dirt Cowboy (1975)

God, Dreams, Sleep, Time

“I always think twice before reading the biography of a writer I admire. Biographers sometimes latch onto small details, unreliable eyewitness accounts, character traits that appear puzzling or disappointing – all of which is like the crackling sound that messes with radio transmissions, making the music and the voices impossible to hear. It is only by actually reading his books that we gain intimacy with a writer. This is when he is at his best and he is speaking to us in a low voice without any of the static.”

Patrick Modiano (1945) French writer

From Nobel Lecture (2014)

Books, Disappointment, Thinking, Appearance

“The heavenly bodies are nothing but a continuous song for several voices (perceived by the intellect, not by the ear); a music which… sets landmarks in the immeasurable flow of time. It is therefore, no longer surprising that man, in imitation of his creator, has at last discovered the art of figured song, which was unknown to the ancients. Man wanted to reproduce the continuity of cosmic time… to obtain a sample test of the delight of the Divine Creator in His works, and to partake of his joy by making music in the imitation of God.”

Johannes Kepler book Harmonices Mundi

Book V, Ch. 7 as quoted in Arthur Koestler, The Sleepwalkers (1959)
Harmonices Mundi (1618)

God, Art, Time, Joy

“I got rhythm,
I got music,
I got my man
Who could ask for anything more?”

Ira Gershwin (1896–1983) American lyricist

"I Got Rhythm", Girl Crazy, Act I (1930).

“Horror has many iterations, many shades. Landing the perfect balance of melody, texture and sonics is the key to a great score. Some horror films require a huge, aggressive palette. Others are the complete opposite. Finding that musical happy place is what will make the movie from a score perspective.”

Michael Wandmacher (1967) composer

Interview with Underworld: Blood Wars Composer, Michael Wandmacher http://www.thesoundarchitect.co.uk/interview-underworld-blood-wars-composer-michael-wandmacher/ (February 15, 2018)

Happiness, Perfection

“I had always dreamed of being involved in a job where I could do anything related to animals and nature. A vet maybe. But later I came to understand that it was just a temporary interest and that music was more important to me.”

Tarkan (1972) Turkish singer

Tarkan Q & A, Tarkan Translations, April 10, 2003 http://tarkantr.blogspot.com/2005/05/q.html,

Dreams, Understanding, Nature, Animals

“On the project The Celts I was asked to … to write a song. And, at the time I was … arranging with Nicky, and writing the music and performing … so, no desire whatsoever to write lyrics!… But Roma was actually writing poetry at the time, and she was involved, with listening in the studio … being the audience in the studio … so she was involved with the project. So, it was very obvious that she would write the lyrics.”

Enya (1961) Irish singer, songwriter, and musician

KSCA interview (1996)

Time

“It's just rock and roll. A lot of times we get criticized for it. A lot of music papers come out with: 'When are they going to stop playing these three chords?' If you believe you shouldn't play just three chords it's pretty silly on their part. To us, the simpler a song is, the better, 'cause it's more in line with what the person on the street is.”

Angus Young (1955) Scottish Australian guitarist

Interview with the Atlanta Gazette in May 1979

Time, Parting, Personality

“We may live without poetry, music and art;
We may live without conscience and live without heart;
We may live without friends; we may live without books;
But civilized man can not live without cooks.
He may live without books,—what is knowledge but grieving?
He may live without hope—what is hope but deceiving?
He may live without love,—what is passion but pining?
But where is the man that can live without dining?”

Robert Bulwer-Lytton, 1st Earl of Lytton (1831–1891) English statesman and poet

Part i, canto ii.
Lucile (1860)

Love, Books, Hope, Art

“There may not be a high-level purpose for humanity, but that doesn't mean we can't find inspiration in the world. I think there is a combination of psychological and environmental factors that combine to create various urges in humanity -- most importantly the urge to create, to contribute something to the world, to express your personal worldview and see how the world responds. Art doesn't happen in a vacuum, and if it were only for personal gain then nobody would ever release music to the public. The process changes you, and also changes the world itself, creating ripples of inspiration which flow between the artist and the listener.”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

World, Art, Thinking, Change

“Music starts playing like the end of a sad movie.
It's the kind of ending you don't really wanna see.
'Cause it's tragedy and it'll only bring you down.
Now I don't know what to be without you around.”

Taylor Swift (1989) American singer-songwriter

Breathe, written by Taylor Swift and Colbie Caillat
Song lyrics, Fearless (2008)

Sadness

“The feeling of awed wonder that science can give us is one of the highest experiences of which the human psyche is capable. It is a deep aesthetic passion to rank with the finest that music and poetry can deliver. It is truly one of the things that make life worth living and it does so, if anything, more effectively if it convinces us that the time we have for living is quite finite.”

Richard Dawkins book Unweaving the Rainbow

[1998, Unweaving the Rainbow, London, Allen Lane, 9780713992144, 18827466M, Preface]
Unweaving the Rainbow (1998)

Life, Feeling, Passion, Science

“The absolutely inaudible is rejected from music during the period of Viennese Classicism in which every musical line is potentially or imaginatively audible, but it makes a dramatic reappearance in the music of Schumann. The most striking of many examples is one of the episodes in the Humoresk, the last of the great piano works of Schumann's early years. … There are three staves: the uppermost for the right hand; the lowest for the left; the middle, which contains the melody, is not to be played. Note that the melody is no more to be imagined as a specific sound than it is to be played: nothing tells us that the melody is to be heard as vocal or instrumental. This melody, however, is embodied in the upper and lower parts as a kind of after-resonance-out of phase, delicate, and shadowy.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

Imagination, Parting

“World War II changed the demography. For a while, high seriousness was a part (only a part) of the mix. No one likes to think that the vector that has carried him into the demography could get lost in the demography, but that is what happens. Rock and roll—or the generating spirit of rock and roll—could get lost there, easily. And just think of all the ideas—and changes—there were implicit in the hegemony of rock and roll. We could be left with... just some of the music.”

George W. S. Trow (1943–2006) American writer

Collapsing Dominant (1997)

War, World, Idea, Thinking

“A Greek architect of the great epoch would no more have thought of omitting the mark of the harmonic scale of proportion, on which the design was based, than would the composer of music think of omitting the harmonic scale of his composition.”

Ernest Flagg (1857–1947) American architect

Source: Small Houses: Their Economic Design and Construction (1922), Ch. II

Thinking

“The whole trouble with a folk song is that once you have played it through there is nothing much you can do except play it over again and play it rather louder. Most Russian music, indeed, consists in ringing changes on this device, skilfully disguised though the fact may be.”

Constant Lambert (1905–1951) British composer and conductor

"The Conflict Between Nationalism and Form", p. 146.
Music, Ho! (1934)

Change

“I like to take things easy. I don't constantly think about music. I never plan concerts, practise or even hum. When I go up on the stage, music courses through me. My family members attend my concerts because they do not hear me sing at home. I have entrusted you [Prince Rama Varma] with the task of popularising my style of singing among others, especially in foreign countries. I have heard some of your foreign students sing my compositions and was surprised. They sound better than many Indian students. I want to be known more as a composer than as a musician. You are now making this happen.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Source: Interview by Prince Rama Varma "There's no one way to teach".

Family, Home, Thinking, Singing

“It was the same story all over again - music before a mosque, or a pig in a Muslim mohalla, or a private fracas between two toughs belonging to the two communities. The Muslims have never needed a more substantial excuse whenever they are in a nasty mood. Nor has the nasty mood been able to mend itself for long because of the continued Muslim failure to recapture power all over India and re-establish their ‘lost empire’. In case the Hindus failed to provide the necessary provocation, the Muslims could always slaughter a cow in the presence of Hindus, or abduct and molest a Hindu girl in keeping with the best behests of Islam, or take out a rowdy tãjiã procession through a thoroughfare thickly populated by Hindus.”

Sita Ram Goel (1921–2003) Indian activist

Defence of Hindu Society (1983)

Girl, Communication, Failure, Mood

“As far as Bach is concerned, I never came close to liking him [-] My favourite composer is Scriabin -[and] his Fifth sonata, in my mind, the greatest piece of music ever written.”

Henry Miller (1891–1980) American novelist

Reflections (1981)

“On the Indian front, [the Hindutva movement] should spearhead the revival, rejuvenation and resurgence of Hinduism, which includes not only religious, spiritual and cultural practices springing from Vedic or Sanskritic sources, but from all other Indian sources independently of these: the practices of the Andaman islanders and the (pre-Christian) Nagas are as Hindu in the territorial sense, and Sanâtana in the spiritual sense, as classical Sanskritic Hinduism. (…) A true Hindutvavadi should feel a pang of pain, and a desire to take positive action, not only when he hears that the percentage of Hindus in the Indian population is falling due to a coordination of various factors, or that Hindus are being discriminated against in almost every respect, but also when he hears that the Andamanese races and languages are becoming extinct; that vast tracts of forests, millions of years old, are being wiped out forever; that ancient and mediaeval Hindu architectural monuments are being vandalised, looted or fatally neglected; that priceless ancient documents are being destroyed or left to rot and decay; that innumerable forms of arts and handicrafts, architectural styles, plant and animal species, musical forms and musical instruments, etc. are becoming extinct; that our sacred rivers and environment are being irreversibly polluted and destroyed…”

Shrikant Talageri (1958) Indian author

Talageri in S.R. Goel (ed.): Time for Stock-Taking, p.227-228.

Pain, Art, Feeling, Spring

“Ruskin says that anyone who expects perfection from a work of art knows nothing of works of art. This is an appealing sentence that, so far as I can see, is not true about a few pictures and statues and pieces of music, short stories and short poems. Whether or not you expect perfection from them, you get it; at least, there is nothing in them that you would want changed. But what Ruskin says is true about novels: anyone who expects perfection from even the greatest novel knows nothing of novels.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“An Unread Book”, p. 47
The Third Book of Criticism (1969)

Art, Change, Perfection

“The dead are friends whom death is powerless to take from us. Great writers are immortal companions who can embellish our old age as they enchanted our young days. Music, too, is an extraordinarily faithful friend. To those of us who have lost our faith in human nature, it offers refuge in other pleasant worlds.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old

Death, Age, World, Faith

“I thought it was sad, you know, that they had that pop concert to commemorate Diana. I mean, she didn't have much to do with pop music, did she? They should've done something that celebrated what was really great about her life: By staging a gangbang in a minefield.”

Frankie Boyle (1972) Scottish comedian

Mock the Week

Life, Sadness

“America's rich musical heritage reflects the diversity of our people. Among many influences, the cultural traditions brought to this land from Africa more than four centuries ago and the remarkable musical achievements of African Americans since then have strongly and unmistakably improved the sound of American music.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, Black Music (June 2001)

People

“If you have a faith, it is statistically overwhelmingly likely that it is the same faith as your parents and grandparents had. No doubt soaring cathedrals, stirring music, moving stories and parables, help a bit. But by far the most important variable determining your religion is the accident of birth. The convictions that you so passionately believe would have been a completely different, and largely contradictory, set of convictions, if only you had happened to be born in a different place. Epidemiology, not evidence.”

Richard Dawkins book Viruses of the Mind

Viruses of the Mind (1993)

Faith, Religion, Birth, Parent

“Here lies Evgeny Kissin, son of the Jewish people, a servant of music.”

Evgeny Kissin (1971) Russian classical pianist

Suggested epitaph, given in The Economist, July 8th 2017, page 73

People

“Criticism does not disturb me, for I am my own severest critic. Always in my playing I strive to surpass myself, and it is this constant struggle that makes music fascinating to me.”

Jascha Heifetz (1901–1987) Lithuanian violinist

Heifetz official web site http://www.jaschaheifetz.com/about/quotes.html

“Poor captive bird! Who, from thy narrow cage,
Pourest such music, that it might assuage
The rugged hearts of those who prisoned thee,
Were they not deaf to all sweet melody.”

Percy Bysshe Shelley Epipsychidion

Source: Epipsychidion (1821), l. 9

Bird, Heart

“The sceptics end in the infidelity which asserts the problem to be insoluble, or in the atheism which denies the existence of any orderly progress and governance of things: the men of genius propound solutions which grow into systems of Theology or of Philosophy, or veiled in musical language which suggests more than it asserts, take the shape of the Poetry of an epoch.”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

Source: 1860s, Evidence as to Man's Place in Nature (1863), Ch.2, p. 72

Men, Problem

“Bollywood film music composers are under a lot of pressure to add elements of disco or bhangra or any other flavour currently popular with the youth. But when it comes to regional films, composers are given a free hand and they compose music they believe in. I think it's a matter of great pride to be singing such soulful tunes.”

Shreya Ghoshal (1984) Indian playback singer

Theory about composers http://timesofindia.indiatimes.com/entertainment/hindi/music/news/National-Award-made-me-conscious-Shreya/articleshow/5501985.cms

Youth, Soul, Thinking, Singing

“Chess is a form of intellectual productiveness, therein lies, its peculiar charm. Intellectual productiveness is one of the greatest joys -if not the greatest one- of human existence. It is not everyone who can write a play, or build a bridge, or even make a good joke. But in chess everyone can, everyone must, be intellectually productive and so can share in this select delight. I have always a slight feeling of pity for the man who has no knowledge of chess, just as I would pity for the man who has no knowledge of love. Chess, like love, like music, has the power to make men happy.”

Siegbert Tarrasch book The Game of Chess

The Game of Chess (As quoted by Fred Reinfeld in Tarrasch's Best Games of Chess)

Love, Men, Happiness, Feeling

“Our young people are faced by a series of different groups which believe different things and advocate different practices, and to each of which some trusted friend or relative may belong. So a girl's father may be a Presbyterian, an imperialist, a vegetarian, a teetotaller, with a strong literary preference for Edmund Burke, a believer in the open shop and a high tariff, who believes that women's place is in the home, that young girls should wear corsets, not roll their stockings, not smoke, nor go riding with young men in the evening. But her mother's father may be a Low Episcopalian, a believer in high living, a strong advocate of States' Rights and the Monroe Doctrine, who reads Rabelais, likes to go to musical shows and horse races…”

Margaret Mead (1901–1978) American anthropologist

Source: 1920s, Coming of Age in Samoa (1928), p. 161

Women, Men, People, Home

“I am persuaded there is no triumph equal to one achieved on the stage—it comes so immediate and so home : you have before you the mass of human beings whose sympathies are at your will; you witness the emotions which you raise, you see the tears which you command : the poet has erected the statue, but it is for you to give it life—the words must find their music on your lips—the generous sentiment, the exalted hope, the touches of deep feeling, ask their expression from you : surely such influence is among the triumphs of the mind, ay and a great and noble triumph.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Heath's book of Beauty, 1833 (1832)

Life, Hope, Feeling, Home

“If there are people that are dumb enough to use Metallica to interrogate prisoners, you're forgetting about all the music that's to the left of us. I can name, you know, 30 Norwegian death metal bands that would make Metallica sound like Simon & Garfunkel.”

Lars Ulrich (1963) Danish musician

Said upon discovering that, during the 2003 invasion of Iraq, uncooperative prisoners were exposed to the Metallica song "Enter Sandman" for extended periods by American interrogators.
Source: [Maddow, Rachel, Rachel Maddow, Lars Ulrich, Metallica's Lars Ulrich joins Maddow, The Rachel Maddow Show, MSNBC, April 27, 2009, https://www.youtube.com/watch?v=iuNfAFOv2F4&t=6m19s, April 18, 2015]

Death, People, Forgetting

“Of course that's Bud and Laurindo. I liked Laurindo very much, and I love some of the tunes he does. In fact, I've been doing some piano transcriptions of some guitar things of his, and we recently recorded a tune of his. This particular thing again—how are you going to equate it? As jazz? As Brazilioan music or what? I wiould much rather hear Laurindo in his native habitat. I know he and Bud have been associated this way before, yet I don't feel that a real good rapport goes on between them. The constant mixing—half-jazz, half-Brazillian—I don't think it's good. You lose certain features of the one when you try to come out with the other. Let's give that three stars.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing "Tocata" https://www.youtube.com/watch?v=a940h3-1NV0 from Brazilliance; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe

Love, Way, Feeling, Star

“We [at Apple] worry about the humanity being drained out of music, about it becoming a bits-and-bytes kind of world instead of the art and craft.”

Tim Cook (1960) American business executive

TechSpot: "Tim Cook thinks Spotify is 'draining the humanity out of music'" https://www.techspot.com/news/75875-tim-cook-thinks-spotify-draining-humanity-out-music.html (8 August 2018)

World, Art

“Technical display in Chopin, after the early works, is transmuted into tone color or dramatic gesture-we may say, to accept the prejudices of Chopin's own generation, that it has been ennobled. This is the source of much of the poetry in Chopin's music: it comes from the transformation of the vulgar into something aristocratic.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 6 : Chopin: Virtuosity Transformed

Color

Quotes about music page 24

Quotes about music
page 24