Quotes about mountains
page 7

Miguel de Unamuno photo
Gideon Mantell photo
Heinrich Schenker photo

“It is improper, to expressly pursue the Urlinie in performance and to single out its tones… for the purpose of communicating the Urlinie to the listener." Rather, "for the performer, the Urlinie provides, first of all, a sense of direction. It serves a somewhat equivalent function to that which a road map serves for a mountain climber.”

Heinrich Schenker (1868–1935) Austrian music theorist

Das Meisterwerk I, p. 196. Translated by Kalib, vol. 2, p. 147. Quoted in Burkhart, Charles (1983). "Schenker's Theory of Levels and Musical Performance", Aspects of Schenkerian Theory, Beach David, ed. New Haven: Yale University Press.

Georges Braque photo

“We [ Picasso and Braque], were living in Montmartre, we saw each other every day.... We were like two mountaineers roped together.”

Georges Braque (1882–1963) French painter and sculptor

[Braque refers to their common years in Paris, c. 1907 - 1912]
Source: posthumous quotes, Braque', (1968), p. 10

Yasunari Kawabata photo
Vitruvius photo
Han-shan photo

“If you want a peaceful place to dwell
Cold Mountain is guaranteed forever
A light wind blows softly in the pines
The sound is good when you are close
One old man sits beneath the trees
Reading Lao Tzu and Huang Ti, mumbling
I could not find the world if I searched ten years
I've forgotten the road by which I came”

Han-shan Chinese monk and poet

Variant, lines 5–8:
Under a tree I'm reading
Lao-tzu, quietly perusing.
Ten years not returning,
I forgot the way I had come.
Translated by Katsuki Sekida[citation needed]
Cold Mountain Transcendental Poetry

Enoch Powell photo
Thomas Henry Huxley photo
Martin Brundle photo
Han-shan photo
Kapil Dev photo
John Muir photo

“Come, wander with me, for the moonbeams are bright
On river and forest, o'er mountain and lea.”

Charles Jefferys (1807–1865) British music publisher

Come, wander with me, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Halldór Laxness photo
Cormac McCarthy photo
Francois Rabelais photo
John Muir photo
Asger Jorn photo
Plutarch photo
Billy Joel photo
José Rizal photo
Kate Bush photo

“Elvis are you out there somewhere
Looking like a happy man?
In the snow with '
And King of the Mountain.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Aerial (2005), A Sea of Honey (Disc 1)

Oliver Cowdery photo
Letitia Elizabeth Landon photo
Fausto Cercignani photo

“As long as his strength permits, the poor mortal must always climb new mountains.”

Fausto Cercignani (1941) Italian scholar, essayist and poet

Examples of self-translation (c. 2004), Quotes - Zitate - Citations - Citazioni

Statius photo

“Beyond the cloud-wrapt chambers of western gloom and Aethiopia's other realm there stands a motionless grove, impenetrable by any star; beneath it the hollow recesses of a deep and rocky cave run far into a mountain, where the slow hand of Nature has set the halls of lazy Sleep and his untroubled dwelling. The threshold is guarded by shady Quiet and dull Forgetfulness and torpid Sloth with ever drowsy countenance. Ease, and Silence with folded wings sit mute in the forecourt and drive the blustering winds from the roof-top, and forbid the branches to sway, and take away their warblings from the birds. No roar of the sea is here, though all the shores be sounding, nor yet of the sky; the very torrent that runs down the deep valley nigh the cave is silent among the rocks and boulders; by its side are sable herds, and sheep reclining one and all upon the ground; the fresh buds wither, and a breath from the earth makes the grasses sink and fail. Within, glowing Mulciber had carved a thousand likenesses of the god: here wreathed Pleasure clings to his side, here Labour drooping to repose bears him company, here he shares a couch with Bacchus, there with Love, the child of Mars. Further within, in the secret places of the palace he lies with Death also, but that dread image is seen by none. These are but pictures: he himself beneath humid caverns rests upon coverlets heaped with slumbrous flowers, his garments reek, and the cushions are warm with his sluggish body, and above the bed a dark vapour rises from his breathing mouth. One hand holds up the locks that fall from his left temple, from the other drops his neglected horn.”
Stat super occiduae nebulosa cubilia Noctis Aethiopasque alios, nulli penetrabilis astro, lucus iners, subterque cavis graue rupibus antrum it uacuum in montem, qua desidis atria Somni securumque larem segnis Natura locavit. limen opaca Quies et pigra Oblivio servant et numquam vigili torpens Ignauia vultu. Otia vestibulo pressisque Silentia pennis muta sedent abiguntque truces a culmine ventos et ramos errare vetant et murmura demunt alitibus. non hic pelagi, licet omnia clament litora, non ullus caeli fragor; ipse profundis vallibus effugiens speluncae proximus amnis saxa inter scopulosque tacet: nigrantia circum armenta omne solo recubat pecus, et nova marcent germina, terrarumque inclinat spiritus herbas. mille intus simulacra dei caelaverat ardens Mulciber: hic haeret lateri redimita Voluptas, hic comes in requiem vergens Labor, est ubi Baccho, est ubi Martigenae socium puluinar Amori obtinet. interius tecti in penetralibus altis et cum Morte jacet, nullique ea tristis imago cernitur. hae species. ipse autem umentia subter antra soporifero stipatos flore tapetas incubat; exhalant vestes et corpore pigro strata calent, supraque torum niger efflat anhelo ore vapor; manus haec fusos a tempore laevo sustentat crines, haec cornu oblita remisit.

Source: Thebaid, Book X, Line 84 (tr. J. H. Mozley)

Daniel Handler photo
John Steinbeck photo
Siddharth Katragadda photo

“The purest water is formed by flowing through the muddiest mountains”

Siddharth Katragadda (1972) Indian writer

page 45
Dark Rooms (2002)

Robert Stawell Ball photo
Hilary of Poitiers photo
Wilfred Thesiger photo
Ralph Steadman photo
Mata Amritanandamayi photo
Ernst Bloch photo

“We must die without much delay, and corpses may not require such expansive wrappings, in order to go the way of all flesh. The inner wealth of brotherhood will be the same ephemeral spectre, rotting into tree bark like the spurious treasure of Rübezahl, the German mountain spirit, unless it shows it has the strength to withstand even death, and conquer death; and thus not only to undergo it but to be strongly above it as an essential part of eternal life.”

Ernst Bloch (1885–1977) German philosopher

Denn wir müssen sterben, mit kurzem Verzug, und vielleicht brauchen die Leichen keinen so weiten Faltenwurf, den Weg alles Fleisches zu gehen. Der brüderlich innere Reichtum wird nicht minder kurzer Spuk, verwest zu Baumrinde wie Rübezahls falsche Schätze: zeigt sich in ihm keine Kraft, gar den Tod zu bestehen, zu besiegen, mithin nicht nur von unten an hindurch zu gehen, sondern auch an sich selbst ein kräftig oberer Teil zu sein und das Wesenselement des ewigen Lebens.
Source: Man on His Own: Essays in the Philosophy of Religion (1959), p. 41

“Here in a
thatched hut
hidden
among
mountain
peaks with
barely room
for one I am
suddenly invaded by
wandering
white clouds.”

Koho Kenichi (1241–1316) Japanese sangha of Rinzai school in Kamakura era

Koho Kenichi (1241 - 1316), quoted in: junchiyabari.com http://junchiyabari.com/. Accessed 2018-06-23.

Du Fu photo
Ernst Ludwig Kirchner photo
Gideon Mantell photo
Patrick Buchanan photo
Robert M. Pirsig photo
Phaedrus photo
Leo Tolstoy photo
Paul Cézanne photo
Käthe Kollwitz photo
Halldór Laxness photo
Halldór Laxness photo
Han-shan photo
Chris Kamara photo
Thomas Carlyle photo
Jerome K. Jerome photo
Wang Wei photo
William Allingham photo

“Up the airy mountain,
Down the rushy glen,
We daren't go a-hunting,
For fear of little men.”

William Allingham (1824–1889) Irish man of letters and poet

Poem: The Fairies http://www.bartleby.com/101/769.html.

“From the midst of the flat plain of human reason, there arises the terrible, fire-spewing mountain of genius.”

Constantin Brunner (1862–1937) German philosopher

Source: Our Christ : The Revolt of the Mystical Genius (1921), p. 168

Peter F. Hamilton photo
Makoto Shinkai photo

“It is a part of puberty that we just want to go somewhere far away. We only have a vague image, like behind that mountain or a place more beautiful…”

Makoto Shinkai (1973) Japanese anime director and former graphic designer

Interviewed on Otaku Mode https://otakumode.com/news/51a71457e918f6a32a072a6e/Interview-with-Director-Makoto-Shinkai-on-His-New-Work-ldquo-The-Garden-of-Words-rdquo-Vol-2
About The Garden of Words

Muhammad photo
Fred Weatherly photo

“Oh, Danny Boy, the pipes, the pipes are calling
From glen to glen, and down the mountain side,
The summer's gone, and all the roses falling,
It's you, it's you must go, and I must bide.”

Fred Weatherly (1848–1929) English lawyer, author, lyricist and broadcaster

Song Danny Boy http://www.recmusic.org/lieder/get_text.html?TextId=22729

Richard Nixon photo
Martin Luther King, Jr. photo

“Their fear deepened with the night as they beheld the face of the heavens turning and the mountains and all places rapt from view and all around thick darkness. The very stillness of Nature, the silent constellations in the heavens, the firmament starred with streaming meteors filled them with fear. And as a traveller by night overtaken in some unknown spot upon the road keeps ear and eye alert, while the darkening landscape to left and right and trees looming up with shadows strangely huge do but make heavier the terrors of night, even so the heroes quailed.”
Auxerat hora metus, iam se vertentis Olympi ut faciem raptosque simul montesque locosque ex oculis circumque graves videre tenebras. ipsa quies rerum mundique silentia terrent astraque et effusis stellatus crinibus aether; ac velut ignota captus regione viarum noctivagum qui carpit iter non aure quiescit, non oculis, noctisque metus niger auget utrimque campus et occurrens umbris maioribus arbor, haud aliter trepidare viri.

Auxerat hora metus, iam se vertentis Olympi
ut faciem raptosque simul montesque locosque
ex oculis circumque graves videre tenebras.
ipsa quies rerum mundique silentia terrent
astraque et effusis stellatus crinibus aether;
ac velut ignota captus regione viarum
noctivagum qui carpit iter non aure quiescit,
non oculis, noctisque metus niger auget utrimque
campus et occurrens umbris maioribus arbor,
haud aliter trepidare viri.
Source: Argonautica, Book II, Lines 38–47

Winston S. Churchill photo
Paul Klee photo

“The father of the arrow is the thought: how do I expand my reach? Over this river? This lake? That mountain?”

Paul Klee (1879–1940) German Swiss painter

IIII.37, The Arrow. p. 54
1921 - 1930, Pedagogical Sketch Book, (1925)

Robert W. Service photo
Han-shan photo
Kenneth Goldsmith photo
Li Bai photo

“Her robe is a cloud, her face a flower;
Her balcony, glimmering with the bright spring dew,
Is either the tip of earth's Jade Mountain,
Or a moon-edged roof of paradise.”

Li Bai (701–762) Chinese poet of the Tang dynasty poetry period

"A Song Of Pure Happiness I" (清平调之一)

Frederick Buechner photo
Laurent Clerc photo

“Every creature, every work of God, is admirably well made; but if any one appears imperfect in our eyes, it does not belong to us to criticise it. Perhaps that which we do not find right in its kind, turns to our advantage, without our being able to perceive it. Let us look at the state of the heavens, one while the sun shines, another time it does not appear; now the weather is fine; again it is unpleasant; one day is hot, another is cold; another time it is rainy, snowy or cloudy; every thing is variable and inconstant. Let us look at the surface of the earth: here the ground is flat; there it is hilly and mountainous; in other places it is sandy; in others it is barren; and elsewhere it is productive. Let us, in thought, go into an orchard or forest. What do we see? Trees high or low, large or small, upright or crooked, fruitful or unfruitful. Let us look at the birds of the air, and at the fishes of the sea, nothing resembles another thing. Let us look at the beasts. We see among the same kinds some of different forms, of different dimensions, domestic or wild, harmless or ferocious, useful or useless, pleasing or hideous. Some are bred for men's sakes; some for their own pleasures and amusements; some are of no use to us. There are faults in their organization as well as in that of men. Those who are acquainted with the veterinary art, know this well; but as for us who have not made a study of this science, we seem not to discover or remark these faults. Let us now come to ourselves. Our intellectual faculties as well as our corporeal organization have their imperfections. There are faculties both of the mind and heart, which education improve; there are others which it does not correct. I class in this number, idiotism, imbecility, dulness. But nothing can correct the infirmities of the bodily organization, such as deafness, blindness, lameness, palsy, crookedness, ugliness. The sight of a beautiful person does not make another so likewise, a blind person does not render another blind. Why then should a deaf person make others so also? Why are we Deaf and Dumb? Is it from the difference of our ears? But our ears are like yours; is it that there may be some infirmity? But they are as well organized as yours. Why then are we Deaf and Dumb? I do not know, as you do not know why there are infirmities in your bodies, nor why there are among the human kind, white, black, red and yellow men. The Deaf and Dumb are everywhere, in Asia, in Africa, as well as in Europe and America. They existed before you spoke of them and before you saw them.”

Laurent Clerc (1785–1869) French-American deaf educator

Statement of 1818, quoted in Through Deaf Eyes: A Photographic History of an American Community (2007) by Douglas C. Baynton, Jack R. Gannon, and Jean Lindquist Bergey

Léon Bloy photo

“It is the small flock of God. "Whoever receives in my name one of those little" said Jesus, "It is myself who receives." What thinks the one that sticks, that maims, or inflicts to their pure souls more black sorrow than death? (…) The curse of a crowd of children, is a cataclysm, a horror prodigy, a chain of dark mountains in the sky, with a cavalcade of thunder and lightning in their tops. It is the infinite of the cries of all deep, is a not know what highly powerful unforgiving and extinguishing any hope of forgiveness.”

Léon Bloy (1846–1917) French writer, poet and essayist

Léon Bloy, Octavio de Faria, portuguese edition, page 101. Léon Bloy, Octavio de Faria, portuguese edition, page 101. https://books.google.com.br/books?id=wI4SAAAAYAAJ&q=%C3%89+o+rebanho+dos+pequenos+de+Deus.+%22Quem+quer+que+receba+em+meu+nome+um+desses+pequenos%22+disse+Jesus&dq=%C3%89+o+rebanho+dos+pequenos+de+Deus.+%22Quem+quer+que+receba+em+meu+nome+um+desses+pequenos%22+disse+Jesus&hl=pt-BR&sa=X&ved=0CBsQ6AEwAGoVChMI0Ovrgrn5yAIVQpGQCh3fFwGB

James A. Garfield photo
Han-shan photo
Bai Juyi photo

“[Bai Juyi] utilized Confucianism to order his conduct, utilized Buddhism to cleanse his mind, and then utilized history, paintings, mountains, rivers, wine, music and song to soothe his spirit.”

Bai Juyi (772–846) Chinese poet of the Tang Dynasty

Composition for his own tomb inscription, as quoted in Lin Yutang's The Importance of Living (1940), p. 411

Guy Fawkes photo

“… to blow you Scotch beggars back to your native mountains.”

Guy Fawkes (1570–1606) English member of the Gunpowder Plot of 1605

Remark as quoted in "Gunpowder Treason and Plot" (1976) by Cyril Northcote Parkinson. It was said in response to one of the lords of the King's Privy Chamber, who had asked what Fawkes intended to do with such a large amount of gunpowder.

Alexander von Humboldt photo
Bill Engvall photo
Edmund Hillary photo

“Nobody climbs mountains for scientific reasons. Science is used to raise money for the expeditions, but you really climb for the hell of it.”

Edmund Hillary (1919–2008) New Zealand mountaineer

As quoted in Wise Guys : Brilliant Thoughts and Big Talk from Real Men (2005) by Allan Zullo, p. 5

Khaled Hosseini photo
George Carlin photo
Theodoros Kolokotronis photo

“I was born in 1770, on April the 3rd, on the Easter Monday. The rebellion in the Peloponnese broke out in 1769. I was born under a tree on a mountain called Ramovouni, situated in old Messenia”

Theodoros Kolokotronis (1770–1843) Greek general

Theodoros Kolokotronis, quoted in: Stathis Paraskevopoulos (2008) " History of Kolokotronis: Theodoros Kolokotronis (1770-1843) http://www.kolokotronis.org.gr/default.aspx?catid=151" at kolokotronis.org, Accessed May 23, 2014.

Donald Barthelme photo
John Muir photo

“With inexpressible delight you wade out into the grassy sun-lake, feeling yourself contained in one of Nature's most sacred chambers, withdrawn from the sterner influences of the mountains, secure from all intrusion, secure from yourself, free in the universal beauty. And notwithstanding the scene is so impressively spiritual, and you seem dissolved in it, yet everything about you is beating with warm, terrestrial, human love, delightfully substantial and familiar.”

John Muir (1838–1914) Scottish-born American naturalist and author

" The Glacier Meadows of the Sierra http://books.google.com/books?id=zj2gAAAAMAAJ&pg=PA478", Scribner's Monthly, volume XVII, number 4 (February 1879) pages 478-483 (at page 479); modified slightly and reprinted in The Mountains of California http://www.sierraclub.org/john_muir_exhibit/writings/the_mountains_of_california/ (1894), chapter 7: The Glacier Meadows
1890s, The Mountains of California (1894)

Joseph Rodman Drake photo
Jane Goodall photo
Mark Tobey photo

“We look at the mountain to see the painting, then we look at the painting to see the mountain.”

Mark Tobey (1890–1976) American abstract expressionist painter

Source: 1950's, In: Reminiscence and Reverie, 1951, p. 231